The Ithacan, 1991-10-10
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Felix Issue 0854, 1990
Day Nursery is a health hazard Parents who use the Imperial College Day Nursery may be risking their childrens' health, it was claimed this week. The nursery, which occupies the basement and ground floor at 8 Princes Gardens, suffers from peeling paint and damp plaster work. There is mould growing in some of the corners and there have been unconfirmed reports of silverfish and cockroach infestations. The basement is in the worst state of repair and houses the nursery kitchen and several play rooms. Because of a lack of space, children have to sleep on mattresses on the kitchen floor, sometimes as little as a quarter of an hour after dinner. The nursery caters for both college staff and students and employs ten people looking after around 45 babies and toddlers. The nursery staff complain that the staffing level is inadequate and that absences are not always covered. During the lunch break there could be just one person on duty. Worried parents have written several letters to college officials but, until recently, they have had little response. When FELIX visited the building earlier this month, there was a single fire blanket and just three obvious fire extinguishers; others were apparently kept in an alcove out of the way of the children. When contacted, college health and safety officer Mr Ian Gillet immediately inspected the building and has agreed to install better fire equipment. Mr Gillet was also asked about the fire exits. The basement has two such exits, one which leads straight out onto the street and a second which passes through several corridors, the Islamic society prayer room, unavailable for comment. -
The Observer Central Washington University
Central Washington University ScholarWorks@CWU CWU Student Newspaper University Archives and Special Collections 4-11-1991 The Observer Central Washington University Follow this and additional works at: https://digitalcommons.cwu.edu/cwu_student_newspaper Recommended Citation Central Washington University, "The Observer" (1991). CWU Student Newspaper. 1896. https://digitalcommons.cwu.edu/cwu_student_newspaper/1896 This Book is brought to you for free and open access by the University Archives and Special Collections at ScholarWorks@CWU. It has been accepted for inclusion in CWU Student Newspaper by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. NEWS SCENE SPORTS I I ••lllitill Thursday, April ll, 1991 Central Washington University Vol. 9 No. oo-rq Voter turnout loW" for priID.aries by Jill Johnson into full swing next week." senior majoring in communi Staff reporter Bertrand is also looking ahead cations; andKarinaKuhlmeier, to the general election. 21, ajunior majoringin public Tuesday's primary election, "I want to congratulate all relations. narrowing the field of candi the applicants for ~xercising Simmons received 270 votes dates running for the offices of their deserved rights to be a and Kuhlmeiertrailed with 123 vice president for political af voice of the students. Thank votes. fairs, and director at large, you to all the students that "It's a great feeling to know representative to faculty sen voted and next week I hope that I was the students num Primary winners, from left: Karina Kuhlmeier, Bryce Seibel, there will be more students ber one choice," Simmons said. ate, is over. Chip Simmons. (Photo of Robert Bertrand unavailable} In the April 18 general elec expressing their opinions "I'd like to thank everyon~ for tion the two candidates run- ert Bertrand, 21, a junior ma "I feel very exhilarated and I through their vote," he said. -
Songs by Artist
Songs by Artist Karaoke Collection Title Title Title +44 18 Visions 3 Dog Night When Your Heart Stops Beating Victim 1 1 Block Radius 1910 Fruitgum Co An Old Fashioned Love Song You Got Me Simon Says Black & White 1 Fine Day 1927 Celebrate For The 1st Time Compulsory Hero Easy To Be Hard 1 Flew South If I Could Elis Comin My Kind Of Beautiful Thats When I Think Of You Joy To The World 1 Night Only 1st Class Liar Just For Tonight Beach Baby Mama Told Me Not To Come 1 Republic 2 Evisa Never Been To Spain Mercy Oh La La La Old Fashioned Love Song Say (All I Need) 2 Live Crew Out In The Country Stop & Stare Do Wah Diddy Diddy Pieces Of April 1 True Voice 2 Pac Shambala After Your Gone California Love Sure As Im Sitting Here Sacred Trust Changes The Family Of Man 1 Way Dear Mama The Show Must Go On Cutie Pie How Do You Want It 3 Doors Down 1 Way Ride So Many Tears Away From The Sun Painted Perfect Thugz Mansion Be Like That 10 000 Maniacs Until The End Of Time Behind Those Eyes Because The Night 2 Pac Ft Eminem Citizen Soldier Candy Everybody Wants 1 Day At A Time Duck & Run Like The Weather 2 Pac Ft Eric Will Here By Me More Than This Do For Love Here Without You These Are Days 2 Pac Ft Notorious Big Its Not My Time Trouble Me Runnin Kryptonite 10 Cc 2 Pistols Ft Ray J Let Me Be Myself Donna You Know Me Let Me Go Dreadlock Holiday 2 Pistols Ft T Pain & Tay Dizm Live For Today Good Morning Judge She Got It Loser Im Mandy 2 Play Ft Thomes Jules & Jucxi So I Need You Im Not In Love Careless Whisper The Better Life Rubber Bullets 2 Tons O Fun -
Cripping Broadway: Neoliberal Performances of Disability in the American Musical
Cripping Broadway: Neoliberal Performances of Disability in the American Musical by Samuel R. Yates B.A. in Dramatic Arts and English, May 2011, Centre College M.Phil in Theatre and Performance Studies, June 2013, Trinity College Dublin A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 19, 2019 Dissertation directed by David T. Mitchell Professor of English The Columbian College of Arts and Science of The George Washington University certifies that Samuel R. Yates has passed the Final Examination for the degree of Doctor of Philosophy as of 9 April, 2019. This is the final and approved form of the dissertation. Cripping Broadway: Neoliberal Performances of Disability in the American Musical Samuel R. Yates Dissertation Research Committee David T. Mitchell, Professor of English, Dissertation Director Robert McRuer, Professor of English, Committee Member Ann M. Fox, Professor of English, Committee Member ii © Copyright 2019 by Samuel R. Yates All Rights Reserved iii Chapters two and five of this dissertation contain reworked material previously published in the venues listed below. Additionally, Figure 5.1 is reprinted with permission from Springer Nature. I have permission from publishers to use the work listed below in my dissertation: Yates, Samuel. “Choreographing conjoinment: Side Show’s fleshly fixations and disability simulation.” Studies in Musical Theatre, vol. 13, no. 1, pp. 67–78, doi: 10.1386/smt.13.1.67_1 Yates, Samuel. “Spider-Man’s Designer Genes: Hyper-capacity and Transhumanism in a D.I.Y. -
Songwriting As Inquiry and Action: Emotion, Narrative Identity, And
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 7-6-2016 Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture Maggie Colleen Cobb University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Social Psychology Commons, and the Sociology Commons Scholar Commons Citation Cobb, Maggie Colleen, "Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6208 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Songwriting as Inquiry and Action: Emotion, Narrative Identity, and Authenticity in Folk Music Culture by Maggie Colleen Cobb A dissertation submitted in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Sociology College of Arts and Sciences University of South Florida Major Professor: Margarethe Kusenbach, Ph.D. Donileen Loseke, Ph.D. Shawn Bingham, Ph.D. Andrew Berish, Ph.D. Date of Approval: June 10, 2016 Keywords: Festival, Creativity, Social Change, Lived Experience, Embodiment Copyright © 2016, Maggie C. Cobb DEDICATION This dissertation is lovingly dedicated to my grandmother and guardian angel, Betty Jane Walker Gibbons. Thank you for everything. We miss you so. ACKNOWLEDGEMENTS Writing a dissertation is lonely and isolating business. It tends to “get on you,” as a friend of mine often says, and there have been many times where I was quite certain that I was terribly alone in it all. -
CB-1991-08-31.Pdf
VOL. LV, NO. 03, AUGUST 31, 1991 STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT Vice President/General Manager JIM SHARP Vice President FRED L. GOODMAN Editor In Chief CAMILLE COMPASIO Director, Coin Machine Operations LEE JESKE New York Editor KIMMY WIX Nashville Editor Editorial ALEX HENDERSON, Assoc. Ed. (LA) BRYAN DeVANEY, Assoc. Ed. (LA) SHELLY WEISS, Assoc. Ed., Publishing (L.A.) INSIDE THE BOX BERNETTA GREEN (N.Y.) WILMA MELTON (Nash.) COVER STORY STEVE GIUFFRIDA (Nash.) Chart Research Vanessa Williams: Breaking The JEFF KARP Coordinator (L.A.) Sophomore Jinx CLIFF GERKEN (Nash.) TERESACHANCE (Nash.) Mercury/Wing artist Vanessa Williams has just NATHAN W.(DXF) HOLSEY (LA) released her second album. The Comfort Zone. The lp CHERRY URESTI (L.A.) JIMMY PASCHAL (LA) promises to be an even bigger smash than her debut Production album, which went gold. In an exclusive interview, the JIM GONZALEZ stunning and confident songstress discusses her career. Art Director —see page 7 Circulation NINATREGUB, Manager CYNTHIA BANTA Publication Offices NEWS NEW YORK 1 57 W. 57th Street (Suite 1402) BMI’s Resounding Victory New York, NY 10019 Phone: (212) 586-2640 This week BMI was awarded over $2 million in a Fax: (212) 582-2571 HOLLYWOOD copyright infringement lawsuit against Disney and 6464 Sunset Blvd. (Suite 605) BET cable channels. Frances Preston, president and ceo Hollywood, CA 90028 Phone: (213) 464-8241 of the performing rights society, believes the case will Fax: (213)464-3235 NASHVILLE pave the way for future royalties from cable airplay. 50 Music Square West (Suite #502) Nashville TN 37203-3212 —see page 3 Phone: (615) 329-2898 Fax:(615)320-5120 CHICAGO 1 442 S. -
Osborn Et Al Buzz Clips
l Research Article Music & Science Volume 3: 1–14 ª The Author(s) 2020 Content and Correlational Analysis Article reuse guidelines: sagepub.com/journals-permissions of a Corpus of MTV-Promoted Music DOI: 10.1177/2059204320902369 Videos Aired Between 1990 and 1999 journals.sagepub.com/home/mns Brad Osborn , Emily Rossin and Kevin Weingarten Abstract From 1990 to 1999 MTV promoted a series of 288 music videos called “Buzz Clips”, designed to highlight emerging artists and genres. Such promotion had a measurable impact on an artists’ earnings and record sales. To date, the kinds of musical and visual practices MTV promoted have not been quantitatively analyzed. Just what made some videos Buzzworthy, and others not? We applied two phases of content analysis to this corpus to determine the most common sonic and visual signifiers in Buzz Clips, then processed the results of that content analysis using polychoric correlations. Our findings show high degrees of shared variance between certain pairs of musical and visual elements observed in the sample music videos. We interpret a number of these relationships in terms of their relevance to a performer’s perceived ethnicity and gender, showing how certain audiovisual features regularly accompany white men (e.g., electric guitar) while others regularly accompany women and performers of color (e.g. drum machines). Keywords Buzz Clips, content analysis, correlational analysis, MTV, music video Submission date: 18 April 2019; Acceptance date: 7 January 2020 Introduction itself recorded the complete list of such videos on a now- defunct website.3 Table 1 shows the metadata for all videos Recent research in music videos has applied a number of analyzed in our corpus, including artist, video title, month distinct approaches from different academic disciplines, of premiere, and peak position on the Billboard Hot 100 especially popular music,1 film and media studies (Caston, chart (if applicable). -
Diversification and Post-Regionalism in North American Hip-Hop Flow
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Time-Passages-Collective-Memory
Tfwe Passages This page intentionally left blank George Lipsitz Time ¥assa0es Collective Memory and American Popular Culture M IN University of Minnesota Press NE Minneapolis SO TA London Copyright © 1990 by the Regents of the University of Minnesota All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press 111 Third Avenue South.Suite 290, Minneapolis, MN 55401-2520 http://www.upress.umn.edu Printed in the United States of America on acid-free paper Seventh printing 2001 Library of Congress Cataloging-in-Publication Data Lipsitz, George. Time passages : collective memory and American popular culture / George Lipsitz. p. cm. Includes bibliographical references. ISBN 0-8166-3881-0 (pbk.) 1. United States—Popular culture—History—20th century. 2. Mass media—United States—Social aspects. 3. Memory—Social aspects— United States—History—20th century. I.Title. E169.12.L55 1989 973.9-dc20 89-5209 The University of Minnesota is an equal-opportunity educator and employer. Contents Preface vii Culture and History Chapter 1 Popular Culture: This Ain't No Sideshow 3 Chapter 2 Precious and Communicable: History in an Age of Popular Culture 21 Popular Television Chapter 3 The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television 39 Chapter 4 Why Remember Mama? The Changing Face of a -
2006 TRASH Regionals Round 05 Tossups
2006 TRASH Regionals Round 05 Tossups 1. He renounced Scientology in the 1980s after dedicating his 1983 album Inarticulate Speech of the Heart to L. Ron Hubbard, while his childhood experience with Jehovah’s Witnesses inspired “Kingdom Hall,” from the 1978 album Wavelength. His 21st century output has included the albums Down the Road and Magic Time, while he got his start in the ’60s writing the song “Gloria” for his band Them. In between, he produced albums such as Tupelo Honey, Astral Weeks, and Moondance. For ten points, name this Celtic musician behind the songs “Wild Night” and “Brown-Eyed Girl”. Answer: George Ivan “Van” Morrison 2. Given that he has been involved in Florida drug smuggling, stem cells, trafficking stolen Beanie Babies, and editing JFK assassination pictures, his ventures such as the Dr. Whoopee condom company and the Baby Doc College of Offshore Medicine in Haiti seem relatively high-class. His political career includes stints as advisor to Jesse Ventura, NRA lobbyist, governor of American Samoa, Ambassador to China, and Mayor of Al Amok, Iraq. For ten points, name this former Washington Redskins general manager, failed presidential candidate, and ex-Rolling Stone writer who was modeled after Hunter S Thompson by Garry Trudeau. Answer: Uncle Duke 3. Its first season included shows on the making of The Cotton Club and the apparent curse on the royal family of Monaco. Its first episode was on the stalking and murder of actress Rebecca Schaeffer, while other famous deaths examined included Natalie Wood, Gilda Radner, Ray Combs, and River Phoenix. Now in its 10th season, its mix of true crime and celebrity focuses on folks like Amber Frey and Lindsay Lohan, while past shows have “investigated” the mind of a serial killer and life in a real CSI unit. -
EU Jacksonville
JACKSONVILLE cigar style entertaining u newspaper free weekly guide to entertainment and more | february 22-28, 2007 | www.eujacksonville.com SPECIAL BOOK ROOMS ’S MUSIC wwwCHECK GEORGE OR EARL RA CALL.springingtheblues.com OUR TES 800-733-2668WEBSITE NOW Y! AV AILABLE! TO DA TO Y SA VE! Music Festival Oceanfront April 2nd March 31– Seawalk Plaza Beach, FL Jacksonville JOE BONAMASSA KELLY BELL BAND GRACE POTTER & THE NOCTURNALS LEE ROY PARNELL JIMBO MATHUS’ KNOCKDOWN SOUTH YO MAMA’S BIG FAT BOOTY BAND SEAN COSTELLO BEN PRESTAGE THE ERIC STECKEL BAND SHANE DWIGHT WILLY KING AND THE LIBERATORS ROGER "HURRICANE" WILSON REGIE BLUE THE HOWL J.W. GILMORE & THE BLUES AUTHORITY BLUEPHONIC ERIC LINDELL ALBERTA ADAMS COREY HARRIS 2 february 22-28, 2007 | entertaining u newspaper table of contents feature Cigar Style ................................................................................................PAGES 16-18 movies Astronaut Farmer (movie review) ........................................................................ PAGE 6 Movies In Theaters This Week .....................................................................PAGES 6-10 Seen, Heard, Noted & Quoted ............................................................................. PAGE 7 Bridge To Terabithia (movie review) .................................................................... PAGE 8 The Number 23 (movie review) .......................................................................... PAGE 8 Ghost Rider (movie review) ............................................................................. -
BY ADAM SLOAN This Release Really Reinforces Their Ocre Funky Beats
Timbre Presents EPIC RECORDING ARTISTS Doors 8PM Show 9PM " NIRVANA SPECTA. FRIDAY MARCH 8 UESTS THUS m ) Thursday March 14 A&M Recording Artists D from San Francisco ,u Z\T PUMP Show 10:30pm CiTR k*** JA***U* with special ^ DOORS 8PM SHOW 9:30PM 101.&9 fM /5»»fruN " FRIDAY MARCH 15 COOP guests the %Qi(£ *^1—«•— -o—- Tlu' Fabulous 10 2.7 0MM0D0RE present y STEEL BAND CS7(l Ciraiivillt- Mill with guests Saturday "ftf. B MIASHA TRILOGY MarcMreiTih 16e GW SATURDAY MARCH 23 WITH SPECIAL GUESTS CiTR SATURDAY MARCH 23 101.9 fM presents TOWN REDDHKROSS 6/7 (5fi PUMP with special guests 06ted- FROM MANCHESTER, ENGLAND ^^ f»m W0**\ TUESDAY APRIL 2 HAPPY MONDAYS 0MM0D0RThe Fabulous E •• "• WITH SPECIAL GUESTS C H7() <-..liiv ill. M.ill KREATOR • BLITZSPEER • MORGOTH Sunday April 14 ALL AGES at the New York Theatre Tickets Available At: Zulu, Black Swan, Track, Highlife, Scratch, Razzberry Records (95th & Scott), and Reminiscing Records (across from The Bay at Surrey Place), ^^^S**"8^ outlets or charge by phone 280-4444. Tickets for Culture also available at Barrett Electronics, Caribbean Market, Gerard's Hair Salon, The Patty Shop and Ebony Eyes. MARCH 1991 - ISSUE #98 ROLLINS A Faxinating Discussion 7 SCREAMING TREES ATreemendous Interview? 11 FULL PULL Mikey + Gav, Mud + Monster Trucks 13 MONTREAL JUBILATION CHOIR Sing Halleluiah 15 HANK THE HOBO Nardwuar, Kennedy, the CIA + a Singin' Bum 16 HAPPY MONDAYS ButWilltheRecordCompanyPayfortheCall? 18 MEAT BEAT MANIFESTO Adam Sloan + Jack Dangers Beat Off 18 LONDON SCENE Michael GriggTrades Shots with Popguns 19 FICTION A Brush with Organized Religion by Rob Howatson.