"I Have My Coven Now": Transgender Experience in the Central Florida Pagan Community

Total Page:16

File Type:pdf, Size:1020Kb

University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2021 "I Have My Coven Now": Transgender Experience in the Central Florida Pagan Community Alison Whitmore University of Central Florida Part of the Anthropology Commons, Gender and Sexuality Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Whitmore, Alison, ""I Have My Coven Now": Transgender Experience in the Central Florida Pagan Community" (2021). Electronic Theses and Dissertations, 2020-. 581. https://stars.library.ucf.edu/etd2020/581 “I HAVE MY COVEN NOW”: TRANSGENDER EXPERIENCE IN THE CENTRAL FLORIDA PAGAN COMMUNITY By ALISON WHITMORE B.A. Anthropology East Carolina University 2018 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2021 ABSTRACT This thesis analyzes Transgender experience and dynamics in the Pagan community of Central Florida. Religion plays an important role as part of social structure for many people in the United States. It can also be a source of strife and conflict between culture groups and within cultures. In the US, predominant religious traditions stem from monotheistic Abrahamic faiths (Christianity, Judaism, and Islam); however, Wicca, a Neo-Pagan polytheistic religion, is practiced by a small but growing number of people. Based on nearly one year of ethnographic engagement with the Central Florida Wiccan community, this study presents an analysis of participants experiences in Wicca, especially as it refers to the experiences of Trans Wiccan practitioners and their religious communities. I argue that the theology underlying Pagan religious beliefs and practices, alongside shared experiences of othering and liminality, encourages the maintenance of an open, accepting and encouraging atmosphere towards LGBTQ+, and particularly Trans, Wicca practitioners. ii To all my guides and the people who have given me suggestions and advise throughout my life and especially for this project, Thank you. iii ACKNOWLEDGEMENTS I would first like to acknowledge and thank my advisor, Dr. Beatriz Reyes-Foster for her support, guidance, writing expertise, and how often she directed me towards helpful resources for my research. My committee members who all had helpful commentary and were patient with my research and writing process: Dr. Joanna Mishtal, Dr. Jeanine Viau, and Dr. Nesette Falu. I also want to thank the groups and individuals who were kind enough to participate in this study. Their experiences and insights were integral to my research and sparked ideas for future investigation. Finally, my family and friends who all supported me and helped keep me from falling into a pit of despair or insanity, encouraged me, and to whom I owe so much: Lauren Friedman, Vanessa Cruz, Amanda Searles, McCleary Searles, Katherine Whitmore, James Whitmore, Courtney Ashley Marie Vitale, and Daniel Bernal. iv TABLE OF CONTENTS ABSTRACT .................................................................................................................................... ii ACKNOWLEDGEMENTS ........................................................................................................... iv CHAPTER ONE: INTRODUCTION ............................................................................................. 1 Wicca in the Contemporary US: Practitioner Perspectives ......................................................... 1 Practitioner’s historical basis ................................................................................................... 2 Variations of Wiccan Practices................................................................................................ 3 Wiccan Beliefs ......................................................................................................................... 3 Wicca from the Academic Viewpoint ..................................................................................... 4 Persecution and Discrimination in the Academic Record ....................................................... 5 Pagan Discrimination in the news ........................................................................................... 6 Religious Demographics in the United States ......................................................................... 6 Trans Experiences in the US and the Potential of Wicca ............................................................ 7 Trans Discrimination in the news ............................................................................................ 7 CHAPTER TWO: LITERATURE REVIEW ................................................................................. 9 Wicca ........................................................................................................................................... 9 History of Witchcraft and Wicca ............................................................................................. 9 Witchcraft in Scholarship ...................................................................................................... 11 Studies on Sexuality and Community in Wicca ........................................................................ 12 Transgender studies ................................................................................................................... 17 Queer theory and Anthropology ............................................................................................ 20 Liminality: Separation from dominant society.......................................................................... 22 CHAPTER THREE: METHODS ................................................................................................. 28 Participant Selection .................................................................................................................. 28 Location ..................................................................................................................................... 28 Research Design ........................................................................................................................ 28 Observation ............................................................................................................................ 29 Interviews .............................................................................................................................. 29 Sample and Recruitment Methods ............................................................................................ 30 Data Collection and Analysis .................................................................................................... 30 Reflexive Statement .................................................................................................................. 31 v CHAPTER FOUR: COMMUNITY ............................................................................................. 33 Pagan Pride ................................................................................................................................ 34 A Community of Support .......................................................................................................... 35 The Other................................................................................................................................... 38 CHAPTER FIVE: IDENTITY ..................................................................................................... 41 I am who I am............................................................................................................................ 41 Ritual and Identity ..................................................................................................................... 43 This is my Religion ................................................................................................................... 48 Trouble in ‘Paradise’ ................................................................................................................. 51 CHAPTER SIX: VULNERABILITY.......................................................................................... 52 Vandals in the Night .................................................................................................................. 52 The “Look Outs” ....................................................................................................................... 53 CHAPTER SEVEN: DISCUSSION ............................................................................................. 56 Separation from Society ............................................................................................................ 56 The liminal phase ...................................................................................................................... 57 Trans Pagans .......................................................................................................................... 59 Togetherness.............................................................................................................................
Recommended publications
  • An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch­ like characters have been used to scare and entertain generations of young and old alike.
    [Show full text]
  • Azura Dragonfaether FINDING LIGHT THROUGH YOUR SHADOW & Many More Articles Inside!
    CoffeeTable Coven Issue 03 CoffeeTable CovenIssue 03/October 2018 Spotlight on: Azura DragonFaether Our Spotlight Feature with everyone's favourite Draconic Witch Finding Light Through Your Shadow Welcoming The Darkness Of Death Shutting the door to the spirit realm Cursing 101 & many more articles inside! 1 CoffeeTable Coven Issue 03 Featured Artist: IG: @angeldelisiart Email: [email protected] Shop: etsy.com/shop/AngelDeLisiArt 2 3 CoffeeTable Coven Issue 03 [email protected] 4 5 CoffeeTable Coven Issue 03 TABLE OF CONTENTS Astrological Forecast Page 8 Finding Light Through Your Shadow Page 36 Astronomy Reference Guide Page 12 Crystals and Stones for Divination Page 40 Editorial Letter Page 14 Spotlight On: Azura DragonFaether Page 46 InstaFeature: @witchingmama Page 18 So, You Want to Curse Someone? Page 54 Working with Negative and Positive A Modern Analysis of Energy Page 22 The Spiral Dance: Book Review Page 60 Welcoming The Darkness Of Death Page 24 October's Tarot Spread Page 62 Shutting The Door To The Daily Express: The Spirit Realm Page 32 A Short Story Page 68 6 7 CoffeeTable Coven Issue 03 AQUARIUS Stay in your lane PISCES Trial and error is the key this month. Going to learning and gaining October's Astrological against the grain won’t work out this time. experience. Everything is a lesson to make Sometimes what you think you want isn’t you more skillful. October will tempt you into buying things you don’t necessarily need. Forecast what you need at the moment. October will Halloween decorations are hard to resist, but By Carina Lizette bring a huge shift in your life; it may seem try to me more frugal.
    [Show full text]
  • A Christian Psychologist Looks at the Da Vinci Code
    A Christian Psychologist Looks at The Da Vinci Code April 2006 Stephen Farra, PhD, LP, Columbia International University For information about reprinting this article, please contact Dr. Farra at [email protected] Understanding the Agenda behind The Da Vinci Code A number of scholarly, thoughtful responses to The Da Vinci Code have already been produced by other members of the Christian community. These other responses, though, tend to concentrate on historical and factual errors, and the false conclusions these errors can produce. This response is different. While this response also highlights several historical/factual errors in the text of The Da Vinci Code, this response attempts to go to the conceptual and spiritual essence of the book. Instead of focusing on mistakes, and what is obviously distorted and deliberately left out, this response focuses on what is actually being presented and sold in the book. It is the thesis of this review that what is being presented and sold in The Da Vinci Code is Wicca – Neo-paganism, modern Witchcraft, “the Wiccan Way.” People need to make up their own minds on this important issue, however. A comparative chart, and numerous other quotations / examples are employed to present the evidence, and make the case. The Da Vinci Code is not just a novel. If that is all it was or is, there would be no need for the page boldly labeled "FACT” (all capital letters). The FACT page is page 1 in the book, the last printed page before the Prologue, the true beginning of the story. On the FACT page, the author(s) try to convince you that they have done a good job of researching and fairly representing both the Priory of Sion and Opus Dei, and then go on to boldly proclaim: "All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate." This "novel" is really a deconstructionist, post-modern attempt to re-write history, with a hidden agenda deeply embedded within the deconstructionist effort.
    [Show full text]
  • Deus Ex Machina? Witchcraft and the Techno-World Venetia Robertson
    Deus Ex Machina? Witchcraft and the Techno-World Venetia Robertson Introduction Sociologist Bryan R. Wilson once alleged that post-modern technology and secularisation are the allied forces of rationality and disenchantment that pose an immense threat to traditional religion.1 However, the flexibility of pastiche Neopagan belief systems like ‘Witchcraft’ have creativity, fantasy, and innovation at their core, allowing practitioners of Witchcraft to respond in a unique way to the post-modern age by integrating technology into their perception of the sacred. The phrase Deus ex Machina, the God out of the Machine, has gained a multiplicity of meanings in this context. For progressive Witches, the machine can both possess its own numen and act as a conduit for the spirit of the deities. It can also assist the practitioner in becoming one with the divine by enabling a transcendent and enlightening spiritual experience. Finally, in the theatrical sense, it could be argued that the concept of a magical machine is in fact the contrived dénouement that saves the seemingly despondent situation of a so-called ‘nature religion’ like Witchcraft in the techno-centric age. This paper explores the ways two movements within Witchcraft, ‘Technopaganism’ and ‘Technomysticism’, have incorporated man-made inventions into their spiritual practice. A study of how this is related to the worldview, operation of magic, social aspect and development of self within Witchcraft, uncovers some of the issues of longevity and profundity that this religion will face in the future. Witchcraft as a Religion The categorical heading ‘Neopagan’ functions as an umbrella that covers numerous reconstructed, revived, or invented religious movements, that have taken inspiration from indigenous, archaic, and esoteric traditions.
    [Show full text]
  • The Charge of the Goddess
    The Charge of the Goddess: A Wiccan Ethic It has been my experience that many people get involved in Wicca because they like the lack of rules. We don’t have a lot of “Thou shalt nots.” All we have is the Witch’si Rede, they say. But there are many unspoken rules of ethics that we think of as being essentially “Wiccan.” Why? Where do they come from? The answer should be self-evident but often isn’t. What is the one piece of liturgy that Wiccans really have? The answer is the Charge of the Goddess. Most modern Wiccans treat this prose as a lovely way to invoke the Goddess. It does work well that way. But consider the original meaning of the word “charge”. It is a command, a responsibility laid upon someone, an exhortation, a duty, an injunction, or being entrusted with someone’s care. It is a series of rules! In order to illustrate this, and illustrate how this piece of liturgy defines our Wiccan ethics, the remainder of this article will be concerned with breaking down the Charge into its component elements and paraphrasing them in a less poetic fashion. I will present both Doreen Valiente’s version and Starhawk’s version, since both are utilized among different Wiccan traditions. Though there are other versions, these are the most commonly known. There are also some slight differences (some elements present in one version may not be present in the other,) and so these differences need to be addressed as well. Valiente: Listen to the words of the Great Mother; she who of old was also called among men Artemis, Astarte, Athene, Dione, Melusine, Aphrodite, Cerridwen, Cybele, Arianrhod, Isis, Dana, Bride and by many other names: Starhawk: Listen to the words of the Great Mother, Who of old was called Artemis, Astarte, Dione, Melusine, Aphrodite, Cerridwen, Diana, Arionrhod, Brigid, and by many other names: The Goddess says, first and foremost, “Listen!” I don’t believe that this is merely a poetic way of beginning the script.
    [Show full text]
  • Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
    Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved.
    [Show full text]
  • The Charge of the Goddess
    THE CHARGE OF THE GODDESS Listen to the words of the Ancient Mother, who was of old called among men Astarte, Aphrodite, Cerridwen, Maia, Diana, Terra, Ishtar, Hecate, Brigid, and by many other names. Whenever ye have need of anything, once in the month, and better it be when the moon is full, ye shall assemble in sacred space and adore the spirit of me who is Mother of all. There ye shall assemble who desire to learn all sorcery, yet have not won its deepest secrets. To these I will teach things that are yet unknown, and you shall dance, sing, feast, make music and love, all in my praise. For mine is the ecstasy of the spirit, and mine also is Joy on Earth, and my Law is love unto all beings. Keep pure thine highest ideals, strive ever towards them. Let naught stop thee or turn thee aside, for mine is the secret that opens upon the door of youth, and mine is the Cauldron that gives the knowledge of rebirth. I am the gracious Lady who gives the gift of joy to the hearts of mankind. I give the knowledge of the spirit eternal, and beyond death I give peace and freedom and reunion with those who have gone before. Nor do I demand aught of sacrifice, for behold! I am the Mother of all things, and my love is poured out upon the Earth! Hear the words of the Star Goddess, the dust of whose feet are the hosts of heaven, whose body encircles the universe: I am the beauty of the green Earth, and the white moon among the stars, and the rhythms of the waters, I call to your soul to arise and come to me.
    [Show full text]
  • A Critical Analysis of American Horror Story: Coven
    Volume 5 ׀ Render: The Carleton Graduate Journal of Art and Culture Witches, Bitches, and White Feminism: A Critical Analysis of American Horror Story: Coven By Meg Lonergan, PhD Student, Law and Legal Studies, Carleton University American Horror Story: Coven (2013) is the third season an attempt to tell a better story—one that pushes us to imag- analysis thus varies from standard content analysis as it allows of the popular horror anthology on FX1. Set in post-Hurricane ine a better future. for a deeper engagement and understanding of the text, the Katrina New Orleans, Louisiana, the plot centers on Miss Ro- symbols and meaning within the text, and theoretical relation- This paper combines ethnographic content analysis bichaux’s Academy and its new class of female students— ships with other texts and socio-political realities. This method and intersectional feminist analysis to engage with the televi- witches descended from the survivors of the witch trials in Sa- is particularly useful for allowing the researcher deep involve- sion show American Horror Story: Coven (2013) to conduct a lem, Massachusetts in 16922. The all-girls school is supposed ment with the text to develop a descriptive account of the com- close textual reading of the show and unpack how the repre- to be a haven for witches to learn about their heritage and plexities of the narrative (Ferrell et al. 2008, 189). In closely sentations of a diversity of witches can be read and under- powers while fostering a community which protects them from examining the text (Coven) to explore the themes and relation- stood as representing a diversity of types of feminism.
    [Show full text]
  • Spiritual Philosophy & Practice of Wicca in the U.S. Military (PDF
    SPIRITUAL PHILOSOPHY AND PRACTICE OF WICCA IN THE U.S. MILITARY David L. Oringderff, Ph.D. Ronald W. Schaefer, Lt Col USAF SPIRITUAL PHILOSOPHY and PRACTICE of WICCA In the U.S. MILITARY David L. Oringderff, Ph.D. Ronald W. Schaefer, Lt Col USAF Acknowledgments This work developed out of an identified need for clear and concise information regarding the practice of Wicca, particularly as it pertains to US military members and their families, friends, commanders, and chaplains. Many people were significantly involved in this effort. The authors would particularly like to thank Reverend Selena Fox and Circle Sanctuary, the Reverend Rene Delaere of Greencraft and the Sacred Well for their direct and substantial contributions, as well as Silverdrake for their work in the previous editions of this guide, Overview and Guide for Wiccans in the Military. We would also like to recognize the energy, love and support given by the International Executive Council of Clerics of the Sacred Well Congregation, Hera, Odinda, Itárilde, Arghuicha, and Gayomard. Special thanks goes to Father Timothy Ullman for his assistance in researching constitutional law and applicable service regulations. The Sacred Well Congregation PO Box 58 Converse, Texas 78109 Samhain, 2001, First edition The authors and the Sacred Well Congregation extend use of this copyrighted material to military and governmental agencies and other educational and non profit institutions and organizations so long as copyright notices, credits, and integrity of the material is maintained and the material is not used for any commercial purpose. 2 Spiritual Philosophy and Practice of Wicca in the U.S.
    [Show full text]
  • The Neo-Pagan Goddess
    TheNeoͲPaganGoddess KatyJennisongivesabriefintroducƟontotheplaceoftheGoddessin contemporaryPaganism. One factor propelling the growth of contemporary logical discoveries (see Ronald Hutton, Triumph of Paganism is dissatisfaction with the almost-exclusive the Moon (1999), chapter 2). maleness of the deities of mainstream religions. The many branches of neo-Paganism all offer at least one This Goddess, in Wicca and its derivatives, is Goddess, usually but not always accompanied by at frequently perceived as a Triple Goddess, and least one God. This is a very brief and necessarily combines some of the imagined characteristics of a incomplete overview. Goddess of the Moon, sometimes called Diana, with those of a great Earth Mother and with the Crone, Sofia readers will understand that to any individual who may be called Hecate. Wicca has spread within Pagan ‘the Goddess’ may be a personification, a Britain, north America, and Europe, and as it has metaphor, a developed and been symbol, an adapted by many archetype, or an people, including independent Alex Sanders (1926- supernatural entity, 1988) in Britain and or all of these at Raymond Buckland, different times. Starhawk and Some Pagans are others in the USA, polytheists; some adherents have visualise a Divine found different pair, a Goddess names for their and a God, with Goddess, many different sometimes from names. In some antiquity, traditions ‘all the sometimes using gods are one God names of local and all the deities, sometimes goddesses are one simply calling her Goddess’: all the RainbowoverGlastonburyTor ‘the Lady’ or ‘the different deities are Goddess’. She is aspects of a single Deity. And some (particularly invoked by the priestess during Wiccan ceremonies in numerous in the USA) are exclusively Goddess- a rite called ‘Drawing down the Moon’.
    [Show full text]
  • Download the Charge of the Goddess
    THE CHARGE OF THE GODDESS - THE POETRY OF DOREEN VALIENTE 1ST EDITION DOWNLOAD FREE BOOK Doreen Valiente | --- | --- | --- | 9780992843007 | --- | --- Charge of the Goddess: The Mother of Modern Witchcraft To think that we will wait another life To drink the wine from the horns and leap the fire. Join the Foundation here:. Originally, the Charge of the Goddess was written in verse and later Doreen Valiente rewrote it in the form of prose, this version being the best known. Krystine rated it really liked it Jan 25, Leonardo rated it it was amazing Apr 14, Let the rain weep. This prayer may be recited in Wiccan rituals during the Opening ritual, or more precisely, during the ritual of Drawing down the Moon which is a part of the Opening ritual. Webstore The Doreen Valiente Foundation official webstore offers books and other merchandise. Friend Reviews. The Charge of the Goddess first appeared in an early form during the late nineteenth century. Please support us by donating to the protection of the collection of Doreen's Legacy and, if you are a UK tax payer, please fill in our Gift Aid form as well. The Starhawk version, which forms one of the The Charge of the Goddess - the Poetry of Doreen Valiente 1st edition of her Reclaiming tradition, may be the one that newer Pagans are the most familiar with, but — as with any other piece of poetry or ritual — it is one that many have continuously adapted The Charge of the Goddess - the Poetry of Doreen Valiente 1st edition suit their own needs.
    [Show full text]
  • 1401882258184.Pdf
    The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS
    [Show full text]