Alvinnn and the Chipmunks Transcript
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The Chipmunks Chipmunk Punk Mp3, Flac, Wma
The Chipmunks Chipmunk Punk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Children's Album: Chipmunk Punk Country: Australia Released: 1980 Style: Pop Rock, Parody, Punk MP3 version RAR size: 1252 mb FLAC version RAR size: 1616 mb WMA version RAR size: 1595 mb Rating: 4.9 Votes: 688 Other Formats: TTA MP1 AIFF AA MOD AC3 ASF Tracklist Hide Credits Let's Go A1 Written-By – R. Ocasek* Good Girls Don't A2 Written-By – D. Fieger* How Do I Make You A3 Written-By – B. Steinberg* Refugee A4 Written-By – M. Campbell*, T. Petty* Frustrated A5 Written-By – B. Averre*, D. Fieger* Call Me B1 Written-By – D. Harry*, G. Moroder* You May Be Right B2 Written-By – B. Joel* Crazy Little Thing Called Love B3 Written-By – F. Mercury* My Sharona B4 Written-By – B. Averre*, D. Fieger* Credits Art Direction – Yves Roux Bass, Vocals – Simon Co-producer – Bob McNabb Cover – Doug Oudekerk Drums, Vocals – Theodore Guitar [Lead], Vocals – Alvin Producer – Steve Vining Producer [Production Consultant] – Ross Bagdasarian Other versions Category Artist Title (Format) Label Category Country Year Chipmunk Punk XLP-6008 The Chipmunks Excelsior XLP-6008 US 1980 (LP, Album) Chipmunk Punk 6302 064 The Chipmunks Mercury 6302 064 UK 1980 (LP, Album) Chipmunk Punk (8- USA & XLT-6008 The Chipmunks Excelsior XLT-6008 1980 Trk, Album) Canada XLP-6008, Chipmunk Punk Excelsior, XLP-6008, The Chipmunks Canada 1980 XLP 6008 (LP, Album) Excelsior XLP 6008 Chipmunk Punk Chipmunk Unknown The Chipmunks Unknown US 2005 (CD) Records Related Music albums to Chipmunk Punk by The Chipmunks The Chipmunks - You May Be Right The Chipmunks - The A Files Alvin And The Chipmunks - Original Motion Picture Soundtrack The Chipmunks And David Seville - The Chipmunk Song / Almost Good The Gaylads - You Should Never Do That / Chipmunk Ska The Chipmunks - Around The World With The Chipmunks The Chipmunks - Urban Chipmunk Canned Heat & The Chipmunks - The Chipmunk Song / Christmas Blues The Chipmunks - The Chipmunk Song The Chipmunks : Alvin, Simon & Theodore With David Seville - Christmas With The Chipmunks Vol. -
Alvin and the Chipmunks – the Squeakquel Study Notes
Alvin and the Chipmunks: The Squeakquel Study Notes Directed by: Betty Thomas Certificate: U (contains very mild language) Running time: 88 mins Release date: 21 December 2009 Synopsis Pop sensations Alvin, Simon and Theodore end up in the care of Dave Seville's twenty- something nephew Toby. The boys must put aside music superstardom to return to school, and are tasked with saving the school's music programme by winning the $25,000 prize in a battle of the bands. But the Chipmunks unexpectedly meet their match in three singing chipmunks known as ‘The Chipettes’ - Brittany, Eleanor and Jeanette. Romantic and musical sparks are ignited when the Chipmunks and Chipettes square off. www.filmeducation.org 1 ©Film Education 2010. Film Education is not responsible for the content of external sites. Before seeing the film 1. Below are lists of words that describe the chipmunks’ different personalities. Look up any words you don’t know. Which words do you think best describe your personality? Write a list of positive words that you think describe you, your best friend and someone in your family. I Alvin – enthusiastic, impulsive, charming, popular I Simon – clever, witty, quick thinking, sensible I Theodore – shy, helpful, sensitive, trusting 2. What are chipmunks really like? Research the animals and write an information leaflet with the facts you discover. Where in the world can you find them and what are their homes called? What do they eat and what do they do with their food to prepare for winter? 3. Prepare to write a film review after you’ve been to see Alvin and the Chipmunks: The Squeakquel. -
2018 ARSC Conference Program
Reformatting film, video and audio archives into high-quality digital masters and user-playback files. 724.779.2111 | 1.800.416.2665 111 Thomson Park Drive | Cranberry Township, PA 16066 www.themediapreserve.com 2 CONFERENCE SPONSORS PLATINUM Travel Grants from the Savada Family in memory of Morton J. and Lila Savada GOLD The MediaPreserve Nauck’s Vintage Records SILVER ATR Magnetics NOA Archive Prism Sound BRONZE Equinox SUPPORTING Millennia Media Northeast Document Conservation Center Oxford University Press EXHIBITORS ATR Magnetics Audio Engineering Society Council on Library and Information Resources Endpoint Audio Labs, Inc. The MediaPreserve Nauck’s Vintage Records NOA Archive Prism Sound Timestep 3 ASSOCIATION FOR RECORDED SOUND COLLECTIONS ARSC Board of Directors Matthew Barton, President Cary Ginell, 1st Vice President/President Elect Patrick J. Midtlyng, 2nd Vice President/Program Chair Allison D. Bohm McClanahan, Secretary Steven Ramm, Treasurer Jessica Wood, Member-at-Large Melissa Widzinski, Member-At-Large Nathan Georgitis, Executive Director 52nd Annual Conference Planning Brenda Nelson-Strauss, Conference Manager Curtis Peoples, Assistant Conference Manager Timothy R. Williams, Conference Registrar Anna-Maria Manuel, Bill Klinger, Outreach Kellie M. Johnson, Web Editor Patrick Feaster, Conference Audio Coordinator David Giovannoni, Mentor Program Coordinator Local Arrangements Peter Shambarger, Chair Kip Lornell, Gene Baron, Jay Bruder, Elizabeth MacPherson, Steve Shapiro Program Committee Patrick J. Midtlyng, Chair Jay -
Reader's Guide, Vol. 8 No.15, 1986, January 31
This Issue in iwo Sections nside: Re der'S Guide to L.A. Restaura ts Suzanne Lummis, coordinator of the Dogstar poetry series Friday, January 31, 1986 Vol. 8, No. 15 LOS ANGELES'S FREE WEEKLY Organizers of local readings are finding homes for the .work of Los Angeles poets .·1 ·... l. f I By Lynn McGee On a rainy afternoon in November, 20 or so people grope through the unlit backstages at Hollywood's GalaxyTheater. Eventually, they Charlotte Gusay of George Sand Books find the performance space where two Lamont award poetry winners-Henri Coulette and Robert Mezey-are scheduled to read their work. Suzanne Lummis, coordinator of this event as part of her Dogstar Poetry Series, carries glasses ofwine to the audience and asks if any- one is thirsty. Surprised strangers thank her and sip their rose. The two poets-dapper, well- -groomed college professors-deliver briskly paced, poignant samples ofwork . Their voices echo from the small stage, with its garish navy and pink walls. The Dogstar readings, unlike the dozens of other poetry series in the Los Angeles area, cen- ters its events around themes, and not necessar- ily around individual poets. One ofthe readings, Alan Mandel of the Los Angeles Theatre Center centered around the theme "Madness and Re- · covery," attracted droves of people who could relate to losing their minds and feeling better, even if they couldn't relate to poetry, per se. "Life Stories" and "Urban Poetry" were two other themes. A memorial reading for the late William Pillin attracted over 90 people. "Po- etry meets Prose" was held on the roof of the Galaxy Theater, which meant audience mem- cont£nued on page 19 Jean-Pierre Boccaro and Anna Mariani of the Lhasa Club photographs by Beth Herzhaft 2 READER Section 1 January 17) was right on the mark, though acquired in 1945, and this was specifically it didn't go quite far enough. -
Mining the Box: Adaptation, Nostalgia and Generation X
From TV to Film How to Cite: Hill, L 2018 Mining the Box: Adaptation, Nostalgia and Generation X. Open Library of Humanities, 4(1): 1, pp. 1–28, DOI: https://doi.org/10.16995/olh.99 Published: 09 January 2018 Peer Review: This article has been peer reviewed through the double-blind process of Open Library of Humanities, which is a journal published by the Open Library of Humanities. Copyright: © 2017 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distri- bution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Library of Humanities is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Lisa Hill, ‘Mining the Box: Adaptation, Nostalgia and Generation X’, (2018) 4(1): 1 Open Library of Humanities, DOI: https:// doi.org/10.16995/olh.99 FROM TV TO FILM Mining the Box: Adaptation, Nostalgia and Generation X Lisa Hill University of the Sunshine Coast, AU [email protected] This article identifies the television to film phenomenon by cataloguing contemporary films adapted from popular television shows of the 1960s and 1970s. This trend is located within the context of Generation X and considered within the framework of nostalgia and Linda Hutcheon’s (2006) conception of adaptation. The history of re-visiting existing texts in screen culture is explored, and the distinction between remakes and adaptation is determined. -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013) -
Lista Cartoni Animati Anni80
RICHIEDI LA TUA WWW.UNIKASHOPPING.IT ! Titolo italiano Titolo originale Numero Anno di In Italia episodi produzione A tutto gas Yorishiku 30 1984 1989 Mechadoc Addio Giuseppina! Kujira no 23 1979 1981 Josephina Albertone Fat Albert and the 86 1972 – 1975 Cosby kids – 1984 Alf Alf, 2a serie: Alf 26 – 21 1987/89 – tales 1988/89 Alice nel paese Fushigi no kuni 26 1984 1987 delle meraviglie no Alice Alla scoperta di Mori no Tonto 23 1984 1986 Babbo Natale tachi Alvin Show / Alvin The Alvin Show, 26 – 103 1961/62 – 1980 rock’n’roll 2a serie: Alvin & – 19 1983/87 – the Chipmunks, 1987/88 3a serie: The Chipmunks Angie girl Joe heika no 26 1977 1982 petite Ange Anna dai capelli Akage no Anne 50 1979 1980 rossi Annie Go on running 13 1988 Hodori Arrivano i Piccoli The Littles 29 1983/85 1988 Arrivano i Akakichi no 52 1970 1982 Superboys eleven !1 RICHIEDI LA TUA WWW.UNIKASHOPPING.IT ! Attenti a Luni Fangface, 2a 16 – 16 1978 – 1979 serie: Fangface & Fangpuss Automodelli – Mini Dash! Yonkuro 25 1990 1991 4WD Babar Babar 78 1989/94 1990 Babil Junior Babel nisei 39 1973 1980 Barbapapà Barbapapa 52 – 150 1974 – 1979 1975 Barney Google Snuffy Smith and 50 1962/64 1981 Barney Google Beany and Cecil Beany and Cecil 26 1962 Belfy e Lillibit Mori no yogi na 26 1980 1982 shojintachi Belfy to Lilbit Belle e Sebastien Meiken Jolie 52 1980 1982 Bem Yokai ningen Bem 26 1968 1982 Bentornato Topo Topo Gigio, 2a 34 1988 1992 Gigio serie: Yume miru Topo Gigio Bia, la sfida della Majokko Meg- 72 1974 1981 magia chan Blackstar Blackstar 13 1981 Blue Noah Uchu kubo -
Name That Pet! / Naomi Jones
Cousin Alice’s Press 14925 Magnolia Blvd., Suite 311 Sherman Oaks, CA 91403-1331 Copyright © 2004 by Naomi Jones All rights reserved. No part of this book may be reproduced or utilized in whole or in part, or transmitted in any form or by any means, electronically or mechanically including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without the express written permission of the Publisher. ISBN: 0-9719786-3-8 Cover graphics and book design by Syzygy Design Group, Inc. Cover illustration by Susan Gal Illustration Interior illustrations by Tanya Stewart Illustration Printed by United Graphics Inc. Printed in the United States of America First Printing: October 2004 Publisher’s Cataloging-in-Publication Jones, Naomi Name that pet! / Naomi Jones. -- 1st ed. p. cm. ISBN 0-9719786-3-8 1. Pets--Names. I. Title. SF411.3.L54 2004 929.9’7 QBI02-200487 10 9 8 7 6 5 4 3 2 WHAT PEOPLE ARE SAYING ABOUT “NAME THAT PET!” “ ‘Name That Pet!’ is one of those funny, uncategorizable books that are just for pet lovers. It is really a great book!” Lisa Ann D’Angelo, Managing Editor, Book Review Café “Pet naming has become one of the first emotional connections we make with our new friend. The author has included humorous, and both contemporary and historical names–along with defini- tions and references. This is a fun book to read and useful in its own way.” Susan J. Richey, Librarian, Santa Monica Public Library “My wife and I were amazed at the scope, details and fun in reading Ms. -
Alvin and the Chipmunks, the Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC
Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. All rights reserved. Alvin and The Chipmunks, The Chipettes and Characters TM & © 2018 Bagdasarian Production,LLC. -
Evan Simpson California University of Pennsylvania Strike a Spark 2021
Evan Simpson California University of Pennsylvania Strike a Spark 2021 Research Question Evidence qWho is Alvin? qAlvin is an Anthropomorphic chipmunk who is the main protagonist in the show Alvin and the Chipmunks. His physical Conclusions appearance is very similar to that of a q Alvin’s creation is unlike any other normal chipmunk. However, he acts like a normal human being. He is a brave, character creation. The inspiration for energetic, full-of-life troublemaker who does whatever he wants and is always very Alvin being a chipmunk was due to proud of who he is. Fig 1. Alvin’s appearance in 2015 show “Alvin” Parody Fandom Bagdasarian wanting to give the voice he https://parody.fandom.com/wiki/Alvin_Seville#Portrayals: PNG file 6 April 2021 created more personality. While thinking of different animals that the voice could Behind the Character and Animal be, a chipmunk jump in front of the Bagdasarian’s car. Bagdasarian described Who is Alvin? the chipmunk as being brave and qCreated by Ross Bagdisarian in the late Fig 2. Alvin’s appearance in the 1980s “Alvin Seville” DisneyFandom 1950s. https://disneyfanon.fandom.com/wiki/Alvin_Seville PNG file 6 April 2021 confident, just like how Alvin’s qFirst appeared in 1961 in The Alvin Show personality is in the TV shows and films. and has been active ever since. q When looking at chipmunks in Native qAlvin wears a red hoodie/sweater with a American culture, it is easy to see that the yellow “A” on it, along with blue pants and a red hat (refer to fig, 2) real-life traits and characteristics of a qAlvin has appeared in 5 TV series and 8 chipmunk play a large role in how Native films, 4 of which are CGI/ live action and 3 Americans view chipmunks. -
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger
Track Title Artist It's Now Or Never Acoustic Moods Ensemble Stranger on the Shore Acoustic Moods Ensemble Love Is a Losing Game Acoustic Moods Ensemble As Tears Go BY Acoustic Moods Ensemble Martha's Harbour Acoustic Moods Ensemble Guantanamera Acoustic Moods Ensemble Golden Brown Acoustic Moods Ensemble Because The Night Acoustic Moods Ensemble Make It Easy on Yourself Acoustic Moods Ensemble Walk on By Acoustic Moods Ensemble Something Stupid Acoustic Moods Ensemble Cavatina Acoustic Moods Ensemble Summer Breeze Acoustic Moods Ensemble Miss You Nights Acoustic Moods Ensemble Save the Last Dance For Me Acoustic Moods Ensemble Hotel California Acoustic Moods Ensemble Wonderful Tonight Acoustic Moods Ensemble Something Acoustic Moods Ensemble While My Guitar Gently Weeps Acoustic Moods Ensemble Lay Lady Lay Acoustic Moods Ensemble Fields Of Gold Acoustic Moods Ensemble The Wind Beneath My Wings Acoustic Moods Ensemble Wonderful Land Acoustic Moods Ensemble Time In a Bottle Acoustic Moods Ensemble And I Love Her Acoustic Moods Ensemble Yesterday Acoustic Moods Ensemble Here, There and Everywhere Acoustic Moods Ensemble Moon River Acoustic Moods Ensemble Nights In White Satin Acoustic Moods Ensemble Blue Moon Acoustic Moods Ensemble Wonderwall Acoustic Moods Ensemble La Isla Bonita Acoustic Moods Ensemble The Sound of Silence Acoustic Moods Ensemble Time After Time Acoustic Moods Ensemble I Don’t Want to Talk About IT Acoustic Moods Ensemble I'll Stand By You Acoustic Moods Ensemble In Sleep I Dream Of You Acoustic Moods Ensemble In The -
Latino/A Pop Music in the Cultural Mainstream
Denver Law Review Volume 78 Issue 4 Latcrit V Symposium - Class in LatCrit: Theory and Praxis in a World of Economic Article 12 Inequality December 2020 Will the World Survive: Latino/a Pop Music in the Cultural Mainstream Steven W. Bender Follow this and additional works at: https://digitalcommons.du.edu/dlr Recommended Citation Steven W. Bender, Will the World Survive: Latino/a Pop Music in the Cultural Mainstream, 78 Denv. U. L. Rev. 719 (2001). This Article is brought to you for free and open access by Digital Commons @ DU. It has been accepted for inclusion in Denver Law Review by an authorized editor of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WILL THE WOLF SURVIVE?:* LATINO/A POP MUSIC IN THE CULTURAL MAINSTREAM STEVEN W. BENDER* 2 The American' news media dubbed 1999 as the year of the Latino based almost entirely on the runaway sales success3 and appeal4 of La- *. Titled after track number 11 of the same name from Los Lobos' debut album in 1984 How Will the Wolf Survive? Los LOBos, How WILL THE WOLF SURVIVE (Wea/Warner Bros. 1984). That track is an anthem of hope for cultural and spiritual survival in a challenging and changing America, as is the less hopeful Los Lobos tune One Time, One Night [In America] from 1987. Los LOBOS, One Time, One Night, on BY THE LIGHT OF THE MOON (Wea/Warner Bros. 1987). **. Associate Professor of Law, University of Oregon School of Law. Thanks to the partici- pants at LatCrit V where I presented this paper as part of the plenary Multi/Cultural Artistic Re/Presentations in Mass Media: Capitalism, Power, Privilege and Cultural Production.