DOCSLIB.ORG

FIRST BANDS to INFERNO METAL FESTIVAL 2018 Inferno Metal Festival 2017 Was a Good Year with Great Feedback from the Audience, Media and Artists

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FIRST BANDS to INFERNO METAL FESTIVAL 2018 Inferno Metal Festival 2017 Was a Good Year with Great Feedback from the Audience, Media and Artists FIRST BANDS TO INFERNO METAL FESTIVAL 2018 Inferno Metal Festival 2017 was a good year with great feedback from the audience, media and artists. We are now very exited to announce the first bands for Inferno Metal Festival 2018. We present to you Carpathian Forest, Dark Funeral, Napalm Death, Memoriam and Vanhelgd! INFERNO METAL FESTIVAL 2018: CARPATHIAN FOREST - DARK FUNERAL – NAPALM DEATH – MEMORIAM - VANHELGD CARPATHIAN FOREST The Norwegian black metal band Carpathian Forest are back! It's been more than ten years since we last heard from this mighty black metal band. Now they are back to release more evil upon the world. Of course their return will all happen at Inferno Metal Festival 2018! “Black Shining Leather”, “Strange Old Brew” and “Defending the Throne of Evil” are all classics that will be amazing to hear live at Inferno Metal Festival 2018! https://www.facebook.com/carpathianforest/ DARK FUNERAL The Swedish black metal outfit Dark Funeral started up in 1993. With several classic albums under the belt, like “The Secrets of the Black Arts”, “Vobiscum Satanas” and “Diabolis Interium”, the band is regarded as one of Sweden's best black metal bands. Their latest album was released last year and is called “Where Shadows Forever Reign”. A great record that makes Dark Funeral worthy of a return to Inferno Metal Festival! https://www.facebook.com/darkfuneral/ NAPALM DEATH Napalm Death are the Godfathers of grindcore. Listening to their classic “Scum” back in 1987 people was blown away. Never has anybody heard that kind of brutal music before. Even today, 30 years after the release of their debut album, Napalm Death is still one of the most brutal bands there is out there. The legends have been at Inferno Metal Festival once before and it is about time they return to the festival. https://www.facebook.com/officialnapalmdeath/ MEMORIAM Forged from the ashes of Bolt Thrower, and in tribute to their late drummer Martin Kears, Memoriam is a brand new death metal band that has risen to do it the old school way. The band consists of Bolt Thrower ex-members Karl Willetts on vocal and Andrew Whale on drums. Together they have joined forces with ex-Cerebral Fix guitar player Scott Fairfax and bassist Frank Healy from Benediction and Sacrilege. Memoriam released their debut album “For the Fallen” on Nuclear Blast last year to great critical acclaim and is regarded as one of the best death metal albums of the last couple of years. https://www.facebook.com/Memoriam2016/ VANHELGD The Swedish death metallers Vanhelgd will bring the Swedish death metal sound to Inferno Metal Festival 2018. That sound made by Boss HM-2 pedal and the stench of rotting corpses. The band has by now released four albums of death metal monstrosity and consist of members and ex-members from such bands as King of Asgard, Ocean Chief, Ceremonial Execution and Thy Primordial. If you like your death metal rotten to the core – Vanhelgd is a band you can't miss. https://www.facebook.com/vanhelgd/ INFERNO METAL FESTIVAL 2018 Inferno Metal Festival is the longest running and most extreme metal festival in Norway and one of the most important extreme metal festivals in the world. We are very proud of this position and we will continue fronting Norwegian metal and bringing bands from all over the world to Norway. 2018 will be our 18th edition of the festival that keeps on growing and for the first time the festival will be located all four days at Rockefeller Music Halls 2 stages - Rockefeller & John Dee. TICKETS We're happy to offer you early bird tickets for 2018. These tickets will include a voucher for 200 NOK that can be used towards any Inferno merchandise at the festival as well as access all 4 days. The value equals 1 festival t-shirt. These tickets are available in a limited quantity/time period. Go to our homepage at ww.infernofestival.net to order..
Load more

Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
    PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1.
    [Show full text]
  • Forever the Black Smoke Blows in Krems’ [Auto-Translated from German]
    Kramar, Thomas. ‘Forever the black smoke blows in Krems’ [Auto-translated from German]. Die Presse Online. 26 April 2018 Forever the black smoke blows in Krems In the nineties it was in vogue to state ends. Today one fears the "endless present": this is the motto of this year's Danube Festival. How postmodern is that? Or is it again - modern? The virtual source never runs dry: "Western Flag (Spindletop, Texas)", video by John Gerrard. – © Danube Festival It was an anticipated, much-anticipated eruption: on January 10, 1901, oil spewed from a well at Spindletop Hill (southeast Texas), yes: to splash. Two months later, the nearby town of Beaumont was a boomtown and its population tripled. The Irish artist John Gerrard recalls the time when oil spilled on Spindletop Hill. In his video installation "Western Flag (Spindletop, Texas)" he simulates that this source would never run dry, would never run out, but only bring more dirt, not juice for traffic and industry: black smoke is constantly pouring out of the jets, into shape a flag. Gerrard suggests a trivial interpretation. "Among the greatest legacies of the 20th century are not only the population explosion and the better living conditions, but also the significantly increased CO2 concentrations in the atmosphere," he writes: "This flag gives this invisible gas, this international danger, a picture, a way to represent oneself. " Heaven is where nothing happens Thomas Edlinger, Director of the Danube Festival, now places Gerrard's video installation in Krems in a new context of meaning - as an illustration of this year's theme: "Endless Presence".
    [Show full text]
  • The Construction of Pagan Identity in Lithuanian “Pagan Metal” Culture
    VYTAUTO DIDŢIOJO UNIVERSITETAS SOCIALINIŲ MOKSLŲ FAKULTETAS SOCIOLOGIJOS KATEDRA Agnė Petrusevičiūtė THE CONSTRUCTION OF PAGAN IDENTITY IN LITHUANIAN “PAGAN METAL” CULTURE Magistro baigiamasis darbas Socialinės antropologijos studijų programa, valstybinis kodas 62605S103 Sociologijos studijų kryptis Vadovas Prof. Ingo W. Schroeder _____ _____ (Moksl. laipsnis, vardas, pavardė) (Parašas) (Data) Apginta _________________________ ______ _____ (Fakulteto/studijų instituto dekanas/direktorius) (Parašas) (Data) Kaunas, 2010 1 Table of contents SUMMARY ........................................................................................................................................ 4 SANTRAUKA .................................................................................................................................... 6 INTRODUCTION ............................................................................................................................... 8 I. THEORIZING ―SUBCULTURE‖: LOOKING AT SCIENTIFIC STUDIES .............................. 13 1.1. Overlooking scientific concepts in ―subcultural‖ research ..................................................... 13 1.2. Assumptions about origin of ―subcultures‖ ............................................................................ 15 1.3 Defining identity ...................................................................................................................... 15 1.3.1 Identity and ―subcultures‖ ................................................................................................
    [Show full text]
  • 'Music and Remembrance: Britain and the First World War'
    City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War.
    [Show full text]
  • Bolt Thrower War Master Mp3, Flac, Wma
    Bolt Thrower War Master mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: War Master Country: Ukraine Released: 2003 Style: Death Metal MP3 version RAR size: 1568 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1442 mb Rating: 4.8 Votes: 183 Other Formats: AU MOD AA AIFF MP4 WAV DTS Tracklist A1 Intro ... Unleashed (Upon Mankind) A2 What Dwells Within A3 The Shreds Of Sanity A4 Profane Creation A5 Destructive Infinity B6 Final Revelation B7 Cenotaph B8 War Master B9 Rebirth Of Humanity B10 Afterlife Companies, etc. Record Company – Moon Records Phonographic Copyright (p) – Earache Copyright (c) – Earache Copyright (c) – Одиссей Notes Ⓒ & Ⓟ 1991 Earache Records Для продажи на территории Украины. For the sales in the territory of Ukraine only. The tracks are consecutively numbered. Barcode and Other Identifiers Barcode (Text): 4 601250 317861 Barcode (String): 4601250317861 Other versions Category Artist Title (Format) Label Category Country Year Bolt War Master (LP, MOSH 29 Earache MOSH 29 UK 1991 Thrower Album) Bolt War Master (LP, MOSH 29 Earache MOSH 29 UK 1991 Thrower Album, Gat) Bolt War Master (CD, MOSH 29CD Earache MOSH 29CD Europe 1991 Thrower Album, Ora) War Master (LP, Bolt Painkiller PKR - 079 Album, Ltd, Pic, PKR - 079 Belgium 2009 Thrower Records RE) Unsilent URCD019, Bolt War Master (CD, Records, URCD019, Brazil 2009 PLCD53243 Thrower Album, RE) Heavy Metal PLCD53243 Rock Related Music albums to War Master by Bolt Thrower Bolt Thrower - Live At Bradford - Queen's Hall 12.1.91 Adrenalin Junkies - Outcry Entombed - Crawl Pitch Shifter - [The Remix War] Napalm Death - Greed Killing Bolt Thrower - The Peel Sessions 1988-90 Bolt Thrower - Concession Of Pain Bolt Thrower - The IVth Crusade Terrorizer - World Downfall Bolt Thrower - ...For Victory Bolt Thrower - The Peel Sessions Bolt Thrower - Realm Of Chaos.
    [Show full text]
  • Making Company of Darkness Joshua Evan Borgmann Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1999 Making company of darkness Joshua Evan Borgmann Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Creative Writing Commons, and the English Language and Literature Commons Recommended Citation Borgmann, Joshua Evan, "Making company of darkness " (1999). Retrospective Theses and Dissertations. 7097. https://lib.dr.iastate.edu/rtd/7097 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Making company of darkness by Joshua Evan Borgmann . A thesis submitted to the graduate faculty in partialfulfillment of the requirements for the degreeof MASTER OFARTS Major: English (Creative Writing) Major Professor: Neal Bowers Iowa State University Ames, Iowa 1999 11 Graduate College Iowa State University This is to certify that the Master's thesis of Joshua Evan Borgmann has met the requirements ofIowa State University Major Professor For the Major Program For the Graduate College m TABLE OF CONTENTS I. INSALUBRIOUS BIFURCATIONS 1 Family Portrait at 23 2 Family 3 Family Spirit 4 Insalubrious Bifurcation ofthe Post-Nuclear Family Schema 5 Christmas Eves 6 Holiday Edge 7 Food, Football, Family 9 Wal-Mart Christian 11 Devil's Advocate 13 Religion in Ice 14 Deicide 15 Suicide Poem # 23 16 Suicide Poem # 24 17 23 to 2 18 Sadistic Auto-Masochistic Persecution 19 Random SelfIndulgent Shit 20 High School High Via the Lost Highway 23 Forgetting '87 24 Thirteen 25 Absence ofLight 26 Windows 27 The House 28 Old Woman 29 In the Night 30 Goathoms 31 H.
    [Show full text]
  • Slayer Haunting the Chapel
    Slayer haunting the chapel Continue Much better sound - not being fabulous either, that is the instrumental quality that caused us, all of us, shape to enjoy at the bottom! - that previous founding album is a myth, this E.P. four track will consolidate the legend already in motion after just this famous first stone in the purring building in the sweet title Show Without Mercy, released a year earlier ... which we can call a historical album, by the way! For most fans of us, know that a re-release dating back to 2004 (and still in effect today) will allow you to accumulate on the same album the mythical Live Undead and Ghosts of the Chapel mentioned in this column. In the same vein as the Show is not mercy for the first two titles and a significant evolution for the following that discover, relative I agree, slower and at the same time more worked or complex, while continuing his dark dark studies. Ghosts Chapel tends to be more resolute in the mad rush of sound and quality aggression in order to establish undeniable fame in the genre. Indeed, every SLAYER enthusiast should know how we feel listening to the damningly excellent cult song that is Chimicale - which is becoming now, the emblem of the slayerian paw without any references to different bands. SLAYER has just found its personal niche always copied and never matched today! What is then his brother's blood that is the impetuous Sin Thief, if not the fascinating melodic line that sends us valdinguer to the wall if we don't care about him so much his effectiveness is enormous.
    [Show full text]
  • Oslo, Norway – 31
    OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come.
    [Show full text]
  • DARKWOODS MAILORDER CATALOGUE March 2018
    DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”..
    [Show full text]
  • Masterarbeit / Master's Thesis
    d o n e i t . MASTERARBEIT / MASTER’S THESIS R Tit e l der M a s t erarbei t / Titl e of the Ma s t er‘ s Thes i s e „What Never Was": a Lis t eni ng to th e Genesis of B lack Met al d M o v erf a ss t v on / s ubm itted by r Florian Walch, B A e : anges t rebt e r a k adem is c her Grad / i n par ti al f ul fi l men t o f t he requ i re men t s for the deg ree of I Ma s ter o f Art s ( MA ) n t e Wien , 2016 / V i enna 2016 r v i Studien k enn z ahl l t. Studienbla t t / A 066 836 e deg r ee p rogramm e c ode as i t appea r s o n t he st ude nt r eco rd s hee t: w Studien r i c h tu ng l t. Studienbla tt / Mas t er s t udi um Mu s i k w is s ens c ha ft U G 2002 : deg r ee p r o g r amme as i t appea r s o n t he s tud e nt r eco r d s h eet : B et r eut v on / S uper v i s or: U ni v .-Pr o f. Dr . Mi c hele C a l ella F e n t i z |l 2 3 4 Table of Contents 1.
    [Show full text]
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]