JW Davidson and the Brain Drain
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August 2010 PROTECTION of AUTHOR
THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 A World Like This: Existentialism in New Zealand Literature Dale Christine Benson A thesis submitted for the degree of Doctor of Philosophy of the University of Otago, Dunedin New Zealand 31 March 2000 ii Let us insist again on the method: it is a matter ofpersisting. The Myth ofSisyphus, by Albert Camus iii Abstract A World Like This: Existentialism in New Zealand Literature Literary existentialism has evolved unevenly in New Zealand since the late-nineteenth century. In this thesis I will define and trace the pre-existentialism of the early pioneers and settlers, which originally emerged as a Victorian expression of their experiences in an unpredictable new environment. Then I will describe how during the 1930s, 40s, 50s, 60s and 70s some of their descendants modified their world-view with ideas popularly associated with French literary existentialism, including notions about the individual's freedom and responsibility to act in an unrnediated universe. -
The Great Barrier Reef History, Science, Heritage
The Great Barrier Reef History, Science, Heritage One of the world’s natural wonders, the Great Barrier Reef stretches more than 2000 kilo- metres in a maze of coral reefs and islands along Australia’s north-eastern coastline. This book unfolds the fascinating story behind its mystique, providing for the first time a comprehensive cultural and ecological history of European impact, from early voyages of discovery to the most recent developments in Reef science and management. Incisive and a delight to read in its thorough account of the scientific, social and environmental consequences of European impact on the world’s greatest coral reef system and Australia’s greatest natural feature, this extraordinary book is sure to become a classic. After graduating from the University of Sydney and completing a PhD at the University of Illinois, James Bowen pursued an academic career in the United States, Canada and Australia, publishing extensively in the history of ideas and environmental thought. As visiting Professorial Fellow at the Australian National University from 1984 to 1989, he became absorbed in the complex history of the Reef, exploring this over the next decade through intensive archival, field and underwater research in collaboration with Margarita Bowen, ecologist and distinguished historian of science. The outcome of those stimulating years is this absorbing saga. To our grandchildren, with hope for the future in the hands of their generation The Great Barrier Reef History, Science, Heritage JAMES BOWEN AND MARGARITA BOWEN Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge , United Kingdom Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521824309 © James Bowen & Margarita Bowen 2002 This book is in copyright. -
RARE BOOK AUCTION Wednesday 24Th August 2011 11
RARE BOOK AUCTION Wednesday 24th August 2011 11 68 77 2 293 292 267 54 276 25 Rare Books, Maps, Ephemera and Early Photographs AUCTION: Wednesday 24th August, 2011, at 12 noon, 3 Abbey Street, Newton, Auckland VIEWING TIMES CONTACT Sunday 21st August 11.00am - 3.00 pm All inquiries to: Monday 22nd August 9.00am - 5.00pm Pam Plumbly - Rare book Tuesday 23rd August 9.00am - 5.00pm consultant at Art+Object Wednesday 24th August - viewing morning of sale. Phones - Office 09 378 1153, Mobile 021 448200 BUYER’S PREMIUM Art + Object 09 354 4646 Buyers shall pay to Pam Plumbly @ART+OBJECT 3 Abbey St, Newton, a premium of 17% of the hammer price plus GST Auckland. of 15% on the premium only. www.artandobject.co.nz Front cover features an illustration from Lot 346, Beardsley Aubrey, James Henry et al; The Yellow Book The Pycroft Collection of Rare New Zealand, Australian and Pacific Books 3rd & 4th November 2011 ART+OBJECT is pleased to announce the sale of the last great New Zealand library still remaining in private hands. Arthur Thomas Pycroft (1875 – 1971) a dedicated naturalist, scholar, historian and conservationist assembled the collection over seven decades. Arthur Pycroft corresponded with Sir Walter Buller. He was extremely well informed and on friendly terms with all the leading naturalists and museum directors of his era. This is reflected in the sheer scope of his collecting and an acutely sensitive approach to acquisitions. The library is rich in rare books and pamphlets, associated with personalities who shaped early New Zealand history. -
Bernard Smith
7 Constructing “Pacific” Peoples1 Bernard Smith It is generally agreed that Cook’s three voyages greatly enhanced the economic and political power of Europe in the Pacific. But before such power could be fully exercised, certain basic sciences and tech- nologies, the efficient maidservants of power, had themselves to be enhanced. Cook’s voyages advanced astronomy, navigation, and car- tography or, as he might have put it, geographical science. But there were other sciences of less direct concern to the Admiralty enhanced by his voyages, and these contributed also in their time to European domination in the Pacific—namely natural history, meteorology, and the emergent science of ethnography. Important advances were made in all these sciences continually throughout the three voyages, but there were differences in emphasis. The first voyage is the botanical voyage, par excellence, the second is the meteorological voyage, and the third is the ethnographic voyage. These changing emphases were owing largely, though not entirely, to contingent factors. On the Endeavour voyage, Banks, Solander, and Parkinson, with their interests centered on botany, made a powerful team. On the second voyage, Cook himself, his astronomers Wales and Bayly, the two Forsters, and William Hodges were all deeply inter- ested in the changing conditions of wind and weather, light, and atmo- sphere as they traversed vast sections of the southern oceans. By the third voyage Cook had come to realize that both scientific and popular A longer version of this chapter was published in Imagining the Pacific: In the Wake of the Cook Voyages, by Bernard Smith (New Haven: Yale University Press, 1992), 193–221. -
1 Scenarios of Encounter: Place, Performance, and Commemoration
Scenarios of Encounter: Place, Performance, and Commemoration in Tūranganui-a-Kiwa and London Huw Alun Rowlands Submitted for the degree of Doctor of Philosophy Department of Geography Royal Holloway, University of London 2020 1 Declaration of Authorship I, Huw Rowlands, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ___ ______________ Date: _____14 December 2020______________ 2 Acknowledgements I offer my thanks to Professor Felix Driver – I greatly value the huge contribution your experience and unfailingly positive support have made to my learning over the past six years; to Professor Helen Gilbert – your precise and thoughtful interventions have always brought clarity and renewed motivation to my work on this thesis; and to the numerous members of Royal Holloway, University of London’s Social, Cultural, and Historical Geography community amongst whom I have been privileged to work – I have enjoyed and benefited from your enthusiasm, knowledge, and generosity. I offer my thanks to the Technē AHRC Doctoral Training Partnership for the studentship and for their outstanding support, to RHS for a field work grant, and to the British Library and William Frame for the opportunity to undertake a three-month placement in support of work on the Library’s exhibition James Cook: The Voyages. I offer my thanks to everyone who participated in interviews and conversations; your knowledge, wisdom, and experience are woven into this -
AGMANZ News Volume 2 Number 11 November 1971.Tif
THE ART GALLERIES & MUSEUMS ASSOCIATKJN OF NEW ZEALAND November 1971 Lintel carving, Auckland Museum The event of most concern to the Association during AGMANZ NEWS Vol. II No. II the past three months, and the saddest, has been the November, 1971 sudden death of Professor John Beaglehole, O.M. His passing has deprived New Zealand of its most distinguished historian. His monumental work The Voyages of Captain Cook will remain his memorial. The Art Galleries & Museums Association of The editorial in the New Zealand Herald of October New Zealand Inc. 12 commented, "Distinguished as were his books on New Zealand and the exploration of the Pacific, their To promote and improve public galleries outstanding merit lay in the author's skill in present and museums. ing the material as a virtually definitive interpretation of the past ... Yet his methods and standards could Secretary, Wendy Carnegie well bear closely on the quality of New Zealand Hon. Editor, Brenda Gamble scholarship - and not only in history". Auckland City Art Gallery This Association marks Professor Beaglehole's death P.O. Box 6842 with deep regret. To those whose work impinges on Auckland, I, New Zealand. the exploration and voyages of the South Pacific in recent history, his knowledge and scholarship will be Published with the support of the Queen sorely missed. Elizabeth II Arts Council of New Zealand B.G. Cover photograph by H.D.B. Oansey. ASSOCIATION NEWS and conservation of antiquities, works of art and manuscripts, paid a short visit to this country. A Visit by Dr. H.J. Plenderleith tour to the four centres was arranged by Dr. -
New Zealand Archivist Vol III No 2 Winter/June 1992 ISSN 0114-7676 Interest Is Not Enough
New Zealand Archivist Vol III No 2 Winter/June 1992 ISSN 0114-7676 Interest Is Not Enough James McNeish I am a writer. I generate paper. But my credentials in terms of the subject of this conference are almost nil. I knew nothing about literary papers until recently. What little I do know is the result of discovery by accident. The state of play had seen in Boston began to sink in. I discovered that My starting point is Oxford. A few years ago I was in what I had seen (in 1989) was more than a few manu Oxford where I was told the papers of Dan Davin were script papers - it was holograph manuscripts in various destined not for a New Zealand library but for a British stages, drafts, worksheets, notes and notebooks, galley archive. When I checked later, I discovered that the sheets, printed matter, scrapbooks, juvenalia. I put this information was false, but at the time I didn't know this. exodus together with what I already knew about The thought of Dan's papers going to Exeter as I had Katherine Mansefield material which had ended up in been told, instead of to Hocken or Turnbull, seemed a US libraries, and added it to what I subsequently learned bit peculiar. Then shortly after I returned to New Zea from John Weir about other New Zealand material held land came a letter, an invitation out of the blue to at Austin, Texas. deposit my own manuscripts in an American univer sity at Boston, to become the nucleus, as the invitation The state of mind read, of a James McNeish Collection. -
A Dictatorship of Taste
A Dictatorship of Taste Cultural Nationalism and the Function of the Critic 1947-1961 A Thesis Submitted in Partial Fulfilment of The Requirements for the Degree of Masters of Arts in English in the University of Canterbury By Anne-Maree Mills University of Canterbury 2009 In terms of some green myth, sailing or drowning, Each day makes clear a statement to the next; But to make out our tomorrow from its motives Is pure guessing, yesterday’s were so mixed. Sailing or drowning, the living and the dead, Less than the gist of what has just been said. (‘Sailing or Drowning’, Allen Curnow, 1940). Criticism is much criticised. But this logically establishes its title to exist. Criticism never decides anything. It is an argument. The argument goes on. (W. W. Robson, 1982:56) For New Zealand, then, these islands in the south-west Pacific, the growth of national feeling has meant a double exploration of the independence, in the region of politics – in the widest sense – and in the region of the mind. In either case, within the broad stream of the British tradition, the history of the country has been the history of its discovery – a discovery continuing still – of a tradition of its own. (‘The Development of New Zealand Nationality’, J. C. Beaglehole, 1954:122) i Contents Acknowledgements ii. Abstract iii. Introduction 1 Chapter One: An Absurd Ambition 12 1. Bread and butter criticism: ‘Bookmen’ and culture critics 2. Cultural Antennae: Phoenix and Tomorrow 3. The Centennial 4. Cultural authority and the professionalization of Librarianship 5. Heenan 6. -
London 2020 Rights Guide Fiction & Non-Fiction Contents
LONDON 2020 RIGHTS GUIDE FICTION & NON-FICTION CONTENTS FICTION General Fiction Literary Fiction Harlequin Fiction Crime & Thriller Sci-Fi & Fantasy NON-FICTION General Non-fiction Cookery & Lifestyle True Crime Biography & Autobiography Sport History & Popular Science Health & Wellbeing SUB-AGENTS GENERAL ENQUIRIES If you are interested in any of the titles in this Rights Guide or would like further information, please contact us: Elizabeth O’Donnell International Rights Manager HarperCollins Publishers (ANZ) t: +61 2 9952 5475 e: [email protected] HarperCollins Publishers Australia Level 13, 201 Elizabeth Street, Sydney NSW 2000 PO Box A565, Sydney South NSW 1235 AUSTRALIA FICTION TITLES GENERAL FICTION GENERAL FICTION It’s New Year’s Eve. Three thirty-something women – Aimee, JOY. MAGIC. WONDER. FATE. Every lost soul can be NOT BAD Melinda and Lou - best friends for decades, let off illegal BOY found again. Fates can be changed. Bad can become good. PEOPLE Chinese lanterns filled with resolutions: for meaning, for SWALLOWS True love conquers all. There is a fine line between magic and freedom, for money. As the glowing paper bags float away, madness and all should be encouraged in moderation. Home BRANDY there’s a bright flare in the distance. It could be a sign of luck UNIVERSE is always the first and final poem. SCOTT – or the start of a complete nightmare that will upend their TRENT Brisbane, 1983: A lost father, a mute brother, a mum in jail, friendships, families and careers. Three friends, thirty years DALTON a heroin dealer for a stepfather and a notorious crim for a of shared secrets, one The day after their ceremony, the newspapers report a small babysitter. -
New Zealand and the Colonial Writing World, 1890-1945
A DUAL EXILE? NEW ZEALAND AND THE COLONIAL WRITING WORLD, 1890-1945 Helen K. Bones A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy in History at the University of Canterbury March 2011 University of Canterbury, Christchurch, New Zealand 1 Contents Contents ............................................................................................................... 1 Index of Tables ................................................................................................... 2 Acknowledgements ................................................................................................... 3 Abstract ............................................................................................................... 4 Introduction ............................................................................................................... 5 PART ONE: NEW ZEALAND AND THE COLONIAL WRITING WORLD 22 Chapter One – Writing in New Zealand ................................................. 22 1.1 Literary culture in New Zealand ................................................. 22 1.2 Creating literature in New Zealand ..................................... 40 Chapter Two – Looking Outward ............................................................. 59 2.1 The Tasman Writing World ................................................. 59 2.2 The Colonial Writing World ................................................. 71 Chapter Three – Leaving New Zealand ................................................ -
Albert Wendt
NEW OPEN ACCESS EDITION ENDORSED BY 30 PROMINENT SCHOLARS FROM AUSTRALIA, ENGLAND, FRANCE, BOROFSKY GUAM, NEW ZEALAND, and UNITED STATES MELANI ANAE (Senior Lecturer, University of Auckland) • BENEDICT ANDERSON (Aaron L. Binenkorb Professor Emeritus, Cornell University) • CHRIS BALLARD (Senior Fellow, REMEMBRANCE Australian National University) • ALFRED CROSBY (Professor Emeritus, University of Texas) • ROBERT DARNTON (Carl H. Pforzheimer University Professor Emeritus, Harvard Uni- versity) • NATALIE ZEMON DAVIS (Professor of Medieval Studies, University of Toronto) • THE REMEMBRANCE HONORABLE KALANI ENGLISH (Senate Majority Leader, Hawai‘i State Legislature) • PAUL - of PACIFIC PASTS GILROY (Professor, University College London) • NOELANI GOODYEAR-KA‘OPUA (Associate Professor, University of Hawai‘i) • STEPHEN GREENBLATT (John Cogan University Professor, Harvard University) • ANNE PEREZ HATTORI (Professor, University of Guam) • BRUCE HILL AN INVITATION TO REMAKE HISTORY (Radio Australia’s Pacifi c Beat Program) • CLAUDE LÉVI-STRAUSS (Collège de France, Aca- démie française) • SA’ILIEMANU LILOMAIAVA-DOKTOR (Associate Professor, University of Hawai‘i-West Oahu) • DAVID LOWENTHAL (Professor, University College, London) • GEORGE Edited by ROBERT BOROFSKY MARCUS (Chancellor’s Professor, University of California, Irvine) and PATRICIA SEED (Profes- sor, University of California, Irvine) • IAN ‘AKAHI MASTERSON (Coordinator, Windward Com- munity College) • MATT MATSUDA (Professor, Rutgers University-New Brunswick) • ALEX- ANDER MAWYER (Associate -
New Zealand Law in Literature and Legal History: a Survey of Legal References in New Zealand Historical Fiction
[2005] ANZLH E-Journal New Zealand Law in Literature and Legal History: A Survey of Legal References in New Zealand Historical Fiction GRANT MORRIS* I INTRODUCTION The New Zealand Law and Literature Database was completed last year at Victoria Law School. The aim of this database is to provide information for an assessment of legal references in New Zealand fiction including prose, poetry and drama. Legal history is a very common subject in the database and is used by authors to create an historical context for a plot, to provide an apposite analogy or to make a specific comment about the role of law in New Zealand’s history. There are approximately 70 texts out of the 326 texts making up the database that contain references to legal history. Key authors who have combined literature and legal history include Michelanne Forster, Witi Ihimaera, Rachel McAlpine, James McNeish, Maurice Shadbolt and Mervyn Thompson. When using the term “legal history” this article refers to authors writing about historical topics from a contemporary perspective, for example, in Season of the Jew, Maurice Shadbolt writes in 1986 about the New Zealand Wars of the 1860s. While Children of the Poor by John A Lee is important to legal history in that it looks at the legal system during the Depression, the author did not mean the book as legal history as it was written in 1932 during the Depression. Therefore, Season of the Jew is included in this article on legal history, while Children of the Poor is not.1 The works that include legal history cover a wide range of subjects including the historic relationship between Maori and Pakeha, for example, the Treaty of Waitangi, the New Zealand Wars and recent Maori protests.