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Dark Romanticism in Edgar Allan Poe's the Fall of the House of Usher
KASDI MERBAH UNIVERSITY - OUARGLA Faculty of Letters and Foreign Languages Department of English Language and Literature Dissertation Academic Master Domain: Letters and Foreign Languages Speciality: Anglo-Saxon Literature Submitted by: GABANI Yassine Title: Dark Romanticism in Edgar Allan Poe’s The Fall of The House of Usher Dissertation Submitted in Partial Fulfillment of the Requirements for Master Degree in Anglo-Saxon Literature Publically defended On: 24/05/2017 Before the Jury: Mrs. Hanafi (Tidjani) Hind President KMU-Ouargla Dr. Bousbai Abdelaziz Supervisor KMU-Ouargla Mrs. Bahri Fouzia Examiner KMU-Ouargla Academic year: 2016/2017 Dedication I dedicate this work to my dear parents for their unlimited love, faith and support, I will not get to this point of my life without them. To my beloved brothers and sisters for encouraging and pushing me forward in every obstacle. To all my friends and colleagues who stood beside me in good and hard times. I Acknowledgements First of all, the greatest gratitude goes ahead to Allah who helped me to complete this study. Then, unique recognition should go to my supervisor Dr. Bousbai Abdelaziz for his great guidance, observations, and commentary and for his advice and expertise which he provided; for his generosity and help, especially for being patient with me in preparing the present work. I would like to express my heartfelt thanks to the board of examiners for proofreading and examining my paper. Finally, I would like to express my thanks to all teachers of English Department for their advice and devotion in teaching us. II Abstract The dark romantic movement is a turning point in the American literature with its characteristics that influenced many American writers. -
STEVE JACKSON GAMES Printed in the SJG00895 6538 USA TECHNOLOGY IS POWER
TECHNOLOGY IS POWER. Power corrupts. Therefore absolute technology corrupts absolutely. It is an Age of Revolution; the world has been cruelly purged . in fire, and blood, and steam. From the past, untold horrors wait to clutch at men’s souls. TM It is an Age of Invention; even the Laws of Nature must fall before the power of Progress! Sinister villains plot to use their newfound inventions against society, nature, and even God Himself! GURPS Basic Set, Third Edition It is an Age of Steam; the most brilliant minds of the age Revised and GURPS Compendium I: Character Creation are required to experiment with novel, wondrous ideas – but is mankind use this supplement in a GURPS ready forfor such power? campaign. The historical and technological material and the GURPS Screampunk presents a toolkittoolkit forfor incorporatingincorporating campaign seeds can be used with VictorianVictorian steampunk into games of gothic horror. any rules system. Included are: THE UNCLEAN: • A guide to gothic horror themes, locations, and plots, with Written by suggestionssuggestions on howhow toto add a doom-laden atmosphere to JO RAMSAY your games. Edited by • The use of wweirdeird technology as a corrupting influence. LAURA WATERS, • Real-world Victorian scientific institutions – and the mobs • Real-world Victorian scientific institutions – and the mobs ALAIN H. DAWSON, that opposed them. AND ANDREW HACKARD • CharactCharacterer ararchetypeschetypes including the cruel guardian, the sinister Cover by serservant,vant, the ingenue, and the swarthy foreigner. TOM FOWLER • Adventure seeds, plot hooks, and guidance for running gothic horrorhorror scenarios.scenarios. Illustrated by TOM BIONDOLILLO The ominous shadows of the past loom over the present. -
The Evolution of the Vampire Figure in English and American Literature As Social and Economic Symbol of Contemporary Western Masculine Identity”
DOCTORAL THESIS 2015 “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate UNED Department of Foreign Philologies and their Linguistics Philology Faculty Thesis Director: Dr. Antonio Andrés Ballesteros González Department of Foreign Philologies and their Linguistics Philology Faculty “The Evolution of the Vampire Figure in English and American Literature as Social and Economic Symbol of Contemporary Western Masculine Identity” Kristian Pérez Zurutuza English Philology Graduate Thesis Director: Dr. Antonio Andrés Ballesteros González Acknowledgements I would like to express my deepest gratitude and respect, first and foremost, to my thesis director, Dr. Antonio Andrés Ballesteros, whose careful and wise guidance, counselling, and patience have shown me the necessary tools when tackling such research endeavour. Alongside his academical guidance, his passion must be addressed regarding vampires as creatures of the human mind with literary and/or anthopological significance, for that is what the ultimate target of this research thesis is, beyond its academical value and significance; to give account of a myth rooted deep in the human soul. Without any of the mentioned here would this thesis be the same. Equal gratefulness is deserved by my friend beyond appreciation, Dr. Rodrigo Carcedo, whose guidance was paramount when addressing whatever aspect regarding vampire psychology. Besides a great psychologist and scholar, he bears a especial place in my heart. True example of friendship. My deepest gratefulness to Itziar Mujika as well, amazing and challenging student of mine, true friend, and superb journalist and researcher into women’s role in peaceful resolutions of war conflicts. -
WORDSWORTH's GOTHIC POETICS by ROBERT J. LANG a Thesis
WORDSWORTH’S GOTHIC POETICS BY ROBERT J. LANG A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English December 2012 Winston-Salem, North Carolina Approved By: Eric Wilson, Ph.D., Advisor Philip Kuberski, Ph.D., Chair Omaar Hena, Ph.D. TABLE OF CONTENTS ABSTRACT ....................................................................................................................... iii CHAPTER 1 ........................................................................................................................1 CHAPTER 2 ........................................................................................................................8 CHAPTER 3 ......................................................................................................................27 CHAPTER 4 ......................................................................................................................45 CONCLUSION ..................................................................................................................65 WORKS CITED ................................................................................................................70 VITA ..................................................................................................................................75 ii ABSTRACT Wordsworth’s poetry is typically seen by critics as healthy-minded, rich in themes of transcendence, synthesis, -
Analyse How Frankenstein and Blade Runner Imaginatively Portray Individuals Who Challenge the Established Values of Their Times
Analyse how Frankenstein and Blade Runner imaginatively portray individuals who challenge the established values of their times. Mary Shelley’s epistolary gothic novel Frankenstein and Ridley Scott’s 1994 seminal science fiction film Blade Runner both, despite their vastly contexts imaginatively examine the fundamental nature of what it means to be human as they challenge the established views of their times. These cautionary tales warn us of the dangers of the unethical pursuit power through scientific advancement, man’s fear of mortality and the destruction of the natural world. In Frankenstein, The Modern Prometheus Mary Shelley challenges the 19th Century view that the power of science alone will advance the quality of human existence through the character of Victor. Shelley was a key figure in Romantic literary movement and Frederic Schlegel defined Romanticism as “literature depicting emotional matter in an imaginative form” and dark Romanticism became a sub-genre known as Gothic. Victor, an archetypal Gothic character, is propelled to scientific endeavour to attain personal grandeur through sinister means. He reveals Shelly’s underlying fears as seen when he states with overwrought emotive language and personal pronouns, "I believed myself destined for some great enterprise”. He reinforces his selfish motives through high modality in the lines “Wealth was an inferior object; but what glory would attend the discovery”, emphasising his desire for immortal fame. His egotism is highlighted through verb usage when he claims grandiosely “I will pioneer a new way, explore unknown powers and unfold to the world the deepest mysteries of creation” reflecting the themes of dark Romanticism. -
Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic. -
Xavier Aldana Reyes, 'The Cultural Capital of the Gothic Horror
1 Originally published in/as: Xavier Aldana Reyes, ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’, Journal of Italian Cinema and Media Studies, 5.2 (2017), 229–44. DOI link: 10.1386/jicms.5.2.229_1 Title: ‘The Cultural Capital of the Gothic Horror Adaptation: The Case of Dario Argento’s The Phantom of the Opera and Dracula 3D’ Author: Xavier Aldana Reyes Affiliation: Manchester Metropolitan University Abstract: Dario Argento is the best-known living Italian horror director, but despite this his career is perceived to be at an all-time low. I propose that the nadir of Argento’s filmography coincides, in part, with his embrace of the gothic adaptation and that at least two of his late films, The Phantom of the Opera (1998) and Dracula 3D (2012), are born out of the tensions between his desire to achieve auteur status by choosing respectable and literary sources as his primary material and the bloody and excessive nature of the product that he has come to be known for. My contention is that to understand the role that these films play within the director’s oeuvre, as well as their negative reception among critics, it is crucial to consider how they negotiate the dichotomy between the positive critical discourse currently surrounding gothic cinema and the negative one applied to visceral horror. Keywords: Dario Argento, Gothic, adaptation, horror, cultural capital, auteurism, Dracula, Phantom of the Opera Dario Argento is, arguably, the best-known living Italian horror director. -
National Trauma and Romantic Illusions in Percy Shelley's the Cenci
humanities Article National Trauma and Romantic Illusions in Percy Shelley’s The Cenci Lisa Kasmer Department of English, Clark University, Worcester, MA 01610, USA; [email protected] Received: 18 March 2019; Accepted: 8 May 2019; Published: 14 May 2019 Abstract: Percy Shelley responded to the 1819 Peterloo Massacre by declaring the government’s response “a bloody murderous oppression.” As Shelley’s language suggests, this was a seminal event in the socially conscious life of the poet. Thereafter, Shelley devoted much of his writing to delineating the sociopolitical milieu of 1819 in political and confrontational works, including The Cenci, a verse drama that I argue portrays the coercive violence implicit in nationalism, or, as I term it, national trauma. In displaying the historical Roman Cenci family in starkly vituperous manner, that is, Shelley reveals his drive to speak to the historical moment, as he creates parallels between the tyranny that the Roman pater familias exhibits toward his family and the repression occurring during the time of emergent nationhood in Hanoverian England, which numerous scholars have addressed. While scholars have noted discrete acts of trauma in The Cenci and other Romantic works, there has been little sustained criticism from the theoretical point of view of trauma theory, which inhabits the intersections of history, cultural memory, and trauma, and which I explore as national trauma. Through The Cenci, Shelley implies that national trauma inheres within British nationhood in the multiple traumas of tyrannical rule, shored up by the nation’s cultural memory and history, instantiated in oppressive ancestral order and patrilineage. Viewing The Cenci from the perspective of national trauma, however, I conclude that Shelley’s revulsion at coercive governance and nationalism loses itself in the contemplation of the beautiful pathos of the effects of national trauma witnessed in Beatrice, as he instead turns to a more traditional national narrative. -
Prometheus Unbound and the Gothic Novel 15
From the Sublime to the Numinous A Study of Gothic Qualities in the Poetry and Drama of Shelley's Italian Period A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Robert Percival University of Canterbury 2000 Contents Page Acknowledgements Abstract Introduction 1 I. Prometheus Unbound and the Gothic Novel 15 II. Prometheus Unbound and the Classical Gothic 29 III. Prometheus Unbound- Heroes and Villains 50 IV. The Cenci - An Absence of the Numinous 64 V. Leonardo's Medusa and the Limits of the Sublime 78 VI. The West Wind-Poet as Prophet and Enchanter 90 VII. Adonais - Flight from the City of Death 101 VIII. Adonais - The Hunter Hunted 112 IX. The Triumph ofLife - The Living Dead and the Car of Life 130 X. The Triumph ofLife - Rousseau, the Shape, and the "shape all light" 146 Conclusion 159 Bibliography - (Primary and Secondary Sources) 164 Acknowledgements I would like to thank my wife, Hannah, for her limitless patience, and for her unfailing practical and moral support, without which this thesis would never have been completed; and my supervisor, Dr Gordon Spence, for his continuing encouragement, his unobtrusive guidance, and the generous spirit in which he always shared his time and erudition. Abstract In this thesis I consider six poems which Shelley wrote in Italy, between 1818 and his death in 1822: Prometheus Unbound, The Cenci, "On the Medusa of Leonardo da Vinci in the Florentine Gallery", "Ode to the West Wind", Adonais, and The Triumph ofLife. -
Notions of the Gothic in the Films of Alfred Hitchcock. CLARK, Dawn Karen
Notions of the Gothic in the films of Alfred Hitchcock. CLARK, Dawn Karen. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/19471/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version CLARK, Dawn Karen. (2004). Notions of the Gothic in the films of Alfred Hitchcock. Masters, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus Sheffield S1 1WB Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10694352 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10694352 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Notions of the Gothic in the Films of Alfred Hitchcock Dawn Karen Clark A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Master of Philosophy July 2004 Abstract The films of Alfred Hitchcock were made within the confines of the commercial film industries in Britain and the USA and related to popular cultural traditions such as the thriller and the spy story. -
Gothic Substance
Gothic Style(s), Gothic Substance Gothic Manchester Festival Conference Saturday 28th October 2017 No 70 Oxford Street Introduction After the great success of last year’s Gothic North conference, our attention turns this year to the topic of Gothic Style(s). At the start of the twenty first century, the Gothic is ubiquitous. Fiction and film, television and graphic novels have not only made the Gothic’s plots and protagonists their own, but have brought Gothic style(s) even more firmly into the mainstream. Victorian Gothic architecture looms large over modern cities such as Manchester, contemporary Goth fashion and music tirelessly reference the mode, and our streets and bars, clubs and homes have generated new Gothic styles of their own. But is there substance to the Gothic’s many styles? Does the Gothic continue to reveal the great unspoken truths of our world? Did it ever? Is the Gothic anything more than a commercial product that may be sold, as a recognisable style, to a new generation of consumers? Was it ever thus? What cultural functions do Gothic styles serve? And how have these evolved from the Enlightenment to the neoliberal present? This year’s conference will address such questions, offering a cornucopia of perspectives on the theme. We have papers that draw on political, theological and sociological theory, panels as diverse as Gothic Gaming and Gothic Subcultures and participants who range from undergraduate students to seasoned academics, writers and performers. So, welcome to Gothic Styles, the fifth annual conference of the Gothic Manchester Festival. Again, we think, a wonderfully Gothic time will be had by all. -
Shelley's Poetic Inspiration and Its Two Sources: the Ideals of Justice and Beauty
SHELLEY'S POETIC INSPIRATION AND ITS TWO SOURCES: THE IDEALS OF JUSTICE AND BEAUTY. by Marie Guertin •IBtlOrHEQf*' * "^ «« 11 Ottawa ^RYMtt^ Thesis presented to the School of Graduate Studies of the University of Ottawa as partial fulfillment of the requirements for the degree of Master of Arts in English Literature Department of English Ottawa, Canada, 1977 , Ottawa, Canada, 1978 UMI Number: EC55769 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform EC55769 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 SHELLEY'S POETIC INSPIRATION AND ITS TWO SOURCES: THE IDEALS OF JUSTICE AND BEAUTY by Marie Guertin ABSTRACT The purpose of this dissertation is to show that most of Shelley's poetry can be better understood when it is related: (1) to each of the two ideals which constantly inspired Shelley in his life, thought and poetry; (2) to the increasing unity which bound these two ideals so closely together that they finally appeared, through most of his mature philosophical and poetical Works, as two aspects of the same Ideal.