ABQ Free Press, June 17, 2015
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Proclamation of Domination
FRIDAY January 4, 2019 BARTOW COUNTY’S ONLY DAILY NEWSPAPER 75 CENTS Better Self 101 to prepare attendees for final arrangements BY MARIE NESMITH insurance, what to [choose], who doesn’t let’s bring it to the community for free to likely happen to all of us. I believe that empowered and equip them with the [email protected] have it, etc.?’ Having buried my mother clear any cobwebs and answer any ques- being educated and prepared will help us knowledge needed to succeed in all facets and brother over the past year and [a] half, tions.” through the difficult times when we may in life,” Whitfield said. “No one really Striving to help others be “educated and I know that worrying about money is that Geared only to adults, Better Self 101 not be thinking clearly or not prepared. I wants to have these talks about death but prepared,” Will2Way Foundation Inc. and last burden that one should endure while will take take place from 10 a.m. to 1 p.m. will be helping to develop some of the it’s inevitable.What better way than to let Cartersville resident Brad Cowart are join- trying to grieve through the process. at the Cartersville-Bartow County Cham- topics and getting speakers to discuss your loved ones know what you want, ing forces Jan. 12 to present Better Self “After I posed the question, I received ber of Commerce, 122 W. Main St. in them. what you have and talk about it now rather 101: Wills, Insurance, Estate Planning. -
IDS 2935 Blues Music and Culture
IDS 2935 Blues Music and Culture University of Florida, Quest 1 / Identities Class # 21783 (face-to-face) / # 27957 (on-line) Semester: Spring 2021 Time/Location: T (Tuesdays Periods 5-6) / MAT 0115 (Face to Face section only) R (Thursdays) / MAT 0004 Virtual, Asynchronous Viewings of Assigned Documentaries and Videos, Independent Study General Education Designations: Humanities, Diversity Credits: 3 [Note: A minimum grade of C is required for General Education credit] Class resources, supplemental readings, assignments and announcements will be available via Canvas [URL] Instructor: Timothy J. Fik, Associate Professor | Department of Geography [e-mail: [email protected] ] Tim Fik Summer 2019 Office Location: 3137 Turlington Hall | Office Hours: Tuesdays & Thursday (Live) / 9:00AM- 11:00AM (or by appointment, please e-mail); Geography Department Phone: (352) 392-0494 ask for Dr. Fik. Feel free to contact me anytime: [email protected]. This course was originally designed as a traditional face-to-face class with a focus on the written and spoken exchange of ideas and concepts relating to course material. Note, however, that the structure of this "hybrid" course will have both a live face-to-face (f2f) component and a virtual/Independent Study/Asynchronous viewing component this semester for students registered for the f2f section. Students will engage in a series of assigned readings, documentary viewings, and discussions (through written comments/communication with the instructor and one another). Students are encourage to discuss material with board posts, e-mail, and group/class discussions. Weekly office hours, assignments, and term projects offer additional opportunities for personal engagement with course materials and the Instructor. -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
NOVEMBER 2017 the BARRISTER Page 1
NOVEMBER 2017 THE BARRISTER Page 1 Published by the Camden County Bar Association VOL. 65, No. 12 • November 2017 www.camdencountybar.org Sharing the Season with Deserving Kids Reminder! The Barrister is going digital beginning with the January issue. Only one print Barrister after this one. Children’s Holiday Party set for December 2 The Bar Foundation’s Annual Children’s Holiday Breakfast and Party is returning to the Boys & Girls Club, Marjorie & Lewis Katz East Camden Clubhouse on Dudley Street in Camden. Scheduled for Saturday, Save This Date! December 2, breakfast will be provided by Chick Fil A and the Public Benefits Committee is hoping for another good showing of volunteers to help the party run smoothly for our young guests—hundreds of less fortunate children from Camden. Beginning at 9 am, busses will start unloading our special guests for Fall Frolic! a full breakfast, followed by a few magical hours of fun, gifts, and a visit with Santa. A cast of volunteer attorneys and judges, many in holiday and elf costumes, will lead a carol-sing to get everyone in the holiday spirit. (Continued on Page 8) Reduced Drink Prices • Hot Buffet Adopt-A-Family The PUB for the Holidays Pennsauken ‘Tis the season of sharing Share your good fortune and make the holidays special for an th underprivileged family in the City of Camden by “adopting” a deserving family at this special time of year. The Public Benefits committee is asking for your support of this year’s Adopt-A-Family Inside program. Our goal is to bring the joy of the season to 100 families and Income Taxation of Confidentiality Agreements with your help we can do it! in Personal Injury Cases . -
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place. -
Macro Large Format Craft
Beverage Menu Beer | Wine | liquor BEER Macro Large Format Bud Light Anheuser-Busch, MO, 4.2% ABV | 3.00 J.K.’s Scrumpy Almar Orchards, MI Organic Cider, 6.0% ABV | 15.00 Budweiser Anheuser-Busch, MO, 5.0% ABV | 3.00 J.K.’s The Pair Almar Orchards, MI Michelob Ultra Anheuser-Busch, MO, 4.1% ABV | 4.00 Organic Pear Cider, 5.5% ABV | 15.00 Miller Lite Miller Brewing Co., WI, 4.2% ABV | 3.00 Morimoto Soba Rogue Ales, OR Specialty Grain Beer, 4.8% ABV, 22.0oz | 15.00 Craft Ace Apple Cider California Cider Company, CA Golden Monkey Victory Brewing Co., PA Cider, 5.0% ABV | 6.00 Tripel, 9.5% ABV | 7.00 Polestar Left Hand Brewing Co., CO 60 Minute Dogfish Head Brewery, DE German Pilsener, 5.5% ABV | 5.50 American IPA, 6.0% ABV | 6.50 312 Urban Wheat Ale Goose Island Beer Co., IL Pale Wheat Ale, 4.2% ABV | 5.50 Cane and Ebel Two Brothers Brewing Co., IL Rye Beer, 7.0% ABV | 7.50 Prairie Path Ale Two Brothers Brewing Co., IL American Blond Ale, 5.1% ABV | 5.50 Sixty-One Dogfish Head Craft Brewery, DE American IPA, 6.5% ABV | 6.50 Ebel’s Weiss Two Brothers Brewing Co., IL Hefeweizen, 4.9% ABV | 5.50 White Rascal Avery Brewing Co., CO WItbier, 5.6% ABV | 6.00 Sofie Goose Island Beer Co., IL Saison, 6.5% ABV | 8.25 Stone IPA Stone Brewing Co., CA American IPA, 6.9% ABV | 6.50 Little Sumpin’ Sumpin’ Ale Lagunitas Brewing, CA Pale Wheat Ale, 7.5% ABV | 7.00 90 Minute Dogfish Head Craft Brewery,DE American Imperial IPA, 9.0% ABV | 9.00 Eliot Ness Great Lakes Brewing Co., OH Vienna Lager, 6.2% ABV | 6.00 Dirty Bastard Founders Brewing Co., MI Scotch -
Artist Catalogue
NOBODY, NOWHERE THE LAST MAN (1805) THE END OF THE WORLD (1916) END OF THE WORLD (1931) DELUGE (1933) THINGS TO COME (1936) PEACE ON EARTH (1939) FIVE (1951) WHEN WORLDS COLLIDE (1951) THE WAR OF THE WORLDS (1953) ROBOT MONSTER (1953) DAY THE WORLD ENDED (1955) KISS ME DEADLY (1955) FORBIDDEN PLANET (1956) INVASION OF THE BODY SNATCHERS (1956) WORLD WITHOUT END (1956) THE LOST MISSILE (1958) ON THE BEACH (1959) THE WORLD, THE FLESH AND THE DEVIL (1959) THE GIANT BEHEMOTH (1959) THE TIME MACHINE (1960) BEYOND THE TIME BAR- RIER (1960) LAST WOMAN ON EARTH (1960) BATTLE OF THE WORLDS (1961) THE LAST WAR (1961) THE DAY THE EARTH CAUGHT FIRE (1961) THE DAY OF THE TRIFFIDS (1962) LA JETÉE (1962) PAN- IC IN YEAR ZERO! (1962) THE CREATION OF THE HUMANOIDS (1962) THIS IS NOT A TEST (1962) LA JETÉE (1963) FAIL-SAFE (1964) WHAT IS LIFE? THE TIME TRAVELERS (1964) THE LAST MAN ON EARTH (1964) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (1964) THE DAY THE EARTH CAUGHT FIRE (1964) CRACK IN THE WORLD (1965) DALEKS – INVASION EARTH: 2150 A.D. (1966) THE WAR GAME (1965) IN THE YEAR 2889 (1967) LATE AUGUST AT THE HOTEL OZONE (1967) NIGHT OF THE LIVING DEAD (1968) PLANET OF THE APES (1968) THE BED-SITTING ROOM (1969) THE SEED OF MAN (1969) COLOSSUS: THE FORBIN PROJECT (1970) BE- NEATH THE PLANET OF THE APES (1970) NO BLADE OF GRASS (1970) GAS-S-S-S (1970) THE ANDROM- EDA STRAIN (1971) THE OMEGA MAN (1971) GLEN AND RANDA (1971) ESCAPE FROM THE PLANET OF THE APES (1971) SILENT RUNNING (1972) DO WE HAVE FREE WILL? BEWARE! THE BLOB (1972) -
OMC | Data Export
Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw. -
«Smile», Le Sourire Figé De Brian Wilson «Smile», Le Sourire Figé De Brian Wilson
«SMiLE», le sourire figé de Brian Wilson «SMiLE», le sourire figé de Brian Wilson Par Matthieu Conquet — 22 mars 2020 à 18:26 A partir de ce lundi, «Libé» raconte les histoires heureuses ou tragiques de grands artistes cloîtrés. Après avoir enluminé l’hédonisme sixties , le génie des Beach Boys a mis trente - huit ans à finaliser ce qui devait être son chef - d’œuvre, entre réclusion physique ou mentale, drogues et errements. Les Beach Boys à Los Angeles vers 1967. Brian Wilson tient un miroir dans lequel se reflètent les autres membres du groupe. Photo Michael Ochs Archives. Getty Images «Je veux rester à la maison et écrire des chansons.» Dans sa singulière biographie I Am Brian Wilson, traduite en 2018 en France, le compositeur, arrangeur et producteur des Beach Boys rappelle ce moment crucial, au début de l’année 1965, où il a convaincu ses frères de partir en tournée sans lui. «Je veux rester à la maison et écrire des chansons.» Le mot «maison» reviendra dès lors toutes les deux pages, ou presque, dans le livre. Ce sont ses frères Dennis et Carl, leur cousin Mike Love, ainsi qu’Al Jardine et Bruce Johnston qui assureront l’essentiel des concerts des Beach Boys à travers le monde, quand Brian restera chez lui ou en studio pour travailler, tentant de dominer les voix qui se succèdent dans sa tête. Pour comprendre ce besoin impérieux d’isolement, il convient de revenir un petit peu en arrière. En 1964, année riche pour Brian Wilson : les Beach Boys ont enregistré quatre albums, en entier ou en partie, donné pl us de 100 concerts, ils sont enfin numéro 1 pour la première fois avec I Get Around. -
Full Beacher
THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 31, Number 36 Thursday, September 17, 2015 Life on the Edge MManan wwithith LLocalocal TTiesies iiss RRespectedespected HHollywoodollywood SStuntmantuntman by Andrew Tallackson When Tom McComas Jr. was 14, he did something that even today, he recalls with an air of disbelief in his voice. He took his father’s prized pos- session — a BMW R60 motorcycle acquired after his service with the U.S. Marine Corps ended — out for a joyride one night without his father’s permission. He’d learned that if you stuck a nail into the ignition, the bike would start...and start it did. Being a freshman in high school, though, meant he didn’t have his license, which also meant he was riding it il- legally. The headlights weren’t work- ing either. He was chased by police, but eluded them, abandoned the mo- torcycle and made it back home. The police later called his father, inquiring if he owned a motorcycle. They’d recovered one involved in a high-speed chase. Ironically, police reported, there was no damage to the bike. The “thief” also properly parked it, leaving the kickstand in place. “That’s amazing,” his father told police. “I’ll be there in a minute.” He then addressed his family, including Tom Jr., who remembers barely be- ing able to look at him. “A thief stole my motorcycle,” he announced, “and there’s no damage to it.” It wasn’t until years later that Tom Jr. fessed up to his father, easing into the revelation with, “Remember when that guy stole your motorcycle? Uh, that was me.” Continued on Page 2 At 45, Tom McComas Jr.