Nicolas Poussin Oil Paintings

Nicolas Poussin [France, 1594-1665]

The Rape of the Sabine Women The Rape of the Sabine Women, detail, oil on canvas, Metropolitan Museum of Art, New York Oil Painting ID: 28710 | Order the painting

The Inspiration of the Poet The Inspiration of the Poet, 1636-38, Musée du , Oil Painting ID: 28711 | Order the painting

Et in Arcadia Ego , 1638-40, Musée du Louvre, Paris. Oil Painting ID: 28712 | Order the painting

The Funeral of Phocion The Funeral of Phocion, 1648, National Museum of Wales Oil Painting ID: 28713 | Order the painting

Moses Bringing Forth Water from the Rock Moses Bringing Forth Water from the Rock, detail, 1649, oil on canvas, The Hermitage at St. Petersburg Oil Painting ID: 28714 | Order the painting

Jesus Healing the Blind of Jericho Jesus Healing the Blind of Jericho, detail, 1650, oil on canvas, Musée du Louvre, Paris Oil Painting ID: 28715 | Order the painting

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Self- Portrait Self- Portrait, 1650, Musée du Louvre, Paris Oil Painting ID: 28716 | Order the painting

Christ and the Woman Taken in Adultery Christ and the Woman Taken in Adultery, detail, 1653, oil on canvas, Musée du Louvre, Paris Oil Painting ID: 28717 | Order the painting

Blind Orion Searching for the Rising Sun Blind Orion Searching for the Rising Sun, 1658, oil on canvas, Metropolitan Museum of Art, New York Oil Painting ID: 28718 | Order the painting

The Summer Ruth and Boaz The Summer (Ruth and Boaz), 1660-64, oil on canvas, Musée du Louvre, Paris. Oil Painting ID: 28719 | Order the painting

Total 7 pages, 2/7 | Page : 1 [2] 3 4 5 Poussin, Nicolas (Nationality : France, 1594-1665) Nicolas Poussin was a French painter who was the founder and greatest practitioner of 17th-century French classical painting. His work symbolizes the virtues of logic, order, and clarity, and it has influenced the course of French art up to the present day. Poussin was of peasant extraction, born near Les Andelys, Normandy, in June 1594. He studied painting in Paris and perhaps also Rouen. In 1624 he went to Rome, where, except for an 18-month sojourn in Paris from 1640 to 1642, he lived for the rest of his life. His early work in Rome reflects the crowded compositions and animated surfaces of mid-16th century Mannerism. About 1630 his style began to change as he drew away from the emerging exuberant baroque style and devoted himself entirely to his passion for the antique, concentrating on biblical and mythological subjects. At first his paintings, such as the Plague at Ashdod (1630-1631, Paris), had the rich, glowing color of the Venetian artist Titian, but after 1633 Poussin moved steadily toward more sober, cool tonalities. His compositions became more serene and his figures more sculptural, echoing the mature paintings of Raphael, while he attempted to depict emotion through easily readable gestures, poses, and facial expressions, as in Adoration of the Golden Calf (1634?, National Gallery, London). His paintings of the next decade, from 1643 to 1653, such as Holy Family on the Steps (1648, National Gallery, Washington, D.C.), following his return to Rome, are the purest embodiment of French classicism. They are characterized by calm, structured composition, cool colors, hard, clear lighting, and a feeling of solemnity. During his last years, from 1653 to 1665, Poussin's style developed and changed. He minimized the actions and facial expressions of his subjects but maintained the emotional intensity of his paintings. Allegory, symbolism, and mysticism played an even greater role than before; his scenes were still, yet vital and intensely personal. Paintings like the Arcadian Shepherd (1656?), in which he attained a monumental simplification and almost supernatural calm, went beyond

2/3 the illustration of historical events to become symbols of eternal verities. Until the 20th century he remained the dominant inspiration of such classically oriented artists as Jacques-Louis David, Jean August Dominique Ingres, and Paul Cezanne. He died in Rome on November 19, 1665.

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