Azura Dragonfaether FINDING LIGHT THROUGH YOUR SHADOW & Many More Articles Inside!
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch like characters have been used to scare and entertain generations of young and old alike. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
A Critical Analysis of American Horror Story: Coven
Volume 5 ׀ Render: The Carleton Graduate Journal of Art and Culture Witches, Bitches, and White Feminism: A Critical Analysis of American Horror Story: Coven By Meg Lonergan, PhD Student, Law and Legal Studies, Carleton University American Horror Story: Coven (2013) is the third season an attempt to tell a better story—one that pushes us to imag- analysis thus varies from standard content analysis as it allows of the popular horror anthology on FX1. Set in post-Hurricane ine a better future. for a deeper engagement and understanding of the text, the Katrina New Orleans, Louisiana, the plot centers on Miss Ro- symbols and meaning within the text, and theoretical relation- This paper combines ethnographic content analysis bichaux’s Academy and its new class of female students— ships with other texts and socio-political realities. This method and intersectional feminist analysis to engage with the televi- witches descended from the survivors of the witch trials in Sa- is particularly useful for allowing the researcher deep involve- sion show American Horror Story: Coven (2013) to conduct a lem, Massachusetts in 16922. The all-girls school is supposed ment with the text to develop a descriptive account of the com- close textual reading of the show and unpack how the repre- to be a haven for witches to learn about their heritage and plexities of the narrative (Ferrell et al. 2008, 189). In closely sentations of a diversity of witches can be read and under- powers while fostering a community which protects them from examining the text (Coven) to explore the themes and relation- stood as representing a diversity of types of feminism. -
Are Enzymes Accurate Indicators of Postmortem Interval?: a Biochemical Analysis Karly Laine Buras Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2006 Are enzymes accurate indicators of postmortem interval?: a biochemical analysis Karly Laine Buras Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Buras, Karly Laine, "Are enzymes accurate indicators of postmortem interval?: a biochemical analysis" (2006). LSU Master's Theses. 177. https://digitalcommons.lsu.edu/gradschool_theses/177 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. ARE ENZYMES ACCURATE INDICATORS OF POSTMORTEM INTERVAL? A BIOCHEMICAL ANALYSIS A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Geography and Anthropology by Karly Laine Buras B.S., Louisiana State University, 2001 May 2006 ACKNOWLEDGEMENTS I would like to thank the members of my thesis committee for their continued encouragement and help throughout my program. My heartfelt thanks go out to Bob Tague, Mary Manhein, and Grover Waldrop for helping me along the way. I would especially like to thank Grover Waldrop for his contributions to my thesis expenses, as well as for the use of his lab for my research. I would not have been able to do any of this without his help. -
The Neo-Pagan Goddess
TheNeoͲPaganGoddess KatyJennisongivesabriefintroducƟontotheplaceoftheGoddessin contemporaryPaganism. One factor propelling the growth of contemporary logical discoveries (see Ronald Hutton, Triumph of Paganism is dissatisfaction with the almost-exclusive the Moon (1999), chapter 2). maleness of the deities of mainstream religions. The many branches of neo-Paganism all offer at least one This Goddess, in Wicca and its derivatives, is Goddess, usually but not always accompanied by at frequently perceived as a Triple Goddess, and least one God. This is a very brief and necessarily combines some of the imagined characteristics of a incomplete overview. Goddess of the Moon, sometimes called Diana, with those of a great Earth Mother and with the Crone, Sofia readers will understand that to any individual who may be called Hecate. Wicca has spread within Pagan ‘the Goddess’ may be a personification, a Britain, north America, and Europe, and as it has metaphor, a developed and been symbol, an adapted by many archetype, or an people, including independent Alex Sanders (1926- supernatural entity, 1988) in Britain and or all of these at Raymond Buckland, different times. Starhawk and Some Pagans are others in the USA, polytheists; some adherents have visualise a Divine found different pair, a Goddess names for their and a God, with Goddess, many different sometimes from names. In some antiquity, traditions ‘all the sometimes using gods are one God names of local and all the deities, sometimes goddesses are one simply calling her Goddess’: all the RainbowoverGlastonburyTor ‘the Lady’ or ‘the different deities are Goddess’. She is aspects of a single Deity. And some (particularly invoked by the priestess during Wiccan ceremonies in numerous in the USA) are exclusively Goddess- a rite called ‘Drawing down the Moon’. -
Critical Corpse Studies: Engaging with Corporeality and Mortality in Curriculum
Taboo: The Journal of Culture and Education Volume 19 Issue 3 The Affect of Waste and the Project of Article 10 Value: April 2020 Critical Corpse Studies: Engaging with Corporeality and Mortality in Curriculum Mark Helmsing George Mason University, [email protected] Cathryn van Kessel University of Alberta, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/taboo Recommended Citation Helmsing, M., & van Kessel, C. (2020). Critical Corpse Studies: Engaging with Corporeality and Mortality in Curriculum. Taboo: The Journal of Culture and Education, 19 (3). Retrieved from https://digitalscholarship.unlv.edu/taboo/vol19/iss3/10 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Taboo: The Journal of Culture and Education by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. 140 CriticalTaboo, Late Corpse Spring Studies 2020 Critical Corpse Studies Engaging with Corporeality and Mortality in Curriculum Mark Helmsing & Cathryn van Kessel Abstract This article focuses on the pedagogical questions we might consider when teaching with and about corpses. Whereas much recent posthumanist writing in educational research takes up the Deleuzian question “what can a body do?,” this article investigates what a dead body can do for students’ encounters with life and death across the curriculum. -
Hijikata Tatsumi's Sabotage of Movement and the Desire to Kill The
Death and Desire in Contemporary Japan Representing, Practicing, Performing edited by Andrea De Antoni and Massimo Raveri Hijikata Tatsumi’s Sabotage of Movement and the Desire to Kill the Ideology of Death Katja Centonze (Universität Trier, Deutschland; Waseda University, Japan) Abstract Death and desire appear as essential characteristics in Hijikata Tatsumi’s butō, which brings the paradox of life and death, of stillness and movement into play. Hijikata places these con- tradictions at the roots of dance itself. This analysis points out several aspects displayed in butō’s death aesthetics and performing processes, which catch the tension between being dead and/or alive, between presence and absence. It is shown how the physical states of biological death are enacted, and demonstrated that in Hijikata’s nonhuman theatre of eroticism death stands out as an object aligned with the other objects on stage including the performer’s carnal body (nikutai). The discussion focuses on Hijikata’s radical investigation of corporeality, which puts under critique not only the nikutai, but even the corpse (shitai), revealing the cultural narratives they are subjected to. Summary 1 Deadly Erotic Labyrinth. – 2 Death Aesthetics for a Criminal and Erotic Dance. – 3 Rigor Mortis and Immobility. – 4 Shibusawa Tatsuhiko. Performance as Sacrifice and Experience. – 5 Pallor Mortis and shironuri. – 6 Shitai and suijakutai. The Dead are Dancing. – 7 The Reiteration of Death and the miira. – 8 The shitai under Critique. Death and the nikutai as Object. – 9 Against the Ideology of Death. Keywords Hijikata Tatsumi. Butō. Death. Eroticism. Corporeality. Acéphale. Anti-Dance. Body and Object. Corpse. Shibusawa Tatsuhiko. -
1401882258184.Pdf
The Witch A New Class for Basic Era Games by Timothy S. Brannan Copyright © 2012 Proofreading and editing by and Jeffrey Allen and James G Holloway, DBA Dark Spire. Artists: Daniel Brannan Brian Brinlee Gary Dupuis Larry Elmore Toby Gregory Aitor Gonzalez William McAusland Bradley K McDevitt Bree Orlock and Stardust Publications Howard Pyle Artwork copyright by the original artist and used with permission. Some artwork is in the public domain. Cover art by John William Waterhouse 1 Table of Contents Table of Contents ................................................................. 2 Athamé .................................................................................78 Forward ................................................................................ 3 Broom ..................................................................................78 PART 1: INTRODUCTION ................................................... 5 Cauldron ...............................................................................78 PART 2: THE WITCH CLASS ............................................ 7 Censer ..................................................................................79 Special Restrictions (Optional) ............................................. 8 Chalice .................................................................................79 Witch ................................................................................. 9 Pentacle ................................................................................79 PART 3: TRADITIONS -
Religion and the Return of Magic: Wicca As Esoteric Spirituality
RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY A thesis submitted for the degree of PhD March 2000 Joanne Elizabeth Pearson, B.A. (Hons.) ProQuest Number: 11003543 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003543 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 AUTHOR’S DECLARATION The thesis presented is entirely my own work, and has not been previously presented for the award of a higher degree elsewhere. The views expressed here are those of the author and not of Lancaster University. Joanne Elizabeth Pearson. RELIGION AND THE RETURN OF MAGIC: WICCA AS ESOTERIC SPIRITUALITY CONTENTS DIAGRAMS AND ILLUSTRATIONS viii ACKNOWLEDGEMENTS ix ABSTRACT xi INTRODUCTION: RELIGION AND THE RETURN OF MAGIC 1 CATEGORISING WICCA 1 The Sociology of the Occult 3 The New Age Movement 5 New Religious Movements and ‘Revived’ Religion 6 Nature Religion 8 MAGIC AND RELIGION 9 A Brief Outline of the Debate 9 Religion and the Decline o f Magic? 12 ESOTERICISM 16 Academic Understandings of -
Wiccan General Practices
Texas Local Council Covenant of the Goddess Wiccan General Practices Historical Roots to Modern Practice It has been suggested that the practices of Wicca have been performed since antiquity, but there is really no evidence to suggest that current-day Wicca is the same thing that our ancestors practiced. This does not mean that we don’t believe similar concepts or practice similar rites. People worshipped what they saw, the Sun, the Moon, stars, and constellations. They created Gods and Goddesses that looked like them. Modern Witches hold rituals according to the turning of the seasons, the tides of the moon, and personal needs. Most rituals are performed in a ritual space marked by a circle. We do not build church buildings to create this sacred, ritual space -- all Earth is sacred and in touch with the Goddess and so any place, indoors or out, may be consecrated for ritual use. The Circle Within this sacred circle, two main activities occur: celebration, and the practice of magic. Celebration is most important at the major seasonal holy days, the Sabbats. At these times, the myths of that particular holiday are enacted in ritual drama, and dancing, singing, feasting, and revelry are all part of the festivities. On these occasions we celebrate our oneness with life on Earth, as well as assimilating on the deepest level myths and archetypes which map and assist our own life-passages. When the celebration, teaching, or magical work is finished, the blessing of the Goddess (and God) is called into food and drink which are shared by all. -
Keeping the Peace in Haiti?
KEEPING THE PEACE IN HAITI? An Assessment of the United Nations Stabilization Mission in Haiti Using Compliance with its Prescribed Mandate as a Barometer for Success March 2005 Harvard Law Student Advocates for Human Rights, Cambridge, Massachusetts & Centro de Justiça Global, Rio de Janeiro and São Paulo, Brazil March 2005 Keeping the Peace in Haiti? TABLE OF CONTENTS EXECUTIVE SUMMARY ____________________________________________________________ 1 INTRODUCTION __________________________________________________________________ 2 I. RECOMMENDATIONS ____________________________________________________________ 2 II. A BRIEF HISTORY OF HAITI _____________________________________________________ 4 III. RESOLUTION 1542: THE MINUSTAH MANDATE __________________________________ 12 III.A. Disarmament, Demobilization and Reintegration_____________________________ 12 III.B. Institutional Strengthening: Police Reform and the Constitutional and Political Process _______________________________________________________________ 13 III.B.1. Police Reform________________________________________________________ 13 III.B.2. The Constitutional and Political Process __________________________________ 14 III.C. Human Rights and Civilian Protection _____________________________________ 15 III.C.1. Human Rights________________________________________________________ 15 III.C.2. Civilian Protection____________________________________________________ 19 IV. FINDINGS AND ANALYSIS ______________________________________________________ 21 IV.A. Methodology ___________________________________________________________ -
History of Wicca in England: 1939 to the Present Day by Julia Phillips
History of Wicca in England: 1939 to the Present Day by Julia Phillips Introduction to the 2004 Revised Edition by Julia Phillips This chapter is adapted from a talk I gave at the Australian Wiccan Conference in Canberra, 1991. It is mainly about the early days of Wicca in England – specifically what we now call Gardnerian and Alexandrian traditions. The notes from which the original talk was derived were compiled during the 1980s from a myriad of sources, and were intended only for private use within my own coven. I did not gather the material alone – Paul Greenslade and Rufus Harrington were equally involved in the research, and it gives me great pleasure to have the opportunity to record their important contribution in this introduction. When I immigrated to Australia at the end of 1988, I quickly discovered that very few Australian Wiccans had a very detailed concept of the origins of Wicca or of their own place within the Wiccan family. I therefore accepted an invitation to speak on the history of Wicca at the 1991 Australian Wiccan Conference, and consolidated the notes mentioned above into a lecture intended to clarify to Australian Wiccans how the path came to be and where they fitted in. It was for this reason that I included information and anecdotes about influential people within the Craft (though I initialized names where those people were not known publicly). The lecture was subsequently published in the collected papers of the Conference in a limited numbered edition of 200 copies. From there, it was later posted to the internet and now exists on over 500 websites in a non-tarted up form.