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Government Financial Statements for the Financial Year 2020/2021
GOVERNMENT FINANCIAL STATEMENTS FOR THE FINANCIAL YEAR 2020/2021 Cmd. 10 of 2021 ________________ Presented to Parliament by Command of The President of the Republic of Singapore. Ordered by Parliament to lie upon the Table: 28/07/2021 ________________ GOVERNMENT FINANCIAL STATEMENTS FOR THE FINANCIAL YEAR by OW FOOK CHUEN 2020/2021 Accountant-General, Singapore Copyright © 2021, Accountant-General's Department Mr Lawrence Wong Minister for Finance Singapore In compliance with Regulation 28 of the Financial Regulations (Cap. 109, Rg 1, 1990 Revised Edition), I submit the attached Financial Statements required by section 18 of the Financial Procedure Act (Cap. 109, 2012 Revised Edition) for the financial year 2020/2021. OW FOOK CHUEN Accountant-General Singapore 22 June 2021 REPORT OF THE AUDITOR-GENERAL ON THE FINANCIAL STATEMENTS OF THE GOVERNMENT OF SINGAPORE Opinion The Financial Statements of the Government of Singapore for the financial year 2020/2021 set out on pages 1 to 278 have been examined and audited under my direction as required by section 8(1) of the Audit Act (Cap. 17, 1999 Revised Edition). In my opinion, the accompanying financial statements have been prepared, in all material respects, in accordance with Article 147(5) of the Constitution of the Republic of Singapore (1999 Revised Edition) and the Financial Procedure Act (Cap. 109, 2012 Revised Edition). As disclosed in the Explanatory Notes to the Statement of Budget Outturn, the Statement of Budget Outturn, which reports on the budgetary performance of the Government, includes a Net Investment Returns Contribution. This contribution is the amount of investment returns which the Government has taken in for spending, in accordance with the Constitution of the Republic of Singapore. -
Community Policing in Singapore
COMMUNITY POLICING IN SINGAPORE by Mark Low Jian Neng A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Geography) THE UNIVERSITY OF BRITISH COLUMBIA (VANCOUVER) April 2012 ©Mark Low Jian Neng, 2012 ABSTRACT This thesis is devoted towards unpacking how community policing has been managed as a state discourse by the Singapore Police Force. Firstly, community policing is located within the historical context of a modernising Singapore. This begins with the need for crime prevention that was disseminated through decentralised neighbourhood police posts in the 1980s. With economic restructuring in the 1990s, community policing was rescaled to meet the changing demography of the population. Following an enhanced deployment of counter-terrorism discourse in the wake of 9/11, community policing was re-invented as part of a (re)bordering strategy to safeguard territorial sovereignty and social cohesion. Secondly, the methodology of community policing is visualised through the changing frames of the state-produced docu- drama, Crime Watch. As a television programme that has consistently raked in high viewership numbers for 25 years, Crime Watch texts deserve their fair share of critical scrutiny to reveal the means of community engagement by the state police. Thirdly, the personal networks of Volunteer Special Constables are studied for the insights that they can reveal into the work of policing one’s community. Personal interviews with sixteen volunteers provide the empirical data for analysis. Volunteers have committed much time and effort into performing the work of volunteer police officers. Mediating the boundaries between the police and the public, these volunteers translate community policing into practice in complicated ways that have not been adequately documented. -
Singapore Go
TAIPEIHONGKONGNGVANCOUV SHANGHAIBEIJINGSINGAPO TOKYOSINGAPORETOKYO WASHINGTONTAIPEIBEIJING HONGKONGSEOULLVANCOUVER HONGKONG TOKYO VANCOUVERSINGAPOREGO TAIPEI HONGKONGBEIJINGSHANGHAI TAIPEISINGAPOREHONGK VANCOUVERHONGKONG SHANGHAI SINGAPORE HONGKONGSEOULS LTOKYOYO VANCOUVER SHANGHAISINGAPOREESHANGHAI SEOULLSINGAPORESEOUL WASHINGTONTAIPEIHONGKONG HONGKONG SEOULLVANCOUVERTOKYO SHANGHAIHONGKONGTAIPEI SINGAPORE 2017 Raffles City 28 July to 21 August 2017 TTXS AROUND THE WORLD Ann Arbor, Beijing, Chicago, Daegu, Fukuoka, Fukushima, Hangzhou, Hong Kong, Los Angeles, Mexico City, 2007 2008 EXIT Festival and the Shanghai: Tian Tian Tian Tian Xiang Shang Tian Tian Xiang Shang VIA Festival Xiang Shang – Hong Exhibition in Singapore at Novel Hall Lane, Kong Creativity Taipei Exhibition cum Seminar 2012-2013 Cross Boundary – "Hong Kong + Japan: Tian Tian Xiang Beijing Design Week Art Lab of Museum Crossing Partnership in Shang: Creativity- 2013 – New Generation of Contemporary Art, Creativity" project – for-Community and Design Exhibition Shanghai "Tian Tian Xiang Shang" School Development statue exhibition-cum- Programme workshop 2016-2017 Tian Tian Xiang Shang Tian Tian Xiang Shang Workshop in Vancouver Tian Tian Fa Pau iSQUARE Exhibition Blank Boy Canvas Singapore Public Arts Exhibition Series Milan, Nanjing, Paris, San Francisco, Shanghai, Singapore, Taipei, Tokyo, Toronto, Vancouver, Washington D.C. 2010 2011 Hong Kong: Creative Tian Tian Xiang Shang International Children’s TTXS – Soliloquies and Ecologies – Business, Conceptual Comics Festival -
Emily of Emerald Hill: a Reaffirmation of Peranakan Culture
Asian Visual and Performing Arts, Part II Education About ASIA online supplement Emily of Emerald Hill: A Reaffirmation of Peranakan Culture By Coonoor Kripalani tella Kon’s Emily of Emerald Hill is one of Singa- pore’s most enduring plays. Written in English and interspersed with Singlish (colloquially spoken- English) expressions, this one-woman play recounts Emily’s life in the 1950s. Through her memories, the audience learns about the life, culture, and traditions of Sthe Peranakans, a group of overseas Chinese long-resident in Penang and Malacca, who adopted Malay language and culture. Known variously as Babas, Straits Chinese, Melaka Men, and Peranakans, this community made enormous contributions to economic and cultural life in the regions of Southeast Asia they inhabited. The visibility and dominance of this community lend a special character to the Chinese community of Singapore. The play is set in a traditional Peranakan mansion, based on Oberon, the home of the author’s grandparents. Emily’s memories conjure up the grand days of the patriarch, when the extended family lived under the same roof, until the time she is left as the sole occupant of the family home. The play gives the audience insights into the unique culture of the Peranakans in Singapore—their dress, food, lifestyle, family dynamics, and relationships. Performed numerous times both in Singapore and over- seas, Emily has become an icon of Singapore and a cultural signifier of the island state. In homage to this piece of work, the Peranakan Museum (PM) of Singapore held an exhibi- tion of the play and its various stagings, sets, and scripts.1 Lauding this effort, Margaret Chan, the first actor in Singa- pore to reprise the role of Emily, said, “Curating theatre is novel, and the Peranakan Museum (and so the Asian Civili- sations Museum) should indeed be congratulated for this vi- The Peranakan Museum held a special exhibition Emily of Emerald Hill: Singa- sion, which goes beyond the material culture associated with porean Identity on Stage, written in 1982 by Stella Kon. -
News Release for Immediate Release
News Release For Immediate Release Singapore brings a slice of colourful Peranakan culture to MIPTV 2009 Singapore, 20 March 2009 – Amidst a strong line-up of animation content and factual titles will be a slice of Peranakan 1 culture at international trade show MIPTV in Cannes, France this year. MediaCorp artistes Qi Yuwu and Jeanette Aw of The Little Nyonya will join the Singapore delegation at one of the world’s largest fairs for the buying and selling of audiovisual content to promote the 34-episode serial. Revolving around the trials and tribulations of a woman born of Straits-born Chinese or Peranakan heritage, the drama weaves Peranakan culture into its storyline, and brings to life some of the more intriguing aspects of this ethnic group. It became Singapore’s most- watched drama in 15 years when it aired late last year. The lead actors of the drama join a 10-company strong delegation at MIPTV to promote for sale and distribution a slate of 41 titles under the Singapore Pavilion, led by the Media Development Authority of Singapore (MDA). Headlining the slate is a strong line-up of animation co-productions, including three titles making their market debut. These include Dinosaur Train which is Big Communications’ collaboration with The Jim Henson Company, and supported by MDA. A children’s programme, Dinosaur Train has secured sales in Norway and Canada, with broadcasters from Nickelodeon Australia, Germany's Super RTL and 1 For centuries, the riches of Southeast Asia have brought foreign traders to the region. While many returned to their homelands, some remained behind, marrying local women. -
MEDIA RELEASE for Immediate Release
MEDIA RELEASE For Immediate Release SINGAPORE MEDIA FESTIVAL 2019 KICKS OFF WITH LOCAL PREMIERE OF ANTHONY CHEN’S WET SEASON SMF Festival Village to feature wide array of activities - Festival Premiere for HBO’s Folklore; Power Rangers and 501st Legions Cosplay Parades; In-Conversation with award-winning Director Naoko Ogigami, Meet and Greet sessions and media masterclasses SINGAPORE, 21 November 2019 – The sixth edition of the Singapore Media Festival (SMF) opened this evening with the highly-anticipated Singapore premiere of the 30th Singapore International Film Festival’s opening film, Wet Season. Held at the iconic Capitol Theatre, the opening event’s red carpet was led by award-winning Singapore filmmaker Anthony Chen, along with cast members Yeo Yann Yann, Yang Shi Bin, and rising star Koh Jia Ler. They were joined by international industry personalities like Stone, as well as local personalities like Constance Lau, Chen Tian Wen, Joanna Dong and Benjamin Kheng, among others. Deputy Prime Minister and Minister for Finance, Mr Heng Swee Keat, graced the occasion as Guest- of-Honour. From 21 November to 8 December, the Singapore Media Festival will gather thought leaders, content creators and talents from the global film, television, digital media and pop culture industries to celebrate the best of Asian storytelling. Hosted by the Infocomm Media Development Authority (IMDA), the Festival consists of the: Singapore International Film Festival (SGIFF), Asia TV Forum & Market (ATF) and ScreenSingapore, Asian Academy Creative Awards (AAA), Singapore Comic Con (SGCC) – this year’s new addition VidCon Asia Summit – a two-day event held in conjunction with SMF, and Festival Village at Armenian Street, an outdoor rain or shine event Over 50,000 thought-leaders, creative professionals, and members of the public from Asia and around the world are expected to be part of the festival this year, more than double the number last year. -
Singapore Motorshow 2019 Finishes with 56,000 Visitors
Headline : Singapore Motorshow 2019 finishes with 56,000 visitors Date : January 18, 2019 Media Title : Yahoo! Singapore News Section : Online Frequency : Daily Language : English URL : https://sg.news.yahoo.com/singapore-motorshow-2019-finishes-55-181447143.html Singapore Motorshow 2019 finishes with 56,000 visitors Danielle Ann Alvinology.com 18 January 2019 A record 56,000 visitors came to Singapore Motorshow 2019 at the Suntec Convention and Exhibition Centre, Organised by the Motor Traders Association of Singapore (MTA), visitors were treated to a display of more than 140 vehicles from 31 automotive brands and exciting stunt-driving performances by crowd favourite Russ Swift, sponsored by Subaru. Celebrity appearances from artistes like Crazy Rich Asians star Pierre Png alongside fellow celebrities, Desmond Tan and Zoe Tay, who participated in the various activities organised by exhibitors to help to Page 1 of 3 draw crowds. The event also showcased the latest driving technologies for improved safety features and the latest developments for Hybrid Electric Vehicle (HEV). On top of more than 25 vehicle launches and showcases, visitors to the Singapore Motorshow also had the chance to meet Mediacorp artistes and celebrities over the course of the event. Those that were present at the event include Jean Danker from CLASS 95; Denise Tan and Mike Kasem from GOLD 905 and Cai Wei Bin and Gao Mei Gui from YES 933; and other Mediacorp celebrities such as Rebecca Lim, Sheila Sim, He Ying Ying and Edwin Goh. Visitors also walked away from the Singapore Motorshow 2019 with fantastic prizes. Mr. Allen Te Kek Chin became the proud owner of a brand-new Subaru Impreza 2.0i-S through the lucky draw conducted by the MTA in collaboration with Subaru. -
Press Release
mm2 Asia Ltd. Co. Reg. No.: 201424372N 1002 Jalan Bukit Merah #07-11 Singapore 159456 http://www.mm2asia.com PRESS RELEASE MM2 ASIA ANNOUNCES 2MM TALENT HUB’S $38 VOUCHER FOR SHAREHOLDERS ° Networking platform for media and entertainment industry enthusiasts officially open ° To be eligible for the 2mm Talent Hub’s S$38 voucher, investors will need to be listed as a shareholder of mm2 Asia (SGX 1B0) as at 1 August 2017 at 5.00 p.m. SINGAPORE, 11 AUGUST 2017 – mm2 Asia Ltd. (“ mm2 Asia ”, “ mm2 全亚影视娱乐 有 限公司 ” or collectively with its subsidiaries, the “ Group ”), is pleased to announce the details for the 2mm Talent Hub’s S$38 voucher (the “ Voucher ”) giveaway to its shareholders. The Voucher is redeemable at 2mm Talent Hub. 2mm Talent Hub is a networking platform for media and entertainment industry enthusiasts. mm2 Asia Ltd. Co. Reg. No.: 201424372N 1002 Jalan Bukit Merah #07-11 Singapore 159456 http://www.mm2asia.com 2mm Talent Hub was officially launched on 23 May 2017. The official launch featured multi-talented comedian Mark Lee as host for the night, with performances by local talents Gurmit Singh, Suhaimi Yusof, Marcus Chin, Jack Neo, Wang Lei, Hui Ge, Naomi Yeo, Eric Ng and Jim Lim. The official launch was attended by media and entertainment professionals and executives and stars including Qi Yuwu, Tay Pinghui, Jesseca Liu, Vincent Ng, Ian Fang, Huang Biren, Shelia Sim, Michelle Chia, Irene Ang, Shaun Chen, Lee Teng, Zheng Geping and Hong Huifang. As a treat for its shareholders, mm2 Asia is offering a Voucher to all of its shareholders who are registered on 1 August 2017 as at 5:00 p.m. -
Examining the Urban Dimension of the Security Sector
Examining the Urban Dimension of the Security Sector Research Report Project Title: Providing Security in Urban Environments: The Role of Security Sector Governance and Reform Project supported by the Folke Bernadotte Academy (FBA) and the Geneva Centre for the Democratic Control of Armed Forces (DCAF) February 2018 Authors (in alphabetical order): Andrea Florence de Mello Aguiar, Lea Ellmanns, Ulrike Franke, Praveen Gunaseelan, Gustav Meibauer, Carmen Müller, Albrecht Schnabel, Usha Trepp, Raphaël Zaffran, Raphael Zumsteg 1 Table of Contents Table of Contents Authors Acknowledgements List of Abbreviations 1 Introduction: The New Urban Security Disorder 1.1 Puzzle and research problem 1.2 Purpose and research objectives 1.3 Research questions 1.4 Research hypotheses 1.5 Methodology 1.6 Outline of the project report 2 Studying the Security Sector in Urban Environments 2.1 Defining the urban context 2.2 Urbanisation trends 2.3 Urban security challenges 2.4 Security provision in urban contexts 2.5 The ‘generic’ urban security sector 2.6 Defining SSG and SSR: from national to urban contexts 3 The Urban SSG/R Context: Urban Threats and Urban Security Institutions 3.1 The urban SSG/R context: a microcosm of national SSG/R contexts 3.2 The urban environment: priority research themes and identified gaps 3.3 Excursus: The emergence of a European crime prevention policy 3.4 Threats prevalent and/or unique to the urban context – and institutions involved in threat mitigation 3.5 The urban security sector: key security, management and oversight institutions -
The Business Message by Chairman & Group Managing Director
GROUP STRUCTURE Avante Investment Pte Ltd Culina Pte Ltd Culina Products 100% 50% Sdn Bhd Culina Holdings Pte Ltd Culina Pte Ltd 100% 100% 50% Avante Marketing Pte Ltd Food Resources Pte Ltd 100% 100% British Master Time Pte Ltd 100% Emotus Pte Ltd Emotus Sdn Bhd 100% 100% Franck Muller Pte Ltd 100% Heirloom Restoration Services Pte Ltd 100% Heritage Distribution Pte Ltd 100% Parisian Time Pte Ltd 100% Quantum Communications Pte Ltd 100% Richburgh Holdings Pte Ltd 50% Sincere Watch Duty Free Pte Ltd Sincere Watch Limited 50% Swiss Master Time Pte Ltd 100% Times Legend International Pte Ltd 100% Sincere Watch Limited Avante Marketing (M) Sdn Bhd Sincere Watch Sdn Bhd Hong Kong Branch 100% 15% Sincere Watch Sdn Bhd 65% BVL Partner Co Ltd 49% Pendulum Ltd 49% 02 The Business Leoco Enterprise Limited 04 Message by Chairman & 75% Group Managing Director Sincere Brand Sincere Brand Pendulum Sincere Watch (Hong Kong) Limited Holdings Limited Management Limited Limited 08 Corporate Data 75% 100% 100% 100% 10 Group Structure Unisky Limited 11 The Retail Network 33.33% 12 Stepping Stones of Success Sincere Watch Co. Ltd 14 Sincere Haute Horlogerie 100% 18 Singapore 28 Malaysia 36 Thailand 40 Indonesia 42 Hong Kong & Shanghai 46 Taiwan 50 Korea 52 Financial Report THE BUSINESS Achievements are often measured with reference to time. and Sincere has used this understanding to segment its For more than 50 years, one man’s journey from a modest vast, diverse and comprehensive product range into three watch retail outlet in Singapore has weaved in lockstep distinctive series. -
Honouring the Multidisciplinary Team in Hospice Care
SEPTEMBER – NOVEMBER 2019 • MCI (P) 108/12/2018 Forming a community of care for patients Doing more together HONOURING THE MULTIDISCIPLINARY TEAM IN HOSPICE CARE PLUS Tips for caregivers 1 THE HOSPICE LINK • SEPTEMBER – NOVEMBER 2019 CHIEF EXECUTIVE’S NOTE Members’ Contacts Contents Alone, we can do so little. Assisi Hospice St Luke’s Hospital 832 Thomson Road, S(574627) 2 Bukit Batok Street 11, S(659674) T: 6832 2650 F: 6253 5312 T: 6895 3216 F: 6561 3625 www.assisihospice.org.sg www.slh.org.sg Together, we can do so much. [email protected] [email protected] Bright Vision Hospital Tsao Foundation iven the complexities of capability, the synergy to improve aspects of 5 Lorong Napiri, S(547530) 298 Tiong Bahru Road multimodality treatment activities for living, coping and functioning T: 6248 5755 F: 6881 3872 Central Plaza, #15-01/06, for patients, no one medical is achieved. www.bvh.org.sg S(168730) G [email protected] T: 6593 9500 F:6593 9505 professional can possess all In essence, it is all about care and support to tsaofoundation.org the necessary background to make optimal help such individuals through everyday living. Buddhist Compassion Relief [email protected] treatment decisions independently or avoid Similarly, The World Hospice and Palliative Care Tzu Chi Foundation (Singapore) 10 inevitable unconscious bias toward their own Day (WHPCD) 2019, a unified day of action, aims 9 Elias Road, S(519937) Changi General Hospital area of expertise. to celebrate and support hospice and palliative T: 6582 9958 F: 6582 9952 2 Simei Street 3, S(529889) 2 Members’ Contacts Therefore, the composition of our care around the world. -
Empowering Possibilities with More Reasons to Smile
EMPOWERING POSSIBILITESPOSSIBILITIES WITHWITH AA SMILESMILE AnnualAnnual ReportReport 2017/182017/18 INFOCOMM MEDIA DEVELOPMENT AUTHORITY EMPOWERING POSSIBILITIES WITH MORE REASONS TO SMILE INFOCOMM MEDIA DEVELOPMENT AUTHORITY ANNUAL REPORT 2O17/18 021 EMPOWERING POSSIBILITESPOSSIBILITIES WITHWITH AA SMILESMILE AnnualAnnual ReportReport 2017/182017/18 INFOCOMM MEDIA DEVELOPMENT AUTHORITY ABOUT IMDA The Infocomm Media Development Authority (IMDA) leads Singapore’s digital transformation with infocomm media. To do this, IMDA will develop a dynamic digital economy and a cohesive digital society, driven by an exceptional infocomm media (ICM) ecosystem – by developing talent, strengthening business capabilities, and enhancing Singapore’s ICM infrastructure. IMDA also regulates the telecommunications and media sectors to safeguard consumer interests while fostering a pro-business environment, and enhances Singapore’s data protection regime through the Personal Data Protection Commission. FOREWORD IMDA’s inaugural annual report captures our achievements and VISION milestones of the past year, and how it has worked to unify Singapore’s digitalisation efforts. Whether it is providing help for A dynamic Digital Economy and a cohesive Digital Society, driven different industries to jumpstart their digitalisation journeys, or by an exceptional infocomm and media ecosystem. creating new ecosystems, opportunities and capabilities for our digital future, IMDA is moving ahead with industries and people, to be a leading global node in Asia for this digital economy. MISSION Drive Singapore’s digital transformation with infocomm media. VALUES • Integrity • Collaboration • Innovation • Care & Respect 022 EMPOWERING POSSIBILITESPOSSIBILITIES WITHWITH AA SMILESMILE AnnualAnnual ReportReport 2017/182017/18 INFOCOMM MEDIA DEVELOPMENT AUTHORITY Creating Opportunities for More, Developing Nurturing digital talent in our community is CHAIRMAN’S the Next Generation of Future-Ready People a key element of being digitally ready.