Plattsburg Theatre Chas. K. Champlin

Total Page:16

File Type:pdf, Size:1020Kb

Plattsburg Theatre Chas. K. Champlin Plattsburg Theatre JACKIC. MATHEWS. MGR! MONDAY, SEPT. 24, 1923 Chas. K. Champlin PRESENTS "IT IS THE LAW" A Play by Elmer L. Rice from the story of the same title by Hayden Talbot. CAST OF CHARACTERS In order of Their Appearance. Rose ...Miss Emma Lowe Gertrude Miss Hazel Carleton Ruth Cummings —Miss Hazel Baker Lillian Cummings Miss Rosalind Mahan Justin Victor _ Mr. Milton Goodhand Theodore Cummings Mr. Claude C. Phillips William Elliot Mr. Jere. H. Taylor Albert Woodruff Mr. John Hall Ellen Miss Mable Phillips Sniffer Evans, a crook Mr. George Graves Byron _. Mr. Chauncey Dumas James Dolan Mr. James Kelleher Edward Harley Mr. J. W. McCarthy SYNOPSIS ACT I. Drawing Room of Theodore Cummings' Home. (Six Minutes Intermission) ACT II. Albert Woodruff's Apartment—Six months later. NOTE—During Act Two the curtain will be lowered 30 seconds to denote the elapse of twenty-four hours. (Six Minutes Intermission) ACT III. Warden's Office In Sing Sing Prison. Eight years later. (Three Minutes Intermission) ACT IV. Cumming's Home. Two weeks later. (Six Minutes Intermission) ACT V. Card Room of the Gotham Club, the following night. Time—Present. Place—New York City. TOMORROW NIGHT "THE LOVE CHILD" An Enormous Royalty Production direct from its Phenomenal New York Run TUTTLE PRINTING CO.-PLATTSBURGH. N. Y. Plattsburg Theatre JACK C. MATHEWS. MGR. TUESDA Y, SEPT. 25, 1923 Ohas. K. Champlin PRESENTS "THE LOVE CHILD" Sydney Blackmore and Janet Beecher's Great Success CAST OF CHARACTERS In order of Their Appearance. Marie Miss Mable Phillips Barrie Mr. Jere. H. Taylor Laura Thome Miss Hazel Baker Eugene Thome Mr. Milton Goodhand Aline De Mar Miss Rosalind Mahan Gaby Mulligan Miss Hazel Carleton Reine Clive Miss Emma Lowe PaulBrander Mr. John Hall Helen Brander Miss Emma Lowe Smith Mr. Claude C. Phillips Noto ..., Mr. J. W. McCarthy SYNOPSIS ACT I. Laura's Drawing Room. A House in East Fiftys N. Y. C. Friday Evening. ACT II. Eugene's Studio. Greenwich Village. Sat. Afternoon. NOTE—During Act 2 the curtain will be lowered one minute to indicate the passing of an hour. « ACT III. Paul Brander's Library. A House in Fifth Avenue. Saturday Evening. ACT IV. Laura's Drawing Room. Sunday Morning. Time—Present. TOMORROW MATINEE "IT IS THE LAW" TOMORROW NIGHT Chuckles and Chills—Tears and Thrills "CAPTAIN APPLEJACK" One Solid Year at the Cort Theatre TUTTLE PRINTING CO.- PLATTSBURGH, N. Y. Plattsburgl Theatre JACK C. MATHEWS. MGR WEDNESDAY, SEPT. 26, 1923 Chas. K. Champlin PRESENTS "CAPTAIN APPLEJACK" An Arabian Night's Adventure in Three Acts By Walter Hackett CAST OF CHARACTERS In order of Their Appearance. Lush Mr. Claude C. Phillips Poppy Fair Miss Hazel Baker Mrs. Agatha Whatcombe Miss Emma Lowe Ambrose Applejohn Mr. Milton Goodhand Anna Valeska Miss Rosalind Mahan Mrs. Pengard Miss Hazel Carleton Horace Pengard Mr. Jere. H. Taylor Ivan Borolsky Mr. John Hall Palmer Miss Mable Phillips Dennet Mr. Chauncey Dumas 1st Pirate Mr. James Kelleher 2nd Pirate Mr. J. W. McCarthy 3rd Pirate Mr. Claude C. Phillips 4th Pirate Mr. Chauncey Dumas Johnny Jason _ Mr. J. W. McCarthy SYNOPSIS ACT I. The Adventure. AGT II. The Dream. ACT III. The Romance. Time—The Present. One Winters Night. Place—An old house in a lonely spot on the coast of Cornwall, England. TOMORROW MATINEE AND NIGHT Margaret Anglin's Great Success "THE WOMAN IN BRONZE' Broadway claimed this the Classiest Emotional Drama of the age. TUTTLE PRINTIN % CO.- PLATTSBU RGH, N. Y. Plattsburg ClKatre JACK C. MATHEWS. MGR. THURSDAY, SEPT. 27, 1923 Chas. K. Champlin PRESENTS "THE WOMAN IN BRONZE" A Drama by Henry Kistemaecker and Eugene Delard, adopted from the French by Paul Kester. CAST OF CHARACTERS In order of Their Appearance. Billy Byrd Mr. Claude C. Phillips Maude Randal _ Miss Mable Phillips Leonard Hunt Mr. Milton Goodhand Mary Courtney Miss Hazel Carleton Mrs. Douglass Graham _ Miss Emma Lowe Patrick Griggs Mr. J. W. McCarthy Sylvia Morton Miss Rosalind Mahan" Mr. Douglass Graham Mr. John Hall Vivian Hunt Miss Hazel Baker Reginal Morton _ Mr. Jere. H. Taylor James Mr. James Kelleher George Mr. Chauncey Dumas Papa Bonelli Mr. George Graves SYNOPSIS ACT 1. Leonard Hunt's Studio. Situated about twenty miles from New York City. Late afternoon in February. ACT 2. The Same. An Afternoon in May. ACT 3. The Same. A Night Ten Months Later. TOMORROW MATINEE AND NIGHT The greatest laugh provoker ever produced "TWIN BEDS" You will laugh—You will howl—You will scream, ' And then some. TUTTLE PRINTING CO.-PLATTSBURGH, N. Y. Plattsburg CDeatrc JACK C. MATHEWS. MGR. FRIDAY, SEPT. 28, 1923 Chas. K. Champlin PRESENTS "TWIN BEDS" A Farce in Three Acts by Salisbury Fields and Margaret Mayo, from Mr. Fields Book by the same title. CAST OF CHARACTERS In order of Their Appearance. Harry Hawkins Mr. Milton Goodhand Blanch Hawkins _.. Miss Hazel Baker Signor Monti Mr. John Hall Signora Monti Miss Hazel Carleton Andrew Larkin Mr. Jere. H. Taylor Amanda Larkin Miss Rosalind Mahan Norah Miss Emma Lowe « SYNOPSIS ACT I. Living Room of Hawkins Apartment. One Night in Spring. ACT II. Bedroom of the Hawkins Apartment. Two Weeks Later* NOTE—During Act 2 the curtain will be lowered four seconds to indicate the passing of four hours. ACT II. Same as Act 2, a few hours later. Place—New York. Time—Present. TOMORROW MATINEE AND NIGHT The Hit of San Francisco "THAT GIRL MICKEY" TUTTLE PRINTING CO.-PLATTSBURGH, N. Y. Plattsburg Clxatre JACK C. MATHEWS. MGR SATURDAY, SEPT. 29, 1923 \ Clias. K. Champlin PRESENTS "THAT GIRL MICKEY" A Modern Murder Mystery Drama—In Three Acts CAST OF CHARACTERS In order of Their Appearance. Wallace Irwin, a novelist Mr. Milton Goodhand Chester Irwin, his brother Mr. John Hall Ronald Malcolm Mr. Jere. H. Taylor Mrs. Irwin Miss Emma Lowe Lela Eldridge Miss Rosalind Mahan Old Man Putnam Mr. Claude C. Phillips Mickey Miss Hazel Baker Larry Rowland Mr. J. W. McCarthy SYNOPSIS ACT I. The Living Room of the Irwin Home. ACT II. The Same. Some Months Later. ACT III. The Same. One Month Later. NOTE—During the last act the curtain will be lowered one minute to denote the elapse of one hour. MONDAY, OCT. 1, 1923 'Sally, Irene & Mary' The Breezy Musical Comedy Hit 50—PEOPLE—50 TUTTLE PRINTING CO.-PLATTSBURGH, N. Y. piattsburg Cbeatrc JACK C. MATHEWS. MGR. » MONDAY, OCTOBER. 1,1923 THE MESSRS. SHUBERT PRESENT "Sally, Irene and Mary" A Musical Comedy in Two Acts and Nine Scenes. Book by Eddie Dowling and Cyrus Wood. Lyrics by Raymond Klages. Music by J. Fred Coots. Musical Numbers Staged by Frank M. Gillespie Staged by Frank Smithson. The Entire Production under the Personal Supervision of Mr. J. J. Shubert. CAST OF CHARACTERS: JIMMIEDUGAN JOE KENO MRS. DUGAN, his mother JOSIE CLAFLIN MARY O'BRIEN, his girl y. ESTAIRE KAYE MRS. O'BRIEN, her mother KATHERINE CLARE WARD SALLY, friend of Mary MARJORIE LANE MRS. CLANCY, her mother , MAIDA READE IRENE, another friend of Mary ....BESSIE GROSS RODMAN JONES, an aristocrat FRANK CORNELL MRS. JONES, his mother HARRIET ROSS CLARENCE EDWARDS, a boy around town KENNETH RICHARDS MR. MYERS, a theatrical manager .'.... AUGUSTUS BELFOUR PERCY FITZGERALD, a friend of Clarence JOE WAGSTAFF AL. CLEVELAND, an author TOM MORRISON SULLY, stage door man EDDIE SELLS TONY EDDIE SELLS MR. MULCAHEY, of the neighborhood JOHN MELLON DINTY MOORE, pal of Jimmie SAM FORD FRANK, night watchman GEO. WILLIAMS FIRST DRESSER TO GIRLS ..VENIE ATHERTON SECOND DRESSER TO GIRLS! SALLIE STEMBLER DETECTIVE OF HOTEL ASTOR SAM FORD CARRIAGE MAN, Hotel Astor _ JOE COSTELLO KITTY KELLY, East Side Girl , MARGIE NORMAN MABEL RILEY, her friend MARY SIMS MARGUERITE HOGAN LILLIAN BEA MRS. POMEROY GILBERT :. VENIE ATHERTON MRS. KELLY POOL SALLIE STEMBLER MRS. FITZGIBBONS CONROY , JEWEL SEILER MRS. CARTER SMITH MARION FISHER MRS. DE LA CROIX MARY BARRY ACT 1 SCENE 1—Tenement on the East Side, New York. SCENE 2—Kitchen of the Dugan home. (Four years later) SCENE 3—Stage Doors of the Knickerbocker, New Amsterdam and Vanderbilt Theatres. SCENE 4—Mary's Dressing Room in the Knickerbocker Theatre. SCENE 5—Dance of the Ballet on the New Amsterdam Stage. ACT II SCENE 1—Peacock Alley, Hotel Astor, New York. SCENE 2-Charity Bazaar, Park Avenue. SCENE 3—On the fire escape of the Dugan home. SCENE 4 -Wedding at the little Church Around the Corner. MUSICAL NUMBERS ORCHESTRA UNDER DIRECTION OF CARL HAHN; ACT I—SCENE 1 Opening Chorus, "Kid Days" Ensemble Song "Jimmie" ...Dinty and Dancing Girls Dance Mabel Riley "Time Will Tell" Hogan and Dancing Girls SCENE 2 "Pals" Jimmie SCENE 3 "Stage Door Johnnies" Percy, Clarence, Irene, Eight Dancing Girls, —Eight Dancing Boys "1 Wonder Why" Mary, Boys and Girls of Ensemble "Do You Remember?" Sullie, Frank, First Lady Dresser, Second Lady Dresser Boys and Girls of Enseemble "How I've Missed You, Mary", Jimmie and Mary SCENE 4 "Right Boy Comes Along" Mary and Eight Dancing Boys SCENE 5 Dance of the Ballet — Sally and Sixteen Ballet Girls ACT ll-SCENE 1 Opening Ensemble, "Peacock Alley" Boys and Girls of Ensemble "Something in Here" Percy and Sally "Opportunity" : Irene, Clarence and Dancing Girls "We Are Waiting" Sully and Boys SCENE 2 "Clouds Roll by Dance" Sally SCENE 3 * "Time Will Tell" Jimmie SCENE 4 "Wedding Time" Jimmie, Mary, Percy, Irene, Clarence, Sally and —Wedding Couples of Ensemble Finale Entire Company LADIES OF ENSEMBLE—Mary Sims, Lillian Bea, Bee Werner, Marian Kasper,. Marjorie Norman, Marion Wilson, Jewel Seiler, Marion Fisher, Marianne May, May Barry, Margaret Van Cleef, Margaret Litz, Helen Litz, Marie Dow, Esther Shannon. GENTLEMEN—Sam Ford, Joe Du Bow, Earl Atkinson, Elmer Sieferd, Joe Costello Maurice Jules, Buddy Niles, Eugene Day.
Recommended publications
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • THE BRADY STANDARD 8 P Ages
    Guaranteed the Largest Paid Circulation of Any Newspaper Published in McCulloch Cot ity. 8 Pages THE BRADY STANDARD 8 P a g e s TWICE-A-WEEK ABSORBED THE BRADY ENTERPRISE AND THE McCULLOCH COUNTY STAR, May 2, 1910. TUESDAY-FRIDAY VOL. XV.. No. 78. THE BRATiY ENTERPRISE Vol. XIII. No. 84 Brady, McCulloch County, Texas. Tuesday, December 18, 1923. McJUlXOCH COUNTY STAE - - Vol. III. No. 1 Whole No. 1353. | LEE DOWNS ACCEPTS OFFER $40,000 FIRE FRIDAY NIGHT WIPES TO COACH MILLIONAIRE PO­ flast week. In addit'on to routine bu­ LO CLCH IN RIVERSIDE. CAL. STATE APPROVES IFIRE ESCAPE IS siness, the commissioners decided to OUT MAYHEW PRODUCE CO. PLANT place a standard stair type fire es- Lee Downs, leader of the Brady MASON ROAD WORK NEW YEAR'S GIFT ’ cape on the court house, thereby com­ Polo club, and well-known citizen of plying with the state law requiring McCulloch county, has just received a fire escapes on all bu ldingg o f three DESTRUCTION INCLUDES BUILDING. 810.000 FEED. 5.000 wire from the Riverside Polo club of SPECIFICATIONS TO COURT H0NSE stories or more. The contract has POUNDS PECANS. TWO CARS SALT. ONE CAR FEATH­ Riverside, Californ a, offering him a been let to the Southern Manufactur­ ERS. 1.200 HEAD DRESSED TURKEYS. AUTO TRUCK. position as polo coach for the club at Just before aujoumment last ing Co., and calls for one standard I The McCulloch county court house a highly remunerative salary. Mr, Thursday, the McCulloch county com- , .. stair type fire escape, to conform in — .
    [Show full text]
  • Book Preview: End Section
    and elaborating on older uses of queer camp per- personal, and political and cultural arenas that formance, the film contains a much greater came to underscore the very phenomenon of gay degree of sentimentality about, and admiration liberation. Evoking a spirit of ‘stranger sociabil- for, the many things it stages and indeed dresses. ity’, to borrow a term from Michael Warner, the Much more extensively developed as a form of film advances the construction of new kinds of live theatre, camp performance in the late ’60s social formation, by elaborating on experiences BIBLIOGRAPHY and early ’70s was very much about bringing par- and feelings that many male-desiring men had in ticipants into the fold of new kinds of social, cul- common, though could not always easily share in tural and political spaces, where the values a collective context due to the prohibitions and assigned to things in everyday life could be inven- anxieties of a repressive society. !' tively challenged and given new life and meaning Just as the film potently and provocatively through their re-configuration. addresses the audience through its complex Camp in Pink Narcissus is also an integral combination of the sexually direct and the polit- part of what might be described as the film’s ically sharp, it also, more simply, offers audi- world-making ethos. The film repeatedly uses ences the sheer pleasure of viewing, for its own camp to garner a feeling for the pleasure of sake, a glistening, endlessly unfolding display of gay male experiences of socialising, if not col- light, colour, texture and movement.
    [Show full text]
  • Television in the Cinema Before 1939: an International Annotated Database, with an Introduction by Richard Koszarski
    Journal of e-Media Studies Volume 5, Issue 1, 2016 Dartmouth College Television in the Cinema Before 1939: An International Annotated Database, with an Introduction by Richard Koszarski Richard Koszarski and Doron Galili Visions of the Future An Introduction by Richard Koszarski Albert Abramson traced the first appearance of the word television to a paper presented in Paris by the Russian electrical engineer Constantin Perskyi on August 25, 1900. Perskyi discussed his own work as well as the contributions of his predecessors, such as Paul Nipkow, and suggested television as a replacement for words like telectroscope, one of many terms already in common use whenever the phenomenon of distant electric vision was under discussion. The International Electricity Congress, which heard the paper, was meeting in Paris that summer because this is where the great Exposition Universelle of 1900 was being held. For film historians, the exposition is renowned for its fabulous array of new projection technologies, involving everything from widescreen and color to talking pictures and Cineorama. Perskyi's linguistic contribution, on the other hand, is remembered only by specialists. One wonders if the proponents of the téléoscope and the téléphote, as they roamed the exposition, gave any thought to these new marvels of the cinema, and asked themselves why their medium still lagged so far behind in every conceivable measure. Seeing at a distance was a notion that had captivated engineers and entrepreneurs since word of Alexander Graham Bell's telephone first began to spread in the late 1870s, yet here it was 1900, and still only in the talking stage? People around the world had been waiting for television for decades, but the engineers had given them the cinema instead, a rival moving-image medium that appeared to have leapt from dream to multinational industry almost overnight.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • FF NR. ORIGINALTITEL (Sortiert) LAND JAHR FF 1 Adventures Of
    BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER INVENTARNUMMERN FF NR. ORIGINALTITEL (sortiert) LAND JAHR FF 1 Adventures of Buffalo Bill, The USA 1914 FF 2 Abenteuer des Prinzen Achmed, Die Deutschland 1924-1926 FF 3 Aventure commence demain, L' Frankreich 1947 FF 4 Abenteuer eines Zehnmarkscheines, Die Deutschland 1926 FF 5 Abel mit der Mundharmonika Deutschland 1933 FF 6 Tenue de soirée Frankreich 1986 FF 7 Przygoda na Mariensztacie Polen 1953 FF 8 Abenteuer im Spielzeugland BRD/ USA 1986 FF 9 Abenteuer G.m.b.H., Die Deutschland 1928 FF 10 Abenteuer im Nachtexpress Deutschland 1925 FF 11 Abenteuerin von Tunis, Die Deutschland 1931 FF 12 Abfahrer, Die BRD 1978 FF 13 Dramatic Life of Abraham Lincoln, The USA 1924 FF 14 Addition, L' Frankreich 1983 FF 15 Proschtschanije s Matjory UdSSR 1979/1983 FF 16 Descente aux enfers Frankreich 1986 FF 17 Acht Stunden sind kein Tag BRD 1972 FF 18 Would You Believe It? Grossbritannien 1929 FF 19 Adjutant des Zaren, Der Deutschland 1928 FF 20 Adrian und die Römer BRD 1987/88 FF 21 Ännchen von Tharau Deutschland 1927 FF 22 Affaire Blum DDR 1948 FF 23 Ciao Maschio Italien/ Frankreich 1978 FF 24 Afrika im Film Deutschland 1921 FF 25 After the Ball Großbritannien 1957 FF 26 Agnes Arnau und ihre drei Freier Deutschland 1918 FF 27 ahnungslose Engel, Der Deutschland 1935 FF 28 Fire Brigade, The USA 1926 FF 29 Alarm auf Station III Deutschland 1939 FF 30 Forbidden Planet USA 1956 FF 31 Alarm in Peking Deutschland 1937 BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER INVENTARNUMMERN FF NR.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • “The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia
    “The Jazz Problem”: How U.S. Composers Grappled with the Sounds of Blackness, 1917—1925 Stephanie Doktor Cumming, Georgia Bachelor of Arts, Vocal Performance, University of North Georgia, 2003 Master of Arts, Musicology, University of Georgia, 2008 Master’s Certificate, Women’s Studies, University of Georgia, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia December, 2016 iv © Copyright by Stephanie DeLane Doktor All Rights Reserved December 2016 v For Hillary Clinton and Terry Allen, who both lost the race but the fight still rages on vi ABSTRACT My dissertation tracks the development of jazz-based classical music from 1917, when jazz began to circulate as a term, to 1925, when U.S. modernism was in full swing and jazz had become synonymous with America. I examine the music of four composers who used black popular music regularly: Edmund Jenkins, John Powell, William Grant Still, and Georgia Antheil. For each composer, whose collections I consulted, I analyze at least one of their jazz-based compositions, consider its reception, and put it in dialogue with writings about U.S. concert music after World War I. Taken together, these compositions contributed to what I call the Symphonic Jazz Era, and this music was integral to the formation of American modernism. I examine how these four composers grappled with the sounds of blackness during this time period, and I use “the Jazz Problem” as an analytic to do so. This phrase began to circulate in periodicals around 1923, and it captured anxieties about both the rise of mass entertainment and its rootedness in black cultural sounds in the Jim Crow era.
    [Show full text]
  • Johnson, Jay Cee (JC) Collection, 1896-1981
    Jay Cee (J. C.) Johnson Collection (September 14, 1896-February 27, 1981) BIOGRAPHICAL NOTE Jay Cee (J. C.) Johnson, a Jazz and Pop composer, was often referred to as the “composer’s ‘composer.’” Johnson was born in Chicago, Illinois, on September 14, 1896, and died on Friday, February 27, 1981, at St. Luke’s Hospital in Manhattan (New York City), at the age of 84. He received early education in the Chicago Public School System. His mother, Ellen, and his father—who worked as a waiter on the railroad, was away from home most of the time—is unknown. J. C. expressed an interest in music at an early age, but his mother, who sang in the church choir, did not encourage her son to pursue a career in music. Later, while studying the violin, a friend began to give him piano lessons, and because of his attention dedication sounds better in learning to play, his mother decided that this would be his instrument of choice. At the age of 19, following the death of his mother, he moved to New York City, where he began to study piano with a man named Sam Patterson. Around 1920, he began to work as a session pianist, working with singers such as Ethel Waters, who sung in his first recorded hit titled “You Can’t Do What My Last Man Did,” and would go on to record many of his songs. Johnson would go on to compose more songs, including his first version of “Travel’ lin All Alone,” with Billie Holliday as vocalist (one of her first significant hit songs).
    [Show full text]
  • VORLAGETITEL ORIGINALTITEL (Sortiert) FF NR. Abel Mit Der
    BESTAND FILMFOTOGRAFIE TWS SCHLOSS WAHN REGISTER DER VORLAGETITEL VORLAGETITEL ORIGINALTITEL (sortiert) FF NR. Abel mit der Mundharmonika Abel mit der Mundharmonika FF 5 Abendanzug Tenue de soirée FF 6 Abenteuer beginnt morgen, Das Aventure commence demain, L' FF 3 Abenteuer des Buffalo Bill, Die Adventures of Buffalo Bill, The FF 1 Abenteuer des Herrn Cocody, Die gentleman de cocody, Le FF 3259 Abenteuer des Prinzen Achmed, Die Abenteuer des Prinzen Achmed, Die FF 2 Abenteuer eines Zehnmarkscheines, Abenteuer eines Zehnmarkscheines, FF 4 Die Die Abenteuer G.m.b.H. Abenteuer G.m.b.H., Die FF 9 Abenteuer im Nachtexpress Abenteuer im Nachtexpress FF 10 Abenteuer im Spielzeugland Abenteuer im Spielzeugland FF 8 Abenteuer im Südexpress Abenteuer im Südexpress FF 3072 Abenteuer in Marienstadt Przygoda na Mariensztacie FF 7 Abenteurerin von Tunis, Die Abenteurerin von Tunis, Die FF 11 Abfahrer, Die Abfahrer, Die FF 12 Abraham Lincoln Dramatic Life of Abraham Lincoln, The FF 13 Abrechnung, Die Addition, L' FF 14 Abschied von Matjora Proschtschanije s Matjory FF 15 Abschiedsgeschenk, Das Abschiedsgeschenk, Das FF 3073 Abstieg zur Hölle Descente aux enfers FF 16 Acero Azul Blue Steel FF 3061 8 Mädels in einem Boot 8 Mädels in einem Boot FF 3074 Acht Stunden sind kein Tag Acht Stunden sind kein Tag FF 17 Achtung!...Tank! Would You Believe It? FF 18 Adieu, Lebewohl, Goodbye Adieu, Lebewohl, Goodbye FF 3075 Adjutant des Zaren, Der Adjutant des Zaren, Der FF 19 Adrian und die Römer Adrian und die Römer FF 20 Ännchen von Tharau Ännchen von Tharau FF 21 Affäre Nina B.
    [Show full text]
  • Robert Z. Leonard Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Robert Z. Leonard 电影 串行 (大全) Heedless Moths https://zh.listvote.com/lists/film/movies/heedless-moths-151613/actors On Record https://zh.listvote.com/lists/film/movies/on-record-3352153/actors The Plow Girl https://zh.listvote.com/lists/film/movies/the-plow-girl-3522262/actors Tea for Three https://zh.listvote.com/lists/film/movies/tea-for-three-18636568/actors The Miracle of Love https://zh.listvote.com/lists/film/movies/the-miracle-of-love-18915108/actors Dance Madness https://zh.listvote.com/lists/film/movies/dance-madness-3701436/actors Fashion Row https://zh.listvote.com/lists/film/movies/fashion-row-3739956/actors Time, the Comedian https://zh.listvote.com/lists/film/movies/time%2C-the-comedian-3991405/actors At First Sight https://zh.listvote.com/lists/film/movies/at-first-sight-18708893/actors Modern Love https://zh.listvote.com/lists/film/movies/modern-love-65150971/actors From Father to Son https://zh.listvote.com/lists/film/movies/from-father-to-son-3088259/actors Mountain Law https://zh.listvote.com/lists/film/movies/mountain-law-50280708/actors The Ruby Circle https://zh.listvote.com/lists/film/movies/the-ruby-circle-105453292/actors Christmas Memories https://zh.listvote.com/lists/film/movies/christmas-memories-105453301/actors Little Eve Edgarton https://zh.listvote.com/lists/film/movies/little-eve-edgarton-105453303/actors The Eagle's Wings https://zh.listvote.com/lists/film/movies/the-eagle%27s-wings-105453326/actors Small Town Girl https://zh.listvote.com/lists/film/movies/small-town-girl-1057374/actors New
    [Show full text]