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THE PINNING STONES Culture and Community in Aberdeenshire
THE PINNING STONES Culture and community in Aberdeenshire When traditional rubble stone masonry walls were originally constructed it was common practice to use a variety of small stones, called pinnings, to make the larger stones secure in the wall. This gave rubble walls distinctively varied appearances across the country depend- ing upon what local practices and materials were used. Historic Scotland, Repointing Rubble First published in 2014 by Aberdeenshire Council Woodhill House, Westburn Road, Aberdeen AB16 5GB Text ©2014 François Matarasso Images ©2014 Anne Murray and Ray Smith The moral rights of the creators have been asserted. ISBN 978-0-9929334-0-1 This work is licensed under the Creative Commons Attribution-Non-Commercial-No Derivative Works 4.0 UK: England & Wales. You are free to copy, distribute, or display the digital version on condition that: you attribute the work to the author; the work is not used for commercial purposes; and you do not alter, transform, or add to it. Designed by Niamh Mooney, Aberdeenshire Council Printed by McKenzie Print THE PINNING STONES Culture and community in Aberdeenshire An essay by François Matarasso With additional research by Fiona Jack woodblock prints by Anne Murray and photographs by Ray Smith Commissioned by Aberdeenshire Council With support from Creative Scotland 2014 Foreword 10 PART ONE 1 Hidden in plain view 15 2 Place and People 25 3 A cultural mosaic 49 A physical heritage 52 A living heritage 62 A renewed culture 72 A distinctive voice in contemporary culture 89 4 Culture and -
BARB Establishment Survey Annual Data Report Volume 1
BARB Establishment Survey Annual Data Report Volume 1: Total Network & Appendices April 2011 to March 2012 BARB ESTABLISHMENT SURVEY OF TV HOMES Page 1 DATA PERIOD: ANNUAL April 2011 - March 2012 Contents Page Total Network (All Areas) Annual Data Tables 1 Introduction 2 Household Table 1: Social Grade 3 Table 2: Housewife Age 4 Table 3: Size of Household 5 Table 4: Presence of Children 6 Table 5: Number of TV sets in household 7 Table 6: Screen size 8 Table 7: Location of ANY set in household 9 Table 8: Recorders 10 Table 9: Other TV equipment 11 Table 10: Computers and Internet 12 Sets Table 11: Screen Size 13 Table 12: Location of set 14 Table 13: Recorders 15 Table 14: Other TV equipment 15 Table 15: Main Set Screen Size 16 Table 16: Main Set Recorders 17 Table 17: Main Set - Other TV equipment 17 Table 18: Other Sets (non-Main Set) Screen Size 18 Table 19: Other Set (non-Main Set) Recorders 19 Table 20: Other Set (non-Main Set) - Other TV equipment 19 Individuals Table 21: Age of Children 20 Table 22: Adults - Age 21 Table 23: Social Grade (Adults 16+) 22 Table 24: Working Status (Adults 16+) 23 Table 25: Males - Age 24 Table 26: Social Grade (Males 16+) 25 Table 27: Working Status (Males 16+) 26 Table 28: Females - Age 27 Table 29: Social Grade (Females 16+) 28 Table 30: Working Status (Females 16+) 29 Appendices Appendix A: Survey objectives Appendix B: The sample Appendix C: Fieldwork and results Appendix D: Definitions Appendix E: Number of televisions in the household Appendix F: Rounding Appendix G: Sample bases for the tables Appendix H: Multiple households at issued addresses Appendix I: Weighting Appendix J: The Questionnaire (March 2012) See also VOLUME 2 - BBC Areas VOLUME 3 - ITV Areas Introduction Page 2 This reports contains the weighted data results from the Establishment survey for the period April 2011 - March 2012 Data is presented at different levels Household Set Individual Accordingly; bases do vary. -
Dalziel + Scullion – CV
Curriculum Vitae Dalziel + Scullion Studio Dundee, Scotland + 44 (0) 1382 774630 www.dalzielscullion.com Matthew Dalziel [email protected] 1957 Born in Irvine, Scotland Education 1981-85 BA(HONS) Fine Art Duncan of Jordanstone College of Art and Design, Dundee 1985-87 HND in Documentary Photography, Gwent College of Higher Education, Newport, Wales 1987-88 Postgraduate Diploma in Sculpture and Fine Art Photography, Glasgow School of Art Louise Scullion [email protected] 1966 Born in Helensburgh, Scotland Education 1984-88 BA (1st CLASS HONS) Environmental Art, Glasgow School of Art Solo Exhibitions + Projects 2016 TUMADH is TURAS, for Scot:Lands, part of Edinburgh’s Hogmanay Festival, Venue St Pauls Church Edinburgh. A live performance of Dalziel + Scullion’s multi-media art installation, Tumadh is Turas: Immersion & Journey, in a "hauntingly atmospheric" venue with a live soundtrack from Aidan O’Rourke, Graeme Stephen and John Blease. 2015 Rain, Permanent building / pavilion with sound installation. Kaust, Thuwai Saudia Arabia. Nomadic Boulders, Permanent large scale sculptural work. John O’Groats Scotland, UK. The Voice of Nature,Video / film works. Robert Burns Birthplace Museum. Alloway, Ayr, Scotland, UK. 2014 Immersion, Solo Festival exhibition, Dovecot Studios, Edinburgh as part of Generation, 25 Years of Scottish Art Tumadh, Solo exhibition, An Lanntair Gallery, Stornoway, Outer Hebrides, as part of Generation, 25 Years of Scottish Art Rosnes Bench, permanent artwork for Dumfries & Galloway Forest 2013 Imprint, permanent artwork for Warwick University Allotments, permanent works commissioned by Vale Of Leven Health Centre 2012 Wolf, solo exhibition at Timespan Helmsdale 2011 Gold Leaf, permanent large-scale sculpture. Pooley Country Park, Warwickshire. -
Annex 12 Models for Nations and Regions PSB Television
Ofcom Public Service Broadcasting Review Models for Nations and Regions PSB Television: A Focus on Scotland An Overview by Oliver & Ohlbaum Associates Ltd September 2008 DISCLAIMER This report has been produced by Oliver & Ohlbaum Associates Limited (“O&O”) for Ofcom as part of the ongoing Review of Public Service Broadcasting (the “PSB Review”, ”the Project”). While the information provided herein is believed to be accurate, O&O makes no representation or warranty, express or implied, as to the accuracy or completeness of such information. The information contained herein was prepared expressly for use herein and is based on certain assumptions and information available at the time this report was prepared. There is no representation, warranty or other assurance that any of the projections or estimates will be realised, and nothing contained within this report is or should be relied upon as a promise or representation as to the future. In furnishing this report, O&O reserves the right to amend or replace the report at any time and undertakes no obligation to provide the users with access to any additional information. O&O’s principal task has been to collect, analyse and present data on the market and its prospects under a number of potential scenarios. O&O has not been asked to verify the accuracy of the information it has received from whatever source. Although O&O has been asked to express its opinion on the market and business prospects, it has never been the users’ intention that O&O should be held legally liable for its judgements in this regard. -
93/07 Angus Council
Report No 93/07 ANGUS COUNCIL INFRASTRUCTURE SERVICES COMMITTEE 25 JANUARY 2007 SUBJECT: ECONOMIC DEVELOPMENT DIVISION HIGHLIGHTS AND ACHIEVEMENTS 10 NOVEMBER 2006 – 11 JANUARY 2007 REPORT BY THE DIRECTOR OF INFRASTRUCTURE SERVICES Abstract: This Report outlines the highlights and achievements of the Economic Development Division for the period 10 November 2006 – 11 January 2007. 1 RECOMMENDATION 1.1 It is recommended that the Committee note the contents of this Report. 2 INTRODUCTION 2.1 This Report outlines the Highlights and Achievements of the Economic Development Division for the period 10 November 2006 – 11 January 2007. 3 HIGHLIGHTS AND ACHIEVEMENTS – 10 NOVEMBER 2006 – 11 JANUARY 2007 ♦ Property - 87.6% Property – 87.6% of the Council's industrial/commercial units are occupied (85 units occupied, 12 vacant). 82.6% of total notional annual rental income is currently being achieved. ♦ Land - The sale of the Council's remaining developable land on Broomfield Industrial Estate, Montrose, was concluded in December 2006. The plot has been sold to one of the Council's existing commercial tenants, and will be used for the construction of a new HQ and also for the development of speculative starter units. ♦ Development Enquiry – the Economic Development Division is continuing discussion with a large call centre operator interested in establishing a new facility in Arbroath. As the discussions are at an advanced stage it was agreed to undertake a recruitment campaign to establish a register of people interested in call centre work. At the time of writing this report around 350 people have registered on the internet (within one week of the initiative being published). -
The Comedy Unit, and a BBC Scotland Television Series, River City (BBC, 2002-Date)
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Creative Industries Policy and Practice: A Study of BBC Scotland and Scottish Screen Lynne Alison Hibberd BA (Hons), MPhil Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow Faculty of Arts and Humanities Centre for Cultural Policy Research Department of Theatre Film and Television Studies December 2008 © Lynne Alison Hibberd 2008 2 Abstract This thesis examines creative industries policy in film and television in Scotland. It explores the impact that different approaches to creative industries policy have on creative practice in two media industries, BBC Scotland and Scottish Screen, and reflects on how each of these bodies articulates its role as a „national‟ institution. BBC Scotland is the Scottish branch of the UK‟s largest public service broadcaster, while Scottish Screen exists on a far smaller scale, to serve the screen industries in Scotland. The thesis examines the role of BBC Scotland in sustaining the creative economy and contributing to the cultural life of Scotland. The study of Scottish Screen examines a key early aim of the agency, that of establishing a national film studio. The work investigates the connections between UK and Scottish levels of creative industries policy in light of the debates over the future of public service broadcasting and the Scottish Executive‟s cultural policy framework. The study outlines how ideas of cultural creativity and its economic significance have developed, charts how these ideas have affected policy debate, and explores the extent to which devolution has affected film and television policy. -
LOCH NESS MONSTER Download Free Ebooks At
LOCH NESS MONSTER download free ebooks at www.magus-turris.blogspot.com 1 This ebook is a gift from the literary blog www.magus-turris.blogspot.com download free ebooks at www.magus-turris.blogspot.com 2 Loch Ness Monster In Scottish folklore, the Loch Ness Monster or Nessie is a creature said to inhabit Loch Ness Monster Loch Ness in the Scottish Highlands. It is often described as large in size with a long neck and one or more humps protruding from the water. Popular interest and belief in the creature has varied since it was brought to worldwide attention in 1933. Evidence of its existence is anecdotal, with a few disputed photographs and sonar readings. The scientific community regards the Loch Ness Monster as a phenomenon without biological basis, explaining sightings as hoaxes, wishful thinking, and the misidentification of mundane objects.[2] Contents The "surgeon's photograph" of 1934, now known to have been a hoax[1] Name Similar Champ (folklore), Origins creatures Ogopogo, Mokele- History mbembe, Altamaha-ha Saint Columba (565) D. Mackenzie (1871 or 1872) Other Nessie, Niseag George Spicer (1933) name(s) Hugh Gray (1933) Country Scotland Arthur Grant (1934) "Surgeon's photograph" (1934) Region Loch Ness, Scottish Taylor film (1938) Highlands William Fraser (1938) Sonar readings (1954) Peter MacNab (1955) Dinsdale film (1960) "Loch Ness Muppet" (1977) Holmes video (2007) download free ebooks at www.magus-turris.blogspot.com Sonar image (2011) George Edwards photograph (2011) David Elder video (2013) Apple Maps photograph (2014) -
ITV Wales & West 33 - 36 ITV South & South East & Ch
Establishment Survey of TV Homes ITV and Channel 4 Area Report Volume 1 June 2009 Produced for the Broadcasters’ Audience Research Board by Ipsos MORI BARB Establishment Survey Report - June 2009 blank BARB Establishment Survey Report - June 2009 Contents Introduction All Areas 1 - 4 ITV London 5 - 8 ITV Midlands 9 - 12 ITV North West 13 - 16 ITV Yorkshire 17 - 20 ITV Central Scotland 21 - 24 ITV North Scotland 25 - 28 ITV Central Scotland & North Scotland 29 - 32 ITV Wales & West 33 - 36 ITV South & South East & Ch. Islands 37 - 40 ITV North East 41 - 44 ITV East 45 - 48 ITV South West 49 - 52 ITV Ulster 53 - 56 ITV Border 57 - 60 ITV West 61 - 64 ITV Wales 65 - 68 ITV South & South East 69 - 72 ITV Channel Islands 73 - 76 ITV Meridian / Anglia 77 - 80 ITV Granada / Border 81 - 84 ITV Yorkshire / Tyne Tees 85 - 88 ITV Granada North 89 - 92 ITV West Macro 93 - 96 ITV MidWest 97 - 100 S4C 101 - 106 Multichannel Homes 107 - 113 Channel Four - All Macro Regions 115 - 118 Channel Four - London Macro Region 119 - 122 Channel Four - South Macro Region 123 - 126 Channel Four - Midlands Macro Region 127 - 130 Channel Four - North Macro Region 131 - 134 Channel Four - Scotland Macro Region 135 - 138 Channel Four - Ulster Macro Region 139 - 142 ITV Reception in Overlap Areas 143 - 148 Preference to View and Net Share 149 - 154 APPENDICES A Objectives A1 B The Sample B1 - B4 C Fieldwork and Results C1 - C2 D Definitions D1 - D4 E Number of Televisions in the Household E1 F Rounding F1 G Sample Bases for the Tables G1 - G7 H Multiple Households at Issued Addresses H1 I Weighting, Smoothing and Projection I1 - I4 J The Questionnaire BARB Establishment Survey Report - June 2009 blank BARB Establishment Survey Report - June 2009 Introduction This report gives details of the overall populations and television populations for each ITV area, C4 Macro Regions, S4C receivers in the Principality of Wales, and for Multichannel homes. -
BBC Scotland Annual Review 2006/2007 4
BBC Scotland Annual Review 2006/2007 4 8 2 6 5 7 1 3 11 12 13 9 10 16 19 17 20 18 15 14 21 BBC Scotland Contents 1 8 15 2 16 36 Glenn Campbell John Beattie Sarah Cruickshank National Trustee’s overview Television New Media (Presenter, Politics) (Presenter, Sport) (Presenter, Dè a-nis?) 2 9 16 4 22 37 Jackie Bird Libby McArthur Paul Riley Audience Council Radio Technology (Presenter, News) (River City’s Gina) (Still Game’s Winston) 3 10 17 14 26 38 Rhona McLeod Claire Knight Greg Hemphill National Controller’s overview News and current affairs Children in Need (Presenter, Sport) (River City’s Iona) (Still Game’s Victor) 30 39 4 11 18 Gaelic Finance Pudsey Deirdre Davis Ford Kiernan (River City’s Eileen) (Still Game’s Jack) 34 40 BBC 5 12 19 BBC Scottish Symphony Getting in touch Richard Gordon Janice Forsyth Jonathan Watson Orchestra Annual 2006/07 Review Scotland (Presenter, Sport) (Presenter, Radio Scotland) (Only An Excuse?, Offside) 6 13 20 Dougie Vipond Robbie Shepherd Sanjeev Kohli (Presenter, Sport) (Presenter, Radio Scotland) (Still Game’s Navid) 7 14 21 Alison Walker Shona Morrison James Mackenzie (Presenter, Sport) (Presenter, Eòrpa) (Raven) 1 National Trustee’s Overview. The past twelve months have seen a radical change in the governance of the BBC, with the Governors disappearing after 80 years and being replaced, under the terms of the new Charter, by a Board of Trustees. I was privileged to be one of three priorities in April and will monitor Broadcasting Council and its successor former Governors to have survived progress in the months ahead. -
Stv Statement 2009
stv statement 2009 Overall strategy / major themes for the year stv, which holds the broadcast licences for the central and northern regions of Scotland, has a clear vision to be Scotland’s most influential, relevant, innovative and trusted media brand. We are distinctly Scottish, have a strong recognisable brand and market positioning, and are well placed to deliver creative and relevant programming for our viewers across Scotland. The company is also at the heart of news and current affairs in Scotland and performs a vital educational role in the life of the nation, providing a platform for new talent and internship for those wishing to embark on a career in broadcasting. At the heart of stv is the fervent belief in public service broadcasting, the celebration of regional difference and the production of culturally authentic Scottish content. Our plans for 2009 highlight our commitment to an increased level of locally produced, high quality Scottish content, in line with our promise to take greater control of our schedule. Ofcom is due to report back on its Review of Public Service Broadcasting (PSB) in 2009 and the results of this will inform our strategy for the future. stv is fully committed to being a public service broadcaster, serving Scotland as part of a strong Channel 3 network. We reject the idea of a single UK-wide Channel 3 licence, an idea which has been mooted by both Ofcom and ITV, as we believe the interests of Scotland, and of the Nations and Regions of the UK, are best served by the retention of the Channel 3 network with dedicated licences providing strong relevant content for regional audiences. -
Broadcast Bulletin Issue Number
Ofcom Broadcast Bulletin Issue number 107 28 April 2008 Ofcom Broadcast Bulletin, Issue 107 28 April 2008 Contents Introduction 3 Standards cases Notice of Sanction Notice of Revocation 4 In the case of Ebak Ltd (TLCS975) in respect of its service Smart Shop TV In Breach Place in the Sun 7 Discovery Real Time, 14 October 2007, 16:00 Drivetime with Martin Malyon 9 Skyline FM, 25 February 2008 , 16:00 Resolved Suicidal Squirrels 10 AXN Europe, December 2007 and January 2008 Wild and Crazy 12 Zone Reality, 12 February 2008, 23:00 Sky News 14 Sky News, 24 February 2008, 20:23 Fairness & Privacy cases Not Upheld Complaint by Mrs Hazel Jacobson and Mr Brian Bews 15 At War With Next Door, Five, 7 December 2006 Complaint by Mr Gary Segal and Mrs Hilary Segal 37 North West Tonight, BBC1 North West, 3 and 11 April 2007 Complaint by Mr W 50 Terror in the Skies: A Tonight Special, ITV1, 4 June 2007 Other programmes not in breach/outside remit 60 2 Ofcom Broadcast Bulletin, Issue 107 28 April 2008 Introduction Ofcom’s Broadcasting Code (“the Code”) took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. -
BARB Establishment Survey Quarterly Data Report: Total Network
BARB Establishment Survey Quarterly Data Report: Total Network April to June 2011 BARB ESTABLISHMENT SURVEY OF TV HOMES Page 1 DATA PERIOD: QUARTERLY April - June 2011 Contents Page Total Network (All Areas) Quarterly Data Tables 1 Introduction 2 Household Table 1: Social Grade 3 Table 2: Housewife Age 4 Table 3: Size of Household 5 Table 4: Presence of Children 6 Table 5: Number of TV sets in household 7 Table 6: Screen size 8 Table 7: Location of ANY set in household 9 Table 8: Recorders 10 Table 9: Other TV equipment 11 Table 10: Computers and Internet 12 Sets Table 11: Screen Size 13 Table 12: Location of set 14 Table 13: Recorders 15 Table 14: Other TV equipment 15 Table 15: Main Set Screen Size 16 Table 16: Main Set Recorders 17 Table 17: Main Set - Other TV equipment 17 Table 18: Other Sets (non-Main Set) Screen Size 18 Table 19: Other Set (non-Main Set) Recorders 19 Table 20: Other Set (non-Main Set) - Other TV equipment 19 Individuals Table 21: Age of Children 20 Table 22: Adults - Age 21 Table 23: Social Grade (Adults 16+) 22 Table 24: Working Status (Adults 16+) 23 Table 25: Males - Age 24 Table 26: Social Grade (Males 16+) 25 Table 27: Working Status (Males 16+) 26 Table 28: Females - Age 27 Table 29: Social Grade (Females 16+) 28 Table 30: Working Status (Females 16+) 29 Appendices Appendix A: Survey objectives Appendix B: The sample Appendix C: Fieldwork and results Appendix D: Definitions Appendix E: Number of televisions in the household Appendix F: Rounding Appendix G: Sample bases for the tables Appendix H: Multiple households at issued addresses Appendix I: Weighting Appendix J: The Questionnaire (June 2011) Introduction Page 2 This reports contains the weighted data results from the Establishment survey for the period April - June 2011 Data is presented at different levels Household Set Individual Accordingly; bases do vary.