The Attacks on L. Cornelius Cinna, Praetor in 44 B.C
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The Roman Poets of the Augustan Age: Virgil by W
The Project Gutenberg EBook of The Roman Poets of the Augustan Age: Virgil by W. Y. Sellar This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Roman Poets of the Augustan Age: Virgil Author: W. Y. Sellar Release Date: October 29, 2010 [Ebook 34163] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE ROMAN POETS OF THE AUGUSTAN AGE: VIRGIL*** THE ROMAN POETS OF THE AUGUSTAN AGE: VIRGIL. BY W. Y. SELLAR, M.A., LL.D. LATE PROFESSOR OF HUMANITY IN THE UNIVERSITY OF EDINBURGH AND FELLOW OF ORIEL COLLEGE, OXFORD iv The Roman Poets of the Augustan Age: Virgil THIRD EDITION OXFORD AT THE CLARENDON PRESS OXFORD UNIVERSITY PRESS AMEN HOUSE, E.C. 4 London Edinburgh Glasgow New York Toronto Melbourne Capetown Bombay Calcutta Madras HUMPHREY MILFORD PUBLISHER TO THE UNIVERSITY vi The Roman Poets of the Augustan Age: Virgil IMPRESSION OF 1941 FIRST EDITION, 1877 THIRD EDITION, 1897 vii PRINTED IN GREAT BRITAIN TO E. L. LUSHINGTON, ESQ., D.C.L., LL.D., ETC. LATE PROFESSOR OF GREEK IN THE UNIVERSITY OF GLASGOW. MY DEAR LUSHINGTON, Any old pupil of yours, in finishing a work either of classical scholarship or illustrative of ancient literature, must feel that he owes to you, probably more than to any one else, the impulse which directed him to these studies. -
Catullus, As Can’T Be Counted by Spies Nor an Evil Tongue Bewitch Us
&$78//867+(32(06 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. 2 &RQWHQWV 1. The Dedication: to Cornelius............................... 8 2. Tears for Lesbia’s Sparrow.................................. 9 2b. Atalanta.............................................................. 9 3. The Death of Lesbia’s Sparrow ......................... 10 4. His Boat ............................................................ 11 5. Let’s Live and Love: to Lesbia .......................... 13 6. Flavius’s Girl: to Flavius ................................... 14 7. How Many Kisses: to Lesbia ............................. 15 8. Advice: to himself.............................................. 16 9. Back from Spain: to Veranius............................ 17 10. Home Truths for Varus’s girl: to Varus........... 18 11. Words against Lesbia: to Furius and Aurelius . 19 12. Stop Stealing the Napkins! : to Asinius Marrucinus............................................................. 21 13. Invitation: to Fabullus...................................... 22 14. What a Book! : to Calvus the Poet................... 23 15. A Warning: to Aurelius.................................... 25 16. A Rebuke: to Aurelius and Furius.................... 26 17. The Town of Cologna Veneta.......................... 27 21. Greedy: To Aurelius. ....................................... 30 22. People Who Live in Glass Houses: to Varus ... 31 -
Julius Caesar by William Shakespeare Presented by Paul W
Julius Caesar by William Shakespeare Presented by Paul W. Collins Copyright 2005 by Paul W. Collins Julius Caesar By William Shakespeare Presented by Paul W. Collins All rights reserved under the International and Pan-American Copyright Conventions. Except as permitted under the U.S. Copyright Act of 1976, no part of this work nay be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, electronic, mechanical, photocopying, audio or video recording, or other, without the prior written permission of the copyright owner. Contact: [email protected] Note: Spoken lines from Shakespeare’s drama are in the public domain, as is the Globe (1864) edition of his plays, which provided the basic text of the speeches in this new version of Julius Caesar. But Julius Caesar, by William Shakespeare: Presented by Paul W. Collins, is a copyrighted work, and is made available for your personal use only, in reading and study. Student, beware: This is a presentation of Julius Caesar, not a scholarly work, so you should be sure your teacher, instructor or professor considers it acceptable as a reference before quoting characters’ comments or thoughts from it in your report or term paper. 2 Chapter One Ceremony and Dissent crowd of jubilating common folk gathers in celebration along a thoroughfare near the A Capitol in ancient Rome—smiling artisans, tradesmen clerks and laborers, and mothers laughing happily with their young children. Everyday chores have been left to wait, as the people come forth to hail their popular leader. They are welcoming him in ceremonial triumph as he returns from battle in Spain, where he has defeated a rebellion led by sons of the late ruler Pompey and several generals supported by hidebound Senate factions—in a conflict of Roman against Roman. -
Optima Carme: a Reexamination of the Nurse in the Ciris By
OPTIMA CARME: A REEXAMINATION OF THE NURSE IN THE CIRIS BY CASEY LYNN HUGHES Submitted to the graduate degree program in Classics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts Chairperson: Dr. Tara Welch Dr. Anthony Corbeill Dr. Pamela Gordon Date defended: 10 May 2017 The Thesis Committee for CASEY LYNN HUGHES certifies that this is the approved version of the following thesis: OPTIMA CARME: A REEXAMINATION OF THE NURSE IN THE CIRIS Chairperson: Dr. Tara Welch Date approved: 10 May 2017 ii ABSTRACT This thesis examines the Ciris, a Pseudo-Vergilian epyllion of uncertain date, and analyzes the figure of the nurse Carme, a character who has largely been ignored in previous studies of the poem. The Ciris narrates the story of Scylla of Megara and how she betrayed her father, King Nisus, because of her love for Minos, King of Crete. While nurses are typical stock characters in Greek and Roman literature, I will show how the character of Carme becomes more than Scylla’s nurse. Although she embodies the qualities of many nurses from various genres before her, the Ciris poet also expands her role, briefly transforming an otherwise minor character into a second heroine. iii TABLE OF CONTENTS Chapter One: Introduction 1 Chapter Two: Influential Nurses 11 Chapter Three: The Heroine Nurse 32 Conclusion 53 Bibliography 57 Appendix A 60 Appendix B 61 iv Chapter One Introduction The Ciris is a first century B.C. or first century A.D. epyllion about Scylla, who betrays her father Nisus, king of Megara, because of her love for Minos, king of Crete. -
The Social and Political Context for Obstruction in Roman Love
THE SOCIAL AND POLITICAL CONTEXT FOR OBSTRUCTION IN ROMAN LOVE ELEGY by AMY K. LEONARD (Under the Direction of Charles Platter) ABSTRACT This thesis will examine the presence of erotic obstruction in the poems of the first century B.C. writers of Roman love elegy: Tibullus, Propertius and Ovid. While erotic poetry prior to this time period had long necessitated a sense of obstruction, the deliberate construction of a failed love-affair by the Roman elegists serves to define their particular use of obstruction as a unique discursive strategy. The observation has been made that the time period marking the emergence and disappearance of Roman elegy qualifies it as a discrete, time-bound genre. In light of these time considerations, the obstruction motif in elegy, as a means of articulating a continual sense of failure, is capable of giving involuntary voice to events taking place on the Roman socio-political front, specifically, as this thesis will argue, a perceived loss of autonomy under the changing political structures at the end of the Republic. INDEX WORDS: Obstruction, Roman love elegy, Tibullus, Propertius, Ovid, Door, Vir, Lena, Illness, Distance, Unfaithfulness, Amores 2.19, Amores 3.4 THE SOCIAL AND POLITICAL CONTEXT FOR OBSTRUCTION IN ROMAN LOVE ELEGY by AMY KIRK LEONARD B.A., The University of Georgia, 1996 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 © 2004 Amy Kirk Leonard All Rights Reserved THE SOCIAL AND POLITICAL CONTEXT FOR OBSTRUCTION IN ROMAN LOVE ELEGY by AMY KIRK LEONARD Major Professor: Charles Platter Committee: Keith Dix Nancy Felson Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia August 2004 DEDICATION I dedicate this thesis to my husband, David Leonard, without whose unconditional support during my years in graduate school I would never have made it to the completion of this degree. -
The Poems of Catullus As They Went to the Printer for the first Time, in Venice 400 Years Ago
1.Catullus, Poems 1/12/05 2:52 PM Page 1 INTRODUCTION LIFE AND BACKGROUND We know very little for certain about Catullus himself, and most of that has to be extrapolated from his own work, always a risky procedure, and nowadays with the full weight of critical opinion against it (though this is always mutable, and there are signs of change in the air). On the other hand, we know a great deal about the last century of the Roman Republic, in which his short but intense life was spent, and about many of the public figures, both literary and political, whom he counted among his friends and enemies. Like Byron, whom in ways he resembled, he moved in fashionable circles, was radical without being constructively political, and wrote poetry that gives the overwhelming impression of being generated by the public aªairs, literary fashions, and aristocratic private scandals of the day. How far all these were fictionalized in his poetry we shall never know, but that they were pure invention is unlikely in the extreme: what need to make up stories when there was so much splendid material to hand? Obviously we can’t take what Catullus writes about Caesar or Mamurra at face value, any more than we can By- ron’s portraits of George III and Southey in “The Vision of Judgement,” or Dry- den’s of James II and the Duke of Buckingham in “Absalom and Achitophel.” Yet it would be hard to deny that in every case the poetic version contained more than a grain of truth. -
«Speak No More of Her »: Silencing the Feminine Voice
«SPEAK NO MORE OF HER»: SILENCING THE FEmiNINE VOICE IN SHAKESPEARE’S «JULIUS CAESAR»1 AbsTRACT Although the female characters in Julius Caesar are given little stage time and are ill-treated by their husbands, this article shows that it is not a misogynous play, but a play which effectively depicts a misogynous world. On the one hand, it validates the standpoint of the characters marked as feminine and therefore irrational. On the other hand, the silencing of the feminine poetic and prophe- tic voice is one of the mainsprings of the tragedy since it is the main characters’ ina- bility to heed this voice which brings about their downfall. Benché nel Giulio Cesare i personaggi femminili abbiano poco spazio e siano mal- trattati dai loro mariti, questo articolo dimostra che non si tratta di un’opera misogi- na, bensì di una efficace rappresentazione di un mondo misogino. Per un verso, esso corrobora l’opinione dei personaggi contrassegnati come femminili e pertanto irra- zionali; dall’altro, il silenziamento della voce poetica e profetica femminile è uno dei principali motivi della tragedia, dal momento che è l’incapacità dei personaggi prin- cipali a dare ascolto a questa voce che determina la loro rovina. Unlike Shakespeare’s other Roman works, Julius Caesar is conspicuous by the limit- ed space it devotes to female characters. Not only do Calpurnia and Portia have small parts, but also they are treated disparagingly by their husbands. Moreover, several minor male characters share the women’s fate in that they, too, are dismissed, brutal- ised or silenced one way or another. -
History of Roman Literature by Harold N Fowler
HISTORY OF ROMAN LITERATURE BY HAROLD N FOWLER BOOK I THE PERIOD OF THE REPUBLIC CHAPTER I Importance of Roman literature. Roman literature, while it lacks the brilliant originality and the delicate beauty which characterize the works of the great Greek writers, is still one of the great literatures of the world, and it possesses an importance for us which is even greater than its intrinsic merits (great as they are) would naturally give it. In the first place, Roman literature has preserved to us, in Latin translations and adaptations, many important remains of Greek literature which would otherwise have been lost, and in the second place, the political power of the Romans, embracing nearly the whole known world, made the Latin language the most widely spread of all languages, and thus caused Latin literature to be read in all lands and to influence the literary development of all the peoples of Europe. The Romans were a practical race, not gifted with much poetic imagination, but with great ability to organize their state and their army and to accomplish whatever they determined to do. The Romans practical. They had come into Italy with a number of related tribes from the north and had settled in a place on the bank of the Tiber, where they were exposed to attacks from the Etruscans and other neighbors. They were thus forced from the beginning to fortify their city, and live close together within the walls. This made the early development of a form of city government both natural and necessary, and turned the Roman mind toward political organization. -
Fecunditas, Sterilitas, and the Politics of Reproduction at Rome Angela Grace
FECUNDITAS, STERILITAS, AND THE POLITICS OF REPRODUCTION AT ROME ANGELA GRACE HUG A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN HISTORY YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2014 © ANGELA GRACE HUG, 2014 Abstract This dissertation is a cultural history of the role of human fertility – fecunditas – in Ancient Roman society c. 200 B.C. – A.D. 250. I ask how the Romans chose to understand human fertility, how they sought to preserve and encourage it, and how the absence of fertility affected their marriages, their families and their political careers. It is an investigation of the place of fertility in the Roman cultural consciousness. Using a wide range of sources – literary, epigraphic, papyrological, juridical, and numismatic – I argue that the Romans conceptualized fecunditas (fertility) not just as a generic female quality, but as one of the cardinal virtues that all married women were expected to embody. A woman’s fecunditas could be evaluated and judged according to how many children she bore, how often she became pregnant, and how many of her children survived into adulthood. Although fecunditas was constructed as a female responsibility, élite Roman men were able to take advantage of having a fertile wife. Official benefits, such as those accrued by law under the ius trium liberorum, the rights of three children, brought one level of honour. An élite man could also exploit the fecunditas of his wife to increase his own social capital. In return, women of proven fertility were thought to deserve conjugal loyalty from their husbands and ought not to be divorced. -
2018 Harvard Certamen Advanced Division Round 1
2018 HARVARD CERTAMEN ADVANCED DIVISION ROUND 1 1. Listen carefully to the following passage from Cicero, which I will read twice, and answer the questions that follow in English: Et quoniam L. Torquātus, meus familiāris ac necessārius, iūdicēs, existimāvit, sī nostram in accūsātiōne suā necessitūdinem familiāritātemque violasset, aliquid sē dē auctōritāte meae dēfensiōnis posse dētrahere, cum huius perīculī prōpulsātiōne coniungam dēfensiōnem officī meī. The question: Whom is Cicero addressing here? THE JUDGES B1: What does Cicero consider Lucius Torquatus to be? HIS RELATIVE / KIN B2: What could Torquatus do to Cicero’s authority of his defense? DETRACT FROM IT 2. As a child, what son of Ctesius was lured by his Phoenician nurse to the ship of merchants and was sold as a slave to Laertes, for whom he then worked as a swineherd? EUMAEUS B1: What goatherd of Odysseus betrayed his master by bringing weapons to the suitors and was punished by being hung from the rafters? MELANTHIUS B2: Melanthius and his equally treacherous sister Melantho were the children of what loyal, old servant of Odysseus? DOLIUS 3. What derivative of a Latin noun meaning “threshold” means “denoting an action or event preceding or done in preparation for something fuller or more important” and describes the round which you are in? PRELIMINARY B1: What derivative of a Latin verb meaning “it is permitted” means “use of free time for enjoyment”? LEISURE B2: What derivative of a Latin verb meaning “to bind” means “a mass meeting of people making a political protest or showing support for a cause”? RALLY 4. -
Julius Caesar. the Colossus of Rome
JULIUS CAESAR: THE COLOSSUS OF ROME Julius Caesar offers a lively, engaging, and thoroughly up-to-date account of Caesar’s life and times. Richard Billows’ dynamic and fast-paced narrative offers an imaginative recounting of actions and events, providing the ideal introduction to Julius Caesar for general readers and students of classics and ancient history. The book is not just a biography of Caesar, but a historical account and explanation of the decline and fall of the Roman Republican governing system, in which Caesar played a crucial part. To understand Caesar’s life and role, it is necessary to grasp the political, social, and economic problems Rome was grap- pling with, and the deep divisions within Roman society that came from them. Caesar has been seen variously as a mere opportunist, a power-hungry autocrat, an arrogant aristocrat disdaining rivals, a traditional Roman noble politician who stumbled into civil war and autocracy thanks to being misunderstood by his rivals, and even as the ideal man and pattern of all virtues. Billows argues that such portrayals fail to consider adequately the universal testimony of our ancient sources that Roman political life was divided in Caesar’s time into two great political tendencies, called ‘optimates’ and ‘populares’ in the sources, of which Caesar came to be the leader of one: the ‘popularis’ faction. Billows suggests that it is only when we see Caesar as the leader of a great political and social movement, that had been struggling with its rival move- ment for decades and had been several times violently repressed in the course of that struggle, that we can understand how and why Caesar came to fight and win a civil war, and bring the traditional governing system of Rome to an end. -
26 Caesar's Funeral
26 CAESAR'S FUNERAL One of the most powerful speeches in drama is Mark Antony's funeral oration from William Shakespeare's Julius Caesar. In the excerpt below from The Twelve Caesars, Roman historian Suetonius—who lived from about A.D. 69 to A.D. 122—discusses the actual circum• stances of Caesar's death and describes his funeral. As you read the excerpt, note how Suetonius' description differs from the way Caesar's funeral is presented in Shakespeare's play. hen the funeral arrangements had been announced, [Caesar's] Wfriends raised a pyre... near his daughter Julia's tomb, and a gilded shrine ... resembling that of Mother Venus. In it they set an ivory couch, spread with purple and gold cloth, and from a pillar at its head hung the gown in which he had been murdered. Since a procession of mourners laying funeral gifts would have taken more than a day to file past the pyre, everyone was invited to come there by whatever route he pleased, regardless of precedence.... Mark Antony dispensed with a formal eulogy; instead, he instructed a herald to read, first, the recent decree simultaneously voting Caesar all divine and human honours, and then the oath by which the entire Senate had pledged themselves to watch over his safety. Antony added a very few words of comment. When the ivory funeral couch had been carried down into the Forum by a group of magistrates ..., and a dispute arose as to whether the body should be cremated in the Temple of CapitoUne Jupiter or in Pompey's Assembly Hall, two divine forms suddenly appeared, two javelins in their hands and sword at thigh, and set fire to the couch with torches.