Get to Know Silk! Silk Is Known As One of the Most Highly Prized and Sought After Fibers for the Last 5,000 Years
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Silk, Linen, Leather, Denim, Grass, Cotton, Felt
Silk, linen, leather, denim, grass, cotton, felt. Natural materials keep the integrity of their shape yet hold an impression of the figure that has worn them. Fit-out for Olivia Spencer Bower speaks to the fabrics and forms that we live in. An assortment of garment patterns, building plans and the lifestyles of art heroines provide templates or underlying structures for Emma Fitts’ installation at the Ilam School of Fine Arts gallery. Adopting the layout of a modernist home and featuring a series of fabric hangings and clothing cutouts, Fitts’ work acutely relates to our situated knowledge, the proportions of the body and our experience of space, while also implying much less measurable qualities. Alternative histories that reveal the social relationships and values of a bygone era are incorporated to form a homage of sorts, though these references are evoked to shed light on the present–what it means to live and make work as an artist today. The gallery is physically divided by four large textile works, hung from the ceiling according to the walls shown in architectural plans for 15A Leinster Avenue, Christchurch–the former home of artist Olivia Spencer Bower (1905- 82). These soft walls enable visitors to occupy the space as though wandering through her actual house: living room, kitchen, sunroom, bedroom and studio. Designed in 1969 by architects Cowey and McGregor in the Christchurch style of neo-brutalism, the house was commissioned to accommodate the needs of a female artist living alone. There is an emphasis on form developed in relation to function and it is both refined and compact, manifesting these ideals. -
A Research on Yarn and Fabric Characteristics of Acrylic/Wool/Angora Blends
(REFEREED RESEARCH) A RESEARCH ON YARN AND FABRIC CHARACTERISTICS OF ACRYLIC/WOOL/ANGORA BLENDS AKRİLİK/YÜN/ANGORA LİFİ KARIŞIMLARINDAN ÜRETİLEN İPLİK VE KUMAŞLARIN ÖZELLİKLERİ ÜZERİNE BİR ARAŞTIRMA Gamze SÜPÜREN MENGÜÇ * Ege University, Emel Akın Vocational Training School, 35100, Bornova-İzmir, Turkey Received: 05.01.2016 Accepted : 09.03.2016 ABSTRACT Acrylic fibers are one of the most commonly used synthetic fibers and due to its low thermal conductivity, good shape retention and durability properties, they have a large application area in knitted garment industry. Acrylic fibers are also used in blends to benefit from more prominent features of other fibers. Wool with having good wrinkle resistance, moisture absorption and warmth is a good blend material for acrylic. In order to get superior tactile properties, luxury animal fibers can also be used in acrylic blends, despite there are spinning difficulties and production limitations for these fibers. In this study, acrylic fiber and its blends with wool and Angora rabbit fiber were investigated for their yarn and fabric properties. According to the experimental results and the statistical analyses, it was concluded that, blending acrylic fiber with wool and Angora rabbit fiber, increases the CVm, thin/thick places and neps of the yarn. Yarns containing 100% acrylic and 70% acrylic/10% wool/20% angora have the highest tensile strength. In case of yarn friction coefficients, 70% acrylic /20% wool /10% angora containing yarn has the highest coefficient of yarn to pin and yarn to yarn friction values. However, 70% acrylic/30% angora and 100% acrylic yarns have lower values, supplying smoother yarn surface. -
2019-The Benthic Sea-Silk-Thread Displacement of a Sessile Bivalve
The benthic sea-silk-thread displacement of a sessile bivalve, Pinctada ANGOR UNIVERSITY imbricata radiata (Leach, 1819) in the Arabian-Persian Gulf Giraldes, Bruno Welter; Leitao, Alexander; Smyth, David PLoS ONE DOI: 10.1371/journal.pone.0215865 PRIFYSGOL BANGOR / B Published: 01/05/2019 Publisher's PDF, also known as Version of record Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): Giraldes, B. W., Leitao, A., & Smyth, D. (2019). The benthic sea-silk-thread displacement of a sessile bivalve, Pinctada imbricata radiata (Leach, 1819) in the Arabian-Persian Gulf. PLoS ONE, 14(5), [e0215865]. https://doi.org/10.1371/journal.pone.0215865 Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 28. Sep. 2021 RESEARCH ARTICLE -
“Al-Tally” Ascension Journey from an Egyptian Folk Art to International Fashion Trend
مجمة العمارة والفنون العدد العاشر “Al-tally” ascension journey from an Egyptian folk art to international fashion trend Dr. Noha Fawzy Abdel Wahab Lecturer at fashion department -The Higher Institute of Applied Arts Introduction: Tally is a netting fabric embroidered with metal. The embroidery is done by threading wide needles with flat strips of metal about 1/8” wide. The metal may be nickel silver, copper or brass. The netting is made of cotton or linen. The fabric is also called tulle-bi-telli. The patterns formed by this metal embroidery include geometric figures as well as plants, birds, people and camels. Tally has been made in the Asyut region of Upper Egypt since the late 19th century, although the concept of metal embroidery dates to ancient Egypt, as well as other areas of the Middle East, Asia, India and Europe. A very sheer fabric is shown in Ancient Egyptian tomb paintings. The fabric was first imported to the U.S. for the 1893 Chicago. The geometric motifs were well suited to the Art Deco style of the time. Tally is generally black, white or ecru. It is found most often in the form of a shawl, but also seen in small squares, large pieces used as bed canopies and even traditional Egyptian dresses. Tally shawls were made into garments by purchasers, particularly during the 1920s. ملخص البحث: التمي ىو نوع من انواع االتطريز عمى اقمشة منسوجة ويتم ىذا النوع من التطريز عن طريق لضم ابر عريضة بخيوط معدنية مسطحة بسمك 1/8" تصنع ىذه الخيوط من النيكل او الفضة او النحاس.واﻻقمشة المستخدمة في صناعة التمي تكون مصنوعة اما من القطن او الكتان. -
Sea-Silk Based Nanofibers and Their Diameter Prediction THERMAL SCIENCE: Year 2019, Vol
Tian, D., et al.: Sea-Silk Based Nanofibers and Their Diameter Prediction THERMAL SCIENCE: Year 2019, Vol. 23, No. 4, pp. 2253-2256 2253 SEA-SILK BASED NANOFIBERS AND THEIR DIAMETER PREDICTION by * Dan TIAN, Chan-Juan ZHOU, and Ji-Huan HE National Engineering Laboratory for Modern Silk, College of Textile and Clothing Engineering, Soochow University, Suzhou, China Original scientific paper https://doi.org/10.2298/TSCI1904253T Diameter of sea-silk based nanofibers prepared by electrospinning is closely re- lated to the concentrations of sea-silk solution. A mathematical model is estab- lished according the mass conservation law in fluid mechanics to predict the di- ameter of fibers, and the MATLAB software is used to fit the experiment value. The results show that the fitted equation is quite accurate and efficient for estimating the diameter of fibers with different concentrations. Key words: electrospinning, sea-silk, mathematical model, nanofiber, fiber’s diameter. Introduction Electrospinning is an effective way to prepare nanofibers, it is a fabrication process that uses an electric field to control the deposition of polymer fibers onto a receptor [1-8]. In electrospinning process, the diameter of nanofiber is determined by many factors, like volt- age, viscosity of solution, receptor’s distance, environment temperature, environment humidi- ty, etc. [9, 10]. Nanofiber’s diameter and morphology can also be controlled by additives [11]. The sea silk is one of the oldest natural silks, which has a history of more than 5000 years [12-16], and now we can produce artificial sea silk through Mytilus edulis. To this end, we extract protein from Mytilus edulis and then use it as an additive for electrospinning, this maybe has some effects on the morphology of fibers. -
Natural, Artificial and Synthetic Fibres: Because There Are Differences...There Are Many...And It Is Important to Know Them
Deepening T.SILK | Natural, artificial and synthetic fibers. Because there are the differences… there are many… and it is important to know them Natural, artificial and synthetic fibres: because there are differences...there are many...and it is important to know them. Natural fibres are those obtained through simple mechanical processes that do not modify the structure. They differ between natural fibres of animal origin (wool, angora fur, camel fur, cashmere fur, mohair fur, alpaca fur, llama fur, vicuna fur, bison fur, qiviut fur, sea silk, down) and vegetable (cotton, linen, hemp, jute, ramie or nettle, sisal, coconut, broom, hibiscus, manila, straw, bamboo, soy, kapok). - Silk Chemically: • Fibroin – highly biocompatible and biodegradable natural polymer protein (carbon 47.6% Hydrogen 6.39% Nitrogen 18.33% Oxygen 27.68%) • Sericin – natural protein with a unique affinity to other human proteins (carbon 46.50% Hydrogen 6.04% Nitrogen 16.50% Oxygen 30.96%) Amino acid components: GLYCINE (Helps to trigger the oxygen release process) - ALANINE (Important source of energy for muscle tissue) - SERINE (Source of glucose storage in the liver and muscles) - ASPARTIC ACID (Helps the expulsion of harmful ammonia from the body) - GLUTAMIC ACID (Considered as a natural "food for the mind") - VALINE (Stimulates mental vigour and muscle coordination) - PROLINE (Important for the correct functioning of joints and tendons) - THREONINE (Important constituent of collagen) - LYSINE (Ensures adequate calcium absorption) - ARGININE (Improves the immune -
Nylon Wool Fiber Columns
U.S. Corporate Headquarters Polysciences Europe GmbH Polysciences Asia-Pacific, Inc. 400 Valley Rd. Badener Str. 13 2F-1, 207 DunHua N. Rd. Warrington, PA 18976 69493 Hirschberg an der Taipei, Taiwan 10595 1(800) 523-2575 / (215) 343-6484 Bergstrasse, Germany (886) 2 8712 0600 1(800)343-3291 fax +(49) 6201 845 20 0 (886) 2 8712 2677 fax [email protected] +(49) 6201 845 20 20 fax [email protected] [email protected] TECHNICAL DATA SHEET 425A Page 1 of 2 Nylon Wool Fiber Columns BACKGROUND NYLON WOOL FIBER VS. SHEEP RBC ROSETTING METHODS Researchers have been using nylon wool fiber procedures to separate T-cell and Wong and Mittal (1981)9 did extensive research comparing the methods of Nylon B-cell lymphocytes for more than 20 years. In the early 1970’s M. H. Julius et al Wool Fiber separation and the commonly- used and well-studied sheep RBC (1973),1 Eisen et al (1972),2 and Greaves & Brain (1974)3 described specific (SRBC) rosetting.10,11 Wong and Mittal were interested in isolating B-cells for conditions for the use of Nylon Wool Fiber in columns or plastic straws. These serologic typing of HLA-DR antigen. protocols resulted in yields of 50-90% T-cell recovery and 10-100 fold B-cell depletion. Wong and Mittal concluded that “Due to its simplicity and reliability, nylon wool adherence may be preferred over the SRBC rosette method for the routine pheno- These early researchers found it necessary to scrub or wash their Nylon Wool Fiber typing of B-cells.” Their findings are illustrated in Table 1. -
This Lightweight Scarf Feels Like a Dream. the Mohair and Silk Yarns
Weave Weave Weave This lightweight scarf feels like a dream. The mohair This lightweight scarf feels like a dream. The mohair This lightweight scarf feels like a dream. The mohair and silk yarns used in the warp and as the weft give and silk yarns used in the warp and as the weft give and silk yarns used in the warp and as the weft give this scarf its softness, while the other yarns add a lot this scarf its softness, while the other yarns add a lot this scarf its softness, while the other yarns add a lot of fl air and interest. of fl air and interest. of fl air and interest. YARNS YARNS YARNS Tahki Stacy Charles lace, DK, and worsted weight Tahki Stacy Charles lace, DK, and worsted weight Tahki Stacy Charles lace, DK, and worsted weight yarns. yarns. yarns. WEAVE ON WEAVE ON WEAVE ON THE CRICKET THE CRICKET THE CRICKET LOOM BY LOOM BY LOOM BY SCHACHT SCHACHT SCHACHT STRUCTURE WARPING STRUCTURE WARPING STRUCTURE WARPING Balanced plain weave. We measured Luna, Stella, Balanced plain weave. We measured Luna, Stella, Balanced plain weave. We measured Luna, Stella, EQUIPMENT Crystal and Eclipse yarns seper- EQUIPMENT Crystal and Eclipse yarns seper- EQUIPMENT Crystal and Eclipse yarns seper- Schacht 10” Cricket Loom; ately on a warping board. See Schacht 10” Cricket Loom; ately on a warping board. See Schacht 10” Cricket Loom; ately on a warping board. See 8-dent Cricket rigid heddle reed; “warping plan” below. Thread 8-dent Cricket rigid heddle reed; “warping plan” below. Thread 8-dent Cricket rigid heddle reed; “warping plan” below. -
Judging Wool and Mohair
AS3‐4.058 Judging Wool and Mohair Contents WOOL ........................................................................................ 3 Shrinkage and Yield .................................................................... 4 Scoring ........................................................................................ 4 Bulkiness ............................................................................ 5 Length ................................................................................ 5 Soundness and Purity ......................................................... 5 Quality ................................................................................ 7 Character ............................................................................ 7 Color ................................................................................... 7 MOHAIR .................................................................................... 7 Grading ....................................................................................... 7 Scoring ........................................................................................ 7 Fineness and Uniformity .................................................... 7 Staple Length.................................................................... 10 Character .......................................................................... 10 Softness ............................................................................ 10 Luster .............................................................................. -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
Biodiversity of Sericigenous Insects in Assam and Their Role in Employment Generation
Journal of Entomology and Zoology Studies 2014; 2 (5): 119-125 ISSN 2320-7078 Biodiversity of Sericigenous insects in Assam and JEZS 2014; 2 (5): 119-125 © 2014 JEZS their role in employment generation Received: 15-08-2014 Accepted: 16-09-2014 Tarali Kalita and Karabi Dutta Tarali Kalita Cell and molecular biology lab., Abstract Department of Zoology, Gauhati University, Assam, India. Seribiodiversity refers to the variability in silk producing insects and their host plants. The North – Eastern region of India is considered as the ideal home for a number of sericigenous insects. However, no Karabi Dutta detailed information is available on seribiodiversity of Assam. In the recent times, many important Cell and molecular biology lab., genetic resources are facing threats due to forest destruction and little importance on their management. Department of Zoology, Gauhati Therefore, the present study was carried out in different regions of the state during the year 2012-2013 University, Assam, India. covering all the seasons. A total of 12 species belonging to 8 genera and 2 families were recorded during the survey. The paper also provides knowledge on taxonomy, biology and economic parameters of the sericigenous insects in Assam. Such knowledge is important for the in situ and ex- situ conservation program as well as for sustainable socio economic development and employment generation. Keywords: Conservation, Employment, Seribiodiversity 1. Introduction The insects that produce silk of economic value are termed as sericigenous insects. The natural silk producing insects are broadly classified as mulberry and wild or non-mulberry. The mulberry silk moths are represented by domesticated Bombyx mori. -
Lee Luna.Pdf (3.311Mb)
RESPONSIBLE SILK – A PLAN OF ACTION FOR EILEEN FISHER A Project Paper Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies in Agriculture and Life Sciences Field of Global Development by Luna H. Lee August 2019 © 2019 Luna H. Lee ABSTRACT For apparel companies, agriculture is connected but often far removed. For EILEEN FISHER, being a socially conscious clothing company does not stop at the finished garment level. The company has been tracing its raw material supply chains for a few years, and is interested in expanding its human rights and environmental sustainability work to include the wellbeing of farmers and the land. In recent years, the company has started engaging suppliers and other external stakeholders at the agricultural level for cotton, wool, and man-made cellulosic. Silk is one of the top five fibers at EILEEN FISHER, representing 8% of its total materials in 2018, but one that is not well studied by the company. Grounded in literature review, this paper examines the different dimensions of the silk agricultural supply chain; the people, the land, and the silkworm. A review of the company’s silk supply chain revealed that 100% of its 2018 silk fiber comes from China, but little is known about its supply chain beyond the yarn spinner level. In collaboration with the company, a survey is conducted with its silk suppliers to trace the origin of silk cocoons within China. Findings indicates that the company’s silk originates from the provinces of Jiangsu and Guangxi.