Epa Report on Contaminants & Remedial Options Selected

Total Page:16

File Type:pdf, Size:1020Kb

Epa Report on Contaminants & Remedial Options Selected EPA,5<1G, a-95/512 July 1995 n CONTAMINANTS AND REMEDIAL OPTIONS AT SELECTED METAL-CONTAMINATED SITES by Battelle Columbus Division Columbus, Ohio 43201-2693 Contract No. 68-CO-0003 Work Assignment 41 Project Officer Michael D. Royer Technical Support Branch Superfund Technology Demonstration Division _ National Risk Management Research Laboratory Edison, New Jersey 08837 NATIONAL RISK MANAGEMENT RESEARCH LABORATORY OFFICE OF RESEARCH AND DEVELOPMENT U.S. ENVIRONMENTAL PROTECTION AGENCY CINCINNATI, OHIO 45268 $& Printed on Recycled Paper NOTICE This review'of contaminants and remedial options at selected metal-contaminated sites summarizes information collected from U.S. Environmental Protection Agency (EPA) programs, peer-reviewed journals, industry experts, vendor data, and other sources. A variety of potential candidate treatment technologies are described as advisory guidance to assist in identifying feasible treatment technologies. The information in this document has been funded in part by EPA under Contract No. 68-CO-0003, Work Assignment 41, to Battelle (Columbus Division). It has been subject to the Agency's peer and administrative review, and it has been approved for publication as an EPA document. Mention of trade names or commercial products does not constitute endorsement or recommendation for use. Compliance with environmental and occupational safety and health laws is the responsibility of each individual site manager and is not the focus of this document. FOREWORD The U.S. Environmental Protection Agency is charged by Congress with protecting the Nation's land, air, and water resources. Under a mandate of national environmental laws, the Agency strives to formulate and implement actions leading to a compatible balance between human activities and the ability of natural systems to support and nurture life. To meet these mandates, EPA's research program is providing data and technical support for solving environmental problems today and building a science knowledge base necessary to manage our ecological resources wisely, understand how pollutants affect our health, and prevent or reduce environmental risks in the future. The National Risk Management Research Laboratory is the Agency's center for investigation of technological and management approaches for reducing risks from threats to human health and the environment The focus of the Laboratory's research program is on methods for the prevention and control of pollution to air, land, water, and subsurface resources; protection of water quality in public water systems; remediation of contaminated sites and groundwater, and prevention and control of indoor air pollution. The goal of this research effort is to catalyze development and implementation of innovative, cost-effective environmental technologies; develop scientific and engineering information needed by EPA to support regulatory and policy decisions; and provide technical support and information transfer to ensure effective implementation of environmental regulations and strategies. This publication has been produced as part of the Laboratory's strategic long-term research plan. It is published and made available by EPA's Office of Research and Development to assist the user community and to link researchers with their clients. E. Timothy Oppelt, Director National Risk Management Research Laboratory ABSTRACT This document provides information that facilitates characterization of the site and selection of treatment technologies at metal-contaminated sites that are capable of meeting site-specific cleanup levels. The document does not facilitate the determination of cleanup levels. This document will assist Federal. State, or private site removal and remedial managers operating under Comprehensive Environmental Response, Compensation, and Liability Act (CERCLA), Resource Conservation and Recovery Act (RCRA), or state regulations. This document focuses mainly on the metalloid arsenic and the metals cadmium, chromium, lead, and mercury. Other metals are discussed, particularly those that have a strongly favorable or unfavorable influence on the performance of a treatment technology. The remedial manager faces the challenge of selecting remedial options that meet established cleanup levels. A wide range of physical, chemical, and thermal process options are available for remediation of metal-contaminated sites. These options can reduce mobility, reduce toxicity, or allow separation and concentration of metal contaminants. No single process option can remediate an entire metal-contaminated site. The remedial manager must combine pretreatment and posttreatment components to achieve the best performance by the principal process option. This document Is designed for use with other remedial guidance documents issued for RCRA, CERCLA, and/or State-mandated cleanups to accelerate the remediation of metal-contaminated sites. Sections describing contaminants at metal-contaminated sites and the behavior, fate, and transport of metals in the environment are provided to assist the remedial manager in identifying the matrix and chemical species likely to be present. The section on remedial options outlines the arrangement of treatment trains to achieve performance levels. Technology performance data provided can help the remedial manager narrow options to those most likely to achieve site-specific cleanup goals. The descriptions of remedial options cover innovative and emerging technologies, as well as proven treatments. Some standard information sources on containment and water treatment technologies are indicated. These technology areas are not covered in this document because they are thoroughly discussed in other documents. This report was submitted in fulfillment of Contract No. 68-CO-0003, Work Assignment 41, by Battelle (Cdumbus.Division) under the sponsorship of the U.S. Environmental Protection Agency. This report covers a period from October 1,1991 to January 31,1994. Work was completed in May 1995. Final revisions were performed by Foster Wheeler Environmental Services, Inc., under Contract 68-C9-0033 and Science Applications International Corporation under Contract No. 68-CO-0048. IV TABLE OF CONTENTS Section • Page Notice .................................................................... ii Foreword .................................................................. iii Abstract ..................................................................... iv Figures ..................................................................... viii Tables ...................................................................... ix Abbreviations and Symbols ...................................................... xi Acknowledgments .............................................................xvi 1 Introduction ............................................................. 1-1 1.1 Purpose .......................................................... 1-1 1.2 Scope and limitations ................................................. 1-1 1.3 Organization ....................................................... 1-3 1.4 References ........................................................ 1-6 2 Origins, Uses, and Matrices of Selected Contaminants at Metal-Contaminated Sites ........ 2-1 2.1 Origin and Major Industrial Uses of Arsenic, Cadmium, Chromium, Lead, and Mercury . 2-1 2.1.1 Arsenic ..................................................... 2-1 2.1.2 Cadmium ................................................... 2-1 2.1.3 Chromium ................................................... 2-2 2.1.4 Lead ....................................................... 2-2 2.1.5 Mercury .................................................... 2-2 2.2 Overview of Sources of Contaminants at Metal-Contaminated Sites ................ 2-2 2.2.1 Stack Emissions .............................................. 2-3 2.2.2 Fugitive Emissions ............................................. 2-3 2.2.3 Process Solid-Phase Waste Materials ............................... 2-4 2.2.4 Sludges .................................................... 2-6 2.2.5 Soils ....................................................... 2-6 2.3 References ........................................................ 2-7 3 Contaminant Behavior, Fate, Transport, and Toxicity ............................... 3-1 3.1 Chemical Forms and Speciations ......................................... 3-1 3.1.1 Arsenic ..................................................... 3-2 3.1.2 Cadmium ................................................... 3-3 3.1.3 Chromium ................................................... 3-3 3.1.4 Lead ....................................................... 3-3 3.1.5 Mercury .................................................... 3-4 TABLE OF CONTENTS (CONTINUED) Section Page 3.2 Environmental Fate and Transport ...................................... 3-4 3.2.1 Arsenic ................................................... 3-7 3.2.2 Cadmium ................................................. 3-8 3.2.3 Chromium ................................................. 3-9 3.2.4 Lead ................................................... 3-11 3.2.5 Mercury ................................................. 3-12 3.3 Toxicity ........................................................ 3-13 3.3.1 Arsenic .................................................. 3-15 3.3.2 Cadmium ................................................ 3-16 3.3.3 Chromium ................................................ 3-16 3.3.4 Lead ..................................................
Recommended publications
  • CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 Email: [email protected]
    CURRICULUM VITAE MARGARET DRAGU 9871 Dyke Road Finn Slough, Richmond, BC, Canada; V7A 2L5 1-604-272-7239 email: [email protected] VERB WOMAN: mending aktion Western Front Dance Studio, Vancouver, BC; July 2010 CRAM Gallery, St. Catharines, Ontario, May 2010 Hamilton Artists’ Inc., Hamilton, Ontario; May 2010 Gallery Gachet, Vancouver, BC; August 2009 Centre A Gallery, Vancouver, BC; July 2009 VERB WOMAN: a kaleidescopic history Present Response, Gallery Lambton, Sarnia, Ontario; May 2010 VERB WOMAN: unraveling (romance & the anthemic) Not Sent Letters Project for Sparticus Books, Vancouver, BC; February 2010 VERB WOMAN: a dance of forgetting with Paul Couillard, LIVE ! Biennale, VIVO, Vancouver, BC; October 2009 MARGINALIA (Installation/Performance with Pam Hall of St. John’s, Nfld) Faucet Studio Residency, Struts Gallery, Sackville, NB; October 2008 Richmond Art Gallery, Richmond, BC, Sept – Nov 2008 LIVE! Biennale, grunt Gallery, Vancouver, BC, Nov 2005 LADY JUSTICE (PILLOWBOOK and various site-specific works) 2010 Peace Project, Richmond Women’s Centre/Memories Thrift Store, Feb 2010 ROSE Memorial for 20 th Anniversary Montreal Massacre, Vancouver, BC; Dec 2009 Richmond Art Gallery (with Payday Millionaire), Richmond, BC; September 2009 Revista Sin Texto: Dia Internacional del Reloj, South American Web, August 2008 Visualeyez Festival (Gallery Latitude 53), Edmonton, Alberta, July 2008 Hive 2 Festival, grunt Gallery & Magnetic North, Vancouver, BC, June 2008 grunt Gallery, Vancouver, BC, November 2007 Box Salon (The Rivoli), Toronto,
    [Show full text]
  • IMPULSE Peter Chin Robert Desrosiers Christopher House Darryl Tracy 2012 November 29 - December 1 & December 6 - 8
    Works by: Peggy Baker Marc Boivin IMPULSE Peter Chin Robert Desrosiers Christopher House Darryl Tracy 2012 November 29 - December 1 & December 6 - 8 Winchester Street Theatre 80 Winchester Street, Toronto Box Office: 416-967-6887 [email protected] schooloftdt.org IMPULSE 2012 Vivaldi’s Sacred Songs (1997, 2004) Choreography Robert Desrosiers Rehearsal Direction Patricia Miner Music Antonio Vivaldi • First section: 1997 Dixit Dominus RV 594 in D Andante: Tecum principium • Second section: 2004 Gloria RV 589 in D Allegro: Domine Fili • Third section: 1997 Gloria RV 589 in D Andante: Et in terra Pax Lighting Design Simon Rossiter Costume Design Jennifer Dallas Costume Construction Alexandra Mancini Dancers Nov. 29, Dec. 1, Dec. 7, and Dec. 8 Vanessa Faria, Juana María Galindo Torres, Léa Lavoie-Gauthier, Natalia Lisina, Colby McGovern, Miguel Perreault, Justin Poleon, Danah Rosales, Georgia Skinner, Darren Strong, Melissa Watt, Stuart Wright Nov. 30 and Dec. 6 Matthew Cuff, Vanessa Faria, Juana María Galindo Torres, William Hamilton, Léa Lavoie-Gauthier, Devon Lewis, Natalia Lisina, Colby McGovern, Marco Placencio, Justin Poleon, Danah Rosales, Georgia Skinner, Darren Strong, Melissa Watt, Stuart Wright Antonio Vivaldi was a true musical genius. It is always a joy and an honour to choreograph to his music, which will forever be a great gift to humanity. – RD 5 miles per second to elsewhere (November 29, 2012) Choreography and Direction Darryl Tracy Music Fennesz, Byetone, and Robert Lippok Videography Simon Johnston Lighting Design
    [Show full text]
  • Lin Snelling Most Recent CV
    LIN SNELLING: Associate Professor, Choreographer/Dancer, University of Alberta. 9737 112 St. #304, EDMONTON, AB T5K 1L3. 780 760 8215 6752 avenue CASGRAIN, MONTRÉAL, QUEBEC. H2S 2Z7 514-273-7789 Lin Snelling continues to investigate, perform and teach improvisation, which has cultivated an exploration into body and voice work in relation to dance and the spoken and written word. Lin has performed with Carbone 14 (1989-2001) touring extensively, both nationally and internationally. An interest in multidisciplinary art and re-invention fuels her choreographies; such as Woman as Landscape (1999) and Circle (2002) with collaborators Michael Reinhart and Josée Gagnon, Words Will Be Spoken/Echo with Hetty King (2000) and IAMMYOWNRAIN (2001) with Chantal Lamirande and Quell (2010) with Peter Bingham, Peggy Lee, and James Proudfoot. In addition, she has worked with choreographers and directors in Toronto, Montreal, Vancouver and Europe. In the spring of 2003 she shared the stage at L’Agora de la Danse with Andrew Harwood and Alexander Baervoets, in Blind, a Baervoets creation and part of the event Vooruit Danse en avant. She also performed in Baervoets creation Wachet auf, in October 2007 in Antwerp, Belgium. Limbes/Limbo a collaboration with Nathalie Claude / Momentum, and extinction, a collaboration with Michael Reinhart, were performed in 2004 at Usine C in Montréal. Her on-going performance/teaching collaboration with Guy Cools, called Repeating Distance, has travelled to Austria, Athens, Belgium, Cyprus, Montreal, and Holland. Dublin, Nanaimo, Toronto, and the UK. Her dance and music collaboration called loop thing with Michael Reinhart was part of Calgary’s Fluid Festival in October 2009.
    [Show full text]
  • Vid Ingelevics
    VID INGELEVICS (b. 1952, Toronto Canada) Vid Ingelevics is a Toronto-based visual artist, independent curator, writer and educator at Ryerson University. His artworks and curatorial projects have been exhibited across Canada, in the United States, Europe and Australia. His writing has appeared in numerous publications in Canada and Europe. EDUCATION MFA (Visual Arts) York University, Toronto SOLO EXHIBITIONS 2017 The Mobile Ruin, Art Gallery of Harbourfront, Toronto The Labour of Commemoration, Prefix Institute of Contemporary Art, Toronto Great Lake/Small City II, public art installation, (video) Oxford Art Tablet, Contact Photography Fesitval, Toronto 2016 Zertifikat, public art installation, Artscape Youngplace, Toronto 2014 Freedom Rocks: Los Angeles, Camera, Toronto (video screening) Freedom Rocks: Los Angeles, Goethe Institute, Los Angeles (video screening & exhibition) 2013 Between art & Art, Stephen Bulger Gallery, Toronto 2009 Freedom Rocks, Embassy of Canada, Berlin; Consulate of Germany, Toronto (publication) hunter/gatherer, Oakville Galleries, Oakville; Art Gallery of Peterborough, Peterborough; Thunder Bay Art Gallery, Thunder Bay 2008 hunter/gatherer, Southern Alberta Art Gallery, Lethbridge; Tom Thompson Gallery, Owen Sound (catalogue) 2007 The Metropolitan Museum of Edward Milla, Gales Gallery, York University, Toronto 2006 Inconvenience Store, Convenience Gallery, Toronto Platform, Stephen Bulger Gallery, Toronto + video screening, En attendant Godard, Camera, Toronto 2004 Platform, public art installation, Museum subway
    [Show full text]
  • Arts Explosion Summer Camp 2014 July 7-11, 2014
    Arts Explosion Summer Camp 2014 July 7-11, 2014 Program & Schedule* Orange Group (born 2008 & 2009) | 9:30 am – 12:00 pm Creative Movement with Laurel Koop Visual Art with Kelly Hopkins Singing & Storytelling with Shannon Kingsbury Red (born 2006 & 2007) & Blue Groups (born 2003, 2004 & 2005) | 9:30 am – 3:30 pm Hip-Hop with Lindsay Morris Theatre with Courtney Riddell Visual Art with Kelly Hopkins Contemporary Dance with Laurel Koop Green Group - Dance-focus (born 2000, 2001 & 2002) | 9:30 am – 3:30 pm Contemporary Dance Technique with special guest artist Robert Desrosiers Repertoire with special guest artist Robert Desrosiers Hip Hop with Lindsay Morris Visual Art with Kelly Hopkins *Program subject to change without notice. Contact the Guelph Dance office for the most up-to-date info. About our Special Guest Artists Robert Desrosiers, the Montreal-born dancer, choreographer, and director, has gained international renown as a choreographer of startling imagination and originality. He is a graduate of the National Ballet School of Canada and danced with the National Ballet of Canada before continuing to perform and train in France, England, the US and Canada. In 1980, Desrosiers formed “Desrosiers Dance Theatre” in Toronto. He was awarded the first Jacqueline Lemieux Prize 1981, and Jean A. Chalmers Award in 1985 for his innovative choreography, which is defined by its theatricality and imageries. Amongst his most acclaimed works is Blue Snake, which was commissioned by The National Ballet of Canada. The work premiered in 1985, and was subsequently performed at The Metropolitan Opera House in New York in 1988 and then featured in the 2002 Robert Altman film The Company.
    [Show full text]
  • 50Th Anniversary Season
    50TH 50 ANNIVERSARY SEASON 2017 / 2018 In 1968, three forward-thinking dance artists– Patricia Beatty, WELCOME TO TDT'S David Earle and Peter Randazzo– came together to establish a company and school that changed the face of Canadian dance. By encouraging innovation and collaboration, and acquiring a FIFTIETH ANNIVERSARY permanent home for the two organizations, they planted seeds for the creation of a vast repertoire of Canadian works –almost SEASON 500 at last count– and the development of generations of dancers and choreographers. TDT continues to be an incubator for the development of dance artists, from emerging to senior, as shown by this year's Glass Fields program at the Fleck Dance Theatre, by our second Emerging Voices Project, and by our special co-presentation with Toronto Heritage Dance. We have toured across Canada since our inception and performed in many of the great cities of the world including New York, London, Beijing, Tokyo, Seoul, Mumbai, Berlin and Mexico City. In this anniversary year, we travel to three cities in Colombia and perform in eleven Canadian cities coast to coast. Fifty years later, Toronto is a radically different city than it was in 1968. The company reflects the city back to itself by celebrating the power of community, the importance of critical engagement and the many ways that live performance can change our dialogue with the world. We have much to celebrate! None of it would be possible, this year or in the past, without the support of legions of donors, funders, volunteers, staff members and artists, and the love and attention of the audience.
    [Show full text]
  • Indigenous Dance Recordings and PNAAM
    Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver by Carolyne Clare Master of Museum Studies, University of Toronto, 2010 B.A. (Hons.), Concordia University, 2008 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences © Carolyne Clare 2020 SIMON FRASER UNIVERSITY Summer 2020 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Declaration of Committee Name: Carolyne Clare Degree: Doctor of Philosophy Repertoires for Supporting Sovereignty: Thesis title: The Protocols for Native American Archival Materials and Dance Information in Vancouver Committee: Chair: Clint Burnham Professor, English Peter Dickinson Supervisor Professor, Contemporary Arts Lisa Nathan Committee Member Associate Professor, Information University of British Columbia Allana Lindgren Committee Member Associate Professor, Theatre University of Victoria Dara Culhane Examiner Professor, Sociology and Anthropology Spencer Lilley External Examiner Associate Professor, Māori Knowledge Massey University ii Ethics Statement iii Abstract Repertoires for Supporting Sovereignty responds to the calls to action presented in the Protocols for Native American Archival Materials (PNAAM), which seeks to guide settler information communities towards building respectful relationships with Indigenous communities in order to enable Indigenous sovereignty over culture. My research focuses on how dance information, comprised of both archives and repertoires, is stewarded in Vancouver, and how such practices of stewardship can be transformed in order to respect PNAAM. To demonstrate how PNAAM might serve to inspire respectful information stewardship in Vancouver, I present two case studies that describe the transformative process I undertook with Vancouver-based collecting institutions.
    [Show full text]
  • Vid Ingelevics
    VID INGELEVICS (b. 1952, Toronto Canada) Vid Ingelevics is a Toronto-based visual artist, independent curator, writer and educator at Ryerson University. His artworks and curatorial projects have been exhibited across Canada, in the United States, Europe and Australia. His writing has appeared in numerous publications in Canada and Europe. EDUCATION MFA (Visual Arts) York University, Toronto SOLO EXHIBITIONS 2017 The Mobile Ruin, Art Gallery of Harbourfront, Toronto The Labour of Commemoration, Prefix Institute of Contemporary Art, Toronto Great Lake/Small City II, public art installation, (video) Oxford Art Tablet, Contact Photography Fesitval, Toronto 2016 Zertifikat, public art installation, Artscape Youngplace, Toronto 2014 Freedom Rocks: Los Angeles, Camera, Toronto (video screening) Freedom Rocks: Los Angeles, Goethe Institute, Los Angeles (video screening & exhibition) 2013 Between art & Art, Stephen Bulger Gallery, Toronto 2009 Freedom Rocks, Embassy of Canada, Berlin; Consulate of Germany, Toronto (publication) hunter/gatherer, Oakville Galleries, Oakville; Art Gallery of Peterborough, Peterborough; Thunder Bay Art Gallery, Thunder Bay 2008 hunter/gatherer, Southern Alberta Art Gallery, Lethbridge; Tom Thompson Gallery, Owen Sound (catalogue) 2007 The Metropolitan Museum of Edward Milla, Gales Gallery, York University, Toronto 2006 Inconvenience Store, Convenience Gallery, Toronto Platform, Stephen Bulger Gallery, Toronto + video screening, En attendant Godard, Camera, Toronto 2004 Platform, public art installation, Museum subway
    [Show full text]