May 2015 Calendar of Events

Total Page:16

File Type:pdf, Size:1020Kb

May 2015 Calendar of Events M AY 2 0 1 5 C A L E N D A R O F E V E N T S Calendar information is current as of March 4, 2015. For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. To receive this monthly calendar by email, send your email address to [email protected]. May 1 Friday NEW YORK PUBLIC LIBRARY JUILLIARD SCHOOL FOR THE PERFORMING ARTS Juilliard415 FILM SOCIETY OF Harlem is... Theater David Hill, conductor LINCOLN CENTER Exhibition celebrating the rich Yale Schola Cantorum For the Film Society's tradition of the theater in Harlem. Beethoven: Mass in C Major complete May schedule, k Plaza Corridor Gallery 12 PM Haydn: Symphony No. 94, visit www.FilmLinc.com "The Surprise" NEW YORK PUBLIC LIBRARY Alice Tully Hall 8 PM JAZZ AT LINCOLN CENTER FOR THE PERFORMING ARTS Joe Temperley and Sinatra: An American Icon LINCOLN CENTER THEATER Wess Anderson The official exhibition of the Rodgers & Hammerstein's With Richard Johnson, Willie 2015 Frank Sinatra Centennial The King and I Jones III & Yasushi Nakamura k Oenslager Gallery 12 PM Directed by Bartlett Sher Dizzy's Club Coca-Cola Vivian Beaumont Theater 7:30 & 9:30 PM 2 & 8 PM May 2 Saturday LINCOLN CENTER THEATER JAZZ AT LINCOLN CENTER METROPOLITAN OPERA Rodgers & Hammerstein's Joe Temperley and Un Ballo in Maschera The King and I Metropolitan Opera House Wess Anderson Directed by Bartlett Sher With Richard Johnson, Willie 1 PM Vivian Beaumont Theater Jones III, and Yasushi Nakamura 8 PM Dizzy's Club Coca-Cola METROPOLITAN OPERA 7:30 & 9:30 PM Cavalleria Rusticana/Pagliacci METROPOLITAN OPERA Metropolitan Opera House The Rake's Progress JUILLIARD SCHOOL 8:30 PM Metropolitan Opera House Pre-College String Ensemble 7:30 PM Shih-Hung Young, conductor NEW YORK CITY BALLET Piano soloist TBA Balanchine Black & White I NATIONAL CHORALE Rossini: Overture to Monumentum pro Gesualdo Music Transcending Time L'italiana in Algeri Movements for Piano and Timothy Brumfield, organist Mozart: Piano Concerto No. 12 Orchestra Everett McCorvey, artistic in A Major, K. 414 Concerto Barocco director Sibelius: Valse Triste, Op. 44, Episodes Music by Johannes Brahms, No. 1 The Four Temperaments Benjamin Britten, George Beethoven: Symphony No. 1 David H. Koch Theater 2 PM Frederic Handel, Ralph Vaughan in C Major, Op. 21 Williams, Eric Whitacre and k Peter Jay Sharp Theater NEW YORK CITY BALLET others. 5 PM Balanchine Black & White III Avery Fisher Hall 8 PM Square Dance Le Tombeau de Couperin JUILLIARD SCHOOL NEW YORK CITY BALLET Stravinsky Violin Concerto Pre-College Balanchine Black & White I David H. Koch Theater 8 PM Chamber Ensembles Concerto Barocco Peter Jay Sharp Theater Episodes k NEW YORK PUBLIC LIBRARY 7:30 PM The Four Temperaments FOR THE PERFORMING ARTS David H. Koch Theater 8 PM Sinatra: An American Icon The official exhibition of the 2015 Frank Sinatra Centennial. k Oenslager Gallery 12 PM k Asterisk indicates FREE event. Contents copyright © 2015 by Lincoln Center for the Performing Arts, Inc. MAY 2015 CALENDAR OF EVENTS MAY 2 CONT’D May 4 Monday NEW YORK CITY BALLET Stravinsky/Balanchine NEW YORK PUBLIC LIBRARY JAZZ AT LINCOLN CENTER Black & White II FOR THE PERFORMING ARTS Dan Nimmer Trio Apollo Gary Dranch & Friends With David Wong Agon Gary Dranch, clarinet Dizzy's Club Coca-Cola Duo Concertant Mayuki Fukuhara, violin 1 7:30 & 9:30 PM Symphony in Three Movements Theresa Salomon, violin 2 David H. Koch Theater 7:30 PM Sarah Adams, viola JUILLIARD SCHOOL Lawrence Zoernig, cello The Aeolus Quartet in Recital NEW YORK PUBLIC LIBRARY Hindemith: Quintet for Clarinet Nicholas Tavani, violin FOR THE PERFORMING ARTS and Strings, Op. 30 (1923) Rachel Shapiro, violin Gotham Jazzmen Brahms: Quintet for Clarinet Gregory Luce, viola Dixieland Jazz and Strings, Op. 115 (1891) Alan Richardson, cello k Bruno Waler Aud 12 PM k Bruno Waler Aud 2:30 PM Schubert: Quartet in D Minor, D 810, "Death and the Maiden" NEW YORK PUBLIC LIBRARY May 3 Sunday Boyce: Alcyone (World premiere) FOR THE PERFORMING ARTS CHAMBER MUSIC SOCIETY Schoenberg: Verklarte Nacht Sinatra: An American Icon OF LINCOLN CENTER for String Sextet The official exhibition of the 2015 Jeremy Denk, piano Alice Tully Hall 8 PM Frank Sinatra Centennial. Erin Keefe, violin k Oenslager Gallery 12 PM Efe Baltacigil, cello METROPOLITAN OPERA James Austin Smith, oboe The Rake's Progress NEW YORK PUBLIC LIBRARY David Shifrin, clarinet Metropolitan Opera House FOR THE PERFORMING ARTS Peter Kolkay, bassoon 7:30 PM Road to the Tonys Jennifer Montone, horn An evening of theater trivia and Beethoven: Quintet in NEW YORK PUBLIC LIBRARY Tony history. E-flat major for Oboe, Clarinet, FOR THE PERFORMING ARTS k The Cafe at LPA 7 PM Bassoon, Horn, and Piano, Sinatra: An American Icon Op. 16 (1796) The official exhibition of the YOUNG CONCERT ARTISTS Ligeti: Trio for Violin, Horn, and 2015 Frank Sinatra Centennial. SERIES Piano, “Hommage à Brahms” k Oenslager Gallery 12 PM 54th Gala Concert (1982) Alice Tully Hall 7 PM Beethoven: Trio in B-flat major for NEW YORK PUBLIC LIBRARY Piano, Violin, and Cello, Op. 97, FOR THE PERFORMING ARTS “Archduke” (1810–11) Film: The Man with the May 6 Wednesday Alice Tully Hall 5 PM Golden Arm JAZZ AT LINCOLN CENTER Ol' Blue Eyes on Screen Juilliard Jazz Orchestra: JAZZ AT LINCOLN CENTER film series. The Music of Duke Ellington Joe Temperley and k Bruno Waler Aud 6 PM Dizzy's Club Coca-Cola Wess Anderson 7:30 & 9:30 PM With Richard Johnson, Willie May 5 Tuesday Jones III & Yasushi Nakamura JUILLIARD SCHOOL Dizzy's Club Coca-Cola JAZZ AT LINCOLN CENTER Petschek Piano Award Recital 7:30 & 9:30 PM Dan Nimmer Trio Soloist TBA With David Wong Alice Tully Hall 8 PM LINCOLN CENTER THEATER Dizzy's Club Coca-Cola Rodgers & Hammerstein's 7:30 & 9:30 PM JUILLIARD SCHOOL The King and I Shakespeare's Directed by Bartlett Sher LINCOLN CENTER THEATER The Winter's Tale Vivian Beaumont Theater 3 PM Rodgers & Hammerstein's Juilliard Drama Group 45 The King and I (3rd year actors) NEW YORK CITY BALLET Directed by Bartlett Sher McClelland Drama Theater Stravinsky/Balanchine Vivian Beaumont Theater 7 PM 8 PM Black & White II Apollo METROPOLITAN OPERA Agon Cavalleria Rusticana/Pagliacci Duo Concertant Metropolitan Opera House Symphony in Three Movements 7:30 PM David H. Koch Theater 3 PM k Asterisk indicates FREE event. Contents copyright © 2015 by Lincoln Center for the Performing Arts, Inc. MAY 2015 CALENDAR OF EVENTS MAY 6 CONT’D DAVID RUBENSTEIN ATRIUM NEW YORK PUBLIC LIBRARY AT LINCOLN CENTER FOR THE PERFORMING ARTS LINCOLN CENTER THEATER Sven Ratzke Meredith Monk: Rodgers & Hammerstein's David Rubenstein Atrium 50 Years in New York City The King and I 7:30 PM With Q2 Music Directed by Bartlett Sher k Bruno Waler Aud. 6 PM Vivian Beaumont Theater JAZZ AT LINCOLN CENTER 2 & 8 PM Juilliard Jazz Orchestra: The Music of Duke Ellington May 8 Friday METROPOLITAN OPERA Dizzy's Club Coca-Cola JAZZ AT LINCOLN CENTER Un Ballo in Maschera 7:30 & 9:30 PM 2015 Essentially Ellington Metropolitan Opera House Competition Part I 7:30 PM JUILLIARD SCHOOL Rose Theater 2 PM Gerald Finley NEW YORK CITY BALLET Live Streamed Master Class JAZZ AT LINCOLN CENTER Balanchine Black & White I Eric Jurenas, countertenor Juilliard Jazz Orchestra: Repeat of May 1 program Kurt Kanazawa, baritone The Music of Duke Ellington David H. Koch Theater 8 PM Jake Alan Nelson, baritone Dizzy's Club Coca-Cola Daniel Miroslaw, bass 7:30 & 9:30 PM NEW YORK PHILHARMONIC k live.juilliard.edu 4 PM Alan Gilbert, conductor LINCOLN CENTER THEATER Ravel: Valses nobles et JUILLIARD SCHOOL Rodgers & Hammerstein's sentimentales Shakespeare's The King and I R. Strauss: Der Rosenkavalier The Winter's Tale Directed by Bartlett Sher Suite Juilliard Drama Group 45 Vivian Beaumont Theater 8 PM Stravinsky: Petrushka (3rd year actors) (1911, original version) McClelland Drama Theater METROPOLITAN OPERA Avery Fisher Hall 7:30 PM 8 PM Cavalleria Rusticana/Pagliacci Metropolitan Opera House NEW YORK PUBLIC LIBRARY LINCOLN CENTER THEATER 7:30 PM FOR THE PERFORMING ARTS Rodgers & Hammerstein's Sinatra: An American Icon The King and I NEW YORK CITY BALLET The official exhibition of the Directed by Bartlett Sher All Balanchine 2015 Frank Sinatra Centennial. Vivian Beaumont Theater 8 PM Walpurgisnacht Ballet k Oenslager Gallery 12 PM Sonatine LINCOLN CENTER'S La Valse May 7 Thursday GREAT PERFORMERS Symphony in C Emanuel Ax, piano David H. Koch Theater 8 PM CHAMBER MUSIC SOCIETY Bizet: Variations chromatique OF LINCOLN CENTER Rameau: Pièces de clavecin NEW YORK PHILHARMONIC New Music in the Debussy: Estampes; Hommage à Alan Gilbert, conductor Kaplan Penthouse Rameau; L’isle joyeuse Anne Sofie von Otter, Yura Lee, violin/viola Chopin: Four Scherzos mezzo-soprano Jan Vogler, cello Alice Tully Hall 7:30 PM Russell Braun, baritone Amphion String Quartet Schubert: Symphony in B minor, Ian David Rosenbaum, METROPOLITAN OPERA Unfinished percussion The Merry Widow Eötvös: Senza sangue Lansky: Hop for Violin and Metropolitan Opera House (U.S. premiere) Marimba (1993) 7:30 PM Avery Fisher Hall 8 PM Thomas: Invocations for String Quartet (2000) NEW YORK CITY BALLET NEW YORK PUBLIC LIBRARY Hefti: New Work for Two Violins, 2015 Spring Gala FOR THE PERFORMING ARTS Two Violas, and Two Cellos (CMS Bournonville Divertissements Sinatra: An American Icon Co-Commission, U.S. premiere) La Sylphide The official exhibition of the (2014) David H. Koch Theater 7 PM 2015 Frank Sinatra Centennial. Lutoslawski: Sacher Variation k Oenslager Gallery 12 PM for Cello (1975) Sharlat: Quartet No. 2 for Strings, NEW YORK PUBLIC LIBRARY “Moth” (2013) FOR THE PERFORMING ARTS Akiho: LIgNEouS 1 for Marimba, Sinatra: An American Icon Two Violins, Viola, and Cello The official exhibition of the 2015 (2010) Frank Sinatra Centennial.
Recommended publications
  • All Strings Considered a Subjective List of Classical Works
    All Strings Considered A Subjective List of Classical Works & Recordings All Recordings are available from the Lake Oswego Public Library These are my faves, your mileage may vary. Bill Baars, Director Composer / Title Performer(s) Comments Middle Ages and Renaissance Sequentia We carry a lot of plainsong and chant; HILDEGARD OF BINGEN recordings by the Anonymous 4 are also Antiphons highly recommended. Various, Renaissance vocal and King’s Consort, Folger Consort instrumental collections. or Baltimore Consort Baroque Era Biondi/Europa Galante or Vivaldi wrote several hundred concerti; try VIVALDI Loveday/Marriner. the concerti for multiple instruments, and The Four Seasons the Mandolin concerti. Also, Corelli's op. 6 and Tartini (my fave is his op.96). HANDEL Asch/Scholars Baroque For more Baroque vocal, Bach’s cantatas - Messiah Ensemble, Shaw/Atlanta start with 80 & 140, and his Bach B Minor Symphony Orch. or Mass with John Gardiner conducting. And for Jacobs/Freiberg Baroque fun, Bach's “Coffee” cantata. orch. HANDEL Lamon/Tafelmusik For an encore, Handel's “Music for the Royal Water Music Suites Fireworks.” J.S. BACH Akademie für Alte Musik Also, the Suites for Orchestra; the Violin and Brandenburg Concertos Berlin or Koopman, Pinnock, Harpsicord Concerti are delightful, too. or Tafelmusik J.S. BACH Walter Gerwig More lute - anything by Paul O'Dette, Ronn Works for Lute McFarlane & Jakob Lindberg. Also interesting, the Lute-Harpsichord. J.S. BACH Bylsma on period cellos, Cello Suites Fournier on a modern instrument; Casals' recording was the standard Classical Era DuPre/Barenboim/ECO & HAYDN Barbirolli/LSO Cello Concerti HAYDN Fischer, Davis or Kuijiken "London" Symphonies (93-101) HAYDN Mosaiques or Kodaly quartets Or start with opus 9, and take it from there.
    [Show full text]
  • The Role of Harmony and Timbre in Maurice Ravel's Cycle Gaspard De
    Miljana Tomić The role of harmony and timbre in Maurice Ravel’s cycle Gaspard de la Nuit in relation to form A thesis submitted to Music Theory Department at Norwegian Academy of Music in partial fulfilment of the requirements of the degree of Master’s in Applied Music Theory Spring 2020 Copyright © 2020 Miljana Tomić All rights reserved ii I dedicate this thesis to all my former, current, and future students. iii Gaspard has been a devil in coming, but that is only logical since it was he who is the author of the poems. My ambition is to say with notes what a poet expresses with words. Maurice Ravel iv Table of contents I Introduction ............................................................................................................ 1 1.1 Preface ........................................................................................................................... 1 1.2 Presentation of the research questions ..................................................................... 1 1.3 Context, relevance, and background for the project .............................................. 2 1.4 The State of the Art ..................................................................................................... 4 1.5 Methodology ................................................................................................................ 8 1.6 Thesis objectives ........................................................................................................ 10 1.7 Thesis outline ............................................................................................................
    [Show full text]
  • 2018-19 Chronological Calendar
    2018-19 (119TH SEASON) Chronological Calendar (as of January 31, 2018) OPENING NIGHT September 13 at 7:00 PM–Thursday evening—Verizon Hall at the Kimmel Center for the Performing Arts The Philadelphia Orchestra Yannick Nézet-Séguin Conductor André Watts Piano Rossini Overture to William Tell Strauss Don Juan Join us as we kick off The Philadelphia Orchestra’s 119th season in high style. The Opening Night Concert and Gala for the 2018-19 season promises to be a highlight of the cultural year. Yannick, internationally renowned pianist André Watts (who made his debut with the Orchestra in 1957, at the age of 10), and the Fabulous Philadelphians are planning a special celebratory program that features musical masterworks and audience favorites, including Rossini’s famous Overture to William Tell and Strauss’s Don Juan. Opening Night Co-Chairs Alison Avery Lerman and Lexa Edsall, Volunteer Association President Lisa Yakulis, Board Chairman Richard Worley, and the Opening Night Gala committee look forward to welcoming you to this special evening, featuring great music, high couture and black tie, and delicious food and champagne with Philadelphia’s cultural leaders and arts patrons. Contact Dorothy Byrne in the Volunteer Relations office at 215.893.3124 or via e-mail at [email protected] to make sure you are on the invitation list. Concert-only tickets for the evening are also available—simply add them to your subscription. January 31, 2018—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2018-19 Chronological
    [Show full text]
  • Europa Galante
    CNDM | SALAMANCA BARROCA AUDITORIO HOSPEDERÍA FONSECA 14.02.18 | EUROPA GALANTE EUROPA GALANTE Europa Galante se funda en el año 1990 por Fabio Biondi, su director musical, con la intención de formar un grupo instrumental italiano e interpretar un repertorio tanto Barroco como Clásico. El conjunto obtiene un gran éxito con la publicación de su primer disco con los conciertos de Vivaldi (Premio Cini de Venecia, Choc de la Musique en Francia), recogiendo multitud de premios: cinco Diapason d'Oro, Golden Diapason d'Oro del año en Francia, Premio RTL, nominación a 'Disco del Año' en España, Canadá, Suecia, Francia y Finlandia, Prix du Dix, entre otros muchos. Desde entonces Europa Galante ha actuado en las principales salas de conciertos y teatros del mundo: desde el Teatro alla Scala de Milán, Academia de Santa Cecilia de Roma, Suntory Hall de Tokio, Concertgebouw de Ámsterdam, hasta el Royal Albert Hall de Londres, Lincoln Center de Nueva York, Teatro de los Campos Elíseos de París, y la Ópera de Sydney. En Italia colabora con la Academia Nacional de Santa Cecilia en la recuperación de obras vocales del siglo XVIII italiano como Passione di Gesù Cristo de Antonio Caldara, Sant’Elena al Calvario de Leonardo Leo, Gesú sotto il Peso della Croce de Gian Francesco de Mayo, La Santissima Annunziata de Alessandro Scarlatti. Europa Galante también difunde el repertorio de Scarlatti, con numerosos oratorios y óperas, destacando, en colaboración con el Festival de Scarlatti en Palermo, Massimo Puppieno, Il Trionfo dell’Onore, Carlo Re d’Alemagna y La Principessa Fedele. Con gran éxito de crítica y público, Europa Galante ha estado presente en Venecia, en colaboración con la Fundación Teatro La Fenice, con la ópera Didone en el 2006, Bajazet ed Ercole sul Termodonte de Vivaldi en el 2007 y Virtù degli strali d'amori en el 2008.
    [Show full text]
  • May • June 2013 Jazz Issue 348
    may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher.
    [Show full text]
  • Miami City Ballet Announces 2016-2017 Season
    Media Contact: Samantha Franco Zakarin Martinez Public Relations [email protected] 305.372.2502 MIAMI CITY BALLET ANNOUNCES 2016-2017 SEASON Highlights Include the Classic Full-Length Ballet GISELLE, a World Premiere by ALEXEI RATMANSKY, and Five ComPany Premieres from George Balanchine, Jerome Robbins, Twyla TharP, Peter Martins and Sir Kenneth MacMillan Season OPens October 21 In Miami, November 5 In Fort Lauderdale And November 11 In West Palm Beach MIAMI BEACH, FL – (February 29, 2016) – Miami City Ballet’s 2016-2017 season opens October 21 with the classic full-evening ballet Giselle, and adds six major works to the company’s repertoire, including the highly anticipated world Premiere of The Fairy’s Kiss by Alexei Ratmansky. Says Artistic Director Lourdes Lopez, “Miami City Ballet is committed to bringing our audiences the very best of dance’s past, present and future. From a new narrative ballet by today’s most in-demand classical choreographer, Alexei Ratmansky, to five major company premieres, to several well-loved revivals, our new season offers a wide range of the best that dance has to offer, performed by our brilliant and highly individual MCB dancers.” The 2016-2017 Season begins October 21 with performances at the Adrienne Arsht Center in Miami, before moving on to the Kravis Center in West Palm Beach and the Broward Center in Fort Lauderdale; all repertory programs danced to live music provided by the distinguished OPus One Orchestra. Current Miami City Ballet Subscribers are now renewing their preferred seats for the 2016-17 Season at www.miamicityballet.org/subscribe or 877.929.7010.
    [Show full text]
  • Sounding Nostalgia in Post-World War I Paris
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Sounding Nostalgia In Post-World War I Paris Tristan Paré-Morin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Paré-Morin, Tristan, "Sounding Nostalgia In Post-World War I Paris" (2019). Publicly Accessible Penn Dissertations. 3399. https://repository.upenn.edu/edissertations/3399 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3399 For more information, please contact [email protected]. Sounding Nostalgia In Post-World War I Paris Abstract In the years that immediately followed the Armistice of November 11, 1918, Paris was at a turning point in its history: the aftermath of the Great War overlapped with the early stages of what is commonly perceived as a decade of rejuvenation. This transitional period was marked by tension between the preservation (and reconstruction) of a certain prewar heritage and the negation of that heritage through a series of social and cultural innovations. In this dissertation, I examine the intricate role that nostalgia played across various conflicting experiences of sound and music in the cultural institutions and popular media of the city of Paris during that transition to peace, around 1919-1920. I show how artists understood nostalgia as an affective concept and how they employed it as a creative resource that served multiple personal, social, cultural, and national functions. Rather than using the term “nostalgia” as a mere diagnosis of temporal longing, I revert to the capricious definitions of the early twentieth century in order to propose a notion of nostalgia as a set of interconnected forms of longing.
    [Show full text]
  • Paris, 1918-45
    un :al Chapter II a nd or Paris , 1918-45 ,-e ed MARK D EVOTO l.S. as es. 21 March 1918 was the first day of spring. T o celebrate it, the German he army, hoping to break a stalemate that had lasted more than three tat years, attacked along the western front in Flanders, pushing back the nv allied armies within a few days to a point where Paris was within reach an oflong-range cannon. When Claude Debussy, who died on 25 M arch, was buried three days later in the Pere-Laehaise Cemetery in Paris, nobody lingered for eulogies. The critic Louis Laloy wrote some years later: B. Th<' sky was overcast. There was a rumbling in the distance. \Vas it a storm, the explosion of a shell, or the guns atrhe front? Along the wide avenues the only traffic consisted of militarr trucks; people on the pavements pressed ahead hurriedly ... The shopkeepers questioned each other at their doors and glanced at the streamers on the wreaths. 'II parait que c'ctait un musicicn,' they said. 1 Fortified by the surrender of the Russians on the eastern front, the spring offensive of 1918 in France was the last and most desperate gamble of the German empire-and it almost succeeded. But its failure was decisive by late summer, and the greatest war in history was over by November, leaving in its wake a continent transformed by social lb\ convulsion, economic ruin and a devastation of human spirit. The four-year struggle had exhausted not only armies but whole civiliza­ tions.
    [Show full text]
  • Miami City Ballet 37
    Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha
    [Show full text]
  • 10700990.Pdf
    The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
    [Show full text]
  • THOMAS! Dausgaard Conducts R
    THOMAS DAUSGAARD, MUSIC DIRECTOR SEPTEMBER 2019 WELCOME THOMAS! Dausgaard conducts R. Strauss’ Also sprach Zarathustra Rachmaninov’s Fourth Piano Concerto with pianist Daniil Trifonov Mahler’s Symphony No. 1 Brahms’ Second Piano Concerto with pianist Yefim Bronfman My legacy. My partner. You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave behind. The Private Bank can help. Our highly specialized and experienced wealth strategists can help you navigate the complexities of estate planning and deliver the customized solutions you need to ensure your wealth is transferred according to your wishes. Take the first step in ensuring the preservation of your wealth for your lifetime and future generations. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 415-705-7159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2019 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. Untitled-3 1 4/30/19 12:11 PM CONTENTS SEPTEMBER 2019 4 / Calendar 6 / The Orchestra 53 / Benaroya Hall Guide FEATURES 5 / Community Connections 7 / Meet the Musicians 10 / On a High Note 12 / Thomas Dausgaard on the Season Ahead 54 / The Lis(z)t CONCERTS 14 / September 11 & 12 My legacy. My partner. Distant Worlds: music from Final Fantasy® with the Seattle Symphony 16 / September 14 You have dreams. Goals you want to achieve during your lifetime and a legacy you want to leave Opening Night Concert & Gala behind.
    [Show full text]
  • Nutcracker Media Release R1
    FOR IMMEDIATE RELEASE November 14, 2014 Contact: Erika Overturff (Founder and Artistic Director), (402) 541-6946 Print-quality photos are available for download here. BALLET NEBRASKA'S NUTCRACKER BLENDS NEW FEATURES, OLD FAVORITES The premiere of a new French scene and the debut of a new Sugar Plum Fairy and are among the features of this year's edition of Ballet Nebraska's The Nutcracker. “I’m always looking for ways to maintain the ballet’s story and charm, while adding fresh touches,” said artistic director Erika Overturff, who choreographs and stages the holiday classic, as well as dancing the role of the Snow Queen. “Personalizing the ballet for your own company and audience is something that every company has done since the beginning – it’s part of the tradition of The Nutcracker.” The French scene – often called “Mirletons” or “Dance of the Reed Flutes” – gets a makeover this year, with new concept, choreography and costumes, Overturff said. “I was listening to the music and thinking about things we associate with France,” she said, “and I thought: What could be more French than cooking? I don’t want to spoil the surprise, but I can tell you that the new scene involves a ballerina, a chef with a lot of assistants, and a cake.” A signature role in The Nutcracker, Overturff said, is that of the Sugar Plum Fairy – the benign ruler of the Kingdom of Sweets, who welcomes the young heroine, Clara, and commands a series of spectacular dances in her honor. Making her debut as the Sugar Plum Fairy this year is Vivi DiMarco, a dancer in her third season with Ballet Nebraska.
    [Show full text]