The Civil Rights Movement on Long Island

Total Page:16

File Type:pdf, Size:1020Kb

The Civil Rights Movement on Long Island Civil Rights on Long Island Hofstra University The Civil Rights Movement on Long Island: A Local History Curriculum Guide for Middle School and High School Table of Contents Introduction: "Teaching about the Civil Rights Movement on Long Island," by Alan Singer... p. 3 1- "The Origins of the Long Island Civil Rights Movement," by Severin Cornelius................. p. 5 Documents: .............................................................................................................................. p. 7 1A) The Ku Klux Klan on Long Island 1B) Long Islanders Recognize the Problem of Racial Discrimination 1C) Is there a wrong way to challenge discrimination? 1D) Combating Job Bias - Can we overcome past discrimination? 1E) Racial Tension Builds on Long Island 1F) Martin Luther King, Jr. Speaks at Hofstra University Oral History : ........................................................................................................................... p. 15 "Dr. Eugene Reed and the Battle for Civil Rights on Long Island," by Clinton Grant and John Syffrard "Don and Doris Shaffer, Civil Rights Activists," by Robert Gault and Paul Henning Political Cartoons ................................................................................................................... p. 18 2- "Housing Discrimination on Long Island," by Stavros Kilimitzoglou ................................ p. 20 Documents: ............................................................................................................................. p. 22 2A) Racial Exclusion at Levittown 2B) Housing Discrimination- The Issues Become Clear 2C) Combating Blockbusting and Re-Lining 2D) Great Neck Human Rights Committee 2E) Were Zoning Laws Discriminatory? 2F) Did Urban Renewal mean "Negro" Removal? Oral History : .......................................................................................................................... p. 30 "African Americans Remember Life on Long Island," by Denise del Valle, Stephanie Hunte, Laurie Collins-Thomas, Jennifer Palacio, and Karen Lewis 3- "The Battle Over School Integration," by Joyce Kenny ...................................................... p. 33 Documents: ............................................................................................................................. p. 35 3A) Hempstead Proposes a School District Consolidation 3B) Amityville Divided By School Integration Protests 3C) Districts Grapple with Racial Integration Plans 3D) The Malverne School Integration Plan - Racial justice or a violation of the rights of citizens? Oral History : "The Battle Over School Integration in Malverne" by Joyce Kenny ................. p. 44 A) "Norman Lent Defends Neighborhood Schools" B) "Roland Cook - Teacher, Malverne Schools" C) "Sal Zaccaro - Social Studies Teacher, Malverne High School" Oral History : The Battle Over School Integration in Great Neck ........................................... p. 49 "Frank Phillips and the Great Neck School Integration Controversy," by Denise del Valle and Stephanie Hunte "An Interview with Emil "Al" Cianciulli," by Jennifer Palacio and Denise Del Valle Maps: Malverne; Great Neck; Southwest Suffolk County (Amityville area); Central Nassau County (Hempstead area). - 1 - Civil Rights on Long Island Hofstra University 4- "Racial Discrimination and Volunteer Fire Departments," by Stavros Kilimitzoglou ...... p. 52 Documents: Racial Discrimination and Volunteer Fire Departments .................................... p. 52 5- "What Happens to a Dream Deferred?" by Deon Gordon .................................................... p. 55 Documents: ............................................................................................................................. p. 57 5A) Can Long Island Avoid Racial Turmoil? 5B) Protest Intensifies, But Hope Continues 5C) Westbury High School Erupts 5D) Teenagers Search for Answers 5E) Racial Violence Erupts in Freeport High School 5F) Trouble in Amityville 5G) Blacks and Whites Disagree About the Causes of Racial Violence 6- "The Civil Rights Struggle on Long Island in a National Context," by Alan Singer ............ p. 69 Documents: .............................................................................................................................. p. 71 6A) Civil Rights Timeline 6B) Local Presidential Election Voting, 1960-1972 6C) Civil Rights of African Americans in the Post-Civil War United States - 2 - Civil Rights on Long Island Hofstra University Teaching about the Civil Rights Movement on Long Island by Alan Singer Most middle school and high school students see history as something that happened in the distant past (defined as before they were born) and in far away places, that has little impact on their lives. A study of the civil rights movement on Long Island during the 1960's provides social studies teachers with a powerful tool for challenging these conceptions. These events happened here, happened during the life time of their parents, defined currently exisiting institutions and communities, and continue to shape the attitudes of Long Islanders (including our students) about issues like race relations and social justice. In addition, they illustrate the interplay of local and national forces. The same qualities that make this topic contemporary, interesting and valuable for students, also make it controversial and potentially explosive for the classroom. Because racial conflicts during the 1960's were not resolved on Long Island or in the United States, racial tension simmers below the surface in many communities and students still live with prejudices and stereotypes about other racial and ethnic groups. Teaching the material in this curriculum guide requires careful preparation and sensitivity. It also offers tremendous potential rewards as students begin to question their assumptions about the importance of understanding history and their ideas about and relationships with people whose cultures and experiences are different from theirs. As social studies teachers examine this curriculum guide, they will quickly discover that the authors of the explanatory essays in this collection are not "neutral" in their summaries of the articles and issues they researched. In general, the guide presents the view that racial injustice was a major factor in life on Long Island during the 1960's, and that it continues to influence the ways that Black, white, Latino, and Asian people in Nassau and Suffolk Counties live today. However, instead of presenting our conclusions to middle school and high school students as historical fact, the curriculum guide attempts to provide students with documents that will allow them to draw their own historical conclusions. Key to this effort are interviews with Dr. Eugene Reed, a civil rights activists who spearheaded drives to challenge racial discrimination on Long Island, Frank Phillips and Emil Cianciulli, who discuss efforts to integrate Great Neck public schools, and former State Senator and Congressman Norman Lent, who represented white homeowners in their battle to preserve neighborhood schools in Malverne. The interviews allow advocates for different positions to discuss events as they experienced and understood them and provide students with multiple perspectives on major controversies. Social studies themes woven throughout this curriculum guide include the idea that in a democratic society like the United States, the "rights" and aspirations of different social groups and individuals frequently conflict and that these conflicts are not easily resolved. The curriculum guide committee shortened and edited most of the newspaper articles to eliminate street addresses and focus attention on particular topics. However, language was not changed and the committee believes that the editing leaves both the meaning and tone of the articles intact. For example, the word "nigger" was not removed from an article that appeared in the New York Times on September 23, 1963. The committee recommends that prior to beginning the study of this material in class, teachers and students agree to basic guidelines for discussions. For example, articles use the terms "colored", Negro, and Black, to describe African Americans. Also, Black is used as a group name and is capitalized, while white is used as a collective term to describe people and is written in lower case. Students need to understand that both language and the way that people identify themselves individually and collectively changes over time. They also need to discuss the way that language impacts on people and the importance of individual sensitivity and respect for groups within their classroom community. - 3 - Civil Rights on Long Island Hofstra University How to Use this Curriculum Guide This curriculum guide on the struggle for civil rights on Long Island is intended as a local history supplement to a broader unit on the civil rights movement in the 1950's and 1960's. It can be adapted for use in either 8th or 11th grade United States history classes or for a 12th grade Government class. Below are a number of possible ways to include this material in a curriculum. Thematic unit - The entire package can be used as the basis for a thematic unit on the civil rights movement on Long Island encouraging students to view local events in a national context and from multiple perspectives. Lesson materials that focus on local events - Individual documents provide local material for lessons on school integration, racial discrimination,
Recommended publications
  • LIONS GATE ENTERTAINMENT CORP. (Exact Name of Registrant As Specified in Its Charter)
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark One) ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2012 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No.: 1-14880 LIONS GATE ENTERTAINMENT CORP. (Exact name of registrant as specified in its charter) British Columbia, Canada N/A (State or Other Jurisdiction of (I.R.S. Employer Incorporation or Organization) Identification No.) 1055 West Hastings Street, Suite 2200 2700 Colorado Avenue, Suite 200 Vancouver, British Columbia V6E 2E9 Santa Monica, California 90404 (877) 848-3866 (310) 449-9200 (Address of Principal Executive Offices, Zip Code) Registrant’s telephone number, including area code: (877) 848-3866 Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Name of Each Exchange on Which Registered Common Shares, without par value New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None ___________________________________________________________ Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or Section 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • NEWS and STORIES from SOUTHWESTERN COLLEGE CONTENTS 3 | TOP of the NEWS Welcome New Vps, Reflections of Interim Provost
    SUMMER 2017 NEWS AND STORIES FROM SOUTHWESTERN COLLEGE CONTENTS 3 | TOP OF THE NEWS Welcome new VPs, reflections of interim provost 4 | NEWS Acclaim for Nichols’ book, Enactus honors (photo below) n the afternoon of May 7th, it was my great honor and privilege to stand on stage, shake the hands of graduates crossing the stage, and hand them their diplomas. During the commencement ceremony, I saw in their faces many emotions – excitement, pride, relief, and gratitude. I also recognized in them a posture of confidence and poise. They leave 5 | BUILDERS Southwestern prepared to fulfill their purpose, to serve and engage the new communities Smith bikes Tour Divide, they will call home. I am so proud of our students and their many accomplishments, to date deployed Builders meet and to come. 6-7 | COMMENCEMENT Our faculty deserve much of the credit for the growth and transformation that students experience at Southwestern, faculty like Dr. Tammy McEwen, associate professor of biology 8 -10 | ALUMNI NOTES (pictured on the cover). At commencement Dr. McEwen was recognized as the recipient of Halls of Fame, national the 2017 Charles H. and Verda R. Kopke Award for Distinguished Teaching. In her speech, champion, state president she shared that she had not taken the traditional path through college. She pursued her postgraduate education later in life because she had always had a dream of teaching at a small 11 | INSTITUTIONAL liberal arts college. During her speech Dr. McEwen said, “I decided this dream was worth ADVANCEMENT the time, the effort, and the risk because I did not want to wake up one day, when it was too Letter from VP, save the date late, and regret never having tried.
    [Show full text]
  • ENG 1131: Writing About American Prestige TV (Sec 4841)
    ENG 1131: Writing About American Prestige TV (sec 4841) Milt Moise MWF/R: Period 4: 10:40-11:30; E1-E3: 7:20-10:10 Classroom: WEIL 408E Office Hours: W, R Per. 7-8, or by appointment, TUR 4342 Course Website: CANVAS Instructor Email: [email protected] Twitter account: @milt_moise Course Description, Objectives, and Outcomes: This course examines the emergence of what is now called “prestige TV,” and the discourse surrounding it. Former FCC chairman Newton N. Minow, in a 1961 speech, once called TV “a vast wasteland” of violence, formulaic entertainment, and commercials. Television has come a long way since then, and critics such as Andy Greenwald now call our current moment of television production “the golden age of TV.” While television shows containing the elements Minow decried decades ago still exist, alongside them we now find television characterized by complex plots, moral ambiguity, excellent production value, and outstanding writing and acting performances. In this class, our discussions will center around, but not be limited to the aesthetics of prestige TV, and how AMC’s Mad Men and TBS’s Search Party conform to or subvert this framework. Students will learn to visually analyze a television show, and develop their critical reading and writing skills. By the end of the semester, students will be able to make substantiated arguments about the television show they have seen, and place it into greater social and historical context. They will also learn how to conduct formal research through the use of secondary sources and other relevant material to support their theses, analyses and arguments.
    [Show full text]
  • “A Beautiful Friendship” Commissioner Julie Brill Keynote Address Before the Association of National Advertisers March 20, 2013
    “A Beautiful Friendship” Commissioner Julie Brill Keynote Address before the Association of National Advertisers March 20, 2013 Last time we were together, we began our discussion on advertising, ICANN, and privacy to the strains of Zou Bisou Bisou and the image of Don Draper’s sultry young wife slinking around in the premier of the fifth season of Mad Men. This year, we will again talk about advertising, ICANN, and privacy. But I will let the Mad Men zoom off into the sunset in their Pontiac GTOs and Jaguars, and turn to our latest cultural fantasy to inspire my talk today. That’s right, we’re trading our fedoras, grey flannel suits and mini-dresses for white ties, morning coats and empire-waist gowns – and following the rest of America from uptown Manhattan to Downton Abbey. I know some of you feel you relate better to Madison Avenue’s Don Draper than to Maggie Smith’s Dowager Countess of Grantham, but trust me, Violet Crawley has a lot to say about the issues facing both advertisers and the FTC. For example, in one scene, an offended underling asked the countess: “You want me to lie?” Her answer: “Lie is so unmusical a word." I often think about Violet Crowley’s quip as I look back over the FTC challenge to POM Wonderful’s advertisements for its pomegranate juice, supplements, and liquid extract.1 Those ads were anything but unmusical; indeed, they sang with cleverness. For those who haven’t seen the POM ads, some of them featured an hourglass-shaped juice bottle – the spitting image of Violet Crawley’s buxom silhouette by the way – flying off dressed as a superhero out to curb prostate cancer or serving up the precious liquid in an IV drip.2 Very creative, very catchy, and – most of all – very musical.
    [Show full text]
  • Outsider Outfits: Fashion and Difference in Mad Men
    Chiara Settineri Mad Men: Gender, Work, and American Culture VMS 290 Prof. Lamm December 18, 2017 Outsider Outfits: Fashion and Difference in Mad Men AMC’s hit show Mad Men (2007-2015), created by Matthew Weiner, has been widely, critically praised for its stylistic aesthetic and meticulous attention to detail and accuracy. Developing costumes on a show centered around facades, Mad Men’s costume designer Janie Bryant intentionally and artfully crafts the exteriors of the characters and uses clothing pieces that are both true to the era and to the personalities of the characters on the show. Every ensemble reflects the feelings, aspirations, and identities of the individuals who bear them. In this paper, I argue that Mad Men specifically utilizes fashion to emphasize its theme of “the other,” using Helen Bishop, Peggy Olson, and Michael Ginsberg as sites of exploration. As a divorced, economically independent mother, a single working woman, and a Jewish copywriter, respectively, each of these characters represents a departure from the status quo of New York in the 60s. Their separation from the cultural norm is highlighted through their personal style, as each of them refuses to abide by the standards of dress in their own particular ways. Their different tastes not only indicate their distance from the other characters, but also express what exactly differentiates them; their clothing choices expose the ways in which the characters defy expectations placed on them, contributing to their characterization within the show. Helen, Peggy, and Michael participate in a society which champions homogeneity, but each of them subtly rebel against the norms through their clothing—causing enough disruption to create real change in the spheres they inhabit.
    [Show full text]
  • Representations of Traumatic Parent-Child Relationships in Mad Men
    Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 4-12-2021 Mad Men, Troubled Mothers, and Scarred Children: Representations of Traumatic Parent-Child Relationships in Mad Men Katarina Dulude Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Film and Media Studies Commons Recommended Citation Dulude, Katarina, "Mad Men, Troubled Mothers, and Scarred Children: Representations of Traumatic Parent-Child Relationships in Mad Men" (2021). Honors Projects Overview. 187. https://digitalcommons.ric.edu/honors_projects/187 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. MAD MEN, TROUBLED MOTHERS, AND SCARRED CHILDREN: REPRESENTATIONS OF TRAUMATIC PARENT-CHILD RELATIONSHIPS IN MAD MEN By Katarina Dulude An Honors Project Submitted in Partial Fulfillment Of the Requirements for Honors In The Department of English Dulude 2 Introduction In the fourth episode of the last season of the critically acclaimed series Mad Men, one of the protagonists, Roger, is forced to track down his daughter Margaret after she abandons her husband and her young child. He finds her in a commune, and he puts on a good show to appear more accepting than her mother, but the following day he insists she return home. She refuses. He tells her, “I know everyone your age is running away and screwing around, but you can’t, you’re a mother,” and when she still refuses, he picks her up and tries to carry her towards a truck as she struggles in his arms and demands he let her go.
    [Show full text]
  • Keynote Address ANA Advertising Law and Public Policy Conference
    ANA Advertising Law and Public Policy Conference Keynote Address by FTC Commissioner Julie Brill March 29, 2012 Good afternoon and thank you. We all know what everyone was talking about on Monday morning. We’ve waited over 15 months for the latest installment. We can’t get enough of that inside look at the world of advertising. And when we finally got to see it, it didn’t disappoint: drama, new revelations, and sex. Of course, you know I am talking about the release of the FTC’s final report on privacy – and before you go diving through your copy, I made up the part about “sex”. Oh that the FTC’s privacy report could have drawn the same attention that Mad Men and Don Draper’s return to Sunday nights did! Conversations at the water cooler about privacy by design along with the hums of “Zou Bisou Bisou”. Yet I imagine that a few of you were paying as close attention to the release of our privacy report as you were to the return of Don Draper. The report was a culmination of a multi-year effort aimed at ensuring that we will continue to live in a world where we have a vibrant and innovative Internet, with loads of interesting and free content, and also a world where consumers trust the online and mobile market to protect their information. Our agency has long safeguarded consumers’ right to privacy, what the intellectual father of the FTC, Louis Brandeis, called “the right to be let alone --the most comprehensive of rights and the right most valued by civilized men.” And we are also committed to the thriving Internet marketplace that is one of the keystones to our recovering economy.
    [Show full text]
  • Pontifícia Universidade Católica Mariana Ayres Tavares Mad
    Pontifícia Universidade Católica do Rio de Janeiro Mariana Ayres Tavares Mad Men: Uma história cultural da Publicidade Dissertação de Mestrado Dissertação apresentada como requisito parcial para obtenção do grau de Mestre pelo Programa de Pós- graduação em Comunicação Social do Departamento de Comunicação da PUC-Rio. Orientador: Prof. Everardo Pereira Guimarães Rocha Rio de Janeiro, Setembro de 2016 Pontifícia Universidade Católica do Rio de Janeiro Mariana Ayres Tavares Mad Men: Uma história cultural da Publicidade Dissertação de Mestrado Dissertação apresentada como requisito parcial para a obtenção do grau de Mestre pelo Programa de Pós- Graduação em Comunicação Social do Departamento de Comunicação Social do Centro de Ciências Sociais da PUC-Rio. Aprovada pela Comissão Examinadora abaixo assinada. Prof. Everardo Pereira Guimarães Rocha Orientador Departamento de Comunicação Social - PUC-Rio Profa. Lígia Campos de Cerqueira Lana Departamento de Comunicação Social - PUC-Rio Prof. Guilherme Nery Atem Departamento de Ciências Sociais - PUC-Rio Prof.ª Mônica Herz Vice-Decana de Pós-Graduação do CCS Rio de Janeiro, 23 de setembro de 2016 Todos os direitos reservados. É proibida a reprodução total ou parcial do trabalho sem autorização da universidade, da autora e do orientador. Mariana Ayres Tavares Graduou-se em Comunicação Social, com habilitação em Publicidade, na Universidade Federal Fluminense em 2012. Cursou especialização em Pesquisa de Mercado e Opinião Pública na Universidade do Estado do Rio de Janeiro, em 2014. Ficha Catalográfica Tavares, Mariana Ayres Mad Men : uma história cultural da publicida- de / Mariana Ayres Tavares Vasconcelos ; orien- tadora: Everardo Pereira Guimarães Rocha. – 2016. 118 f. : il. color. ; 30 cm Dissertação (mestrado)–Pontifícia Universi- dade Católica do Rio de Janeiro, Departamento de Comunicação Social, 2016.
    [Show full text]
  • Université De Montréal La Série Mad Men: Une Élégie De La Révolution
    Université de Montréal La série Mad Men: une élégie de la révolution créative dans les années soixante. Par Felicia Traistaru Département d’histoire Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures En vue de l’obtention du grade de Maitre ès art (M.A) en histoire Août 2017 © Felicia Mihali, 2017 Université de Montréal Faculté des études supérieures Ce mémoire intitulé : La série Mad Men et la publicité dans les années soixante : une élégie de la révolution créative. Présenté par Felicia Traistaru A été évalué par un jury composé par les personnes suivantes : Yakov Rabkin Président-rapporteur Bruno Ramirez Directeur de recherche Marta Boni Membre du jury iii RÉSUMÉ Ce mémoire est consacré à l’analyse de la télésérie américaine Mad Men en tant que reflet de la révolution créative aux États-Unis. À travers la fictive agence de publicité Sterling Cooper & Partners et de son charismatique directeur artistique, Don Draper, la série personnifie la culture corporatiste des cols blancs et les nouveaux défis encourus par l’homme de l’organisation dans les années soixante. Basée sur la méthode de l’historicisme, cette analyse historique met en évidence la manière dont Mad Men incarne cette décennie à partir des sources populaires telles que les romans, les films ou les magazines. Ce type de documents sont pris par les créateurs de la série comme l’expression des certaines valeurs et attitudes des années soixante mais aussi bien comme outil pour la critique des idées consacrées. Mad Men nous permet de comprendre la manière dont la révolution des techniques publicitaires se déroule dans le décor d’une société où les grands enjeux restent encore non résolus.
    [Show full text]
  • 10-Year Review of Gender and EMMY Nominations
    INVESTIGATION: 10-YEAR REVIEW OF GENDER & EMMY NOMINATIONS womensmediacenter.com WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonpro!t organization endeavoring to raise the visibility, viability and decision-mak- ing power of women and girls in media and, thereby, ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of intercon- nected channels and platforms to transform not only the media landscape but also a culture in which women’s and girls’ voices, stories, experiences and images are neither suf!ciently ampli!ed nor placed on par with the voices, stories, experiences and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spot- light gender and racial bias in news coverage, entertainment !lm and television, social media and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Guide to Covering Reproductive Issues”; and the Women’s Media Center’s annual “The Status of Women in the U.S. Media” report. Our WMC Women Under Siege project investigates sexualized violence. Our original content channels — WMC Features, WMC FBomb, WMC Speech Project and the “Women’s Media Center Live with Robin Morgan” radio program — provide women’s perspectives on both headline stories and timely events that are ignored, not wholly captured or misrepresented in the mainstream media.
    [Show full text]
  • Official 64 T H Primetime Emmys ® Ballot
    64TH PRIMETIME EMMY®AWARDS LIVE! SUNDAY SEPT 23 7e|4p EMMYS.COM ATAS/NATAS ® © OFFICIAL 64 TH PRIMETIME EMMYS® BALLOT COMEDY OUTSTANDING SUPPORTING ACTRESS OUTSTANDING SUPPORTING ACTOR q Mayim Bialik as Amy Farrah Fowler The Big Bang Theory q Ed O’Neill as Jay Pritchett Modern Family q Kathryn Joosten as Karen McCluskey Desperate Housewives q Jesse Tyler Ferguson as Mitchell Pritchett Modern Family q Julie Bowen as Claire Dunphy Modern Family q Ty Burrell as Phil Dunphy Modern Family q Sofia Vergara as Gloria Delgado-Pritchett Modern Family q Eric Stonestreet as Cameron Tucker Modern Family q Merritt Wever as Zoey Barkow Nurse Jackie q Max Greenfield as Schmidt New Girl q Kristen Wiig as various characters Saturday Night Live q Bill Hader as various characters Saturday Night Live OUTSTANDING DIRECTING OUTSTANDING WRITING q Robert B. Weide Curb Your Enthusiasm (Palestinian Chicken) q Chris McKenna Community (Remedial Chaos Theory) q Lena Dunham Girls (She Did) q Lena Dunham Girls (Pilot) q Louis C.K. Louie (Duckling) q Louis C.K. Louie (Pregnant) q Jason Winer Modern Family (Virgin Territory) q Amy Poehler Parks And Recreation (The Debate) q Steven Levitan Modern Family (Baby On Board) q Michael Schur Parks And Recreation (Win, Lose, Or Draw) q Jake Kasdan New Girl (Pilot) 1 OFFICIAL 64 TH PRIMETIME EMMYS® BALLOT OUTSTANDING LEAD ACTOR q Top Chef • Bravo q Jim Parsons as Sheldon Cooper The Big Bang Theory q The Voice • NBC q Larry David as Himself Curb Your Enthusiasm OUTSTANDING HOST FOR A REALITY OR REALITY-COMPETITION PROGRAM q Don Cheadle as Marty Kaan House of Lies q Phil Keoghan The Amazing Race q Louis C.K.
    [Show full text]
  • Convert Finding Aid To
    An Inventory of the Collection at the Harry Ransom Center Descriptive Summary Creator: Weiner, Matthew, 1965- Title: Mad Men Collection Dates: 1912-2016 (bulk 1957-2014) Extent: 189 document boxes, 4 serial boxes, 31 oversize boxes (osb) (79.38 linear feet), 9 oversize folders (osf), 1 bound volume (bv), 99 computer disks Abstract: The Mad Men Collection documents the work of Mad Men creator Matthew Weiner and his writing and production team behind the scenes of the acclaimed television drama. Scripts, production materials, and publicity materials date from 2001 to 2016, while clippings, magazines, and other materials collected for research primarily date from the late 1950s to the early 1970s. Also present in the collection are four boxes of scripts and production materials from Weiner’s 2013 feature film Are You Here. Call Number: Film Collection FI-05249 Language: English, with publicity materials in French, German, Italian, Japanese, Spanish, and Swedish Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. To request access to electronic files, please email Reference. Documents containing personal information are restricted due to privacy concerns during the lifetime of individuals mentioned in the documents; in many instances, these documents have been replaced with redacted photocopies. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right
    [Show full text]