Lin Snelling Most Recent CV
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CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 Email: [email protected]
CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 email: [email protected] VERB WOMAN: mending aktion Western Front Dance Studio, Vancouver, BC; July 2010 CRAM Gallery, St. Catharines, Ontario, May 2010 Hamilton Artists’ Inc., Hamilton, Ontario; May 2010 Gallery Gachet, Vancouver, BC; August 2009 Centre A Gallery, Vancouver, BC; July 2009 VERB WOMAN: a kaleidescopic history Present Response, Gallery Lambton, Sarnia, Ontario; May 2010 VERB WOMAN: unraveling (romance & the anthemic) Not Sent Letters Project for Sparticus Books, Vancouver, BC; February 2010 VERB WOMAN: a dance of forgetting with Paul Couillard, LIVE ! Biennale, VIVO, Vancouver, BC; October 2009 MARGINALIA (Installation/Performance with Pam Hall of St. John’s, Nfld) Faucet Studio Residency, Struts Gallery, Sackville, NB; October 2008 Richmond Art Gallery, Richmond, BC, Sept – Nov 2008 LIVE! Biennale, grunt Gallery, Vancouver, BC, Nov 2005 LADY JUSTICE (PILLOWBOOK and various site-specific works) 2010 Peace Project, Richmond Women’s Centre/Memories Thrift Store, Feb 2010 ROSE Memorial for 20 th Anniversary Montreal Massacre, Vancouver, BC; Dec 2009 Richmond Art Gallery (with Payday Millionaire), Richmond, BC; September 2009 Revista Sin Texto: Dia Internacional del Reloj, South American Web, August 2008 Visualeyez Festival (Gallery Latitude 53), Edmonton, Alberta, July 2008 Hive 2 Festival, grunt Gallery & Magnetic North, Vancouver, BC, June 2008 grunt Gallery, Vancouver, BC, November 2007 Box Salon (The Rivoli), Toronto, -
Epa Report on Contaminants & Remedial Options Selected
EPA,5<1G, a-95/512 July 1995 n CONTAMINANTS AND REMEDIAL OPTIONS AT SELECTED METAL-CONTAMINATED SITES by Battelle Columbus Division Columbus, Ohio 43201-2693 Contract No. 68-CO-0003 Work Assignment 41 Project Officer Michael D. Royer Technical Support Branch Superfund Technology Demonstration Division _ National Risk Management Research Laboratory Edison, New Jersey 08837 NATIONAL RISK MANAGEMENT RESEARCH LABORATORY OFFICE OF RESEARCH AND DEVELOPMENT U.S. ENVIRONMENTAL PROTECTION AGENCY CINCINNATI, OHIO 45268 $& Printed on Recycled Paper NOTICE This review'of contaminants and remedial options at selected metal-contaminated sites summarizes information collected from U.S. Environmental Protection Agency (EPA) programs, peer-reviewed journals, industry experts, vendor data, and other sources. A variety of potential candidate treatment technologies are described as advisory guidance to assist in identifying feasible treatment technologies. The information in this document has been funded in part by EPA under Contract No. 68-CO-0003, Work Assignment 41, to Battelle (Columbus Division). It has been subject to the Agency's peer and administrative review, and it has been approved for publication as an EPA document. Mention of trade names or commercial products does not constitute endorsement or recommendation for use. Compliance with environmental and occupational safety and health laws is the responsibility of each individual site manager and is not the focus of this document. FOREWORD The U.S. Environmental Protection Agency is charged by Congress with protecting the Nation's land, air, and water resources. Under a mandate of national environmental laws, the Agency strives to formulate and implement actions leading to a compatible balance between human activities and the ability of natural systems to support and nurture life. -
IMPULSE Peter Chin Robert Desrosiers Christopher House Darryl Tracy 2012 November 29 - December 1 & December 6 - 8
Works by: Peggy Baker Marc Boivin IMPULSE Peter Chin Robert Desrosiers Christopher House Darryl Tracy 2012 November 29 - December 1 & December 6 - 8 Winchester Street Theatre 80 Winchester Street, Toronto Box Office: 416-967-6887 [email protected] schooloftdt.org IMPULSE 2012 Vivaldi’s Sacred Songs (1997, 2004) Choreography Robert Desrosiers Rehearsal Direction Patricia Miner Music Antonio Vivaldi • First section: 1997 Dixit Dominus RV 594 in D Andante: Tecum principium • Second section: 2004 Gloria RV 589 in D Allegro: Domine Fili • Third section: 1997 Gloria RV 589 in D Andante: Et in terra Pax Lighting Design Simon Rossiter Costume Design Jennifer Dallas Costume Construction Alexandra Mancini Dancers Nov. 29, Dec. 1, Dec. 7, and Dec. 8 Vanessa Faria, Juana María Galindo Torres, Léa Lavoie-Gauthier, Natalia Lisina, Colby McGovern, Miguel Perreault, Justin Poleon, Danah Rosales, Georgia Skinner, Darren Strong, Melissa Watt, Stuart Wright Nov. 30 and Dec. 6 Matthew Cuff, Vanessa Faria, Juana María Galindo Torres, William Hamilton, Léa Lavoie-Gauthier, Devon Lewis, Natalia Lisina, Colby McGovern, Marco Placencio, Justin Poleon, Danah Rosales, Georgia Skinner, Darren Strong, Melissa Watt, Stuart Wright Antonio Vivaldi was a true musical genius. It is always a joy and an honour to choreograph to his music, which will forever be a great gift to humanity. – RD 5 miles per second to elsewhere (November 29, 2012) Choreography and Direction Darryl Tracy Music Fennesz, Byetone, and Robert Lippok Videography Simon Johnston Lighting Design -
Vid Ingelevics
VID INGELEVICS (b. 1952, Toronto Canada) Vid Ingelevics is a Toronto-based visual artist, independent curator, writer and educator at Ryerson University. His artworks and curatorial projects have been exhibited across Canada, in the United States, Europe and Australia. His writing has appeared in numerous publications in Canada and Europe. EDUCATION MFA (Visual Arts) York University, Toronto SOLO EXHIBITIONS 2017 The Mobile Ruin, Art Gallery of Harbourfront, Toronto The Labour of Commemoration, Prefix Institute of Contemporary Art, Toronto Great Lake/Small City II, public art installation, (video) Oxford Art Tablet, Contact Photography Fesitval, Toronto 2016 Zertifikat, public art installation, Artscape Youngplace, Toronto 2014 Freedom Rocks: Los Angeles, Camera, Toronto (video screening) Freedom Rocks: Los Angeles, Goethe Institute, Los Angeles (video screening & exhibition) 2013 Between art & Art, Stephen Bulger Gallery, Toronto 2009 Freedom Rocks, Embassy of Canada, Berlin; Consulate of Germany, Toronto (publication) hunter/gatherer, Oakville Galleries, Oakville; Art Gallery of Peterborough, Peterborough; Thunder Bay Art Gallery, Thunder Bay 2008 hunter/gatherer, Southern Alberta Art Gallery, Lethbridge; Tom Thompson Gallery, Owen Sound (catalogue) 2007 The Metropolitan Museum of Edward Milla, Gales Gallery, York University, Toronto 2006 Inconvenience Store, Convenience Gallery, Toronto Platform, Stephen Bulger Gallery, Toronto + video screening, En attendant Godard, Camera, Toronto 2004 Platform, public art installation, Museum subway -
Arts Explosion Summer Camp 2014 July 7-11, 2014
Arts Explosion Summer Camp 2014 July 7-11, 2014 Program & Schedule* Orange Group (born 2008 & 2009) | 9:30 am – 12:00 pm Creative Movement with Laurel Koop Visual Art with Kelly Hopkins Singing & Storytelling with Shannon Kingsbury Red (born 2006 & 2007) & Blue Groups (born 2003, 2004 & 2005) | 9:30 am – 3:30 pm Hip-Hop with Lindsay Morris Theatre with Courtney Riddell Visual Art with Kelly Hopkins Contemporary Dance with Laurel Koop Green Group - Dance-focus (born 2000, 2001 & 2002) | 9:30 am – 3:30 pm Contemporary Dance Technique with special guest artist Robert Desrosiers Repertoire with special guest artist Robert Desrosiers Hip Hop with Lindsay Morris Visual Art with Kelly Hopkins *Program subject to change without notice. Contact the Guelph Dance office for the most up-to-date info. About our Special Guest Artists Robert Desrosiers, the Montreal-born dancer, choreographer, and director, has gained international renown as a choreographer of startling imagination and originality. He is a graduate of the National Ballet School of Canada and danced with the National Ballet of Canada before continuing to perform and train in France, England, the US and Canada. In 1980, Desrosiers formed “Desrosiers Dance Theatre” in Toronto. He was awarded the first Jacqueline Lemieux Prize 1981, and Jean A. Chalmers Award in 1985 for his innovative choreography, which is defined by its theatricality and imageries. Amongst his most acclaimed works is Blue Snake, which was commissioned by The National Ballet of Canada. The work premiered in 1985, and was subsequently performed at The Metropolitan Opera House in New York in 1988 and then featured in the 2002 Robert Altman film The Company. -
50Th Anniversary Season
50TH 50 ANNIVERSARY SEASON 2017 / 2018 In 1968, three forward-thinking dance artists– Patricia Beatty, WELCOME TO TDT'S David Earle and Peter Randazzo– came together to establish a company and school that changed the face of Canadian dance. By encouraging innovation and collaboration, and acquiring a FIFTIETH ANNIVERSARY permanent home for the two organizations, they planted seeds for the creation of a vast repertoire of Canadian works –almost SEASON 500 at last count– and the development of generations of dancers and choreographers. TDT continues to be an incubator for the development of dance artists, from emerging to senior, as shown by this year's Glass Fields program at the Fleck Dance Theatre, by our second Emerging Voices Project, and by our special co-presentation with Toronto Heritage Dance. We have toured across Canada since our inception and performed in many of the great cities of the world including New York, London, Beijing, Tokyo, Seoul, Mumbai, Berlin and Mexico City. In this anniversary year, we travel to three cities in Colombia and perform in eleven Canadian cities coast to coast. Fifty years later, Toronto is a radically different city than it was in 1968. The company reflects the city back to itself by celebrating the power of community, the importance of critical engagement and the many ways that live performance can change our dialogue with the world. We have much to celebrate! None of it would be possible, this year or in the past, without the support of legions of donors, funders, volunteers, staff members and artists, and the love and attention of the audience. -
Indigenous Dance Recordings and PNAAM
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver by Carolyne Clare Master of Museum Studies, University of Toronto, 2010 B.A. (Hons.), Concordia University, 2008 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences © Carolyne Clare 2020 SIMON FRASER UNIVERSITY Summer 2020 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Declaration of Committee Name: Carolyne Clare Degree: Doctor of Philosophy Repertoires for Supporting Sovereignty: Thesis title: The Protocols for Native American Archival Materials and Dance Information in Vancouver Committee: Chair: Clint Burnham Professor, English Peter Dickinson Supervisor Professor, Contemporary Arts Lisa Nathan Committee Member Associate Professor, Information University of British Columbia Allana Lindgren Committee Member Associate Professor, Theatre University of Victoria Dara Culhane Examiner Professor, Sociology and Anthropology Spencer Lilley External Examiner Associate Professor, Māori Knowledge Massey University ii Ethics Statement iii Abstract Repertoires for Supporting Sovereignty responds to the calls to action presented in the Protocols for Native American Archival Materials (PNAAM), which seeks to guide settler information communities towards building respectful relationships with Indigenous communities in order to enable Indigenous sovereignty over culture. My research focuses on how dance information, comprised of both archives and repertoires, is stewarded in Vancouver, and how such practices of stewardship can be transformed in order to respect PNAAM. To demonstrate how PNAAM might serve to inspire respectful information stewardship in Vancouver, I present two case studies that describe the transformative process I undertook with Vancouver-based collecting institutions. -
Vid Ingelevics
VID INGELEVICS (b. 1952, Toronto Canada) Vid Ingelevics is a Toronto-based visual artist, independent curator, writer and educator at Ryerson University. His artworks and curatorial projects have been exhibited across Canada, in the United States, Europe and Australia. His writing has appeared in numerous publications in Canada and Europe. EDUCATION MFA (Visual Arts) York University, Toronto SOLO EXHIBITIONS 2017 The Mobile Ruin, Art Gallery of Harbourfront, Toronto The Labour of Commemoration, Prefix Institute of Contemporary Art, Toronto Great Lake/Small City II, public art installation, (video) Oxford Art Tablet, Contact Photography Fesitval, Toronto 2016 Zertifikat, public art installation, Artscape Youngplace, Toronto 2014 Freedom Rocks: Los Angeles, Camera, Toronto (video screening) Freedom Rocks: Los Angeles, Goethe Institute, Los Angeles (video screening & exhibition) 2013 Between art & Art, Stephen Bulger Gallery, Toronto 2009 Freedom Rocks, Embassy of Canada, Berlin; Consulate of Germany, Toronto (publication) hunter/gatherer, Oakville Galleries, Oakville; Art Gallery of Peterborough, Peterborough; Thunder Bay Art Gallery, Thunder Bay 2008 hunter/gatherer, Southern Alberta Art Gallery, Lethbridge; Tom Thompson Gallery, Owen Sound (catalogue) 2007 The Metropolitan Museum of Edward Milla, Gales Gallery, York University, Toronto 2006 Inconvenience Store, Convenience Gallery, Toronto Platform, Stephen Bulger Gallery, Toronto + video screening, En attendant Godard, Camera, Toronto 2004 Platform, public art installation, Museum subway