The Asbestos Workers' Salamander
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COAT-OF-ARMS and FLAG Act 209 of 1911 an ACT to Adopt and Prescribe the Design of a State Coat-Of-Arms and State Flag, and Their
COAT-OF-ARMS AND FLAG Act 209 of 1911 AN ACT to adopt and prescribe the design of a state coat-of-arms and state flag, and their use; to prohibit the use of the same for advertising purposes; to prescribe standards for the manufacture, sale, and display of certain flags of the United States and the state flag; and to prescribe the powers and duties of certain state agencies and officials. History: 1911, Act 209, Eff. Aug. 1, 1911;Am. 2012, Act 167, Imd. Eff. June 14, 2012. The People of the State of Michigan enact: 2.21 State coat-of-arms; adoption. Sec. 1. The device and inscriptions of the great seal of the state of Michigan, Anno Domini 1835, presented by Lewis Cass to the forthcoming state, through the constitutional convention and adopted June 2, 1835, and filed with the secretary of the territory, June 24, 1835, and illustrated by a seal with said device and inscriptions attached to a state document, bearing date 1838, and to the constitution of 1850 received and filed in the office of the secretary of state, August 15, 1850, and now on file in said office, omitting the legend "The great seal of the state of Michigan, Anno Domini 1835," is hereby adopted as the coat-of-arms of the state. History: 1911, Act 209, Eff. Aug. 1, 1911;CL 1915, 1098;CL 1929, 134;CL 1948, 2.21. Compiler's note: For constitutional provision as to great seal of the state of Michigan referred to in this section, see now Const. -
Ancient Greece. ¡ the Basilisc Was an Extremely Deadly Serpent, Whose Touch Alone Could Wither Plants and Kill a Man
Ancient Greece. ¡ The Basilisc was an extremely deadly serpent, whose touch alone could wither plants and kill a man. ¡ The creature is later shown in the form of a serpent- tailed bird. ¡ Cerberus was the gigantic hound which guarded the gates of Haides. ¡ He was posted to prevent ghosts of the dead from leaving the underworld. ¡ Cerberus was described as a three- headed dog with a serpent's tail, a mane of snakes, and a lion's claws. The Chimera The Chimera was a monstrous beast with the body and maned head of a lion, a goat's head rising from its back, a set of goat-udders, and a serpents tail. It could also breath fire. The hero Bellerophon rode into battle to kill it on the back of the winged horse Pegasus. ¡ The Gryphon or Griffin was a beast with the head and wings of an eagle and the body of a lion. ¡ A tribe of the beasts guarded rich gold deposits in certain mountains. HYDRA was a gigantic, nine-headed water-serpent. Hercules was sent to destroy her as one of his twelve labours, but for each of her heads that he decapitated, two more sprang forth. So he used burning brands to stop the heads regenerating. The Gorgons The Gorgons were three powerful, winged daemons named Medusa, Sthenno and Euryale. Of the three sisters only Medousa was mortal, and so it was her head which the King commanded the young hero Perseus to fetch. He accomplished this with the help of the gods who equipped him with a reflective shield, curved sword, winged boots and helm of invisibility. -
Theosophical Symbology Some Hints Towards Interpretation of the Symbolism of the Seal of the Society
Theosophical Siftings Theosophical Symbology Vol 3, No 4 Theosophical Symbology Some Hints Towards Interpretation of the Symbolism of the Seal of the Society by G.R.S. Mead, F.T.S. Reprinted from “Theosophical Siftings” Volume 3 The Theosophical Publishing Society, England "A combination and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a MAN." As the question is often asked, What is the meaning of the Seal of the Society, it may not be unprofitable to attempt a rough outline of some of the infinite interpretations that can be discovered therein. When, however, we consider that the whole of our philosophical literature is but a small contribution to the unriddling of this collective enigma of the sphinx of all sciences, religions and philosophies, it will be seen that no more than the barest outlines can be sketched in a short paper. In the first place, we are told that to every symbol, glyph and emblem there are seven keys, or rather, that the key may be turned seven times, corresponding to all the septenaries in nature and in man. We might even suppose, by using the law of analogy, that each of the seven keys might be turned seven times. So that if we were to suggest that these keys may be named the physiological, astronomical, cosmic, psychic, intellectual and spiritual, of which divine interpretation is the master-key, we should still be on our guard lest we may have confounded some of the turnings with the keys themselves. -
U-Seal Teat Sealant Device Tel 800-821-5570 | Fax 816-224-3080 | [email protected] New Alcohol Swab Prior to Infusion with U-Seal
Each pail comes with Description: Teat Wipes! U-Seal™ is indicated as an aid in the prevention of new intramammary infections throughout the dry period by providing a malleable barrier in the teat canal. This results in a reduction in the incidence of clinical mastitis for the entire dry period by preventing bacteria from entering the teat canal. For Use On: Cattle Benefits: • Quick delivery • Accurate placement and an effective seal Internal teat sealants reduce • Delivers easy syringe-ability and superior in-teat performance risk of infection • Antibiotic-free Internal teat sealants perform the function of the keratin plug Dosage and Administration: • They form an effective seal After last milking at dry-off, clean and disinfect the teats with • They persist throughout the dry period an alcohol swab. Infuse the entire contents of one syringe of • They strip out easily U-Seal into each quarter by inserting the nozzle into the teat and applying gentle continuous pressure to the plunger until the • They are insoluble to milk and harmless to calves paste is expressed. Do not massage teat or udder following infusion. If an antibiotic is infused into the teat, the teat should be Studies show combining internal teat sealants with re-swabbed with a new alcohol swab prior to infusion with U-Seal. dry cow antibiotic therapy results in a significant See label for full Dosage and Administration. reduction in new mastitis infections compared to DCT alone 1, 2 • As much as 68% during the dry period1 Packaging: • 20% - 30% reduction in early lactation1 24 ct pail w/ 40 wipes, 6 pails/case UPC # 7-45801-12986-3 144 ct pail w/ 200 wipes, 1 pail/case UPC # 7-45801-12990-0 1. -
Proper Pump Selecton
Inside Front Cover Proper Pump Selecton Careful selection and installation of the correct Dragon Centrifugal Pump will result in a unit that will provide long- lasting and dependable service. Selecting a pump with excessive pressure capability means extra horsepower expense. Centrifugal pumps have much different horsepower input characteristics than positive displacement pumps. However, if the pressure requirements on the discharge side are indefinite, or if for some other reason the discharge pressure is much lower than expected, the pump will handle considerably more fluid and require more horsepower thanoriginally selected to drive the pump. A valve or flow restriction will then be required to increase the discharge pressure and reduce the horsepower needed to drive the pump. To assure proper pump selection, the following information is required: 1. Suction conditions: A. Size of suction piping B. Length of suction line C. Flooded suction (positive) D. Suction lift (negative) 2. Total discharge head required. 3. Rate of flow desired. 4. Type of driver desired and RPM (electric motor or engine) 5. Specific gravity or weight of fluid to be pumped. 6. Temperature of fluid. 7. Any information available as to the corrosiveness or abrasiveness of the fluid to be handled. Once this information is obtained it is used to calculate: GPM = Rate of flow desired HD. FT. = Total dynamic head SP. GR. = Specific gravity of fluid PUMP SIZE AND HORSEPOWER SELECTION FROM PERFORMANCE CURVES Using the desired GPM and head feet, find the pump size and speed by looking at the performance curves. Mark the desired operating point on the performance curve. -
Bishop Barron Blazon Texts
THE FORMAL BLAZON OF THE EPISCOPAL COAT OF ARMS OF ROBERT E. BARRON, S.T.D. D.D. K.H.S. TITULAR BISHOP OF MACRIANA IN MAURETANIA AUXILIARY TO THE METROPOLITAN OF LOS ANGELES PER PALE OR AND MURREY AN OPEN BOOK PROPER SURMOUNTED OF A CHI RHO OR AND ENFLAMED COUNTERCHANGED, ON A CHIEF WAVY AZURE A PAIR OF WINGS ELEVATED, DISPLAYED AND CONJOINED IN BASE OR CHARGED WITH A FLEUR-DE-LIS ARGENT AND FOR A MOTTO « NON NISI TE DOMINE » THE OFFICE OF AUXILIARY BISHOP The Office of Auxiliary, or Assistant, Bishop came into the Church around the sixth century. Before that time, only one bishop served within an ecclesial province as sole spiritual leader of that region. Those clerics who hold this dignity are properly entitled “Titular Bishops” whom the Holy See has simultaneously assigned to assist a local Ordinary in the exercise of his episcopal responsibilities. The term ‘Auxiliary’ refers to the supporting role that the titular bishop provides a residential bishop but in every way, auxiliaries embody the fullness of the episcopal dignity. Although the Church considers both Linus and Cletus to be the first auxiliary bishops, as Assistants to St. Peter in the See of Rome, the first mention of the actual term “auxiliary bishop” was made in a decree by Pope Leo X (1513‐1521) entitled de Cardinalibus Lateranses (sess. IX). In this decree, Leo confirms the need for clerics who enjoy the fullness of Holy Orders to assist the Cardinal‐Bishops of the Suburbicarian Sees of Ostia, Velletri‐Segni, Sabina‐Poggia‐ Mirteto, Albano, Palestrina, Porto‐Santo Rufina, and Frascati, all of which surround the Roman Diocese. -
The Wild Boar from San Rossore
209.qxp 01-12-2009 12:04 Side 55 UDSTILLINGSHISTORIER OG UDSTILLINGSETIK ● NORDISK MUSEOLOGI 2009 ● 2, S. 55-79 Speaking to the Eye: The wild boar from San Rossore LIV EMMA THORSEN* Abstract: The article discusses a taxidermy work of a wild boar fighting two dogs. The tableau was made in 1824 by the Italian scientist Paolo Savi, director of the Natural History Museum in Pisa from 1823-1840. The point of departure is the sense of awe this brilliantly produced tableau evokes in the spectator. If an object could talk, what does the wild boar communicate? Stuffed animals are objects that operate in natural history exhibitions as well in several other contexts. They resist a standard classification, belonging to neither nature nor culture. The wild boar in question illustrates this ambiguity. To decode the tale of the boar, it is establis- hed as a centre in a network that connects Savi’s scientific and personal knowled- ge, the wild boar as a noble trophy, the development of the wild boar hunt in Tus- cany, perceptions of the boar and the connection between science and art. Key words: Natural history museum, taxidermy, wild boar, wild boar hunt, the wild boar in art, ornithology, natural history in Tuscany, Museo di Storia Naturale e del Territorio, Paolo Savi. In 1821, a giant male wild boar was killed at There is a complex history to this wild boar. San Rossore, the hunting property of the We have to understand the important role this Grand Duke of Toscana. It was killed during a species played in Italian and European hun- hunt arranged in honour of prominent guests ting tradition, the link between natural histo- of Ferdinand III. -
Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon
Journal of Book of Mormon Studies Volume 10 Number 2 Article 8 7-31-2001 Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon Andrew C. Skinner Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Skinner, Andrew C. (2001) "Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon," Journal of Book of Mormon Studies: Vol. 10 : No. 2 , Article 8. Available at: https://scholarsarchive.byu.edu/jbms/vol10/iss2/8 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title Serpent Symbols and Salvation in the Ancient Near East and the Book of Mormon Author(s) Andrew C. Skinner Reference Journal of Book of Mormon Studies 10/2 (2001): 42–55, 70–71. ISSN 1065-9366 (print), 2168-3158 (online) Abstract The serpent is often used to represent one of two things: Christ or Satan. This article synthesizes evi- dence from Egypt, Mesopotamia, Phoenicia, Greece, and Jerusalem to explain the reason for this duality. Many scholars suggest that the symbol of the serpent was used anciently to represent Jesus Christ but that Satan distorted the symbol, thereby creating this para- dox. The dual nature of the serpent is incorporated into the Old Testament, the New Testament, and the Book of Mormon. erpent ymbols & SSalvation in the ancient near east and the book of mormon andrew c. -
Dragon and the Phoenix Teacher's Notes.Indd
Usborne English The Dragon and the Phoenix • Teacher’s notes Author: traditi onal, retold by Lesley Sims Reader level: Elementary Word count: 235 Lexile level: 350L Text type: Folk tale from China About the story A dragon and a phoenix live on opposite sides of a magic river. One day they meet on an island and discover a shiny pebble. The dragon washes it and the phoenix polishes it unti l it becomes a pearl. Its brilliant light att racts the att enti on of the Queen of Heaven, and that night she sends a guard to steal it while the dragon and phoenix are sleeping. The next morning, the dragon and phoenix search everywhere and eventually see their pearl shining in the sky. They fl y up to retrieve it, but the pearl falls down and becomes a lake on the ground below. The dragon and the phoenix lie down beside the lake, and are sti ll there today in the guise of Dragon Mountain and Phoenix Mountain. The story is based on The Bright Pearl, a Chinese folk tale. Chinese dragons are typically depicted without wings (although they are able to fl y), and are associated with water and wisdom. Chinese phoenixes are immortal, and do not need to die and then be reborn. They are associated with loyalty and honesty. The dragon and phoenix are oft en linked to the male yin and female yang qualiti es, and in the past, a Chinese emperor’s robes would typically be embroidered with dragons and an empress’s with phoenixes. -
Benjamin Franklin (10 Vols., New York, 1905- 7), 5:167
The American Aesthetic of Franklin's Visual Creations ENJAMIN FRANKLIN'S VISUAL CREATIONS—his cartoons, designs for flags and paper money, emblems and devices— Breveal an underlying American aesthetic, i.e., an egalitarian and nationalistic impulse. Although these implications may be dis- cerned in a number of his visual creations, I will restrict this essay to four: first, the cartoon of Hercules and the Wagoneer that appeared in Franklin's pamphlet Plain Truth in 1747; second, the flags of the Associator companies of December 1747; third, the cut-snake cartoon of May 1754; and fourth, his designs for the first United States Continental currency in 1775 and 1776. These four devices or groups of devices afford a reasonable basis for generalizations concerning Franklin's visual creations. And since the conclusions shed light upon Franklin's notorious comments comparing the eagle as the emblem of the United States to the turkey ("a much more respectable bird and withal a true original Native of America"),1 I will discuss that opinion in an appendix. My premise (which will only be partially proven during the fol- lowing discussion) is that Franklin was an extraordinarily knowl- edgeable student of visual symbols, devices, and heraldry. Almost all eighteenth-century British and American printers used ornaments and illustrations. Many printers, including Franklin, made their own woodcuts and carefully designed the visual appearance of their broad- sides, newspapers, pamphlets, and books. Franklin's uses of the visual arts are distinguished from those of other colonial printers by his artistic creativity and by his interest in and scholarly knowledge of the general subject. -
BAPS to BAPRAS the History of the Association 1986–2016
BAPS TO BAPRAS The History of the Association 1986–2016 Edited by A Roger Green BAPS TO BAPRAS British Association of Plastic Surgeons to British Association of Plastic, Reconstructive and Aesthetic Surgeons The History of the Association 1986–2016 Edited by A Roger Green BAPS to BAPRAS: The History of the Association 1986–2016 © 2016 The British Association of Plastic, Reconstructive and Aesthetic Surgeons. First edition printed in 2016 in the United Kingdom. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library. ISBN No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of The British Association of Plastic, Reconstructive and Aesthetic Surgeons. While every effort has been made to ensure the accuracy of the information contained in this publication, no guarantee can be given that all errors and omissions have been excluded. No responsibility for loss occasioned to any person acting or refraining from action as a result of the material in this publication can be accepted by The British Association of Plastic, Reconstructive and Aesthetic Surgeons or the contributors. Published by The British Association of Plastic, Reconstructive and Aesthetic Surgeons 35–43 Lincoln’s Inn Fields London WC2A 3PE www.bapras.org.uk Printed in the United Kingdom by Latimer Trend EDIT, DESIGN AND TYPESET Polymath Publishing Cover -
Curiosity Killed the Bird: Arbitrary Hunting of Harpy Eagles Harpia
Cotinga30-080617:Cotinga 6/17/2008 8:11 AM Page 12 Cotinga 30 Curiosity killed the bird: arbitrary hunting of Harpy Eagles Harpia harpyja on an agricultural frontier in southern Brazilian Amazonia Cristiano Trapé Trinca, Stephen F. Ferrari and Alexander C. Lees Received 11 December 2006; final revision accepted 4 October 2007 Cotinga 30 (2008): 12–15 Durante pesquisas ecológicas na fronteira agrícola do norte do Mato Grosso, foram registrados vários casos de abate de harpias Harpia harpyja por caçadores locais, motivados por simples curiosidade ou sua intolerância ao suposto perigo para suas criações domésticas. A caça arbitrária de harpias não parece ser muito freqüente, mas pode ter um impacto relativamente grande sobre as populações locais, considerando sua baixa densidade, e também para o ecossistema, por causa do papel ecológico da espécie, como um predador de topo. Entre as possíveis estratégias mitigadoras, sugere-se utilizar a harpia como espécie bandeira para o desenvolvimento de programas de conservação na região. With adult female body weights of up to 10 kg, The study was conducted in the municipalities Harpy Eagles Harpia harpyja (Fig. 1) are the New of Alta Floresta (09º53’S 56º28’W) and Nova World’s largest raptors, and occur in tropical forests Bandeirantes (09º11’S 61º57’W), in northern Mato from Middle America to northern Argentina4,14,17,22. Grosso, Brazil. Both are typical Amazonian They are relatively sensitive to anthropogenic frontier towns, characterised by immigration from disturbance and are among the first species to southern and eastern Brazil, and ongoing disappear from areas colonised by humans. fragmentation of the original forest cover.