Terracotta Temples of Bengal: a Culmination of Pre-Existing Architectural Styles
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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
Developing a Sustainability Plan for Hammams in Morocco
Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects 2020-03-05 Developing a Sustainability Plan for Hammams in Morocco Alyssa Joy Sousa Worcester Polytechnic Institute Brian Preiss Worcester Polytechnic Institute Nathan S. Kaplan Worcester Polytechnic Institute Payton Bielawski Worcester Polytechnic Institute Rebekah Jolin Vernon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Sousa, A. J., Preiss, B., Kaplan, N. S., Bielawski, P., & Vernon, R. J. (2020). Developing a Sustainability Plan for Hammams in Morocco. Retrieved from https://digitalcommons.wpi.edu/iqp-all/5619 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. Developing a Sustainability Plan for Hammams in Morocco An Interactive Qualifying Project submitted to the Faculty of WORCESTER POLYTECHNIC INSTITUTE in partial fulfilment of the requirements for the degree of Bachelor of Science by Payton S. Bielawski Nathan S. Kaplan Brian C. Preiss Alyssa J. Sousa Rebekah J. Vernon Date: 8 March 2020 Report Submitted to: Mr. Abdelhadi Bennis Association Ribat Al-Fath Professor Laura Roberts Professor Mohammed El Hamzaoui Worcester Polytechnic Institute This report represents work of WPI undergraduate -
Unit-1 T. S. Eliot : Religious Poems
UNIT-1 T. S. ELIOT : RELIGIOUS POEMS Structure 1.0 Objectives 1.1 Introduction 1.2 ‘A Song for Simeon’ 1.3 ‘Marina’ 1.4 Let us sum up 1.5 Review Questions 1.6 A Select Bibliography 1.0 Objectives The present unit aims at acquainting you with some of T.S. Eliot’s poems written after his confirmation into the Anglo-Catholic Church of England in 1927. With this end in view, this unit takes up a close reading of two of his ‘Ariel Poems’ and focuses on some traits of his religious poetry. 1.1 Introduction Thomas Stearns Eliot was born on 26th September, 1888 at St. Louis, Missouri, an industrial city in the center of the U.S.A. He was the seventh and youngest child of Henry Ware Eliot and Charlotte Champe Stearns. He enjoyed a long life span of more than seventy-five years. His period of active literary production extended over a period of forty-five years. Eliot’s Calvinist (Puritan Christian) ancestors on father’s side had migrated in 1667 from East Coker in Somersetshire, England to settle in a colony of New England on the eastern coast of North America. His grandfather, W.G. Eliot, moved in 1834 from Boston to St. Louis where he established the first Unitarian Church. His deep academic interest led him to found Washington University there. He left behind him a number of religious writings. Eliot’s mother was an enthusiastic social worker as well as a writer of caliber. His family background shaped his poetic sensibility and contributed a lot to his development as a writer, especially as a religious poet. -
Thesis Final Copy V11
“VIENS A LA MAISON" MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts & Letters in Partial Fulfillment of the Requirements for the Degree of Master of Art in Teaching Art Florida Atlantic University Boca Raton, Florida May 2011 "VIENS A LA MAlSO " MOROCCAN HOSPITALITY, A CONTEMPORARY VIEW by Anita Schwartz This thesis was prepared under the direction of the candidate's thesis advisor, Angela Dieosola, Department of Visual Arts and Art History, and has been approved by the members of her supervisory committee. It was submitted to the faculty ofthc Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree ofMaster ofArts in Teaching Art. SUPERVISORY COMMIITEE: • ~~ Angela Dicosola, M.F.A. Thesis Advisor 13nw..Le~ Bonnie Seeman, M.F.A. !lu.oa.twJ4..,;" ffi.wrv Susannah Louise Brown, Ph.D. Linda Johnson, M.F.A. Chair, Department of Visual Arts and Art History .-dJh; -ZLQ_~ Manjunath Pendakur, Ph.D. Dean, Dorothy F. Schmidt College ofArts & Letters 4"jz.v" 'ZP// Date Dean. Graduate Collcj;Ze ii ACKNOWLEDGEMENTS I would like to thank the members of my committee, Professor John McCoy, Dr. Susannah Louise Brown, Professor Bonnie Seeman, and a special thanks to my committee chair, Professor Angela Dicosola. Your tireless support and wise counsel was invaluable in the realization of this thesis documentation. Thank you for your guidance, inspiration, motivation, support, and friendship throughout this process. To Karen Feller, Dr. Stephen E. Thompson, Helena Levine and my colleagues at Donna Klein Jewish Academy High School for providing support, encouragement and for always inspiring me to be the best art teacher I could be. -
A Critical Analysis of Narrative Art on Baranagar Temple Facades
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-18) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s16n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s16n2 Unraveling the Social Position of Women in Late-Medieval Bengal: A Critical Analysis of Narrative Art on Baranagar Temple Facades Bikas Karmakar1 & Ila Gupta2 1Assistant Professor, Government College of Art & Craft Calcutta [email protected] 2Former Professor, Department of Architecture & Planning, IIT Roorkee [email protected] Abstract The genesis of the present study can be traced to an aspiration to work on the narratives of religious architecture. The Terracotta Temples of Baranagar in Murshidabad, West Bengal offer a very insightful vantage point in this regard. The elaborate works of terracotta on the facades of these temples patronized by Rani Bhabani during the mid-eighteenth century possess immense narrative potential to reconstruct the history of the area in the given time period. The portrayals on various facets of society, environment, culture, religion, mythology, and space and communication systems make these temples exemplary representatives for studying narrative art. While a significant portion of the temple facades depicts gods, goddesses, and mythological stories, the on-spot study also found a substantial number of plaques observed mainly on the base friezes representing the engagement of women in various mundane activities. This study explores the narrative intentions of such portrayals. The depictions incorporated are validated with various types of archival evidence facilitating cross-corroboration of the sources. -
Echoes of Paradise: the Garden and Flora in Islamic Art | Flora and Arabesques: Visions of Eternity and Divine Unity
Echoes of Paradise: the Garden and Flora in Islamic Art | Flora and Arabesques: Visions of Eternity and Divine Unity ‘When flowers are not depicted naturalistically they are often used in fantastic arrangements.’ When flowers are not depicted naturalistically in Islamic art, they are often used in more or less fantastic arrangements intended to enhance the surface of a building or an artefact to their best advantage. Such floral compositions are often so intricate that they completely distract the eye from the physical characteristics of the object they decorate or, indeed, obscure them. Buildings and artefacts may appear as if draped with carved, painted or applied floral arrangements. Primarily decorative, such floral schemes still offer spiritual minds the opportunity to contemplate the eternal complexity of the Universe, which emanates and culminates in its Creator, Allah. Name: Great Mosque and Hospital of Divri#i Dynasty: Hegira 626/ AD 1228–9 Mengücekli Emirate Details: Divri#i, Sivas, Turkey Justification: The entire façade of this imposing structure is enhanced with fantastic floral designs, suggesting that a higher world can be found beyond its gate. Name: Chest from Palencia Cathedral Dynasty: Hegira 441 / AD 1049–50 Taifa kingdom of Banu Dhu'l-Nun Details: National Archaeological Museum Madrid, Spain Justification: The intricate floral openwork seen on this casket suggests a delicate layer of lace rather than solid ivory plaques on a wooden core. Name: Qur'an Dynasty: Hegira Safar 1259 / AD March 1843 Ottoman Details: Museum of Turkish and Islamic Arts Sultanahmet, Istanbul, Turkey Justification: The Word of Allah in the Qur'an is enclosed by a floral frame, the design of which is inspired by European Baroque and Rococo patterns.. -
April 2016 Sun Mon Tue Wed Thu Fri Sat 1 2
April 2016 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 8 9 Vedic New Year New Year Name is Somya Naam 10 11 12 13 14 15 16 Ganpati Gauri Pujan Shri Ramnavami Break the fast after afternoon abhishek 17 18 19 20 21 22 23 Ekadashi Fasting Damnak offering at Purnima Fasting Vasanti Ras-Purnima Srngaar Aarti Flower Swing seva Shri Radha Govind Dev’s special darshan April 2016 Sun Mon Tue Wed Thu Fri Sat 24 25 26 27 28 29 30 Notes: Purnima Fasting is the same as Ekadashi fasting May 2016 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 5 6 7 Ekadashi Fasting Amavasya Shri Gadhadar- pandit Appearance Day 8 9 10 11 12 13 14 Akshay Tritiya Chandan Yatra 15 16 17 18 19 20 21 Shri Jahnava Ekadashi Fasting Narsingh Dev’s Shri Radharaman Goswamini Appearance Day Dev’s Appearance Mahotsav Shri Radharaman Day Dev’s birthday Special celebration in greeting singing starts Mahabhishek in the Shri Radha Gopinath in the Shri Gopal morning Temple, Vrindavan Bhatt Goswami Shrinivascharya Samadhi, Vrindavan, Appearance Day until His Appearance Purnima fasting Day 22 23 24 25 26 27 28 Sarvbhaum Shri Madhusudhan Goswami Mahotsav May 2016 Sun Mon Tue Wed Thu Fri Sat 29 30 31 Notes: Shrivas Pandit Purnima Fasting is the same as Ekadashi fasting Appearance Day June 2016 Sun Mon Tue Wed Thu Fri Sat 1 2 3 4 Ekadashi Fasting Vat Savitri Fasting for married women 5 6 7 8 9 10 11 Amavasya 12 13 14 15 16 17 18 Ganga Dushera Nirjala Ekadashi 19 20 21 22 23 24 25 Purnima Fasting Jal Yatra Shri Shyamanand Mahotsav at Shri Snan Yatra Radha Shyam Sundar Temple, Vrindavan June 2016 Sun Mon -
NAAC NBU SSR 2015 Vol II
ENLIGHTENMENT TO PERFECTION SELF-STUDY REPORT for submission to the National Assessment & Accreditation Council VOLUME II Departmental Profile (Faculty Council for PG Studies in Arts, Commerce & Law) DECEMBER 2015 UNIVERSITY OF NORTH BENGAL [www.nbu.ac.in] Raja Rammohunpur, Dist. Darjeeling TABLE OF CONTENTS Page number Departments 1. Bengali 1 2. Centre for Himalayan Studies 45 3. Commerce 59 4. Lifelong Learning & Extension 82 5. Economics 89 6. English 121 7. Hindi 132 8. History 137 9. Law 164 10. Library & Information Science 182 11. Management 192 12. Mass Communication 210 13. Nepali 218 14. Philosophy 226 15. Political Science 244 16. Sociology 256 Research & Study Centres 17. Himalayan Studies (Research Unit placed under CHS) 18. Women’s Studies 266 19. Studies in Local languages & Culture 275 20. Buddhist Studies (Placed under the Department of Philosophy) 21. Nehru Studies (Placed under the Department of Political Science) 22. Development Studies (Placed under the Department of Political Science) _____________________________________________________________________University of North Bengal 1. Name of the Department : Bengali 2. Year of establishment : 1965 3. Is the Department part of a School/Faculty of the University? Department is the Faculty of the University 4. Name of the programmes offered (UG, PG, M. Phil, Ph.D., Integrated Masters; Integrated Ph.D., D.Sc., D.Litt., etc.) : (i) PG, (ii) M. Phil., (iii) Ph. D., (iv) D. Litt. 5. Interdisciplinary programmes and departments involved : NIL 6. Course in collaboration with other universities, industries, foreign institution, etc. : NIL 7. Details of programmes discontinued, if any, with reasons 2 Years M.Phil.Course (including Methadology in Syllabus) started in 2007 (Session -2007-09), it continued upto 2008 (Session - 2008-10); But it is discontinued from 2009 for UGC Instruction, 2009 regarding Ph. -
Moorish Architectural Syntax and the Reference to Nature: a Case Study of Algiers
Eco-Architecture V 541 Moorish architectural syntax and the reference to nature: a case study of Algiers L. Chebaiki-Adli & N. Chabbi-Chemrouk Laboratoire architecture et environnement LAE, Ecole polytechnique d’architecture et d’urbanisme, Algeria Abstract The analogy to nature in architectural conception refers to anatomy and logical structures, and helps to ease and facilitate knowledge related to buildings. Indeed, several centuries ago, since Eugène Violet-le-Duc and its relationship to the botanic, to Phillip Steadman and its biological analogy, many studies have already facilitated the understanding and apprehension of many complex systems, about buildings in the world. Besides these morphological and structural aspects, environmental preoccupations are now imposing themselves as new norms and values and reintroducing the quest for traditional and vernacular know-how as an alternative to liveable and sustainable settlements. In Algiers, the exploration of traditional buildings, and Moorish architecture, which date from the 16th century, interested many researchers who tried to elucidate their social and spatial laws of coherence. An excellent equilibrium was in effect, set up, by a subtle union between local culture and environmental adaptability. It is in continuation of André Ravéreau’s architectonics’ studies that this paper will make an analytical study of a specific landscape, that of a ‘Fahs’, a traditional palatine residence situated at the extra-mural of the medieval historical town. This ‘Fahs’ constitutes an excellent example of equilibrated composition between architecture and nature. The objective of this study being the identification of the subtle conjugation between space syntax and many elements of nature, such as air, water and green spaces/gardens. -
Development of Iconic Tourism Sites in India
Braj Development Plan for Braj Region of Uttar Pradesh - Inception Report (May 2019) INCEPTION REPORT May 2019 PREPARATION OF BRAJ DEVELOPMENT PLAN FOR BRAJ REGION UTTAR PRADESH Prepared for: Uttar Pradesh Braj Tirth Vikas Parishad, Uttar Pradesh Prepared By: Design Associates Inc. EcoUrbs Consultants PVT. LTD Design Associates Inc.| Ecourbs Consultants| Page | 1 Braj Development Plan for Braj Region of Uttar Pradesh - Inception Report (May 2019) DISCLAIMER This document has been prepared by Design Associates Inc. and Ecourbs Consultants for the internal consumption and use of Uttar Pradesh Braj Teerth Vikas Parishad and related government bodies and for discussion with internal and external audiences. This document has been prepared based on public domain sources, secondary & primary research, stakeholder interactions and internal database of the Consultants. It is, however, to be noted that this report has been prepared by Consultants in best faith, with assumptions and estimates considered to be appropriate and reasonable but cannot be guaranteed. There might be inadvertent omissions/errors/aberrations owing to situations and conditions out of the control of the Consultants. Further, the report has been prepared on a best-effort basis, based on inputs considered appropriate as of the mentioned date of the report. Consultants do not take any responsibility for the correctness of the data, analysis & recommendations made in the report. Neither this document nor any of its contents can be used for any purpose other than stated above, without the prior written consent from Uttar Pradesh Braj Teerth Vikas Parishadand the Consultants. Design Associates Inc.| Ecourbs Consultants| Page | 2 Braj Development Plan for Braj Region of Uttar Pradesh - Inception Report (May 2019) TABLE OF CONTENTS DISCLAIMER ......................................................................................................................................... -
Interpreting an Architectural Past Ram Raz and the Treatise in South Asia Author(S): Madhuri Desai Source: Journal of the Society of Architectural Historians, Vol
Interpreting an Architectural Past Ram Raz and the Treatise in South Asia Author(s): Madhuri Desai Source: Journal of the Society of Architectural Historians, Vol. 71, No. 4, Special Issue on Architectural Representations 2 (December 2012), pp. 462-487 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/10.1525/jsah.2012.71.4.462 Accessed: 02-07-2016 12:13 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society of Architectural Historians, University of California Press are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians This content downloaded from 160.39.4.185 on Sat, 02 Jul 2016 12:13:51 UTC All use subject to http://about.jstor.org/terms Figure 1 The relative proportions of parts of columns (from Ram Raz, Essay on the Architecture of the Hindus [London: Royal Asiatic Society of Great Britain and Ireland, 1834], plate IV) This content downloaded from 160.39.4.185 on Sat, 02 Jul 2016 12:13:51 UTC All use subject to http://about.jstor.org/terms Interpreting an Architectural Past Ram Raz and the Treatise in South Asia madhuri desai The Pennsylvania State University he process of modern knowledge-making in late the design and ornamentation of buildings (particularly eighteenth- and early nineteenth-century South Hindu temples), was an intellectual exercise rooted in the Asia was closely connected to the experience of subcontinent’s unadulterated “classical,” and more signifi- T 1 British colonialism.