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@SLUGMag SLUGMag.com youtube.com/user/SLUGMagazine

ABOUT THE COVER: In support of local businesses, SLUG illustrator Sam Sherrill scales spirited characters to the sizes of their hearts as they shop small, uplifting independent shops this holiday season. Little details celebrate the fine commercial fabric of SLC. Find more of Sherrill’s work on Instagram@samsherrill .

Austin Beck-Doss Mason McFarland

Contributor Limelight Contributor Limelight Contributing Writer, Editorial Intern Contributing Videographer

As a Contributing Writer, Copy Editor and Edito- Joining the SLUG team in 2019 as a Contributing rial Intern, Austin Beck-Doss shines at SLUG Videographer, Mason McFarland has played an through his careful eye and substantive editorial important part in documenting SLUG’s esteemed intuition. As witty as it is incisive and profound, local events. “I think the thing I like about contrib- Beck-Doss’ writing oozes a humanistic edge and finds uting to SLUG is being able to show off some of creative, accessible ways to highlight the people at the the more local artists and vendors,” says McFarland. heart of his stories. This month, check out his feature on Pam Pendersen of McFarland values shining light on local artists and creators through his vide- Central Book Exchange (pg. 36) and his entry on Cut Worms’ Nobody Lives ography, and in turn celebrating and promoting their work. Having shot for the Here Anymore in our group list of the Top Albums of 2020 (pg. 28). Whether semi-annual Brewstillery and Boo!stillery events, McFarland says, “My favorite is behind the scenes or our the front lines, SLUG is thrilled and honored to have Boo!stillery because [of] Halloween and [the] alcohol.” McFarland feels SLUG Beck-Doss as a consistent and reliable force on our Editorial team. has grown into something truly special for local artists, and as we continue to grow, we are grateful to have someone like McFarland recording it all!

Publisher: Illustrators: Marketing Intern: Sean Zimmerman-Wall, Eighteen Percent Gray Andrew Beck, Brett Ferrin, Erin Sleater Steve Goemaat, Sylvia Hollands, Taylor Hartman, Tyson Call, Brighton Metz, Chris Bodily, Brand Ambassadors: Executive Editor: David Sadler, Diana Garcia, William Swartzfager, Zaina Price Alex Topolewski, Alyssa Hendry, Angela H. Brown Garrick Dean, James Bible, Amberleigh Marshall, Brennen Durka, Jenn Olsen, Jordan Peterson, Contributing Writers: Dave Crespo, Hilary Packham, Associate Editor: Karly Tingey, Lawrence Magana, Alexander Coulombe, Alexander Ortega Ricky Vigil, Robin Namini, Joelle Bleiman, Kimberly Portillo, Arcadio Rodriguez, Austin Beck-Doss, Ryan Perkins, Samuel Sherrill, Lark Smith,Tim Kronenberg, Austin Doty, Avrey Evans, Managing Editor: Sarah Donnelly Zahra Alnasser Brittnie Gallegos, Corinne Bauer, Bianca Velasquez Danielle Susi, Emilee Atkinson, Photographers: Circulation Coordinator: Hannah McBeth, Jamie Christensen, Audrey Lockie Dylan Bueche Junior Editor: Bob Plumb, Jeanine Carmichael, Jeremy Cardenas, Copy Editors: CJ Anderson,Chris Gariety, Distro Drivers: Now Jesse Hawlish, Kassidy Waddell, Austin Beck-Doss, Colton Marsala, Dominic Jordon, Hiring! Kenz Waldon, Kimberly Portillo, Avery Evans, Benjamin Bigelow, Gilbert Cisneros, Jack Dawe, Ali Shimkus, Audrey Lockie, Lois Brady, Marina McTee, Jamie Christensen, Kaitlin Smith, Jayson Ross, Jessica Bundy, Austin Beck-Doss, Austin Doty, Mary Culbertson, Mekenna Malan, Marina McTee, Rachel Matunas, Jon Tinsley, John Barkiple, Dave Crespo, Halley Bruno, Nia Shaunce Morton, Palak Jayswal, Zane Hirschi-Neckel Kelly Williams, Logan Sorenson, Heather Holladay, Kimberly Portillo, Patrick Gibbs, Paul Zuniga, Maralee Nielson,Matt Nelson, Parker Scott Mortensen, Paul Zuniga, Russ Holsten, Sam D’Antuono, Editorial Interns: Nathan Gentry, River Rose Haggerty, Thayne Ekness, Tobias Berggruen, Theadora Soter, Alexis Perno, Austin Beck-Doss, Niels Jensen, Randy Roberts, Tommy Dolph, Tony Bassett Tim Kronenberg, Tim Schoof, Kimberly Portillo, Lois Brady Roberto Valdez, Scott Frederick, Westin Porter, Zach Lambros Talyn Sherer, ThatGuyGil, Senior Staff Writers: Cover Art: Sam Sherrill Tyson Call, Weston Colton Alex Blackburn, SLUG Magazine’s Official Podcast: SLUG Soundwaves Lead Graphic Designer: Ali Shimkus, Audrey Lockie, Videographers: Joshua Joye Ben Tilton, Ben Trentelman, Executive Producer: Maeve Reiss, Mason McFarland, Bianca Velasquez, Bill Frost, Angela H. Brown Nate Schwartz Graphic Design Team: Brian Kubarycz, Chris Hollands, Soundwaves Producer: Nick Ketterer, Community Development Connor Brady, Dean O Hillis, Parker Scott Mortensen Paul MasonSarah Nagel & Advertising Sales: Eric U. Norris, James Bennett, John Ford, Community Ad Designers: James Orme, Kamryn Feigel, Development Manager:johnford@ Kia McGinnis, Lauren Ashley, Christian Broadbent, slugmag.com Angela H. Brown: Mike Brown, Mistress Nancy, Dianna Totland, KJ Jackett, [email protected] SLUG HQ: Nick Kuzmack, Paige Zuckerman, Nick Ketterer, Ryan Peck 801.487.9221 Parker Scott Mortensen, Peter Fryer, Front-end Developer: Events Assistant: Rachel Jensen, Ryan Michael Painter, Katelyn Williamson Morgan Keller Ricky Vigil, Rio Connelly,

DISCLAIMER: SLUG Magazine does not necessarily maintain the same opinions as those found in our content. Content is property of SLUG Magazine—please do not use without written permission. 6 SLUGMag.com or Parker Yates, Founder and unique niche in the valley’s record stores, Owner of local record store Peasant- living up to Peasantries + Pleasantries’ motto ries + Pleasantries, opening up his own of serving “outer sounds past, present and shop was the logical culmination of a future.” While he does dip his toes into lifelong love for music and physical alt rock or other quasi-mainstream styles, media. Growing up, his parents Yates notes three styles that he prioritizes Fran Bountiful’s Pegasus Records, and more than many (if not all) other shops: his near-obsessive record collecting ’80s and ’90s Japanese music (such and a penchant for making mixtapes as city pop, environmental and new led Yates to expand his hobby into age music), ’80s and ’90s Italian a business. “[I was] having to minimalism and cataloged ethno- constantly sell my music collections graphic folk music from around the over and over again,” he says. “It world. “Those are three areas of got the point where, like, I could music that I really, really enjoy and make so much more money sell- I don’t really know a lot of other ing them myself. So I started doing people that really focus on that kind pop-ups and things at markets and By Audrey Lockie • [email protected] of stuff,” Yates says. friends’ businesses. It kind of quickly Photos by Bonneville Jones evolved into finally getting into a If the individuality of Yates’ music brick-and-mortar space.” selection feels distancing, his obvi- ous love for the music and the Now, Peasantries + Pleasantries sharing of sounds gives Peasant- exists in an austere converted ries + Pleasantries a genial warmth. duplex a few blocks from the 9th & “I’ve been in shops where I’m just 9th district, a cozy space with white completely blown away and overly walls and wood furniture that ooze intimidated, and you don’t want a refreshing serenity. The stock at to feel stupid or whatever and ask the store is relatively small but heav- questions,” he says, noting that ily curated, specialized in ambi- he hopes to entirely do away with ent and avant-garde music. As P + this pretension and instead offer a P developed, Yates found that his welcoming space to explore new musical knowledge didn’t immedi- and unheard music. When Yates ately translate to the realm of busi- talks about the abstract sounds pour- ness. “It’s really not hard to open ing out of the shop speakers and up your own business if you have lining its shelves, there’s a palpable the capital,” he says. “But with- excitement, a desire bordering on out going to business school [and] need to create a communal moment learning the financial backend of out of reveling in the beauty of the everything … I’ve had a couple of music at hand. friends who did it the same way, and it was just trial and error. You More than just musical enjoyment, just fuck up on some things, and though, Yates finds that the sounds you pay the price for it. And you stocked at Peasantries + Pleasant- write it down so you remember it ries serve a special purpose as the the next time.” world continues to metaphorically and literally crumble around us. On top of Yates’ brisk self-educa- With Peasantries + Pleasantries, Parker Yates offers a “Right now, it seems like with a lot tion, he’s involved himself in a global highly curated selection of records specializing in mini- of the inward reflection with all of community of independent record malism, new age and environmental sounds. this pandemic, bringing in a lot more stores that has proven essential in help- minimal and meditative music has been ing him find his footing. “I’ve built such huge for me, personally. I feel like that a wonderful network of friends and shops could benefit other people, especially,” he all over the country and even in Europe and says. “I hope to grab a few people here and in Japan,” he says. “The community’s pretty there and show them some cool stuff that amazing in that regard. You can find a lot of they’ve probably never heard.” like-minded people and … pick their brain for how to better run your business, but [you can] If you’re in the need of some musical balms, also do a lot of group buys with other shops,” head down to Peasantries + Pleasantries and the latter a necessary tactic in helping shave let Yates turn you on to the wonders coming down international shipping costs. from international labels like Soave and Séance Center or the meditative beauty of When it comes to the community of record artists such as Alice Coltrane or Alesan- stores in Utah, specifically, Yates consistently dro Pizin. To set up an appointment to visit communes with many of the other shopown- the store, DM Yates on Instagram @pleasant- ders absent of any cutthroat competition. lyslc, and keep an eye out for future develop- “It feels really welcoming here,” he says of ments, including tea and incense pairings to responses he’s received from the more weath- 807 S. 800 East, Salt Lake City accompany the soothing and expansive music ered shops. “The different shops here are Tue–Sat: 12–6 p.m. Sun: 12–4 p.m. housed in Peasantries + Pleasantries. doing enough different stuff that it makes it (Currently appointment only) work.” And what Yates offers is certainly a @pleasantlyslc

8 SLUGMag.com baklavas, each containing walnuts. One of the top-selling baklavas, the cranberry walnut, combines the tartness of the bursting, fresh fruit with the sweetened honey glaze. “It’s so beauti- ful,” she says. “The bright red of the cranberries is photogenic. Who wouldn’t want that on their holiday table?” Since Magalde consistently uses fresh, natural fruit in her pastries, she offers 12 seasonal flavors to encompass the year, includ- ing a traditional baklava, chocolate almond, peach cobbler, walnut and sugar plum.

By Jamie Christensen “Baklava isn’t just a food—it’s art,” Magalde [email protected] says. “I enjoy making food look beautiful. I enjoy presentation beyond taste. You want Photos courtesy of Sheer Ambrosia there to be a dilemma—people won’t want to eat it because it’s so pretty, but then they Rita Magalde of Sheer Ambrosia bakes delec- can’t handle it anymore, and when they take table baklava, a succulent dessert pastry their first bite, they’re glad they did because formed of crisp phyllo dough and drizzled it’s so scrumptious. This is an experience from with a honeyed sweetness or sugared syrup the minute you smell it.” To attain this perfect to hold it together. Chopped nuts mold each product, a lot of time goes into preparing and layer, and, once baked, the flaky dish crum- baking baklava. “It’s a time consuming prod- bles and melts on your tongue with a flavorful uct,” says Magalde. “I put 45 layers of phyllo duality of earthy walnuts and soaked honey. dough in every batch—you hand lay and hand With Sheer Ambrosia, Rita Magalde merges her butter 45 layers. I use real honey and butter—I southern roots with a Greek baklava tradition to Appropriately named, Sheer Ambrosia bakes use real quality ingredients, and that’s why create her unique pastries. food “fit for the gods,” says Magalde. Not any I’ve had the success that I’ve had.” Magalde’s business can slap such a title onto their store- delicious, inventive recipes and dedication to front and have it feel congruous. As someone the craftsmanship of baking baklava is how And each country has its own variation. Middle Eastern who has traveled far past her current home, Sheer Ambrosia maintains returning customers. baklava consists of rosewater and simple syrup, while in Draper, Utah, to better understand how food Greece they use honey. Since Iran and Turkey commonly and dessert is derivative of varying cultures Sheer Ambrosia began from Magalde’s home, use pistachios, their baklava is bright green. Magalde’s and identities, Magalde has earned the name- as it was more feasible than introducing a recipes and seasonal baklavas are all infusions of what sake. With baklava that is delivered across the brick-and-mortar at the time. But after eventu- she describes as the Greek way mixed with Southern United States, she has certainly mastered the ally moving Sheer Ambrosia into a storefront, traditions. “I use walnuts, almonds and pecans,” Magalde craft and ardently recognizes cooking and Magalde came to the conclusion that her busi- says of her own signature recipe. “It’s all inspired from baking as an art form, not just something that ness is meant to serve strictly online. Now, the Greek community where I learned to make baklava. tastes good and satisfies a craving. in the evenings and weekends after her day I’m from the South—my mother would make apple pies, job, Magalde transitions into baking baklava, peach cobbler and blackberry pies, so I combine my Raised in North Carolina, Magalde began her packing deliveries and sending them coast to Southern roots with the Greek baklava, [like] how I make baklava training in high school while working coast. She notes COVID-19 had a particularly a blackberry-walnut baklava.” for a Greek-owned seafood restaurant. As she strong impact on the business, with a severe became close with the family she worked for, initial decline in customer orders. As demand It’s due to Magalde’s avidity for history and combining her they taught her the art of baking baklava— eventually began to increase, Magalde hand travels with her roots that Sheer Ambrosia is so attractive. among other Greek dishes and pastries—which delivered (continuing to stay six feet away and “I’m a Black woman making baklava from Greek people in ultimately formed a deep appreciation for the wearing a mask) baklava orders around Salt the South …. History is alive and well,” she says. In addition dessert. Originally born in New York City, Lake with the desire to personally acknowl- to her signature recipes, other seasonal pastry concoctions Magalde notes an intrigue in culture and history edge and thank those who chose to support Magalde has created are the cranberry, apple and pear from an early age, having spent her time read- her, understanding it was her job as a business ing encyclopedias and developing a warmth owner to turn these one-time buyers into loyal for exploration. She says, “Early on, I knew I clientele. “I’ve been shown so much love from wanted to travel the world. Food was my entry- so many people across the nation,” she says. way into a lot of different cultures … You learn “I love nurturing people with my food.” so much about a culture through their food.” “The whole business is a story, and I love As a former History major who has traveled to telling the story of how this Black girl from South America and Europe, Magalde is well the South learned how to make baklava and aware of how one country’s culture may overlap turned her hobby into a business,” Magalde with and influence another’s, which is evident says. Check out Sheer Ambrosia’s website to in cuisine. She says, “It’s not all just black and order her personalized, gourmet baklava: white; cultures blend and mix, and it not only sheerambrosiabakery.com. shows in the language and dress, but in the food as well. My baklava is Greek-inspired, Sheer Ambrosia baklava is sweet and succulent, but it’s not just Greek. It’s Middle Eastern; it’s a winning combination of flaky pastry and North African; It’s Eastern European—there are stunning fillings. a lot of countries that call baklava their own.” From Indie Utah Businesses

While our holiday experience this year might look like a chapter out remains unaffected by these tumultuous times. As we search for the of a dystopian novel, we can all find common ground in our venture perfect item for that perfect someone, we want to do so safely and to make this year’s holiday season as normal as possible. Still, our invest our precious coin into people—not corporations. Here are heart’s genuine desire to practice the love language of gift-giving seven local creatives and their products that say “I didn’t forget you amid the chaos” in a perfectly handmade way.

Glitter Ransom etsy.com/shop/GlitterRansom

Hopefully this isn’t news to you, but we BS we have to deal with. It’s like a security should all be wearing face masks. Thank- blanket for your face.” fully, local artist Dominique LaJeu- nesse has designed a colorful and With over a decade under her belt, though, audacious collection of these protective Glitter Ransom’s masks are a recent addi- barriers through her Glitter Ransom brand. tion to her portfolio. Other wares include Adorned with all manner of pop culture her popular holiday ornaments, jewelry, icons, sly cult references and parodic send- magnets, mirrors and pretty much anything ups, Glitter Ransom products embody a love and everything else. “You name it—I’ve of all things cheesy and wonderful. “I love slapped glitter and jewels on it,” says LaJeu- really kitsch things mixed with pop culture,” nesse. So whether you need a face mask says LaJeunesse. “It goes back to my admi- featuring Lionel Richie or Rick Astley, ration of Liberace, John Waters, nostal- flashy ornaments with the likes of Larry gic action movies and icons.” David or Arnold Schwarzenegger or a Twin Peaks–patterned stocking, Glitter In addition to the obvious benefit of provid- Ransom is your one-stop shop. ing easy-access masks to the public, LaJeu- nesse embarked on her mask-making in LaJeunesse hopes, one day, to turn Glitter hopes that her glamorous flair would provide Ransom into her full-time gig, but until then, a balm for Utahns. “I’m very into creative she’ll keep plowing away. “For now, I’m just expression with clothing and accessories, having a fun—albeit sometimes chaotic— and I knew others out there would enjoy time creating things for people to enjoy,”

something a little less basic and boring,” she she says. Find more of LaJeunesse’s work Photo courtesy of Glitter Ransom says. “It’s been such an amazing expe- with Glitter Ransom, as well as a link to her rience to make someone’s day and just current product availability, on Instagram to make them feel better about all the @glitterransom. –Audrey Lockie

12 SLUGMag.com Davin Abegg Design Gloss + Shimmer davinabegg.tumblr.com glossandshimmer.com

With the Instagram handle @idrawran- posters, catalogs, tons of album covers and For the starry-eyed loved one who cher- As if her work isn’t potent enough on its own, domfollowers, Davin Abegg’s ide hustle whatever comes down the line, really. I love ishes all things glittery, striking and bold, it is also empowered by its mission to provide pulls observers in at first glance. Starting it!” he says. look to local wearables and home acces- wearable and accessible art to everyone. “I off as an experimental project to practice sory maker Gloss + Shimmer. The busi- try to be as inclusive as I can, and through- and improve on his digital painting, the Soon after starting this portraiture venture, ness is created, designed and operated by out this process, it’s taught me a lot!,” she simple goal of drawing five random follow- Abegg discovered the significance of what Morgan Rhyan, and her skills in graphic says. “Anywhere from tweaking my website ers a week unexpectedly ended up unfold- he is doing. “I’ve really enjoyed the heartfelt design, jewelry making and entrepreneur- so that everyone can be versed in its technol- ing into a profitable landscape. “I had no feedback from people that might have been ship shine as bright as her product does. ogy, providing custom one-offs to people that idea how it would grow,” he says. “I began having a bad day and to hear how much I “Gloss + Shimmer was born right when the only have one piercing, different findings for getting commissions pretty frequently [for] cheered them up from a random portrait I pandemic hit. It was by no means what I stretched/torn earlobes or even clip-ons for people wanting portraits of themselves, their posted of them,” he says.”It’s nice that I get had hoped entrepreneurship would look like, folks that don’t have any piercings. While family or their pets in my style,” a service that to do something to cheer up some folks a little but it was my fortunate means of survival,” doing that, I try to also find balance in repre- Abegg continues to offer. in these weird times.” she says. “My first collection launched on senting me as an artist and creative.” March 1 of 2020, and it’s been full speed Evidence of Abegg’s experience and careful When considering gifts for either the holi- ever since.” For this holiday season in particular, artistic direction are evident in each portrait. days or any other occasion, consider Rhyan’s Winter Dream earring collection While each is based on an already existing giving a gift that says “I like your face” Inspired by old animated films, music videos or her custom ornaments would be perfect image, it would be inaccurate to assume that with a commissioned portrait from @idraw- and nostalgia for all things ‘80s–’90s, Rhyan things to help bring in that holiday cheer. the illustrations halt at just a trace and color randomfollowers. “I sell them the original captures colors that dance together in hazy “They’re budget friendly, and super dura- fill. Abegg takes these illustrations into his 12x12 file of the piece. It’s usually three dreamworlds and brings them to life through ble since they’re lasered acrylic,” she says. own world, dictating the colors, gradients days or less turnaround, depending on her work. “Right now, I’m big on dream pop, Keep up with Rhyan and Gloss + Shim-

Photo courtesy of Davin Abegg and overall mood for each piece to depict how many I’m doing at the time,” Abegg vintage toys, glitter and all things fuzzy,” Rhyan mer’s creative evolution through her Insta- the individual as artistically as possible. says. Put in your order by direct messaging Photo courtesy of Gloss + Shimmer says. With the rhythm of her production gram @glossandshimmer and website. “I’ve been a freelance artist for over Davin on Instagram where you can follow humming alongside the beat of her inspi- –Bianca Velasquez 12 years and have had the oppor- him and possibly be randomly drawn! ration, Rhyan currently offers earring tunity to draw and design for chil- –Bianca Velasquez advent calendars, ornaments, stick- dren’s books, movie and concert ers and mirrored wall hangings.

Wave Coffee BE:LIGHT Candle Co. brewwave.co belightcandleco.com

Whether you’re a coffee fanatic or fiend, you coffee service provides a vital lifeline to Under the moniker BE:LIGHT Candle Co., nostalgias like Pipe Tobacco, refreshing Wave Coffee seeks to scratch that itch those staying at home. Having just launched Taylor and Matt Lamb create candles blends like Grapefruit & Mint or holiday without having you lift a finger. Started as in the fall of 2020, the Wave Coffee team with a cause. In addition to providing cozy favorites Pumpkin Spice and Blue Spruce, an offshoot of local design firmmodern8 , found an element of serendipity in these scents and atmospheric, naturalistic lighting, BE:LIGHT candles utilize natural ingredients Wave Coffee offers a to-your-door coffee- tumultuous times. “Coffee at home was much the Lambs seek to use their products to raise to create unforgettable scents, all housed in bean subscription service, stocking customers more important,” say Smith and Stevenson awareness about suicide prevention and an eco-friendly soy wax. with high-quality brew without any hassle. of their origins. instill their customers with a message of self- “No need to run to the grocery store with- love and togetherness. While BE:LIGHT products are available for out coffee in your pajamas … to get bad Currently, Wave offers two blends for deliv- order from their site, the Lambs urge custom- grocery-store coffee anymore,” say Wave ery: The Sweet Daze fruit blend and the “[We] want to ‘BE:LIGHT’ metaphorically ers to visit some of their local-business peers Coffee CEO Alysha Smith and COO Smooth Talk chocolate blend. The latter and literally, because our cause and our who carry the candles. They hope to “create Peter Stevenson. “You will always have option especially stands out for Wave products tie that together,” the pair says. anticipation and reason for consumers to fresh-roasted coffee on the counter.” Coffee, as they view its rich flavors as a cata- “Our company is a call to action in terms of travel to other nearby small businesses to lyst for connection. “A perfect holiday gift doing something during these crazy times ... find our products,” say the Lambs. Among Given their design-oriented origins, Wave’s [from Wave] would be a subscription to the and sharing the hope that is available amid their current local carriers are Salt & Honey products are appropriately sleek and eye Smooth Talk blend for someone you want to the chaos.” In addition to awareness-raising and Dancing Crane, but the list is constantly catching. Of this look, Smith and Stevenson share coffee with,” say Smith and Stevenson. speaking events, BE:LIGHT donates 15% updating and changing. say, “Our focus at Wave is to give people of their earnings to the AFSP [American great coffee at home in a package they Though Wave Coffee is still a nascent busi- Foundation for Suicide Prevention BE:LIGHT candles are products that serve as would be happy to have on the counter ness, the team have great hopes for what & Awareness] and are active members both a physical and symbolic embodiment of all the time.” The pastel-tinged packages, lies ahead. “Our hope for the future is for of the Utah Suicide Coalition. a shared communal message. “I think we have @TBZDPhoto the sleek website—everything about Wave people to have great coffee always on hand a lot of opportunities to build a team of people

Coffee screams ease of access and beauty for when a friend comes over for brunch,” CoffeePhoto courtesy of Wave When it comes to the physical candles, who are passionate about people, who love of presentation. say Smith and Stevenson. Find more infor- BE:LIGHT products range from 6 oz. ($20) candles,” they say. Find more information on Photo: mation on Wave Coffee through their to a three-wick 24 oz. ($60) and offer a BE:LIGHT and stay up to date on current stock- Especially as in-person shopping teeters website and on Instagram @brewwave.co. variety of homemade scents. From clas- ists on Instagram @belightcandleco. on the precipice of precarity, a mail-to- –Audrey Lockie sics like Indian Sandalwood to unique –Audrey Lockie

14 SLUGMag.com SaltLakeUnderGround 15 Yellow Yarrow Apothecary yyapothecary.com

There’s no question that this year has put herbs to add to my products. I create pretty more strain on our bodies than most others, much everything from scratch,” says Bruin. making self-care practices more important Whether you take home Yellow Yarrow’s than ever. With seasonal stress looming over botanical-infused oils or their herbal first us, we seek refuge in taking time for ourselves aid kit, you know that each purchase comes and in products that aid in relaxation, such guilt-free. ”For plant distillation, I donate or as those offered by Yellow Yarrow Apothe- exchange with other local efforts, such as cary. Founded in 2017, Yellow Yarrow offers Wasatch Community Gardens, for fresh laven- its patrons homegrown and handmade prod- der and other organically grown herbs,” ucts that focus on reliefand relaxation. Some she says. With products that interact with include sublingual and edible CBD, soaking our skin, it’s important to know that they are salts, massage oils and pain relief roll-ons. ”I safely tested. “I carefully quality test [and] really love creating an added value to some- select earth-safe packaging,” says Bruin. one’s life, whether that being relaxation, pain relief, happiness, soul soothing or just a In short, Yellow Yarrow offers options for all betterment of self care and enjoyment,” says types and preferences. “I provide gifts for Owner Erica Bruin. the sporty outdoorsy type, the frequent bath taker, the person needing some stress relief, Surprisingly, relaxation can prove to be chal- your friend that enjoys meditation, your lenging. Between knowing the quality of the grandma that’s in pain and tons of stocking product you are investing in and knowing stuffer options!” says Bruin. Visit their website that the ingredients are ethically sourced, or their Instagram @yellowyarrowapothecary Photo courtesy of Yellow Yarrow Apothecary Yarrow Photo courtesy of Yellow the venture to find the right massage oil or to learn more. –Bianca Velasquez soaking salts can end up feeling like an endless pit of research. “During the summer, I love organically growing and collecting my own

Local Artist Sticker Machine localartiststickermachine.com

If you’re privy to perusing independent Salt was born, a unique and substantive reali- Lake businesses, you’ve probably seen the zation of this dream. Local Artist Sticker Machines: classic red boxes with push-in quarter payments hous- More than just the in-store machines, ing a wealth of bite-sized stickers, each one though, stickers found in the Local Artist featuring work from Utah artists. Throughout Sticker Machines are also available via a few dozen locations in Salt Lake, a hand- shipments or subscription packages. These ful in Ogden and a pair in St. Louis and monthly subscription services come right Austin, respectively, these machines offer to your door and always contain updated a fun, bite-sized way to support your local stickers from new and exciting artists. “I arts community think that’s a fun gift because it’s not very expensive, but they get a new item in the For Founder and Owner Natalie mail every month,” says Allsup-Edwards. Allsup-Edwards (who also runs the Hand Drawn Photobooth), the genesis of So if you’re looking for a way to both support the Local Artist Sticker Machine was a life- your local creative community and give a time in the making. “I have been an avid gift to the art-nerd in your life, the Local sticker collector since I was a kid, and [I] Artist Sticker Machines are a great place to wanted to see more machines with unique start. “I think it’s valuable to create sustain- offerings instead of the typical licensed stuff able support for artists of all kinds,” says @blobbosoft you see (like Disney and NFL stickers),” she Allsup-Edwards. “This is a small but meaning- says. “I would frequent sticker machines ful way for us all to enjoy the work of artists and noticed that their offerings very rarely from all over the state.” For more information Photo: changed. I wanted to create a way to offer on purchasing or submitting to the Local stickers that were always fresh and simul- Artist Sticker Machine, head to their website taneously create a platform for artists.” or Instagram @localartiststickermachine. And so the Local Artist Sticker Machine –Audrey Lockie

16 SLUGMag.com By Avrey Evans [email protected]

Photos by Bonneville Jones

(L–R) Kell Trawick and Abbey Muse proudly operate Animalia, serving their Animalia’s bulk bar offers patrons the opportunity to fill their own customer base and helping to support sustainability. reusable containers with everyday necessities like laundry detergent.

For many, the holiday season emboldens the giver reusable coffee filters, glass straws, wax wraps, As sustainability becomes increasingly vital to our in us—we spend countless hours finding just the bulk bags and menstrual products. Every item in world’s future, Muse says she recognizes a push right way to show our loved ones our apprecia- the shop is lovingly curated by Muse, and each for a more environmentally centered community in tion. Sometimes it’s a thoughtful gesture or affec- works to supply Salt Lake residents with the means Salt Lake. “We’re adapting to the times (better late tionate message, but most often, our generosity is to live a less-disposable life. than never)!,” she says. “Like most things, great- manifested through some sort of physical offering. er awareness of current issues leads to change, The tradition of gift giving is an enduring feature Animalia also features a unique bulk bar where peo- whether that’s policy change, lifestyle and behav- of America’s consumer culture, and is also the ple can bring their own containers to refill house- ior change, infrastructure change, etc.” In terms cause of an enormous amount of waste. As the hold goods without the waste of purchasing sin- of the individual, small actions add up, and Muse environmental crisis grows more and more dire, gle-use plastic items. Items like toothpaste and even offers a few simple changes people can make in so does the need for sustainable products and insect repellent are weighted and sold by the ounce. their lives to be kinder to our planet: “Take ad- substitutes for one-use items. One shop looking to Everything in the bulk bar is mindfully made by var- vantage of local farmer’s markets, support small introduce a solution is Animalia. ious eco-certified brands, and many are cheaper to brands, shops, markets, buy package-free, spend refill than their store-bought counterparts. more time outside! When we spend time in na- Run by Abbey Muse, Animalia is a locally ture, we feel less of a pull to be shitty to her,” owned business aiming to offer Salt Lake consum- While Animalia deliver the community with an she says. ers with human-made goods created with pas- opportunity to live more sustainably, the shop sion, kindness and ingenuity. Regarding its incep- also works with Momentum Recycling and As the world endures the pandemic, Muse finds tion, Muse says her main inspiration for Animalia Wasatch Resource Recovery to implement comfort in providing the community with a health- was the people who make their dreams a reality a food waste collection service. Food waste—a ier, kinder lifestyle. The shop offers curbside pick- while simultaneously caring about the planet. “I’m huge source of toxic methane gas and a byprod- up orders, online shopping, local delivery and obsessed with people being true to themselves,” uct that Americans discard nearly 40 million tons country-wide shipping as well as masked, in-store she says. “I want to be surrounded by the amaz- of every year—can be brought directly to the shop shopping. As the holiday season rolls around, An- ingness that being a human is. People inspired me where it’s converted into biogas and biofertilizer imalia is excited to offer their annual Shop Small to open Animalia.” via anaerobic digesters. The natural gas created Saturday, where the entire shop will be 20% is used by Dominion Energy to help supply off (although things will look a bit different this Muse’s passion for people is reflected byAnima - over 15,000 local homes with energy. year—follow the shop for more updates). Anima- lia’s expansive range of products, all of which are lia also offers shoppers a free gift-wrap station stocked from small, independent brands. Current- Animalia’s food waste program is just one more using repurposed, found and reused wrapping ly, the shop collaborates with about 40 brands, in- way that Muse is making clean living more reach- supplies! So as you rack your brain for the right cluding Yellow Yarrow Apothecary, Kha- able. “People have told me how hyped they are way to celebrate others this month, keep Muse’s la Cloths, Happy Hour Ceramics, Queen to be sending less food to landfill to sit and re- wise words in mind: “Consumption doesn’t have of Cups, Coffee Sock, Incausa, Desert lease methane. People want to live a lighter to be shitty—it can be very empowering!” Rose and Thrill of a Thrift, the last of which footprint life, of sorts, we just need to make that stocks a rack of their wonderfully curated vintage more accessible,” she says. To participate in the Shop Animalia’s many offerings at animaliaslc. clothing. Each company provides Animalia with program, bring your collected food waste to An- com, and keep up with the shop by following their its own unique offering, from handmade jewel- imalia’s back parking lot, where you can dump instagram: @animaliashopslc. If you’d like to see ry to skincare and greeting cards, ceramics to in the appropriate green bins. To cover the cost your small brand featured in Animalia, reach out makeup and CBD products. Animalia also offers of the service, Animalia charges $.60 per gallon to Muse at [email protected]. a multitude of single-use alternatives, including dropped off. SaltLakeUnderGround 19 hroughout the year, we’ve had to adapt to social distancing and gathering restrictions, but this December, SLUG will host Virtualized as a safe, virtual way to celebrate local bands from the comfort of your own home. Premiering on SLUG By Emilee Atkinson, [email protected] Mag’s Youtube channel on Dec. 18 at 8 p.m., the virutal live show will feature bands Thunderfist, rebelliousness and grit. Then suddenly, you have a Like countless other bands, Fat Candice has gone Fat Candice and Los Rojos. Even though going band like who brings the real thing to through many iterations before landing on the to a venue and rocking in person isn’t an option, Nirvana the mainstream by bringing an underground sound current lineup. Alvord says he had been play- fans can still cozy up around their TVs, phones to the masses,” he says. Alvord also mentions the ing bass with other groups, as well as acoustic and computers to get a dose of rock and roll. reason Fat Candice is drawn to rock from the ‘90s sets, but wanted to get to his roots of early ‘90s is because it blends several different styles together. alternative. In his mind, he wanted a bass player Elements from punk, blues, metal and folk can be akin to Nirvana’s . “A big, tall, For many, the global pandemic has made every- Krist Novoselic found throughout the music of that decade. Not only goofy, energetic kind of guy,”he says. Soon after, day life come to a screeching halt. As the months that, but the vulnerability of the artists is a draw as Alvord ran into and the rest was have flown by, a lot has changed, and we’ve Clark Cannon, well. “Lyrically, there was also a ton of vulnerability history. Drummer was found using had to adjust to a “new normal.” A life that used Adam Ridd that the artists were exposing to their audiences by a local musicians group on Facebook, and he to include going to parties, concerts and other singing about their depression and childhood aban- clicked right away. “The band has actually had shows is now filled with streaming and virtual donment,” Alvord says. about five drummers since we started in 2012, get togethers. Luckily for rock fans, local group but the current lineup is by far the best and here Fat Candice was able to get some fresh material One thing that’s important to note about Fat Candice to stay,” says Alvord. ready. Releasing an album during a pandemic is is that the name isn’t a dig on anyone. This is a logistically tricky, but the band is coming up with question that gets asked a lot, and Alvord wanted As mentioned, Fat Candice has new music for ways to get their music out to the world. to clarify. “Sometimes people suspect the band was fans­—six new tracks, according to Alvord. The started as a way to make someone in specific feel process of coming up with new material is differ- Fat Candice is a high-energy band with a loud bad. The name worked well because it was so easily ent for everyone, but Alvord says it’s important to and fast sound. Formed in 2012, the group has remembered when you hear it, so it just stuck. We stay humble. “Sometimes the band takes an idea influences that draw from rock and grunge of the aren’t making any statements about body types; it’s I had and completely does something better with ‘90s. “That era was special,” says vocalist and just a band name that doesn’t mean anything. The what I originally had in mind,” he says. He also guitarist Rob Alvord. “Rock’s always been a band could have just as easily been named ‘Sleepy mentioned it helps to try and absorb others’ work rebellious and gritty genre, but the glam rock of Gary’ or ‘Old Greg,’” he says. to draw inspiration not just by listening, but by the ‘80s felt more like commercialized/artificial covering their material as well. “If you study the greats, such as Lennon and McCartney, you’ll find that even they spent years covering other artists and drew heavy influence from outside material when writing,” he says. “I always have to wait until some kind of magic moment, when something great just decides to pop out. It feels more like capturing something that’s in the air and less like creating something out of nothing.”

Alvord mentioned it’s important for him to record ideas on his phone when something comes to mind before it disappears. The songs on this new album sound enough like Fat Candice to be recognizable, but incorporate some new elements as well. “I really work hard to give us an eclectic array of styles between songs. This album even has a bit of funk, which is really out of character for us so far,” says Alvord.

Fat Candice has been able to play a few shows recently, and were also able to work on their album before getting into gigs again. One song they enjoy playing is a new one called “Danc- Lmsorenson.net ing in a Leotard.” Alvord says it’s a fun and silly song that the audience enjoys. In addition to their material, Fat Candice also covers Primus’ Photo: tunes live. “I don’t think any local bands do that,” says Alvord. “It’s fun to see people’s reactions.” Catch a taste of Fat Candice’s energy at SLUG’s (L–R) Rob Alvord, Clark Cannon and Adam Ridd have worked together to overcome the Virtualized on Dec. 18 at 8 p.m. on SLUG’s obstacles introduced by 2020, continuing with their music-writing and recording goals. Youtube channel. (L–R Back) Kevin Ivers and Jeremy Cardenas.

(L–R Front) Mike Sasich, Mick Mayo and Matt Miller, members Lmsorenson.net of Thunderfist, value including “heft” into their sound. Photo:

The year 2020 has changed everything. Sickness down. “So many new songs have come from In the eight years since their previous album was has taken over, and staying inside has become the this,” says Cardenas. “All COVID themed— released, Thunderfist hasn’t put out new music. On new norm. People everywhere have been reevalu- you guys will be impressed.” Thunderfist is making new music, Cardenas laughed and says ating their lives and trying to figure out how to stay known for their hard, fast and classic-sounding that the main thing that gets in the way of additional sane within the confines of their homes. Despite rock. Their ReverbNation profile mentions that music is “sheer laziness.” There are new songs in a shattering earthquake, powerful windstorm and to get the perfect sound, they need vintage the works, though: “It’ll be epic when it’s done,” continuing doubt about the state of the world, one Marshall amps, Les Paul guitars and beer. Cardenas says. Because of their closeness, record- thing is certain­—2020 is one for the history books. It’s easy to hear these elements in their music ing new material is enjoyable for the group. “Mike But, we have slowly discovered ways to keep without being told. Hearing Thunderfist for the Sasich, our guitar player, is the best at understand- ourselves safe, happy and entertained. Concerts first time draws parallels to classic rock groups ing what we need and want sonically. Other than were a time for bands to connect with fans and share such as Mötley Crüe and The Offspring, Jack Endino, who we’ve worked with in the past, I an evening of music and good vibes. Even though infused of course with signature Thunderfist wouldn’t go to anyone else.” Endino is a well-known 2020 has interrupted that connection, bands like nuances—humor being one of them. Thunder- producer and musician who worked in the burgeon- Thunderfist are looking to the future, hoping to share fist has a good sense of humor, and they love ing grunge scene in the ‘90s with notable acts such more memories with fans virtually. to have a good time. It’s evident while listening as Mudhoney, Soundgarden and Nirvana. and reading the titles of their songs, such as Cardenas calls their recording process short and “We love our people. We miss our people,” says “The Wizard’s Lament!!” sweet. “We try to record as much at the same time as Thunderfist vocalistJeremy Cardenas. The last we can, and then nailing down the mix and putting show the band was able to play before COVID- Only a band that’s been together a long time some heft to the sound are our priorities,” he says. 19 hit was last November at Big Willies in Salt can pull off the antics and fun that Thunderfist Lake. “This shutdown has been so hard on us and does. The band has been together since 1998, COVID-19 has had a huge impact on the entire our friends,” says Cardenas. “We look forward to and according to Cardenas, there have been world, and that doesn’t exclude SLC. Earlier this bashing it out again.” He mentioned that Thunder- many incarnations of Thunderfist, but the group year, local concert spot In the Venue closed due fist shows rely on being “in your face,” but the last they have right now is the most solid. “We are to COVID-19. As small as it was, it was a popular thing the band wants is to put anyone in danger. For like brothers at this point and can pretty much hangout for many over the years. Thunderfist feels some, staying at home and finding things to do has anticipate each other’s thoughts when it comes for the venues and bands that have felt the effects of been a good break, but not for Thunderfist—they’re to serving the song,” he says. “One consistent the virus. “I hate to say it, but so many good venues ready to get out and get rocking again. thing is every members’ love of rock.” Carde- and bands have been destroyed because of this,” nas himself started playing music in 1996 and Cardenas says. “The loss of venues and close friends Despite the inability to physically connect with fans, wanted to bring together a group of friends to has been tough.” Thunderfist has used the time to write new material. jam with. “It was a response to a lack of loose- Their last album, Thunderfist, was released in 2012, based party rock,” he says. “I felt SLC was As we continue to navigate through the pandemic, and a new album has been in the works for some missing one big element: There weren’t many the hope is that things will improve, and we can time. Because of the global pandemic, the new folks like me around.” eventually get together again. In the meantime, material contains inspiration from the virus and lock- SLUG Virtualized will take place on December 18 on SLUG Magazine’s Youtube channel at 8 p.m.. Thun- derfist is excited to play music for their supporters. And the one thing Thunderfist wanted everyone to know was that they love and miss their fans.

SaltLakeUnderGround 23 In a bright pink building tucked in a set of nachos, or honestly could just be corner on Murray Holladay Road, you eaten by themselves. can find a local restaurant with great food, helpful service and convenient The Al Pastor Burrito comes in at $8.99 drive-thru options. Real Taqueria boasts for the regular size, a great choice for a strong menu with a variety of proteins your hungriest days. The meat is tender to customize each dish. What started and well-seasoned and is complemented as a Salt Lake City food truck is now a by the fresh pineapple hidden through- brick and mortar location with all the out. The only complaint here is that more comfort of local food and the ease of a pineapple would make it even better. drive-thru window. I love the way this fruit adds acid and sweetness and cuts through the richness On lazy days, it is hard enough to drive of the pork. to a restaurant, let alone go inside and pick up my food. That’s why I’m always For $7.49, you can get the Chico version excited to find a local place with a drive- of the Nopalitos Burrito. In addition to the thru. Real Taqueria is perfect for a week- customary beans, rice and cheese, this night meal, or a Saturday picnic that is has cactus and eggs. The eggs make this both low key and a pleasure to eat. It’s burrito feel slightly breakfast-y, while the worth noting that the line for the drive- cactus adds great crunch and a combi- thru can get long from time to time, but nation of savory and sweet that is appro- the service is good, and the line gener- priate for any meal. The beans and rice ally moves quickly. I promise—the food are really flavorful and have a chance is worth the wait. to shine in salty contrast to the nopal. I added their creamy green sauce to By Corinne Bauer The Real Taqueria menu has entree selec- this burrito, and it gave a nice kick that [email protected] tions like burritos, quesadillas, tacos worked well with the other flavors. and nachos. From carne asada to veggies or fish and shrimp, there is If you are feeling like a real feast, you a protein to satisfy most any pallet, can’t go wrong with the Carne Asada and the flexibility of the menu means Nachos, priced at $11.48. Though this the combinations are almost endless is one of the more expensive menu items, (well, not endless, but there’s a lot!). I it can feed and satisfy a few eaters, or love seeing how the experience of a stretch even farther as a side shared particular protein can change dramat- among many. The toppings are plenti- ically in a new format. The simplest ful, and a thick layer of cheese protects menu option is the taco, which comes the chips keeping them crisp and heav- to $2.99 a piece when paired with ily loaded (the true goal of any plate of classic toppings, or $3.59 for fish nachos). There is something satisfying or shrimp. Though simple, the menu about the crunch of these chips, loaded provides plenty of room for eaters of with flavorful meat, beans and veggies many tastes. that will keep you coming back bite after bite.

The Carne Asada Nachos gain a unique element with No trip to Real Taqueria is complete with- the addition of pickled vegetables as a topping. out an Agua Fresca ($2.19) which comes in cantaloupe, pineapple or horchata. I find the horchata flavor a little sweet, The Real Taqueria’s Al Pastor Burrito comes in as a but it’s still tasty and has a nice kick of hefty meal in its “regular size.” cinnamon that provides some balance. The cantaloupe and pineapple varieties both taste like summer-fresh fruit. Before you visit, it’s a good idea to know portion sizes are huge, so you Next time a Mexican food craving hits, may want to share, but it’s delicious stop at Real Taqueria for a satiating meal. enough that you may not after all. The This eatery makes getting delicious Mexi- burritos come in two sizes, but even can food on the go easy and satisfying. the small is quite large and could feed Make sure to come with an appetite— two people pretty easily. Generally, the you’ll be happy you did. tortillas and chips don’t survive well as leftovers, but the toppings and fillings do. If you save your leftovers, the meats, beans and sauces could make for a new

Mon–Thur: 11 a.m.–9:30 p.m. Fri–Sat: 11 a.m.–10 p.m.

@SLC-bites 1869 Murray Holladay Rd • 801.432.7962 realtaq.com Photo: Photos: Bonneville Jones Photos: Bonneville

By Austin Doty | [email protected]

The Stockist’s Helen Wade and Louie, the signature shop dog.

The holiday season is here, and for many of off to NYC for other pursuits, the shop would and they’ll often get it from wherever is cheap- us, with that comes with the pressure of gift become The Stockist. est, whether that is ethically sourced or coming shopping for our loved ones—getting some- from a modern sweatshop. They lack a better thing for mom and dad, your brothers and Today, the store focuses on quality over quanti- attention to detail, and their brands often lack sisters, grandpa and grandma and all your ty, not getting hung up on how much they can values that would make you want to be a part closest friends. Some of us feel so inspired to offer, but the value of what they do. “Starting of their message. “People are becoming more shop that we even feel the need to get a little the shop made me realize [what is] behind the aware of where their clothing is coming from trinket for our estranged uncle we hardly ever scenes of fashion—and honestly—how much and who is making it,” Helen says. And it’s see and definitely do not talk politics with. garbage is out there,” Helen says. There is true—many consumers these days have values And while the instinct is to visit bigger retailers always plenty to sell, but not always plenty that pertain to clothing they wear. They don’t and department stores, there is an abundance worth selling. “The lines [of brands] we [now] want the run-of-the-mill crap. “I want people of locally owned shops all around Salt Lake stock are independently owned. They focus on to know the items we stock aren’t from some City and neighboring areas, among them The holding up strong values in the creation and wholesale website where we can mark it up Stockist, a modest clothing and apparel store execution of their lines,” she says. “Our lines 4x,” she says. “Our clothing is coming from located at 9th and 9th. are not just run-of-the-mill crap—they are well real people [and] independent designers sup- made, ethically sourced and unique to SLC.” porting positive change and using their own Stores like The Stockist are owned by your platforms to educate their clients.” neighbors, your friends and your family. The benefit of shopping at these businesses is not The Stockist still primarily focuses on appar- only supporting your fellow residents, but par- el, offering a range of products from more taking in a shopping experience marked by a commonly known brands like Converse and greater attention to detail and more care for RVCA to the lesser-known brands Reigning its customers, products and where those prod- Champ and Agolde. But it’s also now sell- ucts come from. The success of these stores ings forms of media like books, jewelry like often provide their owners’ livelihood, and be- earrings and necklaces, clothing for kids and cause of that, they put in more time and effort even a few items for your apothecary needs. than any chain or franchise. Not to mention, Regardless of what it sells, the message re- when you invest in local shops, you’re invest- mains the same: quality over quantity. ing in the future of your own community. It’s like an investment where the returns come as The Stockist is open Monday through Saturday a smile on your neighbor’s face. from 10 a.m.–7 p.m, and Sundays 11 a.m.–5 One of the benefits of choosing p.m. You can also book your own private time Originally named Fresh, The Stockist itself quality over quantity at The Stockist online before or after store hours to browse was established in 2009 by Helen and Ian is the durability and longevity of the store’s apparel and products. It also offers Wade. The store was always meant to sell your fashion-forward investment. curbside pickup, delivery and online orders. clothing, but back then, its ideas and direction But before you do shop at The Stockist, Helen were a bit underdeveloped and a bit “nov- It’s the what, the how and the where of what urges you to “wear a mask, wash your hands, ice,” as Helen admits. “We were still so wide they sell that creates the value of The Stockist, stay safe and support local.” eyed and unaware,” she says. It took about and shopping local as a whole. Big depart- five years to get under way, and after a re- ment stores will sell you whatever products brand, name change, a move and Ian taking made from whatever material, quality or not, SLUG MAG’S

Watch Out Fascists, ’Cause Pop-Punk’s Not Dead

» Bring Me The Horizon – POST HUMAN: SURVIVAL HORROR » Danny Denial – Fuck Danny Denial » Fever 333 – WRONG GENERATION » Stand Atlantic – Pink Elephant » The Wonder Years – Burst & Decay (Volume II)

Fever 333 rienced by people of color. WRONG In the pre-chorus, vocalist GENERATION Jason Aalon Butler screams, “Woke up this morning to people 333 Wreckords Crew/ mourning / Another brother they Roadrunner Records murdered just as a warning / … Street: 10.23 They’ll do it over and over until Fever 333 = we bite back.” It is an invigorat- Rage Against the ing call to action and a somber Machine + Public Enemy reminder of just how many + Black Flag people have been victims of this all-too-common brutality. ALBUMS As the great Nina Simone once said, “It is an artist’s duty to reflect The album ends with “SUPREM- the times.” Fever 333 fulfills that ACY,” which takes a less aggres- duty and more with their third sive and more trap-forward album, WRONG GENERATION. approach. In this track, Butler It’s an album to get angry to, an sings about the threat of white album to protest to, an album to supremacy. The track also plays of start a revolution to. Fever 333 2020 off of the melody of Blondie’s has made an album that is a “Rapture” and alludes to it in the perfect mirror to everything that It’s been a year, to say the least. Amid global pandemics, chorus, “One day you’ll see us / has been felt by those who lived social justice uprisings, election mayhem and a bottom- But until then we’ll sit and wait for in fear and oppression for too the rapture.” less well of other turmoil, the always-steady stream of long. WRONG GENERATION is essential new music felt like a consistent hand to hold. a high-energy blend of post-hard- Much of the album was produced But the swathe of new releases wasn’t just an escapist core, punk and rapcore. Listening by Butler, along with Travis salve during 2020—it also served as a uniting factor, an to these tracks is a bolt of electric- Barker and John Feldmann. ity to your spine, giving you all artistic space for magnifing voices and echoing collec- It is truly an album of 2020 and the energy you could ever need. a message that we can never tive grief. So whether the sounds presented here soothe, forget about or abandon this fight. incite, empathize or excise, we hope that our picks for The album starts by throwing WRONG GENERATION is a stark the best albums of 2020 provide you with some sonic you straight into the agressive, reminder that this revolution is far, friends that heal your soul in one way or another. Keep speedy, hardcore punk–forward far from over. –Marina McTee track “BITE BACK,” which sings an eye on SLUGMag.com for more new music reviews, about the police brutality expe- interviews and more. SaltLakeUnderGround 29 Alternative Folk (ish) Albums of 2020 Indie Rock Albums for Locking Yourself In Your Room Because It’s All Just Too Much

» Phoebe Bridgers – Punisher » Christian Lee Hutson – Beginners » Pinegrove – Marigold » Cut Worms – Nobody Lives Here Anymore » Soccer Mommy – Color Theory » John Craigie – Asterisk The Universe » Touché Amoré – Lament » Lomelda – Hannah » Young Jesus – Welcome to Conceptual » Widowspeak – Plum Beach

Cut Worms grandma’s ‘75 Buick, Nobody Young Jesus keys on “Lark,” then transforms Nobody Lives Here Lives Here Anymore is packed Welcome to again into a twangy, math-y jam, Anymore with appealing melodies. Several Conceptual Beach an amalgamation of moving parts tracks, including highlight “Last that shouldn’t sound cohesive Jagjaguwar Words to A Refugee,” are popu- Saddle Creek Records together but somehow do. The last Street: 10.09 lated by numerous sturdy melodies Street: 08.14 two tracks eek past the 10-minute Cut Worms = The Everly that could easily exist as indepen- Young Jesus = Pile mark, the variety in each enough Brothers + George dent tracks. Lyrically, repeated + Horse Jumper of for a whole album. Harrison lines such as “All roads lead back Love ^ Radiohead’s OK to you,” and “The only thing I care Computer Young Jesus has been unabash- Nobody Lives Here Anymore was to hold on to / Oh my love that’s edly nihilistic on past albums released in October, but it sounds A meditation on decay and you,” are standard fare reminis- but transcends this mindset on like it was dug out of a record rebirth, faith and fear, growth and cent of early Beatles. Conceptual Beach, considering store discount bin after decades acceptance—Welcome to Concep- faith as a coping mechanism that spent trapped between Buddy At other times, lyrics transcend tual Beach is the latest offering might be worth the effort. “Oh, Holly and The Everly Brothers. their cuteness and become poetic from L.A. post-rockers Young give me all your perfect things Cut Worms is the moniker of marvels. On “Veteran’s Day,” Jesus. Described as the long-time / Your weightlessness and pure Max Clarke, whose tone and Clarke describes the feeling of mental refuge of vocalist/guitar- belief,” Rossiter begs on “(un) lyrical subject matter firmly belong helplessness as, “Lying underwa- ist John Rossiter, Conceptual knowing,” before admitting to a bygone era. There are no ter looking up at the surface lights Beach is a fictional in-between in startling tones that jump full references to current events on / Shining so alive and playing place for “knowing and unknow- octaves, “Oh God and Mary, this album—no timely quaran- games with my eyes.” Clarke’s ing” (a great contender for 2020’s Jesus Christ / Won’t bless me for tine metaphors or clever smart- delivery can only be described official tagline), and the album it my every vice / I’ll be redeemed phone laments. Instead, these as doo-wop-shoo-wop crooning, inspired is composed of complex in shame and grief / In knowing I tracks dwell in the ambiguous and though it feels heartfelt rather psychological musings evolved may not find peace.” timestamp-free realm of wistful than forced. from a lifetime of contemplation. romance. This ground is well-trav- A deeply moving opus on life eled, but something about this Insead of drifting into the back- Conceptual Beach borrows from and death, Welcome to Concep- ambitious double album remains ground like an oldies radio station a mixed bag of genres, culminat- tual Beach is gritty, heartbreaking spirited and alive, even though it set, Clarke’s attention to detail and ing in an improvisational master- and hopeful in equal parts. It’s a doesn’t attempt to distance itself lucid tenor keep things enduringly piece. Soaring brass makes an reckoning with the fact that we’re from unmistakable influences. pleasant. The earnestness within appearance on “Pattern Doubt;” all magicians “making love and Nobody Lives Here Anymore is “Meditations” begins with airy doing dishes,” as the final track Despite the uphill battle of making simply comforting, like the warmth flutes that compliment the track’s suggests, making peace with the a 77-minute album that belongs of sun-soaked sand after a frigid astro-jazz beat; rain-soaked banalities of life, trying to find the in the glove compartment of your swim. –Austin Beck-Doss melancholy transforms into playful holiness in it all. –Mekenna Malan Electronic Albums that All Sound the Same Experimental Albums for Shedding Your Human Skin

» 9T Antiope – Placebo » Loraine James - Nothing EP » claire rousay – a heavenly touch » Nicolas Jaar - Cenizas » Nicole Mitchell and Moor Mother – Offering - » Nicolas Jaar - Telas Live at Le Guess Who » Theo Parrish - Wuddaji » ONO – Red Summer » UMFANG - RIVEN » White Boy Scream – BAKUNAWA

Nicolas Jaar ter sound of objects slipping 9T Antiope honing in on shared dreams of Cenizas into some unknown. However, Placebo abolition and liberty: “We neigh alongside the fixed tone of bleak- like horses refusing to be tamed / Other People ness throughout, you notice Jaar’s PTP Yet our neighs neither break the Street: 03.27 renewal as well. Specifically, in Street: 09.04 rhythm nor the code.” Nicolas Jaar = the gentle piano performance that 9T Antiope = Lingua (Caterina Barbieri is “Garden”—bringing us a great Ignota + Lucrecia Dalt Across Placebo’s second side + Pantha Du Prince) sense of warmth. (“Dose II: Memento Mori”), this Following Isthmus (2017) shared being-ness slowly fades x Arthur Russell (World and Nocebo (2019), Placebo Cenizas cleanses the palette, and away into ether. Near the track’s of Echo) completes 9T Antiope’s ( Jaar creates a rebirth from this Nima beginning, a bludgeoning techno and Fine, I oblige—not all electronic machine that knits and knits. As Aghiani Sara Bigdeli beat lies under Shamloo’s strained Shamloo) trilogy of albums music sounds the same—and Joseph Conrad said, “It has screaming. As things morph into a with the most stunning release of the front-runner, Nicolas Jaar, knitted space, time, pain, death, droning song section, it’s as if the the set. Constantly in flux without nonstop constructs album after corruption, despair and all the distorted bass hits were the final ever feeling frantic, Placebo is a album with exquisite attention illusions—and nothing matters.” blow that finally breaks the being. masterwork of electronic compo- to detail. The Chilean-American This so-called machine is amus- When Shamloo returns to garbled sition, an album that finds bloody, producer always astounds with ing until it turns to ashes (Spanish spoken word, her text turns volatile humanity in 9T Antiope’s his baroque textures, critical and word cenizas), and continues on toward the ephemeral: “A beacon dust-glistened soundscapes. cultured ear, and intuitive taste. again in a different, compelling of hope / Desire of immortality.” I’d go as far to say that he is an form. The cycle feels complete in On the vocal-heavy “Dose I: enchanter stocked with spells the final piece, “Faith Made of The album closes with thun- Danse Macabre,” 9T Antiope and insight. Cenizas, released Silk.” “Look around, not ahead,” derous synthesizer clamor and deliver a set of theatrical before Telas, is more dreary than Jaar utters to us. Sure, Nicolas ghostly Latin chorales, a wash vignettes, the music sharply his dance-floor-friendly A.A.L. Jaar is no sermonizer, though of sound that subsumes the jutting between sultry grooves albums, but its dreariness turns he’s implying that maybe there’s musician’s presence into their and hollow drones, from song to biblical, with each deconstructed nothing left to do but observe and at-once ancient and futuristic poem to speech and back. Sham- song gasping for air. wonder. This LP ultimately gives sound worlds—not resignation loo shapeshifts from narrator to listeners a chance to explore as much as acceptance, a deal narrator alongside these musical The track “Menysid” gives a the various rhythms life has to of communion with the jagged cuts, delivering melismatic sing- Sphinx-esque mood, hopelessly offer, even if Jaar himself relent- peaks and vast oceans heard ing, gremlin-like spoken word and trapping listeners in pious drones lessly heads home to his roots. across Placebo. Shamloo’s final more. Throughout “Danse Maca- and laser-like sounds which are Cenizas is complex, spectac- audible words: “Inject the placebo bre,” she outlines an extended comparable to sharpening kitchen ular and 2020’s best. Period. / Inside your running veins / And metaphor between the human knives. Similarly, “Gocce” is –Kassidy Waddell dance / Till death equalizes all.” existence and that of horses, morosely hollow with its pitter-pat- –Audrey Lockie SaltLakeUnderGround 33 Pop Albums of 2020 That Made Me Albums You Can Photosynth(pop)esize To Forget About the State of the World

» Niall Horan – Heartbreak Weather » Buscabulla – Regresa » Lauv – ~how i’m feeling~ » Choir Boy – Gathering Swans » Halsey – Manic » Future Islands – As Long As You Are » Taylor Swift – Folklore » Nation of Language – Introduction Presence » Dua Lipa – Future Nostalgia » of Montreal – UR FUN

Halsey 2020 is a wild combination Buscabulla fun note. In some instances, as Manic of the jeering, alarm-raising, Regresa in “Volta,” keys come in behind in-your-face energy of “3am” Berrios’ voice, causing small Capitol Records and the soft-spoken, slowed- Ribbon Music clashes throughout the song. Street: 01.17 down words of “929.” Street: 05.20 Halsey = Julia Michaels Buscabulla = Belinda “Manda Fuego” starts off with x Zara Larsson x Lorde The fact of the matter is that + The Marías a recording of an older man there’s a lesson to apply to 2020 + Y La Bamba speaking about suffering before Way back in January, when from every song on Manic. It’s it turns into a smooth beat. It feels Halsey released her third studio Buscabulla translates to “look- one of my favorite albums of angelic and ironic, as Berrios album, Manic, my first thought ing for noise,” and that’s exactly the year not just because I’m a asks for God to send fire and was, “this is a radical album.” what this duo are doing. Their big fan of Halsey, but because declaring that not everything It’s a whirlwind, 16-song chase album and documentary, she was able to open up about is what it seems. “NTE,” is my after a feeling of catharsis, or Regresa, meaning “return,” is herself in a way that is so true favorite track—I relate to Berrios more simply, trying to figure out inspired by Puerto Rico, where and real. Every once in a while, lyrics that declare she should not who exactly you are and how and artists will make albums that are Raquel Berrios Luis Del be underestimated. What I like you fit into this world. In retro- moved from Brooklyn after completely themselves—every Valle about Berrios’ vocal style is that spect—after what can be astutely devastating hurricanes in 2017. chord, every lyric, every sonic she follows the beats with the described as a manic year—this It’s a ride through what any kind choice screams them; that they tone of her voice. In this vein, “El album is much more than that. of return feels like, and the first are laying their souls bare in this Aprieto” features her voice wind- For Halsey, these sounds might track, “Vámono,” draws you in collection of songs. ing as if following the shape of remain the same: a collection of with drums before descending a tornado. songs that embrace who she is, And when this happens, it’s into sweet bliss. and how she’s still figuring that really something. Manic is I probably annoyed my room- Berrios’ voice is backed by vari- out, one day at a time. exactly that: a beautiful collec- mates by how much I played ous instruments, such as guitars, tion of who Halsey really is, Regresa over and over this year, But for listeners, Manic is a drums, bass and synths, laying beyond the headlines. But it’s but I don’t care. Buscabulla made reminder that nothing is set a strong backbone that seems to also a reminder that who you are it to my “lucky finds of 2020” in stone. As 2020 has so fall randomly in perfectly placed isn’t a finite thing—it’s constantly list! You can hear and see Puerto cruelly reminded us, the world spots throughout their music. The evolving, just as it should be. Rican culture through their music is constantly changing. The track “Mío” does this near-end- –Palak Jayswal and music videos. It’s an over- message behind Manic hits differ- ing cry that mimics the way the all soothing album. If you want ently now. It’s not just a diary drums play lightly underneath to expand your ears a bit, this of Halsey’s—it’s a cautionary Berrio’s dreamy voice, but it feels is an album to help them grow. tale that, even within the worst of organic, almost human-sounding, –Kimberly Portillo times, there are good moments. as it leaves you on a high, wonky- When Pam Pedersen—Owner of Central A LITTLE OF A LOT AT at it like: Where did this come from?,” she says. Book Exchange—was a kid, she would often This is the sort of gem that sets Central Book draw the floor plans of imaginary houses for her Exchange apart from goliath book retailers. future self to live in. While most of the rooms in “We fill a totally different niche.” these early scale drawings were conspicuously small, the library was always drawn, in Peders- While the store’s collection is massive and en’s words, “as large as a football field.” In her constantly in flux, Pedersen manages to keep the adult life, between the shelves of her bookstore entire stock catalogued. This database can be and a warehouse space for overflow, Pedersen accessed both in-store and on the Central Book oversees an ever-changing inventory of over Exchange website, where customers can browse 75,000 books. When asked if her childhood and purchase books to be shipped or picked drawings predestined her vocation as a book- up in the store. The website has been a handy seller, Pedersen simply says: “Books have always outlet for Pedersen during the pandemic, though been in my head and in my heart.” she’s glad that the store is open once again and operating under regular hours. “Luckily, there is Located in Sugar House, Central Book Exchange plenty of room for people to spread out inside. has been selling and exchanging used books We are open and safe,” she says. since 1968. When Pedersen bought the busi- ness in 2005, she had been looking for a way For Pedersen, the community building and heart- into the book business that would simultane- to-heart interactions that take place within the ously benefit the community, and Central Book store are the all-important essence of Central Exchange was the ideal opportunity. Since then, Book Exchange. “The feeling in the store is that she has made the store her own, curating the it is safe,” she says. “Often, people begin telling massive collection and creating a faithful follow- me about a book, and then I realize they’re also ing of returning customers. telling me about a cherished memory or a loved one who has recently passed away.” Pedersen A unique trade-in-for-points process is the knows that this kind of vulnerability is a commu- decades-old foundation of Central Book By Austin Beck-Doss nity service uniquely provided by small book- Exchange. Though customer’s points are now [email protected] stores—that’s why she is in the business. “The tracked digitally instead of via notecard, the things in people’s hearts making them happy or system remains as simple as ever: Bring your sad come out in meaningful ways,” she says. books into the store, and they will be quickly “Humans share stories. That’s what we do. In assessed and sorted by condition and size. the bookstore, you can share yourself and you’ll Pedersen notes that Central Book Exchange does be honored and respected.” not want people to feel concerned by the pros- pect of books being rejected by the store. She As the time that people are dedicating to reading knows this feeling often deters people from books seems to wane, bookstores will require trading in their used and cherished belongings, consistent and intentional support from their she is markedly clear on the subject: “No book communities. “The people who are regularly shaming!,” she says. If the book is readable and coming in, bringing good books, offering recom- ready to be loved by the next person, it is very mendations to others and creating a comfortable likely that Central Book Exchange will accept space are critical to our humanity and society,” the book in exchange for points. Every book on Pedersen says. Though purchasing books helps the shelves is labeled with a regular price and the store to thrive, there are other forms of nurtur- a “points price”—a discounted rate that offers ing that are welcome, too. “The person who customers a deal in exchange for contributing comes in to have an hour-long conversation is books, and value, to the store. For example, a just as important to me as the person who buys a used paperback novel priced at $8 will be a few big stack,” Pedersen says. “You’re always going dollars cheaper for those with points. to feel better leaving the bookstore than when you came in. It’s just a good place.” While there is a big-box bookstore right down the street from Central Book Exchange, Pedersen Central Book Exchange is open 10 a.m.–7 p.m. is not intimidated by its presence. “The differ- on weekdays, 10 a.m.–5 p.m. on Saturday and ence,” she says, “is that those big chains have 12 p.m.–4 p.m. on Sunday. If you plan to trade a lot of a little, and we have a little of a lot.” in lots of books at once—i.e. several boxes or While her store is unlikely to shelve a dozen more—please contact the store ahead of time. fresh copies of a flashy new bestseller, Peder- Information regarding events and programs sen has plenty of space for “one copy each such as book clubs, poetry readings and ware- of cool little books that you’re unlikely to find house sales is available online at central-book- anywhere else.” Recently, while digging through exchange.com and in the store. Photo: John Barkiple the offbeat margins of her inventory, Pedersen discovered a guidebook performing tricks with a calculator published in 1981. “We all stared Central Book Exchange offers a community-focused book-buying experience that privileges the joys of fresh finds and lost classics.

36 SLUGMag.com SaltLakeUnderGround 37 son Illustration: Jordan Peter

By Tim Schoof | [email protected] With their new virtual SLFS@Home program, The Salt Lake Film Society seeks to bring the arthouse experience to viewers’ own houses.

When COVID-19 broke out in March, arhouse called Wednesdays with Wiseman, and Filmex- SLFS Motor Cinema drive-in movie exhibitions, movie theaters around the country faced the íco 2020, an annual program that highlights the staff delivered that level of curation for grim prospect of shutting down indefinitely. Mexican filmmakers and stories. their patrons during an unprecedented time. Amid lockdown, Salt Lake Film Society (SLFS) staff dove headfirst into the challenge Once cases began rising, SLFS had to act fast. As 2020 draws to a close, more existential to create SLFS@Home, a platform that allows Fulfilling their mission while bringing in enough questions for the independent art community members of the community to enjoy the ex- income to continue operation would be almost loom on the horizon. “The arts are in a lot of perience of going to the movies at the iconic impossible with theaters around the country trouble right now,” says Baker. With no clear Broadway or Tower theaters in their own home. shut down. Head of Media Accelerator Studio end in sight for the pandemic, artists and cu- SLFS staff crafted “a tool for arthouses that al- (MAST) Miles Romney dedicated his time to rators rely on the support of patrons to keep lows a patron to have a seamless arthouse build the tech behind SLFS@Home at a breakneck the doors open, even if those doors are digi- experience on a particular screen,” says SLFS pace—and the work paid off. The staff realized tal. The community participation at the heart CEO/President Tori Baker. Adopted by 12 they had to share the technology with other ven- of the arthouse grows more important than other indie theaters across the country, this ues experiencing hardship. “Once we created it, ever. “Whether it’s free, digitally or not, be- new service connects patrons to the arts in the we ethically didn’t feel like we could sit on this,” come a donor. Choose to put value into those age of social distancing. Baker says. “It is the right solution for art house art forms,” says Baker. cinemas. It’s of interest to us in this time to share The SLFS@Home platform is intuitive to use. as much as we possibly can.” Along with other While the future remains uncertain, Baker and Any moviegoer can visit SLFSathome.org, theaters, local arts institution Salt Lake Acting the rest of SLFS are maintaining their momen- browse the selection of available movies, Company (SLAC) uses their own version of the tum into 2021 with a number of offerings, in- buy a virtual ticket and watch from the com- @Home platform, SLAC Digital. cluding an Israeli-Jewish film tour planned for fort of their own home. However, it is not a February. SLAC will also debut productions streaming service. SLFS@Home replicates the The soul of the arthouse theater lies in curation via SLAC Digital in the near future. “I think this authentic arthouse experience, complete with and community, with groups like SLFS handpick- digital screen will potentially exist well into concessions packages that can be picked up ing a diverse selection of films for an adventur- the future,” says Baker. “What I’m seeing on curbside from Broadway. Some film offerings ous audience. Local arthouses share an intimate a community level is, regardless of a vaccine will be available on demand for long peri- relationship with the community and don’t bend or anything else, we’ve now discovered that ods of time, but others are limited-availability to greater market trends like the massive media there’s a group of individuals who may de- screenings or live events with panels, requir- conglomerates. “Ultimately, if you’re a film lover, cide that they always want to stay home or ing audiences to actively stay updated by fol- a cineaste [and] you’re somebody who wants to they don’t want to go out and participate until lowing SLFS on social media. see things that are curated from the experts in we’re well past some safety point.” the area, then you’re going to go to your local In terms of programming, SLFS@Home offers arthouse,” says Baker. “The point with this tech- With this new demand to meet, SLFS@Home a wide range of films, matching the variety nology creation was to make it so you could still will deliver an at-home arthouse experience audiences expect visiting one of their theaters go to your local arthouse.” for some time to come. “There’s potential that in person. Patrons can choose from around it sticks around, but even if it didn’t and it nine movies at a given time in addition to any In an overflowing digital marketplace, the art- served its purpose during this time, then I think series and special events. During November, house connects audiences to films that may be we’ve done good work,” says Baker. new films like the 2020 documentary Donut overshadowed on other mainstream platforms. King and the virtual-reality experience Trav- Some of the movies SLFS presents offer insights To learn more about SLFS@Home and future eling While Black stood alongside the 4K res- into cinematic history. Others speak from the showings, follow Salt Lake Film Society on toration of the classic 1954 Italian drama La rich experiences of people of color and mar- Instagram (@saltlakefilmsoc) and visit their Strada (The Road). Meanwhile, they offered ginalized communities. “These kinds of stories website (SLFSathome.org). two film series—a retrospective of documen- are getting buried in the algorithm,” says Baker. tarian Frederick Wiseman’s filmography With a new platform and the continuation of tailored design: HIMALAYAN ARTS

By Parker Scott Mortensen • @_coldbloom Photos by lmsorenson.net

The wooden mahalaka masks available at Himalayan Artswear (L–R) Yeshi Shekhang and her husband Sonam Shekhang have found Utah to speak to Owner Yeshi Shekhang’s Tibetan heritage. be a welcoming place to raise their family and establish their business.

Nestled in historic Trolley Square, Himalayan Arts The fact that Shekhang is here in Utah is no small current location on the first floor,” she says. With is a reflection of Yeshi Shekhang and both her miracle. In 1949, the peaceful country of Tibet was her training in tailoring and embroidery, Shekhang Tibetan and Indian heritage. Himalayan Arts offers invaded and occupied by China, who sought Ti- was also able to take feedback on the clothing she Salt Lake City shoppers unique, handmade prod- bet’s natural resources and its strategic border with sold to alter and design for more body types. ucts and services. India. Ten years later, Shekhang’s parents would escape Tibet and seek refuge n India, where Shek- The care Shekhang puts into her work extends Himalayan Arts products like singing bowls, thang- hang was born only a few months later. Still, the to her sense of community. In the early days of ka paintings, wooden mahakala masks, silver effects of living under occupation reverberated COVID-19, Himalayan Arts closed for almost two jewelry, prayer flags and incense speak to Shek- for years—Shekhang’s father was tortured by the months. When Trolley Square reopened in May hang’s Tibetan side; embroidered cushions, pash- Chinese government before he escaped. He nev- with limited hours, foot traffic was predictably slow. mina shawls and yak wool scarves speak to her er fully recovered, dying at age 53 and leaving Shekhang sanitized and cleaned frequently, wait- Indian upbringing. Himalayan Arts stands out in five children. Searching for a vocation, Shekhang ing for new customers. Summer festivals, usually Trolley Square, and a large part of the store’s ap- was able to attend an Indian school for tailoring an opportunity for Shekhang to meet new people peal is how much custom, authentic merchandise is opened by the Dalai Lama through the Tibetan and grow her business, were all canceled. Shek- available. The store takes personalized orders for government-in-exile. There, she learned to sew, de- hang adapted and began making custom masks Tibetan thangkas painted by Shekhang’s brother sign and make her own patterns, embroider and (for those with beards, for children, masks with and and Shekhang herself creates custom embroidered knit—all skills that would eventually bring Hima- without nose wires) to attract new customers and dresses, blouses and skirts. This winter, they offer layan Arts to fruition. Eventually, in 1993, the U.S. relied on regulars to keep Himalayan Arts afloat. sheep and wool sweaters, mittens, booties, socks government offered resettlement for 1,000 Tibetan and handmade owl and dinosaur themed jackets refugees through a lottery system. Shekhang was “We are so grateful for our regular customers for children. Face masks, free with a $25 purchase, lucky enough to be selected. whose support has been relentless,” Shekhang can also be customized. According to Shekhang, says. “We have many patrons who make a con- her designs for embroidered dresses are popular “Two days after I came to Utah, I started a sewing scious effort to shop from small businesses like with women who are looking for modest yet intri- job at Flatland Mountain and started taking ESL mine, and I cannot express my feeling of gratitude cate designs for church and work, and her adjust- lessons,” Shekhang says. “I worked a full-time and and community. We ask people to support small able-length harem and non-harem pants are favor- a part-time job and saved everything I could. My businesses through this holiday season by coming ites across gender lines. husband and two children joined me six years later. to visit Trolley Square while wearing a mask and We found Utah to be a great place to raise a family maintaining social distance.” This is all to say that there’s a whole lot of custom and met many good, kind people.” product at Himalayan Arts, and the effort that takes For small businesses like Himalayan Arts who de- should not go unappreciated. When Shekhang be- Himalayan Arts had its start as a vendor at small pend on the kind of foot traffic that could now en- gan offering her own designs, ensuring the highest weekend festivals in the Salt Lake area. “I started danger others, every purchase counts. While our quality meant navigating the world of suppliers on with Tibetan silver jewelry—turquoise, coral and government may refuse to directly aid us and our top of running a business. “It was like going to busi- lapis—meditation items like singing bowls and in- neighbors, consider making the time to shop at local ness school while running a small business,” she cense, and some clothing from India,” Shekhang businesses who take responsible safety measures. says. “At first, many of my custom design orders says. Customers encouraged her to open a store, You can plan your visit to Trolley Square and Hi- were not to my specification and design, and I had and so in 2012, “I quit my two jobs and, with a malayan Arts at trolleysquare.com/himalayan-arts. to redo a lot of the work. At other times, I repurposed prayer, opened my small shop in Trolley Square them [in]to children’s clothing to reduce waste. I still mall with help from the amazing management team do this during any downtime at the store.” and the owner’s support; eventually landing in my SaltLakeUnderGround 41 Top: (L–R) As Half Pint Studio, Allison and Skye Bitzer use vintage printing processes Half Pint Studio to create their unique prints By Theadora Soter and cards. [email protected]

Photos courtesy of Half Pint Studio

In a snowy backyard, behind a house not far from the heart of Salt Lake City sits a dark, turquoise shed with a wooden door and sides lined with windows. The shed Bottom: A sampling of the belongs to Allison and Skye Bitzer, the vibrant products printed local couple who founded Half Pint Studio through Half Pint Studio. printing press. When I asked Allison and Skye why they named their labor of hard work and love “Half Pint,” they had a few different answers: the small blue shed, the shared love of beer and ice-cream—“we’re also short,” Allison says. The tone of the response warrants a giggle and we all chime in laughing, a continuous theme of the interview proving that Allison and Skye really are the fun, carefree people they seem to be. And, their work reflects that.

Half Pint is about three years in the making, but it goes back to a time way before the the success of Half Pint. company’s conception. Allison and Skye Skye is quick to describe met in Junior High, and have always been their process, and takes involved in each other’s lives in some way it as an opportunity to or another. They grew up together, married compliment his wife. He each other, and are now creative partners says, “Allison takes the who spend the days together in a little blue initiative and is a master shed behind their house—if that’s not the with the stationary. I’m dream, I don’t know what is. When I asked just a boring designer—” how they make it all work, Allison says: “Lots She cuts him off: “Oh and lots of therapy!” We all laugh. “But my gosh, no. You’re really, we have such a strong relationship the detailed designer!” because we have known each other for so It’s clear that they do Skye doesn’t deny the difficulty that long. We are a bit of yin and yang and it balance each other out. really does work,” she says. “We balance accompanies the vintage process. “Sure, these machines are challenging sometimes, each other out. We just really enjoy what The actual process that results in Half and yes, they’re more restrictive in what you we do so we make it work. We both have Pint’s beautiful stationery is one of true can and can’t print with them, but they’re always wanted this business, and there’s craftsmanship, and the way that both Allison also a reminder that sometimes less is more, so much reward that comes from building and Skye talk about it shows their passion old can be new, and quality is better than something with your partner and seeing it and dedication to their work. The couple quantity,” he says. Allison agrees, saying grow and succeed.” started out screenprinting but ultimately that “we create things that exist beyond a landed upon the technique of letterpress computer, things of quality—you can feel it Skye and Allison have both worked printing. “We have a pretty hands-on in the paper. You lose a lot of the character around print and design for a long time. process and a lot of care and craft goes into with technology,” Allison says, “It’s a control While attending college together, Skye everything we print,” Skye says. “Basically, thing, too. We’re both very controlling.” studied graphic design and Allison studied we like the idea of making things that are a Once again, we laugh and the authenticity printmaking. They worked individually for a little precious, and that you might think twice of the couple and their work shines through. time, but the goal was always to create a about throwing away. Things that might place of their own. In fact, they bought their even be artifacts in the future.” Skye and Half Pint is the definition of a modern ma-and- house with the intention of having a garage Allison also learn a lot from the machinery pa local print shop. Skye and Allison offer in the back that could be transformed into itself, which is not what you would call an array of stationery while also offering a a studio. Skye says the goal was always to modern by any means. “You could say some unique and personalized experience, “take all that knowledge and bring it home.” of our philosophy is inspired by the presses and their goal is to keep the tradition And they did—literally. Although Allison themselves: They’re 60–70 years old, and of the local print shop alive by was the one with expertise in printmaking the quality and engineering that went into creating quality work for the community and Skye focused on the design side, them is just astounding. They function almost around them, and they’re succeeding. they flipped roles as their business grew. exactly as they did when they were made,” Skye says, “Allison had always been into says Skye. stationary and I was into the printing side of If you want to support the couple’s work, it.” Their creative process is a collaborative check out their Instagram @halfpint.studio. one, and they both contribute equally to

SaltLakeUnderGround 43 11 Adult The Venture Bros. CONTENT SHIFTER Swim Xmas (Hulu) Episodes “A Very Venture Christmas” (Season 1, Episode 14): This twisted riff on A Christmas Story finds By Bill Frost • [email protected] Dr. Venture repeatedly waking from dreams within dreams within dreams, one of which involves him escaping being sodomized by Krampus. The Xmas dreamscapes also feature several guest As this tattooed-anarchist-commie-progressive-liberal publication continues to wage War on Christmas (which I will refer to as Xmas from characters from Venture lore, including archenemy The Monarch, who’s plotting to blow up the here on out), Content Shifter is all-in on the holidays. Why? Because spending time with TV is far more rewarding than wasting it with family. Venture compound with a C4 Baby Jesus. This is all more poignant than it sounds. The ultimate TV source of Xmas Joy™ is Adult Swim. Here are 11 of the best yuletide episodes from Adult Swim to stream between eggnog blackouts.

Morel Orel Space Ghost Coast to Coast (HBO Max) (HBO Max)

“The Best Christmas Ever” (Season 1, Episode 10): One of the most gloriously anti-Christian TV “Waiting for Edward” (Season 5, Episode 12): As talk show host Space Ghost attempts to inter- series of all time, stop-motion-animated Moral Orel went dark AF for Xmas. Young boy Orel view guest star Denis Leary (it’s 1998; Leary was a thing), Moltar announces that not only believes his little brother Shapey is the reborn, vengeance-hungry Jesus, and, equally distressing, is he going to blow up the planet, but he’s also throwing a Total Devastation Sale (“30% off all his parents are divorcing. With two minutes left of Xmas, Orel finds his dad getting drunk at the men’s outerwear!”). After the planet explodes, cut to Space Ghost telling a group of children, local bar (“Forgetty’s”) and prays for divine intervention. Nothing happens; fade out. Chef’s kiss. “And so, kids, that’s the story of how I saved Christmas—now get back to work, ya fat humps!”

Metalocalypse The Boondocks (HBO Max) (HBO Max)

“Dethmas” (Season 3, Episode 4): World-famous metal band Dethklok welcome erstwhile clown Dr. Rockzo into their castle at Xmas, who then sells their gifts for cocaine (as clowns “A Huey Freeman Christmas” (Season 1, Episode 8): Huey takes creative control of his elemen- do). Meanwhile, bassist Murderface hosts a Christian Xmas special, which ends with rhythm tary school’s annual Xmas play, firing his classmates, hiring musical director Quincy Jones guitarist Toki being crushed under a giant cross and Dr. Rockzo receiving a handjob from and casting a Black Santa. This eventually gets Huey’s liberal, white teacher fired, but of course lead guitarist Skwisgaar’s drunk mom. Lead singer Nathan still doesn’t believe the special he lands a college professorial job in African-American studies. Meanwhile, Riley and Uncle is “brutal” enough. Ruckus raise hell at the mall. Better—and more racially inclusive—than A Charlie Brown Christmas.

Aqua Teen Hunger Force Squidbillies (HBO Max) (HBO Max)

“Cybernetic Ghost of Christmas Past from the Future” (Season 1, Episode 18): The Aqua Teen “The War on the War on Christmas” (Season 11 episode 9): Local millionaire Dan Halen installs Hunger Force’s next-door neighbor Carl is visited by the Ghost of Xmas Past, who happens to be a multicultural evergreen representing all religions at the Dougal County shopping center for a psychotic robot. The robot tells Carl and the ATHF that the original Santa Claus was an ape Xmas, which angers Christian redneck Early. After nailing himself to a cross at Halen’s Winter (“Sir Santa of Claws”) as he fills Carl’s above-ground pool with elf blood. To get rid of the robot, Solstice Festival, Early sets out to take back “Merry Christmas” from PC culture and Starbucks, Carl sells his house to Glenn Danzig, who thinks the elf-blood pool is the home’s best feature. only to bring the evergreen crashing down and killing bystanders. Bill O’Reilly smiles up from hell.

Rick & Morty Black Dynamite (HBO Max, Hulu) (HBO Max)

“Anatomy Park” (Season 1, Episode 3): Rick brings a homeless man in a Santa suit to the house “A Crisis at Christmas or The Dark Side of the Dark Side of the Moon” (Season 1, Episode 5): and creates a Jurassic Park–esque amusement plaza in his body. After Morty is microscopically To get the poor children of the Whorephanage moon rocks for Xmas, Black Dynamite joins O.J. shrunk and injected into Anatomy Park, the Santa dies and Morty is trapped in the park and hunted Simpson on a lunar mission. But, when O.J. leaves him stranded on the moon, everyone believes down by viruses and bacteria (too soon?). Rick takes the Santa body to space and explodes it, BD to be dead—and they’re cool with it. When Black Dynamite finally returns with the moon rescuing Morty as Earth is showered with blood and guts. Also, Jerry still sucks. rocks, he flushes them down the toilet because the kids are “ungrateful.” Damnstraight .

NTSF:SD:SUV Tom Goes to the Mayor (Adult Swim) (Adult Swim)

“Wreck the Malls” (Season 3, Episode 12): The terrorist-busting NTSF:SD:SUV crew attempt to “Rats Off to Ya” (Season 1, Episode 4): When Tom comes up with an idea to sell novelty “Rats stop an evil Santa and his elf goons from taking a mall hostage to steal valuable Petey the Pitbull Off to Ya”’ T-shirts to raise money for his son’s Xmas present, The Mayor gets him a kiosk at the dolls. Inside the mall, team wildcard Trent races against time to save his sons (Cherokee and Jeri- mall. Soon, “Rats Off to Ya” is stolen by a chain store and turned into a pop-culture hit, leav- cho—nice), Die Hard–style. After Santa is literally torn apart by crazed shoppers, we’re left with ing Tom penniless. But he concludes that the joy he inadvertently brought to people is the true the moral of the story: “Don’t trust anyone you love, and don’t love anyone you trust.” reason for the season—as is getting fucked over by local government and corporate America.

44 SLUGMag.com SaltLakeUnderGround 45 With winter and the holiday season comes a lot more time spent indoors. If you’re tired We have another gentleman who comes in of killing time with the same old board regularly and gets games to play with his games that spark family arguments every sons. They do not live with him, and the year, why not try something new? The time they have together can be limited. world of games has been experi- The shared experience that you gain from encing a renaissance over the last learning to play a game and then playing decade, and the options are more it with other humans is tremendous, and creative and engaging than ever. you see this even more in children. Here, Oasis Games Owner and Director Alex Sittner talks what SLUG: What games have been selling board games offer during the darker best recently? months and which games you can Sittner: Cover Your Assets, Secret pick up at Oasis Games. Hitler, Settlers of Catan and Pandemic, the cooperative game of SLUG: For those unfamiliar, preventing a deadly virus what is Oasis Games? from overthrowing the world. Alex Sittner: Oasis is a retail store for any games SLUG: Can you share you don’t need a computer A Smorgasbord some games you think are to play with another human. destined to be classics? We operate a beautiful of Board Games Sittner: First off is Klask! and welcoming community Fast-paced and taking 10 By Rio Connelly • [email protected] || Illustration: Ricky Vigil space for tabletop gamers seconds to learn, it has to meet friends new and become one of our favor- old. We offer a massive ite ways to settle inter-office variety of board games both disputes. Sheriff of Nottingham new and used. We also have is a bluffing game by Arcane a program for buying people’s Wonders. It is a quick-moving older games so that they can get new game that everyone is constantly ones even easier. involved in. It gives a chance to figure out who the best bluffers SLUG: How did you get into in your friend group are. The tabletop gaming, and what do last is Age of Dirt, a brand-new you enjoy about it? game in which each player Sittner: I have been gaming is given a tribe of cave- for my entire life, since my men. I don’t want to give brothers started getting too much away, but on your me into Dungeons & way to earning 10 points, Dragons at age 5. I you will fight tigers and love it as an outlet bears, and even use a to solve puzzles, giant hammer. build my prob- lem-solving abili- SLUG: Why should ties, compete and people be playing and meet people who gifting games right now? liked those things Sittner: The shared expe- as much as I do. rience with other people— learning and enjoying the SLUG: Everyone game together can be such has played classic Oasis Games in downtown SLC of- an amazing experience and board games like Risk, Monopoly and Clue. fers over 2,500 games for a fun yule- a great way to spend time with family members What do newer board games do to make their tide time away from the screen and who may not have tons of things in common. experience different? among loved ones. Sittner: The largest difference is that the games SLUG: Why is Oasis a premier local spot to have gotten very diverse, and because of the get games? growth, they have been able to create games in are playing them a lot more. We have seen a big Sittner: Our amazing team of rock-star employ- a lot of categories that would have never been rise in family games and games that can be played ees who know more about board games than just explored before. If you are someone who loves with a varied number of players. about anyone, ... [and] we offer a selection of over science fiction and space travel, [or] if you are 2,500 games to buy and play at home with friends. someone who loves wine and touring vineyards This couple came in to find a game they could play around the world and learning about vintages, together. Unlock! is basically an escape room in a Whether for gift ideas or just something to fill there is a game for you. box. They purchased the first one and brought it time, check out Oasis Games and have some fun! home that night and played it together. The very Learn more or shop online at oasisgamesslc.com, SLUG: How has the pandemic affected board next day, they came back in and said it was so and check out the store itself for some socially game retail at Oasis? much fun [that] they had to get another one. They distanced browsing. Sittner: People love games, and because there came in each week for a while going through every is so much more time being spent at home, folks Unlock! game we had in stock.

Oasis Games • 275 E. 400 South, SLC, 84111 • Monday–Sunday, 11 a.m.–7 p.m. • T. 801.738.4413 SaltLakeUnderGround 47 As 2020 rolls to a close and the music world at large remains virtually unrecog- of new singles from local artists, a set of music that showcases the breadth of nizable from its former self, Utah’s shining musical talents relentlessly continue our state’s artistic offerings; four songs harnessing an awe-inspiring emotional, to provide us with stellar songs and sublime sounds. Find here four reviews stylistic and creative range between them.

“Late Night” Self-Released Street: 10.17 KOBA = Lil Uzi Vert + Lxst + 6lack Dropping their second track of 2020, local rapper KOBA is hitting us with the afterparty cut of the year with “Late Night.” Following months after the release of “Purple Haze,” “Late Night” pairs well with its downtempo sound and long-night, moody atmosphere. Opening with a melodic guitar, the beat builds as KOBA’s vocals pierce through, with reverb-soaked bass topping the beat off. “Late Night” creates an atmosphere of smoke- filled rooms illuminated by late-night street lights where the party is just getting started. KOBA is someone that

KOBA should be on everyone’s radar for making impressive, mood-building rap. –Connor Brady

“420 to SLC” Self-Released Street: 10.16 Savage Daughters = ESG’s Step Off + Bastro On Savage Daughters’ astounding new song, “420 to SLC,” the trio of Summer Sigritz and Alex and Tut Lopez envelops themselves in a fog that shrouds the intersection of fear, pain and ecstasy. Across the song’s runtime, the group rev up and down between tight-knit punk aggression and lead-heavy slow burns, uniting these disparate parts with a web of pinging guitar effects and sludgy reverb. As “420 to SLC” explodes into its final peak, a delirious combination of the song’s electrifying shouted refrain and a stone-faced, spoken word background vocal implodes distant antonyms into a shining, swirling cloud. Loud is soft, fast is slow, anger is

Savage Daughters Savage happiness—Savage Daughters create music that gargles paradox and spits out self-shaped magic. –Audrey Lockie

“BELLADONNA” discoSPRINKLES Street: 10.24 SONIALOXO = Dua Lipa x Lady Gaga Belladonna, or as some call it, deadly nightshade, is a drug disguised in the shape of a delicious berry. It’s so potent that it can kill children. It’s toxic, and in Italy, women used it to enlarge their pupils and make them more beautiful. All this context is needed to understand SONIALOXO’s new single, “BELLADONNA,” a maddening, near-three-minute, electric-dipped pop song. Upon first listen, it seems the lyrics don’t make any sense, as if the narrator is changing perspectives from verse to verse. That’s the effect of belladonna person- ified—accordingly, both the muse and narrator of this single. Simply put, this song is a trip, “and SONIA-

SONIALOXO LOXO uses “BELLADONNA” to capture listeners under her terrifying, but exhilarating, spell. –Palak Jayswal

“This is My Day” Forget Me Not Street: 07.10 Valerie Rose Sterrett = Jenny Lewis + Oasis Ogden-based singer-songwriter Valerie Rose Sterrett’s new single, “This is My Day,” arrives with a retro-flared music video. This tune molds alt-rock and psychedelia together, alongside empowering lyrics about seizing the darkest of days. The video taps into ’60s-revivalism, with Sterrett sporting a red-headed beehive hairdo and thigh-high boots while the remaining four-piece dons complementing, colorful attire. The focal point of the video is the band grooving with their instruments in front of a white background, until a kaleidoscope vision takes over. A distorted guitar solo wails as the members trippily swirl around before returning for one more

Valerie Rose Sterrett clap-along chorus.”This is My Day” embodies a nostalgic catchiness that’s undeniably notable. –Kenz Waldon

48 SLUGMag.com SaltLakeUnderGround 49 By Chris and Sylvia Hollands [email protected] [email protected] Beer Name: the murky liquid, which creates a uniform and smooth head, ending Narwhal 2020 with a rocky and uneven visual. Brewery: Sierra Nevada This layer remains for several min- Brewing Co. utes before eventually subsiding ABV: 10.2% into the sea of darkness. The aroma Serving Style: is familiar with sweet, malty sugar 12-ounce bottle mixed with toasted dark-roast cof- fee, giving a hint of something to hook you. That hook is the presence of the roasted malt blending with black premium coffee, and the beer finishes with a hint of black licorice that is prevalent throughout con- sumption. As this beer warms up, you can genuinely enjoy the smooth mouthfeel and ever-present alcohol dancing on the tongue. Over the years, this staple beer is consistent.

Overview: It’s stout season, so it seems appro- Sierra Nevada, one of the most well- priate to dive into the darker Nar- known early craft beer pioneers, whal to close out this interesting paints the Narwhal as a monster. start of the decade. Honestly, we Although all signs point to this be- generally do not adhere to the “stout ing a pretty accurate assumption, season” mantra, per se; we’ll enjoy there’s something especially import- these delicious brews during any of ant about sticking to the basics and the 365 days. Admittedly though, holding on to tradition. Truth be they do seem to be more appeal- told, Narwhal may have been a ing during the colder months of the beast back in the day with its mon- year with their robust flavors and ster-size ABV compared to many stronger-than-most alcohol content. in its close peer group. But by to- Sierra Nevada Brewing Co. has what day’s standards, there are, in fact, seems like a suitable offering. In a many beers that can topple this one world full of adjunct-infused pastry over in the imperial stout category. stouts and carefully blended, bar- Where Sierra Nevada wins is that rel-aged ales, it’s nice to find a more we can count on something each traditional take on the style. Sierra year from the brewery and know Nevada’s annual release of their exactly what we’re going to get. It’s Narwhal imperial stout is something this level of quality that makes the we like to pick up every year. It’s beer so special. a bit of a throwback brew for us, and this point of nostalgia is uplift- In addition to the Narwhal, Utah is ing during “these uncertain times.” lucky to have many other beers of Since imperial stouts age well, we this kind that can be found from our like to save multiple years’ worth of own local craft breweries. Squat- releases to enjoy and test the verti- ters’ Outer Darkness, Red Rock’s cal. If you have the chance, be sure Drioma and 2 Row’s Dark Alley are to grab a few extras! some amazing go-to stouts that you can generally find available most Description: times of the year. So yes, it’s cold, Their Narwhal imperial stout comes and sure, this is “stout season,” in a familiar 12-ounce bottle labeled but don’t skip on these beers the with a picture of the titular beast. rest of the year. Narwhal usually Unlike the friendly narwhal who ush- makes its appearance known at ers away Buddy the Elf, this narwhal the DABC come fall, so look for has more in common with the great it there, and don’t miss out on the leviathan in Moby Dick. After remov- many local options out there to en- ing the bottle top, the faint sound of joy year-round. a short hiss from the blowhole can be heard. After the release, we pour Cheers! 50 SLUGMag.com SaltLakeUnderGround 51