The Gymnastics Course Training Guide
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2021 Guide to Gymnastics Team
At Spokane Gymnastics, the coaches focus on encouraging the development of strength, skill and character through gymnastics training in a positive environment. We strive to offer a program where every student has the greatest opportunity to succeed, no matter what their level or goal. We strive to balance teaching proper gymnastics skills, terminology and progressions in a fun environment where students are taught by breaking down the elements of the particular skills, hands- on “spotting” and training, low student-to-coach ratios and positive reinforcement. We believe that gymnastics is not only one of the most rewarding sports with unlimited benefits to other activities, but also FUN! Gymnastics not only increases strength, flexibility and balance, it is also encourages hard work, discipline and determination. Women's Artistic Gymnastics There are four events in Women's Artistic Gymnastics – Vault, Uneven Bars, Balance Beam and Floor Exercise. Although most sports have seasons, gymnastics is a year-round commitment for athletes at the upper levels. Vault A successful vault begins with a strong, accelerated run. The best vaulters explode off the springboard with tremendous quickness during the pre-flight phase of the vault. When the gymnast pushes off of the vault table (also informally referred to as the horse) judges look for proper body position and instantaneous propulsion and explosive force. They watch the height and distance traveled as well as the number of flips and twists. Gymnasts strive to stick their landing by taking no extra steps. Uneven Bars Many consider the uneven bars the most spectacular of women's events, since to be successful the gymnasts must display strength as well as concentration, courage, coordination and split-second timing. -
Journal of Sport and Kinetic Movement Vol
Journal of Sport and Kinetic Movement Vol. II, No. 30/2017 AEROBIC DANCE AND AEROBIC STEP IN HIGHER EDUCATION Petreanu Manuela1, Petreanu Adrian Gheorghe1 1Universitatea de Medicina si Farmacie “Carol Davila” din București, Bd. Eroii Sanitari nr. 8 Abstract As a last link of the schooling system, higher education offers the optimal environment that is able to intervene and actively influence the process of developing, preserving and revitalizing the biological potential of the vocation for movement among this category of young people in an organized way . Competitional aerobic gymnastics, as a means of physical education with a more recent appearance, encompasses a wide range of means, taken from basic gymnastics, acrobatic gymnastics, rhythmic gymnastics, other sports disciplines, classical and modern dance performed and adapted on a musical background, trains rhythms, amplitudes and different positions with manifestations in group or individual. The wide popularity which enjoys derives from the accessibility of the means used, especially by introducing into the international competition system two more categories, namely aerobic dance and aerobic step. Particularities of age, the technical requirements and the content of the competition exercises to these two categories are arguments for them to be used in aerobic gymnastics lessons in higher education as well as in university competitions. As a result, in higher education, aerobic and aerobic step category are accessible and efficiente forms of optimization of lessons with students, a means with multiple valences on the body and also for the development of specific university competitions at local and national level. Key words: students, aerobic gymnastics, competition Introduction The specific requirements that the physical character. -
Open Week 3 17:00 Pt, Thursday, October 24, Through 17:00 Pt, Monday, October 28
Presented by OPEN WEEK 3 17:00 PT, THURSDAY, OCTOBER 24, THROUGH 17:00 PT, MONDAY, OCTOBER 28 WORKOUT 20.3 Scaled Masters 55+ ♀ deadlift 80 lb., perform hand-release knee push-ups, For time: then deadlift 105 lb. and bear crawl ♂ deadlift 115 lb., perform hand-release knee push-ups, 21 deadlifts (weight 1) then deadlift 155 lb. and bear crawl 21 handstand push-ups 15 deadlifts (weight 1) NOTES 15 handstand push-ups Prior to starting the workout, the athlete will need to mark 9 deadlifts (weight 1) a line on the wall for the handstand push-ups (details in Movement Standards section). Lengths on the floor will 9 handstand push-ups also need to be measured and marked for the handstand 21 deadlifts (weight 2) walk. This workout begins with the barbell on the floor and the 50-ft. handstand walk athlete standing tall. After the call of “3, 2, 1 … go,” the 15 deadlifts (weight 2) athlete may perform 21 deadlifts, then move to the wall for 21 handstand push-ups, then complete 15 deadlifts 50-ft. handstand walk and 15 handstand push-ups, then 9 deadlifts and 9 9 deadlifts (weight 2) handstand push-ups. 50-ft. handstand walk The athlete may then move on to the heavier barbell to complete 21 deadlifts, a 50-ft. handstand walk, 15 ♀ deadlift 155 lb. then 205 lb. deadlifts, another 50-ft. handstand walk, and finally, 9 ♂ deadlift 225 lb. then 315 lb. deadlifts and a third 50-ft. handstand walk. The athlete’s score will be the time it takes to complete Time cap: 9 minutes the workout or the total number of repetitions completed before the 9-minute time cap. -
Still Rings Handstand Development Page 1 of 3
USA Gymnastics Online: Technique: Still Rings Handstand Development Page 1 of 3 Still Rings Handstand Development By Kelly Crumley The handstand on rings is a bit more complicated than a handstand on floor or parallel bars simply because the rings move and the other pieces of equipment do not! There are literally hundreds of drills and exercises that can be done to develop the handstand. The handstand is a never-ending area of refinement. The better the handstand is, the better the gymnast will be. There are two main objectives in which to focus when developing the handstand: Strength and Balance. Both of these are addressed below. The Handstand Position The handstand must first be developed on floor and then later applied to rings. The desired position as it applies to floor is as follows: The hands should be placed on the floor shoulder width apart with the middle finger perpendicular with an imaginary line drawn between them. The fingers should be spread in order to help produce a wide base of support. Weight should be dispersed to the finger tips. The body should not be entirely supported on the palms of the hand. Balance is controlled at the finger tips. The elbows are locked and turned so that the inside of the elbow faces straight forward. The head is positioned neutral with ears between the arms. There should be equal parts of the head on both sides of the arm so that the line of the arms, bisect the head equally when viewing from the side. The eyes are focused on the floor between the hands. -
The Ultimate Calisthenics Workout
THE ULTIMATE CALISTHENICS WORKOUT Bonus PDF File By: Mike Romaine Copyright Notice No part of this report may be reproduced or transmitted in any form whatsoever, electronic, or mechanical, including photocopying, recording, or by any informational storage or retrieval system without expressed written, dated and signed permission from the author. All copyrights are reserved. Disclaimer and/or Legal Notices The information provided in this book is for educational purposes only. I am not a doctor and this is not meant to be taken as medical advice. The information provided in this book is based upon my experiences as well as my interpretations of the current research available. The advice and tips given in this course are meant for healthy adults only. You should consult your physician to insure the tips given in this course are appropriate for your individual circumstances. If you have any health issues or pre-existing conditions, please consult with your physician before implementing any of the information provided in this course. This product is for informational purposes only and the author does not accept any responsibilities for any liabilities or damages, real or perceived, resulting from the use of this information. THE ULTIMATE CALISTHENICS WORKOUT ROUTINE & GUIDE S.H.I.E.L.D. Basic Training: Level One Training Volume: 3-5 days per week with the option to program MMA, Parkour, or Off-Day “Active” Cardio on top of the 3-5 programmed. **Also remember you can add and scale any part of this program with the above resources.** Explanation: You can perform this specific workout 3-5 times a week. -
International Olympic Committee, Lausanne, Switzerland
A PROJECT OF THE INTERNATIONAL OLYMPIC COMMITTEE, LAUSANNE, SWITZERLAND. WWW.OLYMPIC.ORG TEACHING VALUESVALUES AN OLYYMPICMPIC EDUCATIONEDUCATION TOOLKITTOOLKIT WWW.OLYMPIC.ORG D R O W E R O F D N A S T N E T N O C TEACHING VALUES AN OLYMPIC EDUCATION TOOLKIT A PROJECT OF THE INTERNATIONAL OLYMPIC COMMITTEE, LAUSANNE, SWITZERLAND ACKNOWLEDGEMENTS The International Olympic Committee wishes to thank the following individuals for their contributions to the preparation of this toolkit: Author/Editor: Deanna L. BINDER (PhD), University of Alberta, Canada Helen BROWNLEE, IOC Commission for Culture & Olympic Education, Australia Anne CHEVALLEY, International Olympic Committee, Switzerland Charmaine CROOKS, Olympian, Canada Clement O. FASAN, University of Lagos, Nigeria Yangsheng GUO (PhD), Nagoya University of Commerce and Business, Japan Sheila HALL, Emily Carr Institute of Art, Design & Media, Canada Edward KENSINGTON, International Olympic Committee, Switzerland Ioanna MASTORA, Foundation of Olympic and Sport Education, Greece Miquel de MORAGAS, Centre d’Estudis Olympics (CEO) Universitat Autònoma de Barcelona (UAB), Spain Roland NAUL, Willibald Gebhardt Institute & University of Duisburg-Essen, Germany Khanh NGUYEN, IOC Photo Archives, Switzerland Jan PATERSON, British Olympic Foundation, United Kingdom Tommy SITHOLE, International Olympic Committee, Switzerland Margaret TALBOT, United Kingdom Association of Physical Education, United Kingdom IOC Commission for Culture & Olympic Education For Permission to use previously published or copyrighted -
Week 3 – Qualifier Workout 3
WEEK 3 – QUALIFIER WORKOUT 3 — 12 MIN AMRAP — (AsRx, Masters 35-39, Masters 40-44, Masters 45-49, Masters 50-54) Athlete Name: Division Competing: Reps 12 192 372 12 Chest-to-bar Pull-ups 12 Handstand Push-ups 12 Chest-to-bar Pull-ups 20 200 380 8 Deadlifts 8 Deadlifts 8 Deadlifts 32 212 392 12 Handstand Push-ups 12 Chest-to-bar Pull-ups 12 Handstand Push-ups 40 220 400 8 Deadlifts 8 Deadlifts 8 Deadlifts 52 232 412 12 Chest-to-bar Pull-ups 12 Handstand Push-ups 12 Chest-to-bar Pull-ups 60 240 420 8 Deadlifts 8 Deadlifts 8 Deadlifts 72 252 432 12 Handstand Push-ups 12 Chest-to-bar Pull-ups 12 Handstand Push-ups 80 260 440 8 Deadlifts 8 Deadlifts 8 Deadlifts 92 272 452 12 Chest-to-bar Pull-ups 12 Handstand Push-ups 12 Chest-to-bar Pull-ups 100 280 460 8 Deadlifts 8 Deadlifts 8 Deadlifts 112 292 12 Handstand Push-ups 12 Chest-to-bar Pull-ups Presented By: 120 300 8 Deadlifts 8 Deadlifts 132 312 12 Chest-to-bar Pull-ups 12 Handstand Push-ups Sponsored By: 140 320 8 Deadlifts 8 Deadlifts 152 332 12 Handstand Push-ups 12 Chest-to-bar Pull-ups Total Reps 160 340 8 Deadlifts 8 Deadlifts 172 352 12 Chest-to-bar Pull-ups 12 Handstand Push-ups 180 360 8 Deadlifts 8 Deadlifts WEEK 3 – QUALIFIER WORKOUT 3 — 12 MIN AMRAP — (Masters 55+) Athlete Name: Division Competing: Reps 12 192 372 12 Pull-ups 12 Push Press 12 Pull-ups 20 200 380 8 Deadlifts 8 Deadlifts 8 Deadlifts 32 212 392 12 Push Press 12 Pull-ups 12 Push Press 40 220 400 8 Deadlifts 8 Deadlifts 8 Deadlifts 52 232 412 12 Pull-ups 12 Push Press 12 Pull-ups 60 240 420 8 Deadlifts 8 Deadlifts -
World Age Group Competition Rules
FÉDÉRATION INTERNATIONALE DE GYMNASTIQUE FONDÉE EN 1881 World Age Group Competition Rules ACROBATIC GYMNASTICS Approved by the FIG Executive Committee WAGC ACRO 2017-2020 1 Copyright © 2016 Fédération Internationale de Gymnastique The Acrobatic Gymnastics World Age Group Rules are the property of the FIG. Any translation or reproduction of this document is strictly prohibited without the prior consent of the FIG. WAGC ACRO 2017-2020 2 PREAMBLE The Fédération International de Gymnastique (FIG) Acrobatic Gymnastics Technical Committee is pleased to present the ratified World Age Group Competition Rules, effective January 2017. These rules are guided by the current FIG Statutes, General Technical Regulations, the FIG Judges’ Rules, the 2017 - 2020 Acrobatic Gymnastics Code of Points and Tables of Difficulty. This publication has been revised to reflect the changes that were made to the ACRO Code of Points 2017 – 2020. The basic principles which provide the foundation for the Age Group Program are unchanged. The Appendix is to eliminate the need for developing countries to consult multiple documents to construct exercises. Appendix 4 contains elements which may be used as optional elements for the 11-16 exercises. They are intended to provide new coaches with direction in skill selection, and to eliminate the need for the use of the FIG Tables of Difficulty. However, Appendix 4 does not prevent the use of the Tables of Difficulty by more experienced coaches and athletes. The remaining Appendices are excerpts taken from the ACRO Code of Points 2017 - 2020. This will minimize the need for new countries to consult the Code of Points for the 11-16 Age Group. -
Bodyweight-Exercises
ST LUKE'S FITNESS SPORTS PERFORMANCE CENTERS HOME FITNESS PLAN - BODYWEIGHT EXERCISE BODYPART AREA LEVEL REPS/TIME SETS GLUTE BRIDGE GLUTE WORKOUT 1 SINGLE-LEG GLUTE BRIDGE GLUTE WORKOUT 2 SHOULDER-ELEVATED HIP THRUST GLUTE WORKOUT 1 SHOULDER-ELEVATED SINGLE-LEG HIP THRUST GLUTE WORKOUT 2 SINGLE-LEG SHOULDER-AND-FEET-ELEVATED HIP THRUST GLUTE WORKOUT 2 SHOULDER-AND-FEET-ELEVATED HIP THRUST GLUTE WORKOUT 2 DONKEY KICK GLUTE WORKOUT 1 BIRD DOG GLUTE WORKOUT 1 EXERCISE BODYPART AREA LEVEL REPS/TIME SETS SUMO SQUAT LEG WORKOUT 2 WALL SQUAT HOLD LEG WORKOUT 1 CHAIR SQUAT LEG WORKOUT 1 JUMP SQUAT LEG WORKOUT 2 SINGLE-LEG BOX SQUAT LEG WORKOUT 3 TOWEL PISTOL SQUAT LEG WORKOUT 2 STATIC LUNGE LEG WORKOUT 1 FORWARD LUNGE LEG WORKOUT 2 REVERSE LUNGE LEG WORKOUT 2 SINGLE-LEG ROMANIAN DEADLIFT LEG WORKOUT 1 REVERSE HYPER LEG WORKOUT 1 STEP-UP WITH LEG LIFT LEG WORKOUT 1 BULGARIAN SPLIT SQUAT LEG WORKOUT 2 EXERCISE BODYPART AREA LEVEL REPS/TIME SETS ELEVATED CALF RAISE CALVES 1 SINGLE-LEG ELEVATED CALF RAISE CALVES 2 EXERCISE BODYPART AREA LEVEL REPS/TIME SETS TOWEL FACE PULL BACK WORKOUT 1 MODIFIED INVERTED ROW BACK WORKOUT 2 TOWEL INVERTED ROW BACK WORKOUT 2 SCAPULAR SHRUG BACK WORKOUT 3 ONE-ARM INVERTED ROW BACK WORKOUT 4 LEVEL 1 - BEGINNER LEVEL 3 - INTERMEDIATE/ADVANCED LEVEL 2 - INTERMEDIATE LEVEL 4 - ADVANCED ST LUKE'S FITNESS SPORTS PERFORMANCE CENTERS HOME FITNESS PLAN - BODYWEIGHT EXERCISE BODYPART AREA LEVEL REPS/TIME SETS TORSO ELEVATED PUSH-UP CHEST WORKOUT 1 PUSH-UP CHEST WORKOUT 2 WIDE-WIDTH PUSH-UP CHEST WORKOUT 3 ELEVATED PUSH-UP CHEST -
Effect of Progressive Calisthenic Push-Up Training on Muscle
EFFECT OF PROGRESSIVE CALISTHENIC PUSH-UP TRAINING ON MUSCLE STRENGTH & THICKNESS A Thesis Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Christopher Joseph Kotarsky In Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE Major Department: Health, Nutrition, and Exercise Sciences March 2016 Fargo, North Dakota North Dakota State University Graduate School Title Effect of progressive calisthenic push-up training on muscle strength & thickness By Christopher Joseph Kotarsky The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of MASTER OF SCIENCE SUPERVISORY COMMITTEE: Kyle Hackney, Ph.D. Chair Bryan Christensen, Ph.D. Jason Miller, MS Approved: 3/24/2016 Yeong Rhee, Ph.D. Date Department Chair ABSTRACT Calisthenics, a form of resistance training, continue to increase in popularity; however, few studies have examined their effectiveness for muscle strength improvement. The purpose of this study was to compare progressive calisthenic push-up training (PUSH) to free weight bench press training (BENCH) as techniques to develop muscle strength and thickness. Twenty-three healthy, moderately trained males (mean ± SD: age 23 ± 6.8 years) were randomly assigned to PUSH (n=14) and BENCH (n=9), and trained three days per week for four weeks. Muscle thickness, seated medicine ball put, one repetition max bench press (1RM), and push-up progression (PUP) were measured pre- and post-training. Results revealed significant increases in 1RM (p<0.001) and PUP (p<0.05) for both groups post-training. The increase in PUP, however, was significantly greater for PUSH (p<0.001). -
Magic: a Theory from the South
MAGIC Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Throop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com Magic A THEORY FROM THE SOUTH Ernesto de Martino Translated and Annotated by Dorothy Louise Zinn Hau Books Chicago © 2001 Giangiacomo Feltrinelli Editore Milano (First Edition, 1959). English translation © 2015 Hau Books and Dorothy Louise Zinn. All rights reserved. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9905050-9-9 LCCN: 2014953636 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by The University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Contents Translator’s Note vii Preface xi PART ONE: LUcanian Magic 1. Binding 3 2. Binding and eros 9 3. The magical representation of illness 15 4. Childhood and binding 29 5. Binding and mother’s milk 43 6. Storms 51 7. Magical life in Albano 55 PART TWO: Magic, CATHOliciSM, AND HIGH CUltUre 8. The crisis of presence and magical protection 85 9. The horizon of the crisis 97 vi MAGIC: A THEORY FROM THE SOUTH 10. De-historifying the negative 103 11. Lucanian magic and magic in general 109 12. Lucanian magic and Southern Italian Catholicism 119 13. Magic and the Neapolitan Enlightenment: The phenomenon of jettatura 133 14. Romantic sensibility, Protestant polemic, and jettatura 161 15. The Kingdom of Naples and jettatura 175 Epilogue 185 Appendix: On Apulian tarantism 189 References 195 Index 201 Translator’s Note Magic: A theory from the South is the second work in Ernesto de Martino’s great “Southern trilogy” of ethnographic monographs, and following my previous translation of The land of remorse ([1961] 2005), I am pleased to make it available in an English edition. -
Operating a Gymnastics Business
SECTION TWO OPERATING A GYMNASTICS BUSINESS INTRODUCTION An analogy is in order. Is it reasonable to suggest that a level 10 female gymnast who has trained Every person who opens a gymnastics school has a twenty hours a week on vault, bars, beam, and floor unique set of reasons for doing so. The desire to build should also be an expert on the pommel horse? a better mouse trap and/or dissatisfaction with exist- How about a NCAA ring specialist? Should he be ing programs seem to be common reasons for opening able to perform at a high level on balance beam? Of new gymnastics schools. Many coaches feel the need course not; it is all gymnastics but the skill sets do to exercise their own creativity and have more control not transfer. over the direction of their training program. Is it reasonable to suggest that a terrific gymnas- Over the past two decades, the gymnastics industry tics coach, a coach whose gymnasts have won many has grown tremendously. What was once a cottage state titles and who has sent several gymnasts to industry run largely by former athletes as a second job Nationals, should be able to open, run, and man- or a hobby has become a big industry where gym own- age a gymnastics business? Of course not; it is all ers are seeking to earn a comfortable income from a gymnastics but the skill sets do not transfer. primary business. Actually, it is not all gymnastics. Operating a Most gymnastics schools are owned by people who business is one thing while coaching gymnastics is are passionate about gymnastics and who have chalk another.