Van Mccoy Party Mp3, Flac, Wma

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Van McCoy Party mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Party Country: US Released: 1976 Style: Disco MP3 version RAR size: 1189 mb FLAC version RAR size: 1399 mb WMA version RAR size: 1112 mb Rating: 4.1 Votes: 312 Other Formats: MPC MP1 ADX ASF DXD WMA MP3 Tracklist A Party 3:22 B Party 3:22 Companies, etc. Published By – Van McCoy Music Published By – Warner-Tamerlane Phonographic Copyright (p) – H & L Records Corporation Manufactured By – H & L Records Corp. Credits Executive Producer – Hugo & Luigi Producer, Arranged By, Written-By – Van McCoy Notes Label variation - for example "STEREO" is on left under H&L logo. H & L Records DJ promo - same (stereo) track both sides in company sleeve. From the album "The Real McCoy". Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (Labels): 1899 Other versions Category Artist Title (Format) Label Category Country Year HL-4670 Van McCoy Party (7") H & L Records HL-4670 US 1976 HL-4670 Van McCoy Party (7") H & L Records HL-4670 US 1976 17 049 AT Van McCoy Party (7") H & L Records 17 049 AT Netherlands 1976 HL-4670 Van McCoy Party / The Disco Kid (7") H & L Records HL-4670 US 1976 HL-4670 Van McCoy Party (7") H & L Records HL-4670 US 1976 Related Music albums to Party by Van McCoy Salt And Pepper - The Real McCoy/On The Road To Love Van McCoy & The Soul City Symphony - African Symphony Real McCoy - I'll Give You Things M.C. Sar & The Real McCoy - Pump Up The Jam - Rap Charlie McCoy - Blues Stay Away From Me Charlie McCoy - Good Time Charlie Van McCoy - Follow Your Heart Van McCoy - Vengan A Bailar / El Empujon Elvin Jones McCoy Tyner Quintet - Love & Peace The Softones / Van McCoy - That Old Black Magic / Love Is The Answer Charlie McCoy - The Real McCoy Van McCoy & The Soul City Symphony - The Hustle.

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Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
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Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15
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1525 / 1867 1865 1850 / 1920 1920 1935 / 1950 1948 1950 / 1965 1959
This information is based on our own vision and experiences. When you think we are wrong, please mail us, we want you`re opinion, see mail bottom home page “ contact 1525 / 1867 Transatlantic Slave trade > Afrodance 1865 Freedom > Gospel / Jazz / Church choir 1850 / 1920 End of 19th. Cent. / 1e World War > Big band ( Afro ) / Salsa ( latin america ) 1920 Mid 1920`s > Big band ( white ) “ Benny Goodman Glenn Miller “ >> based on Movie music / Charleston 1935 / 1950 2e World War > Big band ( white ) >> commercial way Preformed Combination Big band and Jazz as High School music 1948 After the 2e World War > High school music now preformed as Rock And Roll > “entree of the electric guitar “ & Electric blues > One of the 1e DJ`s on tour was, J.P. Richardson “later named the big bopper “ as rock `n roll star He’s one of the founders of rock and roll for a dj in that time they play 78rpm records till mid 50’s , 45 rpm was promoted in 1949. 1950 / 1965 The birth of POP music > in the mid 50’s R&R explode, new R&R style as the british rock and roll ( cliff richard / the shadows ) 1959 Scepter records > end 50’s Florence Greenberg, founder of Scepter records hired “ Van Allen Clinton McCoy “ as staff writer. >15 Years later was Scepter records one of the famous record labels they promoted DanceMusic, together with Van McCoy. ( why this info, …. see later the mid 70’s ) > In the years between 1958 and 1977 was Motown ( Berry Gordy ) a famous label of soul music, not to be confused with DanceMusic.
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Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
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DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance.
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Roots and Branches Handout SESSIONS Revnov20
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Lydia Tang Thesis.Pdf
THE MULTI-FACETED ARTISTRY OF VIOLIST EMANUEL VARDI BY LYDIA M. TANG THESIS Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Rudolf Haken, Chair Associate Professor Katherine Syer, Director of Research Associate Professor Scott Schwartz Professor Stephen Taylor Clinical Assistant Professor Elizabeth Freivogel Abstract As a pioneer viola virtuoso of the 20th century, Emanuel “Manny” Vardi (c. 1915-2011) is most widely recognized as the first violist to record all of Paganini’s Caprices. As a passionate advocate for the viola as a solo instrument, Vardi premiered and championed now-standard repertoire, elevated the technique of violists by his virtuosic example, and inspired composers to write more demanding new repertoire for the instrument. However, the details of his long and diverse career have never to date been explored in depth or in a comprehensive manner. This thesis presents the first full biographical narrative of Vardi’s life: highlighting his work with the NBC Symphony under Arturo Toscanini, his activities as a soloist for the United States Navy Band during World War II, his compositional output, visual artwork, an analysis of his playing and teaching techniques, as well as his performing and recording legacies in classical, jazz, and popular music. Appendices include a chronology of his life, discography, lists of compositions written by and for Vardi, registered copyrights, and a list of interviews conducted by the author with family members, former students, and colleagues.
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Aretha Franklin La Diva Mp3, Flac, Wma
Aretha Franklin La Diva mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: La Diva Country: US Released: 1979 Style: Disco MP3 version RAR size: 1153 mb FLAC version RAR size: 1734 mb WMA version RAR size: 1692 mb Rating: 4.3 Votes: 771 Other Formats: MP2 ASF AC3 VOX RA AHX WMA Tracklist Hide Credits Ladies Only A1 5:15 Written-By – Aretha Franklin It's Gonna Get A Bit Better A2 5:20 Written-By – Lalomie Washburn What If I Should Ever Need You A3 3:32 Written-By – Charles H. Kipps, Jr.* Honey I Need Your Love A4 2:45 Written-By – Aretha Franklin I Was Made For You A5 4:03 Written-By – Clarence Franklin Only Star B1 5:04 Written-By – Aretha Franklin Reasons Why B2 3:55 Written-By – Skip Scarborough, Wanda Hutchinson, Wayne Vaughn You Brought Me Back To Life B3 4:24 Written-By – Van McCoy Half A Love B4 5:25 Written-By – Zulema Cusseaux* The Feeling B5 4:45 Written-By – Van McCoy Companies, etc. Distributed By – WEA Credits Arranged By [Rhythm Arrangements] – Aretha Franklin (tracks: A4), Arthur Jenkins (tracks: B1), Richard Gibbs (tracks: A2), Skip Scarborough (tracks: B2), Van McCoy (tracks: A1, A3, A4-5, B3, B5), Zulema Cusseaux* (tracks: B4) Backing Vocals – Albert Bailey, Aretha Franklin, Brenda Hilliard, Carolyn Franklin, Destry*, Jerome Jackson*, Pat Williamson, Pete Marshall*, Richard Harris , Sharon Brown, Van McCoy, Zulema Cusseaux* Bass – Brian Alsop*, Gordon Edwards Bells [Orchestra Bells] – Ken Bichel Conductor [Strings And Horns] – Gene Orloff Drums – Chris Parker Engineer – Alan Varner, Lee Decarlo Engineer [Assistant] – Brian Marine, John Terelle, Rick Delana Engineer [Mastering] – George Piros Guitar – Cornell Dupree, Jack Cavari, Tom Hanlon Keyboards – Ken Ascher, Paul Griffin, Richard Tee, Van McCoy Percussion – Crusher Bennett*, George Devens Producer – Aretha Franklin (tracks: A4), Charles Kipps (tracks: A1-A3, A5, B1, B3-5), Skip Scarborough (tracks: B2), Van McCoy (tracks: A1-A3, A5, B1, B3-5) Synthesizer ["cat" S.r.m.] – Ken Bichel Notes Rhythm, strings, horns recorded at Penny Lane Studios, New York, N.Y.
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Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny
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THE MARVELOUS WONDERETTES DREAM on 100% Written & Created by Roger Bean 50%
License Rider SHOW: The Marvelous Wonderettes: Dream On Credit Rider 1. You agree to bill the Play and the Author(s) and all other parties specified below in all programs, houseboards, displays, and in all advertising, and all paid publicity, specified below as follows: CREDIT SIZE TYPE THE MARVELOUS WONDERETTES DREAM ON 100% Written & Created by Roger Bean 50% Vocal and Musical Arrangements by Michael Borth 25% 2. You also agree to include the following on the title page of any program, separated by a line from other staff, as follows: The Marvelous Wonderettes: Dream On was originally produced by Stages Repertory Theatre (Kenn McLaughlin, Artistic Director, Mark Folkes, Managing Director) in Houston, Texas. and the following on all posters, fliers, and the title page of any program, separated by a line from other staff, as follows: Performance rights for The Marvelous Wonderettes: Dream On are handled exclusively by Steele Spring Stage Rights, (323) 739-0413, www.stagerights.com 3. In addition, the Author(s) biography (attached RIDER EXHIBIT “A”) must appear in all programs of the Play: The most recent version of the Author’s bio can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 4. All music credits (attached RIDER EXHIBIT “B”) must be printed in the program. A digital version can be found on our website at www.stagerights.com or obtained by request from Stage Rights. 5. You must include the following warning in your program: "The videotaping or other video or audio recording of this production is strictly prohibited." 6.
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1970-05-23 Milwaukee Radio and Music Scene Page 30
°c Z MAY 23, 1970 $1.00 aQ v N SEVENTY -SIXTH YEAR 3 76 D Z flirt s, The International Music-Record-Tape Newsweekly COIN MACHINE O r PAGES 43 TO 46 Youth Unrest Cuts SPOTLIGHT ON MCA -Decca in Disk Sales, Dates 2 -Coast Thrust By BOB GLASSENBERG NEW YORK - The MCA - Decca was already well- estab- NEW YORK -Many campus at Pop -I's Record Room. "The Decca Records complex will be lished in Nashville. record stores and campus pro- strike has definitely affected our established as a two -Coast corn- In line with this theory, Kapp moters Records is being moved to the across the country are sales. Most of the students have pany, Mike Maitland, MCA Rec- losing sales and revenue because gone to the demonstrations in West Coast as of May 15. Sev- of student political activity. "The the city and don't have new ords president, said last week. eral employees have been students are concerned with records on their minds at the "There are no home bases any- shifted from Kapp's New York other things at the moment," moment. They are deeply moved more for the progressive record operation into the Decca fold according to the manager of the (Continued on page 40) company." He pointed out that and Decca will continue to be a Harvard Co -op record depart- New York -focused firm. The ment in Cambridge, Mass. The shift of Kapp to Los Angeles is record department does much a "rather modest change," business with students in the FCC Probing New Payola Issues Maitland said, as part of the Boston area.
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Album Reviews
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