The Curve of Nature
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Father/Daughter – Mother/Son Dance Music Ideas
Father/Daughter – Mother/Son Dance Music Ideas Father/Daughter Dance Mother/Son Dance 1 Heartland I Loved Her First 1 Rascal Flatts My Wish 2 Mcgraw, Tim My Little Girl 2 Armstrong, Louis What A Wonderful World 3 Temptations My Girl 3 Lynyrd Skynyrd Simple Man 4 Carlisle, Bob Butterfly Kisses 4 Boyz II Men A Song For Mama 5 Rascal Flatts My Wish 5 Womack, Lee Ann I Hope You Dance 6 Armstrong, Louis What A Wonderful World 6 Beatles In My Life 7 Chapman, Steven Curtis Cinderella 7 Morrison, Van Days Like This 8 Sinatra, Frank The Way You Look Tonight 8 Dion, Celine Because You Loved Me 9 Wonder, Stevie Isn't She Lovely 9 Collins, Phil You'll Be In My Heart 10 Beatles In My Life 10 Kamakawiwo'ole, Israel 'Iz' Over The Rainbow 11 Simon, Paul Father And Daughter 11 Brooks, Garth Mom 12 Mccain, Edwin Walk With You 12 Stewart, Rod Forever Young 13 Cole, Natalie With Nat King Cole Unforgettable 13 Chesney, Kenny Don't Blink 14 Mayer, John Daughters 14 King, Ben E. Stand By Me 15 Adkins, Trace Just Fishin' 15 Stewart, Rod Have I Told You Lately 16 Fleetwood Mac Landslide 16 Brickman, Jim Lady Antebellum Never Alone 17 Dion, Celine Because You Loved Me 17 Church, Eric Like Jesus Does 18 Kamakawiwo'ole, Israel 'Iz' Over The Rainbow 18 Groban, Josh You Raise Me Up 19 Morrison, Van Brown Eyed Girl 19 Fleetwood Mac Landslide 20 Clapton, Eric Wonderful Tonight 20 Mraz, Jason 93 Million Miles 21 King, Ben E. -
GERMAN LITERARY FAIRY TALES, 1795-1848 by CLAUDIA MAREIKE
ROMANTICISM, ORIENTALISM, AND NATIONAL IDENTITY: GERMAN LITERARY FAIRY TALES, 1795-1848 By CLAUDIA MAREIKE KATRIN SCHWABE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2012 1 © 2012 Claudia Mareike Katrin Schwabe 2 To my beloved parents Dr. Roman and Cornelia Schwabe 3 ACKNOWLEDGMENTS First and foremost, I would like to thank my supervisory committee chair, Dr. Barbara Mennel, who supported this project with great encouragement, enthusiasm, guidance, solidarity, and outstanding academic scholarship. I am particularly grateful for her dedication and tireless efforts in editing my chapters during the various phases of this dissertation. I could not have asked for a better, more genuine mentor. I also want to express my gratitude to the other committee members, Dr. Will Hasty, Dr. Franz Futterknecht, and Dr. John Cech, for their thoughtful comments and suggestions, invaluable feedback, and for offering me new perspectives. Furthermore, I would like to acknowledge the abundant support and inspiration of my friends and colleagues Anna Rutz, Tim Fangmeyer, and Dr. Keith Bullivant. My heartfelt gratitude goes to my family, particularly my parents, Dr. Roman and Cornelia Schwabe, as well as to my brother Marius and his wife Marina Schwabe. Many thanks also to my dear friends for all their love and their emotional support throughout the years: Silke Noll, Alice Mantey, Lea Hüllen, and Tina Dolge. In addition, Paul and Deborah Watford deserve special mentioning who so graciously and welcomingly invited me into their home and family. Final thanks go to Stephen Geist and his parents who believed in me from the very start. -
The Beach Boys 100.Xlsx
THE BEACH BOYS 100 Rank Songs 1 Good Vibrations 2 California Girls 3 God Only Knows 4 Caroline No 5 Don't Worry Baby 6 Fun Fun Fun 7 I Get Around 8 Surfin' USA 9 Til I Die 10 Wouldn't It Be Nice 11 I Just Wasn't Made for These Times 12 Warmth of the Sun 13 409 14 Do You Remember 15 A Young Man is Gone 16 When I Grow Up 17 Come Go With Me 18 Girl from New York City 19 I Know There's an Answer 20 In My Room 21 Little Saint Nick 22 Forever 23 Surfin' 24 Dance Dance Dance 25 Let Him Run Wild 26 Darlin' 27 Rock & Roll to the Rescue 28 Don't Back Down 29 Hang on to your Ego 30 Sloop John B 31 Wipeout (w/ The Fat Boys) 32 Wild Honey 33 Friends 34 I'm Waiting for the Day 35 Shut Down 36 Little Deuce Coupe 37 Vegetables 38 Sail On Sailor 39 I Can Hear Music 40 Heroes & Villains 41 Pet Sounds 42 That's Not Me 43 Custom Machine 44 Wendy 45 Breakaway 46 Be True to Your School 47 Devoted to You 48 Don't Talk 49 Good to My Baby 50 Spirit of America 51 Let the Wind Blow THE BEACH BOYS 100 52 Kokomo 53 With Me Tonight 54 Cotton Fields 55 In the Back of My Mind 56 We'll Run Away 57 Girl Don't Tell Me 58 Surfin' Safari 59 Do You Wanna Dance 60 Here Today 61 A Time to Live in Dreams 62 Hawaii 63 Surfer Girl 64 Rock & Roll Music 65 Salt Lake City 66 Time to Get Alone 67 Marcella 68 Drive-In 69 Graduation Day 70 Wonderful 71 Surf's Up 72 Help Me Rhonda 73 Please Let Me Wonder 74 You Still Believe in Me 75 You're So Good to Me 76 Lonely Days 77 Little Honda 78 Catch a Wave 79 Let's Go Away for Awhile 80 Hushabye 81 Girls on the Beach 82 This Car of Mine 83 Little Girl I Once Knew 84 And Your Dreams Come True 85 This Whole World 86 Then I Kissed Her 87 She Knows Me Too Well 88 Do It Again 89 Wind Chimes 90 Their Hearts Were Full of Spring 91 Add Some Music to Your Day 92 We're Together Again 93 That's Why God Made Me 94 Kiss Me Baby 95 I Went to Sleep 96 Disney Girls 97 Busy Doin' Nothin' 98 Good Timin' 99 Getcha Back 100 Barbara Ann. -
Pet Sounds”—The Beach Boys (1966) Added to the National Registry: 2004 Essay by Tom Smucker (Guest Post)*
“Pet Sounds”—The Beach Boys (1966) Added to the National Registry: 2004 Essay by Tom Smucker (guest post)* Album cover Original label The Beach Boys Released in May of 1966, “Pet Sounds” was initially understood by some as a new pop music paradigm, for others as a rock betrayal, for a few as a source of personal solace. In the USA, it was also a financial disappointment, a potentially career collapsing abandonment of the Beach Boys surf, car, and summer songs. Across the Atlantic in the UK, the album received a crucially different debut. Keith Moon of The Who helped Bruce Johnston of the Beach Boys set up a publicized pre-release “Pet Sounds” enthusiastic listen in London for John Lennon and Paul McCartney. With that recognition established, the LP and the Beach Boys continued their overseas ascent in esteem and popularity while dropping out of favor, if not out of sight, in the United States. As had been his practice previously in the studio, Brian Wilson worked out the instrumental tracks with the cream of LA studio musicians, the so-called “Wrecking Crew,” while the rest of the group was on tour, returning to add their complex yet heartfelt vocal harmonies on the top. In “Pet Sounds,” these tracks were packed with found sounds, countermelodies, and an unpredictable variety of instrumentation that gave each cut a distinctive signature while still part of a coherent whole. Brian was composing using the modern mid-1960s recording studio as his instrument. It was this example that inspired George Martin and the Beatles to expand their exploration of the studio with their own sensibility for “Sgt. -
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on. -
BWTB Jan. 24Th 2016
1 th Playlist January 24 2016 2 This edition of BWTB…we’ll have a guest during the last hour from Cannibal & The Headhunters who opened for the Beatles on their 1965 tour (Robert the Rabbit) will be here to tell us about that…if you hear a Beach Boys song from now to noon call us and WIN tickets to Wild Honey Orchestra presents the music of Beach Boys featuring members of the actual Beach Boys, Micky Dolenz of the Monkees, Muffs like everybody! And we will be remembering the late Deirdre O'Donoghue who started this show 33 years ago on KMET we unfortunately lost Deirdre this week….in 2001 15 years ago 9AM George Harrison – If Not For You (Dylan) – ATMP Dylan's song from his "New Morning" album. A debut big hit in the U.K. for Olivia Newton-John, March 1971. The Beatles – Across The Universe - Let It Be Recorded 4th February 1968 - 8 takes Overdubs 8th February 1968 onto take 8 Overdubs 1st April 1970 onto take 8 creating take 9 “Across the Universe" was originally donated to a charity album for the World Wildlife Fund. That original song was a faster, higher version than the Let It Be version, which was the original track slowed down and combined with an orchestra by producer Phil Spector. BREAK A couple of song just for you Deirdre O'Donoghue this week 15 years ago Deirdre started at KKGO in 1979 and went on to work for KCRW, KMET, KNX/FM and KLSX. And here is a set of music she’s put together just for us 3 The Beatles - The Fool On The Hill - Magical Mystery Tour (EP) (Lennon-McCartney) Lead vocal: Paul Sitting alone at the piano, Paul McCartney recorded a mono two-track demo of “The Fool On the Hill” on September 6, 1967. -
Pianoforte Solo Trio Quartetto Europeo (Jan Garbarek) Quartetto
Discografia Keith Jarrett marzo 2001 Pianoforte solo # Titolo Anno Etichetta Live Set Strumenti Note 1 Facing You 1971 ECM pf. 2 Solo Concerts 1973 ECM X 3LP pf. 3 The Koln Concert 1975 ECM X pf. 4 Sun Bear Concerts 1976 ECM X 10LP pf. 5 Staircase 1976 ECM 2LP pf. 6 The Moth And The Flame 1979 ECM 2LP pf. Set con Invocations 7 Concerto in solo. Bregenz 1981 ECM X 3LP pf. 8 Concerto in solo. Moanco 1981 ECM X pf. 9 Dark Intervals 1987 ECM X pf. 10 Paris Concert 1988 ECM X pf. 11 Vienna Concert 1991 ECM X pf. 12 La Scala Concert 1997 ECM X pf. 13 The Melody At Night, With You 2000 ECM pf. Trio # Titolo Anno Etichetta Live Set Strumenti Note 1 Standards Vol.1 1983 ECM pf. / basso / batteria Standards 2 Standards Vol.2 1983 ECM pf. / basso / batteria Standards 3 Changes 1983 ECM pf. / basso / batteria Brani riginali 4 Standards Live 1985 ECM X pf. / basso / batteria Standards 5 Changeless 1987 ECM X pf. / basso / batteria Brani originali 6 Still Live 1988 ECM X 2CD pf. / basso / batteria Standards 7 Tribute 1989 ECM 2CD pf. / basso / batteria Standards 8 Standards In Norway 1989 ECM pf. / basso / batteria Standards 9 The Cure 1990 ECM pf. / basso / batteria Standards / 1 or. 10 Bye Bye Blackbird 1991 ECM X pf. / basso / batteria Trib. M.Davis 11 At the Deer Head Inn 1992 ECM X pf. / basso / batteria Con P.Motian 12 Tokyo '96 2000 ECM X pf. / basso / batteria Standards 13 Whisper Not 2000 ECM pf. -
SURF MUSIC by Geoffrey Himes
SURF MUSIC By Geoffrey Himes It often seems that the United States is a pool table that has been tilted so all its hopes and dreams roll to the west. Whenever Americans want a new and better life, they head toward the setting sun. Whether it was the white-canvas covered wagons of the 1850s, the rusty Okie jalopies of the 1930s or the painted hippie vans of the 1960s, the direction is always westward—and eventually they collect in the pool table’s corner pocket known as Southern California. When Chuck Berry went chasing after his imagined utopia in the song “Promised Land," where did he end up? Los Angeles. Thousands of Hollywood movies had advertised Southern California as a nirvana of palm trees, sunshine, beautiful girls and beautiful boys, convincing folks from Oklahoma, Kansas and Ohio to pack up and move to the coast. By the end of the 1950s, the area around L.A. was full of almost as many transplanted Midwesterners as native Californians. The natives knew the region was no utopia, but the first and second-generation immigrants, these strangers in paradise, still clung to the notion of America’s western edge as the place where their dreams might come true. The teens and twentysomethings in these families—too young and too new to the West Coast to be disillusioned— turned that utopian impulse into a new kind of rock'n'roll: surf music. Brian, Dennis and Carl Wilson, whose father and mother had moved to California from Kansas and Minnesota respectively, formed the Beach Boys. -
Atime to Gather
A TIME TO GATHER FOR PRIVATE CIRCULATION ONLY CONTENTS PART ONE SPIRITUAL PRACTICES Lectio Divina 2 Centering Prayer 4 Theological Reflection 5 My Day with God: An Evening Prayer 7 Clearness Process 9 PART TWO COMMUNITY PRAYER Let there be light 12 My pilgrim heart 16 Entering into the soul of Africa 19 Drawn By Mystery 22 The Earth is the burning bush 25 The Holy rises in our midst 28 Time to dive in 31 We are voices that challenge injustice 34 To risk being transformed 37 Leaping into the future in trust 40 The tears of people made poor 43 Stones 46 Being poor in spirit 49 Wake up 52 Being Brother 55 Take Nothing for the Journey 58 Beyond our efforts 61 To be of the earth 64 Become fire! 67 Breath of the Spirit blowing in me 70 Flowing with the water 73 What do see you through the window? 76 PART THREE WEEKLY CHECK-IN Weekly Check-Ins 81 PART FOUR BREAD AND WINE LITURGIES Food and drink for the Journey 100 This is my body; this is my blood 103 Eucharist of the dying Earth 106 Recognising Christ in our stories 109 Around Christ’s table 112 PART FIVE MORE SONGS TO LIGHT YOUR JOURNEY Awesome God - Chris Skinner 116 Be Still - David Kauffman 116 Behold - David Kauffman 117 Come As You Are - Deidre Browne 117 Come And Journey - David Haas 118 Deer's Cry - Rita Connolly 119 Gather us O God - Monica Brown 120 Go Light Your World - Kathy Troccoli 120 Ground of All Being - Jan Novotka 121 Holy Now - Peter Mayer 122 Human - Chris Skinner 123 I am a God nearby - David Kauffman 124 Just To Be - Colleen Fulmer 125 Love Changes Everything 126 One -
GHOST in the GONE REALMS Kirpal Gordon GHOST in the GONE REALMS
GHOST IN THE GONE REALMS Kirpal Gordon GHOST IN THE GONE REALMS Obscure Publications· 2008 Copyright 2008 by Kirpal Gordon. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photo-copy, recording or any information storage and retrieval system, without permission in writing from the copyright holder, except for quotes in reviews. Cover image by James "Dusty" Pendleton. Photography by Laura Carrigan. "Ghost in the Gone Realms" is the latest installation of the OP series, Jazz Tales. Watch out for the two intersecting novellas, "Ganga Runs the Voodoo Down" and "Naked at Last in Her Own Skin," in one book. Watch out for these jazz tunes as well, some of which will soon be posted with musical accompaniment at www.KirpaIG.com for free listening alongside Speak-Spake Spoke, a jazz poetry CD, from Leaping Dog Media. First Edition OBSCURE PUBLICATIONS Paul Rosheim, Series Editor 307 River Street, Apt. 18 Black River Falls, Wisconsin 54615 Watch Out for Obscure Publications CONTENTS Ghost in the Gone Realms - 1 For All We Know/The Curved World Turns Inside Out - 19 You Make Me Feel So Young/Jung - 20 So WhaURubiyat Melodic - 21 All Blues/Spirit Fuse - 23 01' Devil Moon/Stone Soul Cartoon - 24 Funk Underneath/Greasy's How I Got Here - 25 Ghost in the Gone Realms If you're lost you can look and will find me ---Cyndi Lauper, "Time after Time" "Can you take me to Ghost then, Doctor?" "Put this lab coat on over your cocktail dress." "Over the dress?" "So no one asks questions, Ms. -
Keith Jarrett Discography
Keith Jarrett Discography Mirko Caserta , [email protected] July 20, 2002 I cannot say what I think is right about music; I only know the “rightness” of it. I know it when I hear it. There is a release, a flowing out, a fullness to it that is not the same as richness or musicality. I can talk about it in this way because I do not feel that I “created” this music as much as I allowed it to “emerge”. It is this emergence that is inexplicable and incapable of being made solid, and I feel (or felt) as though not only do you never step in the same river twice, but you are never the same when stepping in the river. The river has always been there, despite our polluting it. This is a miracle, and in this day and age we need it. At least I do. – Keith Jarrett, from Spirits’ cover Contents 1 Introduction 5 1.1 How it all started ........................................... 5 1.2 Availability .............................................. 5 1.3 Other resources ............................................ 6 1.4 Acknowledgements .......................................... 6 1.5 Copyleft Notice ............................................ 7 1.6 Disclaimer ............................................... 7 1.7 How to contribute .......................................... 7 1.8 Documentation Conventions ..................................... 7 2 The years ranging from 1960 to 1970 8 2.1 Swinging Big Sound, (Don Jacoby and the College All-Stars) .................. 8 2.2 Buttercorn Lady, (Art Blakey and the New Jazz Messengers) .................. 8 2.3 Dream Weaver, (Charles Lloyd Quartet) .............................. 8 2.4 The Flowering of the Original Charles Lloyd Quartet Recorded in Concert, (Charles Lloyd Quartet) ................................................ 8 2.5 Charles Lloyd in Europe, (Charles Lloyd Quartet) .......................