DOCSLIB.ORG

BEATLES-Rubber-Soul-.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BEATLES-Rubber-Soul-.Pdf DRIVE MY CAR w ....... 14 ..... loy ....... IA ..no .. & h ... NeC.,... , . G'-W>o ' 96S_~ __ to """ ""-It """".... n Fut.- P>io<o toM. t.-. W~ ". R...... I\........!..........-C...,.. s.. ...... Moderately, with a be:lt I Asked a girl whut she 2. told the: girl lh~1 my 3. told thai girl I could i Want - ed 10 be, __ sa id "n3 by. pros · peels were good, __ A"d said "n " by. it'~ Stall right a way. __ A"d $aid "Lis - len babe, SO< p, IIIiII C" ,fl YOII see? _ _ wan - lIa be fam , un . dc, slood. __ w,~ ins for some - thing 10 s:ty: I SOl no ,od " '""'" ifs - !Jon71A II of the screen. __ ,00 can do OO~ thing y riroc. __ , ,h~ ,00 heart, __ "" mol• '" , found driv "' ~~~ i twecn." _ time." _ "Ba - by. you can drive my c~r. start." _ } .'m 9l .Bm I! II!IiI I! YCij. 1'01 gOIl - Ita be star; __ Il" . by. you can drive Illy cm. _ , Ycah,_ Il'" diB.. -i •• • • "Sa· by. yoo can drive my car. _ _ Yes, rm gon- na be a SI ~ r: _ To CodaO OM. __ Inlly _ be ]"]1 love _ -,- Sa • by. you can drive my D -$-Coda D.S. a/COlla II (rerst! J) you. ..r II Beep. beep. mm beep beep. Ycah. ___ YOU WON'T SEE ME Word. a "".Ie I>y ....... "MO" & "".. , M<ca.... ey . (> C"f">'rl&h< ,~.\ -..,,,,. ~ ~ ......, " " n o<'~ Me'" M"", l _ . d. 17 F"',m P, IK' ROO<!. lonOoo wo. "... R""" R<>""O<. """""_, C"9Y<itt>< $«_. Moderately, with a beat , II" IIF II I. When T call __ yoo up._ (2) _ why you _ , II )'our J have had __ sl:ould Hut I can't _ " F II IIIlI! So act your age. I' 10.>1 _ My hands arc lied. won't want _ - , " i II 1IIlIl [he time_ \hat was so hard __ to !irK!; _ 10 slay, _ J don't Il av ~ m~ h _ 10 sa)': _ "0< "" .' , II 1IIlIl my mind _ if you a·w"y __ and you won'l _ t;ee me . __ 0' Cl 0 " C7 or ~ " I 1IIlIl I' Ii I II' lill ~ ~ .' ,~ ~ yO' woo', me.- 2. J don'j know yo. won'l _ ~" ".. _- ! 'U-U r f , Ilf f f , II, f ~ • ~ .. • • .. Gm I ' you rc - fuse_ \0 ev· en lis - len. ___ , C7<u. II' would - n't mind _ if I knew _ what I _ was mis sing. 3. Though the days_ , fi' , 11 .-, I 11 ~ me few, they're- filled with tears; And since I , V , \. ! f l I f U I TF -F [;....J I I ' , ...., 11 ~Of lost you it ....,feels like years. Yes, it seems . 'h , ~ \ ~ F I Ir U I I C,..-J$i , I , - I ~ ~ B' , 11" I 11 I. sin ce you·ve _ been gone, _ And I just ii' ~ ~ can'! Co on _ if yoo won't-_ ote me, _ , I I 'r u"'r I 'U-U r f f ~'f f I , - - • .. 41- r F C; D· F 11 2~ 1lIllI Ii IIIIR 1lIllI 8lII 1lIllI yoo won't _ see me. won'\ _ sec mc._ 7 D· F r C; D· r .c • O' • Il I 11 I Ill!!! Il I 11 ~ ~ Yoo won'\-_ ~, me. -- f f I LJ~U r F • - • • F ". F 11 i I 11 R",u'aI wuJ Fade .-.- la b 00 la la la . " 1==" .' r ~r NORWEGIAN WOOD Moderately p~ IIIlII Ii G P. II i IIIlII once had girl. or should ( fn.,lrumenlal) • G IIiIiI she once h"d me; 51< shuwed me ,., " Nor • we· Ilian I. She 2. She Gm IIIII!' slay and ,'" lold me si, y . where. ,'"" worked in ,'" mom ing sliln 10 bugh. Gm IIIII!' So T looked a mu;K! and J 00 • ticed lhere I told her J did • n', and crawled off 10 0' I it ~ h "ir. Ihe bath. A"d G i j ,!r r r ir 1 J r r 1 j l IJ sat on a rug, bid _ ing my time, drink - ing her Wine when I a - woke This bird had flown. G j W, (<lI ked un - til two ;",(1 tben she said So I Iii a fire, is - nOt il good 1 J r 'G j IJ II Wood. - . I f I f I f I f ~_'EhP =,,- i rit. NOWHERE MAN Moderalcly E' E' I' II" I' nO · where man, sit - ting '" - hi.~ no - Wlere land, II" ' .11 - his no - where plans for no - bod· y. ,.E~ II' A' II' II I' I" ' F I !;; Docs- 0 '\ bavc _ " point of vicw, _ knows 00' where ".', go - ins ". - He's ~ bl ind _ ~ "- call .... - just =. what .. wants 10 = - " is - n't he _ ~ bit __ lik e you_ me? No - where man,_ no - where man,_ can you _ ,;cc mc_ all? No - where man, _ Gm l!IIl!' pleilse lis len: You don't know __ what you're don't wor - .y: Take your time, _ _ don't please lis - len : You don'l know __ what you're Gm Fon7 l!IIl!' II ii'" ~ # ~ your com - millld. (1/l,I"/r,mlC,,/ol) lends" you hand. Docs - n'l havc_ point of view, _ al your com" - mand. He's rcat " no - where man. _ " ~ \~ - ~ I ~"- ~ - A'_ A' .."' - ToCoda~ A~ I11III' I11III' I11III' I11III' ~ ~ I' kn[)w~ not where he's go • ing ,, - Is - n't h' _ bit _ like ),0-;;- and sit - ling ;, his no- where land. _ " ~. "!§f • • fsr ~ " • l'i' ll'i' D.S. al Coda . '- ~ '-- ~ • me? ~, No- where ma n. ) : l' 1-_) ~. ./ -- r • ~Coda A' A'm ..E~ I11III' I' I11III' ~- I ~ ... - his no· where plaItS '0. no· bod - )'. _ ff =11 f )-0" \', r ~r ~ • • • a • = A' A'm I11III' " I' I ' e'> ~- his no - where plans '0. no - bod - y. e'> 0 I \ ~ , W ~ ~ , e'> u 17 THINK FOR YOURSELF w•••• II M ..... .., Cieor!I. Ham..... Cl C_~ '''"_So<e>._k_oo f'tCA_~ n __ kooot.~~ "'~ko--o.---"!~ _ _ Moderately I. I've got a wow or 1 W(l~ 2. 1 left you far be · hilld _ 3. AI- though your mind's o-paque . • n' G I IIiIiI ~y , b<", __ [he things _ that do. 1\1 - ins 0' __ the life _ that had mind. think - ing more __ if jusl_ '0' sake. i You're tell - ing ,II those lies __ And though you still canol .'\CC, _ The fu - ture sri II looks good. _ " I" if __ .. a - boUI the things thal _ .. ,~-- have close _ I know your rnind's_ made "P, _ yoo'ro causc _ more mis - tirnc __ fy __ ,"II <h' _ things thm _ and you've got -- " ree Ii "" 'Y".- } y.-­ whm you want 10 "', - - ~hou ld . _ Q.l II Think for your- sclr. 'cause " ToCoda~ IL2Hi '--- 1_ won'! be there with you ____ r DS (// Coda ~ I%E you. \~ UUh i~ r (\)urrrr uunu ~ ~ I ~ , j ~ ~ - ." ." . (j)-Codu i Think for your. ""If, 'cause ',- 1_ WOIl'! be there with you. _ _ ) .. THE WORD wo ...... "uOOC .,- ....... "'.. .. _ .. ..... , McCan_y_ ~ c..,.. .... IKS No.-.. s..c-. ___ to OIC;A_~ 11~""'. 1loM.~Wi. AI"..... ___~ ... SOC ...... Moderately, with a beat 'll II Say Ihe \.3. word and you'll be 2. word and you'll be 4. word a chance 10 say 1he ~'" and be like mo. Say the spread the '0"' and be like mo. Spread the 1ha1 Ihe word IS jusl Ihe way. It's lhe <:u i II '0", I'm think - ins have the word is .oro I'm think . ins have }'<lUyou heard? :==== the word IS .... I'm think· ins A"" lhe on ty word IS " i it's ~un - shinc, __ it's the word I. the be - gin - ning mis - un - dcr ­ 2. Ev - 'ry - where I go hear it said, _ 3. Now that I know wh:tt feel must be right, __ ",W I've go, it, ,", word ,ood. _ 2. Spread the "0' ,", good and the b,d book< that , huvc" fe"d. __ 3. Soy the ", meall ~ show ,0 ·'Y bOO - Y ,h, light. _ 4 . Give ,", • "love." _ _ _ Say tile word "love." _ _ _ Say lhe i i ··love." __ Suy Ihe word "!ovc:· __ Say lhe Gm ."" II' I i ··love. " __ Gm "G Gm7 II' II II' i MICHELLE Moderately 1'",6 i II II" I F D" II I 'The$e are words lh~1 go !O • geth - cf • <;; • , Il I" II my Mi cheHe. _ Mi chelle, rna bene, Mi chelle, ma belle, , sont Ic" <nuts qu! VOn! Ires I I en seuble, IIis bicn en - semble. sont les mOls qUI vonl tr~s bien en scnble, Ir~s bien en - semble. Fm 11 love YOll, love you. love you; That's all T want 10 say. need 10, need 10, need 10; 1 need to make you ;;ce. C 7>u, ,c:, Fm? Fmf> 1IllI!' 11 11 I Un - til find will say <h, 00 'y words know Ih"l whal 10 me _ , [ 'Ill alt. you mean " way .. ~======:..--' "" Iii do. hop - in! you will O ~", .j7IF , lI' 1'. II'. 11 you'll UI1 - der stand. melll. love you. kn ow what , " DO ,. I I I'm c· 11 Ii I'll sel 10 YOli some - how.
Load more

Recommended publications
  • Canadian Beatles Albums Identification Guide Updated: 22 De 16
    Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo.
    [Show full text]
  • Rubber Soul – Hawaii's All Beatles Tribute Band
    RUBBER SOUL – HAWAII’S ALL BEATLES TRIBUTE BAND FOR BOOKINGS CALL (808) 741-7529 or contact [email protected] BAND BIO: The current lineup includes: • James Roberts as Paul McCartney • Steve McClellan as John Lennon • Phil Daher as George Harrison • Larry Lieberman as Ringo Starr The band performs in costume (black suits) with authentic vintage instruments. Rubber Soul has been performing as Hawaii’s All-Beatles band for nearly 15 years, many of those years spent doing regular weekend gigs at the Hyatt Regency Waikiki, and was honored with a “Best of 2008” award from the editors of the Honolulu Weekly. All of the members have been playing in these roles for several years. SONG LIST: Rubber Soul performs music from all phases of the Beatles career, from the early days at Liverpool’s legendary Cavern Club through the psychedelic period and beyond. The band is known for playing almost any Beatles request audience members can think of. Here’s a list of some of the most crowd-pleasing favorites the band performs live: • I Want To Hold Your Hand • I Saw Her Standing There • If I Needed Someone • I’ll Follow the Sun • Here Comes the Sun • Can’t Buy Me Love • I Feel Fine • Help! • Paperback Writer • Norwegian Wood • While My Guitar Gently Weeps • A Little Help From My Friends • Should’ve Know Better • Blackbird • Glass Onion • “Abbey Road Medley” - from Mean Mr. Mustard all the way through to The End • Silly Love Songs • I’m Only Sleeping • The Night Before • Lucy in the Sky with Diamonds • Let it Be • For No One • Twist and Shout • Two of Us • Drive My Car • Lovely Rita (Meter Maid) • We Can Work It Out • Please Please Me • Nowhere Man • And I Love Her • If I Fell • Revolution • She Loves You • No Reply • Yellow Submarine • You’ve Got To Hide Your Love Away • ‘Til There Was You • Ballad of John & Yoko • I’m a Loser • Roll Over Beethoven • Day Tripper • Taxman • You Really Got a Hold On Me • Get Back • 1 After 909 • Every Little Thing • All Together Now • Sgt.
    [Show full text]
  • Authenticity Letter for Stereo Introducing The
    STAN “THE BEATLEMAN” PANENKA LETTER OF AUTHENTICITY MEGA RARE AUTHENTIC AND ORIGINAL VEE JAY RECORDS STEREO INTRODUCING THE BEATLES “AD BACK” ALBUM! FINEST CONDITION COPY THAT IS KNOWN TO EXISTS ON THE PLANET!! The purpose of this letter is to certify the authenticity, historical importance and value of this example of a VEE JAY RECORDS STEREO INTRODUCING THE BEATLES “AD BACK” ALBUM. HISTORY OF THE INTRODUCING THE BEATLES LP On January 10, 1964, Vee Jay Records issued their Introducing The Beatles album. This is known as a version 1 album. THIS IS THE VERY FIRST US BEATLES LP! The first Introducing The Beatles album in the US contains the songs, "Love Me Do" and "P.S. I Love You." There are three variations of this album. The first variation is the “Ad Back”. The “Ad Back” variation has 25 assorted Vee-Jay albums by other artists pictured on the back of the cover. The next cover variation is the “Column Back”. Here the back of the album has two columns that list all of the songs on the album. The final cover variation is the “Blank Back”. Here the back of the cover is blank – all white with no printing. The “Ad Back” is the first variation and is considered to be the first US album. The “Column Back” variation is the rarest of the three. It is my opinion that the purpose of the “Blank Back” album which is the third variation was to get rid of as many version one discs as possible. Vee Jay Records lost a lawsuit and thus they did not own the rights to release the songs “Love Me Do” and “P.S.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • MTO 11.4: Spicer, Review of the Beatles As Musicians
    Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
    [Show full text]
  • Instamatic Memories : the Beatles in Minnesota
    InstamaticInstamatic MemoriesMemories The Beatles in Minnesota Lm^o^gK'Ah__[^\d I pZm\a^]ma^;^Zme^lpa^gma^jnZkm^mfZ]^bml maZmeho^pZlbg]^^]ZeeZ[hnmahe]bg`aZg]lZg]Z]hkbg` ]^[nmhgma^>]LneeboZgLahpbg?^[knZkr*2/-%Zl rhnklp^^ma^Zkmink^er' ]b]0,%0.)%)))hma^k:f^kb\Zgl'Beho^]ma^lhg`ÊLa^ Ma^;^Zme^laZ]Z]^^ibg×n^g\^hgma^[Z[r[hhf Eho^lRhnËZli^k_hkf^]hgebo^m^e^oblbhg[rma^_hnk `^g^kZmbhg%bmlfnlb\%Zg]bml\nemnk^%ghmhgerbg@k^Zm fhi&mhii^]fnlb\bZglÉma^ÖklmpZo^h_ma^;kbmbla ;kbmZbg[nmZelhbgma^Ngbm^]LmZm^l';hrl\aZg`^]ma^bk kh\d&Zg]&kheebgoZlbhgh_ma^NL:';^bg`Zefhlm**r^Zkl aZbklmre^l_khf\k^p\nmlmhho^k&ma^&\heeZkÊ;^Zme^;h[l%Ë he]%bmpZlZMOfhf^gm_hkf^mhk^f^f[^k%Z\a^^kr Zg]`bkellphhg^]ho^kma^?Z[?hnk%lbg`bg`;^Zme^l \hgmkZlmmhma^]Zr&ehg`_ng^kZeh_Chag?'D^gg^]rZ erkb\l%chbgbg`_Zg\en[l%Zg]mZibg`fZ`Zsbg^iahmhlh_ _^pfhgmal^Zkeb^kbg`kZrGho^f[^k'Hnkm^e^oblbhg ma^bk_Zohkbm^lhgma^bk[^]khhfpZeel'Pabe^ik^obhnl l^mhger`hmhg^\aZgg^e%D>R<&MO%Z<;LZ_ÖebZm^bg `^g^kZmbhglaZ]Zghbgm^]ma^bkhpglmZkl%ma^bgm^glbmr% FZgdZmh%[nmbmpZlma^kb`amhg^mh[kbg`Chag%IZne% l\hi^%Zg]fZllZii^Zeh_ma^;^Zme^lia^ghf^ghgbgZn& @^hk`^%Zg]Kbg`hbgmhma^ebobg`khhfh_hnk_Zkf& `nkZm^]Zg^p^kZbgihi\nemnk^'BgpaZmebm^kZkrl\aheZk ahnl^g^ZkFhk`Zg%Fbgg^lhmZ'* Kh[^kmIZmmblhgaZl\Zee^]Êma^mkbnfiah_one`Zkbmr%Ë Frlblm^kCZgb\^aZ][hn`amma^-.&kifk^\hk]pbma kh\dfnlb\khl^mhlnik^fZ\rho^kab`a[khpmZlm^l' ÊBLZpA^kLmZg]bg`Ma^k^Ëhghg^lb]^Zg]ÊBPZgmMh FZgri^hie^_hng]ma^bk^o^kr]Zrebo^lmkZgl_hkf^]bg Ahe]RhnkAZg]Ëhgma^hma^k'La^Zg]Zghma^khe]^klbl& ma^Lbqmb^l%Zg]ghmhgerbgma^pZrmaZmm^^gZ`^klmZed^]% m^k%:g^FZkb^%ieZr^]mahl^lhg`lho^kZg]ho^kZ`Zbghg ma^bkebmme^ihkmZ[e^k^\hk]ieZr^knilmZbklbgma^bkkhhf'
    [Show full text]
  • Millennials Are Creating Unsafe Conditions on US Roads
    Economic Research: Millennials Are Creating Unsafe Conditions On U.S. Roads--But Not In The Way You Might Think Credit Market Services: Beth Ann Bovino, U.S. Chief Economist, New York (1) 212-438-1652; [email protected] Secondary Contact: Geoffrey E Buswick, Boston (1) 617-530-8311; [email protected] Table Of Contents Road To Nowhere (Baby, You Can) Drive My Car Little Deuce Coupe Freeway Of Love Go Your Own Way No Particular Place To Go I Can't Drive 55 WWW.STANDARDANDPOORS.COM/RATINGSDIRECT OCTOBER 19, 2015 1 1466580 | 302229998 Economic Research: Millennials Are Creating Unsafe Conditions On U.S. Roads--But Not In The Way You Might Think As banks, retailers, and consumer products companies continue their well-documented scramble to court so-called Millennials, the lifestyle choices of this newly adult generation are having a profound effect on a lesser-explored area of the U.S. economy: infrastructure. In the simplest terms, Millennials (which Pew Research defines as Americans born from 1982-2000, and called Generation Y by some) are driving less than older motorists did when they came of age--and when they do get behind the wheel, they are generally in smaller, more fuel-efficient cars. This, in turn, has curbed revenues from the federal gasoline tax, the primary source of funding for the Federal Highway Trust Fund, which is the backbone of the country's surface transportation infrastructure. This drop in funds available to construct and repair the country's infrastructure could, in Standard & Poor's Ratings Services' view, weigh on growth prospects for U.S.
    [Show full text]
  • Community Survey Regional Community Transportation Needs Assessment
    COMMUNITY SURVEY REGIONAL COMMUNITY TRANSPORTATION NEEDS ASSESSMENT MARCH 2017 Prepared By: TABLE OF CONTENTS Highlights ..........................................................................................................................................1 Overview ...........................................................................................................................................2 Sampling Approach ....................................................................................................................................... 2 Sampling Demographics ............................................................................................................................... 3 Park and Ride Services .......................................................................................................................6 Q3. Is Park and Ride Bus Service Located in Your Area? .............................................................................. 6 Q4. If yes, do you use Park and Ride service? .............................................................................................. 6 Q5. If yes, how often? .................................................................................................................................. 7 Q6. What are the primary strengths of Park and Ride service? .................................................................. 7 Q7. What are the main weaknesses of Park and Ride service? ................................................................... 9 Q8.
    [Show full text]
  • The Beatles Record Review
    WRITING ASSIGNMENT Record Review You are going to write a record review of an album that is deemed significant in Rock Music. A list of groups/artists can be accessed by clicking on link below http://www.rollingstone.com/ news/story/5938174/the_rs_500_greatest_albums_of_all_time Criteria: Title Page Name, word count, course number, section number, etc. Introduction: Write a biography of the group you're critiquing. This should include the year the group/artist began recording, a list of and year of recordings, billboard chart positions, and any awards, Grammys, etc. www.allmusic.com is a great source for biographical information. Section 1 You will need to include all of the specifics of the recording, record label, producer(s), year, and dates of recording. Listen to the album several times as if you were a record critic and write an overview of the album, i.e. style of music, mood, highlights, lowlights, etc. Here are some things to consider: Is there a unifying theme throughout the album? Are there contrasting themes? If so, what are they? Is there enough variety musically in your opinion? What is it about this album in particular that makes it stand out? Section 2 Pick four songs and discuss them in more detail. Discuss your likes and dislikes as we have in relation to the journal entries in class but you will need to go into more detail. Discuss any other elements you find compelling, i.e., imagery from the lyrics or lack thereof, the use of and/or role of instrumentation, tempos, solos, vocals, etc. Section 3 Summarize your experience.
    [Show full text]
  • The Beatles BC
    Last Updated: 29 Jn 20 If you have a copy of Introducing the Beatles that you are trying to identify ... search on this page for 1062. Beatles records in the United States are typically found on the Capitol or Apple label. But people often ask about records, such as Introducing the Beatles, which were released by companies other than Capitol/Apple. In these articles, I will attempt to discuss the history of Beatles recordings in the US which predate their Capitol contract. Known variations of those records will be listed, along with their approximate values. The first Beatles record released anywhere was "My Bonnie" and "The Saints," with the Beatles backing Tony Sheridan. This German record (Polydor NH 24-673) was issued in two forms (with a German intro or an English intro) and with a picture sleeve. [More information can be found in this article about the Beatles' association with Tony Sheridan.] "My Bonnie" was Tony's first record and his break into the record industry. As many people know, the word "Beatles" was considered difficult to interpret by Germans, so Polydor billed the artist as Tony Sheridan and the Beat Brothers (October 1961). From that point on, Tony's band was known as the Beat Brothers, which caused some confusion to later Beatles fans. In January of 1962, Beatles manager Brian Epstein began negotiating with Polydor to release "My Bonnie" in England. Because of his negotiations, the UK "My Bonnie" release (Polydor NH 66-833) showed the artist as "Tony Sheridan and the Beatles." The record sold modestly, apparently well enough to consider releasing it in America.
    [Show full text]
  • November 1987
    EDUCATION DRIVER'S SEAT Playing In Two or Four by Ed Shaughnessy 48 IN THE STUDIO Those First Sessions by Craig Krampf 50 ROCK 'N' JAZZ CLINIC Two-Surface Riding: Part 1 by Rod Morgenstein 52 CORPS SCENE Flim-Flams by Dennis DeLucia 66 MASTER CLASS Portraits in Rhythm: Etude #9 by Anthony J. Cirone 76 ELECTRONIC INSIGHTS MIDI System Interconnections by Jim Fiore 78 ROCK CHARTS Carl Palmer: "Brain Salad Surgery" by William F. Miller 80 Cover Photo by Michael S. Jachles ROCK PERSPECTIVES Ringo Starr: The Middle Period by Kenny Aronoff 90 RANDY CASTILLO JAZZ DRUMMERS' WORKSHOP Imagine this: You are at home with a broken leg, and you get a Your Drum Setup call to audition for Ozzy Osbourne. That happened to Randy by Peter Erskine 94 Castillo, and he got the gig. Here, he discusses such topics as SOUTH OF THE BORDER his double bass drum work and showmanship in drumming. Latin Rhythms On Drumset by John Santos 96 by Robyn Flans 16 CONCEPTS The Natural Drummer CURT CRESS by Roy Burns 104 Known for his work in Germany's recording studios and his CLUB SCENE playing with the band Passport, Curt Cress has also recorded Hecklers And Hasslers with Freddie Mercury, Meatloaf, and Billy Squier. Curt by Rick Van Horn 106 explains why the German approach is attracting British and EQUIPMENT American artists and producers. SHOP TALK by Simon Goodwin 22 Evaluating Your Present Drumset by Patrick Foley 68 PRODUCT CLOSE-UP DRUMMERS OF Pearl MLX/BLX Pro Series Drumkits by Bob Saydlowski, Jr 110 CONTEMPORARY ELECTRONIC REVIEW Korg DDD-1 Drum Machine CHRISTIAN MUSIC: by Rick Mattingly 112 NEW AND NOTABLE 124 PART 1 PROFILES John Gates, Art Noble, and Keith Thibodeaux discuss their PORTRAITS work with a variety of Christian music bands, and clarify what Thurman Barker Christian music is and what it is not.
    [Show full text]
  • Event Results Wisconsin Dells National Finals 2018
    Event Results Wisconsin Dells National Finals 2018 Overall Awards Petite Solo Rising Star 1st Overall Fireball Studio X...A New Generation of Dan Kiera Bland 2nd Overall Your Angel Studio X...A New Generation of Dan Patience Lisman 3rd Overall Drive My Car Dorr Dance Academy Annabelle Burchardt 4th Overall Salute Madison & Co. Dance Studio Addison Joynes 5th Overall Goody Goody Dorr Dance Academy Olivia VanderHoff 6th Overall A Dream Worth Keeping Dance Tech Studios Isabella Acker Shining Star 1st Overall Baby I'm a Star Studio X...A New Generation of Dan Jaelynn Gachett 2nd Overall Little Match Girl Studio X...A New Generation of Dan Kerrigan Mize 3rd Overall Love Bug White Bear Dance Center Sofia Morales Petite Duo/Trio Rising Star 1st Overall Let The Little Girl Dance Dorr Dance Academy 2nd Overall Divas QC Dance 3rd Overall Real Wild Child QC Dance 4th Overall Get Your Cape On QC Dance 5th Overall Party Girl Red River Dance Shining Star 1st Overall Can You Do This Red River Dance 2nd Overall Sarasvati Danaille's Dance Academy Petite Small Group Rising Star 1st Overall Lonely Goatherd S&R Dance 2nd Overall Stand By Me Studio X...A New Generation of Dan 3rd Overall Dance With Somebody Studio X...A New Generation of Dan 4th Overall New York, New York QC Dance 5th Overall Blue Suede Shoes QC Dance Shining Star 1st Overall The Last Unicorn Studio X...A New Generation of Dan Petite Large Group Rising Star 1st Overall Chihuahua S&R Dance Page 1 of 11 Event Results Wisconsin Dells National Finals 2018 2nd Overall I Feel Good S&R Dance 3rd Overall ABC's of Love Dorr Dance Academy 4th Overall Sh-Boom Dorr Dance Academy Shining Star 1st Overall Brave White Bear Dance Center Junior Solo Rising Star 1st Overall Stuff Like That There QC Dance Emily Hannon 2nd Overall Beautiful Baby Dorr Dance Academy Gabriella Henney 3rd Overall London Fpa Samantha Dowd 4th Overall Don't Worry About Me The Edge Tiffani Zinn 5th Overall Willow QC Dance Nora Cariveau 6th Overall Mr.
    [Show full text]