Living Blues 2017 Festival Guide
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Bayou City Music Series Continues This Fall with Concerts at Buffalo Bayou Park, Discovery Greenâ and Emancipation Park
MEDIA CONTACTS Discovery Green: Whitney Radley, The CKP Group [email protected] / 832-930-4065 x 106 Emancipation Park: Lucy Bremond [email protected] / 832-883-1872 Buffalo Bayou Partnership: Trudi Smith [email protected] / 713-752-0314 x 103 FOR IMMEDIATE RELEASE August 15, 2018 BAYOU CITY MUSIC SERIES CONTINUES THIS FALL WITH CONCERTS AT BUFFALO BAYOU PARK, DISCOVERY GREENâ AND EMANCIPATION PARK HOUSTON, TX — The Bayou City Music Series resumes this fall with free performances at Discovery Green, Emancipation Park and The Water Works in Buffalo Bayou Park. The concert series, made possible by the Kinder Foundation, honors the great jazz, blues and zydeco musicians of Houston. The fall series kicks off with “The Soundtrack of the Gulf” at The Water Works in Buffalo Bayou Park on Saturday, Sept. 15. The great zydeco accordionist C.J. Chenier—son of the “King of Zydeco” Clifton Chenier—headlines this concert, which features opening performances by vocalist Annika Chambers, an - MORE - Page 2 Bayou City Music Series continues this fall Iraq war veteran whose powerful voice blurs lines between jazz and blues, and Archie Bell, former lead singer of Archie Bell & The Drells, whose early funk single “Tighten Up” topped Billboard’s R&B and pop charts in 1968. On Saturday, Oct. 13, the series continues with “Jazz in the Tre” at Emancipation Park. Acclaimed jazz pianist and composer Jason Moran headlines this concert. Moran, who grew up in Houston’s Third Ward, is Artistic Director for Jazz at the Kennedy Center in Washington D.C. and a 2010 MacArthur Fellow. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Guide to the Martin Williams Collection
Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Martin Williams Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COLLEGE CHICAGO CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Martin Williams Collection,1945-1992 EXTENT 7 boxes, 3 linear feet COLLECTION SUMMARY Mark Williams was a critic specializing in jazz and American popular culture and the collection includes published articles, unpublished manuscripts, files and correspondence, and music scores of jazz compositions. PROCESSING INFORMATION The collection was processed, and a finding aid created, in 2010. BIOGRAPHICAL NOTE Martin Williams [1924-1992] was born in Richmond Virginia and educated at the University of Virginia (BA 1948), the University of Pennsylvania (MA 1950) and Columbia University. He was a nationally known critic, specializing in jazz and American popular culture. He wrote for major jazz periodicals, especially Down Beat, co-founded The Jazz Review and was the author of numerous books on jazz. His book The Jazz Tradition won the ASCAP-Deems Taylor Award for excellence in music criticism in 1973. From 1971-1981 he directed the Jazz and American Culture Programs at the Smithsonian Institution, where he compiled two widely respected collections of recordings, The Smithsonian Collection of Classic Jazz, and The Smithsonian Collection of Big Band Jazz. His liner notes for the latter won a Grammy Award. SCOPE & CONTENT/COLLECTION DESCRIPTION Martin Williams preferred to retain his writings in their published form: there are many clipped articles but few manuscript drafts of published materials in his files. -
Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA
1 Número 33 – Febrero 2014 * CULTURA BLUES. LA REVISTA ELECTRÓNICA Índice Directorio PORTADA Blues Shock: Billy Branch & The Son Of Blues. Imagen cortesía de Blind Pig Records. Agradecimientos para el diseñador del arte: Eduardo Barrera Arambarri y al autor de la foto: Cultura Blues. La revista electrónica Tony Manguillo (1) ..………………………………………………………………….…………….. 1 “Un concepto distinto del blues y algo más…” www.culturablues.com ÍNDICE - DIRECTORIO ……..…………………………………………..….… 2 Esta revista es producida gracias al Programa EDITORIAL To blues or not to blues (2) ..…..………………….………… 3 “Edmundo Valadés” de Apoyo a la Edición de HUELLA AZUL Billy Branch. Entrevista exclusiva (3 y 4) .….….…. 4 Revistas Independientes 2013 del Fondo Nacional para la Cultura y las Artes DE COLECCIÓN Un disco, un video y un libro (5) ………………...... 7 EL ESCAPE DEL CONVICTO 20 grandes slides del blues eléctrico. Primera Parte (6) ................. 11 Año 4 Núm. 33 – febrero de 2014 Derechos Reservados 04 – 2013 – 042911362800 – 203 BLUES A LA CARTA Registro ante INDAUTOR Clapton está de vuelta, retrospectiva en doce capítulos. Capítulo once (5) ……………………………………………….………………………... 16 Director general y editor: José Luis García Fernández PERSONAJES DEL BLUES XI Nominados a los premios de la Blues Foundation (5) ………….......…..21 Subdirector general: José Alfredo Reyes Palacios LÍNEA A-DORADA Llegará la Paz (7) ....................................... 26 Diseñador: José Luis García Vázquez COLABORACIÓN ESPECIAL I Tres festivales de Blues en el centro del país Pt. III (8)…………...…..….29 Consejo Editorial: CULTURA BLUES EN… Luis Eduardo Alcántara Cruz Hospital de Pediatría. CMN Siglo XXI. Un camino acústico por Mario Martínez Valdez el blues. - Multiforo Cultural Alicia. Presentación del libro de María Luisa Méndez Flores Juan Pablo Proal: “Voy a morir. -
Lang's Musical Journeys Are Deep and Diverse Drawing
JEFF LANG “Lang’s musical journeys are deep and diverse drawing together dark blues and Celtic stomps, Hendrix inspired flourishes and unique experimentation - sonic alchemy” Rolling Stone “We’re treated to moody atmospheric textures, ripping electric lap-steel riffs, delicate acoustic picking, trippy backwards leads, oddball percussion, throbbing tremolo, and unconventional lyrics – all of which Lang blends like some crazed sonic alchemist.” Andy Ellis, Guitar Player Magazine, USA JEFF LANG Our story begins with one man, a van and a musicians in the world; Grammy award long road ahead of him. The dusty roads of winning master kora player Mamadou Australia...hundreds of gigs in tiny backwater Diabate, Chris Whitley (R.I.P.), Bob Brozman places in tiny backwater towns lead to (R.I.P.), Tete, Bobby Singh - tabla virtuoso, thousands of gigs across the globe...gracing Maru Tarang from Rajasthan. the stages of some of the most revered and With sixteen studio albums, three ARIA respected venues and festivals worldwide. awards (Rolling Through This World 2002, Things blend as they do, natural guitar talents Djan Djan 2011, Carried In Mind 2012), high with well over 10,000 hours playing results in demand for his evolved productions skills and an emotional virtuosity on the instrument the work ethic of someone in love with his art, acknowledged and respected worldwide. Jeff has carved his own mould from this world A musical curiosity based in the roots of of music. This is something which is uniquely music; blues, world, jazz... naturally lead to his own, a sound which is true and original, collaborations with some of the finest restlessly inventive and always surprising in the outcome. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
Fender Players Club Blues Bass
FENDER PLAYERS CLUB BLUES BASS TAGS & TURNAROUNDS A couple of features that have come into widespread use in playing the blues are "tags" and "turnarounds." TAGS A tag is simply a section, generally four bars, that’s repeated in order to prolong the blues, often to build excitement prior to the ending. In a live situation, tags can sometimes go on practically forever. Singers and instrumentalists alike use tags all the time. A typical performance (live or recorded) will adhere to the following sequence of events: 1. Introduction 2. Melody (played or sung) 3. Solos (generally the longest section, especially if it’s a large band) 4. Repetition of melody 5. Ending As a bass player, you need to be on your toes, watching (and listening!), especially after the reprise of the melody. If there is a tag, it’s going to be just before the ending. Sometimes there’s just no telling how long it will last. You need to be alert here, too, because you never know when the leader or singer will be ready to end the song. (Sometimes you may even wonder if they’ll ever be ready!) Here are a few tags to give you an idea of how they are used. The first four bars in each of the following selections represent the last four bars of a twelve-bar blues, in other words, measures 9-12. The tag section is played an indefinite number of times. See if you can get a friend to play the chords on guitar or keyboard so you can jam along. -
Sooloos Collections: Advanced Guide
Sooloos Collections: Advanced Guide Sooloos Collectiions: Advanced Guide Contents Introduction ...........................................................................................................................................................3 Organising and Using a Sooloos Collection ...........................................................................................................4 Working with Sets ..................................................................................................................................................5 Organising through Naming ..................................................................................................................................7 Album Detail ....................................................................................................................................................... 11 Finding Content .................................................................................................................................................. 12 Explore ............................................................................................................................................................ 12 Search ............................................................................................................................................................. 14 Focus .............................................................................................................................................................. -
Canada and Australia
CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities. -
March 2021 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans! Proud Recipient of a 2009 I just finished watching our Keeping the Blues Alive Award 2021 Musicians Relief Fund/ HART Fundraiser and I must 2021 OFFICERS say I thought it was great. I am President, Tony Frederickson [email protected]@wablues.org so grateful for the generous Vice President, Rick Bowen [email protected]@wablues.org donation of the musical talents Secretary, Marisue Thomas [email protected]@wablues.org of John Nemeth & the Blues Treasurer, Ray Kurth [email protected]@wablues.org Dreamers, Theresa James, Terry Editor, Eric Steiner [email protected]@wablues.org Wilson & the Rhythm Tramps and Too Slim & the Taildraggers! 2021 DIRECTORS It was a good show and well worth reviewing again and again if Music Director, Open [email protected]@wablues.org you missed it! Also, a big shout out to Rick Bowen and Jeff Menteer Membership, Chad Creamer [email protected]@wablues.org for their talents for the production of this event. I also want to say Education, Open [email protected]@wablues.org “Thank You” to all of you who made donations! If you are looking Volunteers, Rhea Rolfe [email protected]@wablues.org for a little music to fill some time this would be a great three-hour Merchandise, Tony Frederickson [email protected]@wablues.org window and any donations you might be able to make would be very Advertising, Open [email protected]@wablues.org much appreciated. If you are interested go to our new YouTube page (Washington Blues Society) and check it out. -
Jazz Jams at the Judge's Bench in Ellicott City
October 2016 Jazz Jams at the Judge’s Bench in Ellicott City ..........................................1 Jazz Jam Sessions ........................................................................................ 2 BALTIMORE JAZZ ALLIANCE What’s It Like Playing Music in Restaurants? ........................................... 3 Todd Marcus: 2016 JJA Baltimore Jazz Hero ............................................ 4 BJA Member Notes, Benefits and Products ............................................ 10 Ad Rates and Member Sign-up Form ...................................................... 11 OCTOBER 2016 VOLUME XIII ISSUE VII THE BJA NEWSLETTER WWW.BALTIMOREJAZZ.COM Mike Weber David McGarvey Jim Deshler Jim Martino Charlie Schueller & Tom Kitchen Franklin Wade PHOTO CREDIT: LIZ FIXSEN Jazz Jams at the Judge’s Bench in Ellicott City By Liz Fixsen and is held on the first Tuesday of each Meetup. He is a regular participant at Main Street in historic Ellicott City has month from 8:30 pm until midnight. It’s Django in June. been pretty quiet since the flood disas - an informal jam—there’s a sign-up sheet, Kitchen has played both jazz and ter in July. The picturesque town has but it is mostly for the purpose of intro - classical in a variety of venues in and long been a popular destination, with ductions. The house band will usually around DC. In addition to the Judge’s its historic buildings crowded along warm up with a few tunes and then in - Bench, he also works with his own Main Street among the steep, rocky vite jammers as they appear. For the most quartets, trios, and duos, including The cliffs, and with the rushing Patapsco part, the band focuses on tunes from the Slightly Strange String Duo and The River on its east end. -
Orange Blossom Blues Society All Rights Reserved
Orange Blossom S p e c i a l E d i t i o n “ T o P r e s e r v e , P r o m o t e a n d P r e s e n t B l u e s M u s i c i n t h e O r l a n d o R e g i o n ” V O L U M E 4 , I S S U E 1 - J u n e 2 0 0 7 J A N U A R Y - M A R C H , 2 0 0 8 In This Issue MESSAGE FROM THE PRESIDENT THE EDITOR’S PEN: A RECAP OF 2007 ZAC HARMON IGNITES MCWELLS Goin’ to BACKSTAGE AT THE IBC CENTRAL FLORIDA IBC: REFLECTIONS BLUES TALENT JOEY GILMORE IN ORLANDO BLUES FOUNDATION ANNOUNCES 2008 MUSIC AWARD NOMINEES Memphis! CURFMAN TEARS IT UP AT BALDWIN’S TAKING THE TORCH PINETOP PERKINS HITS BIG IN 2008 GRAMMY AWARDS OBBS MEMBER WINS CRUISE NATIONAL WOMEN IN BLUES EDITOR: Zaida Zoller CONTRIBUTORS: Ben Basile Daryll Davis Peter “Blewzzman” Lauro Wayne Valzania Jerry Waller LAYOUT: Susan Baumann Brian Birkhofer Design Advertising: For rate info contact [email protected] Copyright © 2008 Orange Blossom Blues Society All rights reserved S e e IIB C d e t aiills b e g iinniin g on Pa g e 5 ! 2 O r a n g e B l o s s o m B l u e s S o c i e t y MESSAGE FROM THE PRESIDENT JERRY WALLER ? s t n e v e g n i m o c p u t m u o o c .