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Joy Division, Sessions 1977-1981
PIERRE-FRÉDÉRIC CHARPENTIER JOY DIVISION SESSIONS 1977-1981 LE MOT ET LE RESTE PIERRE-FRÉDÉRIC CHARPENTIER JOY DIVISION sessions 1977-1981 le mot et le reste 2020 En mémoire de Philippe Pascal (1956-2019) Note : Les paroles des chansons ainsi que leur traduction française, ne sont pas repro- duites in extenso dans ces pages, car elles l’ont déjà été à plusieurs reprises auparavant. Le lecteur pourra ainsi se reporter à l’annexe des mémoires de Deborah Curtis, Touching from a Distance (1998), de même qu’aux carnets de Ian Curtis, So This Is Permanence (2014). Traduits ou non, les textes d’origine sont par ailleurs aisément trouvables sur l’Internet. Toutes les traductions dans l’ouvrage sont de l’auteur. « DON’T DIE, PLEASE » « 3, 5, 0, 1, 2, 5, go! » Il y a quarante ans, le 18 mai 1980, Joy Division disparaît en pleine gloire naissante avec le suicide de son chanteur emblé- matique, Ian Curtis. Au terme d’un peu moins de trois années d’existence, le groupe anglais a rassemblé la matière première musicale de deux albums avant-gardistes, Unknown Pleasures (1979) et ’Closer’ (1980, posthume), dont l’influence sur la musique rock s’avère à la fois profonde et durable. Une collec- tion de singles remarqués parus hors album et d’autres morceaux inédits, publiés tour à tour sur les compilations Still (1981), puis Substance (1988), permettent en outre de doubler largement le nombre de ses chansons. Souvent référencées, « Transmission », « She’s Lost Control », « Atmosphere » et plus encore le tube « Love Will Tear Us Apart », sans oublier son titre édité par New Order, « Ceremony », ont propulsé le groupe au firmament du rock international. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Un Film Di Michael Winterbottom
presenta un film di Michael Winterbottom con Steve Andy Sean Paddy Lennie Shirley Simon COOGAN SERKIS HARRIS CONSIDINE JAMES HENDERSON PEGG Candidato alla Palma d’oro Miglior produzione di successo 55° Festival di Cannes British Independent Film Award 112 minuti - 35mm - colore www.officineUBU.com www.partypeoplemovie.com www.24hourpartypeople-themovie.com www.myspace.com/24hourpartypeoplethemovie 24 Hour Party People CAST STEVE COOGAN ANTHONY WILSON LENNIE JAMES ALAN ERASMUS SHIRLEY HENDERSON LINDSAY WILSON PADDY CONSIDINE ROB GRETTON ANDY SERKIS MARTIN HANNETT SEAN HARRIS IAN CURTIS JOHN SIMM BERNARD SUMNER RALF LITTLE PETER HOOK DANNY CUNNINGHAM SHAUN RYDER CHRIS COGHILL BEZ PAUL POPPLEWELL PAUL RYDER ENZO CILENTI PETE SAVILLE SIMON PEGG GIORNALISTA Officine UBU srl - v. Imbonati, 4 Milano - tel. 0287383020 - www.officineubu.com - http://tv.officineubu.com 2 24 Hour Party People CAST TECNICO Regia MICHAEL WINTERBOTTOM Sceneggiatura FRANK COTTRELL BOYCE Produttore ANDREW EATON Fotografia ROBBY MULLER Costumi NATALIE WARD, STEPHEN NOBLE Montaggio TREVOR WAITE Scenografia MARK TILDESLEY Supervisione musicale LIZ GALLACHER Produzione REVOLUTION FILMS Distribuzione Italiana Officine UBU via Imbonati, 4 20159 - Milano tel. 0269311631 fax 0260730784 [email protected] www.officineUBU.com Ufficio stampa [email protected] Le immagini in H.Q. del film sono scaricabili nell’Area Press: http://www.officineubu.com/press/login.php username: user - password: pass Officine UBU srl - v. Imbonati, 4 Milano - tel. 0287383020 - www.officineubu.com - http://tv.officineubu.com 3 24 Hour Party People EDIZIONE ITALIANA Direzione del Doppiaggio MONICA PARIANTE Dialoghi Italiani VITTORIO BESTOSO Assistente al Doppiaggio MICHELA UBERTI Fonico di Doppiaggio MICHELE CONTI Fonico di Mix ENZO CATERINO Doppiaggio eseguito presso DREAM & DREAM LE VOCI Tony Wilson CLAUDIO MONETA Alan LORENZO SCATTORIN Ian Curtis ALESSANDRO RIGOTTI Shaun Rider FEDERICO ZANANDREA Lindsay ELISABETTA SPINELLI Martin ALESSANDRO D'ERRICO Tonay MARCELLO CORTESE Officine UBU srl - v. -
Toonzetters Tegendraadse Muziek Uit Een Nieuwe Werkplaats
Toonzetters Tegendraadse muziek uit een nieuwe werkplaats Listen to the silence, let it ring on Eyes, dark grey lenses frightened of the sun We would have a fine time living in the night, Left to blind destruction, Waiting for our sight Robert de Vaan 301111 DT4 KAL2 Toonzetters INHOUD (BLZ/HST/TITEL) 2 0. VOOR 3 1. JONGERENCULTUUR IN DE 20e EEUW:MASSA EN TEGENCULTUUR 4 2. PUNK 6 3. NEW WAVE 6 4. TONY WILSON 7 5 CLUBS 8 6. FACTORY RECORDS 9 7 JOY DIVISION 11 8. NEW ORDER 12 9. ACHTER 13 B1 BIJLAGE 1: ONAFHANKELIJKE LABELS IN DE JAREN 80 14 B2 BIJLAGE 2: FACTORY CATALOGUS 21 B3 BIJLAGE 3: BRONNNEN 0. VOOR Er bestaan in mijn optiek maar twee stromingen binnen de muziek, te weten goede en slechte. De goede is doorgaans authentiek en de gevoelens die Ian Curtis, frontman van Joy Division, bezong leken mij als tiener in de jaren 80 oprecht, hij had er niet voor niets een einde aan gemaakt. De muziek hoorde bij de stroming New Wave, waar ik actief onderdeel van werd . Generatie Nix, de naam die mijn generatie meekreeg, zou toch geen werk vinden en de atoomoorlog zou spoedig beginnen. I wear black on the outside because black is how I feel on the inside zei Morrisey en daar kan ik me tot op de dag van vandaag in vinden... In dit referaat ga ik op zoek naar mijn muzikale en sociale roots en naar de achtergronden van het verhaal van een bijzondere en alternatieve onderneming. New Wave, de stroming voor de subcultuur der alternatieven waarvan Ian Curtis pionier was, vond zijn oorsprong halverwege de jaren 70 in de tegendraadse Punk. -
Dossier D'accompagnement De La Conférence / Concert Du Samedi 6
Dossier d’accompagnement de la conférence / concert du samedi 6 décembre 2014 en co-production avec Les Champs Libres dans le cadre du Programme d’éducation artistique et culturelle de l’ATM. Conférence-concert “PORTRAIT MUSICAL D’UNE VILLE : MANCHESTER” Conférence de Vincent Arquillière & Pascal Bussy Concert de Naked (On Drugs) Remontant au swing des années trente et aux chansons engagées de l’après- guerre qui cimentent un certain folk, Manchester est un foyer majeur des cultures rock, soul et électro. Le phénomène culmine dans les années quatre- vingt à travers de nombreux groupes (des Smiths à New Order) et une approche qui passe par une indépendance innovante et débridée. En mettant ces mouvements en perspective avec les origines industrielles de la ville, cette conférence montre que les musiques de Manchester sont bien plus qu’une bande son ; toujours vivantes aujourd’hui, elles sont une composante Afin de compléter la lecture de ce essentielle de son histoire. dossier, n'hésitez pas à consulter les dossiers d’accompagnement des précédentes conférences- concerts, les “Bases de données” consacrées aux éditions 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012 et 2013 ainsi que L’Explorateur Trans 2014, tous en téléchargement gratuit sur www.jeudelouie.com “Une source d’informations qui fixe les connaissances et doit permettre au lecteur mélomane de reprendre le fil de la recherche s’il le désire” Dossier réalisé en novembre 2014 par Vincent Arquillière & Pascal Bussy (Atelier des Musiques Actuelles). 1 - « Dirty old town » Située à 260 km au nord-ouest de Londres, Manchester est une ville du nord de l’Angleterre. -
GEOFF BATES TRIBUTE NIGHT the GWYN ASHTON TRIO Obsunplugged MARTHA BEAN BAND GENO WASHINGTON ELIZA CARTHY, BELLA HARDY, LUCY
FEBRUARY 2013 JANUARY 2013 VJT PROMOTIONS PRESENTS... SUN 3 DALE WATSON & THE LONE STARS JAN 2 - 6, 8 - 10, 13 - 17 & Feb 2 £12adv £14door - plus The Drugstore Cowboys obsUnplugged PLEASE CHECK WEBSITE FOR LINE-UP DETAILS Dale Watson is what country music should be: authentic, legitimate The obsUnplugged is a series of nights to make selections for this and with a bona fide heart. A staunch adeherent of old-style honky year’s Musician Stage at Summer Sundae. 80+ acts will play over tonk and Bakersfield country, Watson has positioned himself as 2 weeks showcasing some of the best local and national talent. a tattooed, stubbornly independent outsider, putting his music It is specifically for Acoustic/Electro Acoustic acts, encompassing before any pursuit of commerciality. Championed by numerous anything other than full blown electric bands. Singer/songwriters, critics and alternative country fans alike, Watson is a Grand Ol’ duos and bands, of any genre will participate and 12 will be Opry favourite and has a devoted following in the U.S. and Europe. selected from the shortlist to feature at this year’s finale on Willie Nelson is one of Dale’s biggest fans. dalewatson.com Saturday 2nd February. www.themusicianpub.co.uk FORTY TENTH PROMOTIONS PRESENTS... WED 6 FRI 11 MILES HUNT & ERICA NOCKALLS MARTHA BEAN BAND £8adv £10door - plus Nicole Maguire £3adv £5door - plus Elizabeth Cornish Long before “Britpop”, British indie music had a golden era that Songstress Martha Bean is making a name for herself winning saw the likes of Pop Will Eat Itself, Ned’s Atomic Dustbin, EMF, loud crowds over, with “finger picking wizardry and pitch-perfect Jesus Jones and of course, perhaps the biggest band of the era falsetto” (Leicester Mercury). -
Substance. New Order Vu De L'intérieur
PETER HOOK SUBSTANCE NEW ORDER VU DE L’INTÉRIEUR TRADUCTION DE SUZY BORELLO le mot et le reste 2017 Que reposent en paix Jean Jackson, Rex Sargeant, Annik Honoré, Paul (Twinny) Bellingham, Michael Shamberg, Jack Bruce, Steve Strange, Anne Kirkbride, Ben E. King, BB King, Joe Moss, Peter de Freitas, Errol Brown, David Bowie, Tony Warren, John Rhodes (Rhodesy) et Paul Kershaw des Stockholm Monsters, Kirsty Howard, Harold Moores, Paul Massey, Vinegar Vera, Natasha Wise, Alan Wise, Howard Marks. Du même auteur L’Haçienda, La meilleure façon de couler un club Unknown Pleasures, Joy Division vu de l’intérieur Ce livre contient la vérité, toute la vérité, rien que la vérité… enfin, d’après mes souvenirs ! – Note aux lecteurs – Certains lecteurs trouveront que les durées des enregistrements notées dans ce livre diffèrent de celles précisées sur divers sites internet. À ma connaissance, celles inscrites dans cet ouvrage correspondent à ce qui a été enregistré à l’époque. Peter Hook La traductrice remercie Gisèle Clark pour sa relecture des rubriques « L’instant geek ». introduction ■ Quand j’ai commencé mon livre sur l’Haçienda, je savais déjà que, si j’en venais à raconter l’histoire de New Order, ce serait la plus difficile de toutes. En vingt-six ans de carrière, on a connu de très beaux moments, mais aussi beaucoup de souffrance et de chagrin, de doutes, de frustration et d’agacement. C’est un miracle qu’on ait tous réussi à s’en sortir. Si Joy Division a défini ma vie, New Order l’a façonnée. C’est un captivant récit de sexe, de drogue et de rock’n’roll (indé) ; d’art, d’argent et de bêtise crasse, de foi aveugle et de chance incroyable, tout ça sur fond de chansons géniales composées par de super musiciens. -
Byrne & Fatboy Slim a Toys Orchestra
digital magazine APRILE 2010 N.66 Lost in Musical BYRNE & FAT BOY SLIM Caribou Fucked Up Cobblestone Jazz A Toys Orchestra Adi Newton/Clock DVA Santo Barbaro // Vessel // Temperatures // Kuupuu // Evy Arnesano // Ikonika Sentireascoltare n.66 TURN ON p. 4 Santo Barbaro 5 Vessel 6 Temperatures 7 Kuupuu 8 Evy Arnesano TUNE IN 10 Ikonika 12 Caribou 16 Cobblestone Jazz 20 Fucked Up DROP OUT 24 A Toys Orchestra 30 Lost in Musical RECENSIONI 36 Balaclavas, Caribou, Crookers, Extra Life, Ikonika, MGMT... Rearview Mirror 90 Jawbox, Adi Newton, ZU... Rubriche 86 Gimme Some Inches 88 Re-boot SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 Editore: Edoardo Bridda 102 Giant Steps Direttore responsabile: Antonello Comunale Provider NGI S.p.A. Copyright © 2009 Edoardo Bridda. 103 Classic Album Tutti i diritti riservati.La riproduzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, 104 La Sera della Prima è proibita senza autorizzazione scritta di SentireAscoltare DIRETTORE : Edoardo Bridda DIRETTORE RESPONSABILE : Antonello Comunale UFFICIO STAMPA : Teresa Greco COOR D INAMENTO : Gaspare Caliri PROGETTO GRAFICO E IMPAGINAZIONE : Nicolas Campagnari RE D AZIONE : Antonello Comunale, Edoardo Bridda, Gaspare Caliri, Nicolas Campagnari, Stefano Solventi, Teresa Greco. HANNO COLLABORATO : Giancarlo Turra, Marco Braggion, Gabriele Marino, Leonardo Amico, Fabrizio Zampighi, Luca Barachetti, Stefano Pifferi, Andrea Napoli, Filippo Bordignon, Luca Barachetti, Salvatore Borrelli. GU I D A SPIRIT U ALE : Adriano Trauber (1966-2004) IN COPERTINA : Lost in Musical (David Byrne+Fatboy Slim) 2 Santo n n O Vessel O Barbaro Turn Turn Turn —Setacciare la verità— —Next pop queen— Il gruppo bolognese cerca una rifondazione delle parole Due parti di Giardini di Miro' e all'insegna della purezza e della una parte di Pitch. -
Closer from a Distance’: Auras of Factory Records in Design, Place, Film, And
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Leeds Beckett Repository ‘Closer from a distance’: Auras of Factory Records in design, place, film, and historiography James McGrath [email protected] On Monday 23 November 1992, as independent Manchester label Factory Records was declared bankrupt, co-director Rob Gretton was filmed leaving the company’s latter-day Charles Street headquarters. Asked to comment, he buoyantly replied: ‘This isn’t the final chapter. There’s a whole new book to be written. Whole new film to be made.’1 Gretton was proven right; repeatedly. Subjected to dozens of books, documentaries and films since 1992, Factory and its artists have received mainstream media attention surpassing the independent label’s profile during its fourteen-year existence. This article discusses how Factory, from its 1978 beginnings, mythologized itself and its artists through notions of distance and absence. Screens of mystique were created. Post-1992 narratives concerning Factory implicitly offer to penetrate these screens, taking audiences somehow closer to the artists, texts and events themselves. Exploring these processes, I adapt and expand on Walter Benjamin’s 1936 terms of ‘aura’, ‘cult value’ and ‘exhibition value’. I apply these to key Factory albums, designs and videos, as well as its celebrated Manchester nightclub, The Haçienda. I critique how Joy Division’s media presence gradually transformed after their catalogue was subsumed by a major label, London in 1992, and how this both developed and contradicted Factory’s initially very different approach to promoting (or not promoting) artists. -
'Closer from a Distance': Auras of Factory Records in Design, Place, Film, and Historiography
Citation: McGrath, JP (2015) ‘Closer from a distance’: Auras of Factory Records in Design, Place, Film, and Historiography. Manchester Region History Review. ISSN 0952-4320 Link to Leeds Beckett Repository record: https://eprints.leedsbeckett.ac.uk/id/eprint/1995/ Document Version: Article (Updated Version) The aim of the Leeds Beckett Repository is to provide open access to our research, as required by funder policies and permitted by publishers and copyright law. The Leeds Beckett repository holds a wide range of publications, each of which has been checked for copyright and the relevant embargo period has been applied by the Research Services team. We operate on a standard take-down policy. If you are the author or publisher of an output and you would like it removed from the repository, please contact us and we will investigate on a case-by-case basis. Each thesis in the repository has been cleared where necessary by the author for third party copyright. If you would like a thesis to be removed from the repository or believe there is an issue with copyright, please contact us on [email protected] and we will investigate on a case-by-case basis. ‘Closer from a distance’: Auras of Factory Records in design, place, film, and historiography James McGrath [email protected] On Monday 23 November 1992, as independent Manchester label Factory Records was declared bankrupt, co-director Rob Gretton was filmed leaving the company’s latter-day Charles Street headquarters. Asked to comment, he buoyantly replied: ‘This isn’t the final chapter. There’s a whole new book to be written. -
READING ROOM 15 Main Wall
LIST OF WORKS RAMP 3 2 9 8 7 6 5 4 READING ROOM 15 Main Wall 11 MAIN SPACE 1 10 19 18 16 17 12 1 1 20 13 14 21 READING ROOM: 1. Warner Music Factory Records merchandise 2. From right to left: Christopher Gray, ‘Leaving The 20th Century: The complete works of the Situationist International’ 1974; Rob Gretton’s notebook January 1978; Rob Gretton’s copy of ‘Internationale Situationniste 11’; letter from Tony Wil- son to Rob Gretton 9 May 1978; Guy Debord and Asger Jorn, ‘Mémoires’, 1959; letter from Tony Wilson to Rob Gretton 19 April 1978; ‘ten days that shook the university’, situationist international 1967; Vaeigem, ‘the totality for kids’, Inter- nationale Situationniste 1966; ticket for Sex Pistols + Buzzcocks performance at the Machester Lesser Free Trade Hall, Friday 4th June 1976. 3. Le Retour de la colonne Durutti (The return of the Durutti Column), 1966, Internationale Situationniste. RAMP 4. Poster advertising The Sex Pistols, and Slaughter & The Dogs at Manchester Lesser Free Trade Hall, Tuesday 20th July, 1976. Designer unknown. 5. Poster ‘Shimmy..., Joy Division July, 1979 Designed by Jon Savage. 6. Poster with detail from Le Retour de la colonne Durutti (item 3). Produced by Tony Wilson. 7. Poster ‘the Factory Fridays at the Russell Club 1979. Designer unknown. 8. Poster ‘A Certain Ratio/Durutti Column/Blurt’, c.1980. Designed by Jon Savage. 9. FAC 1 Poster, 1978. By Peter Saville. MAIN SPACE 10. (table vitrine, right to left). Rob Gretton’s notebook, c. late 1978; Rob Gretton’s copy of FAC 2 sample promo copy, Dec 1978; FAC 2 January, 1979, A Factory Sample, by Various Artists; FAC 5 All Night Party by A Certain Ratio, 1979; FAC 6 Electricity by Ochestral Manoeuvres In The Dark 1979; FAC 7 Factory stationary by Peter Saville, 1979. -
Andy Irvine the Davey Arthur Band Monotonix Stray
August 2010 September 2010 Stevie Jones presents… Sun 5 Tue 3 The Davey Arthur Band The Brink £10adv £4adv £5door plus Riley, Amy Wyke He has thrilled and moved audiences the world over for over 35 The Brink are an energetic 4 piece rock band who play original and years with his matchless skill with which he plays his chosen sexy rock and roll. Formed in 2007 they are influenced by bands instruments, most especially the Irish tenor banjo. Although Davey like Bon Jovi, All American Rejects, Aerosmith etc. They are just is mostly known with his links to the Furey brothers from 1979 he back from Hollywood where they recorded a new album which carried on a completely separate solo/band setup and has over 40 is due out in November. Come on down, soak up the energy and compositions to his credit, many of which have been recorded and check out some seriously catchy original rock anthems. covered by other top artistes. www.daveyarthur.net www.myspace.com/thebrinkband Pineapster.com presents... Outsider Promotions presents… Thu 12 Wed 8 5th Summer Sundae Fringe Festival Monotonix £5 (proceeds to LOROS) £12adv plus support Feat. The Pennyhangers, Charlie & the Martyrs, “Monotonix have taken a template and beaten it into their own The Lysergic Suite, The James Lewis Band image without mercy.” - Kerrang Magazine. “Monotonix pack so Tour the city on the open top double decker bus stopping off at nine of much pure simian power that their legendarily wild performances Leicester’s finest venues. One £5 ticket will get you into all nine venues compress all cosmic meaning into the moment at hand.