Charles Dickens and Gad's Hill Place
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Financial Statements 31 July 2012
Financial Statements 31 July 2012 The Conservatoire for Dance and Drama Tavistock House Tavistock Square London WC1H 9JJ Company number: 4170092 Charity number: 1095623 2 Contents Company Information 5 Report of the Board of Governors 6 Conservatoire Student Public Performances 2011-12 17 Statement of Responsibilities of the Board Of Governors 22 Corporate Governance Statement 23 Independent Auditors’ Report to the Members of the Conservatoire for Dance and Drama 27 Income and Expenditure Account 29 Balance Sheet 30 Cash Flow Statement 31 Statement of Principal Accounting Policies 32 Notes to the Financial Statements 33 Copies of these financial statements can be obtained from the registered office overleaf and are available in large print and other formats on request. 3 4 Company Information Governors James Smith CBE (Chairman) Nicholas Karelis (These are all company directors, Prof Christopher Bannerman Sir Tim Lankester charity trustees and members of Rosemary Boot Susannah Marsden the company.) Kim Brandstrup Richard Maxwell Ralph Bernard Alison Morris Kit Brown Simon O’Shea Richard Cooper Luke Rittner Christopher de Pury Anthony Smith Ryan Densham Andrew Summers CMG Emily Fletcher Kathleen Tattersall OBE Melanie Johnson Joint Principal Prof Veronica Lewis MBE Edward Kemp (also Governors and Directors) (Accountable Officer) Clerk to the Board of Governors and John Myerscough/Claire Jones (from Nov 27 2012) Company Secretary Registered Address Tavistock House Tavistock Square London, WC1H 9JJ Affiliates founding London Contemporary -
Grotesque Characters
Grotesque Characters in Charles Dickens’s A Tale of Two Cities, Great Expectations, and Our Mutual Friend by Bård Ålovsrud A Dissertation Presented to the Department of Literature, Area Studies and European Languages The University of Oslo Spring Term 2007 1 Foreword I will take the opportunity to express my gratitude to Professor Tore Rem for his guidance and great patience during the writing process. I am also much obliged to Magnus Nygaard for his assistance in late night computer-related problems, and my brother Ole Mikkel for always seeing the easy solution to difficult problems. Oslo, April 2007 Bård Ålovsrud 2 Table of Contents Page Chapter One Presenting the Dissertation……………………………………………….. 3 Introduction to Dickens’s Authorship…………………………….…..….. 6 The Grotesque…………………………………………………….…..….. 9 Dickens’s Relation to the Grotesque………………………………...…… 14 Humour and Laughter………………………………………………..…… 18 Chapter Two: A Tale of Two Cities Introduction…………………………………………………………...…. 24 Lucie Manette and Miss Pross ………………………………………….. 27 Madame Defarge……………………………………………………..….. 29 Monsieur de Marquis………………………………………………..…… 32 Sydney Carton……………………………………………………..…….. 36 The Wood-Sawyer, Jacques Three and Jerry Cruncher……………..…… 40 Concluding Remarks…………………………………………………….. 44 Chapter Three: Great Expectations Introduction…………………………………………………...………….. 45 Miss Havisham……………………………………………………….….. 47 Mrs. Joe Gargery …….…………………………………….……….…… 52 Estella……………………………………………..………….….….…… 54 Pip…………………………………………………………………….…. 57 Concluding Remarks…………………………………………………….. 63 -
Catalogue of the Original Manuscripts, by Charles Dickens and Wilkie
UC-NRLF B 3 55D 151 1: '-» n ]y>$i^![^P^P^P^f^^ Bay of aalf. WEDNESDAY, the 18th of JUNE. AT THREE o'CLOCK PRECISELY. )>; ^^jj Note.— The following Facsimiles ivill he found in this Cata- logue :— Lot 2. A page of " The Frozen Deep," in the handwriting of Charles Dickens. Lot 6. The first page of " The Perils of Certain English Prisoners,' in the handwriting of Charles Dickens." Lot 18. The Introduction Page to " The Woman in White," in the handwriting of Wilkie Collins. CATALOGUE OF THE ORIGINAL MANUSCRIPTS, BY CHAELES DICKENS AND WILKIE COLLINS, OF The Frozen Deep, and The Perils of Certain English Prisoners, Poems by Dickens ; The Woman in by Dickens and Collins ; Two White, No Name, Armadale, Moonstone, &c., &c,, by Collins. ^Iso a Uia lills nf f ritiati iJIjiatmals in fabirlj tb^g bntlj took part* WHICH WILL BE SOLD BY AUCTION, BY MESSRS. SOTHEBY, WILKINSON & HODGE, ^udioncfira oi f tkrarg |pr0p£rt5 ^ Morks illuatrattiis oi ilj£ fint ^rts, AT THEIR HOUSE, No. 13, WELLINGTON STREET, STRAND, W.C. On WEDNESDAY, the 18th day of JUNE, 1890, AT THREE o'clock precisely. MAY BE VIEWED TWO DAYS PRIOR. CATALOGUES MAY BE HAD. Dbtden Pbess: J. Davt & Sons, 137, Long Acre, London. CONDITIONS OF SALE. I. The highest bidder to be the buyer ; and if any dispute arise between bidders, the lot so disputed shall be immediately put up again, provided the auctioneer cannot decide the said dispute. II. No person to advance less than I5. ; above five pounds, 25. 6d., and so on in proportion. -
2017 Educational Performances
2017 EDUCATIONAL PERFORMANCES A Production of the Pennsylvania Renaissance Faire Holidays at Mount Hope is a different kind of interactive experience. Through the doors of Mount Hope Mansion, you’ll enter a Christmas party, time to meet and mingle with a host of characters and a variety of Holiday decorations. Sing along, share games and traditions, and rejoice in the spirit of the season with holiday characters. 2017 Stories & Cast— Christmas, 1899: Fredrick Schwartz Jr., Son of the founder of the FAO Schwartz Toy Bazaar is throwing a Christmas party fit for the end of a century. Filling the Grubb Estate in Mount Hope, Pennsylvania to the brim with the best examples of the toys and games that make children look forward to Christmas morning, Schwartz has transformed the mansion into a Santa’s Workshop that can warm even the coldest heart. He’s invited some of his closest friends over, including the game-loving Parker Brothers (and their sister, Dot), and they have put together a Christmas pageant for all of the guests. Fun, games, and heart-warming performances will fill this Christmas with the love, joy, and generosity of the season. A Christmas Carol, by Charles Dickens The story of a bitter old miser named Ebenezer Scrooge, his transformation into a gentler, kindlier man brought on by visitations by the Ghosts of Christmases Past, Present and Yet to Come. Presented with warmth, humor, tradition and a bit of audience support, the enduring tale of A Christmas Carol springs from storybook to the stage. A Visit from St. Nicholas, by Clemet Clarke Moore Written as a Christmas gift for his six children, “A Visit from St. -
Dicken's Tattycoram and George Eliot's Caterina Sarti Beryl Gray
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln The George Eliot Review English, Department of 2001 Nobody's Daughters: Dicken's Tattycoram and George Eliot's Caterina Sarti Beryl Gray Follow this and additional works at: http://digitalcommons.unl.edu/ger Part of the Comparative Literature Commons, Literature in English, British Isles Commons, and the Women's Studies Commons Gray, Beryl, "Nobody's Daughters: Dicken's Tattycoram and George Eliot's Caterina Sarti" (2001). The George Eliot Review. 411. http://digitalcommons.unl.edu/ger/411 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in The George Eliot Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. NOBODY'S DAUGHTERS: DICKENS'S TATTY CORAM AND GEORGE ELIOT'S CATERINA SARTI1 by Beryl Gray Doughty Street, where Dickens lived for three years (1836-9), is within a stone's throw of the site of London's Hospital for Foundling Children, which was established in 1739 by the retired sea-captain, Thomas Coram, whom Dickens venerated. Tavistock House - Dickens's home 1851-60, and where he wrote Little Dorrit, the novel in which Tattycoram appears - was also only a short walk from the Hospital. Dickens entirely approved of the way the 'Foundling' was managed in his own day. The Household Words article 'Received, a Blank Child',' which he co-authored with his sub-edi tor, W. H. Wills, unreservedly praises the establishment's system of rearing, training, and apprenticing its charges. -
A Description of Plot in Charles Dicken's Novel
A DESCRIPTION OF PLOT IN CHARLES DICKEN’S NOVEL OLIVER TWIST A PAPER WRITTEN BY JULIANATIKA REG.NO : 152202038 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Julianatika, declare that I am sole of the author of this paper. Except where references is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for a awarded degree. No other person‘s work has been used without due acknowledgement in this main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed: ................... Date : November 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : Julianatika Title of Paper : A DESCRIPTION OF PLOT IN CHARLES DICKEN‘S NOVEL OLIVER TWIST Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Study Program Faculty of Cultural Studies, University of North Sumatera the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed: ......................... Date: November 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is A Description of Plot In Charles Dicken’s Novel “Oliver Twist”. Plot is the literary element that contains the event has cause in a story where the event has cause and effect relation. -
Dickens : a Chronology of His Whereabouts
Tracking Charles Dickens : A Chronology of his Whereabouts Previous Dickens chronologies have focused on his life and works : this one does not attempt to repeat their work, but to supplement them by recording where he was at any given date. Dickens did not leave a set of appointment diaries, but fortunately he did leave a lifetime of letters, pinpointing at the head both the date and place of composition. This chronology is based on that information as published in the awesome Pilgrim Edition of his letters published by the Oxford University Press. The source of each entry in the chronology is identified. There are more than 14,000 letters in Pilgrim, giving a wealth of detail for the chronology. Many of the letters, of course, were written from his home or office, but he was an indefatigable traveller, and in the evening he still somehow found the energy to write one from his hotel room. Even so, there are inevitably many dates with no letter, and some of those gaps have been (and will be) filled from information in the letters themselves, and from other reliable sources. Philip Currah. DICKENSDAYS E.B. Elias Bredsdorff, Hans Andersen and Charles Dickens : A Friendship and Its Dissolution.Cambridge, Eng. : Heffer, 1956. 140 p. ill. E.P. Edward F. Payne, Dickens Days in Boston : A Record of Daily Events. Boston : Houghton Mifflin, 1927. 274 p. ill. E.J. Edgar Johnson, Charles Dickens : His Tragedy and Triumph. London : Victor Gollancz, 1953. 2 v. (xxii, 1159, cxcvii p.) ill. J.F. John Forster, The Life of Charles Dickens. -
Andersen's English Workpack
ANDERSEN’S ENGLISH WORKPACK Produced by Out of Joint 2010 page 1 Introduction Aim of Workpack The resource materials in this pack are intended to enhance students’ enjoyment and understanding of Andersen’s English. The activities are variations of the rehearsal techniques used by Max Stafford-Clark during the production, and present creative and practical strategies for learning in a classroom setting. The workpack also works alongside the workshop that Out of Joint provides for Andersen’s English, led by the Artistic Director, the Associate Director or the Education Manager. The resources are primarily aimed at students aged 16+ who are studying Drama at BTEC or A Level. The workpack is in two main sections – Researching the Play and the Rehearsal Process. Rehearsing the Play Andersen’s English explores the story behind a real meeting between Charles Dickens and Hans Christian Andersen, when the latter outstayed his welcome at Gads Hill Place in 1857. Artistic Director Max Stafford-Clark always encourages vigorous research before and during the rehearsal process, and with 9 out of the 10 characters in the play being real people, there was extensive reading on this period of history and the people themselves. This section includes an introduction into the play’s setting, as well as Dickens himself and the controversy of his personal life in his later years. Rehearsing the Play The Associate Director Jessica Swale gives is an insight into the rehearsal process with extracts from her diary over the five weeks before opening in Bury St Edmunds. Student Activities The workpack includes an introduction into Max Stafford-Clark’s rehearsal techniques such as actioning and status, as well as classroom exercises relating to the production. -
DICKENS FINAL with ILLUS.Ppp
The Dickens Calendar 2012 The Dickens Calendar 2012 Celebrating the bicentenary of Dickens’s birth. £6.00 each or £10.00 for 2 (plus postage) Contact Jarndyce to order your copy: Email: [email protected] Phone: 020 7631 4220 35 _____________________________________________________________ Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 - 7631 4220 (opp. British Museum) Fax: 020 - 7631 1882 Bloomsbury, Email: [email protected] London WC1B 3PA V.A.T. No. GB 524 0890 57 _____________________________________________________________ CATALOGUE CXCV WINTER 2011-12 THE DICKENS CATALOGUE Catalogue: Joshua Clayton Production: Carol Murphy All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items on this catalogue marked with a dagger (†) incur VAT (current rate 20%) A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. Email address for this catalogue is [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE, price £5.00 each include: Social Science Parts I & II: Politics & Philosophy and Economics & Social History. Women III: Women Writers J-Q; The Museum: Books for Presents; Books & Pamphlets of the 17th & 18th Centuries; 'Mischievous Literature': Bloods & Penny Dreadfuls; The Social History of London: including Poverty & Public Health; The Jarndyce Gazette: Newspapers, 1660 - 1954; Street Literature: I Broadsides, Slipsongs & Ballads; II Chapbooks & Tracts; George MacDonald. JARNDYCE CATALOGUES IN PREPARATION include: The Museum: Jarndyce Miscellany; The Library of a Dickensian; Women Writers R-Z; Street Literature: III Songsters, Lottery Puffs, Street Literature Works of Reference. -
“The Other Woman” – Eliza Davis and Charles Dickens
44 DICKENS QUARTERLY “The Other Woman” – Eliza Davis and Charles Dickens MURRAY# BAUMGARTEN University of California, Santa Cruz he letters Eliza Davis wrote to Charles Dickens, from 22 June 1863 to 8 February 1867, and after his death to his daughter Mamie on 4 August 1870, reveal the increasing self-confidence of English Jews.1 TIn their careful and accurate comments on the power of Dickens’s work in shaping English culture and popular opinion, and their pointed discussion of the ways in which Fagin reinforces antisemitic English and European Jewish stereotypes, they indicate the concern, as Eliza Davis phrases it, of “a scattered nation” to participate fully in the life of “the land in which we have pitched our tents.2” It is worth noting that by 1858 the fits and starts of Jewish Emancipation in England had led, finally, to the seating of Lionel Rothschild in the House of Commons. After being elected for the fifth time from Westminster he was not required, due to a compromise devised by the Earl of Lucan and Benjamin Disraeli, to take the oath on the New Testament as a Christian.3 1 Research for this paper could not have been completed without the able and sustained help of Frank Gravier, Reference Librarian at the University of California, Santa Cruz, Assistant Librarian Laura McClanathan, Lee David Jaffe, Emeritus Librarian, and the detective work of David Paroissien, editor of Dickens Quarterly. I also want to thank Ainsley Henriques, archivist of the Kingston Jewish Community of Jamaica, Dana Evan Kaplan, the rabbi of the Kingston Jewish community, for their help, and the actress Miryam Margolyes for leading the way into genealogical inquiries. -
Charles Dickens and His Cunning Manager George Dolby Made Millions from a Performance Tour of the United States, 1867-1868
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 12-17-2014 Making it in America: How Charles Dickens and His Cunning Manager George Dolby Made Millions from a Performance Tour of The United States, 1867-1868 Jillian Martin Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Martin, Jillian, "Making it in America: How Charles Dickens and His Cunning Manager George Dolby Made Millions from a Performance Tour of The United States, 1867-1868." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/communication_theses/112 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MAKING IT IN AMERICA: HOW CHARLES DICKENS AND HIS CUNNING MANAGER GEORGE DOLBY MADE MILLIONS FROM A PERFORMANCE TOUR OF THE UNITED STATES, 1867-1868 by JILLIAN MARTIN Under the Direction of Leonard Teel, PhD ABSTRACT Charles Dickens embarked on a profitable journey to the United States in 1867, when he was the most famous writer in the world. He gave seventy-six public readings, in eighteen cities. Dickens and his manager, George Dolby, devised the tour to cash in on his popularity, and Dickens earned the equivalent of more than three million dollars. They created a persona of Dickens beyond the literary luminary he already was, with the help of the impresario, P.T. Barnum. Dickens became the first British celebrity to profit from paid readings in the United States. -
Medway Heritage Asset Review 2017 Final Draft: November 2017
Medway Heritage Asset Review 2017 Final Draft: November 2017 Executive Summary The Medway Heritage Asset Review intends to provide a comprehensive overview of the heritage assets in Medway in order to inform the development of a Heritage Strategy to support the emerging Medway Local Plan 2015. Medway benefits from a rich heritage spanning millennia, underpinning the local distinctiveness and creating a unique and special character that can be readily interpreted through the historic environment. The main report is broken down into sections, initially looking at the topography of Medway and how this influenced human settlement in the area, then looking at the development of the key settlements in Medway; taking into consideration the key drivers for their establishment and identifying existing heritage assets. Furthermore, the main influences to development in the area are also considered; including Chatham Dockyard and the military, the brick, cement and lime industry, agriculture, maritime and religion. Through investigating Medway’s history both geographically and thematically, the significance of heritage assets and the importance of historic landscapes can be readily identified; enabling a better understanding and providing opportunities to enhance their enjoyment. Non-designated heritage assets are also identified using a broad range of sources; providing a deeper knowledge of what shapes the distinct local character experienced in Medway and the how this identity is of great importance to the local community. The report concludes with suggestions for additional areas of research and identifies themes to be considered to inform the development of a coherent and robust Heritage Strategy that will help enhance, understand and celebrate Medway’s heritage for years to come.