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Chess LPS-127 '!2G00BJ-Hbcfjc! Chess LPS-127 Personnel Muddy Waters (voc,g); Otis Spann (p); Michael Bloomfield, Paul Asbell (g); Paul Butterfield, Jeff Carp (harm); Phil Upchurch, Donald “Duck” Dunn (b); Buddy Miles, Sam Lay (dr) Tracks All Aboard; Mean Disposition; Blow Wind Blow; Can’t Lose What You Ain’t Never Had; Walkin Thru The Park; Forty Days And Forty Nights; Standin ‘Round Crying; I’m Ready; Twenty Four Hours; Sugar Sweet; Long Distance Call; Baby Please Don’t Go; Honey Bee; The Same Thing; Got My Mojo Working Pts. 1 and 2 Illustrativer als mit Michelangos On the cover is Michelangelo’s göttlicher Handreichung als Co- “The Creation of Man”, where verbild hätten die Macher von God reaches out his hand: the Fathers And Sons ihr Vorhaben intentions of the makers of Fa- wohl kaum signalisieren kön- thers And Sons could hardly be nen. Verlorene Söhne zurück ge- more illustrative. The enigmatic leiten, die einst zu den Göttern message of this album is clearly des Chikago-Blues gehören, lau- that these prodigal sons, these tete die verschlüsselte Bot- one-time gods of the Chicago schaft dieses Albums. Dies war blues, are to be given a helping auch nötig, hatten die Chess- hand to their come-back. And Leute ein Jahr zuvor mit der LP this was sorely needed, for al- Electric Mud zwar einen recht though the Chess label had guten Verkaufserfolg, aber nicht achieved good sales figures one unbedingt eine überzeugende year previously with the LP Elec- Blues-Session vorgelegt. Um tric Mud, they didn’t really pro- nicht ein zweites Mal mit elektri- duce a convincing blues session. schem Zerrsound und Wah-Wah- In order not to land once again Effekten im pseudo-psychedeli- Muddy Waters in the pseudo-psychedelic out- schen Outback zu landen, stellte Fathers And Sons back with distorted electronic man den Altmeistern Muddy Wa- sound and wah-wah effects, the ters und Otis Spann drei Musiker two legendary artists Muddy Wa- der aufstrebenden Butterfield- Blues-Band zur Seite. Mit ters and Otis Spann were joined by the three musicians dieser Kernmannschaft aus Vätern und Söhnen und eini- who made up the Butterfield Blues Band. With this artistic gen handverlesenen Sidemen rollt der Generations-Blues core of fathers and sons and a few choice side musicians, wie auf Schienen. Aufgenommen wurde ein LP füllendes the resulting blues recording rolled along without a hitch. Set und eine halbstündige Live-Session, die der hervorra- A whole set of pieces were set down, enough to fill an LP, genden Studio-Arbeit noch eins drauf setzt. Dem charak- and a 30-minute live session adds further lustre to the ex- teristischen knackig-rauen Waters-Sound aus der Kammer cellent studio recordings. The characteristic crisp and raw folgt eine charismatische Bühnen-Show, die kochende Waters studio sound is followed by a charismatic stage Blues-Atmosphäre versprüht. show which bubbles and boils with a red-hot blues atmos- phere. Recording: April 1969 at Ter-Mar Studios and Super Cosmic Joy-Scout Jamboree, both Chicago, Illinois, by Ron Malo and Reice Hamel respectively / Production: Norman Dayron Date of Release: April 2006 '!2G00BJ-hbcfjc! S P E A K E R S C O R N E R R E C O R D S GERMANY 24214 GETTORF STARKENBROOK 4 WWW.SPEAKERSCORNER.DE 3 +49 (0) 4346 / 601999 5 +49 (0) 4346 / 601998 6 [email protected].
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