Arcca Revised.Qxd

Total Page:16

File Type:pdf, Size:1020Kb

Arcca Revised.Qxd architecture california the journal of the american institute of architects california council a r cCA professional practice issue 04.1 ❉ The Place of Histories ❉ Readers First ❉ Architecture and Its Value Explained arcCA 0 4 . 1 professional p ractice issue p r e s s c h e c k Co n t e n t Our Humpty-Dumpty Press 10 ❊ Thomas Fisher, FAIA Readers First 14 (No Offense Intended) ❊ John King Architecture and Its Value, 18 E x p l a i n e d ❊ Jeffrey Stein, AIA The Place of Histories 22 ❊ Alan Hess Architectural Magazines 26 in California ❊ Mitchel L. Schwarzer The Architecture Critic: 32 a Survey ❊ András Szántó, Eric Fredericksen, and Ray Rinaldi What’s in Your Pitch Grid? 40 ❊ Pat Reilly Under the Radar 42 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 4 7 Co d a 4 8 1 arcCA 0 4 . 1 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues. In addition, single copies and subscriptions are avail- Peter H. Dodge, FAIA able at the following rates: Wendy Kohn Single copies: $6 AIA members; $9 non-members. David Meckel, FAIA Subscriptions (four issues per year): $24 AIA members; Paul Halajian, AIA $15 students; $34 non-members, U.S.; $38 Canada; $42 foreign. Kris Miller-Fisher, AIA Subscriptions: arcCA, c/o AIACC, 1303 J Street, Suite 200, Sacramento, CA 95814, Eric Naslund, FAIA www.aiacc.org Anne Zimmerman, AIA Advertising: 877.887.7175. Lee I. Lippert, AIA, Ex-officio Inquiries and submissions: Tim Culvahouse, Editor: [email protected]; c/o AIACC, 1303 J Street, Suite 200, Sacramento, CA 95814; 916.448.9082; Design Bob Aufuldish fax 916.442.5346. Bob Aufuldish, Aufuldish & Warinner: [email protected]. Ragina Johnson Aufuldish & Warinner Copyright and reprinting: © 2003 by AIACC. All rights reserved. Reproduction in whole or in part without permission is prohibited. Permission is granted through the Copyright Clearance Center (CCC), 222 Rosewood Drive, Danvers, MA 01923. Production Trudy J. Ung a r c C A is a trademark of AIACC. Lorraine Sacca a r c C A (ISSN 0738-1132) is published by The McGraw-Hill Companies on behalf of Publisher Roylin Downs The American Institute of Architects, California Council. McGraw-Hill and AIACC are not responsible for statements or opinions expressed in a r c C A, nor do such state- California Regional Publisher ments or opinions necessarily express the views of AIACC or its committees. Con- McGraw-Hill Construction tributors are responsible for credits and copyright permissions. Third class postage paid at Salt Lake City. Printed on recycled paper by Banta Book Group. AIACC Lori Reed Director of Marketing and Communications AIACC 2003 Board of Directors AIA Los Angeles AIA San Francisco The American Institute of Architects, AIA Regional Directors M. Charles Bernstein, AIA Ann Crew, AIA California Council Michael M. Hricak Jr., FAIA John R. Dale, AIA Jeffery Heller, FAIA 1303 J Street, Suite 200 Carl F. Meyer, AIA Mehrdad Farivar, AIA Roseanne McNulty, AIA Sacramento, CA 95814 Bruce Race, FAIA Christopher C. Martin, FAIA Beverly Jo Prior, AIA 916.448.9082 R.K. Stewart, FAIA Douglas Brian Robertson, AIA Mark J. Tortorich, FAIA 916.442.5346 fax Associate Directors Thomas R. Vreeland, FAIA Clark Manus, FAIA www.aiacc.org Joan Ferrin, Assoc. AIA AIA Monterey Bay AIA San Joaquin Corbett Wulfing, Assoc. AIA Michael L. Waxer, AIA Arthur T. Dyson, AIA 2003 Executive Committee Student Director AIA Orange County AIA San Mateo County President Deniece Duscheone, AIAS Jeffrey T. Gill, AIA Robert C. Gooyer, AIA, FHFI Robert L. Newsom, FAIA AIA California Central Coast Kevin Fleming, AIA AIA Santa Barbara First Vice President/President-elect Jeffrey J. Emrick, AIA, P.E. Thomas R. Nusbickel, AIA Paul Polrier, AIA David J. Brotman, FAIA AIA California Desert AIA Pasadena & Foothill AIA Santa Clara Valley Treasurer Lance O’Donnel, AIA Kenneth R. Long, AIA Lee Salin, AIA Michael C. Johnson, AIA AIA Central Valley Ara Zenobians, FAIA Steve Cox, AIA Secretary Nicholas D. Docous, AIA AIA Redwood Empire AIA Sierra Valley Anne Laird-Blanton, AIA John D. Ellis, AIA Michael Palmer, AIA J. Anthony Acevedo, AIA Vice President of Donald R. Sharp, AIA Donald C. Tomasi, AIA AIA Ventura County Regulation and Practice AIA East Bay AIA San Diego Howard E. Leach, AIA John C. Melcher, AIA Clarence D. Mamuyac Jr., AIA Jack Carpenter, FAIA Vice President of Legislative Affairs John S. Nelson, AIA Larry Hoeksema, AIA AIACC Staff Eliezer M. Naor, AIA AIA Golden Empire Michael J. Stepner, FAIA Executive Vice President Vice President of Bruce M. Biggar, AIA AIA San Fernando Valley Paul W. Welch, Jr., Hon. AIA Communications/Public Affairs AIA Inland California John P. Grounds, AIA Lori Reed Lee I. Lippert, AIA Pamela M. Touschner, AIA Director of Marketing and Communications Executive Vice President AIA Long Beach Paul W. Welch, Jr., Hon. AIA John Mason Caldwell, AIA Comment In this issue of arcCA, we look at the current state of the architectural press. We’ve sought a variety of points of view, ranging from a critique (by Thomas Fisher, FAIA, former editor of Progressive Architec- ture) of the dominance that our sister McGraw-Hill publication, Architectural Record, enjoys in the The Sea Ranch, Donlyn Lyndon American marketplace, to a history of architectural journals in California, to a “how-to” guide to set- writes, “I have worked in the Delta for ten years, ting up your firm’s media relations strategy. and Delta Primer took me places I hadn’t seen and introduced me to history I hadn’t heard. It’s hard to describe: it’s beautiful artwork, it’s a geographic study of a unique landscape, and it’s a political primer about the future of water and land uses in the State of California.” Available as both a book and a deck of playing cards that allows one to work out for oneself the complex exchange of val- ues required to manage the Sacramento and San Joaquin River Delta, Delta Primer is the tenth Ray Kappe: a Retrospective, 1953-2003, A+D Museum publication of William Stout Publishers (San Fran- cisco: William Stout Publishers, 2003). arcCA does not regularly publish book reviews, but in an issue on the architectural press By the by, if you happen to engage a ven- I thought I might mention three impressive new dor or consultant whose ad you’ve seen in a r c C A , books. Ray Kappe: a Retrospective, 1 9 5 3 - 2 0 0 3 , please mention to them that you saw it here—and published by the A+D Museum to accompany a that you appreciate their support of the maga- recent exhibition, is an elegant and well-illustrated zine. As I appreciate yours. compendium of the work of the founding director Tim Culvahouse, AIA, editor of SCIArc (Los Angeles: A+D Museum Publishing, 2003). For the many of us who have grown weary of the perennial republication of vintage photos (lovely as they are), Donlyn Lyndon’s The Sea Ranch, with over 300 wonderful new photographs by Jim Alinder and essays by Donald Canty and Lawrence Halprin, beautifully brings our under- standing of this seminal coastal development up- to-date (NY: Princeton Architectural Press, 2004). And I am particularly delighted by the publication of Delta Primer, by Jane Wolff, the first fragment of which was originally published in arcCA 00.2, “Common Ground.” As Margit Aramburu, Execu- tive Director, Delta Protection Commission, Delta Primer, Jane Wolff 3 Contributors Thomas Fisher, FAIA, former editor of P r o g r e s s i v e Sara Shreve is studying architectura l preservation as a Architecture, is dean of the College of Architecture and Land- graduate student at Cornell University. scape Architecture at t he University of Minnesota. Jeffrey Stein, AIA, is the architecture critic for Banker + Alan Hess is architecture critic for the San Jose Mercury- Tradesman newspaper, where this past year his work was News and the author of numerous books, including The Archi- awarded a New England Press Association prize. In addition, tecture of John Lautner; Rancho Deluxe : Rustic Dreams and he is a practicing architect and a professor of architecture at Real Western Living; Palm Springs Weekend: the Architecture Wentworth Institute of Technology in B oston. Mr. Stein is a fr e- and Design o f a Mid-century Oasis; Hyperwest: American Resi- quent contributor to Architecture Boston magazine, and he is dential Architecture on the Edge; and Googie : Fifties Coffee a renowned long-distance motorcyclist , currently writing a Shop Architecture. book about BMW motorcycle design. His wife , the art historian Emilie Altemose, reads his work before you do. John King is the urban design writer for the San Francisco Chronicle . He was a finalist for the Pulitzer Prize for Criticism Eric Fredericksen is the director of Western Bridge, a in 2002 and 2003. contemporary a rt space in Seattle. He was a m id-career fellow of the National Arts Journalism program in 2000-2001. Pat Reilly, founder and president of PR & Company, is a communications strategist with more than 15 years of experi- Andras Szanto is deputy director of the National Arts ence directing public relations for politicians, social move- Journalism Program at Columbia University's Graduate School ments , the Fortune 500 , and companies marketing everything of Journalism.
Recommended publications
  • Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
    WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................
    [Show full text]
  • 94-95 September No. 1
    THE ANTARCTICAN SOCIETY 905 NORTH JACKSONVILLE STREET ARLINGTON, VIRGINIA 22205 HONORARY PRESIDENT — MRS. PAUL A. SIPLE _____________________________________________________________ Vol. 94-95 September No. 1 Presidents: Dr. Carl R. Eklund, 1959-61 Dr. Paul A. Siple, 1961-62 "GOING TO EXTREMES" Mr. Gordon D. Cartwright, 1962-63 RADM David M. Tyree (Ret.), 1963-64 Mr. George R. Toney, 1964-65 McMurdo Station to the Antarctic Peninsula Mr. Morton J. Rubin, 1965-66 Cruise 94.02 of the NATHANIEL B. PALMER Dr. Albert P. Crary, 1966-68 Dr. Henry M. Dater, 1968-70 Mr. George A. Doumani, 1970-71 A Visual Presentation in Slides and Paintings featuring Dr. William J. L. Sladen, 1971-73 Mr. Peter F. Bermel, 1973-75 THE ROSS ICE SHELF, CAPE COLBECK, MT. SIPLE, PINE Dr. Kenneth J. Bertrand, 1975-77 Mrs. Paul A. Siple, 1977-78 ISLAND BAY, THE AMUNDSEN AND BELLINGSHAUSEN SEAS, Dr. Paul C. Dalrymple, 1978-80 MARGUERITE BAY, THE LEMAIRE CHANNEL AND GERLACHE STRAIT Dr. Meredith F. Burrill, 1980-82 Dr. Mort D. Turner, 1982-84 Dr. Edward P. Todd, 1984-86 by Mr. Robert H. T. Dodson. 1986-88 Dr. Robert H. Rutford, 1988-90 Alan Campbell Mr. Guy G. Guthridge, 1990-92 Athens, Georgia Dr. Polly A. Penhale, 1992-94 NSF Antarctic Artists and Writers Program Honorary Members: Ambassador Paul C. Daniels Dr. Laurence McKinley Gould on Count Emilio Pucci Sir Charles S. Wright Thursday evening, October 20, 1994 Mr. Hugh Blackwell Evans Dr. Henry M. Dater 8 PM Mr. August Howard Mr. Amory H. "Bud" Waite, Jr. National Science Foundation Paul C.
    [Show full text]
  • Starlog Magazine Issue
    'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws:
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • 7 Questions with Award-Winning Illustration Legend William Stout (Part I Or II)
    INTERVIEWS 7 Questions With Award-Winning Illustration Legend William Stout (Part I or II) December 17, 2018 by Esther Rabbit William Stout is an award-winning artist of international renown in many fields: themed entertainment and motion picture design (specializing in science fiction/fantasy/horror effects films), comic book art, book illustration, poster 1 design, CD covers, public murals, and dynamic yet accurate reconstructions of prehistoric life. His endeavors in the field of motion pictures and comic book art have gained him a loyal following, making him a popular guest at comic book, science fiction and horror movie conventions around the world. His huge, new book from Insight Editions, Fantastic Worlds – The Art of William Stout, thoroughly covers his fifty-year career as a working artist. In today’s interview, William Stout – one of the most complete artists in the ink world, speaks about his latest release, trends in the illustration industry and gives advice to the young generation of illustrators. Due to his kind nature and extensive experience in the field, he has agreed to a series of 7 Questions interviews with me, Fiction writer, Esther Rabbit. He is by far the most modest man of his caliber I’ve ever had the honor to interview and a true inspiration to artists all over the spectrum. To find out more about Artist William Stout, his art and his humanitarian work, please visit his official website. 2 Esther Rabbit: In 1995, you became the key character designer for the Walt Disney full length computer animated feature Dinosaur (released in 2000), in 1996 you designed “Edgar” the big bug in Men In Black, and let’s not forget your incredible designs for The Muppets’ Wizard of Oz, Guillermo del Toro’s horror classic Pan’s Labyrinth, Christopher Nolan’s The Prestige and Frank Darabont’s The Mist.
    [Show full text]
  • The Animated Movie Guide
    THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues.
    [Show full text]
  • New Pulp-Related Books and Periodicals Available from Michael Chomko for November & December 2008
    New pulp-related books and periodicals available from Michael Chomko for November & December 2008 During the second week of October, my wife and I spent a wonderful week in New York’s Adirondack Mountains. Dianne and I have been visiting this beautiful area for most of the thirty years we have been married. It’s a mixture of glacial lakes and rugged mountains, largely unspoiled by strip malls and the like. Our week was quiet, interesting, and to top things off, the weather was pretty darn good. Not bad for the middle of October. I’m sorry that this catalog is a little slow in coming. However, as I mentioned in my email, I’ve been extremely busy working with Jack Cullers, Ed Hulse, Chris Kalb and Barry Traylor, organizing and publicizing what we are calling PulpFest 2009. Billed as “The Summer’s Leading Pulp Convention,” PulpFest 2009 is a new and improved version of the venerable convention catering to fans and collectors of vintage popular fiction. It will be held from Friday, July 31 st , through Sunday, August 2 nd , at the Ramada Plaza Hotel and Convention Center in Columbus, Ohio. For further information, please visit our website at www.pulpfest.com. There you can download some of the publicity flyers that we have created for our convention and learn how to be added to our mailing list. Please try to support this new and exciting convention in any way that you can. Thanks. Our dining room is now filled with books. As soon as I’m done with this catalog, I’m going to start shipping the backlog of stock that arrived while I was on vacation and busy with PulpFest activities.
    [Show full text]
  • William Stout
    William Stout CURRICULUM VITAE SELECTED FILM CREDITS 2010 Lilly’s Light, (production design for a PBS children’s television show) 2006 Pan’s Labyrinth, creature and set designs (contributed to the film’s achieving two of its three Academy Awards). Also created creatures for the American sci-fi horror film Stephen King’s The Mist. 2005 Designs for The Prestige helped the film garner an Academy Award nomination 2000 Stout was the key character designer for the computer-animated feature Dinosaur 1997 Men in Black, design of Edgar, one of the major alien characters 1975 – 1995 Stout worked on dozens of feature films, including both Conan films, First Blood, Predator, Raiders of the Lost Ark, The Hitcher, and Invaders From Mars. He also production designed the Masters of the Universe film Over the years William Stout has been invited to multiple film festivals as Artist Guest of Honor and appears in about a dozen “Making of…” documentaries SPECIAL PROJECTS Stout was invited as a Special Guest, Guest of Honor and Special Artist Guest to numerous conventions and trade shows including Comic-Con, MondoCon, Dragon Con, Calgary Comic & Entertainment Expo, CTNx (Creative Talent Network Expo), Comic Art Convention in Avilés, Spain and the Breda Strip Festival in the Netherlands. Over 24 million William Stout trading cards have been sold. 2012 Stout completed two murals for the new Elephant Odyssey compound at the San Diego Zoo 2007 Stout finished twelve murals for the permanent Fossil Mysteries exhibit San Diego Natural History Museum 1998 Stout executed three murals for Walt Disney’s Animal Kingdom: “Sue and Her World”, “The Kansas Sea” and “Styracosaurus Encounter” 1993 Stout completed his first museum murals: Life before the Dinosaurs I and II for the Houston Museum of Natural Science.
    [Show full text]
  • Downloadable in Late October and in Your Mailbox in Early to Mid-November
    Featured New Items FANTASTIC PAINTINGS OF FRAZETTA On our Cover Highly Recommended. By David Spurlock. Afterword by Frank Frazetta Jr. THE BIG TEASE J. David Spurlock started crafting this A Naughty and Nice Collection book by reviving the original million-selling Highly Recommend- 1970s mass market art book, Fantastic Art ed. By Bruce Timm. of Frank Frazetta. Then he expanded and Bruce Timm has revised it to include twice as many images been creating elegant and presents them at a much larger cof- drawings of women fee-table book size of 10.5 x 14.5 inches! for over 30 years, and The collection is brimming with both classic nearly all of these and previously unpublished works of the charming nudes were subjects Frazetta is best remembered for, drawn purely for fun including barbarians, beasts, and buxom after-hours. This beauties. Vanguard, 2020. book collects all three FANPFH. HC, 10x15, 112pg, PC $39.95 Teaser collections from FANTASTIC PAINTINGS OF 2011 to 2013, long sold FRAZETTA Deluxe out. Plus Surrender, Signed by Spurlock and Frank Frazetta, My Sweet from 2015. Jr. 16 bonus pages, variant illustrated In addition, Timm has created new material espe- slipcase. Highly Recommended. cially for this collection and delved into his personal Vanguard, 2020. archives to share pieces not shown before, culmi- FANPFD. HC, 10x15, 128pg, PC $69.95 nating in more than 75 additional pages of material. Abundant nudity. Oversized. Flesk, 2020. Due Oct. SENSUOUS FRAZETTA Deluxe: Mature Readers. 16 Bonus Pages, Variant Cover. BIGT. SC, 9x12, 208pg, PC $39.95 Mature Readers. SENFD. $69.95 Cover Image courtesy of Bruce Timm and Flesk TELLING STORIES The Comic Art of Publications.
    [Show full text]
  • Edward E. Marsh Ephemera Collection MS-0524
    http://oac.cdlib.org/findaid/ark:/13030/c85q51mp No online items Edward E. Marsh Ephemera Collection MS-0524 Kim Schwenk Special Collections & University Archives 12/18/2015 5500 Campanile Dr. MC 8050 San Diego, CA 92182-8050 [email protected] URL: http://library.sdsu.edu/scua Edward E. Marsh Ephemera MS-0524 1 Collection MS-0524 Contributing Institution: Special Collections & University Archives Title: Edward E. Marsh Ephemera Collection Creator: Marsh, Edward E. Identifier/Call Number: MS-0524 Physical Description: 142.98 Linear Feet Date (inclusive): 1930-2014 Language of Material: English . Scope and Contents The Edward E. Marsh Ephemera Collection is largely comprised of over 30 loose-leaf, matching leather binders of collected ephemera, pulps, magazines, art, and manuscripts from key figures in the development of the science fiction and pop culture, including Forrest J. Ackerman, Robert Heinlein, Frank Herbert, Ray Bradbury, Isaac Asimov, and Jules Verne. The collection also contains original artwork from prominent science fiction illustrators such as Kelly Freas, Frank Frazetta, and Gerry Grace as well as sculptural works by Anne Fewell. Original limited ephemera from both film and literary works: Battlefield Earth, Dune, and Blade Runner are also included. The collection is divided into nine series: Edward E. Marsh Golden Age of Science Fiction Library Binders, Ephemera Enclosures, Edward E. Marsh Author Library Binders, Edward E. Marsh Artist Library Binders, Original Artwork, Sculptural Works, Film Memorabilia and Collectibles, Artifacts, and Awards. The Edward E. Marsh Golden Age of Science Fiction Library Binders are arranged alphabetically by author name with binder contents described at the item level and notes signed and limited edition copies.
    [Show full text]
  • Art Above 6633'
    ART ABOVE 66˚33’ EXHIBITION STATEMENT Having spent time researching at both poles of our planet, we understand that the polar regions are far more complex and beautiful than the “desolate white wilderness” misconception that many individuals have of the high latitudes. We wanted to share that beauty and complexity with you and help dispel common polar misconceptions by showcasing various artists and art forms that help you see, feel, and hear what the people, history, environment, and future of the polar regions is like. The high latitudes are experiencing the fastest rates of climate change of anywhere on our planet. Although we do not live there, we all need to understand how our actions contribute to the dramatic changes taking place at regions distant from our own. As noted conservationist Aldo Leopold wrote “We can be ethical only in relation to something we can see, feel, understand, love, or otherwise have faith in.” It is our hope that experiencing the polar regions through the visual arts exhibited here will help you understand our human connections and influences on this region. Augustana Center for Polar Studies members: Dr. William Hammer, Professor of Geology (Antarctic paleontology researcher) Dr. Jennifer Burnham, Associate Professor of Geography (Arctic biogeography researcher) MICHAEL BARTALOS Michael Bartalos is a visual artist working in print, video, and sculpture. He has produced artist’s multiples in collaboration with Xerox PARC, the San Francisco Center for the Book, the Maryland Institute College of Art, and the National Science Foundation’s Antarctic Artists and Writers Program. His works have been exhibited internationally and are found in numerous artists’ books collections including those of the Getty Research Institute, MoMA , and the Walker Art Center.
    [Show full text]
  • Bootleg: the Secret History of the Other Recording Industry
    BOOTLEG The Secret History of the Other Recording Industry CLINTON HEYLIN St. Martin's Press New York m To sweet D. Welcome to the machine BOOTLEG. Copyright © 1994 by Clinton Heylin. All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address St. Martin's Press, 175 Fifth Avenue, New York, N.Y. 10010. ISBN 0-312-13031-7 First published in Great Britain by the Penguin Group First Edition: June 1995 10 987654321 Contents Prologue i Introduction: A Boot by Any Other Name ... 5 Artifacts 1 Prehistory: From the Bard to the Blues 15 2 The Custodians of Vocal History 27 3 The First Great White Wonders 41 4 All Rights Reserved, All Wrongs Reversed 71 5 The Smokin' Pig 91 6 Going Underground 105 7 Vicki's Vinyl 129 8 White Cover Folks! 143 9 Anarchy in the UK 163 10 East/West 179 11 Real Cuts at Last 209 12 Complete Control 229 Audiophiles 13 Eraserhead Can Rub You Out 251 14 It Was More Than Twenty Years Ago . 265 15 Some Ultra Rare Sweet Apple Trax 277 16 They Said it Couldn't be Done 291 17 It Was Less Than Twenty Years Ago . 309 18 The Third Generation 319 19 The First Rays of the New Rising Sun 333 20 The Status Quo Re-established 343 21 The House That Apple Built 363 22 Bringing it All Back Home 371 Aesthetics 23 One Man's Boxed-Set (Is Another Man's Bootleg) 381 24 Roll Your Tapes, Bootleggers 391 25 Copycats Ripped Off My Songs 403 Glossary 415 The Top 100 Bootlegs 417 Bibliography 420 Notes 424 Index 429 Acknowledgements 442 Prologue In the summer of 1969, in a small cluster of independent LA record stores, there appeared a white-labelled two-disc set housed in a plain cardboard sleeve, with just three letters hand-stamped on the cover - GWW.
    [Show full text]