Who's Who in Divas
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
No Hope for Saving Lawn
20 - MANCHESTER HERALD, Sat., March 26, 1983 Engagements Service notes Captain Kidd Whalers win one How much do Mvles-WIng MCGee ends slept In Coventry Mr. and Mrs. Jack C. Myles of over the Bruins cuts hurt? Woodbridge Road in Coventry his training announce the engagement of their Pvt. Fernandie D. ... page 11 ... page 14 daughter, Barbara J. Myles of McGee, son of Julia ... page 6 • Hartford, to James C. Wing Jr. of McGee of 40 Olcott St, and Hartford, sonofDr. JamesC. Wing Ferman McGee of Hart of Ridgefield and the late Winifred ford, has completed basic Deely Wing. training at Fort Dix, N.J. The bride-elect has a bachelor of arts in economics from the Univer sity of Hartford. She is enrolled in a Pvt. Warner master’s program, and is em takes course ployed by the Connecticut Bank Rainy today, Manchester, Conn. and Trust. Pvt. Raymond E. sunny Tuesday Monday, March 28, 1983 The prospective bridegroom has Warner, son of Mr. and — See page 2 a bachelor of arts degree in Mrs. William M. Warner economics from the University of of 63 Clinton St., has Single copy 25(P Hartford and a taw degree from completed a plumbers manrlfrBkr Mpral5 the University of Connecticut course at the U.S. Army School of Law. He is an associate at Training Center in Fort Cardwell, Cardwell and Smoragie- Leonard Wood, Mo. Susan Marguerite Hall Leslie K. Scott Cynthia Marie Pierce wicz attorneys at law in Hartford. Jeanne Ann Carey An Oct. 15 wedding at First Church of Christ in West Hartford Jones receives Hall-Morton Scott-Schloss Pierce-Brundrett Carev-Pawelec is planned. -
Virginia Libraries Journal
STAFF Coeditors Cy Dillon Ferrum College Virginia P.O. Box 1000 Ferrum, Virginia 24088 (540) 365-4428 [email protected] Libraries Lyn C. A. Gardner January/February/March, 2010, Vol. 56, No. 1 Hampton Public Library 4207 Victoria Blvd. Hampton, Virginia 23669 (757) 727-1218 COLUMNS (757) 727-1151 (fax) [email protected] Lyn C. A. Gardner 2 Openers John Moorman 3 President’s Column 39 Virginia Reviews Editorial Board Lydia C. Williams Longwood University Library Farmville, Virginia 23909 FEATURES (434) 395-2432 [email protected] Edward Lener 5 Building a Better Model: Eric and Cy Dillon Frank on Flat World Knowledge Ed Lener College Librarian for the Sciences 10 Libraries: Foundations and Virginia Tech University Libraries Fundamentals in Times of P.O. Box 90001 Challenge and Change Blacksburg, Virginia 24062-9001 2009 Annual Conference (540) 231-9249 [email protected] 33 2009 VLA Scholarship Winners Karen Dillon 34 2009 VLA Award Winners Manager, Library Services Carilion Health System 35 2009 Jefferson Cup Award P.O. Box 13367 Roanoke, Virginia 24033 (540) 981-7258 (540) 981-8666 (fax) [email protected] Virginia Libraries is a quarterly journal published by the Virginia Library Association whose purpose is to develop, promote, and improve library and information services and the profes- sion of librarianship in order to advance literacy and learning and to ensure access to informa- tion in the Commonwealth of Virginia. The journal, distributed to the membership, is used as a vehicle for members to exchange Publications Committee Chair information, ideas, and solutions to mutual problems in professional articles on current topics Suzy Szasz Palmer in the library and information field. -
Bastrop County Texas Beth (Susan Sarandon), Shown Above, Is Performing a Office Worldwide That Year
ELGIN ELGIN FILM FRIENDLY BASTROP COUNTY FILM TRAIL 6 7 The Great Waldo Pepper (1975) Transformers: Age of Extinction (2014) Adventure, Drama, PG Action, Adventure Sci-Fi, PG-13 • Downtown Elgin, Main Street • Silo area, 301 East First Street, just off of Main Street The 1920s-30s period movie was filmed in Elgin, with Produced by Steven Speilberg, the fourth installment of most flight scenes near San Antonio and in Florida. Robert the Transformers film series was the highest grossing film Redford stars as pilot Waldo Pepper. In the film, Mary of 2014, the only film to earn over $1 billion at the box Bastrop County Texas Beth (Susan Sarandon), shown above, is performing a office worldwide that year. It is the first to in the series to stunt as a wing walker when the Standard J-1 biplane not feature the human cast from prior films. Along with FILM TRAIL lands on Elgin’s Main Street between the historic buildings international filming locations, Elgin’s industrial area was lining the roadway. Curiously enough, the buildings in chosen for a portion of the film. the film are not shown in the correct sequence. The cast Bastrop County also includes Margot Kidder as Waldo’s girlfriend Maude PLOT: Five years after the Battle of Chicago (in the third film in the series), the Transformers are now being and Bo Svenson as fellow pilot Axel Olsson. Directed by is a favorite of regarded a threat and the government is seeking to disable Bastrop County George Roy Hill, the film is highly regarded among aviation filmmakers, from commercials to television series to historians, with aerial sequences staged by Frank Tallman. -
Identification Problems, Thefts Plague Iron Pony
Volume 78 THE TRINITY issue 3 TRIPOD October 30, 1979 Identification Problems,Thefts Plague Iron Pony Pub by Keith McAteer under control and handed over to opening; the Pub has lost- eight the police. won in th« dozen mugs and two dozen pit- The Iron Pony Pub took new Once in the squad car, the defeating chers. Asmus admits that some of security measures this week in light officer noticed that the youth was player. In the mugs have been lost to of an incident that occurred last intoxicated and asked him for ircia Banks breakage when people slam them Friday involving a 17-year old non- identification. The officer then down on the table. However, studenl, Mather Front Desk and discovered that the youth was a Asmus believes that only 12 to 18 Trinity Security. minor and questioned him as to mugs have been lost in this manner, The incident began when senior where he had been. The youth Jenny Isler. who was working at responded that he was in the Pub'. Asmus believes the majority of Mather Front Desk, summoned Wayne Asmus was then called and the mugs lost have either been security to remove a youth who Pub employees questioned as to thrown out the window or carried was being disruptive. According to whether the youth was in fact in the out under bulky jackets. The Michael Schweighoffer, Director Pub. problem, Asmus says is- that you of C.anjpus Security, when security Justin Maccarone, Pub Master cannot search everyone who leaves officers arrived they repeatedly- for that night, stated that none of the Pub. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
RFC's Library's Book Guide
RFC’s Library’s Book Guide 2017 Since the beginning of our journey at the Royal Film Commission – Jordan (RFC), we have been keen to provide everything that promotes cinema culture in Jordan; hence, the Film Library was established at the RFC’s Film House in Jabal Amman. The Film Library offers access to a wide and valuable variety of Jordanian, Arab and International movies: the “must see” movies for any cinephile. There are some 2000 titles available from 59 countries. In addition, the Film Library has 2500 books related to various aspects of the audiovisual field. These books tackle artistic, technical, theoretical and historical aspects of cinema and filmmaking. The collec- tion of books is bilingual (English and Arabic). Visitors can watch movies using the private viewing stations available and read books or consult periodi- cals in a calm and relaxed atmosphere. Library members are, in addition, allowed to borrow films and/or books. Membership fees: 20 JOD per year; 10 JOD for students. Working hours: The Film Library is open on weekdays from 9:00 AM until 8:00 PM. From 3:00 PM until 8:00 PM on Saturdays. It is closed on Fridays. RFC’s Library’s Book Guide 2 About People In Cinema 1 A Double Life: George Cukor Patrick McGilligan 2 A Hitchcock Reader Marshall Dentelbaum & Leland Poague 3 A life Elia Kazan 4 A Man With a Camera Nestor Almenros 5 Abbas Kiarostami Saeed-Vafa & Rosenbaum 6 About John Ford Lindsay Anderson 7 Adventures with D.W. Griffith Karl Brown 8 Alexander Dovzhenko Marco Carynnk 9 All About Almodovar Epps And Kakoudeki -
The Cat's Meow
THE CAT’S MEOW PRODUCTION NOTES Directed by Peter Bogdanovich SYNOPSIS From award-winning screenwriter Steven Peros and acclaimed director Peter Bogdanovich comes The Cat’s Meow, an extraordinary look at a fateful excursion of “fun and frolic” aboard William Randolph Hearst’s private yacht in November of 1924 that brought together some of the century’s best-known personalities and resulted in a still-unsolved, hushed-up killing. As Hearst and his lover actress Marion Davies set sail from San Pedro Harbor early one Saturday morning, hosting a small group that includes the brilliant but self-absorbed Charlie Chaplin, film pioneer Thomas Ince preoccupied with his recent financial setbacks, ambitious gossip columnist Louella Parsons, and the eccentric British Victorian novelist Elinor Glyn, it quickly becomes clear that although witty repartee and double entendre are the order of the day, deceit and deception are also on the menu. Everyone, it seems, has a secret agenda: Ince, whose pioneering work in defining the role of the film producer has been favorably compared to D.W. Griffith’s contributions to directing, is determined to seal a partnership with Hearst’s Cosmopolitan Pictures despite W.R.’s seeming lack of interest; New York-based film critic Louella Parsons has her eye on a transfer to the west coast where she can cover the film industry more intimately; Ince’s lover, actress Margaret Livingston, no longer cares to keep their affair a secret; Hearst himself suspects that his paramour Davies has been unfaithful with the legendary comic Chaplin; and Chaplin indeed schemes to steal away the beautiful actress from the richest man in the world. -
Pressed with Jeremyʼs Directing Skills, Which He Mentioned to Gordon Pinsent, Who Happens to Be His Father-In-Law
SEX AFTER KIDS Run Time: 105 min Canadian Distributor: IndieCan Entertainment 271 Glenholme Avenue, Suite #3 Toronto ON M6E 3C9 p. (416) 898-3456 f. (416) 658-9913 e. [email protected] Producer Contacts: Jeremy LaLonde e. [email protected] p. 416-844-6496 Jennifer Liao e. [email protected] SEX AFTER KIDS Production Notes About the Story When writer and director Jeremy LaLonde (The Untitled Work of Paul Shepard) decided he wanted to move forward with his sophomore feature film, he took a rather unconventional approach. He cast the film and then wrote the script. He says, “Itʼs far easier to write when youʼve got a voice of a character in your head, and even easier when you know exactly who is going to play that part.” And, he also adapted the old adage – write what you know. The idea for Sex After Kids was born out of his own experience. At the time, he had a newborn and a three-year-old, as he said, “Itʼs safe to say that I knew enough about this subject to realize it was pretty fertile ground and that there were probably a decent amount of people who would appreciate a comedy about the subject.” Ultimately to Jeremy, the film can mean different things for different people. “For me,” he says, “itʼs about how relationships are hard and then when you throw in uncontrollable elements it can make them impossible – but thatʼs when people grow. Itʼs about how relationships change over time and how some people have a hard time dealing with that fact.” Shannon Beckner, who plays Jules, shares the same sentiment as Jeremy, she commented, “This film is about the entirely new lives many of us unwittingly start when we bring another human being into our old ones. -
Prop Noise-Issue3-2014Summer
The Membership Newsletter for The Military Aviation Museum Summer 2014 INSIDE THIS IssUE: Commemorate the Centennial of the War of the Nations! Museum Visitors 2 AIM Students 2 Summer Camp 2 Jerry Yellin 2 Screaming Eagles 3 Warbirds in Review 3 Hangar Happenings 4 Trench Art 4 PBY-5A Catalina 4 If you missed the First World War, then this is the time October 1-5 with pilots and builders from around the world MAM Red Dots 5 to return and experience only the best parts of it. Join us attending. On Saturday and Sunday, between flights of the Mosquito History 5 October 4-5, 2014 at the historic style buildings of the Military museum’s aircraft, you can enjoy the aerial antics of a broad Aviation Museum, located at the Virginia Beach Aerodrome, Glider Towing Spitfire 6 assortment of scale-models intended to recreate some of the for the centennial of the War of the Nations. Go with us on a more elaborate maneuvers you may have seen overhead at WWII Airborne 6 journey to the dawn of aerial combat and discover where the the time of the First World War. term dogfight originated. The museum owns and displays Plan to be comfortable on your beach chair or blanket and dozens of aircraft from the First and Second World Wars, enjoy big band music, singing, dancing, impersonators, and which are all in meticulous flying condition. Even more much, much more. Your Saturday ticket also gets you into the Military Aviation Museum aircraft will be on display from other museums and personal www.MilitaryAviationMuseum.org collections from around the country. -
The Museum of Modern Art Department of Film
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art . -
Alcohol Probation to Lift Next Semester
FEATURES P. 11 SPORTS P. 16 NEWS Caregivers realty care ; Women's basketball comes back strong Mr. Rice Crowned Carglver coordinators take a moment to reflect on the success The women's basketball team wins three of four recent Julian Yao is named the first of the program as the alcohol probation comes to an end. ' games after a disappointing start to the season. Mr. Rice. thVOLUME XCIX,e ISSUE NO . 1Ric4 STUDENT-RUeN SINCE 1916 FRIDAY, DECEMBER 2, 2011 Marshall Chemists find new cancer scholars treatment BY JOHANNA OHM awarded THRESHER EDITORIAL STAFF Curing cancer has long been a lofty BY ELLEN LIU goal of scientific researchers and one THRESHER EDITORIAL STAFF that researchers in the Rice University Department of Chemistry have made Rice continues to reach beyond promising strides toward achieving in the hedges as two students head to recent months. the United Kingdom next fall to pur- Rice chemists' success in loading sue their graduate studies practically nanorod particles into cancer cells free of charge as Marshall Scholars. promises new developing treatment The Marshall Scholarship was options for cancer patients. Research created in 1953 to recognize students conducted by Associate Professor of who excel in academics, leader- Chemistry Eugene Zubarev, graduate ship and ambassadorial potential. student Leonid Vigderman and for- The scholarship funds two years of mer graduate student Pramit Manna graduate study at any U.K. institu- has focused on developing ways to tion, covering university fees, cost of squeeze up to 2 million gold nanorod living expenses, various grants and particles into a single cancer cell, travel to and from the United States.