University of Kentucky UKnowledge American Popular Culture American Studies 1-27-2005 The Philosophy of Film Noir Mark T. Conard Marymount Manhattan College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at
[email protected]. Recommended Citation Conard, Mark T., "The Philosophy of Film Noir" (2005). American Popular Culture. 19. https://uknowledge.uky.edu/upk_american_popular_culture/19 Conard The Philosophy of Film Noir Continued from front flap FILM/PHILOSOPHY The Philosophy Opening with an examination of what The constitutes noir cinema, the book of Film Noir interprets the philosophical elements Edited by Mark T. Conard consistently present in the films— “The Philosophy of Film Noir is an intellectually seductive, hard- Foreword by Robert Porfirio themes such as moral ambiguity, reason boiled romp through a world of moral murkiness, femme fatales, versus passion, and pessimism. The Philosophy contributors to the volume also argue and desperately lonely protagonists. The philosophers in this A drifter with no name and no past, that the essence and elements of noir easy-to-read collection provide us with a colorful backdrop for driven purely by desire, is convinced have fundamentally influenced movies seeing the dark films with clearer eyes.” of by a beautiful woman to murder her outside of the traditional noir period. husband.