5 great local cheesemongers • fall theater preview •get to know belief defect ®
SEPTEMBER 14-20, 2018 / VOL. 40 / NO. 43 / LAWEEKLY.COM
e orchestra looks back at its past century by embracing a brave, new future By Falling James
5 great local cheesemongers • fall theater preview •get to know belief defect ®
SEPTEMBER 14-20, 2018 / VOL. 40 / NO. 43 / LAWEEKLY.COM
e orchestra looks back at its past century by embracing a brave, new future By Falling James 2 WWW . LAWEEKLY . COM | S - , | L A W E E K LY 3 L A W E E K LY | S - , | WWW . LAWEEKLY . COM 8PM 8PM 8PM 6PM 8PM
DE MÉXICO DE BALLET FOLKLÓRICO BALLET SEU JORGE GABRIEL ROYAL GABRIEL BUIKA OCT 27 OCT 19 & 20 OCT 19 OCT 21 SEP 22 SEP NOV 17 LUCKMANARTS.ORG 323-343-6600 323-343-6600 LUCKMANARTS.ORG 4 WWW . LAWEEKLY . COM | S - , | L A W E E K LY SAVE ON TICKETS HOTDAWGZANDHANDRAILS.COM TICKETS SAVEON MUSIC FESTIVAL FESTIVAL MUSIC SEPT 21 21 SEPT WINTER KICKOFF PARTY KICKOFF WINTER AWOLNATION | SNOWBOARDER MAG MOVIE PREMIERE PREMIERE MOVIE MAG SNOWBOARDER THIRTYTWO MOVIE PREMIERE PREMIERE MOVIE THIRTYTWO SEPT. 22 SEPT. + + SNOWBOARD CONTEST CONTEST SNOWBOARD & PERFORMANCES BY: PERFORMANCES
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| BETA 5 L A W E E K LY | S - , | WWW . LAWEEKLY . COM laweekly.com 11 White Boy Boy White John Legend drops drops Legend John ...35 COURTESY L.A. PHILHARMONIC COURTESY reviews BY BY MICHELE STUEVEN. ...35 . Plus: listings for ROCK & for listings . Plus: ...34 plus other movies OPENING THIS OPENING movies other plus FILM...22 ADVERTISING ADVERTISING MUSIC...27 BULLETIN BOARD BULLETIN CLASSIFIED ...35 EDUCATION/EMPLOYMENT ESTATE/RENTALS REAL by a Beverly Hills wine shop for a drop of of a drop for shop a Beverly wine Hills by self-promotion. Rick, MOVIE WEEKLY YOUR WEEK, and TO-DO LIST. ALAN SCHERSTUHL Belief personal with close and Defect. Up BY MINER MATT BY BY CHRISTINE CLARKE. POP, JAZZ & CLASSICAL and more. and & CLASSICAL JAZZ POP, september 14-20, 2018 // Vol. 40 // No. 43 // 40 // No. // Vol. 2018 14-20, september
BY BY MADISON MARGOLIN.
Los Angeles Philharmonic Philharmonic Angeles Los music director Zubin Mehta, conducting the orchestra.
L EAT & DRINK...21EAT
CULTURE...19 CULTURE...19 FEATURE...11
NEWS...10 GO LA...7 Five fantastic local cheese shops. fantastic Five shows. Pulitzer Prize winners to seriously silly seriously to winners Prize Pulitzer this fall, from Broadway blockbusters to to blockbusters Broadway this fall, from A look at what’s coming to L.A.’s stages stages L.A.’s to coming what’s A look at a slew of commissions and premieres. premieres. and commissions a slew of BY JAMES. FALLING The L.A. Phil celebrates its 100th year with with 100th year its L.A. Phil celebrates The cannabis. cannabis. in L.A. this week. in L.A. this week. in education an offers Flower Green and Dave Chapelle and more to do and see do and to more and Chapelle Dave and Taco Takeover, comedy from Julia Sweeney Sweeney Julia from comedy Takeover, Taco An art show especially for dogs, the L.A. especially for art show An
Photo by Sam Comen/courtesy L.A. Philharmonic Comen/courtesy Sam by Photo On The Cover:
(ISSN #0192-1940 & USPS 461-370) is published weekly by LA Weekly LP, 724 S. Spring St., Los Angeles, CA Los Angeles, St., 724 S. Spring LP, LA Weekly by weekly L.A. published 461-370) is #0192-1940 & USPS (ISSN WEEKLY Send Postmaster: & $90 per year. six months $55 for subscriptions: Domestic CA. Los Angeles, at paid postage 90015. Periodicals in Los Angeles charge free of available is CA 90015. LA Weekly Los Angeles, St., 724 S. Spring Weekly, L.A to changes address $1, payable for bepurchased may LA Weekly of issue the current of copies Additional per reader. copy one to limited County, be may $1. LA is Weekly LA Weekly of cost the single-copy County, Los Outside Angeles ce. o the LA Weekly at in advance may, person No distributors. authorized LA Weekly’s or contractors independent authorized LA Weekly’s by only distributed information back-issue For issue. LA each Weekly of copy one than take more LA Weekly, of permission written prior without in be reproduced portion may No LP. LA Weekly 2014 by Copyright are LA Weekly of contents e entire call 310-574-7100. the publisher, of permission written the express without retrieval systems, electronic including means, any in part by or whole CA 90015. Los Angeles, St., 724 S. Spring LA Weekly, Contents 6 WWW . LAWEEKLY . COM | S - , | L A W E E K LY 7 L A W E E K LY | S - , | WWW . LAWEEKLY . COM FALLING JAMES FALLING PHOTO BY ADI SHNIDERMAN BY PHOTO LA Plaza de Cultura y Artes, 501 501 y Artes, LA Plaza de Cultura AVERY BISSETT AVERY MUSIC/CULTURE the Unholy ... by Be Blessed rst Back when Christian Death the band in L.A., souls onstage their tortured bared FK creepily Kommunity of Mata Patrik and (it rock death despair, inner about crooned erce fresh, then) was called “goth” wasn’t Cramp, Sado Maso Spiritual At new. and a new documentary for fundraiser Disco’s departed Christian about name the same of But the juxtapositions of re-ravaged of the juxtapositions But woods questions raise lush with landscapes emphasize and the environment about for. aiming is Abeles what not is cute that Ave., N. Raymond 145 Arts, the for Armory Sept. 15, 4-5 p.m.; Sat., reception Pasadena; Sept. (626) 792- 30; free. runs Sun., thru 5101, armoryarts.org. FOOD/DRINKS Time Taco every nearly a taco-themed event ere’s that’s seems, and it in Losweek Angeles, the considering enough still not probably in food staple the humble of importance e L.A. food geography. Los Angeles’ expense no this sparing is Takeover Taco hitters. the heavy out in bringing weekend tacos will and e food lineup include Te- the of likes from dishes Latin-inspired Cantina, Pez Es Texcoco, Aqui House, tee Hotel at Lounge High Dia de los Puercos, Mexican Frida and Erwin, Taco Pink A bevy and cocktails traditional Cuisine. of the food, beers willMexican accompany entertain- and will there music beand live ment. Sept. 15, 1-4 Sat., downtown; St., N. Main $39-$69. thetacotakeover. & 5-8 p.m.; p.m. com. ” is (1987), Abeles stenciled images of of images stenciled (1987), Abeles SHANA NYS DAMBROT NYS SHANA dance video instead of a press release. at’s release. a press of videodance instead show next L.A.’s HILDE knewwhen we that erent. di be a bit to something going was sculptures, will and there be paintings Yes, a new Camilla artist series by Engstrom, a colorful, ers whose o mythology folkloric early–20th of hints aesthetic with exuberant Centered avant-garde. century European a journey of spiritual the esoteric around a for searching maiden” “house Swedish Garden “Husa’s deeper consciousness, ected dimension fairy tale–in a strange, and ora magical soulfulof thinking and 9 at ends when the vernissage But fauna. an and s again, shi the dimension p.m., into party goes late DJ equally exuberant everyone in invites Husa as the night, dreams she whatever for along attendance Washington L.A., 4727 W. next. HILDE up free. Sept. 15, 6-9 p.m.; Sat., Mid-City, Blvd., . hilde.co ART/ENVIRONMENT in a Suitcase Nature on comment just doesn’t work Abeles’ Kim the L.A. artist Instead, her. around the world places and world that from matter raw pulls mixed-media her work. of the center at it series early celebrated her In e SCollector m o them le plates, porcelain on presidents U.S. g varying lengths for studio her of the roof on — which do the rest nature let and time, of in thelling outlines gleefully did, nature new her smoggywith In particulate dust. Ground: Camp for “Valises exhibition, Management Arts, Corrections Fire and Abeles ,” Mountains Monica in the Santa ghting re of the help — with created has Camp L.A. County’s from inmates women open up that small suitcases 13 — adorable forests. bonsai-like miniature, of tableaux to SCOTT FEINBLATT SCOTT FALLING JAMES FALLING
9/15
Jessica Dawson, Mica Scalinand Rocky interact with Tibi Tibi Neuspiel’s sculpture at Dogumenta: SeeFriday. sat ART Maiden Voyage when was the a gallery clue out rst put e CONVENTION/HORROR Back With a Vengeance the for festival monster/horror premier e fall its iteration! back for is L.A. area Greater have festivals 2009, Monsterpalooza Since of kids” the “monster a mecca for provided gener- newer for a destination yesteryear and immerse themselves to fans horror of ations In environment. in a beautifully macabre monster-makeup the professional to addition lm celebrity the horror demonstrations, of the hundreds and panels, and appearances that artisans and merchants horror-themed Monster- given expect can any seeone to at the bestpalooza, also these provide festivals ever is one that contests costume monster monster experience top-notch to and likely Convention Burbank installations. museum Burbank; Way, 2500 N. Hollywood Center, Sept. 15- Sat.-Sun., Sept. 14, 6-11 p.m.; Fri., $25-$60. (818) 843-6000, 16, 11 a.m.-6 p.m.; monsterpalooza.com. team with Mica Scalin to challenge about a Scalin Mica with about team challenge to and palpable visual, create to artists dozen sen- canine “the address that works scented range media that a mix of through sibility” and kibble to sculpture and sound “from invited dogs are and Humans squeaky toys.” canine one only but Dogumenta, attend to per a leash, person. on Figat7th, art lover, down- Plaza, St., 735 S. Figueroa Upper Sept. 14-16 & Sept. 21-23, town; Fri.-Sun., RSVP recommended. free, 11 a.m.-6 p.m.; bit.ly/2uCS2Db.
dogs. Curator Jessica Dawson Dawson Jessica dogs. Curator 9/14
National Center for the Preservation of Preservation the for Center National
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GO required. required. . zocalopublicsquare.org Fri., Sept. 14, 7:30-9:30 p.m.; free, RSVP free, Sept. 14, 7:30-9:30 p.m.; Fri., racy. racy. downtown; Ave., 111 N. Central Democracy, a curatorial So formed the duo together. e democ- American on have ects could it e gallery walks York New on the went pair with information warfare and the corrosive the corrosive and warfare information with when humans” than erently art di “saw break down how Russia has compensated compensated has Russia how down break for art show rescue dog, Rocky, Morkie her that noticed oline Orr and moderator Warren Olney will Warren moderator Orr and oline a group is Dogumenta dogs, but by works founder Julia Davis, media researcher Car- media researcher Davis, Julia founder even dogs, and art about of a lot is ere Asha Rangappa, Russian Media Monitor Monitor Media Russian Rangappa, Asha Gaze The Canine but former FBI counterintelligence agent agent counterintelligence FBI former but ART the big baddie it was in its Cold War heyday, heyday, Cold War in its was baddie it the big BISSETT AVERY terms. Russia may be a decrepit shadow of of shadow be a decrepit may Russia terms. attempt to in mid- the upcoming uence in to attempt and ready for the all-but-inevitable Russian Russian the all-but-inevitable for ready and will get you caught up up caught will you get Warfare? formation Can U.S. Democracy Survive In- Can U.S. Russian spoiler, it’s actually happened. at e panel actually happened. it’s spoiler, mainstream media conspiracy but because, but media conspiracy mainstream And it’s not because of some anti-Trump anti-Trump some because of not it’s And “meddling” or “interference” in between. “interference” or “meddling” and “elections” — usually with the word the — usually with word “elections” and years has been involved the words “Russia” “Russia” the words been has involved years you’ve seen/heard/read for the past few the past for seen/heard/read you’ve The Russians Are Coming Are The Russians seem if half as the may news coverage It POLITICS fri 8 WWW . LAWEEKLY . COM | S - , | L A W E E K LY A series ofon-stage conversations featuring writers, actors, musicians, humorists, artists, chefs, scientists andthought leaders inbusiness. The clinic ofthe Fuller School ofPsychology assessments, allataffordablerates. relational problemsaswellneuropsychological Offering psychotherapyforanxiety, depression,and Fuller PsychologicalandFamilyServices We are here to help. RELATIONSHIP ISSUES? ANXIOUS? DEPRESSED? 626-356-PLAY pasadenaplayhouse.org | FALL 2018 Fuller.edu/FPFS Pasadena - 626.584.5555 www.livetalksla.org Ad 1 of 2 — LEFT HAND PAGE TICKETS &INFO: by A neighborly comedydirected Seinfeld’ s Jason Alexander Sep 5 – 30 4 WEEKSONLY Moss Theatre, SantaMonica SEP 24 Practice ofPresence Aware: The Science and Daniel Siegel Flintridge; (818)949-4200,descanso Cañada Drive,La Gardens, 1418Descanso Chinatown and an a er-hours outdoor screening of Ángeles” opens SundayLos with aDJ party tire grounds of gardens the Reina de —“La spread across architecture the and en- the but spaces occupying not only gallery the large-scale of sca old —and excitingly intimatethe of tactility ceramics to the Featuring sculpture and installation from treasure with its own hydro-complexities. Gardens, botanical than Descanso alocal an interdisciplinary, topical exhibition giving resource. What better place for our society’s relationship to life- this ration of nuances the and paradoxes of in many ways better suited for an explo- now.in L.A.,and especially In is art fact, topic for artists and curators —especially relevantis aperennially and inspiring politics, economics, and industry culture, reverberations across geography, ecology, Water, and its endless implications and A Fount ofCreativity ART/F sun 9/16 LINA LECARO fundraiser-tickets-49755956405?. k-eva-o-gitane-demone-spiritual-cramp- a.m.; $20.eventbrite.com/e/kommunity-f- St., Pico-Union; Sat., 15,9p.m.-2 Sept. rian Church of Angeles, Los 1153Valencia formal wear is encouraged. Welsh Presbyte - out unholy the hullabaloo. Black attire and anddrinks apop-up photo exhibit round “service”decks, pamphlets, of Christ Blood onwicked soundscapes. the Don Bolles Agnew and Paul —conjure Roessler) more DeMone (with aquartet featuring Rikk tian Death members —Eva Oand Gitane some rare gems, two former while - Chris celebrateFK will its with anniversary 40th one of L.A.’s oldest churches, Kommunity fashion together. Amid splendor the of fans of dark and decadent rock, dance and gorgeous making still and gloom bringing some ofsee O.G.s the are who around, still Death singer Rozz Williams, you’ll get to I LM . Sturt HaagaSturt Gallery, Descanso Moss Theatre, SantaMonica SEP 26 Rage Becomes Her Chemaly Soraya Publication: Colors: Size: 9.125” x 2.531” LA Weekly (Ad 1 of 2) CMYK
Moss Theatre, SantaMonica OCT 2 Transcription Kate Atkinson afraid-everything. okay- ne-whatever-year-i-went-being- courtenay-hameister-discusses-and-signs- free. (310) 659-3110,booksoup.com/event/ West Hollywood; Mon., 17,7p.m.; Sept. like Book Soup, this. 8818Sunset Blvd., leastthe of public being them speaking scared, and frightened her —not terri ed triumph over things the that all constantly 40s, she to actively ayear take decided to tle, Brown &Company). When she hit her Only Being Afraid of Most ings ($26,Lit- Went From Being Afraid of Everything to discusses pathetic cowering wretches herself — nay Hameister —formerly one of those Dockers are norm. the Tonight, Courte opportunity, and for whom stain-resistant stomachs hurt,second-guess who every are one yourself. Fearful peoplewhose You Maybe you everywhere. them see Fearing Fear NoMore BOOKS mon 9/17 groundlings.com. Sun., 16,6p.m.; Sept. $10.(323)934-4747, lings School, 7280Melrose Ave., Fairfax; of it will,” Sweeney promises. Ground e musings. of Lots it won’t work. But some Well showa new that she’s archly I,as titled against harassment sexual as she workshops gender, put will her own spin on battle the portrayed Pat, acharacter of indeterminate Perhaps it’s tting that Sweeney, once who #MeToothe and #TimesUp movements. Groundlingsthe and turns her attention to alum returns to her early home with base comedianthe and Saturday Night Live of dark humor amid despair. deep Tonight, into and art, found even saving the grace Julia has Sweeney managed to turn tragedy With such monologues Said Ha! as God , Tragedy PlusTime CO a er 4:30p.m. gardens.org; Sun., 16,5-7p.m.; Sept. free Art Director/Designer: M . “I will try out stories, try . “I jokes, will themes, E D Y Artwork Due: Okay Fine e Year Whatever: I Client:
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Moss Theatre, SantaMonica OCT 3 BetweenCultures Reflections onLife American Like Me: Ferrera America FA DAVI D COT Live Talks Los Angeles 9/13/18 Mike Diehl (818) 552-4110 LLING JAMES NYS DA M BRO NER T
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looks Michael Beschloss of War Presidents OCT 22 Santa Monica Theatre, Moss KINS scale Kamp NN HAS NN Dearly Beloved: Beloved: Dearly A , choreographer , choreographer FALLING JAMES FALLING : livetalksla.org/video : livetalksla.org/video REDCAT, 631 W. Second St., Second 631 W. REDCAT, Pete Souza Pete of Shade: A Tale Presidents Two OCT 21 City Culver Auditorium, Frost 9/20 VIDEOS ANCE A Union, Out of Wedlock Andrew Pearson o ers what he describes he what as o ers Pearson Andrew hour a cocktail by Preceded a “CerePhony.” the evening’s a reception, by followed and set large- amid are new danceworks interactive art installations by Mary by art installations interactive music. live by backed and Groves Margaret and choreographer provocative a as Known chosen Pearson’s presenter, imaginative an an chapel, wedding a commercial is venue a theatrical brides space where inherently star as in their moment revel grooms and party the oen wedding Where performers. help gets Pearson tension, dramatic provides a from performances live and recorded from Sweat. Ti any including half notables dozen price ticket top and 6:30 p.m. Doors open at Street Ruby access. bridal-suite promises Highland St., 6408 Ruby Chapel, Wedding $20-$60. bodies Sept. 7, 7 p.m., u., Park; inplay.com/dearlybeloved. D of Mind and BodyMatrimony event the one-night-only In thu thu ART Miniature History in Modern’s Hotel glance, rst At like a children’s game, a fantastic replication replication a fantastic game, a children’s like structures village miniature with a toy of of thousands by populated tracks, train and REDCAT the entire gurines, taking up tiny becomes clear closer On inspection, it stage. Arléne Kalker, Pauline artists Dutch that depicting are Helle Herman and Hoornweg — where camp concentration the Auschwitz died Emanuel Joseph grandfather Kalker’s use artists music, WWII. e in 1943 during live a chilling, create to sculpture video and gures they as move lm onstage animated to around guards Nazi and prisoners of - in the no calls even deaths and role simulate intricately e chambers. gas camp’s torious and moving both is strangely detailed work disturbing. Sept. p.m.; 20-22, 8:30 u.-Sat., downtown; $27 & $37. (213) Sept. 23, 7:30 p.m.; Sun., . 237-2800, redcat.org
Frost Auditorium, Culver City Culver Auditorium, Frost Eric Idle the Bright on Look Always A Sortabiography Side of Life: OCT 11 square.org/ Ad 2 of 2 — RIGHT HAND PAGE public TNER O
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PODCASTS event/can-termites-teach-us-future- technology (424) 229-9490, zocalo St., Carson; Wed., Sept. 19, 7:30 p.m.; free. free. Sept. 19, 7:30 p.m.; Wed., Carson; St., e RedZone at Gensler, 500 S. Figueroa 500 S. Figueroa Gensler, at RedZone e nication to climate change to indigestion. indigestion. to change climate to nication Obsessive Tale of Termites and Technology and Termites of Tale Obsessive - everything commu about from humanity Underbug: An An Underbug: of — author Margonelli teach can these bugs occasionally satanic , Lisa Technology? of Future the About Us how tology Zócalo to demonstrate to What Can Termites Teach Teach Can Termites What the question - termi of grasp insightful and keen her world we’ve made for ourselves. Asking Asking ourselves. made for we’ve world — brings & Giroux) Straus ($27, Farrar, to transform how we humans deal the with humans we how transform to possess a heretofore unrealized potential unrealized potential possess a heretofore as the honeybee, termites nonetheless nonetheless the honeybee,as termites luster as the butter y or the same publicist publicist the same or the butter y as luster . . ms-lauryn-hill-and-dave-chappelle/ the same have not theyAlthough may com/events/performances/505/2018-09-18/ Bugs From Learning $49-$249. (323) 850-2000, hollywoodbowl. $49-$249. (323) 850-2000, wed 9/19 SCI Hollywood Hills; Tue., Sept. 18, 7 p.m.; Sept. 18, 7 p.m.; Tue., Hills; Hollywood get. get. D DAVI into the air above it — that’s what you’ll you’ll what — that’s it above the air into Bowl with the words “HA HA HA” jumping jumping HA” HA “HA Bowl the with words expansive. Just imagine a cartoon of the of a cartoon imagine Just expansive. jokes and his view of the world remain remain view the his world of and jokes gure onstage at the Hollywood Bowl, the Hollywood his at onstage gure Chappelle seem a teeny-tiny like may even though he from laughing at his jokes. Tonight, Dave Tonight, jokes. his at laughing from Laurynbill as De La and Hill Soul — and of the ’90s. He gave Charlie Sheen a hernia Sheen Charlie gave the ’90s. He of Half-Baked decade the entire of lms joyous orful and He’s won a Grammy and an Emmy. His lm His Emmy. an and a Grammy won He’s See a Stand-Up Legend See a Stand-Up tue tue COMEDY SET THE 10 Y WWW . LAWEEKLY . COM | S - , | L A W E E K LY C OUR ABIS ANN SET THE SET THE EMPLOYERS SUBMIT YOUR Y S C OUR Y IGHTS C OUR ABIS ANN ABIS ANN S JOBS FOR FREE IGHTS S IGHTS FIE R! HIGHE FIE FIE R! HIGHE R! HIGHE LD LD LD – – – T T T R R SEARCH JOBS SEARCH JOBS Y ITF Y ITF R SEARCH JOBS Y ITF OR FREE! OR FREE! OR FREE! I I N N F N BY MADISONMARGOLIN wantwho to work incannabis Green Flower o ers online education to those Simon, CEOof Green Flower. move up way,” inan unexpected says Max andport training to more become or skilled employeestheir and supply that level of sup- is that they’re not doing anything to engage a lot of turnover, for of part reason which the don’tknow alotabout cannabis oryou have hiring peoplefrom outside who space the nies incannabis have is that either you’re crazy, and biggest the problem that compa- botany, compliance and forth. so relatedeverything to cannabis: science, development on and in-depth curricula programCerti cation o ers professional school. Virtually,weed that is. Greenedge base, Flower you is taking to cannabis and want to touch up your knowl- cannabisthe or space you already work in 300,000 will. cannabis industry, nationally while almost nearly 100,000 Californians work will in the ket research. By 2021,BDS predicts that elds, according to BDS Analytics mar space, with another 18,165inauxiliary employedpeople directly cannabis inthe hires:weed In state 2017,the had38,233 Green Rush means job creation. on pot — a er among all, other things, the workforcethe an needs updated education would have predicted, an entire of sector expanding faster than ourtry DARE o cers kids”).drugs, But withcannabis the indus- GET SCHOOLED e program launched afew months ago, “Companies have hiring people like been Green Flower’s Cannabis Education you’re whether So to looking break into already nationCalifornia the leads in EWS I or high school health (“don’t health or school high do through programs like DARE education about cannabis was 1980s and extent ’90s,the of our or of up those grew us who inthe N - that, DARE. have a ected by War. been Drug the Take from low-income families and peoplewho scholarship programfor veterans,students thority.” something that reach hasand global au- butnowned experts we’re developing also oping relationship the world-re with these - world,” says Simon. “We’re not only devel- law. and cultivation, science, patient care, medicine get more certi cations speci c incannabis careers cannabis inthe space. Students can safe dosing protocols, quality control, and myths and fears about plant pot, biology, di erent cannabis products, cannabinoids, cation course includes information on the eld. given inthe by experts with quizzes, reading materials and lectures are repletecannabis, curricula the while Flower. résumé-building certi cation from Green Simon notes, for online courses leading to a are already 3,000 people on waiting the list, work they whether incannabis or not. ere tember saw registration opento anyone, program to educate employees. their - Sep and companies have using beta the been M WORLD.” EXIS LIKE NO“THERE’S What’s more, Green Flower o er will a “ere’s nothing likethat this exists inthe Green Flower’s “fundamentals”- certi course coversEach adi erent area of AX S IMON, G T T S IN T S IN HIS PHOTO BY VASILEV KIRILL/GETTY IMAGES REEN FLOWER CEO
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11 L A W E E K LY | S - , | WWW . LAWEEKLY . COM » - ( 13 Romeo PHOTO BY DANNY LIAO DANNY BY PHOTO LD ). In November, L.A. Phil takes November, ). In “ is diversity, like our community, will community, our like “ is diversity, months, few the next Over of the course an odyssey into music from the lms of the of lms from music odysseyan into - Christo conductor and Kubrick, Stanley spirit the anarchic invokes Rountree pher the 1960s of art movement the Fluxus of unpredictable in a set the of with rst the with in coordination presented events which will of — some be Center Getty occur in spontaneously and improvised notice. little with Disney Hall around and will concerts include Fluxus e drive audiences and music fans to under to fans music and audiences drive hip be the L.A. Phil can pretty that stand in an says Dudamel a 100-year-old,” for interview. email also and will interact the orchestra and Bird Andrew Moby, with collaborate Millepied (who Benjamin choreographer ballet will Sergei Proko ev’s stage and Juliet and RS O RS A
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SYE 100 L I L All those nostalgic visitations willAll occur those nostalgic visitations Sept. 30, Sunday, on later, days ree omas and Zubin Mehta. Zubin and omas in the new season, Disney which begins at Sept. music 27, with ursday, on Hall conducting Dudamel Gustavo director by works gala of Soul” the “California composers Golden State disparate such Jerry and Zappa Frank Adams, John as vocal guest - by accompanied Goldsmith, Corinne Baileyists Rae Coldplay’s and Chris Martin. encompasses celebration the centennial takes the orchestra as the city of much
Nobody would have have would Nobody he folks at L.A. Philharmonic L.A. Philharmonic at folks he taken the easy way have could the orchestra’s in marking out 100th anniversary.
its summers performing atthe Bowl. Hollywood L.A. Phil spends
L.A. PHIL.A. as Esa-Pekka Salonen, Michael Tilson Tilson Michael Salonen, Esa-Pekka as by bringing back such former conductors conductors former back such bringing by and Bruckner and underscoring its past its underscoring and Bruckner and Mozart, Tchaikovsky, Brahms, Mahler Brahms, Tchaikovsky, Mozart, sets of timelessly epic classical works by by classical works epic timelessly sets of playing crowd-pleasing greatest-hits greatest-hits crowd-pleasing playing well-deserved the with band victory lap, spend the next year jogging through a jogging through spend year the next blamed them if theyblamed had decided to
BY FALLING JAMES FALLING BY by embracing a brave, new future a brave, embracing by e orchestra looks back at its past century past its looks back at orchestra e T JUXTAPOZ JUXTAPOZ JUXTAPOZ JUXTAPOZ
Robert Williams; The Everywhere at Once Cabriolet, 2011 (Detail); Oil on canvas; Courtesy of the artist
JUXTAPOZOpening reception September 27, 2018 at 6:00pm Exhibit open to the public September 29, 2018 6060 Wilshire Blvd, Los Angeles CA 90036 A 501(c)(3) nonprofi t organization Purchase tickets at petersen.org/juxtapoz L A W E E K LY WWW . LAWEEKLY . COM 13 | S - , | » , is ( 14 HARMONIC . PHIL Sustain coupled coupled PHOTO BY DANNY LIAO DANNY BY PHOTO COURTESY L.A COURTESY L.A. Variations But the whole program hinges on, and and on, hinges the program whole But bracing, the past, Norman’s In - o the orchestra’s of the centerpiece Disney cial at concert season-opening evening Oct. 4. at ursday, on Hall intermittent an L.A. Fest, also launches from draws that series performances of by new works unusual of the plethora burgeoning this city’s from composers scene. contemporary-music underground begins Esa- with Oct. e 4 program Salonen’s Pekka with Ludwig van Beethoven’s momentous momentous Beethoven’s van Ludwig with three which spotlights Concerto, Triple nuanced and adept most the orchestra’s of Martin violinist-concertmaster soloists: Robert cellist deMaine intense Chalifour, Pearce Joanne pianist versatile and Martin. orchestral Norman’s with, culminates yet? the piece nished he Has work. “I admits. Norman done!” not it’s “No, its awaiting think everyone anxiously is who Dudamel, to Referring completion.” Norman premiere, thewill world conduct will be happy only thinks the conductor him give and bar double that I nd “once the music.” a line,” says composer Andrew Norman, Norman, Andrew composer says a line,” opus, 38, whose new orchestral e and , 2003’s , 2003’s City Noir , 2009’s , 2009’s
e Gospel According to the Other the to According Gospel e — Adams has long appreciated the appreciated long has — Adams Perfoming at the Hollywood Bowl The L.A. Phil in its current home, Walt Disney Concert Hall Adams says he wanted to write “a piece “a write to wanted he says Adams had who previously has a composer As Dharma at Big Sur Big at Dharma warhorses make her the classical-music the classical-music her make warhorses Hendrix. Jimi to equivalent especially if had a diabolical energy, that the pianist’s Given Wang.” Yuja by played ever Adams was abilities, pyrotechnical an into the concerto turn to tempted Wang’s for detailed showcase ornately my that concerned was style? “I orid her of enough take advantage didn’t piece write to want I didn’t technical but talent, showy. and ashy just was that something a lot written I’ve but a pianist not … I’m ongoing biggest my at’s music. piano of pianists that something write to challenge, play.” to want by premiered several works signi cant 1999’s — including L.A. Philharmonic Naive and Sentimental Music Sentimental and Naive orchestra’s exibility. “ ey’ve been deal- exibility. orchestra’s says. he new repertoire,” of a lot with ing “ ey a very curve. learning fast have … exciting.” it makes what at’s the of a lot about I admire “Something they shape can how is L.A. Phil players Mary 2011’s 2011’s
HARMONIC HARMONIC AM COMEN/ . PHIL . PHIL PHOTO BY S BY PHOTO OURTESY L.A C COURTESY L.A COURTESY , which is inspired inspired , which is Lodger Harmonium: “Wild Nights” “Wild Harmonium: Must the Devil Have All the Good the All Devil the Have Must , a piano concerto the composer concerto , a piano “I don’t know of any other orchestra in orchestra other any of know don’t “I Even more intriguing, in March, in March, intriguing, more Even and the evocative, electric the evocative, violin–sparked and recently wrote speci cally for soloist speci cally soloist for wrote recently whose the Chinese pianist Wang, Yuja and technique speed,dazzling astonishing classical traditional of makeovers daring - audi of dozens are ere classical music. classical now.” for ences cen- its will that be celebrating the world a bold statement making such tennial by so premiering and commissioning by - com Area Bay says new works,” many John chair poser Phil L.A. creative and while from driving phone by Adams bothBerkeley a conductor Oakland. to As - will promi gure Adams a composer, and his of season. Two in the upcoming nently — works past Dharma at Big Sur: Part 2, Sri Moonshine 2, Sri Moonshine Sur: Part Big at Dharma program Soul” the “California — anchor Disney to returns Adams Sept. 27, and on the L.A. Philin conduct to January in Hall - Sym Glass’ Philip of premiere the world 12, No. phony Tunes? by the collaborations of David Bowie David and of thecollaborations by Eno. Brian of premiere the world conducts Dudamel Adams’ . Europeras
rarely performed works by La by performed works rarely The L.A. Phil in 1957 Music director Music Gustavo Dudamel Gustavo “By far, it’s the most premieres we’ve we’ve premieres the most it’s far, “By And yet, despite all that activity, the activity, all that despite yet, And 11 )
with performances of his 1987 his of performances with John Cage’s importance as a native son a native as importance Cage’s John and the orchestra also will emphasize the orchestra and Nam June Paik and Pauline Oliveros, Oliveros, Pauline and Paik June Nam Monte Young, Yoko Ono, Luciano Berio, Luciano Ono, Yoko Young, Monte ere isn’t this monolithic audience for for audience this monolithic isn’t ere we’re part of the ecosystem of L.A. … of the ecosystem part of we’re of Los Angeles is so remarkable. We feel We so is remarkable. Losof Angeles was 25 works. “ e creative community community “ e 25 works. creative was most world premieres in a single season premieres world most adds that L.A. Phil’s previous record for for record previous L.A. Phil’s that adds interview in his o ce at Disney Hall. He He Disney Hall. interviewat o ce in his ever done before,” Smith says during an during says Smith before,” ever done brella series. brella - radically Um and experimental Green the entire season of its boldly adventurous boldly adventurous its season of the entire ing 23 compositions that will constitute will that constitute 23 compositions ing - includ commissioned, the orchestra that world premieres of an estimated 54 pieces estimated an of premieres world be on new works, as L.A. Phil issues the L.A. Phil issues as newbe works, on major focus of the centennial season will the centennial focus of major York. known for his subsequent career in New in New career subsequent his for known says of the composer, who better was the composer, of says essence of California” in his work, Smith Smith work, in his California” essence of these streets, and he sucked in some of the of in some sucked he these and streets, “John Cage was born here, he walked he born was Cage here, “John » 14 WWW . LAWEEKLY . COM | S - , | L A W E E K LY Guide to Rome to more entrancing melodically works like (2015), amusical homage to Frank Gehry, inspired pieces such as angular, architecturally structured and » A Trip to the Moon unique and exciting way.” inwritinggi ed for instruments ina ams says about Norman. “He’s especially feels fresh and exciting.” and getting to them behave inaway that I’m core the taking orchestra instruments sticking ininstruments that don’t belong. pulling and out and bells the whistles all ofdose percussion. Iwasn’t interested in phony orchestration along with “a healthy 40-minute work, have will standard- sym Norman says that timeinadi erent experience will way.” continues. “Maybe future peopleinthe same? than ours, and how the wouldbe they would ears the of audience the di erent be won’t hall the exist even in100years. How 100 years from now Maybe hall? inthis future. What would audience the like be what got me going about was thinking the a portrait piece of city, this but end inthe interview. “I thought about this making for L.A.Phil,” Norman says inaphone years, of idea the abig orchestral piece we’ve about talking for been four or ve monic’s is apiece centennial “ is season. tone the set that for will L.A.Philhar ontaking pressure the of writing apiece meaning and signi cance,” he says, about hard enough, there’s other this layer of year.this ction operathat debuted L.A.Phil earlier
13 ) “With Andrew, complexity is acolor,” “He’s talent,” extraordinary avery Ad- “ e piece is largely“ e about time,” he “As ifcomposing for an orchestra isn’t Music Center’s Dorothy Chandler Pavilion opened in 1963. in opened Pavilion Chandler Dorothy Center’s Music the until season, second its 1920, from 1929) in (seen Auditorium Philharmonic downtown’s in played Phil L.A. unusual work has ranged from (2010)and , afancifulscience- Sustain e Companion Companion e , aroughly Frank’s House Frank’s -
saying, ‘I know piece.’ this Someof the “ ere’s absolutely no sitting and back world premieres upcoming inthe season. generally of aboutspeaking ood the longtime violist L.A. Phil Meredith Snow, limitthe of what peoplecan do.” categories. …Alot of my music pushes to between spaces in-between in the pening of most the interesting work now is hap- ways of listening,” Norman says. “Some variety with of awide dialogue music and continent” with his ambitious work. that he intends to evoke “the lifespan of a by and sound,” memory he says, adding how our perception of timeis a ected you can’t perceive even it. It’s about also geologic lines unfolding, aprocess slow so my pieces go, it’s pretty abstract,with long moment, about think future. the …As public wayvery how we, particular inthis to explore and inthis personally this also ing environment. the Ifelt like Ineeded now, withway the particularly we’re treat- other.each Alot is happening world inthe about how di erent of timerelate scales to world, Ihave to admit,” Norman says. “It’s tions.” world’s most important cultural institu- Angeles around to some globe of the the well, but his career stretches from Los us and thusknows ornton he School, such relationship aclose withUSC the ofpart our community as he maintains way of playing. He’s an important also energetic outlook to our sound and to our he can bring such abright, youthful and form,” Dudamel writes. “I love way the with what is considered seriousart avery incredible ability for playfully interfacing Smith says. “It’s absolutely frightening,” says “I like for my music to doitin all “It’s not lightest the piece of music inthe “On macro the level, I’d say he has an
COURTESY L.A.PHILHA RMONIC ever year,”ever violinist Minyoung Chang says. be. to is busierseason and longer than it used works itsnew because traditional inpart e orchestra is able to include many so tends to perform over course the of ayear. andLatin avant-garde —that L.A.Phil variety of genres —Broadway, pop, jazz, sible for performing music from wide the intense are pieces, respon they new also - an unprecedented amount of physically read music again.” it’s notated, it’s like you’re learning how to notationthe of composers. the e way says. “A lot of challenge the is guring out principal timpanist Joseph Pereira, 44, You never know what you’re going to get,” justtil days before concerts. scheduled the available to musicians the to rehearse un- scores are written being still and won’t be ous new-music commissions. Many of the trombonist John Lo on about numer the ibly challenging,” agrees bass L.A.Phil and programming.” more nimble and creative with scheduling orchestras that are slow to change. We’re company to as opposed traditional conservative. We’re more of atech-savvy material. …Generally, orchestras are toire —it timeto takes process that much sheer onslaughtpieces. “ e of reper 47, says of many learning so brand-new ‘Holy shit!,’ hard but he doesn’t like it.” look like Roger Federer. You know he’s working repetitive motions.very You want to look We’re like small-muscle athletes, using It’s tremendously also physically taxing. pieces are aright painass inthe to play. “We always feel we’re working harder Not only musicians dothe have to learn “A lot of composers the are unknown. “Some of are them going incred to- be “It gamut the runs from ‘No problem’ to opened in 2003 as a dedicated home for the L.A. Phil. L.A. the for home adedicated as 2003 in opened Gehry, Frank by designed Hall, Concert Disney Walt ” bassist David Moore, Allen - - director in2009.Smith, with 46,started music since Dudamel took over as music Smith for on focus increased the new and chief L.A.Phil operating ocer Chad orchestra,the credit Gustavo Dudamel sic? It on depends whom all you ask. groups and champions of mu new vital - status as one of world’s the preeminent if overlooked orchestra into its current turn corner the from arespected being At what point L.A.Philharmonic did always time.” agood standards you’re to uphold, trying but it’s of responsibility and expectations and emotionally demanding. ere’s aweight Moore says. “It’s always it’s when even fun year,”concerts per Smith says. we are investing and expanding at of-a-kind education programs, inwhich ticketsfree to community, the to our one- audiencesnew by providing thousands of tion, from how we openup Hall Disney to throughthis across entire the organiza - nation is not acceptable. …We’ve thought must listen, change and grow —stag - also that. e world is changing, and music more even be di erent will L.A. Phil than 100years L.A.Phil the ago. And 200th the you today is see uniquely di erent from widest audience possible. e L.A.Phil press themselves to them the and expose sicians, composers and songwriters to ex- “We must provide outlets for today’s mu - indeed,” bleak be will Dudamel writes. to chief operating ocer in2015. monic, Smith returned and was promoted A er astint with New York Philhar hired as associate artisticadministrator. organizationthe he was in2002,when Many people, within and both outside “It’s alot of work, but it’s not ajob,” “At point, this we’re doing to close 300 “If music rests on its laurels, its future
C OURTESY L.A.PHILHA - (16 RMONIC
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16 WWW . LAWEEKLY . COM | S - , | L A W E E K LY often duringthenight,ortooearlyinmorning, If you’vehadinsomniaatleast3timesaweekfor treat mayreceive Insomnia.Qualifiedparticipants volunteers who have difficulty fallingasleepand volunteers whohavedifficulty investigational drugtoseeifitmayhelp people 3 months,struggletofallasleepandwakeup INSOMNIA? staying asleep at night to take part inaclinical staying asleepatnighttotakepart qualify forthisInsomniaResearch Studyofan 310-586-0843 research studyforaninvestigationaldrugto If you’re 18yearsofageorolder, youmay Call SantaMonica ClinicalTrials at Santa MonicaClinicalTrials islookingfor fall asleepandstayatnight. reimbursement fortimeandtravel. you mayqualify. through most the music.” dicult Along and he has ability the to guideyou says Lo on, 62.“He’s always prepared, music.” matical, is which o en aproblem innew and pacing without it mathe too being - contemporary music, and accuracy the “energy with and of sense time, especially works at with L.A.Phil, marvels Salonen’s buted his own dramatic and experimental Salonen. Timpanist Pereira, has de- who Finnish conductor-composer Esa-Pekka Dudamel’s predecessor as music director, of former Borda as well CEODeborah as William Grant and Still Ellington. Duke by such composer African-American as likely to delve into more diverse works composers, days these is L.A.Phil just as was dominated by white European male traditional classical-music repertoire Smith adds, noting that although the east”back to New York and Europe, haven’t over looking been our shoulders strange and wonderful and We distinct. values. creativity …California is always but it’s are ection of conductor’s the e programming is built by ateam, to [Dudamel] who re ect is as an artist. ductor. …What happens onstage has We work hand inglove withcon the - role of“ e artisticdirector has grown. cultivate it and invest init,” Smith says. is commitment this to music, new to ity and passionate engagement.” demanding. He’svery for looking exibil- says of Dudamel. “He’s but loose he’s also of entirethe emotions,” spectrum Moore bigthe works.” approach to Mahler the symphonies and get into zone. the He has areallygreat Beethoven,” Chang adds. “It’s to easier public.” he’s not afraid to bare to his soul the “ ere’s much so with Gustavo; energy a concert with Gustavo,” Lo on says. minutes inarehearsal” to communicate. with an eyebrow, other peoplecan 15 take a score,” she points out. “What he can do Most of time, the he’s conducting without from and heart the from amusical place. moveshowy but he makes comes every that’s contagious. He may appear to be Martin. “He has ayouthful exuberance coming,” says Joanne keyboardist Pearce and excited about things that new the are he can to facilitate everything he it.” does ages composers to dowhatwant, they and composers’specting visions. He encour hands-o of making inthe things, re- for music,” new Norman says. “He’s very »
14 ) “Esa-Pekka is an incredible technician,” credit also impact the observers Other “In organization’s the DNA, there “ ere’s an intensity that applies across “Dudamel great is so with Mahler and “It’s an incredible rite to go through “Dudamel is always enthusiastic so “Gustavo is an amazing collaborator an unprecedented pace.” - this season.”this about world the all premieres we’re doing butcolleagues, I’m hugely also excited about doing it with Dudamel andmy all a big one for me. I’m extremely excited entire orchestra she when says, “ at’s Pearce for Martin speaking could the be mance of Beethoven’s Triple Concerto, “ at’s reallyfun.” been for three decades,” Pearce Martin says. marvelous pianist, my two-piano partner featured soloist alongside his wife. “He’s a harmonic, he has appeared onstage as a Although he’s not amember of- L.A.Phil husband, Gavin Martin, apianist. is also satisfying.” you’re playing for someone, it’s more really listening,” Pereira condes. “When Iknowbecause for sure one is person Chang says. positions withorchestra. the Pereira some performed of his own com- and Chang was similarly anxious when watch his wife’s audition for orchestra, the other onstage. Pereira to wasnervous too Chang and Pereira can o en each see and her husband, cellist Jonathan Karoly. with utist Catherine Ransom Karoly couplesmarried orchestra, inthe along panist Joseph Pereira are one of several a job. Violinist Minyoung Chang and- tim of apart being is L.A.Phil more than just For many members of theorchestra, he putwhen his stamp on orchestra.” the dynamic. He reallyshook it up out here Mehta” as music director, she says. “He’s est Fleischmann was here and hired Zubin - rst Ern was when glimmer mann. “ e longtime general manager, Ernest Fleisch- in uencesthe of orchestra’s the former with since L.A.Phil 1986,cites been curtain.” the behind glory process as “six he describes minutes of auditions for hires, new an intimidating color] into queue” the of as part L.A.Phil’s numbers tohe “infuse tries of people[of are aliving dynamic entity inour lives” as organization. inthe part take cultural and and barriers socioeconomic courage more peopleof color to overcome program inan attempt to train and en- ofleaders orchestra’s the Resident Fellows and he’s entrusted as been one of the cians currently with L.A.Philharmonic, one of just two musi African-American - with Breidenthal, violinist Dale Lo on is laphil.com. 27, 7p.m.; $104-$320.(323)850-2000, 111 S.Grand Ave., downtown; u., Sept. the “California Soul” gala at Hall, Disney L.A. Philharmonic its with opens season Talking about her upcoming perfor Keyboardist Joanne Pearce Martin’s “I nd it [with Chang easier onstage] “I of an set can extra ears be for him,” Wisecracking violist Snow, has who Lo on wants to “make sure that arts the - WWW LAWEEKLY COM 17 L A W E E K LY | S - , | . .
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’s . in which La La Land La La A satirical musical A satirical musical Founder of El Teatro El Teatro of Founder What happens to us us to happens What Oct. 5-Nov. 3 at Sacred Fools Fools Sacred 3 at Oct. 5-Nov. Polish-American playwright Polish-American Oct. 17-Nov. 25 at Ahmanson Ahmanson 25 at Oct. 17-Nov. ) drew on personal experience on ) drew e Silence of the Lambs the of Silence e Silence! e Musical: Silence! Hansen: Dear Evan Valley of the Heart: Valley laweekly.com. at picks theater See more Cost ofCost Living: Zoot Suit eatre, 135 N. Grand Ave., downtown; (213) downtown; Ave., 135 N. Grand eatre, - 628-2772, centertheatregroup.org/tickets/ah manson-theatre/2018-19/dear-evan-hansen/. when he wrote this play about the fortunes the fortunes about this play when wrote he - a Mexi and family a Japanese-American of of the backdrop against family can-American - sharecrop are Montaños II. e War World the Yamaguchis for the land pers working are when the latter Clara Valley in the Santa camps, internment Japanese to o herded incidentally, not and, their lives shattering a air love verboten thealready disrupting and Montaño Benjamin between foreman very is Cal- employers. his of the daughter deals xenophobia racism, with work ifornia experience, that themes the immigrant and directs. Valdez be sounded too oen. can’t - Win hand? of out lies get white when our Best including Awards, six Tony of ner lyrics by and (music Musical Martyna Majok won the 2018 Pulitzer Prize won Majok Martyna dif- two about play this four-character for the people and individuals cult disabled directs. Vreeke John them. for who care - Ac the at eatre List Bucket 3 at Oct. 11-Nov. Fairfax Ave., 916 N. Formosa Company, tors’ District; bucketlisttheatre.com/silence. Oct. 17-Dec. 16 at Fountain eatre, 5060 5060 eatre, Fountain Oct. 17-Dec. 16 at (323) 663-1525, Hollywood; Ave., Fountain web.ovationtix.com/trs/cal/34420. 135 Forum, Taper Mark 11 at Oct. 30-Nov. (213) 628-2772, downtown; Ave., N. Grand centertheatregroup.org/theatres/mtf Benj Pasek and Justin Paul, book by Steven book Steven by Paul, Justin and Benj Pasek an the story tells of Levenson), this show who thrust is by teenager awkward anxious, gone own his a lie of — and circumstances social admiring an viral media- spot into — struggles to boy e light. between wanting sacri ce to the reluctance his and be honest has deceit his acceptance and admiration directs this touring Greif Michael garnered. production. FBI agent Clarice Sterling pursues a serial pursues Clarice Sterling agent FBI won killer the Bill, show Bu alo as known Award. Best Musical Fringe’s the 2005 NYC - Holly Way, 1076 Lillian Company, eatre sacredfools.org. wood; (310) 281-8337, Mattsun. e show, which won this year’s this year’s which won show, e Mattsun. the Hollywood at Award Fringe of Top a parody as conceived was Festival, Fringe - the adven follows and literary dramas of magical in a artist young a troubled of tures audience During the performance, world. so they can headphones, wear members - the director-trans of the comments to listen on vents he as Merrill, Todd by played lator, of the company and Both thethe play actors. being unique for a reputation have players hilarious. and Campesino, longtime activist and iconic iconic activist and longtime Campesino, Valdez Luis playwright Mexican-American ( parody of of parody
- - - - ). Ti ru Oct. ru Sept. 15-Oct. 21 Major Crimes Major - ever-inven e ), Bruce Davison ), Bruce Davison Sept. 14-Oct. 21 at Sept. 14-Oct. 21 at ), Frances Fisher ( Fisher Frances ), Open Fist eatre Company Company Open eatre Fist ru Oct. 14 at Zephyr eatre, Oct. Zephyr ru eatre, 14 at Irish playwright Conor McDer Conor playwright Irish Modern Family Modern British writer-performer Michael Michael writer-performer British Echo eatre Company artistic di- Company Echo eatre
) and Jessica Meraz ( Meraz Jessica ) and Resa Fantastiskt Mystisk: Mystisk: Fantastiskt Resa All Night Long: Long: All Night Gloria: Swansong: Swansong: Black!: Longtime Companion 7 at Skylight eatre, 816½ N. Vermont Ave., Ave., 816½ N. Vermont eatre, Skylight 7 at skylighttheatrecompany.com. East Hollywood; has a long history of undertaking history of challeng a long has ing material. Its upcoming venture is a 1980 is venture upcoming Its material. ing John California playwright by play surreal - Strad Munroe. Jan by directed O’Keefe, the notion shreds it thedling unconscious, a with family American the traditional of stream-of-consciousness and plot bizarre inside lives member family dialogue. One - re in to plugged a wall she’s closet (where in engage son while and a mother charge) liaison. incestuous an mottroe’s one-person show features noted noted features show one-person mottroe’s de Vanny André performer Australian mildly brain-damaged and a troubled as in life whose early man ostracism young nature. violent and volatile his forge helps the by co-produced import Australian An Skylight and Company eatre Australian been has acco- to staged the play eatre, - Aus York, New Dublin, lades in London, Fringe. tralia the Edinburgh and ru Sept. 30 at Pasadena Playhouse, 39 S. Playhouse, Pasadena Sept. ru 30 at (626) 356-7529, Pasadena; Ave., El Molino pasadenaplayhouse.org. rector Chris Fields directs this West Coast Chris directs this West Fields rector winner Branden Award Obie of premiere - edito ambitious about play Jacobs-Jenkins’ willing to they’re far how and rial assistants their rivals. vanquish to go 7456 Melrose Ave., Fairfax District; Fairfax (323) 653- Ave., 7456 Melrose 4667, zephyrtheatre.com. - the permuta examines Brown Washington in this thoughtful identity race and of tions men black four portrays Brown solo show. Amer (an the world parts of di erent from ican, a Caribbean, an African and a Brit), il- a Brit), African a Caribbean,ican, an and the in experiences of the contrast lustrating cultures. of a variety within color a person of the of the viciousness underscores Brown when, speaking tradition slave American the existence to us educates he himself, as 18th-century titled document “ ean of - which instructs planta a Slave,” of Makings the methodology on human owners of tion subjugation. tanic is intended as a microcosm for the larger the larger for a microcosm as intended is the of the stability threaten that upheavals pretty get that shenanigans with planet, Christian includes ensemble e farcical. ( Barillas at Echo eatre Company at Atwater Village Village Atwater at Company eatre Echo at Village; Atwater Ave., 3269 Casitas eatre, (310) 307-3753, Echo eaterCompany.com. tive Burglars of Hamm collaborate with with collaborate Hamm of Burglars tive - a re on Company eatre Fools Sacred a work of their 1999 production of staging Lars playwright (imaginary)by Swedish ( Open Fist eatre Company at Atwater Village Village Atwater at Company Open eatre Fist Village; Atwater Ave., 3269 Casitas eatre, (323) 882-6912, open st.org. - HWARTZ PHOTO BY CRAIG SC BY PHOTO Jason Alexander directs Alexander Jason ru Oct. 7 at the Ge en the Playhouse, Oct. ru 7 at ru Sept. 30 at Kirk Douglas eatre, eatre, Douglas Kirk Sept. ru 30 at Native Gardens: Gardens: Native e Untranslatable Secrets of Secrets Corona: Nikki e Untranslatable 9820 Washington Blvd., Culver City; (213) Culver Blvd., 9820 Washington 628-2772, centertheatregroup.org. 10886 Le Conte Ave., Westwood; (310) 208- Westwood; Ave., 10886 Le Conte 5454, ge enplayhouse.com. Proli c Obie Award–winning playwright playwright Award–winning Obie Proli c in this the aerlife to ventures Rivera José - seeking commu to a woman about play dead her with twin. agency An that nicate specializes the with people up in hooking a dead with per in touch deceased her puts they Together whoson lover. becomes her Bonney Jo the unknown. through venture directs. Mexican-American playwright Karen Karen playwright Mexican-American hitherto about new comedy Zacarías’ a about friendly whose neighbors dispute balloons between into their property fence racial with overtones. conagration a major up-and-coming an parties are feuding e who just professionals Latino young of pair older in the an neighborhoodarrived and setup e there. roots with couple white and stories are transplanted to a girls’ school a girls’ to transplanted are stories and queen — the girls reigning Two in Ghana. in a beauty — compete bee a newcomer and - newco 1986. e Ghana Miss for contest in factor overriding skin becomes an mer’s - deals preju with the play and the contest, one inict on may color of people dices that at the those world of by spurred another, large. - - premiered premiered Sweat all is just about here, bringing bringing here, about all just is to plenty audiences L.A. theater to comes whenchoose it from - entertain dramatic and dynamic shows are ere onstage. ment Lynn Nottage’s Nottage’s Lynn ru Oct. 7 at Mark Taper Forum, 135 Forum, Taper Mark Oct. ru 7 at
Sweat School Girls or, e African Play: Mean Girls School or, Girls
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SEASON BEGINS SEASON THE THEATER THEATER THE centertheatregroup.org/theatres/mtf/. centertheatregroup.org/theatres/mtf/. N. Grand Ave., downtown; (213) 628-2772, downtown; Ave., N. Grand son. son. Trump supporters. Directed by Lisa Peter Directed by supporters. Trump with key characters matching the pro le of the pro le matching key characters with tage’s narrative and current political events, current and narrative tage’s - a parallel between noted Not has critic one time friendship along racial lines. More than racial More lines. along time friendship - a long the fracturing of — including lives of job loss and de-industrialization on their on de-industrialization and loss job of group of blue-collar workers and the impact and workers blue-collar of group in the United States), and revolves around a around revolves and States), in the United sylvania (o cially one of the poorest cities the poorest of one (o cially sylvania - set is Penn in Reading, play e Drama. for Playwriting and the Pulitzer Prize for the Prize for Pulitzer and Playwriting for and went on to win the 2017 Obie Award Award win the 2017 Obie to on went and at the Oregon Shakespeare Festival in 2015 Festival Shakespeare the Oregon at worth marking on your calendars, both calendars, cur your on marking worth of them, but here are a few of the highlights of a few are here them, but of months. few West Coast premieres. We couldn’t list all list couldn’t We Coast premieres. West in the next upcoming running and rently ductions, brand-new or kicking o their o kicking or brand-new ductions, - pro homegrown to touring from aplenty, serve as a staple in American teenage lms teenage serve in American a staple as In Jocelyn Bioh’s play, the “mean” girls that that girls the “mean” play, Bioh’s Jocelyn In
A multicultural mix hits L.A. stages this fall L.A. stages mix hits A multicultural
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owner 195 Claremont 14517 Ventura 14517 Ventura Cheese Cheese Addiction . t this point in history,peo- in when point this t ple brag about how many grams their into they’vecrammed fat of day (because macros or some- is Milkfarm known and loved by Eagle Cheesemongers Cheesemongers of Sherman Oaks With locations in several Long Beach and SHOPS WITH WITH SHOPS EXCELLENT SELECTIONS, ACCOMPANIMENTS Rock Rock locals, both for its stellar selection of artisan, sustainable cheeses and for its homey, rotating lunch Try offerings. the 5 LOCAL CHEESE CHEESE LOCAL 5 CLARK CHRISTINE BY thing?) and avoid carbs as cautiously as we as cautiously as carbs avoid and thing?) time good really a it’s ’90s, the in fat avoided to be a of fan cheese power — bar, nature’s loaded with fat, protein and minerals. But cheese is more than its calories — it’s fun, it’s tradition, and it’s connection. Mention cheese to most people, and their eyes will light up and their stomachs start rumbling. and Instagram on up cheese of photo a Throw you’ll be showered in likes. With so many independently owned cheese shops in L.A., profes- cheese cheerful earnest, by ed sta been never there’s mongers), (called sionals a time snack.run to cheese out for a better Whether you want to call it your new keto diet, supporting local business or simply treating yourself, we support you whole- ve of our favorite L.A.er heartedly and o your delectation. for shops cheese County Kia Burton serioushas some cheese pretty chops — she started her cheese career at Cowgirl Creamery in San and Francisco interned at Dairy the Yard Neal’s famed in England. she Even brought better, all those cheese smarts back to our parts, running Cheesemongers of Sherman Oaks with her husband, Their Tyler. shop is withstocked a and cheeses farmstead and artisan 80 over charcuterie, of selection curated beautifully and more. honey, jams, chocolate crackers, custom and sandwiches catering, with Along boards for 2 to 20-plus people, they also curd for classes 101 Cheese after-hours er o proof more youneed If x. their get to nerds store’s the out check excellence, cheese of shots glamour featuring account, Instagram of cheeses at their peak. cheese 849-552, (818) Oaks; Sherman Blvd., mongersofshermanoaks.com. one in Huntington Beach, dairy-depen- supplying name, its to up lives at cheeses artisan of x their with folks dent baskets, platters, ers o It prices. reasonable 101” web- a Addict “Cheese helpful classes, site with a very informative section called and “Cheese a Facts,” monthly cheese club with delightful themes like “May Flowers” Delights.” “German or owers) with (cheeses wedding cheese trendy a for looking you’re If cake, you can get one here. 4236 and 433-4986; (562) Beach, Long Ave., Atlantic Ave., Long Beach, (562) 424-2336; cheeseaddiction.com A PHOTO BY MICHELE STUEVEN BY PHOTO . “He has his own wine brand, wine brand, own his has . “He In addition to the new rosé, the the col- new to rosé, addition In French- of a variety ers o e food menu going when he’s know never just “You Heritage Fine Wines, 467 N. Cañon Drive, 467 N. Cañon Wines, Fine Heritage his own piano and the lounge design he the lounge and piano own his a chandelier with — alllikes velvet black, hang to here occasionally comes — and a very It’s family. friends with and out environment.” cozy a a cabernet sauvignon, lection includes All blend. a red and carneros chardonnay at or lvewines.com at online available are in Beverly Hills. store the Heritage sand- as such uenced bites, Spanish-in and with chorizo or tuna Spanish with wiches or anchovies fresh peppers and roasted papillote, salmon include Entrees sardines. boeuf croque-monsieur and Bourguignon prix of also assortment an ere’s poilane. of specials dinner plenty and and lunch xe bread. poilane French Andrieu two,” or a song sing pop in and to Legend. of says Beverly Hills; (310) 888-8042. Beverly Hills; L.A. Weekly inger John Legend surprised an John inger full lucky room unsuspecting of Fine Heritage at wine lovers 30, with Aug. ursday, on Wines in performance impromptu an
John Legend entertains wine tasters at Heritage Wines. Fine “It’s like his second home,” Andrieu tells Andrieu second home,” his like “It’s Together with Heritage wine bar owner owner wine bar Heritage with Together Legend dropped in to celebrate the new celebrate in to Legend dropped
At the piano, the award-winning singer singer the award-winning the piano, At
FOOD & DRINK & FOOD
A LEGEND A WINE BY BY WINE minutes from Legend’s home. Legend’s from minutes recently opened the pop-up lounge 10 lounge opened the pop-up recently partner Jean-Charles Boisset, the triopartner Jean-Charles Vineyards. vintner Legend’s and Andrieu Jordane Valley in collaboration with Raymond Raymond with in collaboration Valley tion by John Legend, produced in Napa Napa in produced Legend, John by tion Wines Legend Vineyard Exclusive Collec- Exclusive Legend Vineyard Wines comes out in December. out comes LVE his Rosé from de Provence Côtes previewed his new Christmas song, which new his previewed Christmas song, “All of Me” and “Ordinary People,” and and People,” “Ordinary and Me” of “All guests to Legend-aryve including hits, to guests humanitarian and father of two treated treated two of father and humanitarian or Emmy-Grammy-Oscar-Tony winner), Emmy-Grammy-Oscar-Tony or the intimate back room in Beverly back Hills. room the intimate ever EGOT, became the youngest just (he
BY MICHELE STUEVEN MICHELE BY Heritage Fine Wines in support of his vintage his of in support Wines Fine Heritage Singer John Legend pops up at the piano at thepiano at Legend up pops John Singer S 22 WWW . LAWEEKLY . COM | S - , | L A W E E K LY H Street for little too pleasure. In strained, looks much too balling eort o ce of Detroit’s mayor. buttrunk reaching way the all to the Matthew McConaughey) from sells his AK-47s that Wershe’s (played dad by sprawling, touching gun-show the to real kingpin. the e feds’ was case Side,East better the to get himclose street into kid crack selling on Detroit’s guns. illegal getting caught up inhis dad’s of selling informant of history inthe FBI the a er real RickWershe youngest the became ure of real-life notoriety. At age 14,the well for Richard “Rick” Wershe Jr., a g- mother, here crime doesn’t work out chancethe to buy for groceries his baby’s fortable depicting it. to afault don’t —they com- seem even romanticizing or crime crack, possibly lmmakersthe are cautious about not what that promises. trailer Turns out, humane, committed to opposite the of But itself lm proves the skeptical and and over taking else’s everyone racket. fantasy of some cracker waltzing in latestthe iteration of pop-culture the Grand e Auto, like awesomeness, played like aKidz Bop atmarveling some white teenager’s and and cocaine black Detroit hustlers opportunity. opportunity. a city of champions (Tigers ’84!)but not kicking Detroit of early the to mid-’80s, its bombed-out the milieu, but still and above evocations vivid else all of cellent actors, many compelling scenes, hit that hard. But it’s alive with ex- also text, with twists and betrayals that don’t nouns introduced without much con- overstued with incident, with proper shave hustler, Yann Demange’s is lm of too-young-to- rise the uncertain the two-hour movie can dojustice. Tracking age of of than 17with a akilo cocaine more crazybefore arrested being at the newcomer RichieMerritt) stirred up drive-in. on just broke-ass being with adate at the swanning about has VIPstyle nothing will follow.will Don’t expect or two of is worth hell that the balling pointedly never suggest that his year from and start, the lmmakers the mastermind, is compromised kid the really hadabusiness. than Rather some up inRick’s business before he even As As e agents prodded tough-talking the Save for acouple and of walks squad Electric sequences take us take sequences to roller the Electric e real Wershe (played here by teen White Boy Rick –style debauchery.–style Here, that even White Boy Rick ere’s news. some good orgy oforgy images of guns promised. Its trailer, an movie its advertising has tells it, feds the got Breaking Bad Jr. Bad Breaking White Boy Rick Wolf of Wall Wall of Wolf isn’t the , , BY not crack the game White Rick Boy ’s is infamily, heart makers track ways the worldview the of proves- as lm the engaging, especially Detroit itself. Fortunately, material this Wershes than with crack, feds the or drama, one more concerned with the tear through, but at it’s heart afamily bothering to watch that drive-in, where is actually nobody skaters to “Get OYour Ass and Jam,” or where with cameraadult the rink, glides black highways. and treacherous the beauty of snow on cold of emptiness, its drizzles misery the sharp. pleasurethe and power of dressing where groomsmen the are discovering rental shop day the before awedding, MELODRA MOTOR CITY I F White Boy Rick e lmmakers also conjure e lmmakers also city’s the White Boy Rick Boy White in star McConaughey Matthew and Merritt Richie ALA LM N SCHERSTUHL . has reams of to story Footloose , or atux PHOTO BY SCOTT GARFIELD/ take ofhistake own believing hype. how Rickslips, how he makes mis the - he’s not given timeto screen the reveal butally-is, last half-hour rushed inthe how he hardens from wannabe to actu- wasteland without game? Rick: How can one alion become ina boulevards. e question that haunts Wershe rattles Chevy down wide, empty leave Serengeti,” the he opines, as the somethingmaking of it. “Lions don’t of seizingyour piece of world the and naughey-isms, mostly on subject the McConaughey spouts prime McCo- in turn manages to twist up father’s. the fatherthe gets twisted son inthe —who e strongest are sequences most the Merritt shows us Rick’s learning curve, As Rick’s dad, atender but wild-eyed MA
C OURTES Y C OLUMBIA PICTURES ing his turf. how far heinclaiming goes and protect - on alone, lm the based to understand or ifhe even has one, and it’s not easy, fortune. howas does that rock asmall becomes streetsthe get le to aquick montage, intococaine rock on sold bagged to be e detailsof how turns akid ablock of o en play and as thin dashed through. e world crimes. crime actual scenes oscreen, along with most of Rick’s establishmentcal of Detroit transpire feds, other the hustlers and politi the - e machinations of cops, the the attention to himself. low, to not much grab so that he draws dumb: He doesn’t know to when lay enterprise thrive —and more also howman —he sees to make an illegal neighborhood.their costs that businesses both upon exact tional”; son the understands better the defends of selling the guns as “constitu- of thought. edeplores dad but drugs limited imagination sharing patterns loop of understanding, of men of of sense the aclosed them between class home, apiercing piece. set ofbedroom Wershes’ the lower-middle- followed by her slow withdrawal ina house she’s inwhich holed up. at’s Powley),Dawn (Bel from crack the - father and son’s rescuing of Rick’s sister, and Cochrane, the and Rory Leigh FBI agents, played by Jennifer Jason Rick’sdetailed: prickly meetings with ences are paying to see? ments thing audi of- very —the vice refusing tempted to be by allure the - version of Oris it story? this polite, too out fromcarved some more expansive Has up, sliced it been atoo-short cut is this amistakewhether or by design. ENGAGING. MATERIAL PROVES F A FAMILY DRAMA. B TO TEAR THROUGH, HAS REAMS OF STORY WHITE BOY RICK BOY WHITE We barely get to know Rick’s crew, At that’s least Ithink what happens. But than savvier his Rickis old both Merritt and McConaughey create White Boy Rick ORTUNATELY, THIS UT ATUT HEART IT’S Yann |Wrien by Demange AndyWeiss, Logan MillerandNoah|Sony WHITE BOY RICK ’s great mystery is Pictures | Citywide
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NellytheFilm / Nelly Arcan Nelly Arcan Nelly Arcan Anne ÉmondAnne ÉmondAnne ÉmondAnne Émond NellytheFilm.com NellytheFilm.com Mylène Mackay Mylène Mackay Mylène Mackay Mylène Mackay Mylène Mackay Mylène Mackay NellytheFilm NellytheFilm / PASADENA Playhouse 7 Laemmle’s (626) 844-6500 laemmle.com Fri, Mon-Thur: 4:10, 9:55 Sat & Sun: 10:30, 4:10, 9:55 A film by HOTTOTROTFILM.COM Featuring – Frank Scheck, The Hollywood Reporter Scheck, The Hollywood – Frank NellytheFilm
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trot to hot LA WEEKLY 1/3rd page (4.494" x 7.0278") THUR 9/13 1/3rd page (4.494" x 7.0278") WEEKLY LA 15! Visit 14 & Sept. Friday & Saturday, LA WEEKLY 1/6th Page (4.494 x 3.4306) THUR 9/13 (4.494 x 3.4306) 1/6th Page WEEKLY LA SEPTEMBER 14
STARTS FRIDAY, INSIDE THE WORLD OF stunning Makes a winningMakes a winning case for the passion of its subjects Breathtakingly Sizzles with artistic, SEPTEMBER 14 political passions - SF Bay Times - QueerGuru - Times - The New York “THE FILM SEIZES YOU AND DOESN’T LET GO.” LET AND DOESN’T YOU FILM SEIZES “THE STARTS FRIDAY, FRIDAY, STARTS ““ screening, PERFORMANCE and FILMMAKER/CAST Q&A after the 7:20 screening, LIVE DANCE “ “ - On , Act Children The A Boy. A Girl. A Dream. Boy.Girl.A A A
Following this year’sthis Following goes about it about goes Dream. Boy.Girl.A A A ’s Fionn Whitehead) is battling cancer cancer battling is FionnWhitehead) Dunkirk’s and Hawke, in the spirit of a Van Zandt live album, live Zandt Van a of spirit the in Hawke, and to is It dirge. witha dirge a follow to ain’tafraid clout what invested has he that credit Hawke’s artistwho an of study this into gathered has he the that and — all at clout much gathered never of rhythms weary warm, the has film resulting film the framed has Hawke songs. own Foley’s perfor command a and romance eulogy,a a as mance. At a radio station interview after Foley’s Foley’s after interview station radio a At mance. - sto Foley tells Sexton) (Charlie Zandt Van death, Blues.” “Blaze’s tribute searing the plays and ries most life, Foley’s from scenes with intercut is This he months the of glimpses lively,lovely notably withactress-writer cabin off-the-grid an in lived BenDickey’s and she Shawkat); (Alia Rosen Sybil other. each in lost breathlessly fully, seem Foley final Foley’s is this through all Finally,threaded Austin an at crowd indifferent an to performance, art was Foley’s life. his of night final the on club every - for not avowedly demanding, and delicate integrity. cussed own its by power its given one, Scherstuhl) (Alan film. Hawke’s for goes same The in a cringey, saditty manner. (Craig D. Lindsey)D. (Craig manner. cringey,a saditty in sets out to show that white people don’t have a don’t people have white that show to out sets on meeting strangers two about movies on lock fly sparks the seeing and gloriousnight some two around revolves film This way. everywhich promoter club L.A.-based African-Americans: (OmariHardwick) Cass filmmaker) aspiring (and lawyeraspir-a (and Good), (Meagan Frida and a and,after club a into Frida gets Cass DJ). ing the in out make they which in moment heated sparring evening the spend they bathroom, hold issues personal letting they’renot when Did other. each know to getting from back them sad, sad, duringthe on going is this all mention I pres- the won DonaldTrump when night verysad hour compact this into thrown gets lot A idency? withthe tussle symbolic brief, a from half, a and it take leads the partywhere a scene to cops attendees irate the keep to themselves upon Qasim Co-writer/director collected. and calm are that takes long of series a in this does Basir like look it make to together spliced digitally also are shot.(There long unbelievably one it’s damn the over all flares lens Abrams–style J.J. compo- eye for cool a has Basir while And place.) clunky.and awkward feels story love sition,this chemistry.minimal As have Good and Hardwick and love that prove to wants movie this as much go- everythingis when even found be can hope batshit, ing a courtroom drama from director Richard Eyre. Eyre. Richard director from drama courtroom a Mrs. Justice Honorable as stars Thompson Emma difficult witha FionaMaye,tasked judge the Henry Adam Witness Jehovah’s 17-year-old case: ( unless deformity or death riskof high facing and strictly is which transfusion, blood a accepts he he life, chooses he If religion. his by prohibited hecommunity only the by shunned be would matters, family in MayeThough has. specializes womanworking clichéd a of that is life own her personal the balance to struggles who one — Jackhusband, overlooked Her professional. and 11-monththeir that announces Tucci), (Stanley That affair. an toward him pushing is drought sex better to flashback cheesy a inspires declaration whentwist plot complicated a then and times , directed by Dominic Cooke, a Cooke, Dominic by directed Beach , Chesil McEwan Ian adapted frequently the from novel film, a for source the again is THE CHILDREN ACT CHILDREN THE A BOY, A GIRL, A DREAM A GIRL, A BOY, A
- - , Ethan, Blaze The Basement The is high-proof high-proof is Blaze . Though not an not Though . BelCanto A feast for its two main actors, the actors, main two its for feast A The chief achievement of achievement chief The Age-old definitions of enemy and ally,and enemy of definitions Age-old , the writing-directing team of BrianM.of team writing-directing the Split, BLAZE
right out. It proudly, defiantly ain’t for everybody, ain’t for out.proudly,defiantly right It some going down — and knock the unsympathetic unsympathetic the knock and — down going some singer-songwriters it honors, singer-songwritersit drinkthat’llworld,a burn near-beer a in liquor Blaze Foley and Townes Van Zandt, the late Texas Texas Zandt,late the Van Townes and Foley Blaze jects, were they alive, wouldn’t scoff at it. Likeat wouldn’t scoff alive, they were jects, - sub film’s the that is margins, the on musicians Hawke’s impassioned, uncompromising study of study uncompromising impassioned, Hawke’s pose in this searing and artful film. (Amy Brady) (Amy film. artful and searing this in pose gut-wrenching. No one loves or dies withoutpur dies or loves one No gut-wrenching. And when they do, the results are appropriately appropriately are results the do, they when And guns everywhere, of course, but they rarely go off. off. go rarely they but course, of everywhere, guns Coroy) are the film’s most touching. There are There touching. most film’s the are Coroy) scenes with young rebel Carmen (María Mercedes (MaríaMercedes withyoung Carmen rebel scenes the translator is another standout; his romantic romantic his standout; another is translator the ignites a slow-burn love affair. RyoGen as Kase affair. love slow-burn a ignites man Mr. Hosokawa, with whom Moore’s singer Moore’s withwhom Hosokawa, Mr. man - business Japanese as Watanabe Ken is Moore outstanding performances. Beyond luminousthe performances. outstanding problems are easy to overlook thanks to some to thanks overlook to easy are problems quicker than makes emotional sense. But pacing But sense. emotional makes than quicker passage of time, and the relationships develop relationships the and time, of passage threat of violence. The film only loosely tracks the tracks loosely only film The violence. of threat some of them despite language barriers and theand barriers language despite them of some thize with their captors, and love blooms between blooms love and captors, withtheir thize - sympa mansion.Hostages the inside differently Meanwhile, the physics of love and hate operate operate hate and love of physics the Meanwhile, mands, and the ensuing standoff lasts for weeks. for lasts standoff ensuing the mands,and everyone hostage. El Presidente refuses their de- their refuses Presidente everyoneEl hostage. mostly teenage guerrillas bursts in and holdsand in bursts guerrillas teenage mostly nationals. As the evening concludes, a band of band a concludes, evening the As nationals. vice president for an audience of wealthy inter wealthy of audience an for president vice home of an unnamed South American country’sAmerican South unnamed an of home Roxane Coss, who has been invited to sing at the at sing to invited been has who Coss, Roxane Moore radiates elegance as defiant opera singer opera defiant as elegance radiates Moore award-winning novel novel award-winning Julianneone. of drama high the delivers singing,” Weitz’s deft film adaptation of Ann Patchett’s Patchett’s Ann of adaptation film deft Weitz’s “beautiful to translating title its film, the opera, victor and victim, get thrown into question in Paul Paul in question into thrown get victim, and victor for-broke co-stars. (Chuck Wilson) (Chuck co-stars. for-broke wished she’d had a scene or three with her go- withher three or scene a had wishedshe’d she has seen the final film, she might well have well might she film, final the seen has she to do, even though her name is above the title. Iftitle. the above is name her though even do, to barely released horror films, doesn’t have much have doesn’t films, horror released barely Barton, who’s becoming the queen of low-budget,of queen the becoming Barton,who’s to Craig’s wife (Mischa Barton) fretting at home. at Barton)fretting (Mischa wife Craig’s to staged final twist, as well as the many cutaways cutaways many the as twist,well as final staged fun. The energy zapper here is a clever but poorly but clever a is here zapper energy The fun. Long and Davis act up a storm, and that can be can that and storm, a up act Davis and Long captor, to let him go free. In the home stretch, stretch, home the In free. go him let to captor, to convince each visitor and, by extension, his extension, by and, visitor each convince to Craig, still tied to the chair, is working furiously working is chair, the to tied still Craig, woman claiming to be his mother. By then, By mother. his be to claiming woman Craig’s visitors, including a skimpily dressed dressed skimpily a including visitors, Craig’s dream for the gifted Davis, who portrays all ofall portrays who Davis, gifted the for dream riff on riff actor’san created have Ives Nathan and Conley accusing Craig of being that killer. In an inventive inventive an In killer. that being of Craig accusing a beat cop and then a detective appear, both appear, detective a then and cop beat a held by an infamous serial killer. The clown exits; exits; clown The serialkiller. infamous an by held a clown suit, but Craig soon realizes he’s being he’s realizes soon Craig suit,but clown a tor, Bill (Jackson Davis), first appears wearing appears first Davis), (Jackson Bill tor, - cap His basement. small a in chair a to tied and a successful L.A. musician, is kidnapped, beaten L.A. beaten kidnapped, musician,is successful a running a late-night errand, Craig (Cayleb Long), (Cayleb Craig errand, late-night a running is short on excessive gore and long on talk.Whileon long and gore shortexcessive is on uneven but diverting horror movie movie diverting but horror uneven
GO BEL CANTO BEL
THE BASEMENT THE OPENING THIS WEEK THIS OPENING 24 WWW . LAWEEKLY . COM | S - , | L A W E E K LY Bilby &BirdKarma 207 N. Ave. Maryland Sept. 14-20, 2018❖Dailyat12:50pm 310-478-3836 ❖laemmle.com Two Animated Shorts 11523 SantaMonicaBlvd. UNREGISTERED Sept. 14-20, 2018❖ Daily at12:50pm 310-478-3836 ❖laemmle.com Glendale Laemmle’s Royal Theatre ❖ Glendale, CA 91206 ❖ West L.A., CA 90025 FIVE FINGERS FOR MARSEILLES love poems. (Kristen Yoonsoo Kim) would fall for Adam’s adolescent courtship and been given any believable reason why Maye but it’s hard to watch this shift when we haven’t Thompson goes along with it as best she can, in the script just as she was shooting the scene. Thompson had discovered this plot development seems forced, utterly as lacking if chemistry, captivated with the albeit boy, in a manner that Adam’s stalker ways but eventually becomes woman who saved his life. initially scolds Maye sion, recovers and becomes obsessed with the Adam, convinced to accept the blood transfu- 8013, cinema.ucla.edu. 206- (310) $10. p.m.; 7:30 14, Sept. Fri., Theater, 10899 Wilshire Blvd., Westwood; UCLA’sreleaseits1990. until WilderBilly delayed stanceanti-communist whose with closesfirst-timer.evening a The for bad Film Oscar in 1966 for his work here — not Foreign-LanguageBest the won Menzel II.WarWorld during guard station age teen- Trainsa absurdistof gently tale a , international scene with theonto burstMenzel Wave, CzechNew theof lights leading the of One month. thisof end the through runs that tive thequecalendar.com. americancinema466-3456,(323) $12. p.m.; 7:30 14, Sept. Fri., Hollywood; Blvd., Teche. Raiof courtesy Island, Bianca Lisca to subject short the includesgram icated to this modernist master. The pro- Theatre tonight, the first in a series ded- Egyptianthe at 35mm in masterwork with the dull bits cut out.” See Antonioni’s Hitchcock’s famous maxim, “Drama is life ofinversion an in action) between time” morts “tempsemphasized that rhythms relaxedediting the in reflected is contemporaryworld the of alienation then bourgeois,soulless the of psychology foregroundingtheby aflame cinema of world the set Antonioni Michelangelo If Sept. 14 Friday, YOUR DETOUR UCLA launches a Jirí Menzel launchesUCLA Jirí a retrospec- Larks on a , String a political comedy L’AvventuraThematch. lit the was Egyptian Theatre, 6712 Hollywood 6712 Theatre, Egyptian WEEKLY MOVIE TODO LIST RESTORED Closely Watched One One ” (“dead” Return lacma.org. 857-6000,(323) $4. p.m.; 1 18, Tue., Sept. Mid-Wilshire; Blvd., Wilshire 5905 LACMA, twists and turns with pure professionalism. YatesPeter and navigatesthe screenplay, ¦gures prominently in Eric Roth’s serpentine tampering Jury charge. murder a against Neeson) veteran(Liam disabled homeless, a defending lawyer D.C. a plays star movie singer-turned– the which in thriller 1987 featured¦ is lm week’s This month. this series Matinees LACMA’satspotlight the in is Cher Tuesday, Sept. 18 $5. (310) 247-3600, www.oscars.org. Vine St., Hollywood; Mon., Sept. 17, 7:30 p.m.; guest. special evening’sthe director, is the of daughter cial guest Arianne Ulmer Cipes, actress and slug of whiskey on an empty stomach. Spe- a like bites still ride wrong the picks who budget, Ulmer’s fatalistic tale of a hitchhiker 35mm print. Shot in six days on a shoestring Picture & Sciences Arts premieres the new Motionof Academy the restoration, and Detour masterpiecenoir lean Ulmer’s G. Edgar Sept. 17 Monday, $10. (323) 466-3456, lalmforum.org. p.m.; 7:30 16, Sept. Sun., Hollywood; Blvd., Hollywood 6712 Egyptian, the at Theatre Francefrom DCP a see to tunity Spielberg . rareoppor- the have Viewers distribution. Cannes Film Festival but never received U.S. tookit making, Camérathe atd’Or 1982 the the May 1968 uprisings. Twelve years in the Ans) Trente with continues series Filmforum’s L.A. Sept. 16 Sunday, moment oozes cool. It’s just that there’s hardly enough to make Nicolas Winding Refn wince. Each or-saturated vistas and has them speak slowly costumes, shoots lensesthem with short in col- He fits his cast in a series of badass dusty of cliffs, big skies and frequent electrical storms. director Michael Matthews takes full advantage Eastern Cape — is extraordinary, and first-time — a Western shot in of the South north Africa’s without any meat. The location cinematography realized this was a movie brimming with sides but an hour into had no room left for any turkey. I thought of this stuffing, potatoes and cranberry sauce that I Thanksgiving, I loaded my plate with so much (1945) recently received a carefula receivedrecently (1945)
NATHANIEL BELL , Romain Goupil’s chronicle of chronicleGoupil’s Romain , Five Five Fingers for Marseilles when I Linwood Dunn Theater,1313 Dunn Linwood , a tightly plottedtightly a Suspect, Visions of Possibilities of Visions Half a Life (Mourir à (Mourir Life a Half Tuesday
L A W E E K LY | S - , | WWW . LAWEEKLY . COM 25 BEVERLY HILLS BEVERLY Laemmle’s Music Hall Laemmle’s (310) 478-3836 laemmle.com JORDAN HOROWITZ HOROWITZ HOROWITZ HOROWITZ HOROWITZ HOROWITZ HOROWITZ JORDAN JORDAN JORDAN JORDAN JORDAN JORDAN JORDAN BY BY BY BY BY BY BY
LA WEEKLY A FILM FILM FILM FILM FILM FILM FILM A A A A A A A “A NICE GENRE SURPRISE” 1/3 PAGE (4.494" X 7.0278") THUR 9/13 1/3 PAGE EXCLUSIVE ENGAGEMENT STARTS FRIDAY, SEPTEMBER 21 SEPTEMBER FRIDAY, STARTS
Lizzie is an entrancing entrancing an is Mandy cuts to the aftermath. We’re We’re aftermath. the to cuts Lizzie It’s heartening to see someonesee to heartening It’s without all the people.the withoutall Day Groundhog , has scored scored has Beyond, Rainbow Black the having done it? Earlier in the film,the in it?Earlier done having recall re-airs that most familiar of dirtyof familiar most that re-airs Lizzie Craig William Macneill’s terse, at times at terse, Macneill’s William Craig MANDY
tense tense murders hatchet 1892 the of laundry, case the Borden,Lizzie to attributed be willforever that a after while, a Still,for acquittal. her despite theall suggesting hour compelling somewhat kill, willingto be might Borden that reasons Bryce tantalize screenwriter and Kass Macneill innocence. subject’s their of possibility withthe over right skips film the comes, killing the When hatchet the grab figure shadowy a glimpse it.We (Chloë Borden hear after soon and cellar, a from father’s her of discovery the at scream Sevigny) Then corpse. Might railroaded? being wonder: she to Is cued not she Might fits. public,suffering in collapsed has Lizzie theBut state? fugue a in murdered have she possibility of pretense the up keep filmmakers we’veseen until just scenes, of couple a only for Stewart) (Kristen Bridget servant Bordens’ the trial.Then at innocence Lizzie’s to attest vaults back in time to present its theorythe of its present to time in back vaults true-crimeprocedural, blunt a becoming case, minute by minute Bridget and Borden tracking simple its into hacking slaughter, the through nu- the withall past the and women about ideas her into ax her swinging Borden Sevigny’s of ance dutifully While skulls. stepmother’s and father’s whileLizzie strips film outlook,the its in feminist Scherstuhl) (Alan bare. her laying never glowing, otherworldly light of empty spaces. From From spaces. empty of light otherworldlyglowing, Grace path. well-worn a treads story the there, montage a charm; easy her with over winsDel life of slideshow a regimen, new their of unfolds same the is day each which in apocalypse after last, the as both Fanning, and Dinklage of efforts the Despite Morano’s and watch, to enough pleasant always Deland puts rarely she how eyewitness — keen character neither — frame one in together Grace too proves script the and life, to comes really Zarum) (Lara conventional. living their dream. With his second feature, Panos Panos feature, second his With dream. their living hypnotic the of director VHS-mad the Cosmatos, lulu horror convinced has He coup: video-addict ultimate the flick. And,like horror his in star to Cage Nicolas Cosmatos movies, midnight grislyof fan true any ridiculousof list bucket whole a developed has Cage see to enough long live he’d hoped he feats a Telling fighting? Chainsaw onscreen. perform a into right face his Sticking joke? knock-knock on,like and on gushes, simply that gore of geyser that all us gives Cosmatos hydrant? fire busted a His more. much so and grooves that flick revenge a of slaughterhouse the achieves It vibes. bad of baddest the on along faces through arterial spray, through ecstatic through wire, barbed by ripped flesh and melting round wideand go eyes,times, at Cage’s way the thewon has who Cosmatos It’s balls. lotto as is Cage this all if you, and — too, though lottery, honest,be to mine, fully not It’s crazy. yourof cup found times it,at I by was often I thrilledas and such see to depleting, grislybeauty Mandy’s same the to applied command technical exquisite - charac Cage’s storytelling. gotta-kill-’em-all old reason cheap-ass same the for blood for out is ter killed They blood: for out are heroes movie most inBloom, Mandy Riseborough’s woman.Andrea his scenes gets least at withthrillertradition, break a hero the give just than do to more has she where GO LIZZIE In the first min- first the In is the wrong title for this for title wrong the is Trump- Times York New –era Paris–era Ate That Cars The slowly Marseilles for Fingers Five Hot to Trot
, director Reed director Now, Alone We’re Think I camera roves over the vacant town, savoring the savoring town, vacant the over roves camera also serves as the film’s cinematographer); her cinematographer); film’s the as serves also proach that suits Morano’s exploratory style (she style exploratory Morano’s suits that proach favors intimation over explanation. It’s an ap- an It’s explanation. over intimation favors cryptically; the situation is hazy, and Makowsky Makowsky and hazy, cryptically;is situation the “They could reanimate all of a sudden,” Delsays, sudden,” a of all reanimate “They could which people have just started dropping dead. dropping started just have people which that Del’s shtick is in response to an epidemic inepidemic an to response in is shtick Del’s that life. Eventually, Mike Makowsky’s script reveals reveals script Makowsky’s Mike Eventually, life. drives into town and worms her way into Del’s Del’s into way her worms and town into drives soon interrupted by Grace (Elle Fanning), who Fanning), (Elle Grace by interrupted soon a makeshift graveyard. This macabre routine is routine macabre This graveyard. makeshift a them in blankets and drags them by the feet into into feet the by them drags and blankets in them he can find. When he finds corpses, he wraps wraps he corpses, finds he When find. can he collecting the batteries from all the electronics electronics the all from batteries the collecting (Peter Dinklage) breaks into a deserted house,deserted a into breaks Dinklage) (Peter The town, near the Hudson River, is empty.is Del River, Hudson the near town, The voter profile come to life. But something’s off: off: something’s But life. to come profile voter American town, like a like town, American Morano’s camera stalks the streets of a quaint a of streets the stalks camera Morano’s utes of meal. (Jordan Hoffman) (Jordan meal. an emotional way. Nice trimmings don’t make a don’ttrimmings make Nice way. emotional an pace make it difficult to connect to the picture in picture the to connect to difficult it make pace to look stylish, but the rote scenario and glacial and scenario rote the stylish,but look to There isn’t a single shot in this movie that fails fails that movie this in shot isn’tsingle a There shootout (by way of of way (by shootout goons. dressed evocatively the against riseup makes its way to the big Sergio Leone–esque Leone–esque Sergio big the to way its makes town the of members righteous as Weir) Peter right if not he? he? not if right want trouble. But who will stand up for what’s for up willstand who But trouble. want Dabula) has returned from prison, and doesn’tprison, and from returned has Dabula) the remote villages are still struggling. Tau (Vuyo Tau struggling. still are villages remote the cops, we jump 15 years. Apartheid is over butyears. 15 over Apartheidjump is we cops, group of teens defend themselves from corrupt corrupt from themselves defend teens of group a story to speak of. After a prologue in which a which in prologue a After of. speak to story a a horizontal desire.” (Elizabeth Zimmer) (Elizabeth desire.” horizontal a competition official calls “a vertical expression of verticalexpression “a calls official competition equal fervor, but one longs for more of what a what of more for longs one but fervor, equal skylines, domesticity and sequined dancers with dancers sequined and domesticity skylines, over performing. The cameras caress landscapes, caress cameras The performing. over and her final decision to prioritize her tech career career tech her prioritize to decision final her and partner, unveils her struggle with depression withdepression struggle her unveils partner, ality.originaldance Emily’s KiwiJameson, Kieren - homosexu her withpublic going about anxious is Katerina Blinova, who, as a former Soviet citizen, Soviet former a as who, Blinova, Katerina nile diabetes and nests with her adorable lover, lover, adorable withher nests and diabetes nile - withjuve living of challenge the about us tells her four different cinematographers. Emily Coles Coles Emily cinematographers. different four her the long journey director Freedman takes with takes Freedman director journey long the same-sex pairs changes dance partnersduring dance changes pairs same-sex who was felled by a brain tumor. Each of theof Each tumor. brain a by felled was who Palma’s first partner, Hungarian Robbie Tristan, Tristan, Robbie Hungarian partner, first Palma’s visiting from New Zealand and Russia, and visit and Russia, and Zealand New from visiting tive dancers are immigrants. We meet parents parents meet We immigrants. are dancers tive - competi featured the of one but All love. true with Russian partner Nikolai Shpakov and finds and Shpakov partner Nikolai withRussian in Chelsea, competes in a Gay Games competition competition Games Gay a in competes Chelsea, in barbecues a “ghetto” breakfast on his stovetop stovetop his on breakfast “ghetto” a barbecues that the drugs were destroying my beauty”), my destroying were drugs the that couple, reveals his former meth addiction (“I saw (“I addiction meth former his reveals couple, hottie Ernesto Palma, who anchors the malethe anchors who Palma, Ernesto hottie mostly in frustratingly quick cuts. Costa Rican Costa cuts. quick frustratingly in mostly time is devoted to the smashing dancing, showndancing, smashing the to devoted is time and San Francisco. But only a sliver of the screen the of sliver a only But SanFrancisco. and between 2012 and 2016, primarily in New York York New 2016,primarilyand in 2012 between is essentially a pilot for a reality show, unfolding unfolding show, reality a for pilot a essentially is sex ballroom dancers, Gail Freedman’s new doc new Freedman’s Gail dancers, ballroom sex a talking horse. Focusing on two pairs of same- of pairs two on Focusing horse. talking a years ago for a Bobcat Goldthwait vehicle about vehicle Goldthwait Bobcat a for yearsago engaging movie, not least because it was used 30used was it because least not movie, engaging I THINK WE’RE ALONE NOW ALONE WE’RE THINK I HOT TO TROT TO HOT 26 WWW . LAWEEKLY . COM | S - , | L A W E E K LY Wendy’s Shabbat 9036 WilshireBlvd. 207 N. Ave. Maryland The Girland thePicture Sept. 14-20, 2018❖Dailyat12:00pm Sept. 14-20, 2018❖Dailyat1:00pm 310-478-3836 ❖laemmle.com 310-478-3836 ❖laemmle.com 11523 SantaMonicaBlvd. Laemmle’s MusicHall 1332 2ndStreet. Psychic Sept. 14-20, 2018❖Dailyat12:45pm Sept. 14-20, 2018❖ Daily at1:10pm It GetsBetter 310-478-3836 ❖laemmle.com 310-478-3836 ❖laemmle.com Glendale Santa Monica FilmCenter Laemmle’s Royal Theatre ❖ ❖ Beverly Hills, CA 90211 Glendale, CA 91206 ❖ Santa Monica., CA 90401 ❖ West L.A., CA 90025 MDMA THE PUBLIC IMAGE IS ROTTEN his reasons for heroism. (Alan Scherstuhl) the film goes out of its way to ignore women interview with music journalist Vivien Goldman, decades. Except for some vintage clips and an of instrumentalists who were in PiL through the joined PiL in the ’80s) or with the revolving door (including Red Hot Chili Peppers’ Flea, who nearly terviews are either with aging, fanboy musicians makes Doesstillone wonder: anyone care? Its in- Johnny Rotten) formed after the Sex Pistols, Public Image Ltd. (PiL), the band John Lydon (aka Rotten Is take on of the action essentially plays as a new-wave visual interest. It’s a shame, then, that so much in her life, and she does find fragments of garish for Wang to film a depiction of such a dark time difficult to dismiss. It couldn’t have been easy feel frustratingly familiar, at the same time it’s tale drenched in darkness. While the inevitable druggy threesome scene) to a moments of intimacy and sweetness (save for blonde roommate (Francesca Eastwood) adds shoutout. Angie’s relationship with her wealthy, other earworms of the era — also deserves a lax” Frankie Goes to Hollywood songs, among The play. soundtrack — featuring two non-“Re- fun oversized earrings and lace gloves on dis- place in the 1980s, and there are some suitably wantever you me to be.” The proceedings take is weighed down by cliché lines like, “I’m who- sition via abrupt flashbacks, and the screenplay a director she relies too heavily on choppy expo- Wang’s life. While that story sharing, asis worth the story is inspired by writer-director Angie are closely aligned with a Lifetime movie’s, but might sound far-fetched, and the dramatic beats starts synthesizing and dealing the drug. That the joys of ecstasy, and almost immediately with preppy white kids. Angie quickly discovers girl from a broken home going to a school filled rienced culture shock as a working-class Asian increasingly troubled college freshman, expe- earlier,year when Angie (Annie Q.), a bright but she get there? The film soon takes us back to a cocainewoman snorting in a nightclub. How did
opens with a young, MDMA scantilyopens with a young, clad Go Ask Alice. (Abbey Bender) , Tabbert documentary Fiiller’s about Less HeatinArizona 207 N. Ave. Maryland Sept. 14-20, 2018❖Dailyat1:00pm 310-478-3836 ❖laemmle.com
The Public Image MDMA might 11523 SantaMonica Blvd. Sept. 14-20, 2018❖Dailyat12:50pm 310-478-3836 ❖laemmle.com Glendale Laemmle’s Royal Theatre 88 CENTS ❖ RODENTS OF UNUSUAL SIZE Glendale, CA 91206 (Karen Han) has wrought, “It wants to survive, just like me.” ing when he says, despite the damage the animal up a dead nutria, and the isn’t least bit begrudg- refrigerator, lodged in a tree by a hurricane) holds fisherman-turned-hunter (who points out his old and nutria-accelerated coastal erosion. One those working to stay afloat amid hurricanes — frankness, especially as its creators interview demonstrates a surprising — and commendable imal carcasses they leave in their wake. The film and cameras shy don’t away from the piles of an- per tail as an incentive for helping clear them out, the doc showcase the hunters who are paid $5 resourcefulness of grimmer parts and necessity; source of food and fur comes from equal parts local population’s efforts to use the nutria as a an invasive species of rodent, the nutria. The focus is on southern Louisiana’s struggle with peels back is the film’s greatest asset. The charming as possible. The way that initial ease tale of inherited destruction and trauma as score by the LostRamblers Bayou to make its Pierce, uses cartoon diagrams and a cheerful and Quinn Costello, and narrated by Wendell directedmentary, by Chris Metzler, Jeff Springer Size with with its title (which audiences likely will associate calist from a Sex Pistols cover band. (Ren Jender) with former PiL guitarist Keith Levene — and a vo- Lydon’s invitation to rejointhen collaboratedPiL, to those who know don’t that Wobble rejected former PiL bassist Jah Wobble is apparent even 2008.) The loathing for Lydon that radiates from and a black musician in separate incidents in omits reports of his assaulting a female producer being, deep down, a good (He’sguy. not: The film best when it deviates from line its of party Lydon of Lydon analyzing his own lyrics. The doc is at its & roll, which includes some unfortunate scenes decidedly did not!), we’re left with just plain rock since the film also leaves out sex (as Albertine is weirdly coy about the band’s drug use. And about Lydon in her best-selling memoir. The film either, the Slits guitarist who wrote compellingly Fiiller doesn’t bother to interview Viv Albertine who were of part the punk and post-punk scene. possesses a lightness of touch. The docu- The Princess ), Bride ❖ West L.A., CA 90025 Rodents of Unusual As suggested by by suggested As L A W E E K LY WWW . LAWEEKLY . COM
27 | S - , | - Deca , Flores , Flores and its release on Raster on release its and Decadent Yet Depraved Yet Decadent “We were trying new were look for to “We and writing of the process Describing Belief Defect play with Black Line at 9 p.m. 9 p.m. at Line Black with DefectBelief play Espinosa adds, “It’s weird looking back weird “It’s adds, Espinosa experiences the closest of one me, “For of seesEspinosa the completion as coming full circle. “Like I mentioned I mentioned “Like full circle. coming as we time that rst reects, “the he earlier,” the Brussels played we Europe, to went a was ere Festival. Electronic Music - I re and on going Raster label showcase and down all we sat speci cally, member all Aer loop. a weird like It’s it. watched traveling gigs and playing of these years back to right came we Europe, all over the that labels of one which was Raster, the very at beginning. there was Luckily, and to, it sent label we the rst they were yes.” said they back and came on Saturday, Sept. 15, at the Regent eater. Regent the Sept. 15, at Saturday, on to the same kind of albums. It was a pretty a pretty was It albums. kind of the same to all around, music of years of goodcouple there but speci cally, techno in not as that around oating albums of a lot were Espinosa and Flores verywere inspiring.” Fuck Stott, Andy by albums mention Alessandro and Arafna Haus Buttons, Cortini. this perpetual of out break and grounds in musically seemedloop we be to stuck we “And says. Espinosa artistically,” and purely di erent do something to wanted to desire creative and frustration of out music — create new territories explore words.” better of lack for freely, producing dent Yet Depraved Yet dent explains, “Moe came to Berlin to came a with “Moe explains, modular his had on he recordings of lot then I le them here; in L.A. and system - what or rhythmically added something, back bounced it kind of then we and ever, Every kind track weird. was It forth. and the record, on di erently together came of back pushing like much pretty was it but done.” was it felt we until forth and exactly in pinpoint dicult to it’s it, on album the entire whole memory how a was least, it at me For together. came very on experience cathartic working even though we And project. the entire studios, separate from elements brought loops some on worked maybe Luis and back and I came that there when I wasn’t it, of top then added on and to listened development of portions large were there locked us both of were that the record of very with sleep for room in the same little seeing never nonstop, days four or three sunlight. notions those romantic of one had to I’ve expect would from hear to you what of up, growing musicians favorite your and studio being locked in a recording of process though this maddening going kind of it ways of a lot In music. creating the end experience a brutal was at It was. of it.”
COURTESY BELIEF DEFECTCOURTESY Flores adds, “I think in that period, think in that “I too, adds, Flores fect, Espinosa recalls, “We actually in met recalls,fect, “We Espinosa travel to when starting I was Guadalajara I was the records because of a DJ as more all and Behavior Droid — techno, doing - in Mex a festival at play go to I went that. Developerico with [respected L.A. DJ/ us aer Right Sandoval]. Adrián producer seeing this I remember and on, went Luis absolutely it time and the rst for play guy information exchanged We blew away. me collaboration long started a pretty it and Belief before together, work musical of records techno producing Defect formed, doing records, techno releasing together, I believe And even each other. for remixes DJ to Europe to I went time that the rst We well. as Luis with was internationally rst my was a gig at in Brussels. played internationally play to time being able overseas.” time because a lucky really kind of was it jaded, possibly, bit both a little were we listening and music with lost kind of and Belief Defect ose watershed LPs instilled in Flores instilled in Flores LPs ose watershed [play and music study to wanted “I Belief of De- the formation about Asked NEW GROUND NEW music.” the and synthesizers of love a lifelong they are music richly detailed electronic creating. of capable know I didn’t rst at but synthesizers] I ended up “So says. he theywhat were,” my telling because I kept organ studying I wanted that a piano wasn’t it that mother and a sampler 15, I got Around play. to useto how myself taught much pretty rst my as music industrial into I got it. a sampler. thus make, to I wanted thing the best o ered kind of music Industrial education, parents’ my of combination dad — side — my thewhich music was always which has side, mother’s my and appealing more nothing been so, politics, for music in industrial allthan the anger so I was, that’s that nightmare a teenage to I ipped Eventually started. I got how so on.” and techno long-distance collab Belief Defect’s techno to L.A. to techno Belief collab Defect’s long-distance Moe Espinosa and Luis Flores bring their bring Flores Luis and Espinosa Moe MINER MATT BY MUSIC from Decadent Yet Yet Decadent Radio-Activity - Exhibi an at Pictures by Jean-Michel Jarre. Jarre. Jean-Michel by stygian, discordant style discordant stygian, music, dance electronic of origin its since has techno - inspi in the drawn 1980s the relentless from ration caught up with Espinosa Espinosa with up caught , last September on the noted the noted on September , last Oxygène and
“I have a slightly di erent story,” Flores Flores story,” di erent a slightly have “I Espinosa began working in Hollywood began working Espinosa “I started playing guitar mostly and and mostly guitar started playing “I In 2015, Espinosa and Flores formed formed Flores and 2015, Espinosa In
5, 6 years old. And And old. 5, 6 years is is ’70-something. I must have been have I must ’70-something. is is this case, Tomita’s this case, Tomita’s had very early electronic music records, in records, had very music electronic early playing a lot of classical music. And he And classical music. of a lot playing is an audiophile and I grew up with him with I grew up and audiophile an is Moe. I got into music because my father father because my music into I got Moe. up in Mexico, and I’m a little older than older a little I’m and in Mexico, up says. “Among other things, because things, I grew other “Among says. a DJ.” to put out records and travel and play as play and travel and records out put to back to working in studios, until I started until in studios, working back to aer I nished school, I went straight straight I went school, I nished aer acoustics and electronics,” he says. “Right “Right says. he electronics,” and acoustics to study recording engineering and audio audio and engineering recording study to school and I went to Musicians Institute Institute Musicians to I went school and tasks like making co ee. “I nished high nished “I making like co ee. tasks high school, initially performing menialhigh initially performing school, to where I am today.” I am where to while still was he studios in recording be a DJ and working in recording studios studios in recording working and be a DJ and just went down the path of wanting to wanting of the path down went just and was completely alien to me at the time, at me alien to completely was and discovered electronic music, which music, electronic discovered and up nally going to raves around ’95 or ’96 ’95 or around raves to nally going up to be industrial at that young age. I ended age. young that be at to industrial harder-edged metal and what I perceived what metal and harder-edged trying everything to punk play to from word ‘rock’ loosely,” Espinosa says. “I was “I says. Espinosa loosely,” ‘rock’ word started playing in rock bands — I use the bands in rock started playing with headliners Black Line. headliners Black with the Regent eater on Saturday, Sept. 15, on Saturday, eater the Regent advance of Belief Defect’s appearance at at appearance Belief of Defect’s advance and Flores by Skype for this interview Skype for in by Flores and other sound e ects incorporated in the e ects incorporated sound other records, they have concrète references and and references concrète they have records, them had. And speci cally, those three speci cally, And them had. — the movie-like soundscapes that all of that soundscapes — the movie-like ically but it always caught my attention attention my caught always it ically but - them sporad played he And Krawerk. German electronic music label Raster. label Raster. music German electronic Depraved tion L.A. Weekly debut full-length album, debut techno and industrial. ey released their industrial. and techno music project deeply rooted in both in rooted deeply project music Belief Defect, experimental electronic an America. lajara as a main hub for techno in Latin techno for hub a main as lajara - Guada native his of the establishment Berlin-based veteran and a key player in a key player Berlin-based and veteran also a DJ/producer, is a Mexican-born, a Mexican-born, is also a DJ/producer, in the United States today. Luis Flores, Flores, Luis today. States in the United arguably the most important techno label techno important the most arguably and a co-founder of Droid Recordings, Recordings, Droid of a co-founder and of industrial and punk, is a DJ/producer a DJ/producer is punk, and industrial of in the San Gabriel Valley on a steady diet a steady on Valley Gabriel in the San trial music. 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ORMAT FF ALL BRYAN FERRY & CHARLES, SUN1AM-0P - plus - plus - dreamy “Los pies helados.” “Cálculos y oráculos” and laid-back the and with such mysteriously somber songs as but Molina prefers to surround herself rhythmic asides as “A00 B01”and “Andó,” sonality breaks up quietude the with such e former comedian and television per of hushed and vocals restrained electronics. is adarker and more foreboding soundscape breezy popinterlude, but “Lentísimo halo” unsettling instead of “Cosoco” soothing. is a that aremoods more o en strange and ments, and she gentle uses tones to create her latest album, Halo Argentine tracks the from infuses vocalist she isn’t atypical folk singer. Instead, the up quiet, so ly lapping of pools sound. But Juana Molina inshadows walks and stirs Juana Molina SHIRLEY JU 7)to restSept. the of world the inreal time. EP,new dropped (which Ringos Desert DJ/producerthe prepares to his unleash Angeles’ Shrine Auditorium Hall, &Expo worldthe to two headlining nights at Los biggereven shows. From festivals across to bless his fans with explosive releases and to Mindsigned of aGenius, Zhu continues to receive aGrammy nomination. Currently his breakout single, “Faded,” went which on music for speak itself. By 2014,he released mysterythe of anonymity and letting his ven Zhu gained his loyal through fan base now residing Angeles, inLos real name Ste- beloved Hailing acts. from Bay the Area but Zhu is one dance of music’s modern most Zhu fri get belated national attention a er the and Cheap Trick were just starting to messythe breakup of e Runaways, to nd herself as performer asolo a er and toured together. Jett trying was still Trick were simpatico hung who allies out late inthe Back 1970s,Joan Jett and Cheap Joan Jett, Cheap Trick sat @ @ @ MUSIC GO HEAR
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FALLING JAMES - 2017’s pop and folk settings on such records as withare lulling chamber- artfully framed lives Mirah’s of insects. quiet observations and, that examined Observations secret the tone International, Share is Place: Stories and she wrote even an- album with Spectra Yards, Tara Jane O’Neil and Elverum, Phil as aoNguyen,indie-pop allies Tune- Tov has collaborated Zeitlyn with such In vocals. Mirah past, Yom the her whispery of noise that subside soon again beneath giveally away to more momentous clouds over- occasion which keyboards, soothing her messagesdiscloses of encouragement pickswind up.” e Brooklyn songwriter keep your tires on roadthe the when even her latest album, Understanding let it,” Mirah insists on “Hot Hot,” from “If anything to hold tries you we back, won’t Mirah sun 9/16 distance them. behind sounds and lights of inthe carnival the musiciansthese at county the fair with the aboutsomething thrilling eternally hearing at Pomona Fairplex are mediocre, there’s While sound the system and sightlines release credible albums four later. decades impact, andtheir groups both continue to establishment was forced to acknowledge through touring that corporate the rock popular so hadbecome Blackhearts the Cheapthough, both Trick and Joan Jett & rst two studio albums. By early the ’80s, power-pop gems on Illinois the quartet’s ignored numerous the hard-rock and gatekeepers of classic-rock radiomostly @
THE ECHO The Zombies: See Thursday. See Zombies: The Sundial . FALLING JAMES FALLING JAMES . “Try to Counties. at said,Foxbase the Alpha consistent, right up to last year’s Home remarkablenearly-three has been decades materialthe band the produced over their 2005’s Saint Etienne was rst their album since mid-2000s(2012’sthe Words and Music by on ahiatus, didslow thoughthey down in British Invasion). Saint Etienne never went and ’60spop(unsurprisingly, particularly blendseamless of British rave/club sounds Similarly, sound the has always a been chanteuse Berlin part with aNico vibe. woman: contemporary part alt singer, Cracknell was (and is) adazzling front- groups on electro-indie the scene. Sarah band Saint Etienne were one of coolest the For 1990s,London inthe while agood Saint Etienne proud, too. event, and we’re sure L.A.can world dothe ere’s New asuccessful already York been Burdon,Eric Karen Flea, Oand many more. help comes courtesy of great the Patti Smith, outfacts there important. is vitally Here, the conspiracies.liberal any So help getting the evolution, are aglobe) being and Earth the and desperate warming that (and global pseudo-scientists have convinced naive the real danger, unscrupulous politicians and madeaware to be need 2018 still of very this While it ludicrous seems that peoplein raise awareness for climate-change causes. a bene t to raise money and simultaneously names gather some for spectacular see will than music. e Pathway to Paris concert Some things are inarguably more important Pathway to Paris @ @
THE FONDA THEATRE THE THEATRE Tales From Turnpike House). Still, BRETT CALLWOOD AT ACE HOTEL HOTEL ACE PHOTO B Y PAYLEY PHOTOGRAPHY
L A W E E K LY | S - , | WWW . LAWEEKLY . COM 29 REDHOUSE PRESENTS CONCRETE JUNGLE PRESENTS: CONCRETE JUNGLE PRESENTS: LOS DE ABAJO SAT. SEPTEMBER 15 SAT. WEATHER EARTHQUAKE GRIMS 9/22 9/22 TECHNO CUMBIA THROWBACK LA’S PEPPASEED: CROOKS 9/23 - DJ JAMAICAN REGGAE PARTY CHAMUCO, FEST: A PUNK METAL 9/23 P LIVE AKA CORNERBOY FENDI P 9/25 HYBRID GOLIATHAN, 9/25 THE MOTH 9/26 IN CONCERT POP UP COMEDY 9/27 LOUD & CLEAR RDM PRESENTS FLOWERS 9/28 9/29 RHONDA A CLUB CALLED BOMBAZO BICOASTAL 9/29 DJ SEAN G, SHABBAAAAA: KARAOKE IS FOR LOVERS TRYBVL THE FLOOR IMPROV NIGHT THU. SEPTEMBER 13 SEPTEMBER THU. FRI. SEPTEMBER 14 SEPTEMBER 17 MON. COMING SOON: CLUB 90’S PRESENTS: JONAS BROS CLUB 90’S PRESENTS: NIGHT & HANNAH MONTANA MANUPP PRESENTS: DILF LOS ANGELES FLOR AMARGO HIGHER L.A. HIP-HOP SERIES FREDDIE GIBBS FT. FRI. SEPTEMBER 14 SEPTEMBER 15 SAT. 9/18 THE SINGERS - SSS.SESSIONS 9/19 A LEAGUE WILD - SCRIPTS GONE 9/19 SONGWRITERS SHOWCASE 9/19 FUEGO SALSA OF THEIR OWN P AKA CORNERBOY P FENDI 9/20 9/20 PARTY THE LATIN - BAILANDO! KARAOKE LIVE IN CONCERT THROWBACK AZZ PARTY: A DOPE 9/21 9/21 BASHMENT LATIN 9/21 CLUB 90’S LA: WAREHOUSE 9/22 JUNGLE PRESENTS CONCRETE WILLIAMS DJ WAYNE THE TRIO, FRENETIC AS DIABATZ THU. SEPTEMBER 13 SEPTEMBER THU. FRI. SEPTEMBER 14
(PERFORMING THE
DIVERSIFY LA FT. DESERT DWELLERS, DWELLERS, DESERT DIVERSIFY LA FT. AND BLUETECH, MORE SAT. SEPTEMBER 15 SAT. 10/18 10/22 A & JAKE HILL JOSH 10/24 TOUR THE SHOWCASE 10/27 NETNOBODY CARNALLOWEEN 10/27 10/28 REVENGE RHIANNON’S THE LIVING DEAD OF NIGHT BEIJA FLOR W/ NEGUINHO DA 11/1 11/2 HOCICO W NECRO + MORE ALCEST 11/3 & ANGELES PANCAKES THE LOS 11/7 W/ SPECIAL GUESTS G HERBO 11/8 BOOZE ART SHOW SIMONETTI’S GOBLIN CLAUDIO SOUTHSIDE & QUEEN KEY PERFORMING SUSPIRIA IN ITS ENTIRETY) “KODAMA” ALBUM Fatima Al Qadiri ‘Shaneera’ Presents Live A/V
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ZEBULON SANTA MONICA PIER THE VIPER ROOM AVID COTNER 9/18 BRETT CALLWOOD in1979.Her - - reggae’s classic golden 1970s. erainthe voice remains pure and to is link adirect bums and work with e Wailers, Mowatt’s intensitythe and re of her early- al solo worth taking. worth taking. proposition. are Sometimes, risks like these front of ahip young audience is athrilling putting classics of like “Time Season” the in Canyonthe Clubs, to oldie crowds. But at venues such inPasadena as Rose the or ’60s rockers found normally can be playing sion of e Zombies on bill. the e British most from Fire, the of because inclu the - showthis is arguably more interesting than is entirely subjective, that’s so your But call. despise pomposity the of it Hey, all. music infectious, brand of indie rock, or you steen, thoughadmittedly emotionally crew and overblown, their sub-Spring- Win Butler, his super-serious Canadian Arcade Fire. At point, this you either like ere are few words written le to be about Arcade Zombies Fire/The Emotions and Math. passages from album, her 2016full-length up, as on harder-rocking occasionally the far more interesting she when turns things intimate acertain possess charm, Glaspy is such as “Iballads Love You, Goodnight” cliché. Although EP’s the introspective “I’m damned ifIdoand damned ifIdon’t” centered around amore typical lyrically as “Before We Were Together,” is which typically laid-back folk-pop songs, such ofsense menace and danger than Glaspy’s again. e song stirs up amore intriguing itsback claws as crooning she begins verses beforea wildcat between pulling low, ominous guitar that electric snarls like singer con des sentiments these over a to whole the town.” screw e New York Yesterday and Two Arms,” from her recent EP, Born Margaret Glaspy declares on “One Heart “I’m not your mother, I’m sticking around,” Margaret Glaspy thu hard-hitting,been too. album is akiller, and live the shows have that on back to be track new now; seem a er online. whole the thing leaked ey Waking Up Dead album was problematic Eventhings stalled. release the of year’s this rock/emo sleaze the punk divide. But then image the had both and sound the to cross Young. and major-label debut, In the Mouth of the Helmet produced sophomore their e ort Page Hamilton of post-hardcore punks guitarist Gilby Clarke). Two years later, (produced by former Guns N’ Roses put out debut album in2004 e Revelry band was already 6years old they when and Having Octane. formed in1998,the waythe many of us predicted for Bullets Let’s honest be —it didn’t quite work out Bullets andOctane FALLING JAMES @ @ @
THE GREEK THEATRE HOLLYWOOD FOREVER BAR ALEX’S Signed to Signed RCA, and Bullets Octane 9/20 . “I’m not your father, trying BRETT CALLWOOD FALLING JAMES BRETT CALLWOOD
L A W E E K LY WWW . LAWEEKLY . COM 31 | S - , | 5 PM - 3 • 3rd Annual Santa Monica CA Santa Monica CA 3rd Street Promenade, 3rd Street Autism Rocks Concert Autism Rocks Sunday, September 16th September Sunday,
With AL: 8 p.m. The 8:30 p.m., XPERIENCE: ESTIV F O E O With Trombone ODY: FALLING JAMES FALLING FALLING JAMES FALLING JAMES FALLING 8 p.m., $20. Hollywood $20. p.m., 8 With Patti Smith, Karen Smith, Patti With With The Shelters, Las With Alvvays, 7 p.m. With Starcrawler, L.A.With Starcrawler, NEEB HE EVA EVA HE 6021 Hollywood Blvd., L.A.Blvd., Hollywood 6021 K T 8 p.m. The Fonda Theatre, AL: 1642 N. Las Palmas Ave., L.A. Ave., Palmas Las N. 1642 ARIS: LASPY: P 618 S. Spring St., L.A. Benny RUGS: G .: ESTIV With Bokante, Danny Holloway, D RTS & MUSIC F ASLIN, TIENNE: A ISTILLERS: HREAUXDOWN: 8 p.m. The Greek Theatre. p.m.Greek The 8 L.A E E C 8 p.m., $59.50-$399.50. The Forum. The p.m., $59.50-$399.50. 8 6 p.m. Brouwerij West, 110 E. 22nd St.110E.22nd West, p.m.Brouwerij 6 T B: IGHTCLU D 7 p.m. Hollywood Bowl.GoLA.p.m.See 7 Hollywood With Tokimonsta, 9 With p.m.,Tokimonsta, $34.50-$50. With Tokimonsta, 9 With p.m.,Tokimonsta, $34.50-$50. N B: IGHTCLU PEN MMUNITY FK, MMUNITY 7:30 p.m., $44-$165. Pomona Fairplex, 1101 Fairplex, Pomona $44-$165.p.m., 7:30 Y HE N AINT CERTS AR ON T ATHWAY TO TO ATHWAY O S ZHU: ZHU: ARCADE FIRE, THE ZOMBIES:
JOAN JETT & THE BLACKHEARTS, CHEAP BLACKHEARTS, THE & JETT JOAN
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W NCE CLUBS NCE RICK: Cafeteras, Black Cafeteras, Joe Lewis & the Honeybears, The Dustbowl Revival, The Junglecats, Phat Cat Park. Anita p.m.,Santa 12 $95. Swinger, Forever Cemetery. See Music Pick.Cemetery.Music See Forever 6:30 p.m., free. Santa Monica Pier. See Music Pick. Music See Pier. Monica Santa free. p.m., 6:30 Greek Theatre, 2700 Vermont Ave. See Music Pick. Music See Ave. Vermont 2700 Theatre, Greek Benassi, Fri., Sept. 14, 10 p.m. Boombox Cartel, Sat.,10p.m.Sept.15, O, Eric Burdon, Jim James, Lucinda Williams, Talib Kweli, Dhani Harrison, 7 p.m. The Theatre at Ace L.A. Pick.Music S.Broadway, See 929 Hotel, With The Gitane Demone Quartet, 9 p.m. The Pico St., L.A. GoLA. See 1153Valencia Project, Union W. McKinley Ave., Pomona. See Music Pick.Music See Pomona. Ave., McKinley W. Brian Dawn,Whelan, Greg Tracy & the Gallows, p.m., free. 16,6-10 Sun.,Sept. Witch, 7:30 p.m., $35. Hollywood Palladium. Hollywood 7:30p.m., Witch, $35. LA SOUL: LA Shorty & Orleans Avenue, Galactic, Preservation Theatre. p.m.Greek Band,7 The Jazz Hall Felix Felix da Housecat, Bones, Fri., Sept. 14, 10 p.m., Sat.,10p.m. Sept.15, Zhu, $20. Shrine Auditorium & Expo Hall. See Music Pick.Music Hall.See Expo & ShrineAuditorium T Shrine Auditorium & Expo Hall. See Music Pick.Music Hall.See Expo & ShrineAuditorium Allah-Las, Jo Jesse Stark, Georgia Anne Muldrow, p.m.,3-10 Altons, The Chamba, La Thumpasaurus, Blvd.,Glendale. 216Brand N. Theatre, Alex free. AC Slater, Sage Armstrong, Jay Robinson, Kendoll, Robinson, Jay Armstrong, Sage Slater, AC Fri.,Sept. 14, Sat.,set), 10 p.m., (DJ Nero $20-$90. 10p.m.Sept.15, 6126 Hollywood Blvd.,L.A. Pick.Hollywood Music See 6126 $37.50. The Regent Theater, 448 S. Main St.,448S.Main L.A. Theater, Regent The $37.50. Hollywood Bowl, 2301 N. Highland Ave., L.A. Ave., Highland N. Bowl, 2301 Hollywood ONNY MC XCHANGE XCHANGE CADEM HE OUND TUESDAY, SEPT. 18 SEPT. TUESDAY, 19 SEPT. WEDNESDAY, 20 SEPT. THURSDAY, SUNDAY, SEPT. 16 SEPT. SUNDAY, SATURDAY, SEPT. 15 SEPT. SATURDAY, FRIDAY, SEPT. 14 SEPT. FRIDAY, DA GO GO laweekly.com. to go please listings, more For T GO D JUDY MOWATT: VINTAGE VINTAGE VIB VOODOO GO GO GO GO GO GO GO GO E S CO BAKER: ANITA EAGLES: THE GO A
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BULON: Sept. 18, 9 p.m. Harold López-Nussa, Sept.19-20. López-Nussa, p.m. 9 Harold Sept.18, Lehman, Sept. 15-16, 9 p.m., $20. GE Stinson, Tue., Stinson,p.m.,Tue., GE 9 Lehman, Sept.$20. 15-16, The Helen Sung Quartet, Fri., Sept. 14, 9 p.m. Steve Steve p.m. 9 14,Sept. Fri.,Quartet, Sung Helen The Ranelin, Fri., Sept.14,p.m.,Fri., 9 $20. Ranelin, Sat., Sept. 15, 7 p.m. Richard Smith, Thu., Sept. 20. Sept. Thu., Smith, p.m.Richard 7 Sat.,15, Sept. $25. Louise Goffin, Paul Zollo, Thee Zollo, Holy Brothers, Paul Louise $25. Goffin, Ave., Ave., Altadena. Phil Fri., Salazar, Sept. 14, 8 p.m., Femme Sounds, Tues., Sept. 18. See Music Pick.Music See Sept.18. Sounds,Tues., Femme George, Van Dyke Parks, Sat., Sept. 15, 8 p.m.Sat.,8 Sept.15, Parks, Dyke Van George, Year of the Dragon, Fri., Sept.14,p.m.,Fri.,$10. 8 Dragon, the of Year Maddvibe & the Missin’ Links, Disgracias, Trulio Sept. 19, 6-9 p.m., free. 6-9 Sept.19, 16, 11 a.m.-3 p.m., free. The Bruce Wed., Trio, Lett a.m.-2:30 p.m. The Paul Young Quintet, Sun., Sept. Sun., Quintet, Young Paul The p.m. a.m.-2:30 Beach. The Mitch Forman Quartet, Sat., Sept. 15, 11 15, Sept. Sat.,Quartet, Forman Mitch The Beach. Stare, Thu., Sept. 20, 8:30 p.m.,8:30 $10. Sept.20, Thu., Stare, Mon., Sept. 17, Mon.,8:30 p.m.,Sept. 17, Secret free. Warm Drag, Traps PS, The Traps Molochs, Shit Red Giver, Channel, Leash, Sun., Sept. 16, 7 p.m., $16 (see Music Pick).Sun.,Music p.m.,Sept. 16, 7 $16 Leash, (see Fri., Sept. 14, 8:30 p.m., $12. Mirah, Lonesome & the Witch Fingers, Nolan Patrick & Perfection, (see Music Pick). Gøggs, Sat., Sept. 15, 9 p.m., $16.p.m., 9 15, Sept.Sat., Gøggs, Pick). Music (see St., L.A. Juana Molina, Fri., Sept. 14, 9 p.m., $18 Magnolia Blvd., Burbank. The Messaround, with Burhenn, Junk, Palm Springsteen, Mon.,Sept.17. Springsteen, Burhenn,Junk, Palm Sun., Sept. 16, 7:30 p.m., $15. Cillie Barnes, Laura Brigade, Lower Class Brats, JFA, Mystery Actions, Actions, Mystery JFA, Brats, Lower Brigade, Class p.m.;p.m.Sun.,Sept.16,7:30 Cecile McLorin Salvant, Sept. 14-15, 8:30 & 10:30 Derek W. James, Wed., Sept. 19, 9 p.m.,9 free. Sept.19, Wed., James, W. Derek (see Music Pick). Entrance, Itasca, Paz Lenchantin, Paz Itasca, Entrance, Pick). Music (see Pack, Patrick Pack, Shiroishi, Patrick Mon., 9 Sept. p.m., 17, $12 the Contortions, Fri., Sept. 14, 9 p.m., $20. Konk
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Ifyoudonot leyour court clerkforafeewaiver pay the lingfee,ask nearest you.Ifyoucannot brary, orthecourthouse help), yourcountylawli- (www.courtinfo.ca.gov/self- Self-Help Center the California CourtsOnline and more information at can ndthesecourtforms use foryourresponse. You court form thatyoucan your case.There maybea you wantthecourttohear be inproper legalform if Your writtenresponse must call willnotprotect you. plaintiff. Aletterorphone have acopyservedonthe sponse atthiscourtand SV P SALES: SUSA P SALES: NATIONAL ADVERTISING VMGADVERTISING.CO VMG ADVERTISING 1 888 278 9866 N BELAIR ARKI Classifieds M N SHERRY RCARTER EXECUTIVE OFFICER/CLERK: CLERK: VIRGINAF. OWENS DATE: NOVEMBER28,2017 (1910-00) FILE NO:17-15907-0-CD5-EX 92832 (714)446-6686 SUITE 212FULLERTON CA 110 E.WILSHIREAVENUE, THE CHAPMANBUILDING FESSIONAL CORPORATION WINN LAW GROUP, APRO- Taneja (SBN304559) Burrows (SBN309882)Amit sen (SBN263593)JasonM (SBN 265664)CaseyMJen- 180053) StephenSZeller John EGordon (SBN Laura MHoalst(SBN101082) Brian nWinn (SBN 86779) tiff withoutanattorney, is: plaintiff’s attorney, orplain- telephone numberof The name,address, and BLVD. NORWALK CA90650 FORNIA 12720NORWALK SUPERIOR COURT OFCALI- COUNTY, SOUTHEAST FORNIA, LOSANGELES SUPERIOR COURT OFCALI- the courtis: The nameandaddress of will dismissthecase. be paidbefore thecourt case. 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Ifyoudonot leyour court clerkforafeewaiver pay the lingfee,ask nearest you.Ifyoucannot brary, orthecourthouse help), yourcountylawli- (www.courtinfo.ca.gov/self- Self-Help Center the California CourtsOnline and more information at can ndthesecourtforms use foryourresponse. You court form thatyoucan your case.There maybea you wantthecourttohear be inproper legalform if Your writtenresponse must call willnotprotect you. plaintiff. Aletterorphone have acopyservedonthe sponse atthiscourtand on youto leawrittenre- and legalpapersare served ic Services Misc. 530 Legal Ser 525 Services vices AUTO ACCIDENTS • TRUCK ACCIDENTS • PERSONAL INJURY INJURED? We’re a team of heavy hitting injury lawyers with a soft spot for our clients. Let us help you get to a better place.
- CANDICE M. BOND Founding Partner, Attorney at Law
OVER ONE BILLION DOLLARS IN VERDICTS & SETTLEMENTS Our experienced team of lawyers is here to help you if you’ve been injured and it’s not your fault.
98.7% Win Rate 100% Free Consultation Not your average law firm. Clients hire us because Get a free no-obligation consultation to find we’re committed, relentless, and we win. out how we can help you if you have a case.
No Fees Unless We Win Immediate Response 24/7 We work on a contingency basis, which means we Our staff is always available for you when you don’t charge a penny unless we win your case. need to get in touch with us.
Award Winning Attorneys Over $1 Billion+ Recovered Our team consists of some of the the nation’s top We have a 40+ year track record of winning attorneys, retired judges and former prosecutors. and helping our clients get to a better place.
CALL US FOR A FREE CONSULTATION 1-800-500-5005 www.BondTaylor.com
© 2018 Bond & Taylor - All rights reserved. Lawyer Advertising. Prior results do not constitute a guarantee, warranty, or prediction regarding the outcome of your legal matter. See website for full disclaimer. We look forward to helping you.