DOCSLIB.ORG

Concepts of Nationalism Demonstrated in the Songs of Jyoti Prasad Agarwala

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concepts of Nationalism Demonstrated in the Songs of Jyoti Prasad Agarwala International Journal of Management (IJM) Volume 11, Issue 11, November 2020, pp. 1601-1604. Article ID: IJM_11_11_152 Available online at http://iaeme.com/Home/issue/IJM?Volume=11&Issue=11 Journal Impact Factor (2020): 10.1471 (Calculated by GISI) www.jifactor.com ISSN Print: 0976-6502 and ISSN Online: 0976-6510 DOI: 10.34218/IJM.11.11.2020.152 © IAEME Publication Scopus Indexed CONCEPTS OF NATIONALISM DEMONSTRATED IN THE SONGS OF JYOTI PRASAD AGARWALA Chyanika Rajkhowa Research Scholar, Dibrugarh University, Assam, India ABSTRACT Among other branches of literature, lyric literature is an influential medium of mass communication. The simple tender feelings of the human mind are expressed through lyric literature. From the nineteenth century to the first two decades of the twentieth century, the world of Assamese music was less developed during this period. During this time Jyoti Prasad Agarwala was leading the movement for the promotion and dissemination of the Assamese music movement. He made the songs accessible to all through the Assamese drama in the society. Jyoti Prasad Agarwala's songs evoked a sense of responsibility towards the nation. Through his songs, he awakened the masses by inspiring the ideas of tradition, revolutionary consciousness, patriotism and so on. Key words: Jyoti Prasad Agarwala, songs, nationalism, consciousness. Cite this Article: Chyanika Rajkhowa, Concepts of Nationalism Demonstrated in the Songs of Jyoti Prasad Agarwala, International Journal of Management, 11(11), 2020, pp 1601-1604. http://iaeme.com/Home/issue/IJM?Volume=11&Issue=11 1. INTRODUCTION The nationalist spirit expressed in the songs of Jyoti Prasad Agarwala is very ancient in the history of Assamese lyric literature. During the twentieth century, Jyoti Prasad Agarwala set out to further strengthen the world of Assamese music. He realized that the influence of Bengali literature on Assamese songs and dramas was very evident at that time. He therefore used dramas as a medium for the introduction of Assamese songs in Assamese literature. The songs were made available to the public through drama. The nationalist sentiments expressed in the songs of Jyoti Prasad Agarwala attracted the masses. http://iaeme.com/Home/journal/IJM 1601 [email protected] Concepts of Nationalism Demonstrated in the Songs of Jyoti Prasad Agarwala 2. AIMS OF THIS STUDY The main aims of this study are: • To Discussed Jyoti Prasad Agarwala's nationalist songs in the world of lyrical literature. • To discussed how the nationalist spirit is expressed in the songs of Jyoti Prasad Agarwala. 3. METHODOLOGY In this article Descriptive methods have been used for the study. In some parts of the discussion, analytical perspectives have been used as needed. 4. DISCUSSION Jyoti Prasad Agarwala has created a revolution in the music world of the twentieth century.The entire non-cooperation movement of 1921 influenced Jyoti Prasad Agarwala's national consciousness. As a result, nationalist sentiments are reflected in the songs composed during that period. He also reflected the political, linguistic and cultural nature of Assam in his songs of nationalist consciousness. Jyoti Prasad Agarwala's nationalist sentimental songs have evoked traditional consciousness, revolutionary spirit and homeland affection. 4.1. Tradition consciousness Jyoti Prasad Agarwala is seen to be a larger tradition conscious visionary. Jyoti Prasad Agarwala's approach to Hindustani and Sankari music is based on the tradition of these three types of songs and the addition of Western melodies to them. It is a song composed in a melody called Biya, which combines modernity with melody tradition. (Kune) gose gose pati file phulore xorai (ramo ram) He has taken the melody of this song from the Ayatis songs named 'Agot diya pasot diya pancha aayotie ki ramo ram'. In the same way 'Aamare xakhiya aakul biyakul' and 'Rupoh konwaror suma poroxote' this two songs are a modern form of Biyanam melody. Sankardeva and Madhav Deva the great men who established the spirit of spirituality among the Assamese people, are remembered. He has brought the glory of all great men to the minds of the people with his songs. Xunor dexor Mohapurux Xankar Madhabar Xunmuliya xanxkritie Puhor diye Ai prithibit Xunor jibonor. In addition to this, the important heroes of the Assamese nation were expressed through songs and stood as an ideal during the troubled times of the Assamese nation. Luitor pani jabi oi boi Xandhiya luitor pani xunuwali Sohore nogore jabi oi boi Joyare kiriti dexe bidexe Xagore nogore furibi koi. http://iaeme.com/Home/journal/IJM 1602 [email protected] Chyanika Rajkhowa 4.2. Revolutionary consciousness Jyoti Prasad Agarwala now chose the path of welfare state and social revolution without exploitation, without discrimination. His revolution was a revolution of culture. Every artist has an artist for him. Jyoti Prasad Agarwala, who supported Mahatma Gandhi's policy of non- violence, is disillusioned with independence. He hoped to create a new India for the people who were freed from the shackles of subjugation. But his hopes were dashed and he expressed his displeasure through the song. He Bharat, tur Yuktik baru kio jola nai Nava jibonor yukti. Jyoti Prasad Agarwala's song expresses the desire for the welfare of the poor in the society. For the welfare of the unfortunate without any hesitation to destroy the evildoer if necessary. That is why he also said strictly Mur ganot gumori Vuikop kore Prithibir nirban Mur ganor jui e jogot puribo Duxkriti xabodhan. 4.3. Homeland affection Jyoti Prasad Agarwala's patriotic songs have had a far-reaching impact. All the Congress volunteers to participate in the freedom movement have a strong sense of patriotism in the theme of the song. The songs express a strong resentment against all those who exploit society economically. Xaju ho xaju ho nava juwan Xaju ho xaju ho nava juwan Toi koribo lagibo agni xnwan. Through such song The call for freedom at the cost of death has borne the brunt. Patriotic songs evoke a strong sense of national consciousness. Some of Jyoti Prasad Agarwala's songs are full of patriotic sentiments. Such songs can inspire the people in any time of danger in the country. Kun kun ahisa aaik pujiboloi Aai pujar beli hol! ( xomoniya o) Jyoti Prasad Agarwala's nationally conscious mind had awakened the power of youth in Assam. He believes that the future of Assam depends on the power of youth. That is why he called the youth of Assam through songs to become a revolutionary. This has given him the identity of a nationalist monument in the shrine of his traditional consciousness. Kun kot aaso Aah o deka lora Toi xomukhot ho thio Matri pujar vag loboloi Beli koro kio? In his songs it can be seen that the willingness to take society and human beings on the path of Progress. Moreover, The desire for freedom and the spirit of reform are evoked in his songs. http://iaeme.com/Home/journal/IJM 1603 [email protected] Concepts of Nationalism Demonstrated in the Songs of Jyoti Prasad Agarwala 5. CONCLUSION The addition of western songs based on Assamese local songs has given a new impetus to Assamese lyric literature. It is also known for its lyrical compositions as well as melodies.This has given him the identity of a nationalist monument in the shrine of his traditional consciousness. Jyoti Prasad Agarwala's personal ideals of social reform and his message of equality are reflected in his songs. The theme of his revolutionary song is Janata. An artist is his inspiration, a source of confidence. Jyoti Prasad Agarwala's patriotic songs touch people from every steps of life in the environment and situation of Assam. REFERENCES [1] Borgohain, Homen, editor. Asomiya Sahityar Buranji Sastha Khanda. 3rd ed., ABILAC, 2015. [2] Boruah, Prahlad K. Jyoti Manisha. 3rd ed., Banalata, 2003. [3] Gohain, Hiren, editor. Jyotiprasad Rachanawali. 8th ed., Asom Prakashan Parisad, 2013. [4] Goswami, Loknath. Sangeetar Utpatti aru Kramavikash. 1st ed., Seuj Prakashan, 1992. [5] Hazarika, Karabi D. Asomiya Kabi aru Kabita. 2nd ed., Banalata, 2011. [6] Hazarika, Karabi D., editor. Samajik Sanskritik Preskshapatat Asomiya Geeti Kabita. 1st ed., Sahitya Akademi, 2011. [7] Majumdar, Paramananda. Jyotiprasad Agarwala. 1st ed., Dibrugarh University, 2014. [8] Saikia, Jyotiprasad, editor. Jyotiprasad Sristi aru Setona. 1st ed., All Assam Student Union, 2017. http://iaeme.com/Home/journal/IJM 1604 [email protected] .
Load more

Recommended publications
  • Full Text: DOI
    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-11) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s17n3.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s17n3 Identity, Indigeneity and Excluded Region: In the Quest for an Intellectual History of Modern Assam Suranjana Barua1 & L. David Lal2 1Assistant Professor in Linguistics, Department of Humanities and Social Sciences, Indian Institute of Information Technology Guwahati, Assam, India. Email: [email protected] 2Assistant Professor in Political Science, Department of Humanities and Social Sciences, Indian Institute of Information Technology Guwahati, Assam, India. Email: [email protected] Abstract If Indian intellectual history focussed on the nature of the colonial and post-colonial state, its interaction with everyday politics, its emerging society and operation of its economy, then how much did/ does North- East appear in this process of doing intellectual history? North-East history in general and its intellectual history in particular is an unpeopled place. In Indian social science literature, North-East history for the last seventy years has mostly revolved around separatist movements, insurgencies, borderland issue and trans- national migration. However, it seldom focussed on the intellectuals who have articulated the voice of this place and constructed an intellectual history of this region. This paper attempts to explore the intellectual history of Assam through understanding the life history of three key socio-political figures – Gopinath Bordoloi, Bishnu Prasad Rabha and Chandraprabha Saikiani.
    [Show full text]
  • Class-8 New 2020.CDR
    Class - VIII AGRICULTURE OF ASSAM Agriculture forms the backbone of the economy of Assam. About 65 % of the total working force is engaged in agriculture and allied activities. It is observed that about half of the total income of the state of Assam comes from the agricultural sector. Fig 2.1: Pictures showing agricultural practices in Assam MAIN FEATURES OF AGRICULTURE Assam has a mere 2.4 % of the land area of India, yet supports more than 2.6 % of the population of India. The physical features including soil, rainfall and temperature in Assam in general are suitable for cultivation of paddy crops which occupies 65 % of the total cropped area. The other crops are wheat, pulses and oil seeds. Major cash crops are tea, jute, sugarcane, mesta and horticulture crops. Some of the crops like rice, wheat, oil seeds, tea , fruits etc provide raw material for some local industries such as rice milling, flour milling, oil pressing, tea manufacturing, jute industry and fruit preservation and canning industries.. Thus agriculture provides livelihood to a large population of Assam. AGRICULTURE AND LAND USE For the purpose of land utilization, the areas of Assam are divided under ten headings namely forest, land put to non-agricultural uses, barren and uncultivable land, permanent pastures and other grazing land, cultivable waste land, current fallow, other than current fallow net sown area and area sown more than once. 72 Fig 2.2: Major crops and their distribution The state is delineated into six broad agro-climatic regions namely upper north bank Brahmaputra valley, upper south bank Brahmaputra valley, Central Assam valley, Lower Assam valley, Barak plain and the hilly region.
    [Show full text]
  • Jyoti Prasad Agarwala - Poems
    Classic Poetry Series Jyoti Prasad Agarwala - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Jyoti Prasad Agarwala(17 June 1903 – 17 January 1951) Jyoti Prasad Agarwala (Assamese: ???????????? ???????) was a great Assamese playwright, songwriter, poet, writer and film maker from Assam. He was considered as Assamese cultural icon, deeply revered for his creative vision and output and is popularly called the Rupkonwar (????????) of Assamese culture. In fact, he is regarded as the founder of Assamese cinema for Joymati (1935). His death anniversary (January 17) is celebrated as Silpi divas (Artists' Day) in his honor. <b> Biography</b> Jyoti Prasad Agarwala was born on 17 June 1903 in an Agrawal family, to Paramananda Agarwala and Kiranmoyee Agarwala in Tamulbari Tea Estate. He is the nephew of another cultural icon, Chandra Kumar Agarwala. His forefather, Nabrangram Agarwala, had come to Assam in 1811 from the Marwar region in Rajasthan. After completing his studies in various schools in Assam and Calcutta (Kolkata), he matriculated in 1921. He went to Edinburgh in 1926 to study economics, but returned in 1930 before completing his course. On his way back, he spent seven months at the UFA studio in Germany learning film-making. After his return to Assam, he continued his activities for Indian independence that had disrupted his studies earlier and in 1932 he was imprisoned for fifteen months. He established the Chitraban Studio at the Bholaguri Tea Estate and began filming the movie Joymoti around the end of 1933. This was the first film from Assam. The film, released in 1935, was based on a play by Laxminath Bezbarua about the heroic Ahom princess Sati Joymoti imprisoned and tortured by a repressive Ahom swargadeo.
    [Show full text]
  • Assamese Children Literature: an Introductory Study
    PSYCHOLOGY AND EDUCATION (2021) 58(4): 91-97 Article Received: 08th October, 2020; Article Revised: 15th February, 2021; Article Accepted: 20th March, 2021 Assamese Children Literature: An Introductory Study Dalimi Pathak Assistant Professor Sonapur College, Sonapur, Assam, India _________________________________________________________________ INTRODUCTION : Out of these, she has again shown the children Among the different branches of literature, literature of ancient Assam by dividing it into children literature is a remarkable one. Literature different parts, such as : written in this category for the purpose of the (A) Ancient Assam's Children Literature : children's well being, helps them to raise their (a) Folk literature level children literature mental health, intellectual, emotional, social and (b) Vaishnav Era's children literature moral feelings. Not just only the children's but a real (c) Shankar literature of the later period children's literature touches everyone's heart and (d) Pre-Independence period children literature gives immense happiness. Composing child's Based on the views of both the above literature is a complicated task. This class of mentioned researchers Assamese children literature exist in different languages all over the literature can be broadly divided into three major world. In our Assamese language too multiple levels : numbers of children literature are composed. (A) Assamese Children Literature of the Oral Era. While aiming towards the infant mind and mixing (B) Assamese Children Literature of the Vaishnav the mental intelligence of those kids with their Era. wisdom instinct, imagination and feelings, (C) Assamese Children Literature of the Modern literature in this category will also find a place on Era. the mind of the infants.
    [Show full text]
  • A Study of Neorealism in Assamese Cinema
    A Study of Neorealism in Assamese Cinema INDRANI BHARADWAJ Registered Number: 1424030 A dissertation submitted in partial fulfilment of the requirements for the degree of Master of Arts in Communication and Media Studies CHRIST UNIVERSITY Bengaluru 2016 Program Authorized to Offer Degree: Department of Media Studies ii CHRIST UNIVERSITY Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Indrani Bharadwaj Registered Number: 1424030 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ [AASITA BALI] _____________________________________________________ Date: __________________________________ iii iv I, Indrani Bharadwaj, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: v vi CHRIST UNIVERSITY ABSTRACT A Study of Neorealism in Assamese Cinema Indrani Bharadwaj The following study deals with the relationship between Assamese Cinema and its connection to Italian Neorealism. Assamese Cinema was founded in 1935 when Jyoti Prasad Agarwala released his first film “Joymoti”.
    [Show full text]
  • Analyzing the Literary Works of Rupknowarjyoti Prasad Agarwala
    Quest Journals Journal of Research in Humanities and Social Science Volume 8 ~ Issue 11 (2020)pp: 58-59 ISSN(Online):2321-9467 www.questjournals.org Research Paper Analyzing the literary works of RupknowarJyoti Prasad Agarwala PallavProtimMahanta, AnjanJyotiSarma, JugalBorguhain ABSTRACT: Jyoti Prasad Agarwala, The bright Star of Assamese literary world, popularly known as ‘Rupknowar’ in Assamese culture. He is one of the leading cultural Architects of the Twentieth century in Assam. His writings and Activities contributed to the culture and Society of Assam have accredited him a distinct position. In this Research paper we want to analyse all about his literary works and try to make out the impact in Assamese culture and society. Received 29 October, 2020; Accepted 10 November, 2020 © The author(s) 2020. Published with open access at www.questjournals.org I. INTRODUCTION: JyotiprasadAgarwala is a popular name in the Assamese literature. He is - one of the leading cultural architects of twentieth century Assam. He was a noted Indian playwright, song writer, poet, writer and flim maker from Assam. He was considered as Assamese cultural icon, deeply revered for his creative vision and output and is popularly called the Rupkonwar of Assamese Culture. Jyoti Prasad Agarwala was born on 17 June 1903 to an Agrawalfamily, to ParamanandaAgarwala and KiranmoyeeAgarwala at Tamulbari Tea Estate. He was a famous filmmaker. His first film released in 1935, was based on the play by LaxminathBezbarua about the heroic Ahomprincess Sati Joymotiimprisoned and tortured by a repressive Ahomswargadeo. In his life period he had written around 300 songs, he is also lauded as the creator of Assamese cinema.
    [Show full text]
  • History of North East India (1228 to 1947)
    HISTORY OF NORTH EAST INDIA (1228 TO 1947) BA [History] First Year RAJIV GANDHI UNIVERSITY Arunachal Pradesh, INDIA - 791 112 BOARD OF STUDIES 1. Dr. A R Parhi, Head Chairman Department of English Rajiv Gandhi University 2. ************* Member 3. **************** Member 4. Dr. Ashan Riddi, Director, IDE Member Secretary Copyright © Reserved, 2016 All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Publisher. “Information contained in this book has been published by Vikas Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, IDE—Rajiv Gandhi University, the publishers and its Authors shall be in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use” Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT LTD E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi – 110 055 Website: www.vikaspublishing.com Email: [email protected] About the University Rajiv Gandhi University (formerly Arunachal University) is a premier institution for higher education in the state of Arunachal Pradesh and has completed twenty-five years of its existence.
    [Show full text]
  • Print This Article
    The world of Assamese celluloid: ‘yesterday and today’ Violet Barman Deka, Delhi University, [email protected] Volume 9. 1 (2021) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2021.358 | http://cinej.pitt.edu Abstract The study explores the entire journey of the Assamese cinema, which means a journey that will narrate many stories from its past and present, furthermore also will try to analyze its future potential. This paper deals with the trends emerging in genres, technical advancement, and visual representation along with a cult that emphasized the commercial success of cinema by toeing the style of Bollywood and world cinema. It explores the new journey of Assamese cinema, which deals with small budgets, realistic approaches, and portraying stories from the native lanes. It also touches upon the phase of ‘freeze’ that the Assamese cinema industry was undergoing due to global pandemic Covid-19. Keywords: Assamese cinema; Regional cinema; Jyotiprasad Agarwala; Regional filmmaker; Covid-19; OTT platform New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press The world of Assamese celluloid: ‘yesterday and today’ Voilet Barman Deka Introduction Is there any transformation in the craft of Assamese cinema or it is the same as it was in its beginning phase? Being a regional cinema industry, has the Assamese cinema been able to make its space in the creative catalog of Indian and world cinema? Is there anything radical that it has contributed towards the current and the next generation who is accepting and appreciating experimental cinema? This paper aims to explore the elongated journey of the Assamese cinema, a journey that will narrate many stories from its past and present as well analyze its future potential.
    [Show full text]
  • Jyoti Prasad Agarwala’
    Jyoti Prasad Agarwala’s Play: Manimugdha Playwright: Jyoti Prasad Agarwala Director: Himangshu Prasad Das Group: Guernica Creatovista, Kamrup (Assam) Language: Assamese Duration: 1 hr 5 mins The Play Manimugdha is the central character of our version of Rupalim, a timeless play written by Jyoti Prasad Agarwala, one of the torch-bearers of the literary and cultural field of Assam. Originally, Rupalim is a play based on the love story of a pure hearted young girl, Rupalim, who becomes a victim of the complexity of relationships and its outcome, and is brutally put to death for being in the quagmire of love, obduracy and humiliation. Battered between the psychological dilemma of good and evil, the multi-dimensional character, Manimugdha, is one of the best creations of Jyoti Prasad Agarwala and has been widely discussed. We have made an effort to cast a glance around our surroundings through the dilemma of Manimugdha. Director’s Note We have made an effort to depict the core theme along with a few additional scenes rather than staging the original one as it is. New dialogues have been incorporated considering the need of the hour. All the plays of Jyoti Prasad Agarwala are famous for their abundance in song and dance. We are trying to maintain the footprints of his direction in our play Manimugdha. The music has been composed with the salient features of his songs as the backdrop. We have made a sincere effort to capture the verse-like feature in the scene depiction, complying with Jyoti Prasad’s literature. The Director Himangshu Prasad Das is an alumnus of the National School of Drama.
    [Show full text]
  • Socio-Cultural Change in the Ahom Society During the British Period
    Chapter- IV Socio-Cultural Change in the Ahom Society during the British Period This chapter discusses socio-cultural change in the Ahom society during the Colonial Period in a macro sociological point of view. Therefore, in this chapter analysis that what type of Socio-cultural change had been taken place in Ahom society as well as Assamese society through the impact of Colonial rule from macro sociological point of view. Ahoms Revolt against the British and Restore Ahom state In the history of Assam, the period of British rule is called the modern period. Because the British started the process of modernization through the introduction of universalized modern education, established new administration, legal law, development of communication system, establishment of industries particularly tea and oil industries, which brought radical changes in the economy and social life of the people of Assam. Ahom is one of the major communities of Assam and they closely related to growth and development of Assamese culture and society. The modern thought and culture had also influenced the Ahom community in particular. The British annexed Assam after the treaty of Yandaboo in 1826, the Ahom lost their political power and at the same time Assam lost sovereignty. The main cause of fall the Ahom rule was due to internal conflicts among the rulers which brought the Moamoria rebellion and Burmese invasion. After that all the people of Assam came under the single umbrella of British administration. The Ahom nobles and royal family member opposed the British rule in upper Assam of Brahmaputra valley, because they lost the power and prestige in the hand of the British.
    [Show full text]
  • Jyoti Prasad Agarwala: As a Socio-Political Conscious Person and a Revolutionary Dramatist
    International Journal of Advanced Science and Technology Vol. 29, No. 6, (2020), pp. 8867-8870 Jyoti Prasad Agarwala: as a socio-political conscious person and a revolutionary dramatist. Dr. Kunhi Sikha Bhuyan Nagaon, Assam [email protected] Abstract Jyoti Prasad Agarwala was born at Tamulbari Tea Estate Tezpur on 17th January 1903. His father was Paramanda Agarwala and mother was Kironmoyee Agarwala. He was born in a Marowari family but his contribution towards Assamese culture and literature was huge for that he was known as Rupkonwar. He was matriculated in 1921 and went to Germany for learning film making. He started film making and released joymoti in 1935, the first Assamese film. He was a famous Assamese playwright, songwriter, poet, writer and film maker. His works include sunit kuwari, karengor ligiri, nimati koina, rupalim, labhita are remarkable. Jyoti Prasad had written around 300 songs, collectively these songs are called “jyoti sangeet”. Jyoti Prasad was born at a time when India was under colonial power, as a politically conscious person his works are reflecting patriotic feelings. He was a great disciple of M. K. Gandhi. Jyoti Prasad was a active satyagrahi who had spread the concept of freedom and the spirit of Non-Violence through his works. He also composed a good number of patriotic songs. He was a revolutionary dramatist, he was influenced by the works of like W.B. Yeats, Eliot, Bernard Shaw etc. in my paper I basically discussed about his works towards society and freedom struggle of India and as a revolutionary dramatist. Introduction: Jyoti Prasad Agarwala was the most celebrated twentieth-century Assamese poet, dramatist, composer, filmmaker, freedom fighter, and visionary, identified with youth, newness, and progressiveness.
    [Show full text]
  • Jyotishman Das Profile
    1 | P a g e My Profile Jyotishman Das M.A., M.Phil. (Dibrugarh University) Assistant Professor Dept. of Assamese Tezpur University Date of Joining: 24 th February, 2020 Employee ID: 934 Email: [email protected]/ [email protected] Area of Interest Sociology of Assamese Literature, Assamese Novel, Assamese Mass Media, Creative Writing, Life Writing, Travel Writing Publication (Select): Journal/Magazine Das, Jyotishman. “Jatir Ghai Gharar Bheti Gahota Sikhyak-Sahityik Padmanth”(Padmanath : The pioneer of Assamese Society) Satsori , October, 2020, p.67-69 (ISSN 2319-8893). Das, Jyotishman. “Ankiya Bhaona, and its impact on the socio-cultural life of Assam.” International Journal of Humanities and Social Science Invention , Vol 8 Issue 05, Ser. I, May 2019, p.62-65 (ISSN Online: 2319 – 7722, ISSN Print: 2319 – 7714). Das, Jyotishman. “Ecological Concern in Assamese Literature: An Introduction.” International Journal of Advance Research , Vol. 7, Issue 05, May 2019, p.147-149 (ISSN 2320-5407). Das, Jyotishman. “Assamese Literature in New Media: An Introduction.” International Journal of Trend in Scientific Research and Development , Vol. 3, Issue 4, June 2019, p.1610-1612 (e-ISSN: 2456 – 6470). Das, Jyotishman. “Kabi Nilmani Phookanar Silpa Esana’’(Poet Nilmani Phookan’s perception on Art), Satsori , March, 2016, p.46-51 (ISSN 2319-8893). 2 | P a g e Book Chapters “Prasanga : Jyoti Prasad Agarwalar Natakar Purus Caritra’’ ( Male Characters of Jyoti Prasad Agarwala’s Plays : An analysis), Jyotiprasadar Sristi aaru Cetana , Ed. Jyotiprasad Saikia, All Assam Students’ Union, 2017, p. 375-391, (ISBN 978-93-85439-27-8) “Padmanath Gohain Baruah’s ‘Srikrisna’ : Ek bislesanatmak Adhyan ’’ (Padmanath Gohain Baruah’s Srikrishna : a descriptive study), Impact of Mythology on Modern Assamese Literature (Proceeding Volume) Ed.
    [Show full text]