Introduction to the Update by David Cannadine
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“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
“Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions. -
Moses Hayim Luzzatto's Quest for Providence
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 'Like Iron to a Magnet': Moses Hayim Luzzatto's Quest for Providence David Sclar Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/380 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence By David Sclar A Dissertation Submitted to the Graduate Faculty in History in Partial Fulfillment of the Requirement for the Degree of Doctor of Philosophy The City University of New York 2014 © 2014 David Sclar All Rights Reserved This Manuscript has been read and accepted by the Graduate Faculty in History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy Prof. Jane S. Gerber _______________ ____________________________________ Date Chair of the Examining Committee Prof. Helena Rosenblatt _______________ ____________________________________ Date Executive Officer Prof. Francesca Bregoli _______________________________________ Prof. Elisheva Carlebach ________________________________________ Prof. Robert Seltzer ________________________________________ Prof. David Sorkin ________________________________________ Supervisory Committee iii Abstract “Like Iron to a Magnet”: Moses Hayim Luzzatto’s Quest for Providence by David Sclar Advisor: Prof. Jane S. Gerber This dissertation is a biographical study of Moses Hayim Luzzatto (1707–1746 or 1747). It presents the social and religious context in which Luzzatto was variously celebrated as the leader of a kabbalistic-messianic confraternity in Padua, condemned as a deviant threat by rabbis in Venice and central and eastern Europe, and accepted by the Portuguese Jewish community after relocating to Amsterdam. -
Spring 2018 Celebrating Our 45Th
Celebrating our 45th Anniversary, p. 2 Stowe Restoration Project, pgs. 3-4 The Trevelyans of Wallington Hall, pgs. 5-6 Spring 2018 1 | From the Executive Director Dear Members & Friends, THE ROYAL OAK FOUNDATION 20 West 44th Street, Suite 606 New York, New York 10036-6603 2018 marks Royal Oak’s 45th Anniversary. We Churchill’s studio at Chartwell give tangible 212.480.2889 | www.royal-oak.org will celebrate this in many ways—more with a expression to the many new interpretive focus on where we are as an organization today programs that will excite visitors daily just as and what we hope for in the future. the exhibition did 35 years ago. BOARD OF DIRECTORS Honorary Chairman In reviewing some of the histories of Royal Other big news for 2018 is our appeal to help Mrs. Henry J. Heinz II Oak, I was surprised to find an event in 1983 the National Trust finish off a multi-year and Chairman that was noted as pivotal in transforming multi-task restoration effort for Stowe. Stowe Lynne L. Rickabaugh the Foundation’s relationship is one of the leading garden and Vice Chairman with the Trust from one of just landscape properties in England Prof. Susan S. Samuelson growing ‘friendship’ to one of a and has a wide significance in Treasurer serious fundraising partnership. the history of garden design in Renee Nichols Tucei The connections of this historic Europe, Russia and America (see Secretary event with what Royal Oak has pages 3-4). It is among the most Thomas M. Kelly more recently accomplished and visited Trust properties. -
Guild Gmbh Switzerland GUILD MUSIC GLCD 5223 Contrasts, Volume 2
GUILD MUSIC GLCD 5223 Contrasts, Volume 2 2014 Guild GmbH GLCD 5223 © 2014 Guild GmbH Guild GmbH Switzerland GUILD MUSIC GLCD 5223 Contrasts, Volume 2 CONTRASTS: FROM THE 1960s BACK TO THE 1920s – Volume 2 GLCD 5179 Portrait of My Love GLCD 5199 Three Great American Light Orchestras GLCD 5180 Bright and Breezy GLCD 5200 A Glorious Century of Light Music 1 Gala Premiere (Laurie Johnson) 2:49 GLCD 5181 The Lost Transcriptions – Vol. 2 GLCD 5201 Fiddles and Bows GROUP-FIFTY ORCHESTRA Conducted by LAURIE JOHNSON – KPM 109 1962 GLCD 5182 A Second A-Z of Light Music GLCD 5202 Cinema Classics GLCD 5183 A Return Trip to the Library GLCD 5203 Great British Composers – Vol. 2 GLCD 5184 The Lost Transcriptions – Vol. 3 GLCD 5204 Salon, Light & Novelty Orchestras 2 La Dolce Vita (Nino Rota, arr. Brian Fahey) 2:48 GLCD 5185 Christmas Celebration GLCD 5205 Here’s To Holidays CYRIL ORNADEL AND THE STARLIGHT SYMPHONY – MGM SE 4033 1962 GLCD 5186 Light Music While You Work – Vol. 3 GLCD 5206 Non-Stop To Nowhere GLCD 5187 Light and Easy GLCD 5207 Ça C’est Paris 3 Travel Topic (Robert Farnon) 2:24 GLCD 5188 The Art of the Arranger – Vol. 1 GLCD 5208 The Lost Transcriptions – Vol. 4 GLCD 5189 Holidays for Strings GLCD 5209 My Dream is Yours QUEEN’S HALL LIGHT ORCHESTRA Conducted by ROBERT FARNON – Chappell C 738 1962 GLCD 5190 Continental Flavour – Vol. 2 GLCD 5210 Invitation to the Dance GLCD 5191 Strings Afire GLCD 5211 Light Music While You Work – Vol. 5 4 “Young At Heart” – Theme from the film (Johnny Richards; Carolyn Leigh) 3:07 GLCD 5192 Stereo into the Sixties GLCD 5212 Bright Lights RUSS CONWAY, piano, with TONY OSBORNE AND HIS ORCHESTRA and GLCD 5193 The Art of the Arranger – Vol. -
A Book of Jewish Thoughts Selected and Arranged by the Chief Rabbi (Dr
GIFT OF Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/bookofjewishthouOOhertrich A BOOK OF JEWISH THOUGHTS \f A BOOK OF JEWISH THOUGHTS SELECTED AND ARRANGED BY THE CHIEF EABBI (DR. J. H. HERTZ) n Second Impression HUMPHREY MILFORD OXFORD UNIVERSITY PRESS LONDON EDINBURGH GLASGOW COPENHAGEN NEW YORK TORONTO MELBOURNE CAPE TOWN BOMBAY CALCUTTA MADRAS SHANGHAI PEKING 5681—1921 TO THE SACRED MEMORY OF THE SONS OF ISRAEL WHO FELL IN THE GREAT WAR 1914-1918 44S736 PREFATORY NOTE THIS Book of Jewish Thoughts brings the message of Judaism together with memories of Jewish martyrdom and spiritual achievement throughout the ages. Its first part, ^I am an Hebrew \ covers the more important aspects of the life and consciousness of the Jew. The second, ^ The People of the Book \ deals with IsraeFs religious contribution to mankind, and touches upon some epochal events in IsraeFs story. In the third, ' The Testimony of the Nations \ will be found some striking tributes to Jews and Judaism from non-Jewish sources. The fourth pai-t, ^ The Voice of Prayer ', surveys the Sacred Occasions of the Jewish Year, and takes note of their echoes in the Liturgy. The fifth and concluding part, ^The Voice of Wisdom \ is, in the main, a collection of the deep sayings of the Jewish sages on the ultimate problems of Life and the Hereafter. The nucleus from which this Jewish anthology gradually developed was produced three years ago for the use of Jewish sailors and soldiers. To many of them, I have been assured, it came as a re-discovery of the imperishable wealth of Israel's heritage ; while viii PREFATORY NOTE to the non-Jew into whose hands it fell it was a striking revelation of Jewish ideals and teachings. -
Some Pages from the Book
AF Whats Mine is Yours.indb 2 16/3/21 18:49 What’s Mine Is Yours Private Collectors and Public Patronage in the United States Essays in Honor of Inge Reist edited by Esmée Quodbach AF Whats Mine is Yours.indb 3 16/3/21 18:49 first published by This publication was organized by the Center for the History of Collecting at The Frick Collection and Center for the History of Collecting Frick Art Reference Library, New York, the Centro Frick Art Reference Library, The Frick Collection de Estudios Europa Hispánica (CEEH), Madrid, and 1 East 70th Street the Center for Spain in America (CSA), New York. New York, NY 10021 José Luis Colomer, Director, CEEH and CSA Centro de Estudios Europa Hispánica Samantha Deutch, Assistant Director, Center for Felipe IV, 12 the History of Collecting 28014 Madrid Esmée Quodbach, Editor of the Volume Margaret Laster, Manuscript Editor Center for Spain in America Isabel Morán García, Production Editor and Coordinator New York Laura Díaz Tajadura, Color Proofing Supervisor John Morris, Copyeditor © 2021 The Frick Collection, Centro de Estudios Europa Hispánica, and Center for Spain in America PeiPe. Diseño y Gestión, Design and Typesetting Major support for this publication was provided by Lucam, Prepress the Centro de Estudios Europa Hispánica (CEEH) Brizzolis, Printing and the Center for Spain in America (CSA). Library of Congress Control Number: 2021903885 ISBN: 978-84-15245-99-5 Front cover image: Charles Willson Peale DL: M-5680-2021 (1741–1827), The Artist in His Museum. 1822. Oil on canvas, 263.5 × 202.9 cm. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
The Festival of Britain 1951
BANK OF ENGLAND ISSUED BY THE COURT OF DIRECTORS ON THE OCCASION OF THE FESTIVAL OF BRITAIN 1951 Bank of England Archive (E6/8) The Bank of England completed III I939 to the design of Sir Herbert Baker Bank of England Archive (E6/8) [Copyright BUII/� 0/ Ellglalld HE BANK OF ENGLAND came into being to provide funds for the T war that was being fought between 1689 and 1697 by William III against Louis XIV of France. In return for a loan of £1,200,000 to the King the subscribers, who numbered 1,272, were granted a Royal Charter on the 27th July, 1694, under the title " The Governor and Company of the Bank of England ". The Bank of England Act of I 946 brought the Bank into public ownership, of the but provided for the continued existence of the " Governor and Company ; Bank of England " under Royal Charter. The affairs of the Bank are administered by the Court of Directors, appointed by the King and comprising a Governor and Deputy Governor, each appointed for five years, and 16 Directors, each appointed for four years. The Court may appoint four of their members as Executive· . Directors, who, together with the senior officials and a number of specialists as advisers, assist the Governors in the day-ta-day management of the Bank. Over the years the Bank of England has become the " bankers' bank ". and banker to the Government. The description " bankers' bank" indicates that the principal banks in the United Kingdom deposit with it their reserves of cash. -
אוסף מרמורשטיין the Marmorstein Collection
אוסף מרמורשטיין The Marmorstein Collection Brad Sabin Hill THE JOHN RYLANDS LIBRARY UNIVERSITY OF MANCHESTER Manchester 2017 1 The Marmorstein Collection CONTENTS Acknowledgements Note on Bibliographic Citations I. Preface: Hebraica and Judaica in the Rylands -Hebrew and Samaritan Manuscripts: Crawford, Gaster -Printed Books: Spencer Incunabula; Abramsky Haskalah Collection; Teltscher Collection; Miscellaneous Collections; Marmorstein Collection II. Dr Arthur Marmorstein and His Library -Life and Writings of a Scholar and Bibliographer -A Rabbinic Literary Family: Antecedents and Relations -Marmorstein’s Library III. Hebraica -Literary Periods and Subjects -History of Hebrew Printing -Hebrew Printed Books in the Marmorstein Collection --16th century --17th century --18th century --19th century --20th century -Art of the Hebrew Book -Jewish Languages (Aramaic, Judeo-Arabic, Yiddish, Others) IV. Non-Hebraica -Greek and Latin -German -Anglo-Judaica -Hungarian -French and Italian -Other Languages 2 V. Genres and Subjects Hebraica and Judaica -Bible, Commentaries, Homiletics -Mishnah, Talmud, Midrash, Rabbinic Literature -Responsa -Law Codes and Custumals -Philosophy and Ethics -Kabbalah and Mysticism -Liturgy and Liturgical Poetry -Sephardic, Oriental, Non-Ashkenazic Literature -Sects, Branches, Movements -Sex, Marital Laws, Women -History and Geography -Belles-Lettres -Sciences, Mathematics, Medicine -Philology and Lexicography -Christian Hebraism -Jewish-Christian and Jewish-Muslim Relations -Jewish and non-Jewish Intercultural Influences -
8. Festival Guide
8. Festival Guide Dr Harriet Atkinson is a leading historian of design and culture based at the University of Brighton. She is one of the foremost experts on the Festival of Britain. In this response she brings her extraordinary knowledge of this event to bear on a commonplace piece of Festival ephemera. In doing so she reveals powerful themes of patriotism, land, refugees, and a whole series of intersections between design and identity that feel as relevant today as they did seven decades ago. Ian Cox, The South Bank Exhibition: A Guide to the Story It Tells (London: HMSO, 1951) As memories of a day out at the Festival of Britain’s South Bank Exhibition faded, the guidebook was often the only thing that remained. A substantial, handsome book printed on luxuriously thick paper, it bore designer Abram Games’s Festival of Britain emblem, Britannia in profile, on the front cover. She was festooned with bunting and mounted on the four points of the compass indicating the nationwide reach of the events, all in the patriotic colours of the Union Jack. Cover of the Exhibition Guide featuring the Abram Games festival logo (MERL Library 1770-COX) What was this ‘magical city’, as one designer described the Festival’s London centrepiece, the South Bank Exhibition held from May to September 1951, this temporary world that so enchanted and amazed its visitors? And what kind of Britain do we encounter as we turn the Guide’s mustard cover seventy years on? 1 While advertising was banned at the South Bank Exhibition itself, here, in the Guide, was the chance to sell things to the Festival’s many visitors. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Arnesen CV GWU Website June 2009
1 Eric Arnesen Curriculum Vitae Office Department of History Columbian College of Arts & Sciences The George Washington University 801 22nd St. NW Phillips 335 Washington, DC 20052 Phone: (202) 994-6230 EDUCATION Ph.D. 1986 Yale University, Department of History M.A. 1984 Yale University, Department of History M.A. 1984 Yale University, Afro-American Studies Program B.A. 1980 Wesleyan University SELECTED AWARDS AND FELLOWSHIPS 2009 Principle Investigator/Institute Director, FY 2008 Study of the U.S. Institute for Secondary Educators Program (University of Illinois at Chicago), U.S. Department of State ($350,000 program grant) 2008 Principle Investigator/Institute Director, FY 2008 Study of the U.S. Institute for Secondary Educators Program (University of Illinois at Chicago), U.S. Department of State ($350,000 program grant) 2007-2008 Institute for the Humanities Faculty Fellow, University of Illinois at Chicago 2007 The Encyclopedia of U.S. Labor and Working Class History selected as a 2007 Outstanding Reference Source for Small and Medium-Sized Libraries by the Reference and User Services Association (RUSA) of the American Library Association. 2005-2006 Fulbright Distinguished Chair in American Studies, Swedish Institute for North American Studies, Uppsala University, Distinguished Fulbright Chair Program of the Fulbright Scholar Program (Winter-Spring 2006) 2005 James Friend Memorial Award for Literary Criticism, Society of Midland Authors (for “distinguished literary criticism in the Chicago Tribune”) 2004-2005 Committee on Institutional