DOCSLIB.ORG

Owner's Manual

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Owner's Manual OWNER’S MANUAL INTRODUCTION WARNING! IMPORTANT SAFETY INSTRUCTIONS Congratulations on your purchase of this MG Gold amplifier from Marshall Amplification. WARNING: IMPORTANT SET UP INFORMATION: Before going any further, make sure that The MG provides modern Marshall tones for the player who is on the go. your amplifier is compatible with your WARNING: mains electricity supply. If you have any Failure to select the correct impedance doubt, please seek help from a qualified may damage your amplifier. With your MG you can easily dial in storable sounds and effects including sparkling technician – your Marshall dealer can help clean, rich driven blues, rock tone and heavy distorted metal settings. Every element you in this respect. If connecting a speaker cabinet make sure from voicing through to the speaker has been carefully designed to give you flexibility at that you use a proper speaker cable. Never MAINS INPUT & FUSE: your fingertips. use a screened (shielded) guitar cable for The specific mains input voltage rating this purpose. that your amplifier has been manufactured From the punchy MG 10 to the powerful MG 50, each MG Gold amplifier is quick to set- for is indicated on the rear panel of the 1. Ensure that the MAINS (power) up and delivers time and time again. Whether you are practicing at home or gigging on amplifier. MG50FX: Your amplifier is switch is set to the OFF position. the road, the MG Gold not only looks good, it won’t let you down. provided with a detachable mains (power) lead, which should be connected to the 2. Connect the supplied mains (power) MAINS INPUT socket on the rear panel of lead into the MAINS INPUT first and We hope you enjoy your MG Gold amplifier. the amplifier. The correct value and type then into the mains electricity supply. of mains fuse is specified on the rear panel - The Marshall Team of each amplifier. 3. Ensure that the VOLUME controls on the front panel are set to zero. NEVER attempt to bypass the fuse or fit one of the incorrect value or type. 4. Plug your guitar into an INPUT jack socket. TRANSPORTING YOUR EQUIPMENT: Please ensure that your amplifier is 5. Turn the front panel MAINS switch to switched off, unplugged from the mains the ON position. electricity supply and that all removable cables have been disconnected from your 6. Turn the VOLUME up to your equipment before attempting to move it. preferred level and your amplifier is ready to play. ENGLISH ENGLISH COMPLIANCE STATEMENT (MG15FX, MG30FX & MG50FX) MG10 FRONT PANEL FUNCTIONS This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: 1. This device may not cause harmful interference, and 2. This device must accept any interference received, including interference that may cause undesired operation. This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC rules. These limits are designed to 1 2 3 4 5 6 7 8 9 provide reasonable protection against harmful interference in a residential installation. 1. INPUT 8. MP3 IN Input for your guitar. Use a good quality If you want to jam to your favourite track, This equipment generates, uses and can radiate radio frequency energy and, if not in- guitar cable (i.e. one that’s screened/ connect the line out or headphone output stalled and used in accordance with the instructions, may cause harmful shielded) to help prevent noise, of your player here, adjust the volume of interference to radio communications. interference and unwanted feedback. your player to match that of your guitar and you’ve got the perfect ‘play-along’ 2. VOLUME - CLEAN CHANNEL practice system. However, there is no guarantee that interference will not occur in a particular This control adjusts the volume of the installation. If this equipment does cause harmful interference to radio or Clean Channel. 9. MAINS television reception, which can be determined by turning the equipment off and on, the The power switch turns your amplifier on user is encouraged to try to correct the interference by one or more of the 3. CHANNEL SWITCH and off. The Channel switch will light up following measures: This switch allows you to change between when your amplifier is turned on and will the amp’s two channels, Clean and not be lit when the amplifier is switched Overdrive, via the front panel. When off. • Reorient or relocate the receiving antenna. the LED is green, the Clean channel • Increase the separation between the equipment and the receiver. is engaged. When the LED is red, the Note: The specific mains input voltage rating • Connect the equipment into an outlet on a circuit different from that to Overdrive channel is engaged. that your amplifier has been built for is shown which the receiver is connected. on the back panel. Before connecting to 4. GAIN the mains electricity supply, always ensure • Consult the dealer or an experienced radio/TV technician for help. This control sets the operating level of the that your amplifier is compatible with your pre-amp. Simply turn up the Gain control electricity supply. If you have any doubt, CAUTION: Any changes or modifications not expressly approved by the party until the required amount of distortion is please get advice from a qualified technician. responsible for compliance could void the users authority to operate the equipment. achieved. Your Marshall dealer will help you in this respect. 5. VOLUME - OVERDRIVE CHANNEL This device complies with CAN ICES-3(B)/NMB-3(B) This control adjusts the volume of the Warning: Please ensure the amplifier is Overdrive channel. The louder this switched off and unplugged from the mains channel is set, the ‘looser’ the amplifier will electricity supply before being moved. sound and feel. 6. CONTOUR PLEASE READ THIS MANUAL CAREFULLY This highly effective tone control works by BEFORE PLUGGING IN. modifying the mid-range (body). 7. HEADPHONE OUT FOLLOW ALL INSTRUCTIONS AND HEED ALL WARNINGS. For use when silent practice is the order of the day. Connection of headphones will KEEP THESE INSTRUCTIONS. automatically mute the internal speaker. ENGLISH MG15FX & MG30FX FRONT PANEL FUNCTIONS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 1 2 3 4 5 6 7 8 9 10 11 12 13 14 16 15 17 1. INPUT JACK SOCKET 7. TREBLE CONTROL preset mode. When using the optional 15. FOOTCONTROLLER SOCKET Input for your guitar. Use a good quality Increasing the Treble will make your footcontroller, holding both the Tap ¼” Jack socket for the connection of the guitar cable (i.e. one that’s screened/ sounds brighter and more cutting, turning switch and the Store switch will activate optional footcontroller (PEDL-90008) - shielded) to help prevent noise, it down will decrease your tone’s edge and the tuner. see page 8. interference and unwanted feedback. make it sound softer as a result. 11. FX CONTROL 16. HEADPHONE SOCKET 2. GAIN CONTROL 8. REVERB CONTROL Selects and adjusts one of five digital For use when silent practice is the order Controls the amount of signal entering This control lets you add a lush digital effects - Chorus, Phaser, Flanger, Delay of the day. Connection of headphones will the pre-amp and the amount of distortion reverb to the selected channel, from a and Octave. automatically mute the internal speaker. created in the selected channel. subtle hint to cavernous and all points in-between. Furthermore, there are two 12. STORE SWITCH 17. POWER SWITCH 3. CLEAN/CRUNCH SWITCH distinctly different sounding reverb types Stores the current amp settings into The power switch turns your amplifier Selects between Clean (green) and Crunch for you to choose from – Studio or Spring. the current channel or to recall with the on and off. A channel switch will light up (red) channels. Studio emulates the sound of a studio optional footcontroller. When in manual when your amplifier is turned on and none plate reverb while, as expected, Spring mode the Store button lights red. will be lit when the amplifier is switched 4. BASS CONTROL emulates the sound of a classic spring off. Turning up the Bass control will add reverb unit. 13. MASTER CONTROL warmth and low-end depth to your sound. Controls the master volume of the Note: The specific mains input voltage rating 9. VOLUME CONTROL amplifier. that your amplifier has been built for is shown 5. OD-1/OD-2 SWITCH Controls the volume of the selected on the back panel. Before connecting to Selects between OD-1 (green) and OD-2 channel. 14. MP3 LINE IN SOCKET the mains electricity supply, always ensure (red) channels. Jam to your favourite track by connecting that your amplifier is compatible with your 10. TAP (MANUAL) SWITCH the line out or headphone output of your electricity supply. If you have any doubt, 6. MIDDLE CONTROL Matches the delay FX time to the time player here. Adjust the volume of your please get advice from a qualified technician. Adjusting the middle frequencies will vary between two pushes. The LED flashes at player to match that of your guitar and Your Marshall dealer will help you in this the amount of body in your sound. the selected delay time. Holding down you’ve got the perfect ‘play-along’ practice respect. the Tap switch for longer than 2 seconds system. switches the amp between manual and ENGLISH ENGLISH MG15FX & MG30FX OVERVIEW CHANNEL SELECTION (13) which is not storable, will now not reverb options - Studio or Spring When MP3 / LINE IN The amplifier has 4 channels - Clean, match the actual settings of the amplifier.
Load more

Recommended publications
  • Using FXML in Javafx
    JavaFX and FXML How to use FXML to define the components in a user interface. FXML FXML is an XML format text file that describes an interface for a JavaFX application. You can define components, layouts, styles, and properties in FXML instead of writing code. <GridPane fx:id="root" hgap="10.0" vgap="5.0" xmlns="..."> <children> <Label fx:id="topMessage" GridPane.halignment="CENTER"/> <TextField fx:id="inputField" width="80.0" /> <Button fx:id="submitButton" onAction="#handleGuess" /> <!-- more components --> </children> </GridPane> Creating a UI from FXML The FXMLLoader class reads an FXML file and creates a scene graph for the UI (not the window or Stage). It creates objects for Buttons, Labels, Panes, etc. and performs layout according to the fxml file. creates FXMLLoader reads game.fxml Code to Provide Behavior The FXML scene define components, layouts, and property values, but no behavior or event handlers. You write a Java class called a Controller to provide behavior, including event handlers: class GameController { private TextField inputField; private Button submitButton; /** event handler */ void handleGuess(ActionEvent e)... Connecting References to Objects The FXML scene contains objects for Button, TextField, ... The Controller contains references to the objects, and methods to supply behavior. How to Connect Objects to References? class GameController { private TextField inputField; private Button submitButton; /** event handler */ void handleGuess(ActionEvent e)... fx:id and @FXML In the FXML file, you assign objects an "fx:id". The fx:id is the name of a variable in the Controller class annotated with @FXML. You can annotate methods, too. fx:id="inputField" class GameController { @FXML private TextField inputField; @FXML private Button submitButton; /** event handler */ @FXML void handleGuess(ActionEvent e) The fxml "code" You can use ScaneBuilder to create the fxml file.
    [Show full text]
  • Frank Zappa and His Conception of Civilization Phaze Iii
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2018 FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III Jeffrey Daniel Jones University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.031 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Jones, Jeffrey Daniel, "FRANK ZAPPA AND HIS CONCEPTION OF CIVILIZATION PHAZE III" (2018). Theses and Dissertations--Music. 108. https://uknowledge.uky.edu/music_etds/108 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
    [Show full text]
  • Loudspeakers and Headphones 21 –24 August 2013 Helsinki, Finland
    CONFERENCE REPORT AES 51 st International Conference Loudspeakers and Headphones 21 –24 August 2013 Helsinki, Finland CONFERENCE REPORT elsinki, Finland is known for having two sea - An unexpectedly large turnout of 130 people almost sons: August and winter (adapted from Con - overwhelmed the organizers as over 75% of them Hnolly). However, despite some torrential rain in registered around the time of the “early bird” cut-off the previous week, the weather during the conference date. Twenty countries were represented with most of was excellent. The conference was held at the Helsinki the participants coming from Europe, but some came Congress Paasitorni, which was built in the first from as far away as Los Angeles, San Francisco, Lima, decades of the twentieth century. The recently restored Rio de Janeiro, Tokyo, and Guangzhou. Companies building is made of granite that was dug from the such Apple, Beats, Comsol, Bose, Genelec, Harman, ground where the building now stands. The location KEF, Neumann, Nokia, Samsung, Sennheiser, Skype, near the city center and right by the harbor proved to and Sony were represented by their employees. be an excellent location both for transportation and Universities represented included Aalto (in Helsinki), the social program. Aalborg, Budapest, and Kyushu. 790 J. Audio Eng. Soc., Vol. 61, No. 10, 2013 October CONFERENCE REPORT A packed House of Science and Letters for the Tutorial Day Sponsors Juha Backmann insists that “Reproduced audio WILL be better in the future.” J. Audio Eng. Soc., Vol. 61, No. 10, 2013 October 791 CONFERENCE REPORT low-frequency performance can still be designed using Thiele- Small parameters in a simulation, and the effect of individual parameters (such as voice coil length and pole piece size) on the system performance can be seen directly.
    [Show full text]
  • Vbavalve Bass 400 Amplifier English 1
    VBA 400 VALVE BASS AMPLIFIER ENGLISH ENGLISH Pages 1-5 ESPAÑOL From the Chairman I would like to personally thank you for selecting our VBA400 valve bass head. Pages 6-10 Since I started Marshall Amplification in 1962 I have witnessed some incredible breakthroughs and advances in amplifier design technology, however there is an inescapable magical tone that comes from using a traditional Marshall valve amplifier. Furthermore it is a tone that is just as valid DEUTSCH and just as much sought after today as it was all those years ago when I had my first shop in Hanwell, London. What time and progress has given us is the ability to make valve amps that are Pages 11-15 more versatile. The new Marshall VBA400 is just that, a classic valve amp for bass guitar, complete with all of the normal attributes that you would expect from a Marshall valve amp, such as warmth, compression, controllable musical distortion and of course that classic VALVE BASS AMPLIFIER FRANÇAIS Marshall tone, combined with modern day VBA 400 versatility and safety features. As such, the VBA400 is a classic valve bass amp for today’s player. I would like to wish you every success Pages 16-20 with all of your musical endeavours and also your new Marshall which I am sure you will find a pleasure to play for many years to come. Yours Sincerely, JAPANESE Pages 21-25 1 ENGLISH ENGLISH WARNING! - Important safety instructions To fully compliment the VBA400 we have produced two specially designed cabinets, the ! WARNING: This apparatus must be earthed! 8x10” VBC810 and the 4x12” VBC412 which combine cool looks with classic Marshall tone.
    [Show full text]
  • Voip V2 Loudspeaker Amplifier (Wireless) Operations Guide
    VoIP V2 Loudspeaker Amplifier (Wireless) Operations Guide Part #011096 Document Part #930361E for Firmware Version 6.0.0 CyberData Corporation 3 Justin Court Monterey, CA 93940 (831) 373-2601 VoIP V2 Paging Amplifier Operations Guide 930361E Part # 011096 COPYRIGHT NOTICE: © 2011, CyberData Corporation, ALL RIGHTS RESERVED. This manual and related materials are the copyrighted property of CyberData Corporation. No part of this manual or related materials may be reproduced or transmitted, in any form or by any means (except for internal use by licensed customers), without prior express written permission of CyberData Corporation. This manual, and the products, software, firmware, and/or hardware described in this manual are the property of CyberData Corporation, provided under the terms of an agreement between CyberData Corporation and recipient of this manual, and their use is subject to that agreement and its terms. DISCLAIMER: Except as expressly and specifically stated in a written agreement executed by CyberData Corporation, CyberData Corporation makes no representation or warranty, express or implied, including any warranty or merchantability or fitness for any purpose, with respect to this manual or the products, software, firmware, and/or hardware described herein, and CyberData Corporation assumes no liability for damages or claims resulting from any use of this manual or such products, software, firmware, and/or hardware. CyberData Corporation reserves the right to make changes, without notice, to this manual and to any such product, software, firmware, and/or hardware. OPEN SOURCE STATEMENT: Certain software components included in CyberData products are subject to the GNU General Public License (GPL) and Lesser GNU General Public License (LGPL) “open source” or “free software” licenses.
    [Show full text]
  • Macroeconomic and Foreign Exchange Policies of Major Trading Partners of the United States
    REPORT TO CONGRESS Macroeconomic and Foreign Exchange Policies of Major Trading Partners of the United States U.S. DEPARTMENT OF THE TREASURY OFFICE OF INTERNATIONAL AFFAIRS December 2020 Contents EXECUTIVE SUMMARY ......................................................................................................................... 1 SECTION 1: GLOBAL ECONOMIC AND EXTERNAL DEVELOPMENTS ................................... 12 U.S. ECONOMIC TRENDS .................................................................................................................................... 12 ECONOMIC DEVELOPMENTS IN SELECTED MAJOR TRADING PARTNERS ...................................................... 24 ENHANCED ANALYSIS UNDER THE 2015 ACT ................................................................................................ 48 SECTION 2: INTENSIFIED EVALUATION OF MAJOR TRADING PARTNERS ....................... 63 KEY CRITERIA ..................................................................................................................................................... 63 SUMMARY OF FINDINGS ..................................................................................................................................... 67 GLOSSARY OF KEY TERMS IN THE REPORT ............................................................................... 69 This Report reviews developments in international economic and exchange rate policies and is submitted pursuant to the Omnibus Trade and Competitiveness Act of 1988, 22 U.S.C. § 5305, and Section
    [Show full text]
  • Differentiation Rules (Differential Calculus)
    Differentiation Rules (Differential Calculus) 1. Notation The derivative of a function f with respect to one independent variable (usually x or t) is a function that will be denoted by D f . Note that f (x) and (D f )(x) are the values of these functions at x. 2. Alternate Notations for (D f )(x) d d f (x) d f 0 (1) For functions f in one variable, x, alternate notations are: Dx f (x), dx f (x), dx , dx (x), f (x), f (x). The “(x)” part might be dropped although technically this changes the meaning: f is the name of a function, dy 0 whereas f (x) is the value of it at x. If y = f (x), then Dxy, dx , y , etc. can be used. If the variable t represents time then Dt f can be written f˙. The differential, “d f ”, and the change in f ,“D f ”, are related to the derivative but have special meanings and are never used to indicate ordinary differentiation. dy 0 Historical note: Newton used y,˙ while Leibniz used dx . About a century later Lagrange introduced y and Arbogast introduced the operator notation D. 3. Domains The domain of D f is always a subset of the domain of f . The conventional domain of f , if f (x) is given by an algebraic expression, is all values of x for which the expression is defined and results in a real number. If f has the conventional domain, then D f usually, but not always, has conventional domain. Exceptions are noted below.
    [Show full text]
  • TV CHANNEL LINEUP by Channel Name
    TV CHANNEL LINEUP By Channel Name: 34: A&E 373: Encore Black 56: History 343: Showtime 2 834: A&E HD 473: Encore Black HD 856: History HD 443: Showtime 2 HD 50: Freeform 376: Encore Suspense 26: HLN 345: Showtime Beyond 850: Freeform HD 476: Encore Suspense 826: HLN HD 445: Showtime Beyond HD 324: ActionMax 377: Encore Westerns 6: HSN 341: Showtime 130: American Heroes Channel 477: Encore Westerns 23: Investigation Discovery 346: Showtime Extreme 930: American Heroes 35: ESPN 823: Investigation Discovery HD 446: Showtime Extreme HD Channel HD 36: ESPN Classic 79: Ion TV 348: Showtime Family Zone 58: Animal Planet 835: ESPN HD 879: Ion TV HD 340: Showtime HD 858: Animal Planet HD 38: ESPN2 2: Jewelry TV 344: Showtime Showcase 117: Boomerang 838: ESPN2 HD 10: KMIZ - ABC 444: Showtime Showcase HD 72: Bravo 37: ESPNews 810: KMIZ - ABC HD 447: Showtime Woman HD 872: Bravo HD 837: ESPNews HD 9: KMOS - PBS 347: Showtime Women 45: Cartoon Network 108: ESPNU 809: KMOS - PBS HD 22: Smile of a Child 845: Cartoon Network HD 908: ESPNU HD 5: KNLJ - IND 139: Sportsman Channel 18: Charge! 21: EWTN 7: KOMU - CW 939: Sportsman Channel HD 321: Cinemax East 62: Food Network 807: KOMU - CW HD 361: Starz 320: Cinemax HD 862: Food Network HD 8: KOMU - NBC 365: Starz Cinema 322: Cinemax West 133: Fox Business Network 808: KOMU - NBC HD 465: Starz Cinema HD 163: Classic Arts 933: Fox Business Network HD 11: KQFX - Fox 366: Starz Comedy 963: Classic Arts HD 48: Fox News Channel 811: KQFX - Fox HD 466: Starz Comedy HD 17: Comet 848: Fox News Channel HD 13: KRCG
    [Show full text]
  • 506 Operation Manual
    Operation Manual Thank you for selecting the ZOOM 506 (hereafter simply called the "506"). Please take the time to read this manual carefully so as to get the most out of your 506 and to ensure optimum performance and reliability. Retain this manual for future reference. ZOOM CORPORATION NOAH Bldg., 2-10-2, Miyanishi-cho, Fuchu-shi, Tokyo 183, Japan PHONE: 0423-69-7111 FAX: 0423-69-7115 Printed in Japan 506-5000 1 Major Features • 24 individual built-in effects provide maximum flexibility. Up to 8 effects can be used simultaneously in any combination. • Memory capacity for up to 24 user-programmable patches. • Integrated auto-chromatic bass guitar tuner for simple and precise tuning anywhere. • Optional foot controller FP01 can be used for pedal wah or pedal pitch, and volume control is also possible. • Optional foot switch FS01 can be used for bank switching, resulting in enhanced playability. • Dual power supply principle allows the unit to be powered from an alkaline battery or an AC adapter. • New DSP (digital signal processor) ZFx-2 developed by Zoom produces high-quality effects from an amazingly compact package. 2 Safety Precautions USAGE AND SAFETY PRECAUTIONS Usage precautions In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The Electrical interference meanings of these symbols are as follows: This symbol indicates explanations about extremely For safety considerations, the 506 has been designed to provide dangerous matters. If users ignore this symbol and maximum protection against the emission of electromagnetic ！� handle the device the wrong way, serious injury or radiation from inside the device, and from external death could result.
    [Show full text]
  • The FX Global Code
    ALERT MEMORANDUM The FX Global Code July 6, 2017 On May 25, 2017, central banks, regulatory bodies, If you have any questions concerning market participants, and industry working groups from this memorandum, please reach out to your regular firm contact or the a range of jurisdictions released the FX Global Code following authors (the “Code”).1 The Code is a common set of principles intended to enhance the integrity and effective LONDON functioning of the wholesale foreign exchange markets Bob Penn (“FX markets”), certain segments of which have, to +44 20 7614 2277 [email protected] date, been largely unregulated. The Code will Anna Lewis-Martinez supplement, rather than replace, the legal and +44 20 7847 6823 regulatory obligations of adherents. [email protected] Although the Code includes principles that are akin to Christina Edward +44 20 7614 2201 many of the requirements under the new Markets in [email protected] Financial Instruments Directive package (“MiFID II”) and U.S. Commodity Futures Trading Commission NEW YORK Colin D. Lloyd (“CFTC”) rules under the Dodd-Frank Wall Street +1 212 225 2809 [email protected] Reform and Consumer Protection Act of 2010 (“Dodd-Frank Act”), in several respects the Code Brian Morris +1 212 225 2795 goes beyond those requirements. As such, for many [email protected] market participants, adherence to the Code will require Truc Doan material changes to existing operating models, +1 212 225 2305 compliance procedures, client disclosures, and other [email protected] documentation. Adherence to the Code is voluntary, but several regulators have expressed that they expect market participants to adhere, and there will be public and private sector pressure to publicize adherence.
    [Show full text]
  • Chapter 186 NOISE
    Chapter 186 NOISE §186-1. Loud and unnecessary noise §186-3. Permits for amplifying devices. prohibited. §186-4. Stationary noise limits; maximum §186-2. Loud and unnecessary noises permissible sound levels. enumerated. §186-5. Violations and penalties. [HISTORY: Adopted by the Village Board of the Village of Albany 5-11-1992 as Sec. 11-2- 7 of the 1992 Code. Amendments noted where applicable.] GENERAL REFERENCES Disorderly conduct -- See Ch. 110. Parks and navigable waters -- See Ch. 198, §198-1B(2). Peace and good order -- See Ch. 202. §186-1. Loud and unnecessary noise prohibited. It shall be unlawful for any person to make, continue or cause to be made or continued any loud and unnecessary noise. It shall be unlawful for any person knowingly or wantonly to use or operate, or to cause to be used or operated, any mechanical device, machine, apparatus or instrument for intensification or amplification of the human voice or any sound or noise in any public or private place in such manner that the peace and good order of the neighborhood is disturbed or that persons owning, using or occupying property in the neighborhood are disturbed or annoyed. §186-2. Loud and unnecessary noises enumerated. The following acts are declared to be loud, disturbing and unnecessary noises in violation of this chapter, but this enumeration shall not be deemed to be exclusive: A. Horns; signaling devices. The sounding of any horn or signaling device on any automobile, motorcycle or other vehicle on any street or public place in the village for longer than three seconds in any period of one minute or less, except as a danger warning; the creation of any unreasonable loud or harsh sound by means of any signaling device and the sounding of any plainly audible device for an unreasonable period of time; the use of any signaling device except one operated by hand or electricity; the use of any horn, whistle or other device operated by engine exhaust and the use of any signaling device when traffic is for any reason held up.
    [Show full text]
  • Application Notes
    Measurement of Loudspeaker and Microphone Performance using Dual Channel FFT-Analysis by Henrik Biering M.Sc, Briiel&Kjcer Introduction In general, the components of an audio system have well-defined — mostly electrical — inputs and out­ puts. This is a great advantage when it comes to objective measurements of the performance of such devices. Loudspeakers and microphones, how­ ever, being electro-acoustic transduc­ ers, are the major exceptions to the rule and present us with two impor­ tant problems to be considered before meaningful evaluation of these devices is possible. Firstly, since measuring instru­ ments are based on the processing of electrical signals, any measurement of acoustical performance involves the Fig. 1. General set-up for loudspeaker measurements. The Digital Cassette Recorder Type use of both a transmitter and a receiv- 7400 is used for storage of the measurement set-ups in addition to storage of the If we intend to measure the re- measured data. Graphics Recorder Type 2313 is used for reformatting data and for ., „ J, ,, „ plotting results sponse of one of these, the response ol the other must have a "flat" frequency response, or at least one that is known in advance. Secondly, neither the output of a loudspeaker nor the input to a micro­ phone are well-defined under practical circumstances where the interaction between the transducer and the room cannot be neglected if meaningful re­ sults — i.e. results correlating with subjective evaluations — are to be ob­ tained. See Fig. 2. For this reason a single specific measurement type for the character­ ization of a transducer cannot be de- r.- n T ,-,,-,■ -.
    [Show full text]