10 Abbeydale Picture House December `08 Puzzle Corner
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Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Stonyhurst Association Newsletter 306 July 2013
am dg Ston y hurSt GES RU 1762 . B .L 3 I 9 E 5 G 1 E S 1 R 7 7 E 3 M . O 4 T S 9 . 7 S 1 T O ST association news N YHUR STONYHURST newsletter 306 ASSOjulyC 2013IATION 1 GES RU 1762 . B .L 3 I 9 E G StonyhurSt association 5 1 E S 1 R 7 7 E 3 M . O 4 francis xavier scholarships T S 9 newsletter . 7 S 1 T O ST N YHUR The St Francis Xavier Award is a scholarship being awarded for entry to newSlet ter 306 a mdg july 2013 Stonyhurst. These awards are available at 11+ and 13+ for up to 10 students who, in the opinion of the selection panel, are most likely to benefitS from,T andO NYHURST contribute to, life as full boarders in a Catholic boarding school. Assessments for contentS the awards comprise written examinations and one or more interviews. diary of events 4 Applicants for the award are expected to be bright pupils who will fully participate in all aspects of boarding school life here at Stonyhurst. St Francis In memoriam 4 Xavier Award holders will automatically benefit from a fee remissionA of 20%S andS OCIATION thereafter may also apply for a means-tested bursary, worth up to a further 50% Congratulations 5 off the full boarding fees. 50 years ago 6 The award is intended to foster the virtues of belief, ambition and hard work which Francis Xavier exemplified in pushing out the boundaries of the Christian reunions 7 faith. -
Overture November December 2018 2018 9/19/18 2:09 PM Page 1
NOVEMBER–DECEMBER 2018 TURANGALÎLA-SYMPHONIE MARIN ALSOP AND THE BSO TAKE ON ONE OF THE 20TH CENTURY’S MOST MONUMENTAL SYMPHONIC WORKS MARIN ALSOP AND THE BSO NEW PROGRAM WIN OPUS KLASSIK FOR MAKES FREE TICKETS BERNSTEIN RECORDING AVAILABLE TO CHILDREN 15568-ad in Overture November December 2018_2018 9/19/18 2:09 PM Page 1 YULETIDE AT WINTERTHUR Open for holiday tours • November 17, 2018–January 6, 2019 Don’t miss this spectacular holiday showcase featuring tours of Henry Francis du Pont’s magnificent mansion decorated for Yuletide! Enjoy dining, shopping, musical and theatrical performances, and a full season of festive celebrations. Tickets at 800.448.3883 or visit winterthur.org/yuletide. Included with admission. Members free. Open New Year’s Day. Closed Thanksgiving and Christmas Day. Presented by r e i n r u o F n e B Winterthur is nestled in Delaware’s beautiful Brandywine Valley on Route 52, just minutes from I-95, Exit 7. 15568-ad in Overture November December 2018_2018 9/19/18 2:09 PM Page 1 NOVEMBER/ CONTENTS DECEMBER 2018 2 From the President 4 In Tempo: News of Note 6 BSO Live: Calendar of Events 7 Orchestra Roster 8 Turangalîla-symphonie Marin Alsop and the BSO take on one of the 20th century’s most monumental symphonic works 10 Poulenc Concerto for Two Pianos NOV 9–11 16 Copland Symphony No. 3 YULETIDE AT WINTERTHUR NOV 15 & 18 Off The Cuff: Copland Open for holiday tours • November 17, 2018–January 6, 2019 Symphony No. 3 Don’t miss this spectacular holiday showcase featuring tours of Henry Francis du Pont’s NOV 16 & 17 magnificent mansion decorated for Yuletide! Enjoy dining, shopping, musical and theatrical 20 Violinist Joshua Bell performances, and a full season of festive celebrations. -
„Nowhere to Go but Up“? Die Gattungsmerkmale Des Musicals
„Nowhere to Go But Up“? Die Gattungsmerkmale des Musicals Dissertation zur Erlangung des Grades der Doktorin der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg im Promotionsfach Historische Musikwissenschaft vorgelegt von Sarah Baumhof Hamburg, 2021 Tag der Disputation: 21.1.2021 Vorsitzende der Prüfungskommission: Prof. Dr. Ivana Rentsch Erstgutachterin: Prof. Dr. Ivana Rentsch Zweitgutachter: Prof. Dr. Oliver Huck Anmerkungen zu Begrifflichkeiten, Schreibweisen und Quellenangaben ............................................ IV 1 Einleitung .......................................................................................................................... 1 1.1 Ziel und Titel der Dissertation .................................................................................... 1 1.2 Aktueller Forschungsstand ......................................................................................... 2 1.2.1 Sekundärliteratur: Umfang und Publikationsart ..................................................... 2 1.2.2 Subjektivität und qualitative Mängel ...................................................................... 6 1.2.3 Geographische Zentrierung .................................................................................. 11 1.2.4 Fehlende Musikanalyse ........................................................................................ 13 1.2.5 Determiniertheit .................................................................................................... 15 1.3 Fragestellung und -
Andrew Lloyd Webber's Musicals
MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography. -
Cats Study Guide TABLE of CONTENTS
Name:______________________________ Date: / / 1 Cats Study Guide TABLE OF CONTENTS PLOT SUMMARY………………………………………………………………………………………………………… 3 PRODUCTION HISTORY…………………………………………………………………………………………. 5 CAST LIST & ABOUT THE DIRECTOR……………………………………………………………….. 7 THEATRE ETIQUETTE………………………………………………………………………………………………. 8 STUDENT ACTIVITIES WORD SEARCH…………………………………………………………………………………………… 9 CRITIQUE SHEET…………………………………………………………………………………………. 10 ALIGNMENT TO STANDARDS……………………………………………………………………………… 11 Cats Music by Andrew Lloyd Webber Based on Old Possum's Book Of Practical Cats by T.S. Eliot Directed and Choreographed by Sarah Wilcoxon Other showtimes: 25-26, 28 October 7:30 PM 27 October 2:30 PM Craig Hall Coger Theatre Cats Study Guide 3 Plot Summary Cats begins with the gathering of the cats of the Jellicle tribe onstage to explain a bit about their lives and their purpose. After the group describes how they assign names to each cat in the tribe, they assemble in preparation to take part in the annual festival of cat-dom...they send out invitations to attend the Jellicle Ball! At the Ball, each cat tries to prove to Old Deuteronomy (the leader of the Jellicle tribe) why he or she deserves to go the Heavyside Layer – a heavenly feline afterlife. Munkustrap, the show’s feline narrator, introduces the cats one by one starting with Jennyanydots. The Rum Tum Tugger, the wild and inconstant Elvis-esque cat, interrupts her presentation with his grand entrance; he feels no obligation to other cats and does as he feels. Following Tugger’s exuberant performance, the old and greying Grizabella makes her way through the group causing the tribe to scatter. The other cats dislike the lowly Grizabella and somberly sing of her sad state. As Grizabella sulks off into the night, the fat and renowned Bustopher Jones sings of his elite status among his fellow cats. -
Musical Evita Andrew Lloyda Webbera Na Tle Wybranych Gatunków Muzyki Scenicznej XIX I XX Wieku*
10.1515/umcsart-2015-0007 ANNALES UNIVERSITATIS MARIAE CURIE-SKã ODOWSKA LUBLIN – POLONIA VOL. XII, 2 SECTIO L 2014 Instytut Muzyki Uniwersytetu Marii Curie-Skäodowskiej WOJCIECH BERNATOWICZ Musical Evita Andrew Lloyda Webbera na tle wybranych gatunków muzyki scenicznej XIX i XX wieku* Andrew Lloyd Webber’s Musical Evita in the Context of Selected Genres of Nineteenth and Twentieth-Century Stage Music Analiza musicalu jest doĞü trudnym wyzwaniem badawczym gáównie ze wzglĊdu na brak opracowaĔ naukowych, które przynosiáyby wyczerpujące ujĊcia przedmiotu i dostarczaáy wzorców dla ujĊü muzykologicznych. W literaturze Ğwiatowej, zwáasz- cza angielsko- i niemieckojĊzycznej, znajdujemy wprawdzie liczne prace poĞwiĊco- ne twórczoĞci musicalowej1, ale – jak siĊ wydaje – nie wypracowano w nich dotąd takich kanonów metodologicznych i terminologicznych, które tworzyáyby pewny, ugruntowany juĪ tradycją punkt oparcia dla badaĔ analitycznych. W Polsce szerzej zakrojone studia nad formą musicalu prowadziá Marek Bielacki. Jego syntetyczna * Artykuá jest zmodyfi kowanym fragmentem mojej pracy magisterskiej. W. Bernatowicz, Mu- sicale Andrew Lloyda Webbera ze szczególnym uwzglĊdnieniem Evity w kontekĞcie wybranych gatunków twórczoĞci scenicznej XIX i XX wieku, praca magisterska, promotor dr hab. Iwona Lind- stedt, Instytut Muzykologii Wydziaáu Historycznego Uniwersytetu Warszawskiego 2014, ss. 123. 1 Zob. m.in.: G. Bordman, American Musical Theatre. A Chronicle, Nowy Jork 1978; J. Ken- rick, Musical Theatre. A History, Nowy Jork 2008; The Cambridge Companion To Musical, red. W. A. Everett, P. R. Laird, Cambridge 2008; J. B. Jones, Our Musical, Ourselves, Nowa Anglia 2003; M. Taylor; M. A. Bauch, Selbstrefl exivität im amerikanischen Musical, Kolonia, 2013; idem, Europäische Einfl üsse im amerikanischen Musical, Marburg, 2013; M. Taylor, D. Symonds, Studiyng Musical Theatre, Londyn 2014. -
The Heritage Gazette of the Trent Valley Volume 10, Number 2, August 2005
ISSN 1206-4394 The Heritage Gazette of the Trent Valley Volume 10, number 2, August 2005 Table of Contents Trent Valley Archives ..................................................................................................................... 2 President’s Report ........................................................................................................ John Marsh 2 Build a literary legacy for yourself: Smart aspiring writers have their archives ready ....... Robert Fulford 3 When Peterborough Became a City .............................................................................. Elwood Jones 4 Peterborough’s New City Name 1903 ......................................... Letters to the Editor, Review, 1903 8 J. Alex Culverwell, “Peterborough”, W. H. Moore, “Onlooker”, “Peter” Was This a Murder in Contemplation? ............................................... Peterborough Examiner, 1905 11 Corroboration by Miss Annie Gorman ................................................ Peterborough Examiner, 1905 12 2005 Islay Descendants Gathering .............................................................................. Toni Sinclair 13 Islay-born Settlers in Eldon and Thorah Townships: a Search for Patterns ....................... R. B. Fleming 14 List of Islay-born Burials in Cemeteries in Eldon, Thorah, Mariposa and Mara ...................................... 19 Post-1901 Census News (Canada) .................................................................................................. 22 Queries ................................................................................................................... -
February 9-19, 2021
SAVANNAH'S WEEK LONG CELEBRATION OF SONG FEBRUARY 9-19, 2021 AMERICANTRADITIONSCOMPETITION.COM All events will begin at 7pm on the date listed, and remain available to watch at the audience’s leisure until February 28, 2021. TUESDAY FEB. 9 Quarterfinal 1 Sponsored by Tricia & David Guggenheim WEDNESDAY FEB. 10 Quarterfinal 2 Sponsored by Kathie & Les Anderson THURSDAY FEB. 11 Quarterfinal 3 pro Sponsored by Nancy McGirr & David Goslin FRIDAY FEB. 12 Quarterfinal 4 Sponsored by Patty & Heyward Gignilliat TUESDAY FEB. 16 Judges Concert Sponsored by The Charles C. Taylor and Samir gram Nikocevic Charitable Foundation WEDNESDAY FEB. 17 Semifinal 1 Sponsored by Hedy & Michael Fawcett THURSDAY FEB. 18 Semifinal 2 flow Sponsored by Danny Cohen FRIDAY FEB. 19 Final Round Sponsored by Savannah Morning News 14 ATC PRESIDENT 15 ATC DIRECTOR 16 ABOUT THE ATC ATC BOARD OF DIRECTORS EDUCATIONAL OUTREACH 17 JUNIOR ATC 18 IN-KIND DONATIONS of 19 VOLUNTEERS table 20 ATC DONORS 22 AWARDS 24 PAST GOLD MEDAL WINNERS 25 SPONSORS 26 2021 JUDGES cont 28 PIANISTS 29 INSTRUMENTALISTS 30 2021 CONTESTANTS ents W E C R E A T E D Y N A M I C V I D E O C O N T E N T F O R B U S I N E S S A N D C R E A T I V E P L A T F O R M S . S A V A N N A H , G A 3 1 4 0 1 | 7 0 6 . 4 4 9 . 1 2 1 2 WELCOME TO THE 28TH YEAR OF ATC A N O T E F R O M A T C B O A R D P R E S I D E N T Greetings all. -
The Ideology and Aesthetics of Andrew Lloyd Webber's Musicals
THE IDEOLOGY AND AESTHETICS OF ANDREW LLOYD WEBBER’S MUSICALS: FROM THE BROADWAY MUSICAL TO THE BRITISH MEGAMUSICAL by Vagelis Siropoulos A dissertation submitted to the Department of English Literature and Culture, School of English, Faculty of Philosophy, Aristotle University of Thessaloniki, Greece In fulfillment of the requirements for the degree of Doctor of Philosophy 2008 2 TABLE OF CONTENTS Acknowledgements…………………………………………………………..page 4 Introduction A Dialectical Method for the Analysis of Musicals: From Fredric Jameson to Andrew Lloyd Webber..............................................................................................5 Chapter 1 Historicizing the Musical Number: From Vaudeville to MTV 1. Defining the Musical Number………………………………………………25 2. The Old Razzle-Dazzle……………………………………………………..32 3. Thinking in Fragments……………………………………………………...43 Chapter 2 The Era of Rodgers and Hammerstein and the Origins of the Megamusical: From Show Boat to West Side Story 1. The Musical Play……………………………………………………………56 2. Problems of Integration……………………………………………………..71 3. Modernist Experimentations………………………………………………..92 Chapter 3 Counterculture and the Birth of the Megamusical: From Hair to Evita 1. Rock/ Pop Opera…………………………………………………………..109 3 2. Musical Montage and Conceptual Staging……………………………….. 128 3. Counterculture and the Culture of Narcissism: From Jesus to Madonna……………………………………………………149 Chapter 4 Blockbuster Aesthetics and the British Invasion: From Cats to Les Misérables 1. “On Her Majesty’s Secret Service:” The British Conquer the -
La Seva Renovació I El Seu Teatre Musical
TREBALL FI DE GRAU La seva renovació i el seu teatre musical NOM: Montse Liz Martínez. NIUB: 14904610. TUTOR: Jaume Carbonell Guberna. BLOC TEMÀTIC: Música. DATA: Juny 2014. UNIVERSITAT DE BARCELONA ÍNDEX 1. INTRODUCCIÓ ....................................................................................................................... 3 2. OBJECTIUS I METODOLOGIA ............................................................................................. 4 3. DESENVOLUPAMENT .......................................................................................................... 5 3.1. Vida i obra d’Andrew Lloyd Webber ............................................................................... 5 3.2. Estil d’Andrew Lloyd Webber ......................................................................................... 20 3.3. Els musicals d’Andrew Lloyd Webber ............................................................................ 26 3.4. Jesus Christ Superstar i la fonamentació de l’òpera rock ................................................ 38 3.5. The Phantom of the Opera i la passió melodramàtica ...................................................... 40 4. CONCLUSIONS ..................................................................................................................... 45 5. BIBLIOGRAFIA ..................................................................................................................... 49 5.1. Obres generals ................................................................................................................. -
Broadway Christmas & Beyond Press Info
COLM WILKINSON: ON STAGE FOR THE HOLIDAYS WITH Broadway, Christmas & Beyond “…ranks as one of the finest musical theatre performances ever.” New York News Day “…a joy to enjoy…I rate the show 5 stars out of 5” – AM 740 Toronto, On – November 6, 2012 - Tony, Drama Desk and Olivier Nominated, Helen Hayes and Theatre World Award winning performer Colm Wilkinson, one of theatre’s most beloved voices, brings his astonishing vocal talents to Canadians for a holiday evening of unsurpassed entertainment. Colm’s new Canadian tour “Broadway, Christmas & Beyond” begins in Belleville Ontario’s enchanted Empire Theatre November 24 with dates across Canada ending December 22nd (see below for full tour schedule). Theatre lovers around the world need no introduction to the man who originated such memorable, classic roles as Jean Valjean in “Les Miserables” and the Phantom in "The Phantom of the Opera". Broadway, Christmas and Beyond gives fans old and new an opportunity to see and hear a more intimate and personal side of this engaging phenomenal performer. Along with his seven-piece band, Colm is joined on stage by vocalists Susan Gilmour and Patricia O'Callaghan. Together Colm leads the audience with music and stories performing incomparable theatre favorites including “Music of the Night”, “Some Enchanted Evening”, “Somewhere”, and his signature song “Bring Him Home”. Definitive Irish classics such as “Danny Boy” and “Whiskey in the Jar”, as well as “Silent Night” and Leonard Cohen’s “Hallelujah” add yet another dimension to a program already rich in musical theatre and create an exceptional showcase for the complete depth, range, and variety of Mr.