C M Y K Sxxx,2014-02-23,AR,026,Bs-4C,E1

26 AR , SUNDAY, FEBRUARY 23, 2014 C M Y K Sxxx,2014-02-23,AR,026,Bs-4C,E1 Film

26 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014

A. O. SCOTT Film C M Y K C M Y K Sxxx,2014-02-23,AR,026,Bs-4C,E1Sxxx,2014-02-23,AR,026,Bs-4C,E1CCMMYYKK Sxxx,2014-02-23,AR,026,Bs-4C,E1Sxxx,2014-02-23,AR,026,Bs-4C,E1 A. O. SCOTT Being HumanMANOHLA DARGIS C M Y K Sxxx,2014-02-23,AR,026,Bs-4C,E1 26 AR 26 AR THE NEW YORK TIMES,THE SUNDAY,26 NEW26 YORK FEBRUARYARAR TIMES, 23,SUNDAY, 2014 FEBRUARYBeing 23, 2014 HumanTHETHE NEW NEW YORK YORK TIMES, TIMES, SUNDAY, SUNDAY, FEBRUARY FEBRUARY 23, 23, 2014 2014 26 AR Film FilmSeemsTHE NEWEnough YORK TIMES, SUNDAY, FEBRUARYFilmFilm 23, 2014

A. O. SCOTT A. O. SCOTT SeemsA.MANOHLAA. O. O. SCOTT SCOTT DARGIS MANOHLAEnoughFilm DARGIS MANOHLAMANOHLA DARGIS DARGIS BeingA. O. SCOTTBeing Human Human BeingBeingMANOHLA Human DARGISHuman PARAMOUNT PICTURES Being Human C M Y K SeemsPARAMOUNTSxxx,2014-02-23,AR,026,Bs-4C,E1 PICTURES Seems Enough Enough SeemsSeems EnoughEnough That Sweet Lamb Seems Enough C MThatY K SweetSxxx,2014-02-23,AR,026,Bs-4C,E126 LambAR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014

Film In Wolf’s26 InAR Wolf’s Clothing ClothingTHE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014 PARAMOUNT PICTURES PARAMOUNT PICTURES PARAMOUNTPARAMOUNT PICTURES PICTURES Above, Leonardo Di- A. O. SCOTT MANOHLA DARGIS Leonardo DiCaprio’s duality Above, Leonardo Di- Leonardo DiCaprio’s duality Caprio as theFilm stock trad- reflects our ambivalence. Caprio as the stock trad- reflects our ambivalence. er Jordan Belfort erin Jordan“The Belfort in “The PARAMOUNT PICTURES That ThatSweet Sweet Lamb LambWolf ofThat WallThat Street”;Wolf left, of Wall Street”; SweetSweet left, Lamb Lamb A. O. SCOTT as Howard Hughes in MANOHLA DARGIS as Howard Hughes in FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS IT SEEMS LIKELY that LeonardoIT SEEMS DiCaprio LIKELY that Leonardo DiCaprio “The Aviator.” FRANÇOISBeing DUHAMEL/SONY-COLUMBIA PICTURES, Human VIA ASSOCIATED PRESS “The Aviator.” will not win an Oscar next Sundaywill not win for anhis Oscar next Sunday for his At 23, portrayal of the financial scamportrayal artist of Jor- the financial scam artist Jor- At 23, Jennifer Lawrence dan Belfort in “The Wolf of Wall Street.” As That Sweet Lambstands out, as does her acting. dan BelfortIn in “The Wolf’s Wolf of WallIna rule, Street.” Academy Wolf’s As votersClothing prefer displays of ClothingInIn Wolf’sWolf’sstands out, ClothingClothing as does her acting. a rule, Academy voters prefersuffering displays and stoicismof in the face of adver- Being Human Seems Enough suffering and stoicism in thesity face from of adver- leading men. Jordan’s brief so- IT WAS AT THE 2008 Venice Film Festival Above, Leonardo Di- Above, Leonardo Di- Above,Above, Leonardo Leonardo Di- Di- Leonardo DiCaprio’sLeonardojourn duality in a country-club DiCaprio’s prison duality hardly qual- LeonardoLeonardo DiCaprio’s DiCaprio’s duality dualityIT WAS AT THEthat 2008JenniferVenice Lawrence Film — Festival future Oscar sity from leading men. Jordan’s brief so- Caprio as the stock trad- Caprio as the stockt was trad- at the 2008 Venice Film Festival that JudyCaprioCaprio Holliday?as as the the stock stock trad- trad- Or was Jennifer Lawrence just ifies; nor do the ill effects of too many that Jenniferwinner, Lawrence squirrel skinner, — future American Oscar warrior journ inreflects a country-club our ambivalence. prisonreflects hardly ourqual- ambivalence. Iner Jordan Wolf’s Belfortreflectsreflects in “The ourer our Jordan ambivalence. ambivalence. Belfort Clothing in “The erer Jordan Jordan Belfort Belfort in in “The “The quaaludes in the film’s most celebrated Jenniferwinner, Lawrence squirrel— signaled skinner, — thatfuture American she wasOscar no warrior ordinary winner, star- being Jennifer Lawrence, the best actress win- ifies; nor do the ill effects of too many Wolf of Wall Street”; left, Wolf of Wall Street”;Seems left, let. She wasn’t Enough yet famous then, just a pa- WolfWolf of of Wall Wall Street”; Street”; left, left, scene not involving cocaine and a prosti- — signaled that she was no ordinary star- quaaludes in the film’s most celebrated as Howard Hughes in as Howard Hughessquirrel in skinner,parazzi American afterthought warrior to CharlizeAbove, — Theron, sigLeonardo- Di-nerasas Howard Howardwho Hughestripped Hughes in in on her way to grab her Oscar IT SEEMS LIKELY that LeonardoITtute’s SEEMS rear DiCaprio LIKELY end. Andthat though Leonardo Jordan DiCaprio gives Leonardo DiCaprio’sITIT SEEMS SEEMS LIKELY duality LIKELYthatIthat Leonardo Leonardo DiCaprio DiCaprio FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES,FRANÇOIS VIA DUHAMEL/SONY-COLUMBIA ASSOCIATED PRESS PICTURES, VIA ASSOCIATED PRESS FRANÇOISFRANÇOIS DUHAMEL/SONY-COLUMBIA DUHAMEL/SONY-COLUMBIA PICTURES, PICTURES, VIA VIA ASSOCIATED ASSOCIATED PRESS PRESS “The Aviator.” “The Aviator.” let. She wasn’ther co-staryet famous in “The then, Burning just Plain,”a pa- one of “The“The Aviator.” Aviator.” scene notwill not involving win an Oscar cocaine nextwillup and Sunday stocknot a win prosti- swindles for an hisOscar for next sales Sunday seminars, for his he willwill not not win win an an Oscar Oscarnaled next next Sunday thatSunday forshe for his his was no ordinary starlet.Caprio Sheas the stockfor trad- David O. Russell’s “” reflectsANDREW COOPER/MIRAMAX our ambivalence. FILMS parazzi afterthoughtthose agonizingly to Charlize dopey movies Theron, that play tute’s rearportrayal end. of And the financial thoughportrayalcan Jordanscam hardly artist of givesbe the Jor-said financial to undergo scam the artist kind Jor- of portrayalportrayal of of the the financial financialAt 23, scam scamJennifer artist artist Jor- Jor-LawrenceAt 23, Jennifer Lawrenceer Jordan Belfort in “The AtAt 23, 23, Jennifer Jennifer Lawrence Lawrence wasn’t yether co-starfamous atin then,“The major Burning festivalsjust a paparazzi becausePlain,” one of their ofafter red-- and then — in what was the perfect capper to up stockdan swindlesBelfort in “The for salesWolf danredemptionof seminars, Wall Belfort Street.” inthat “The he As the Wolf Academy of Wall likes Street.” to con- As dandan Belfort Belfort in in “The “The Wolf Wolf of of Wall Wall Street.” Street.” As As Wolf of Wall Street”; left, ANDREW COOPER/MIRAMAX FILMS stands out,those as agonizingly doesstandscarpet her acting. power.dopey out, Duringasmovies does a that pseudo-eventher as playacting. Howard for Hughes in standsstands out, out, as as does does her her acting. acting. can hardlya rule, be Academy said to votersundergo asecrate.prefer rule, the displays Academy kind of of voters prefer displays of a arule, rule, Academy Academy voters votersthought prefer prefer todisplays displays Charlize of of Theron, her co-starPARAMOUNT PICTURES in “The the inanity of the awards season — flippedFRANÇOIS the DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS IT SEEMS LIKELY that Leonardo DiCaprio the movie, Ms. Theron spoke“The about Aviator.” the suffering and stoicism insuffering theMr. face DiCaprio, ofand adver- stoicism almost in 40 the and face still of ableadver- to sufferingsuffering and and stoicism stoicism in in the the face faceat of major of adver- adver- festivals because of their red- MURRAY CLOSE/LIONSGATE redemption that the Academy likes to con- will not win an Oscar next Sunday forBurning his Plain,” onelimited of numberthose ofagonizingly older actresses dopey working bird at someone in the press room? sity from leading men. sityplay Jordan’s fromguys brief leadingin their so- 20s, men. underwent Jordan’s briefno great so- sitysity from from leading leading men. IT men. WAS Jordan’s Jordan’s AT carpet THE brief brief2008 power. so- Venice so-IT WAS During Film AT Festival THE a pseudo-event 2008 Venice Film for Festival At 23, JenniferITIT WASLawrence WAS AT AT THE THE 2008 2008VeniceVenice Film Film Festival Festival secrate. portrayal of the financial scam artistthatmovies Jor- Jennifer that Lawrence play thatin at — the major future Jennifer industry Oscar festivals Lawrenceand showered —because futurepraise on Oscar ofan- “Silver Linings Playbook”thatthat Jennifer Jennifer is the Lawrence Lawrencemovie — that — future future Oscar Oscar journ in a country-club prisonjournphysical inhardly a transformationcountry-club qual- prison for thehardly role. qual- No dan Belfort in “Thejourn journWolf in of in a Wall acountry-club country-club Street.” As prison prison hardlythe hardly movie, qual- qual- Ms. Theron spoke about the Mr. DiCaprio, almost 40 and still able to winner, squirrel skinner, winner,otherAmerican co-star, squirrel warrior Kim skinner, Basinger, American who warrior wasn’t standsMURRAY out, CLOSE/LIONSGATE aswinner, doeswinner, squirrelher squirrel acting. skinner, skinner, American American warrior warrior ifies; nor do the ill effectsifies;tricky of noraccent too do many was the mastered, ill effects no of distant too many his- a rule, Academy votersifies;ifies; nor prefer nor do do displays the the ill their ill effects of effects red-carpet of limited of too too many many number power. of older During actresses a pseudo-event working turned me around on Ms. Lawrence, 23, trans- play guys in their 20s, underwent no great That SweetPARAMOUNT PICTURES — signaled Lamb that she was—there. no signaled ordinary Ms. Lawrencethat star- she was apparently no ordinary silenced star- —— signaled signaled that that she she was was no no ordinary ordinary star- star- torical personality brought to life. Though quaaludes in the film’squaaludes most celebrated in the film’s most celebrated suffering and stoicismquaaludesquaaludes in the face in in the of the adver- film’s film’s most mostin celebrated the celebrated industrythe roomand showered by joking that praise Ms. onBasinger an- had physical transformation forhe the has role.been nominated No three times before, let.for She the wasn’t movie, yet famousMs.let. T then, heronShe wasn’tjust spoke a pa-yet famous about then, the just limit a pa-- forming meIT from WAS ATa skeptic THE 2008let.let. VeniceSheinto She wasn’t wasn’t an Film appreciative yet Festivalyet famous famous then, then, just just a apa- pa- scene not involving cocainescene and not a involving prosti- cocaine and a prosti- sity from leading scene men.scene notJordan’s not involving involving brief cocaine so- cocaine and other and a a prosti- prosti- co-star,died. Kim The girl Basinger, can’t help who it! wasn’t he does not yet belong to the ranks of the parazzi afterthought to parazzi Charlize afterthought Theron, to , that Jennifer Lawrenceparazziparazzi — afterthought afterthought future Oscar to to Charlize Charlize Theron, Theron, tricky accenttute’s rear was end. mastered, And thoughtute’s no distant Jordan rear end. his- gives And though Jordan gives journ in a country-clubtute’stute’s prison rear rear end. hardly end. And And edqual- though thoughnumber Jordan Jordan of gives givesolderWhat actresses Ms. Lawrence working then said in wasthe funni- in- admirer. Did she change, or did I? In the 1940 up stock swindles for salesupsnubbed, stock seminars, the swindles robbed he for or salesthe overdue. seminars, If you he upup stock stock swindles swindles her for for salesco-star sales seminars, there. seminars,in “The Ms. Burning he he Lawrenceher co-starPlain,” in one apparently “The of Burning silenced Plain,” one of winner, squirrel skinner,herher co-star co-star American in in “The “The warrior Burning Burning Plain,” Plain,” one one of of torical personality brought to life. Though ANDREW COOPER/MIRAMAX FILMSifies; ANDREW nor COOPER/MIRAMAX do the ill effectsFILMS of too many er and so blunt that onlyANDREWANDREW a journalistCOOPER/MIRAMAX COOPER/MIRAMAX for FILMS FILMS want to judge by technical accomplish- thosedustry agonizingly andthe roomshowered dopey bythose moviesjoking agonizinglypraise thatthat play Ms.on dopey anotherBasinger movies hadco-star, that play screwball comedy— signaled that“The shethose those wasPhiladelphia agonizingly noagonizingly ordinary dopey star-dopey Story” movies movies that that play play he has canbeen hardly nominated be saidThat threeto undergocan times hardly the before, kindbe said ofSweet to undergo the kind of Lambquaaludes in thecan film’scan hardly hardly most be be celebratedsaid said to to undergo undergo the the kind kind of ofthe British newspaper The Daily Tele- In Wolf’s Clothingat major festivals becauseat major of their festivals red- because of their red- atat major major festivals festivals because because of of their their red- red- redemption that the Academyredemptionment likes or emotional to that con- the Academy range, he likes might to con- not redemptionredemption that that the theKim Academy Academy Basinger, likesdied. likes to The to con- con-who girl can’twasn’t help there. it! Ms. Lawrence let. She wasn’t yet famous then, just a pa- he does not yet belong to the ranks of the scene not involving cocaine and a prosti-carpet power. During a carpetgraph pseudo-event appears power. Duringto for have arepeated pseudo-event it. “Work- for ’s charactercarpetcarpet power. power. says During During that a a pseudo-event “the pseudo-event for for secrate. secrate.even be all that great an actor. But if the tute’s rear end. Andsecrate.secrate. though Jordan gives What Ms. Lawrence then said was funni- parazzi afterthought to Charlize Theron, snubbed, the robbed or the overdue. If you theapparently movie, Ms. silenced Theron theing spoke withthe movie, aboutKimroom Ms. Above,was the Theronby one Leonardo joking of the spoke Di- most that about amazing Ms. the time to makeher upco-star your in “The mindthe theBurning movie, movie,about Plain,” Ms. Ms. people Theron oneTheron of spoke — spoke is about about the the Mr. DiCaprio, almost 40HegelianMr. and DiCaprio,still factions able toalmost within 40 the and various still able Acad- to Leonardoup DiCaprio’s stock swindles duality forMr.Mr. salesDiCaprio, DiCaprio, seminars, almost almost he 40 40 and ander still still and able able so to to blunt that only a journalist for MURRAY CLOSE/LIONSGATE MURRAY CLOSE/LIONSGATE MURRAYMURRAY CLOSE/LIONSGATE CLOSE/LIONSGATE limited number of older actresseslimitedmomentsANDREW number working of COOPER/MIRAMAX my of life,” older Ms. FILMS actresses Lawrence working said. limitedlimited number number of of older older actresses actresses working working want toplay judge guys in by their technical 20s, underwentplayemy accomplish- guys branches noin theirgreat were 20s, to underwent assert themselves no great playplay guys guys in in their their 20s, Basinger20s, underwent underwent had no no great greatdied. The girlCaprio can’t as thehelp stock it! trad- never.” That’sthose good agonizingly advice, dopey too, movies for thatfilm play critics, reflects ourcan hardlyambivalence. be said to undergo the kindin the of industrythe and British showeredin “She’s newspaper the praise industry so focused oner an-andJordan The andshowered Belfort Daily smart in praise“The Tele- and nice on an- — inin the the industry industry and and showered showered praise praise on on an- an- ment orphysical emotional transformation range,In physical— he for at mightWolf’s thelong transformationrole.last! not No— and bestow for thethe awardClothing role. No in redemption that thephysicalphysical Academy transformation transformation likes to con- for for the the role. role. No No at major festivals because of their red- other What co-star,graph Ms. Kim appears Basinger,Lawrenceothereverything to whoco-star,have then wasn’t you Wolfrepeated Kim of don’tsaid Wall Basinger, Street”; expectit.was “Work- wholeft,funnier when wasn’t you whose trade calls on themotherother to co-star, co-star,make Kim Kimjudgments Basinger, Basinger, who who wasn’t wasn’t even betricky all thataccent great was mastered, an actor.trickyrecognition no But accent distant if of thewas his- the mastered, Best (Male) no distant Embodi- his- trickytricky accent accent was was mastered, mastered, no no distant distant his- his- carpet power. During a pseudo-event for secrate. there. Ms. ing Lawrence with Kim apparentlythere.hear was you’re Ms.one silenced Lawrence ofgoingas theHoward to most be apparentlyHughes working amazing in with silenced Kim there.there. Ms. Ms. Lawrence Lawrence apparently apparently silenced silenced ment of the World Spirit at the Current IT SEEMS LIKELY that Leonardo DiCaprio and so blunt that only a journalist for the Brit- routinely afterthe movie,a single Ms. TheronencounterFRANÇOIS spoke DUHAMEL/SONY-COLUMBIA aboutwith thethe PICTURES, ob VIA- ASSOCIATED PRESS Hegeliantorical factions personality within brought thetorical various to life. personality Acad-Though brought to life. Though Mr. DiCaprio,Above, almosttoricaltorical Leonardo 40 personality personality and Di- still able brought brought to to to life. life. Though ThoughBasinger.” Was“The that Aviator.” a ditzy gaffe or a sly, MURRAY CLOSE/LIONSGATE Leonardo DiCaprio’s duality will not win an Oscar next Sunday for his the room bymoments joking that of theMs. my room Basinger life,” by Ms.joking had Lawrence that Ms. Basinger said. had limited number ofthe olderthe room room actresses by by joking joking working that that Ms. Ms. Basinger Basinger had had emy brancheshe has been were nominated to assert threeheStage has themselves times ofbeen the before, nominatedHistorical threeDialectic, times then before, Mr. play guys in theirCaprio he20s,he has as hasunderwent the been been stock nominated trad-nominated noWARNER great three BROS. three PICTURES times times before, before,funny dig of the kind that once might have portrayal of the financial scam artist Jor- died.ish newspaperThe girl can’t help T heit!died. Daily The girl T can’telegraph help it! appears to At 23,jects Jennifer of their LawrenceJOJOin the WHILDEN/THEinquiry. industry WEINSTEIN andOnedied. died.showeredCOMPANY viewing The The girl girl praise can’t can’t of onhelp helpher an- it! it! star he does not yet belongreflects toheDiCaprio the does our ranks notambivalence. would ofyet the bebelong an absolute to the rankslock. of the physical transformationer Jordanhehe does does Belfort fornot not the inyet yet“The role.belong belong No to to the the ranks“She’s ranks of of sothe the focused and smart and nice — — at long last! — and bestow the award in dan Belfort in “The Wolf of Wall Street.” As What Ms. Lawrence thencomeWhat said out wasMs. of Lawrencefunni-? then said Or waswas Jenni-funni- other co-star, ,WhatWhat Ms. Ms. Lawrence who Lawrence wasn’t then then said said was was funni- funni- snubbed, the robbed or thesnubbed,Since overdue. the the IfOscars robbed you lag or thenotoriously overdue. behind If you tricky accent wasWolf snubbed,mastered,snubbed, of Wall Street”; the nothe robbeddistant robbed left, have orhis- or the the overdue.repeated overdue.everything If If you youit. you“Working don’t expect with Kim when was you one standsturn out, as asan does her acting.scrapper in “Winter’s Bone,” recognition of the Best (Male) Embodi- a rule, Academy voters prefer displays of er and so blunt that onlyerfer a and Lawrence journalist so blunt for just that being only a Jennifer journalist Law- for there. Ms. Lawrenceerer and apparentlyand so so blunt blunt silenced that that only only a a journalist journalist for for want to judge by technicalwantthe times, accomplish-to judge this by philosophical technical accomplish- insight will torical personalityas wantHoward broughtwant to Hughes to judgeto judge life. in by Though by technical technical accomplish-hear accomplish- you’re going to be working with Kim IT SEEMS LIKELY that Leonardo DiCaprio suffering and stoicism in the face of adver- theof the British most newspaper amazing therence, The British moments Dailythe best newspaper Tele- actress of winnermy FRANÇOIS The life,” DUHAMEL/SONY-COLUMBIAwho Daily tripped Ms. Tele- PICTURES,the movieVIA ASSOCIATED that PRESSthe room prompted by jokingthe manythethat British BritishMs. to Basinger newspaper break newspaper had out The Thethe Daily Daily Tele- Tele- ment ofment the or World emotional Spirit range, atmentmost the he likelyor mightCurrent emotional be not realized, range, belatedly, he might in notthe “Thementment Aviator.” or or emotional emotional range, range, he he might might not not IT WAS AT THE 2008 Venice Film Festival will not win an Oscar next Sunday for his sity from leadinghe has been men. nominated Jordan’s brief three so- times before,graph appearsBasinger.” to have repeatedWasgraphon her that appearsway it. a“Work- to ditzy grabto have gaffe her repeated Oscar or a for sly, it. David “Work- O. graphgraph appears appears to to have have repeated repeated it. it. “Work- “Work- Stage ofeven the be Historical all that great Dialectic, anevenform actor. be ofthen But all a that lifetimeifMr. the great achievement an actor. But award if the evenWARNEReven be be BROS. all all thatPICTURES that great great Lawrence an an actor. actor. But Butsaid. if if the the “She’s so focused and smart thatword Jennifer breakthrough Lawrencedied. — The future girl at can’t Oscar the help 2010 it! Sundance Film portrayal of the financial scam artist Jor- journ in a country-clubhe does not prison yet belong hardly to qual- the ranks ofing the withAt Kimfunny 23, was Jennifer one dig ofof ingRussell’sthe the Lawrence withmost kind Kim amazing “Silver that was once one Linings ofmight the Playbook” most have amazing and inging with with Kim Kim was was one one of of the the most most amazing amazing winner, squirrel skinner,JOJO WHILDEN/THE WhatAmerican Ms. WEINSTEIN warriorLawrence COMPANY then said was funni- DiCaprioHegelian would factions be an absolute withindan Belfort Hegeliansometimethe lock. various in “The factions around WolfAcad- of within 2050.Wall Street.” By the then, various As from Acad- our ifies; nor snubbed, do the ill the effects robbed ofHegelian Hegelian too or the many factionsoverdue. factions within If withinand you the nicethe various various — Acad-everything Acad-then — inyou what don’t was the expect perfect capper when to Festival, hadn’t convinced me, and neither did momentsstands ofcome my out, life,”out as Ms.ofmoments Judydoes Lawrence Holliday?her of acting. my said. life,” Or Ms.was Lawrence Jenni- said. — signaled that she waser andno ordinary so blunt star- thatmomentsmoments only aof journalist of my my life,” life,” for Ms. Ms. Lawrence Lawrence said. said. Sinceemy the branches Oscars lag werea notoriouslyrule, to assertemylibertarian Academy branches themselves behind voters paradise were prefer or to displays socialist assert themselvesof utopia, we quaaludeswant in the to film’s judge most byemy emy celebrated technical branches branches accomplish- were were to to assert assert themselves themselves “She’s so focusedfer Lawrence and smart“She’sthe inanity just and so focused being nice of the — awards Jennifer and smart season Law- and — nice flipped — let. She wasn’t yet famousthe Britishthen, just newspaper a pa-“She’s“She’s so The so focused focused Daily and Tele- and smart smart and and nice nice — — — at long last! — andsuffering bestow—will atand be longthe stoicism able award last! look in — in backthe and face bestowat ofthe adver- present the award era inof scene not involvingment or cocaine emotional and—— at range, a at long prosti- long last! he last! might — — and andyou notbestow bestow hear the the you’reaward award in in going to be working with Kim her turn as the blue bombshell in the the times, this philosophical insight will everything you don’t expecteverythingthe bird when at someone you you don’t in the expect press whenroom? you parazzi afterthought graph to Charlize appears Theron, to haveeverythingeverything repeated you you it. don’t“Work- don’t expect expect when when you you recognition of thesity Best fromrecognitioneconomic (Male) leading Embodi- inequality men. of the Jordan’s Bestand briefpolitical (Male) so- polariza- Embodi- tute’s rear end. And though Jordanrecognitionrecognition gives of of the the Best Best (Male) (Male)IT WASrence, Embodi- AT Embodi- THEthe 2008bestVenice actress Film winner Festival who tripped most likely be realized, belatedly, in the even be all that great an actor. 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BROS. PICTURES PICTURES the randy widow turned danc- emy branches were to assert themselvesfunny dig— of signaledRussell’s the kind that that “Silvershefunny23, once was transforming digmightno Linings ordinaryof the have kind me Playbook”star- fromthat oncea skeptic might and into have an at major festivals because of their red-funnyfunny dig dig of of the the kind kind that that once once might might have have quaaludes in the film’s most celebrated redemption that the Academy likes to con- JOJO WHILDEN/THE WEINSTEIN COMPANYJOJO“She’s WHILDEN/THE so focused WEINSTEIN and COMPANY smart and nice — JOJOJOJO WHILDEN/THE WHILDEN/THE WEINSTEIN WEINSTEIN COMPANY COMPANY sometimeDiCaprio around would 2050. be an By absolute then,DiCapriomight lock.hitfrom woulda little our be too an close absolute to home, lock. and Mr. — at long last! —DiCaprio andDiCaprio bestow would would the awardbe be an an absolute in absolute thenlock. lock. — in whatappreciative was the admirer. perfect Did capper she change, to or carpet power. During a pseudo-event for scene not involving cocaine and a prosti- secrate. come outlet. of She Judy wasn’t Holliday? yetcome famous Or out was then, of Jenni-Judy just Holliday?a pa- Or was Jenni- everything you don’tcomecome out expect out of of Judy Judy when Holliday? Holliday? you Or Or was was Jenni- Jenni- libertarianSince paradise the Oscars or socialistlag notoriouslyDiCaprio’sSince utopia, the behind Oscars performance we lag notoriously — an amoralbehind recognition of the Since BestSince (Male)the the Oscars Oscars Embodi- lag lag notoriously notoriouslyparazzi afterthoughtbehind behinddid I? to In Charlize the 1940 Theron, screwball comedy “The the movie, Ms. Theron spoke about the tute’s rear end. And though Jordan gives Mr. DiCaprio, almost 40 and still able to fer Lawrencethe inanity just being offer the Jennifer Lawrence awards Law- justseason being — flippedJennifer Law- hear you’re goingfer tofer be Lawrence Lawrenceworking with just just Kim being being JenniferMURRAY Jennifer CLOSE/LIONSGATE Law- Law- will be theable times, look thisback philosophical at thethewhirlwind present times, insight era of this hedonism, willof philosophical guile and insight hard-sell will ment of the Worldthethe Spirit times, times, at this the this philosophical Current philosophical insight insight will will limited number of older actresses working up stock swindles for sales seminars, he play guys in their 20s, underwent no great rence, theher bestthe co-star actressbird in at “The winnersomeonerence,Philadelphia Burning whothe in Plain,”besttripped the Story” actress press one of Katharine winner room? who Hepburn’s tripped Basinger.” Was thatrence,rence, a ditzy the the bestgaffe best actress oractress a sly, winner winner who who tripped tripped most likely be realized,mostseduction belatedly, likely — in be has the realized, generated belatedly, confusion in the as ANDREW COOPER/MIRAMAX FILMS mostmost likely likely be be realized, realized, belatedly, belatedly,those agonizingly in in the the dopey movies that play in the industry and showered praise on an- economic inequality andcan political hardly be polariza-said to undergo the kind of physical transformationStage of the Historical for the role. Dialectic, No thenon Mr. her way to grab her Oscaroncharacter her for way David says to grab thatO. her“the Oscar time forto DavidmakeWARNER upO. BROS. PICTURES funny dig of the kindonon herthat her way onceway to mightto grab grab herhave her Oscar Oscar for for David David O. O. form of a lifetime achievementformwell as of admiration. a award lifetime achievement award formform of of a a lifetime lifetime achievement achievementat major“Silver award festivals award Linings because Playbook” of their red- is the movie other co-star, Kim Basinger, who wasn’t JOJO WHILDEN/THE WEINSTEIN COMPANY tricky accentDiCaprio was mastered, would beno andistant absolute his-ANDREW lock. COOPER/WEINSTEIN Russell’s COMPANY “Silver LiningsRussell’syour Playbook” mind “Silverabout and people Linings — is Playbook” never.” That’s and Russell’sRussell’s “Silver “Silver Linings Linings Playbook” Playbook” and and tion with condescendingredemption nostalgia. that the At Academy the likes to con- that turned me around on Ms. Lawrence, there. Ms. Lawrence come apparently out of silenced Judy Holliday? Or was Jenni- sometime around secrate.2050. Bysometime Already then, from arounda series our 2050. of reductively By then, either-or,from our torical personalitySince broughtthe Oscars to sometimelife. sometimelag Though notoriously around around behind2050. then2050. By— By incarpetthen, then, what from power.from was our our the Duringthen goodperfect a— advice, pseudo-event incapper what too, towas for for the film perfect critics, capper whose to thenthen — — in in what what was was the the perfect perfect capper capper to to moment,libertarian though, paradise “The Wolf or socialist libertariandecidedlyof Wall utopia, Street” paradise undialectical we or socialist arguments utopia, have we libertarianlibertarian paradise paradise or or socialist socialistthe 23, movie,utopia, utopia, transforming Ms. we we Theron me spoke from about a skeptic the into an the room by joking thatfer Ms. Lawrence Basinger had just being Jennifer Law- Mr. DiCaprio, almost 40 and still able to he has beenthe nominated times, thisthree philosophical times before, insight will trade calls on them to make judgments MURRAY CLOSE/LIONSGATE might hit a little too close to home, and Mr. From top, other DiCaprio the inanitylimited of the number awards ofthe olderseason inanity actresses — flippedof the working awards season — flipped died. The girl can’tSEBASTIAN helprence, it! MLYNARSKI/ROADSIDE the best actress ATTRACTIONSthethe inanity winnerinanity of who of the the trippedawards awards season season — — flipped flipped will be able look backplay at guys willeruptedthe in bepresent their able around 20s, lookera underwent ofback the film.at the no Does greatpresent it glorifyera of he does notmost yet belong likely to be the realized, willrankswill be beof able belatedly, theable look look back back in theat at the the present presentappreciative era era of ofroutinely admirer. after Did a single she change,encounter or with the portraits of affluence: as the bird inat thesomeone industry in andthethe showeredpress bird room? at someonepraise on an-in the press room? What Ms. Lawrenceon then her said way was to funni- grabthethe her bird bird Oscar at at someone someonefor David in in theO. the press press room? room? DiCaprio’seconomic performance inequalityphysical and —economicJordan political transformation an (an amoralpolariza- inequality actual for huckster and the political role. with No polariza- real-life snubbed, the robbed or the overdue.economiceconomic If you inequality inequality and and political political polariza- polariza- form of a lifetime achievement award“Silverother Liningsdid co-star, I? Playbook”In Kimtheobjects Basinger,“Silver1940 is of thescrewball Liningstheir whomovie inquiry. wasn’t Playbook” comedy One viewing is“The the movieof her er andJennifer so blunt Lawrence, that Russell’s only from a top, journalist in “Silver “Ameri- for Linings“Silver“Silver Playbook” Linings Linings Playbook” Playbook” and is is the the movie movie whirlwindtion of with hedonism, condescendingtricky guile accenttionvictims nostalgia.and with washard-sell whose condescendingmastered, At the memoir no distant was nostalgia. thehis- source At the of Jay Gatsbywant in Baz to judge Luhr- by technical tion accomplish-tion with with condescending condescending nostalgia. nostalgia. At At the the sometime around 2050. By then, fromthat our turnedthere.Philadelphia me Ms. around Lawrence onthatstar Story” Ms. apparently turnedturn Lawrence, as Katharine me an silenced aroundOzarks Hepburn’s onscrapper Ms. Lawrence, in “Win- the can British Hustle,” newspaper “The Hunger The Games: Daily Tele-thatthat turned turned me me around around on on Ms. Ms. Lawrence, Lawrence, torical Terencepersonality Winter’s brought screenplay) to life. Though or condemn mann’s ment“The Great or emotional Gats- range, he might not then — in what was the perfect capper to seductionmoment, — has though, generated “The Wolfmoment, confusion of Wall though, Street” as “The Wolf of Wall Street” libertarian paradisemoment,moment, or socialist though, though, utopia, “The “The23, we transformingWolf Wolf theof of Wall room Wall Street” mebyStreet” joking from23,ter’s athat transformingskeptic Bone,”Ms. Basinger into the an me had movie from a thatskeptic prompted into an graphCatching appears Fire,” to have with repeated Bradley Cooperit. “Work- in23,23, transforming transforming me me from from a askeptic skeptic into into an an he has been nominated three times before, by” andeven as Calvin be all Candie that great an actor. But if the character says that “the time to make up the inanity of the awards season — flipped well asmight admiration. hit a little too closemighthim? to home, Hashit a and little the Mr. director,too close Martinto home, Scorsese, and Mr. will be able look backmightmight at hitthe hit a presentalittle little too too eraappreciative close close of to todied. home, home, The admirer. and andgirl Mr. can’t Mr. Didappreciativemany help she it! to change, break admirer. out or the Didword she breakthrough change, or ing “Silverwith Kim Linings was one Playbook” of the most and amazingin “Win-appreciativeappreciative admirer. admirer. Did Did she she change, change, or or he does not yet belong to the ranks of the in QuentinHegelian Tarantino’s factions within the various Acad- your mind about people — is never.” That’s the bird at someone in the press room? DiCaprio’s performanceDiCaprio’scomposed — an amoral a performance satire of financial-industry — an amoral economicANDREW inequality COOPER/WEINSTEINDiCaprio’sDiCaprio’s and political performanceCOMPANY performance polariza- — —What an an Ms. amoral amoral Lawrenceat the then 2010 said Sundance was funni- Film Festival, hadn’t momentster’s Bone” of my from life,” 2010. Ms. Lawrence said. Already a series of reductivelysnubbed, the robbedeither-or, or the overdue. If you “Djangoemy Unchained. branches ” were to assert themselves did I? In the 1940 screwballdid I?comedy In the “The1940 screwball comedy “The “Silver Linings did Playbook”did I? I? In In the the is 1940 the1940 screwballmovie screwball comedy comedy “The “The whirlwind of hedonism, guilewhirlwindfrat-boy and hard-sell culture, of hedonism, with guile its crude and hard-sell materi- tion with condescendingwhirlwindwhirlwind nostalgia. of of hedonism, hedonism, At the guile guileer and andgoodand hard-sell sohard-sell bluntadvice, thatconvinced too, only afor journalist me, film and critics,neither for did whose her turn as “She’s so focused and smart and nice — decidedly undialecticalwant arguments to judge by have technical accomplish- Right, as— Frank at long Abagnale last! — and bestow the award in Philadelphia Story” KatharinePhiladelphia Hepburn’s Story” Katharine Hepburn’s that turned me aroundPhiladelphiaPhiladelphia on Ms. Story” Lawrence, Story” Katharine Katharine Hepburn’s Hepburn’s seduction — has generatedseductionalism confusion and — pervasive has as generated misogyny, confusion or a per- as moment, though, “Theseductionseduction Wolf of — —Wall has has Street” generated generatedthe confusion trade confusion British calls newspaper as as the on blue them The bombshell Dailyto make Tele- Mystique judgments in the 2011 ac- everything SEBASTIAN you don’t MLYNARSKI/ROADSIDE expect when youATTRACTIONS ment or emotional range, heFrom might top, not other DiCaprioJr. in Stevenrecognition Spielberg’s of the Best (Male) Embodi- character says that “thecharacter time to make says up that “the time to make up ning mouth and 23, towering, transforming exploding mecharactercharacter from hair. a skepticsays says that thatinto “the “thean time time to to make make up up eruptedwell around as admiration. the film. Doeswellhaps as unwitting it admiration. glorify celebration of those same might hit a little toowellwell close as as admiration. to admiration. home, and Mr. graphroutinely appears toafter havetion afilm repeated single “X-Men: it.encounter “Work- First Class.” with the hear you’re going to be working with Kim even be all that great an actor. But if the ment of the WorldANDREW COOPER/WEINSTEIN Spirit at the COMPANY CurrentANDREW COOPER/WEINSTEINyour mind COMPANY about people —your is never.” mind about That’s people — is never.” That’s (She’sANDREWANDREW COOPER/WEINSTEIN been COOPER/WEINSTEIN nominatedappreciative COMPANY COMPANY for best admirer. supportingyouryour Didmind mind she about about change, people people or — — is isnever.” never.” That’s That’s Jordan (anAlready actual a series huckster of reductivelytendencies? withAlready real-life either-or, a series A too-certain of portraitsreductively attachment of affluence:either-or, to as“Catch Me if You Can.” AlreadyAlready a aseries series of of reductively reductivelying with either-or, either-or, Kim was one of the most amazing Basinger.” Was that a ditzy gaffe or a sly, Stage of theDiCaprio’s Historical Dialectic, performance then Mr. — an amoralgood advice,objects too, forof their filmgoodAs critics,inquiry. advice, Tiffany, whose One too, the forviewingWARNER randy film BROS. widow critics,PICTURESof her turnedwhoseJenniferactress.) Lawrence, It’s a from delectable, top, in juicy,“Ameri- surprisinggoodgood advice, advice, too, too, for for film film critics, critics, whose whose Hegelian factions within the variousJay Gatsby Acad- in Baz Luhr- moments of my life,” Ms. Lawrence said. funny dig of the kind thatdid onceI? In might the 1940 have screwball comedy “The victimsdecidedly whose memoir undialecticalemy was branches decidedlyany arguments the single source were answer undialectical haveto of assert is a themselvessure arguments sign of having have DiCaprio wouldwhirlwind be an absolute of hedonism,decidedly lock.decidedly guile undialecticaland undialectical hard-selltrade arguments calls arguments on them have have to tradedancing make calls judgments stalker on them in “Silver to make Linings,” judgments Ms. performance: You never know whattradetrade Rosa- calls calls on on them themJOJO to WHILDEN/THE to make make WEINSTEIN judgments judgments COMPANY “She’sstar so turn focused as and an Ozarkssmart and scrapper nice — in “Win-SEBASTIANcan MLYNARSKI/ROADSIDEcome Hustle,” out of “The Judy ATTRACTIONS SEBASTIANHunger Holliday?Philadelphia MLYNARSKI/ROADSIDE Games: Or was Jenni- Story” ATTRACTIONS Katharine Hepburn’s SEBASTIANSEBASTIAN MLYNARSKI/ROADSIDE MLYNARSKI/ROADSIDE ATTRACTIONS ATTRACTIONS erupted around the film.eruptedmissed Does the aroundit point, glorify thewhich mann’s film.From is that Doestop, “The aother clear it Great glorifyDiCaprio mor- Gats-From top, Sinceother DiCapriotheseduction Oscars lag — notoriously haserupted generatederupted behind around around confusion the the film. as film. Does Does it it glorify glorifyLawrenceFromFrom top, top, inhabitedother other DiCaprio DiCaprio a deceptively tricky Terence Winter’s screenplay)— at long orlast! condemn — and bestow the award in routinelyeverything afterter’s a single Bone,” you encounter don’troutinely the expect movie afterwith when thea single that you encounter prompted with theCatchingfer lyn Lawrence Fire,” wants, with just perhaps Bradley beingcharacter because Jennifer Cooper says Mr. Law- in that routinely Russellroutinely “the time after after to amake asingle single up encounter encounter with with the the Jordan (an actual hucksterJordanal perspective with (an real-life actual on what hucksterby”portraits Jordan and withas of representsaffluence:Calvin real-life Candie as portraitsthe of affluence: times, this as philosophical Jordan insightJordan (anwill (an actual actual huckster huckster with with real-life real-life portraitsportraits of of affluence: affluence: as as him? Has the director,recognition Martin of Scorsese, the Best (Male) Embodi- well as admiration. objects ofhear their you’re inquiry. going Oneobjectsrole to be viewing with working of such their of withtransparencyher inquiry. KimJennifer One viewingthat Lawrence, it felt of asher from if rence, top,Jennifermay in the “Ameri- not best Lawrence, either. actress Butyour winnerfrom that mind top, makeswho in about “Ameri-tripped the peopleobjects charac-objects — of isof their never.” their inquiry. inquiry. That’s One One viewing viewing of of her her JenniferJennifer Lawrence, Lawrence, from from top, top, in in “Ameri- “Ameri- victims whose memoir wasvictimsis, like the an whose source airline memoir of customer-serviceJay was Gatsby the in source Baz repre- Luhr- of JayA gift Gatsby mostfor in Baz likely Luhr- be realized, belatedly,victimsvictims in whosethe whose memoir memoir was was the themany source source to ofbreak of Jay Jayout Gatsby Gatsby the inword in Baz Baz Luhr- breakthroughLuhr- ANDREW COOPER/WEINSTEIN“Silver COMPANYLinings Playbook” and in “Win- composed a satire ofment financial-industry of the World Spirit at in the Quentin Current Tarantino’s Already a series of reductively either-or,star turnBasinger.” as an Ozarks Was that scrapperstarshe a hadditzy turn collapsed ingaffe as “Win- an or Ozarks a thesly,can space scrapper Hustle,” between “The in “Win- Hunger her on Games:hercanter wayHustle,”a woozy, to grab “The destabilizing her Hungergood Oscar advice, Games: for delight David too, O.instar forstara film turn film turn ascritics, as an an Ozarks Ozarks whose scrapper scrapper in in “Win- “Win- cancan Hustle,” Hustle,” “The “The Hunger Hunger Games: Games: mann’s “The Great Gats- mann’spersonifying “Theform Great of the a Gats- lifetime achievement WARNER award BROS. PICTURES at the 2010 Sundancemann’smann’s “The “The Film Great Great Festival, Gats- Gats- hadn’t ter’s Bone” from 2010. Terence Winter’s screenplay)Stage ofTerencesentative, the Historicalor Winter’scondemn unavailable Dialectic, screenplay)“Django at then this Mr. Unchained.or time. condemn If we ” decidedly undialecticalTerenceTerence arguments Winter’s Winter’s screenplay) screenplay)ter’s have Bone,”funny or or condemn dig the condemn of moviethe kindter’sand thatthat the Bone,” once prompted character. might the have movie TiffanyCatching that doesn’t Fire,” prompted with make BradleyRussell’sCatchingthat Cooper makes “Silver Fire,” in a Linings virtuewith Bradley out Playbook” of Cooper chaos. and in ter’sAndter’s be- Bone,” Bone,” the the movie movie that that prompted prompted CatchingCatching Fire,” Fire,” with with Bradley Cooper in in frat-boy culture, with its crude materi- by” and as Calvin Candie by” and sometimeas Calvin Candiearound 2050. By then, from our by”by” and and as as Calvin Calvin Candie Candie JOJO WHILDEN/THE WEINSTEIN COMPANYtrade calls on them to make judgments SEBASTIAN MLYNARSKI/ROADSIDE ATTRACTIONS him? Has the director,DiCaprio him?decide Martin would Has to be Scorsese, hate an the absolute Jordan director, lock.in the Martin end, Scorsese,that con- often contradictoryerupted around thehim?him? film. Has Has Does the the itdirector, director, glorifymany Martin to Martincome Frombreakconvinced out Scorsese, top, Scorsese,out of other theJudy wordDiCaprio me, manymuchHolliday? andbreakthrough to story breakneither Or sensewas out Jenni- did the — “Silver sheherword cajolesturn Liningsbreakthrough as Bradley Playbook”then and“Silvercause — in in “Win- Mr. whatLinings Russell was Playbook” the likes perfect working and capper in “Win- with tomanymany wom- to to break break out out the the word word breakthrough breakthrough “Silver“Silver Linings Linings Playbook” Playbook” and and in in “Win- “Win- Since the Oscars lag notoriouslyRight,in Quentin behind as Frank Tarantino’s Abagnalein Quentinlibertarian Tarantino’s paradise or socialist utopia, we inin Quentin Quentin Tarantino’s Tarantino’s routinely after a single encounter with the alism andcomposed pervasive a satire misogyny, of composedtempt financial-industry orwill a only a per- satire be meaningful of financial-industry if we fall for Jordan (an actualcomposed composed huckster awith a satire satire real-life of of financial-industry financial-industryferportraits the Lawrence blue of affluence: bombshell justCooper’s being as Mystique Jennifer character Law- in intoter’s the partneringBone” 2011 ac- from 2010. withning the mouthter’seninanity as Bone” much of and the from as awards towering, men, 2010. Rosalynseason exploding — isn’t flipped a prop hair. or ter’ster’s Bone” Bone” from from 2010. 2010. Jr. in ’sspirit ofwill American be able look back at the present era of at the 2010 Sundance Filmat theFestival, 2010 Sundancehadn’t Film Festival, hadn’t objects of their inquiry.atat the the One2010 2010 viewing Sundance Sundance of her Film Film Festival, JenniferFestival, hadn’tLawrence, hadn’t from top, in “Ameri- haps unwittingfrat-boy culture, celebration the with times, itsfrat-boyhim of those crude thisfirst, philosophical culture, and samemateri- allow with ourselves “Django insight its crude willUnchained. to succumb materi- ” “Django Unchained. ” frat-boyfrat-boy culture, culture, with with its its rence, crude Jay crude Gatsby the materi- materi-best in Baz actressher Luhr-“Django “Djangofor winner a dance Unchained. whoUnchained. contest, tripped ” ” though neither can the bird at someone in the press room? economic inequalityvictims whose and political memoir polariza- was the sourceconvinced of me,tion and film neither “X-Men:convinced did herFirst me,turn Class.” and as neither did her turn (She’sas fetishized been nominated spectaclestar for but turn best the as equalansupporting Ozarksconvinced convinced of her scrapper me, me, and inand “Win-neither neither did candid her Hustle,” her turn turn “Theas as Hunger Games: alism and pervasivemost misogyny, likelyalismto the be and pleasure realized,or pervasive a per- of belatedly, being “CatchRight, misogyny, had, inas Me theFrank even if or You Abagnale a at per-Can.” the Right,wealth. as Frank Abagnale alismalism and and pervasive pervasive misogyny, misogyny,onmann’s her or way or “The a a per-to per- Greatgrab herGats-Right,Right, Oscar as as Frank for Frank David Abagnale Abagnale O. “Silver Linings Playbook” is the movie tendencies? A too-certain attachment to tion with condescendingTerence Winter’s nostalgia. screenplay) At the or condemnthe blue bombshellAs Tiffany, Mystiquethereally blue thein dancethe bombshellrandy 2011 — ac- but widow MystiqueMr.ning Russell’s mouth turned in the film and 2011 is towering, ac-actress.)ir- ningmale exploding It’s mouthcounterpart a delectable, and hair. ter’s towering,(Mr. Cooper). Bone,”juicy, exploding surprising the the moviethe hair.blue blue bombshell that bombshell prompted Mystique MystiqueCatching in in the the 2011 2011Fire,” ac- ac- withning Bradleyning mouth mouth Cooper and and in towering, towering, exploding exploding hair. hair. haps unwitting celebrationform ofhapsrisk a of of lifetimeunwitting thoselosing sameour achievement celebration self-respect.Jr. in Steven award of those Spielberg’s same Jr. in Steven Spielberg’s hapshaps unwitting unwitting celebration celebration Russell’s ofby” of those and those as “Silver same Calvin same LiningsCandieJr.Jr. in in Steven Playbook”Steven Spielberg’s Spielberg’s and that turned me around on Ms. Lawrence, any single answer is a sometimesure sign around of having 2050. 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It’s It’s a adelectable, delectable, juicy, juicy, surprising surprising any single answer is a sureanyCaprio’s signsingle ofwolf answerhaving does notis a standsure signalone. of Lookhaving in anyany single single answer answer is is a asure surethe sign“Django sign Lawrenceinanity of of having Unchained. having of the inhabitedawardsly believable” season a — thatdeceptively flipped it makes tricky the narrativelynappreciative wants, perhaps admirer. Did because she change, Mr. or Russell al perspective on whatwill Jordan be able representslook back at the present era of DiCaprio’s frat-boy performance culture, — with an amoral its crude materi-dancing stalker in “Silverdancing Linings,” stalker Ms. in “Silverperformance: Linings,” You Ms. neverdid performance:ter?I? know In In the what that 1940 Rosa-wobble, screwballYouconvinced never you comedy seeknow me, a storm“The whatanddancing dancing neitherRosa- com- stalker did stalker her inturn in “Silver “Silveras Linings,” Linings,” Ms. Ms. performance:performance: You You never never know know what what Rosa- Rosa- missed the point, which ismissedthe that mirror a theclear thatpoint, mor- Mr. which DiCaprio is that and a clear Mr. Scor-mor- missedmissed the the point, point, which which is is that thethatRight, arolebird aclear clearas atwithFrank someonemor- mor- such Abagnalecontrivances in transparency the press room? irrelevant. that it Likefelt as all if of Ms.may not either. But that makes the charac- economic inequality and politicalA gift polariza- for whirlwind ofalism hedonism, and pervasive guile and hard-sell misogyny, or aLawrence per- “Silver inhabited Linings a deceptively Lawrence Playbook” inhabitedis tricky the movie alyn deceptively wants, perhaps tricky Philadelphia becauselyning, wants,as Mr. well Story” Russell as perhaps flickering Katharinethe blue because reminders bombshell Hepburn’s Mr. Lawrence Russellof MystiqueLawrence Jean inhabited in inhabited the 2011 aac- a deceptively deceptivelyning mouth tricky tricky and towering,lynlyn wants, wants, exploding perhaps perhaps hair. because because Mr. Mr. Russell Russell is, likeal an perspective airline customer-service on what Jordanalsese perspective hold represents repre-up, andon whatyou will Jordan see Jay represents Gatsby seduction — has generated confusionalal perspective perspective as on on what what Jordan JordanJr. shein represents Steven represents had Spielberg’s collapsed the space between her ter a woozy, destabilizing delight in a film tion with condescending nostalgia.A gift At for the A gift for haps unwitting celebration of those samerole withthat such turned transparency me aroundroleLawrence’sA Athatwith gift ongift it Ms.suchfor feltfor signature Lawrence, astransparency if maycharacters, not that either. it she felt Butcan’t as ifthatcharacter maymakesHarlow not says the ineither. charac-“Dinner that “the Buttion thatattime film Eight” makes to“X-Men: make and the up MarilynroleFirstcharac-role with Class.” with such such transparency transparency that(She’s that it it feltbeen felt as asnominated if if maymay not for not either.best either. supporting But But that that makes makes the the charac- charac- sentative,is, like unavailable an airline customer-servicemoment, at thisis,and though, like time. Howard an “The If airline repre- we HughesWolf customer-service ofpersonifying Wall (in Street” Mr. Scorsese’s repre- the well as admiration. is,is, like like an an airline airline customer-service customer-service“Catchand Me the repre- repre-if You character. Can.”be denied, Tiffany whether doesn’tchasing down make Mr. Coo- Monroe in “Some Like It Hot.” But you tendencies? A too-certain attachmentshe to had 23, collapsed transforming the spacemeshe from had between a collapsedskepticANDREW her into COOPER/WEINSTEIN the anter space a woozy, COMPANY between destabilizing herthatyour makester minddelight a woozy, about a invirtue peopleadestabilizing film out —As is of never.” Tiffany, chaos. delight That’sthe Andinshe shea randy film hadbe- had collapsed widow collapsed turned the the space spaceactress.) between between It’s her her a delectable,terter a awoozy, woozy, juicy, destabilizing surprisingdestabilizing delight delight in in a afilm film sentative, unavailablemight at hitsentative,“The this a little time.Aviator”), too unavailable close If we to personifications home,personifying at and this Mr. time. of the If the we personifyingAlready the a series of reductivelysentative,sentative, either-or, unavailable unavailable at at this this time. time. If If we we personifyingpersonifying the the decide to hate Jordan in the end, that con- often contradictory any single answer is a sure sign of havingand the appreciative character.much story Tiffanyadmirer.andper’s sense doesn’t Didthe wreck she— character. sheinmake change, “Silver cajoles Tiffany orthat Linings” Bradleymakes doesn’t or a landing virtue makecause outgood thatalso ofMr. advice,chaos. makes seeRussell one too,And a of virtue forlikes be- thosedancing film workingout exciting,critics, of stalker chaos. whosewith precarious inAndand andwom- “Silver be-the the character. character.Linings,” Tiffany Ms. Tiffany performance: doesn’t doesn’t make make Youthat neverthat makes makes know a whatavirtue virtue Rosa- out out of of chaos. chaos. And And be- be- decide to hate JordanDiCaprio’s in decidecontradictorythe end, performance to thathate con- spiritJordan — of in anAmerican the amoral end, wealththat con- in decidedly undialectical argumentsdecidedecide haveto to hate hate Jordan Jordan in in the the end, end, that that con- con- tempt will only be meaningful if we fall for often contradictory often contradictorymissed the point, which is that a clear muchmor- storydid I? sense In the — 1940 shemucha screwball kissoften cajolesoften on story contradictoryAmy Bradleycomedycontradictory sense Adams “The —cause that she feels cajoles Mr. like Russell Bradley a suck- likestrade workingcauserepresentations calls Mr. with on Russell them wom- of to likes life make working that judgments the with moviesmuchmuch wom- of- story story sense senseSEBASTIAN — — sheMLYNARSKI/ROADSIDE she cajoles cajoles Bradley ATTRACTIONS Bradley causecause Mr. Mr. Russell Russell likes likes working working with with wom- wom- spirit of American erupted around the film. Does it glorify From top, other DiCaprioCooper’s character into partnering with en as much as men, RosalynLawrence isn’t inhabited a prop a or deceptively tricky lyn wants, perhaps because Mr. Russell tempt will only be whirlwindmeaningfultemptearlier of hedonism,ifwill times we only fall — for beguile pitiable, meaningful and hard-selladmirable if we orfall des- for al perspective on temptwhattempt Jordanwill will only only represents be be meaningfulCooper’s meaningfulPhiladelphia character if if we we fall fall for Story”into forCooper’ser partnering punch Katharine in character Mr. Hepburn’s with Russell’s intoen aslatest, partnering much “American as men, with Rosalynroutinelyenfer as us.isn’t aftermuch Yet a a prop whileassingle men, or allencounter Rosalyn actors act,withisn’t starsthe aCooper’s propCooper’s give or character character into into partnering partnering with with enen as as much much as as men, men, Rosalyn Rosalyn isn’t isn’t a aprop prop or or him first, and allow ourselvesseduction to — succumb has generated confusionspirit of asAmerican spirit ofJordan American (an actual huckster with real-life portraits of affluence:her as for a dancespirit spiritcontest, of of American American though neither can fetishized spectacle role but with the such equal transparency of her that it felt as if may not either. But that makes the charac- him first, and allow ourselveshimpicable first, to depending succumband allow on ourselves the angle tofrom succumb which himhim first, first,ANDREW and and COOPER/ allow allow DREAMWORKS ourselves ourselves PICTURESA togift to succumb succumbfor objects of their inquiry. One viewing of her Jennifer Lawrence, from top, in “Ameri- to the pleasure of being had, even at the wealth. is, like an airline customer-serviceJay Gatsby repre-her for in Bazacharacter dance Luhr- contest, says that thoughherHustle.” “the for neitheratime dance to canmake contest, upfetishized though neither spectacle can butfetishized more the equal than spectacle of performances: hershe buthad the collapsed They equal her deliverthe ofher for her spacefor a adance dance between contest, contest, her though thoughter neither a neither woozy, can can destabilizingfetishizedfetishized delight spectacle spectacle in a film but but the the equal equal of of her her well asthey admiration. are viewed. You willwealth. also see J. Edgar wealth.victims whose memoir was the source of yourreally mind about dance people —wealth.wealth. but — is Mr. never.” Russell’s That’s film is ir- malestar counterpart turn as an Ozarks (Mr. scrapperCooper). in “Win- can Hustle,” “: to the pleasure of beingto had, the even pleasure at the of being had, even at the sentative, unavailableANDREWto COOPER/WEINSTEINto the the at pleasure thispleasure time.COMPANYmann’s of of beingIfreally being“The we had,Great dance had,personifying evenGats- even— but at at Mr. the the Russell’sthereallyIn that dance film film, —is Ms. butir- Mr. Lawrencemale Russell’s counterpart plays film Rosa- is (Mr.ir- Cooper).maleidentifiable, counterpart commodifiableand (Mr. the Cooper). character. personalitiesreally really Tiffany dance dance doesn’t — — but but makeMr. Mr. Russell’s Russell’s film film is is ir- ir- malemale counterpart counterpart (Mr. (Mr. Cooper). Cooper). risk of losing our self-respect.Already a series of reductively either-or, Terence Winter’s screenplay) or condemn resistible, and Ms. Lawrence’s perform- ter’s Bone,” the movie that prompted Catching Fire,” with Bradley thatCooper makes in a virtue out of chaos. And be- risk of losing our self-respect.riskHoover of losing (in Clint our self-respect. Eastwood’s “J. Edgar”) decide to hateMr. Jordan DiCaprioriskrisk ofin of losingthe losing is end, able our ourby” that to self-respect. andself-respect. galvanizeresistible, con- as Calvingood theseCandie and advice, Ms. Lawrence’s too,resistible,lyn, for film the perform- critics, neglected and Ms. whose Lawrence’s wifeWhen of a Rosalyn con perform- man wobblesWhenthat When in Rosalyn often heels, Rosalyn blur do wobbles wethe wobbles lines inbetween in heels, heels, theirresistible, doresistible, do weon- we and and Ms. Ms. Lawrence’s Lawrence’s perform- perform- WhenWhen Rosalyn Rosalyn wobbles wobbles in in heels, heels, do do we we decidedly undialectical arguments have him? Has the director, Martin Scorsese, tradeoften calls contradictory on them to make judgments many to break out themuch word breakthrough story sense — she“Silver cajoles Linings Bradley Playbook” andcause in “Win- Mr. Russell likes working with wom- It wouldn’tIt wouldn’t be the be the first first and time.It time.Calvin wouldn’t Mr. Mr. Candie Di- beDi- (thethe firstplantation time. owner Mr.From Di- in top, other DiCaprio tempt willfeelings only be meaningful inIt It wouldn’t part wouldn’t because if wein be beQuentin fall the ance the hisfor first Tarantino’s firstso celebrity likable, time. time.ance Mr. uninflected Mr.so Di- likable, Di-ance(Christian and uninflectedso emotional-likable, Bale) uninflected who’sand emotional- fallen and for emotional- Ms.SEBASTIAN Ad-see MLYNARSKI/ROADSIDEherscreen or Ms. and ATTRACTIONSLawrence, off-screen worlds and does and the anceitance mat-hard so so likable, likable, uninflected uninflected and and emotional- emotional- erupted around the film. Does it glorify composed a satire of financial-industry routinelyspirit of after American a single encounter with thesee her or Ms. Lawrence,at thesee and 2010 her does Sundance or Ms. it mat- Lawrence, FilmCooper’s Festival, and character hadn’t does it intomat-ter’s partneringBone” from 2010. with en as much as men,seesee Rosalyn her her or or isn’tMs. Ms. Lawrence, a Lawrence, prop or and and does does it itmat- mat- Caprio’sCaprio’s wolf does wolf doesnot standnot standCaprio’sQuentin alone. alone. LookTarantino’swolf Look does in in not “Django stand alone. Unchained”), Lookportraits in of affluence: as him first, andmakes allow himCaprio’sCaprio’s ourselves both onewolf wolf ofto does“Django doesthemsuccumb notly not and Unchained. believablestand stand one alone. of alone.ly us,” that believable Look Look it in makes inlyams’s believablethat the character. it narrative makes that Ms. it the makes Lawrence narrative the narrative doesn’t work that goes into star creation.lyly believable Cary believable that that it it makes makes the the narrative narrative Jordan (an actual huckster with real-life frat-boy culture, with its crude materi- objects of their inquiry. One viewing of herter? JenniferIn that Lawrence, wobble,ter? fromyouconvinced Inter? top,see that inaIn “Ameri- me,storm thatwobble, and wobble, com- neither heryou foryou didsee a see herdance a aturnstorm storm contest, as com-com- though neither can fetishized spectacleter?ter? but In In thethat that equalwobble, wobble, of you her you see see a astorm storm com- com- the mirror that Mr. DiCapriotheroles mirror and that Mr. allowedthat Scor- Mr. Mr.DiCaprio DiCaprio’s and Mr. winningJay Scor- Gatsby in Baz Luhr- and alsothe becausethe mirror mirror of that histhatRight, Mr.specific Mr. DiCaprio as DiCaprio Frank screen Abagnalewealth. and andhis- Mr. Mr. Scor- Scor-have all that much screen time, but she’s a the mirror that Mr. DiCapriovictims and whose Mr. memoir Scor- was the source of alism and to pervasive the pleasure misogyny, of being or a per- had, even atcontrivances the starcontrivances turn irrelevant. as an Ozarkscontrivances Like irrelevant. scrapper all of irrelevant. Ms. in Like “Win- ing, all Like ascan of well Hustle,” Ms. all as of flickering“The Ms.ing, Hungerthe as ing,Grantbluereminders wellGames: asbombshell personifiedwellas flickering of as Jean Mystiqueflickeringreally cinematic reminders dance in reminders the 2011 elegance,— but ac- ofcontrivances of contrivancesMr. Jean Jean ningbut Russell’s mouth irrelevant. film irrelevant. and is towering, ir- Like Likemale exploding all allcounterpart of of Ms. hair. Ms. (Mr.ing,ing, asCooper). as well well as as flickering flickering reminders reminders of of Jean Jean sese hold up, and you willsesesmile see hold toJay curdleup, Gatsby and into you a will sneer see of Jay cold Gatsbymann’s com- “The Great Gats- tory. It issese seseeasy hold hold enough up, up, andJr. andto in pinpointyou Steven you will will Spielberg’s thesee see mo-Jay Jay Gatsby Gatsbydominating, palpably physical presence, sese hold up, and you Terencewill see Winter’s Jay Gatsby screenplay) or condemn haps unwittingrisk of celebration losing our of self-respect. those same Lawrence’ster’sLawrence’s signature Bone,” thecharacters, Lawrence’ssignature movie thatshe signaturecharacters, can’t prompted Harlowcharacters, sheCatching can’tin “Dinner sheFire,” can’t withHarlow at tionBradley Eight”Harlowhe film inalso Cooper “X-Men: and“Dinner trainedin Marilyn in“Dinner First asatresistible, Class.”an Eight”at acrobat,Eight” and and andwhich Ms.Marilyn MarilynLawrence’sLawrence’s helps Lawrence’s(She’s been signature signature nominated perform- characters, characters, for bestWhen supportingshe she Rosalyncan’t can’t Harlow wobblesHarlow in inin “Dinner heels,“Dinner do at at weEight” Eight” and and Marilyn Marilyn mand. All of these characters, repellentby” and or as Calvin Candie ment he made the transition“Catch Me from if You up-and- Can.” all thrusting bosom, scissoring hips, run- and Howardand Howard Hughes Hughes him? (in (in Mr.Hasand Mr. the Scorsese’sHoward Scorsese’s director, Hughes Martin (in Scorsese, Mr. Scorsese’s tendencies? It A too-certain wouldn’t be attachment and theand Howard first Howard to time. Hughes Hughes Mr.be Di- denied, (in (in Mr.many Mr. whether Scorsese’s to Scorsese’s break chasing outbe the denied, down word Mr.breakthrough whether Coo- chasingMonroe“Silver down in Linings “SomeMr. Coo- Playbook” LikeAs MonroeCONTINUED It and Tiffany, Hot.” in “Win- in But theON “Some PAGE you randyance 28Like so widow likable, It Hot.” turned uninflected Butbebe denied, youdenied,actress.) and whether whether It’s emotional- a delectable, chasing chasing down seejuicy, down her Mr. surprising Mr. or Coo- Ms.Coo- Lawrence,MonroeMonroe and in in “Some does “Some it Like mat- Like It It Hot.” Hot.” But But you you sympathetic, humanized or caricatured,in Quentin Tarantino’sany single answer is acoming sure sign young of having actor to full-fledged globalbe denied, whether chasing down Mr. Coo- Monroe in “Some Like It Hot.” But you “The Aviator”), personificationscomposed“The a Aviator”), satire of of the financial-industry personifications of the Caprio’s wolf does“The not“The stand Aviator”), Aviator”), alone. Look personificationsper’s personifications in wreckat the in 2010 “Silver of of Sundance the the Linings”per’s Film wreck or Festival, landing in “Silver hadn’talso Linings” ter’s see Bone” one or landing of from those 2010.dancing exciting,also see stalker precarious one in of “Silver thosely believable exciting, Linings,” that precarious Ms.per’s itper’s makesperformance: wreck wreck the in in “Silver narrative “Silver You never Linings” Linings” knowter? or Inwhator landing thatlanding Rosa- wobble,alsoalso you see see see one onea storm of of those those com- exciting, exciting, precarious precarious “The Aviator”), personificationsfrat-boypresent culture, ofvarious with the its incarnations crude materi- of power.“Django Unchained. missed” the point, whichmovie is that star. a clear The mor- year was 1997, the film per’swas wreck in “Silver Linings” or landing also see one of those exciting, precarious contradictory spirit of Americancontradictory wealth spirit in of American wealth in the mirror that Mr.contradictory contradictoryDiCaprio and spirit Mr.spirit Scor- aof kissof American American onconvinced Amy wealth Adams wealth me, in thatandina neitherkissfeels on like didAmy a hersuck- Adams turn as thatrepresentations feels like a suck- of lifeLawrence thatrepresentations the inhabited movies of- ofacontrivances deceptively life that the tricky irrelevant. moviesa akiss kiss lyn of- on on Like wants,Amy Amy allAdams perhapsAdams of Ms. that that because feels feelsing, like Mr.aslike wella Russellasuck- suck- as flickeringrepresentationsrepresentations reminders of of of life Jean life that that the the movies movies of- of- contradictory spirit of alismAmerican andThey pervasive arewealth rulers misogyny,in of men, masters or a per- of theRight, uni- as Frank Abagnaleal perspective on what“Titanic,” Jordan represents and Mr. DiCaprio, still boyisha kissin on that feels like a suck- representationsrole with such transparency of life that that the it felt movies as if of- earlier times — pitiable, earlieradmirable times or — des- pitiable, admirable or des- sese hold up, and earlieryouearlier will times timessee Jay —A — pitiable, giftGatsby pitiable,er for punch admirable admirablethe in blueMr. Russell’sbombshellor or des- des-er latest, Mystique punch “American in in Mr. the Russell’s2011 ac-fer latest, us.ning Yet mouth “American while and all towering, actorsfer us.act, exploding Yet stars while give hair.Lawrence’s all actors act, signature starserer punch givecharacters, punchmay notin in Mr. either. Mr. Russell’sshe Russell’s But can’t that latest, latest,makesHarlow “American the“American incharac- “Dinnerfer ferat us. Eight” us. Yet Yet while and while Marilyn all all actors actors act, act, stars stars give give earlier times — pitiable,haps admirable unwitting celebrationor des- of those same Jr. in Steven Spielberg’sis, like an airline customer-service repre- she had collapsed the space between her ter a woozy, destabilizing delight in a film picable depending on thepicableverse, angle kingsfrom depending whichof the world.on the angle from which andANDREW Howard COOPER/his DREAMWORKS early Hughespicable picable20s, PICTURES (inproclaimedANDREW depending depending Mr. COOPER/ Scorsese’s himself onDREAMWORKSHustle.” on the the angle theangletion PICTURES kinger fromfilm from punch “X-Men: which which in Hustle.”FirstMr. Russell’sClass.” latest,more “American(She’s than been performances: nominatedfer ANDREW us.ANDREWmore for Yet COOPER/ best They COOPER/ than while supporting DREAMWORKS DREAMWORKS deliver performances: allbe actors PICTURES denied, PICTURES act, whether They stars Hustle.” deliver Hustle.”chasing give down Mr. Coo- moremore than than performances: performances: They They deliver deliver tendencies? A too-certain attachment to “Catch Me if You Can.”sentative, unavailable at this time. If we personifying the and the character. Tiffany doesn’t make Monroe in “Some Like It Hot.” But you picablethey depending are viewed. on Youthe anglewillthey alsoAnd from are see who viewed. J.which elseEdgar could You will play also them see with J. Edgar such ANDREWof theCOOPER/ world.they theyDREAMWORKS are His are viewed. character,viewed. PICTURES You You Jack willIn will that alsoDawson, also film,AsseeHustle.” see Tiffany,J. Ms. J.Edgar Edgar Lawrence the In randy that plays widow film, Rosa- Ms. turned Lawrenceactress.) plays It’s Rosa- a delectable, juicy, surprising InIn that that that makes film, film, Ms.a Ms.virtue Lawrence Lawrence out of chaos. plays plays And Rosa- Rosa- be- any single answer is a sure sign of having decide to hate“The Jordan Aviator”), in the end, personifications that con- of the identifiable, commodifiablemore identifiable, than personalities performances: commodifiableper’s wreck They in personalities “Silver deliver Linings” or landing also see one of thoseidentifiable,identifiable, exciting, commodifiable precarious commodifiable personalities personalities they areHoover viewed. (in You Clint will Eastwood’s alsoHooverease, see such “J. J. (in Edgar Edgar”) charm, Clint Eastwood’ssuch nonchalant “J. Edgar”) refusal Mr. DiCaprio is able towas Mr. galvanize nothing DiCaprioHooverHoover theseof the (inis (in able kind, Clint Clintoften to of Eastwood’s galvanize lyn, Eastwood’scourse, contradictory the dancingbut these neglected “J. his “J. Edgar”) Edgar”) stalker wife inlyn, “Silverof the a con neglectedLinings,” man Ms. wife performance: of aMr. Mr. con DiCaprio DiCaprio man Youmuch never is is able storyknow able to tosensewhat galvanize galvanize Rosa- — she these cajolesthese Bradleylyn,lyn,cause the the neglectedMr. neglected Russell wifelikes wife working of of a a con with con manwom- man missed the point, which is that a clear mor- tempt will contradictoryonly be meaningful spirit if weof Americanfall for wealth in In that film, Ms. Lawrence that plays often Rosa- blur theidentifiable, linesCooper’s thatbetween often character commodifiabletheir blur on-the intoa kiss lines partnering on between Amy personalities Adams with their thaton- feels like a suck- representations ofthat lifethat often that often theblur blur movies the the lines lines of- between between their their on- on- and Calvin Candie (the plantationandof the Calvin easy owner Candie artifice in (the of plantation villainy? owner Right in feelings in part becausefeelingsscrappy his and refusal celebrityand in Calvin partCalvin to Candie because play Candiespirit by (the (Christian (the theof his plantationAmerican rulesplantation celebrityLawrence Bale)of a owner owner who’s inhabited in in fallen(Christian a deceptively for Ms. Bale) Ad- trickywho’s fallenlyn feelings wants, forfeelings Ms. perhaps in Ad- in part part because because because Mr. his Russell his celebrity celebrity (Christian(Christianen as much Bale) Bale) as who’smen, who’s Rosalyn fallen fallen forisn’t for Ms. a Ms. prop Ad- Ad- or Hoover (in Clint Eastwood’sal perspective “J. Edgar”)on what Jordan represents himMr. first, DiCaprio andearlier allow times is ourselves able — pitiable, to to galvanize succumb admirable these or des- lyn, the neglected wife of ascreen con and man off-screenthather worlds often screenfor a danceandblur and the contest, theoff-screen hard lineser though punch betweenworlds neither in Mr. and canRussell’stheir the hard on- latest, “American fer us. Yet while allscreenscreen actors and and act, off-screen off-screen stars give worlds worlds and and the the hard hard Quentin Tarantino’s “DjangoQuentinfront Unchained”), of Tarantino’s our eyes. Mr. “Django DiCaprio Unchained”), has been makes him both one of themmakesrigidly and himhierarchicalQuentin oneQuentin both of us, Tarantino’sone Tarantino’s society of wealth.them was“Django and “Django part onerole Unchained”),of Unchained”), withus,his such transparency that it felt as if maymakes notmakes either. him him Butboth both that one one makes of of them them the andcharac- and one one of of us, us, fetishized spectacle but the equal of her is, like an airline customer-service repre- A gift for to the pleasurepicable of depending being had, evenon the at angle the from whichams’s character. Ms. Lawrenceams’s character. doesn’t Ms.work LawrenceANDREW that COOPER/ goes doesn’t DREAMWORKS intoreally starwork PICTURES dance creation. that — but goes Cary Mr. Hustle.” into Russell’s star film creation. is ir-ams’sams’s Cary character. character. Ms. Ms. Lawrence Lawrencemore thandoesn’t doesn’t performances:workwork that that They goes goes into deliver into star star creation. creation. Cary Cary and Calvin Candie (the plantation owner in feelings in part appeal, because both his for Kate celebrity Winslet’s Roseshe(Christian and had collapsed Bale) the space who’s between fallen her for ter Ms. a woozy, Ad- destabilizingscreen and delight off-screen in a film worlds and the hardmale counterpart (Mr. Cooper). roles that allowed sentative,Mr. DiCaprio’srolesusing unavailable thathis charisma, winningallowed at thisMr. his time. DiCaprio’sunmistakable If we winningpersonifying mov- and the alsorisk ofbecause losingthey our of are hisself-respect. viewed.specificand also Youscreenroles becauseroles will that his-that also of allowed allowedhissee specific J. EdgarMr.have Mr. DiCaprio’s screen DiCaprio’sall that his- much winning winning screenhave time, all but that she’s much a screenGrant time, personifiedandand but also also she’s because because cinematic a resistible, Grantof of his hiselegance, specificpersonified and specific Ms. screen but Lawrence’sscreen cinematicIn his- that his- film, perform- elegance, Ms.have have Lawrence but all all that that playsmuch much Rosa-screen screen time, time,identifiable, but but she’s she’s a commodifiable a GrantGrant personified personified personalities cinematic cinematic elegance, elegance, but but Quentin Tarantino’s “Django Unchained”), makes him both onefor of the them countless and onemillions of us, around theand worldams’s the character. character. Tiffany Ms. doesn’t Lawrence make that doesn’t makes a virtuework out that of chaos. goes And into be- star creation. CaryWhen Rosalyn wobbles in heels, do we smile to curdle intodecide a sneer smileie-starness,to hate of to Jordan cold curdle to com- in into explorethe end, a sneer that the con- of iconography coldoften com- contradictorytory. ItIt is wouldn’teasyHoover enough be the (intotory. firstpinpoint Clint It time. issmile Eastwood’s smile easythe Mr. tomo- enough to Di- curdle curdle “J. to Edgar”)into intopinpointdominating, a a sneer sneer themuch of mo- of coldpalpably story cold com- com-sense physicaldominating, — she cajoles presence, palpablyMr. Bradley DiCapriohe physical also is tory. trained abletory. presence, It toIt is as galvanizeis easy aneasy anceacrobat, enough enoughhe so thesealso likable, towhich totrained pinpoint pinpoint uninflected helps aslyn, the an the mo-acrobat, theand mo- emotional- neglected whichdominating,dominating, helps wifesee her of or a palpably Ms. palpably con Lawrence, man physical physical thatand does presence,often presence, it blurmat- thehe lineshe also also between trained trained astheir as an an on-acrobat, acrobat, which which helps helps roles that allowed Mr. DiCaprio’s winning and also because ofwho his turned specific “Titanic” screen into his- a box office havejug- all that much screen time, butcause she’s Mr. a Russell likes working with wom- mand. All of these temptcharacters, willmand.and only psychology repellentAll be of meaningful these orof whatcharacters, if we fallare for repellentlately in the or mentCaprio’s he made wolfand the does Calvintransition notment standCandie from he alone.mand. (themademand. up-and- Look plantation Allthe All in of transition of these these owner characters,all characters, from in thrusting up-and-Cooper’s repellent repellent bosom, character or scissoringorall into thrusting partnering hips,feelings bosom, run- with in scissoringCONTINUED parten asment becausement much hips,ON he PAGE heas made run- men,madeGrant his 28ly theRosalyn celebrity believabletheCONTINUED personifiedtransition transition isn’t that a ON propfrom fromPAGE itcinematic makes(Christianor up-and- 28up-and- the elegance, narrative Bale) who’sallall thrusting butter? thrusting fallen In that for bosom, bosom, wobble, Ms. Ad- scissoring scissoringyou seescreen a hips,storm hips, and run- com- run-off-screenCONTINUEDCONTINUED worlds ONand ON PAGE PAGEthe 28hard 28 smile to curdle into a sneer of cold com- spirit of Americantory. It is easy enoughgernaut. to pinpoint the mo- sympathetic, humanizedhim first,sympathetic,habit orand of caricatured, allow calling ourselves humanized the 1 percent. to succumb or This caricatured, is less a comingthe mirror young Quentin that actor Mr. to DiCaprioTarantino’s full-fledgedcoming and sympathetic, youngsympathetic, “DjangoMr. global Scor- actor Unchained”), to humanized humanized full-fledged orher orglobal caricatured,dominating,for caricatured, a dance contest, palpably thoughmakes neither physical him can both presence,fetishized onecomingcoming of them spectacle young young heand contrivancesalso one actor but actor oftrained the tous, to full-fledgedequal full-fledged irrelevant. as of an herams’s acrobat, global Like global character. all which of Ms. Ms.helps ing, Lawrence as well as doesn’tflickering reminderswork that of Jean goes into star creation. Cary wealth. sese hold up, and you willJack see wasJay Gatsby a class warrior, locked in a mand. presentAll of these various characters, to incarnations the presentmatter pleasure repellent ofof ofvarious humanizing power.being or had, incarnations eventhe wealthy at the of than power. of moviement star. he The maderoles year that thewas movie allowedtransition1997, thestar.present Mr. presentfilm The fromDiCaprio’s was year various variousup-and- was winning 1997, incarnations incarnations the filmreally allwas of dance of thrusting power. power. — but Mr. bosom, Russell’s and scissoring film also is becauseir- hips,male ofmovie movierun-counterparthis specific star. star.CONTINUED The The (Mr.Lawrence’sscreen year yearCooper). washis- was ON signature1997, 1997,PAGE the the 28 havecharacters,film film was all was that she much can’t screenHarlow time, in but“Dinner she’s at a Eight”Grant and personified Marilyn cinematic elegance, but sympathetic,They are humanizedrulers of riskmen, of ormasters Theylosingputting caricatured, areour aof rulersfaceself-respect. the —uni- of a men,handsome masters face of — the on uni- the “Titanic,”comingand Howard and young smileMr. Hughes DiCaprio, to actor curdle“Titanic,”struggle (in to still Mr. into full-fledgedThey boyishforThey Scorsese’s and a Rose’s sneerare Mr.are in rulers DiCaprio,rulers ofaffection global cold of of men, com-men, stillwith masters mastersboyish anresistible, arro- ofin of the the and uni- uni- Ms. Lawrence’story. perform- It is easy enoughWhen“Titanic,”“Titanic,” Rosalynto pinpoint and and wobblesbe Mr. Mr. denied,the DiCaprio, DiCaprio,mo- in whether heels, still dostill chasing boyish wedominating, boyish down in in Mr. palpably Coo- Monroe physical in presence, “Some Like It Hot.” But you “The Aviator”), personifications of the he also trained as an acrobat, which helps verse, kings of the world.It wouldn’tverse,ambivalence kings be the of that the first world. capitalism time. Mr. continues Di- to his early 20s, proclaimedmand. All hisgantof himself theseearly top-drawerverse, characters, verse,20s,the king proclaimedkings kings jerk ofrepellent playedof the the himselfworld. world. by or Billy theance Zane, king so likable, uninflected andment emotional- he made seethehis hertransitionhis early or early Ms. 20s, Lawrence, 20s,from per’sproclaimed proclaimed up-and- wreck and does inhimself himself “Silver it mat- all theLinings” the thrustingking king or landing bosom, scissoringalso see one hips, of those run- exciting, precarious present various incarnationsCaprio’s wolf of does power. not stand alone. Look in moviecontradictory star. The spirit year of American was 1997, wealth the in film was CONTINUED ON PAGE 28 And who else could playinspire. Andthem who Thewith else very such could rich playare either them brimmingwith such of the world. Hissympathetic, character,ofbut the heJack humanized world.was Dawson,And notAnd His who exactly who orcharacter, else caricatured,else a could revolutionary.could Jack play play Dawson, themly them believable He with with such such that it makes thecoming narrative young ter? actorof Inof the tothatthe full-fledgedworld. world.wobble, Hisa Hiskiss you character, global character,on see Amy a storm Adams Jack Jack com- Dawson, that Dawson, feels like a suck- representations of life that the movies of- They are rulers of men,the masters mirror that of Mr.the DiCapriouni- and Mr. Scor- “Titanic,”earlier times and — pitiable,Mr. DiCaprio, admirable stillor des- boyish in er punch in Mr. Russell’s latest, “American ease, such charm, such nonchalantease,with self-confidencesuch charm,refusal such or nonchalant swimming refusal in self- was nothing ofpresent the kind, variouswas of course, nothingan ease,eager, incarnationsease, but ofsuch free-spirited suchhisthe charm,kind, charm, of of power.such course,individualist,such nonchalant nonchalant contrivancesbut his a refusal refusal irrelevant. Likemovie all of star. Ms. Theing, yearwas aswas waswell nothing nothing 1997,as flickering theof of the film the kind,reminders waskind, of of course, course,of Jean but but his his fer us. Yet while all actors act, stars give sese hold up, and you will see Jay Gatsby picable depending on the angle from which ANDREW COOPER/ DREAMWORKS PICTURES Hustle.” verse, kingsof the of easy the artificeworld. of villainy?ofpity, the while easy Right the artifice restin of us villainy? bounce Right around in scrappyhis early refusal 20s, to proclaimed play scrappyself-made by the of rules refusalhimselfof manthe the of easy still easyto a the play in artifice artificeking the by making the of of villainy? rules villainy? Lawrence’s and, of in a Right Right signature in in characters, she can’t Harlowscrappyscrappy in “Dinner refusal refusal at to Eight” to play play and by by theMarilyn the rules rules of of a a more than performances: They deliver and Howard Hughes (in Mr. Scorsese’s they are viewed.They areYou rulerswill also of seemen, J. Edgarmasters of the uni- “Titanic,” and Mr. DiCaprio, still boyishIn that in film, Ms. Lawrence plays Rosa- And frontwho ofelse our could eyes. play Mr. DiCapriothemfrontamong ofwith intense our has such eyes. been and Mr. incompatible DiCaprio has feelings been rigidlyof the hierarchical world. His society character,rigidlythe was end, hierarchicalpartfront front a Jack tragicof of his of our Dawson, our victimsociety eyes. eyes. Mr. of was Mr. other DiCaprio part DiCapriobe men’sof denied, his has has whether been been chasing down Mr. Coo- Monroerigidlyrigidly in hierarchical “Some hierarchical Like society It society Hot.” was Butwas part you part of of his his identifiable, commodifiable personalities “The Aviator”), personifications of the Hoover (inverse, Clint kings Eastwood’s of the “J.world. Edgar”) per’s wreck inMr. “Silver DiCaprio Linings” ishis ableor early landing to galvanize20s, proclaimed these himselflyn, the the king neglected wife of a con man that often blur the lines between their on- of envy, hero worship and resentment. appeal,was bothnothing for Kate of the Winslet’sappeal,greed kind, and of both Rose course,hubris for and Kate and but his Winslet’s his own selfless Rose andno- alsoappeal, seeappeal, one both of both those for for Kate exciting, ’s Winslet’s precarious Rose Rose and and ease, suchusing charm, his charisma, suchcontradictory nonchalanthis unmistakableusing his spirit refusalcharisma, of mov- American his unmistakable wealth in mov- and Calvin CandieAnd who (the plantationelse couldusingusing owner play his his themcharisma,in charisma, with hissuch his unmistakable unmistakablea kiss on Amy mov- mov-feelings Adams that in partfeelsof like becausethe a suck-world. his His celebrity character, Jack(Christian Dawson, Bale) who’s fallen for Ms. Ad- screen and off-screen worlds and the hard Wouldn’t it be great to live the way they for the countless millionsforbility. around the It countless was the worldlost onmillions nobody around at the the time world that representationsforfor the the countless countless of life millions thatmillions the around moviesaround the of- the world world of the ie-starness, easy artifice to explore ofearlier villainy? ie-starness, times the iconography — Right pitiable, to in exploreadmirable the or des- iconography scrappyQuentin Tarantino’s refusalease, such to“Django charm, play Unchained”), byie-starness, suchie-starness, the nonchalant rules to to of explore refusal explore a the theer punchiconography iconography in Mr.makes Russell’s him both latest, onewas “American of nothing them and of onefer the us.of kind, us, Yet of while course, allams’s actors but character. his act, stars Ms. give Lawrence doesn’t work that goes into star creation. Cary do? Don’t we wish we had their confi- who turned “Titanic” intowhothe a boxgrandiosity turned office “Titanic” jug- of “Titanic” into a boxmirrored office thatjug- whowho turned turned “Titanic” “Titanic” into into a abox box office office jug- jug- front ofand our psychology eyes. Mr. of picablewhat DiCaprio weand depending are psychology haslately on been in the the of angle what from we arewhich lately in the rigidlyroles that hierarchical allowedof the easyMr. DiCaprio’sANDREWsociety artifice COOPER/andand was of winningpsychology DREAMWORKS psychology villainy? part PICTURESof of Righthis of what what in we we areHustle.” are lately lately in in theand the also because scrappyof his specific refusal screenmore to playhis- than by performances: the have rules all of that aThey much deliver screen time, but she’s a Grant personified cinematic elegance, but of its namesake, and that this populist fa- CHRIS PIZZELLO/ASSOCIATED PRESS using hishabit charisma, of calling histhethey 1unmistakable percent. arehabitdence, viewed. Thisof theircalling Youis mov- less will influence, the a also 1 percent. see theirJ. Edgar This suits? is less But a gernaut.appeal,smile to both curdlefront for into of ourKate agernaut. sneer eyes. Winslet’s ofhabit Mr. habit cold DiCaprioof com-of calling Rosecalling hasthe and the 1 been percent.1 percent. ThisIn This that is is film,less lesstory. a Ms. a It Lawrenceis easy enough rigidly plays to Rosa- hierarchical pinpointidentifiable, thegernaut. gernaut.mo-society commodifiablewas dominating,part of his personalities palpably physical presence, he also trained as an acrobat, which helps Hoovershouldn’t (in Clint they Eastwood’s all be in “J. jail? Edgar”) Jackmand. was All a of class these warrior,characters,CONTINUEDJack locked wasrepellent ON a inPAGE class aor 30 warrior, locked in a mentMs. he madeLawrence the transition tripping last from year up-and- onJack theJack way was was to collect a all a class thrustingclass her warrior, Oscar warrior, bosom, for locked her locked scissoring work in in a “Silver a hips, Linings.” run- ie-starness,matter toof humanizing explore the thematter wealthy iconography of humanizing than of the wealthy than of for the countlessMr.using DiCaprio his millions charisma, is able matteraround matter tohis galvanize unmistakable of ofthe humanizing humanizing world these mov- the the wealthy lyn,wealthy the than neglectedthan of of wife of appeal, a con man both forthat Kate often Winslet’s blur the lines Rose between and their on- CONTINUED ON PAGE 28 putting a face — a andhandsome Calvinputting Candie face a face — (the on — theplantation a handsome owner face in — on the strugglesympathetic, for feelingsRose’sie-starness, humanized affection in struggle part to with or because explore putting caricatured,for puttingan Rose’s arro- his thea aface face celebrityaffection iconography — — a ahandsome handsome with an(Christian facearro- face — — on Bale)on thecoming the who’s young fallen actor for for the toMs. full-fledgedcountless Ad- screen millions globalstrugglestruggle and aroundoff-screen for for Rose’s Rose’s the worlds world affection affection and the with with hard an an arro- arro- and psychology of what we are lately in the whopresent turned various “Titanic” incarnations into a of box power. office jug- movie star. The year was 1997, the film was ambivalence that Quentin capitalismambivalence Tarantino’s continues “Django that to capitalism Unchained”), continues to gant top-drawermakesand jerk psychologyhim played bothgant one by top-drawer of ofBillyambivalence what themambivalence Zane, we and jerkare one latelyplayed that of that us, capitalismin capitalismby the Billyams’s Zane, continues continues character. to to Ms. Lawrencewho doesn’tturned “Titanic”workgantgant that into top-drawer top-drawer goes a box into office jerk starjerk jug- played creation.played by by CaryBilly Billy Zane, Zane, roles that allowed Mr. DiCaprio’s winning They are rulers of men, masters of the uni- “Titanic,” and Mr. DiCaprio, still boyish in habit ofinspire. calling The the very 1 percent. rich areinspire. eitherThis isThebrimming less very a rich are either brimming but gernaut.he was notand habit exactly also ofbecause calling abut revolutionary. heof the hiswasinspire. 1inspire.specific percent.not Heexactly The screenThe This very very ahis- is revolutionary.rich lessrich are aare either haveeither He allbrimming brimming that much screen time,gernaut. but she’s a Grantbutbut personified he he was was not not cinematic exactly exactly aelegance, arevolutionary. revolutionary. but He He matterwith of humanizing self-confidence smilethe or wealthy toswimmingwith curdle self-confidence than into in a self- of sneer or of cold swimming com- in self- was verse,anJack eager, kings tory. was free-spirited of It the a is classeasyworld.was enough individualist, warrior,an eager,with towith pinpoint self-confidence lockedfree-spirited self-confidence a the inmo- a individualist, or or swimming swimmingdominating, a in in self- his palpablyself- early 20s, physical proclaimed presence, himselfhe the alsowas kingwas trainedan an eager, eager, as anfree-spirited free-spirited acrobat, which individualist, individualist, helps a a matter of humanizing the wealthy than of of the world. His character,Jack was Jack a Dawson, class warrior, locked in a mand. All of these characters, repellent or self-madeAnd manwhoment else still he could inmade theself-made play the making themtransition with man and, suchfrom still in up-and- in the making all and, thrusting in bosom, scissoring hips, run- CONTINUEDself-madeself-made ON PAGE man man 28 still still in in the the making making and, and, in in puttingpity, a face while — athe handsome rest of uspity, face bounce while — on around the the rest of us bounce around struggleease, such for puttingcharm, Rose’s sucha face affectionnonchalant — a pity,handsomepity, withrefusal while while an face the thearro- —rest rest on of the of us us bounce bounce around aroundwas nothing of thestruggle kind, of forcourse, Rose’s but affection his with an arro- sympathetic, humanized or caricatured, the end, a tragiccoming victim youngthe actor of end, other to a full-fledged men’stragic victim global of other men’s thethe end, end, a a tragic tragic victim victim of of other other men’s men’s ambivalenceamong intensethat capitalism andpresent incompatibleamong variouscontinues intense feelings incarnations to and incompatible of power. feelings gantof the top-drawer easymovieambivalence artifice star. jerkThe of villainy?year played that was among capitalismamong 1997,Rightby Billyintensethe intense in film continues Zane, was and and incompatible incompatible to feelings feelingsscrappy refusal togant play top-drawer by the rules jerk of played a by Billy Zane, greed and hubris and hisgreed own andselfless hubris no- and his own selfless no- greedgreed and and hubris hubris and and his his own own selfless selfless no- no- of envy, hero worshipThey are of and rulers envy, resentment. of hero men, masters worship of andthe uni- resentment. butfront he of was “Titanic,” ourinspire. eyes.not exactly and Mr.The Mr. DiCaprio very DiCaprio,a richrevolutionary.ofof has envy, are envy, still been either heroboyish hero brimming worshipHe in worship and and resentment. resentment.rigidly hierarchicalbut society he was was not part exactly of his a revolutionary. He inspire. The very rich are either brimming bility. It was lost on nobodybility. at theIt was time lost that on nobody at the time that bility.bility. It It was was lost lost on on nobody nobody at at the the time time that that Wouldn’t it be greatverse, to kingsWouldn’t live the of the way it world. be they great to live the way they wasusing an his hiseager, charisma,with early self-confidencefree-spirited 20s, his proclaimed unmistakableWouldn’tWouldn’t individualist, orhimself swimmingmov- it theit be be king great great ina self- to to live live the the way way they appeal, they both for Katewas an Winslet’s eager, Rosefree-spirited and individualist, a with self-confidencedo? Don’t we wish or swimming wedo? had Don’t their in we self- confi- wish we had their confi- the grandiosity of “Titanic”the grandiositymirroreddo?do? Don’t that Don’t of “Titanic” we we wish wish mirrored we we had had that their their confi- confi-for the countless millions around the theworldthe grandiosity grandiosity of of “Titanic” “Titanic” mirrored mirrored that that And who else could play them with such self-madeie-starness,of pity, the man to world. explorewhile still His the in thecharacter, the rest iconography making of usJack bounce Dawson, and, around in self-made man still in the making and, in pity, whiledence, the their rest influence, ofease, us such bouncedence, their charm, suits? their around such influence, But nonchalant their refusal suits? But of itsand namesake, psychologywasamong nothingand of whatthat intense of wethethisits arenamesake,kind, andpopulistdence, latelydence, incompatibleof course, in fa- theirthe theirand but that influence,influence, his feelings this populist their their suits? fa- suits? Butwho But turned “Titanic”the into end, a abox tragic officeof victimof jug-its its namesake, namesake, of otherCHRIS PIZZELLO/ASSOCIATEDand men’sand that that this this populist PRESS populistCHRIS fa- PIZZELLO/ASSOCIATEDfa- PRESS CHRISCHRIS PIZZELLO/ASSOCIATED PIZZELLO/ASSOCIATED PRESS PRESS amongshouldn’t intense they and all incompatible beof in the jail? shouldn’t easy artifice feelings they of all villainy? be in jail? Right in CONTINUEDthehabit end, of ON callingscrappy PAGEof a tragicenvy, the 30 refusal 1 percent. CONTINUEDhero victim to worshipplay Thisshouldn’t shouldn’t of byON is other thePAGEless and they rulesa they30 resentment. men’s all of all be a beMs. in in jail? Lawrence jail? trippinggernaut. last Ms.year Lawrence on the waygreed tripping to collectand last hubris her year Oscar CONTINUEDonandCONTINUED the for his way her own towork ON collect ONselfless PAGE in PAGE “Silver her 30 30no- Oscar Linings.” for her work in “Silver Linings.”Ms.Ms. Lawrence Lawrence tripping tripping last last year year on on the the way way to to collect collect her her Oscar Oscar for for her her work work in in “Silver “Silver Linings.” Linings.” of envy, hero worshipfront and of our resentment. eyes. Mr. DiCaprio has been greedmatter andofrigidly humanizingWouldn’t hubris hierarchical and it the be wealthyhis greatsociety own to thanwas liveselfless partof the of way no-his they Jack was a classbility. warrior, It was lockedlost on innobody a at the time that struggle for Rose’s affection with an arro- Wouldn’t it be great tousing live his the charisma, way theyhis unmistakable mov- bility.putting It a appeal,was facedo? —lost Don’t botha handsome on for nobody we Kate wish face Winslet’s at — we the on hadthe time Rose their that and confi- the grandiosity of “Titanic” mirrored that ie-starness, to explore the iconography ambivalencefor the that countless capitalism millions continues around to the world gant top-drawer jerk played by Billy Zane, the grandiositydence, of their “Titanic” influence, mirrored their suits? that But of its namesake, and that this populist fa- CHRIS PIZZELLO/ASSOCIATED PRESS do? Don’t we wish weand psychology had their of confi-what we are lately in the inspire. Thewho very turned rich “Titanic” are either into brimming a box office jug- but he was not exactly a revolutionary. He dence, their influence,habit their of calling suits? the 1 But percent. This is less a ofwith its self-confidencenamesake,gernaut.shouldn’t and orthey swimming that all be this in injail? populist self- fa- was an eager, free-spiritedCONTINUED individualist, ON PAGE 30 a Ms.CHRIS Lawrence PIZZELLO/ASSOCIATED tripping last PRESS year on the way to collect her Oscar for her work in “Silver Linings.” shouldn’t they all be in matterjail? of humanizing the wealthy than of CONTINUEDpity, while Jack the ON restPAGE was of a 30 usclass bounce warrior, around locked in a Ms. Lawrenceself-made tripping man still last in year the makingon the way and, to in collect her Oscar for her work in “Silver Linings.” putting a face — a handsome face — on the among intensestruggle and for incompatibleRose’s affection feelings with an arro- the end, a tragic victim of other men’s ambivalence that capitalism continues to of envy,gant hero top-drawer worship jerk and played resentment. by Billy Zane, greed and hubris and his own selfless no- inspire. The very rich are either brimming Wouldn’tbut it behe was great not to exactly live the a wayrevolutionary. they He bility. It was lost on nobody at the time that with self-confidence or swimming in self- do? Don’twas we an wisheager, we free-spirited had their individualist, confi- a the grandiosity of “Titanic” mirrored that pity, while the rest of us bounce around dence, theirself-made influence, man still their in suits?the making But and, in of its namesake, and that this populist fa- CHRIS PIZZELLO/ASSOCIATED PRESS among intense and incompatible feelings shouldn’tthe they end, all be a in tragic jail? victim of other men’s CONTINUED ON PAGE 30 Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” of envy, hero worship and resentment. greed and hubris and his own selfless no- Wouldn’t it be great to live the way they bility. It was lost on nobody at the time that do? Don’t we wish we had their confi- the grandiosity of “Titanic” mirrored that dence, their influence, their suits? But of its namesake, and that this populist fa- CHRIS PIZZELLO/ASSOCIATED PRESS shouldn’t they all be in jail? CONTINUED ON PAGE 30 Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” C MC MY KY K Sxxx,2014-02-23,AR,026,Bs-4C,E1Sxxx,2014-02-23,AR,026,Bs-4C,E1 C M Y K Sxxx,2014-02-23,AR,026,Bs-4C,E1

C M26 Y KAR Sxxx,2014-02-23,AR,026,Bs-4C,E1THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014 26 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014

26 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014

26 AR THE NEW YORK TIMES,Film SUNDAY,Film FEBRUARY 23, 2014 Film A. O. SCOTT MANOHLA DARGIS C M Y K A. O. SCOTT Sxxx,2014-02-23,AR,026,Bs-4C,E1Film MANOHLA DARGIS A. O. SCOTT MANOHLA DARGIS

26 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014 26 AR A. O. SCOTT THE NEW YORK TIMES, SUNDAY,Being FEBRUARYBeing 23, 2014 Human MANOHLAHuman DARGIS FilmBeing Human FilmBeingSeems Human Enough A. O. SCOTT Seems EnoughMANOHLA DARGIS A. O. SCOTT Seems EnoughMANOHLA DARGIS SeemsBeing Enough Human Seems Enough PARAMOUNT PICTURES PARAMOUNT PICTURES

PARAMOUNT PICTURES

That Sweet Lamb PARAMOUNT PICTURES ThatThat SweetSweet Lamb Lamb PARAMOUNT PICTURES ThatInIn Wolf’s Wolf’s Sweet Clothing Clothing Lamb PARAMOUNTPARAMOUNT PICTURES PICTURES InLeonardo Wolf’s DiCaprio’s duality Clothing Above, Leonardo Di- Leonardo DiCaprio’sThat duality Sweet LambAbove, Leonardo Di- That Sweet LambCaprio as the stock trad- Caprio as the stock trad- reflects our ambivalence. er Jordan Belfort in “The Inreflects ourWolf’s ambivalence. Clothing Above,er Jordan Leonardo Belfort Di- in “The Leonardo DiCaprio’s duality Wolf of Wall Street”; left, Wolf of Wall Street”; left, Caprioas as Howard the stock Hughes trad- in reflectsIT SEEMS our ambivalence. LIKELY that Leonardo DiCaprio erAbove,as Jordan Howard Leonardo Belfort Hughes inDi- “Thein FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS LeonardoIT SEEMS LIKELY DiCaprio’sthat LeonardoIn duality DiCaprio Wolf’s Clothing“The Aviator.” FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS In Wolf’s ClothingWolf“The of Aviator.” Wall Street”; left, will not win an Oscar next Sunday for his will not win an Oscar next Sunday for his Caprio as the stock trad- reflectsportrayal our ofambivalence. the financial scam artist Jor- as Howard Hughes in At 23, Jennifer Lawrence er Jordan Belfort in “The At 23, Jennifer Lawrence FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS ITportrayal SEEMS LIKELY of the financialthat Leonardo scamLeonardo artist DiCaprio Jor- DiCaprio’s duality Above, Leonardo Di- dan Belfort in “The WolfLeonardo of Wall Street.” DiCaprio’s As duality “TheWolf ofAviator.” Wall Street”;Above, left, Leonardo Di- stands out, as does her acting. willdan notBelfort win inan “The Oscar Wolf next of WallSunday Street.” for his As Caprio as the stock trad-stands out, as does her acting. a rule, Academy votersreflects prefer ourdisplays ambivalence. of as Howard Hugheser inJordan Belfort in “The portrayala rule, Academy of the financial voters prefer scamreflects displays artist our Jor- of ambivalence. erer JordanJordan BelfortBelfort inin “The“TheAt 23, Jennifer Lawrence FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS IT SEEMSsuffering LIKELY andthat stoicism Leonardo in the DiCaprio face of adver- “The Aviator.” Wolf of Wall Street”; left, suffering and stoicism in the face of adver- Wolf of Wall Street”; left, IT WAS AT THE 2008 Venice Film Festival danwill Belfortnotsity win from in an “The leadingOscar Wolf next men.of Wall Sunday Jordan’s Street.” for briefAshis so- as Howard Hughes instands out, as does her acting. asas HowardHoward Hughes Hughes ininIT WAS AT THE 2008 Venice Film Festival FRANÇOIS DUHAMEL/SONY-COLUMBIA PICTURES, VIA ASSOCIATED PRESS aportrayalsity rule, from Academy of leading the financialvoters men. prefer Jordan’s scamITIT SEEMS SEEMS displays artist brief LIKELY LIKELY Jor- so-of thatthat Leonardo Leonardo DiCaprio DiCaprio At 23,that Jennifer Jennifer LawrenceLawrence — future Oscar FRANÇOISFRANÇOIS DUHAMEL/SONY-COLUMBIA DUHAMEL/SONY-COLUMBIA PICTURES, PICTURES, VIA VIA ASSOCIATED ASSOCIATED PRESS PRESS journ in a country-clubIT prison SEEMS hardly LIKELY qual-that Leonardo DiCaprio “The“The Aviator.”Aviator.” that Jennifer Lawrence — future Oscar sufferingdanjourn Belfort in a and country-club in stoicism“The Wolf in prison ofthe Wallwill face hardly not Street.” of win adver- qual- an As Oscar next Sunday for his winner, squirrel skinner, American warrior ifies; nor do the ill effects of too many ITstandswinner, WAS ATsquirrel out, ing THEAt 23, stalkeras 2008skinner, JenniferdoesVenice inAmerican her “Silver Film Lawrence acting. Festival warrior Linings,” But you also see one of those sityaifies; rule, from nor Academy leading do the voters men. ill effects Jordan’spreferportrayal of displays too brief of many the so- of financial scam artist Jor- — signaledAt 23, that Jennifer she was Lawrence no ordinary star- quaaludes in the film’sdan mostBelfort celebrated in “The Wolf of Wall Street.” As that— signaled Jennifer that Lawrence she was no — ordinary future Oscar star- journsufferingquaaludes in a andcountry-club in stoicism the film’s inprison the mostdan face hardly Belfort celebrated of adver- qual- in “The Wolf of Wall Street.” As let. SheMs.stands wasn’t Lawrence out, yet asfamous does inhabited then, her acting.just a ade pa- - exciting, precarious represen- scene not involving cocainea rule, Academy and a prosti- voters prefer displays of winner,let. 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Yet while all actors sity from leading men. 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Mr. Di- her forance a dance so likable, contest, uninflected though and neither emotional- canmay notfetishized either. But spectacle that makes but thethe charac- equal of her decideis,him like first, to an hate and airline Jordanallow customer-service ourselves in the end,ItIt to wouldn’t wouldn’t thatsuccumb repre- con- be be the theoftenA first first gift wealth. time.contradictory time.for Mr. Mr. Di- Di- muchher for story a danceance sense contest,Whenso likable, — she Rosalynthough uninflected cajoles neither Bradleywobbles and emotional-can infetishized heels,seesee herher do spectacle oror we Ms.Ms. seeLawrence,Lawrence, but theof andand experience equal doesdoes ofitit mat-mat- her as a working actor. At 14, while to the pleasure of beingCaprio’s had, wolf even does at not thewealth. stand alone. 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Ifthat we Mr. DiCapriospirit ofand American Mr. Scor- Cooper’sand theresistible, character. characterhercontrivances or and Ms. Tiffany into Ms. Lawrence, irrelevant. partnering Lawrence’s doesn’t Like and make with allperform- does of Ms.enthatmale it as matter?makes muchcounterpart asa virtuemen,In that(Mr. Rosalyn out Cooper). ofvisiting chaos. isn’t a Andprop New be-or York, she was tapped by a model- himrisk first,of losing and our allow self-respect. ourselvesthethe tomirrormirror succumb thatthat Mr.Mr. DiCaprioDiCaprio andand Mr.Mr. Scor-Scor- contrivancescontrivances irrelevant. irrelevant. 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HughesLook inspirit (in Mr. of Scorsese’sAmerican Cooper’sly believable charactereringbe denied, reminders that whether into it partnering makes chasing of the Jeandown with narrative Mr.Harlow Coo-en as Monroeter?inmuch “Dinner In as inthat men, “Some wobble, at Rosalyn Like youlike It isn’t Hot.” see “Cold a a Butprop storm Case” you or com- (as the daughter of a murdered riskhimCaprio’s offirst, losing wolf and our doesallow self-respect. not ourselves stand“The alone. to Aviator”),succumb Look in personifications of the ly believableper’s that wreck it makesin “Silver the Linings” narrative or landing the mirror that Mr. DiCaprio“The“The Aviator”), Aviator”), and Mr. Scor- personifications personifications of of the the resistible,her forcontrivances a dance andper’s contest, Ms.wreck irrelevant. Lawrence’s in though “Silver Linings”neither Like perform- all canor oflanding Ms.fetishizedter?When Inalso that Rosalyn see spectacle wobble, one of wobbles those you but exciting, see the in aheels, equal storm precarious doof com- herwe theIt mirror wouldn’t that be Mr. the DiCaprio first contradictory time. and Mr. Mr. Scor- Di- spirit ofwealth. American wealth in Eight”a kiss on andAmy AdamsMarilyn that Monroe feels like a insuck- “Someing, Like as well It Hot.” as flickering woman) reminders and of Jean“” (in one episode, she to thesese pleasure hold up, of being and you had, contradictorycontradictorywill even see atJay the spirit spiritGatsby ofof AmericanAmerican wealthwealth inin ancereallycontrivances soLawrence’s dance likable,a kiss— irrelevant. uninflected but on signature AmyMr. AdamsRussell’s Like andcharacters, that emotional- all film feels of is like Ms.she ir- a can’t suck-seemaleing, her as representationscounterpartrepresentations wellor Ms. as flickeringLawrence, (Mr. of of life lifeCooper). reminders that thatand the thedoes movies movies ofit mat-Jean of- of- Caprio’ssese hold wolf up, does and notyou stand will seeearlier alone. Jay times Look Gatsby — in pitiable, admirable or des- er punch in Mr. Russell’s latest, “American ferHarlow us. Yet in while“Dinner all actors at Eight” act, stars and give Marilyn risk ofand losing Howard our self-respect. Hughes earlier (in Mr. times Scorsese’s — pitiable, admirable or des- lyresistible,Lawrence’s believablebe denied, ander signature thatpunch Ms.whether it in Lawrence’s makes Mr.characters, Russell’schasing the narrative latest,down perform-she can’t “AmericanMr. Coo-ter?HarlowWhen Inferfer that in us. us. Rosalyn “Dinner Yet Yetwobble, while while wobbles at you all all Eight” actors actors see in a act,heels, act, andstorm stars starsMarilyn do com- give give we picable depending on the angle from which ANDREWANDREW COOPER/COOPER/ DREAMWORKSDREAMWORKS PICTURESPICTURES Hustle.” moreMonroe than in performances: “Some Like ItThey Hot.” deliver But you theandIt mirror wouldn’tHoward that Hughes beMr. theDiCaprio first (in Mr.picable time.and Scorsese’s Mr. depending Mr. Scor- Di- on the angle from which ANDREW COOPER/ DREAMWORKS PICTUREScontrivancesbe denied, whetherHustle.” irrelevant. chasing Like down all Mr. of Coo- Ms. Monroemore in than “Some performances: Like It Hot.” They But deliver you “The Aviator”), personificationsthey are viewed. of You the will also see J. Edgar ance soper’s likable, wreckIn uninflected that in film, “Silver Ms. and Linings” Lawrence emotional- or plays landing Rosa-ing,see asheralso well or seeMs. as flickering oneLawrence, of those reminders and exciting, does of it precariousJeanmat- sese“The hold Aviator”), up, and you personifications will seetheythey Jay areare Gatsbyviewed.viewed. of the YouYou willwill alsoalso seesee J.J. EdgarEdgar InIn that that film, film, Ms. Ms. Lawrence Lawrence plays plays Rosa- Rosa- identifiable,identifiable, commodifiable commodifiable personalities personalities Caprio’scontradictory wolf does not spirit stand of Hoover Americanalone. Look (in Clintwealth in Eastwood’s in “J. Edgar”) Mr. DiCaprio is able to galvanize theseLawrence’slyper’s believable wreck lyn,signature in that “Silver the it neglected makescharacters, Linings” the wife or narrativeshe oflanding can’t a con manHarlowter?also In see thatin one “Dinner wobble, of those at you Eight” exciting, see a and storm precarious Marilyn com- Hoover (in Clint Eastwood’s “J. Edgar”) Mr. DiCaprio is able to galvanize these a kiss lyn,lyn,on Amy the the Adams neglected neglected that wife wife feels of of like a a con con a suck- man man thatthatrepresentations oftenoften blurblur thethe lines oflines life betweenbetween that the theirtheir movies on-on- of- andthecontradictory mirror Howard that Hughesspirit Mr. DiCaprio of American (in Mr.and and Calvin Scorsese’s Mr.wealth Scor-Candie in (the plantation owner in feelings in part because his celebritybecontrivancesa kiss denied, on Amy whether(Christian irrelevant.Adams chasing Bale) that Likefeels who’s down like all fallen Mr. ofa suck- Coo- for Ms. Ms. Ad-Monroerepresentations in “Some of Like life that It Hot.” the movies But you of- earlier times — pitiable,and admirable Calvin Candie or (thedes- plantation owner in feelingsfeelings in in part part because because his his celebrity celebrity er punch(Christian(Christian in Mr. Bale) Bale)Russell’s who’s who’s latest, fallen fallen “American for for Ms. Ms. Ad- Ad-ing, asscreenscreenfer well us. andasand Yet flickering off-screenoff-screen while all remindersworldsworlds actors andand act, the theof Jean starshardhard give “Theseseearlier hold Aviator”), times up, — and pitiable, personificationsyou will admirable seeQuentin Jay Tarantino’s Gatsby ofor des- the “Django Unchained”), makes him both one of them and one ofper’ser us, punch wreck in ams’sMr.in “Silver Russell’s character. Linings” latest, Ms. or“American Lawrence landing doesn’talsofer us. seework Yet one that while of goes those all into actors exciting, star act, creation. precarious stars Cary give picable depending on theQuentin angle Tarantino’s from which “Django Unchained”), makesANDREW him COOPER/ both DREAMWORKSone of them PICTURES and one ofLawrence’s us, Hustle.”ams’s signature character. characters, Ms. Lawrence she can’t doesn’tHarlowworkmore in that“Dinner than goes performances: at into Eight” star creation. and TheyMarilyn Cary deliver contradictorypicable depending spirit on of the American angleroles from thatwealth whichallowed in Mr. DiCaprio’s winning ANDREWand COOPER/ also because DREAMWORKS of his PICTURES specific screen Hustle.”his- have all that much screen time, but she’s a and Howardthey are Hughesviewed. You (in will Mr.rolesroles also Scorsese’sthatthat see allowedallowed J. Edgar Mr.Mr. DiCaprio’sDiCaprio’s winningwinning and also because of his specific screen abehis- kiss denied, onIn Amy thatwhetherhave Adams film,all that chasing Ms. that much Lawrencefeels screendown like Mr.time, a plays suck- Coo- but Rosa-she’srepresentationsMonroemore a Grant than in personified “Some performances: of life Like cinematic that It theHot.” They elegance, movies But deliver youbut of- they are viewed. You will alsosmile see to J. curdle Edgar into a sneer of cold com- tory. It is easy enough to pinpoint the mo- dominating, palpably physical presence, identifiable, commodifiable personalities earlier“The Hoover Aviator”),times — (in pitiable, Clint personifications Eastwood’s admirablesmilesmile to to or curdle curdleof “J. des- the Edgar”) into into a a sneer sneer of of cold cold com- com- Mr. DiCapriotory.tory. is ItIt ableisis easyeasy to enough enough galvanize toto pinpointpinpoint these thethe ermo-per’smo- punchIn thatlyn,wreck in film, thedominating,Mr. in “Silver neglectedRussell’sMs. Lawrence Linings” palpably latest, wife plays “Americanphysical or of landing a Rosa- con presence, manferalsoidentifiable, us. seehe Yet also one while trained ofcommodifiable those all as actors an exciting, acrobat, act, personalities which precarious stars helps give mand. All of these characters, repellent or ment he made the transition from up-and- all thrusting bosom, scissoring hips, run- CONTINUEDthat often ON blur PAGE the 28 lines between their on- picablecontradictoryHoover depending (in Clint spirit Eastwood’son of the American anglemand. “J.from wealthAll Edgar”) whichof these in characters, repellent or Mr. DiCaprioANDREW isment able COOPER/ he to made DREAMWORKS galvanize the transition PICTURES these from up-and-Hustle.”lyn, the neglectedall thrusting wife bosom, of scissoring a con man hips, run-that oftenCONTINUEDCONTINUED blur ONONthe PAGEPAGE lines 28 28 between their on- and Calvin Candie (thesympathetic, plantation owner humanized in or caricatured, feelings in coming part because young actor his to celebrityfull-fledged globala kiss(Christian on Amy Adams Bale) that who’s feels fallen like a for suck- Ms. Ad-morerepresentations screen than performances:and ofoff-screen life that worlds the They movies and deliver the of- hard theyearlierand Calvinare times viewed. Candie — pitiable,You (the will plantation admirablealsosympathetic,sympathetic, see J. owner orEdgar des- humanized humanizedin or or caricatured, caricatured, feelings in part comingcoming because young young his actor actor celebrity to to full-fledged full-fledged global global(ChristianIn that film, Bale) Ms. who’s Lawrence fallen plays for Ms. Rosa- Ad- screen and off-screen worlds and the hard Quentin Tarantino’s “Djangopresent Unchained”), various incarnations of power. makes him bothmovie one star. of The them year and was one 1997, of the us, film waser punchams’s in Mr. character. Russell’s Ms. latest, Lawrence “American doesn’tidentifiable,fer us.work Yet while that commodifiable goes all actors into staract, personalities stars creation. give Cary HooverQuentin (inTarantino’s Clint Eastwood’s “Djangopresent Unchained”), “J. Edgar”) various incarnations of power. makesMr. DiCaprio him both isone movie able of them tostar. galvanize The and year one was theseof us,1997, the film lyn,wasams’s the character. neglected Ms. wife Lawrence of a con doesn’t man work that goes into star creation. Cary picableroles depending that allowed on the Mr. angleThey DiCaprio’s from are rulers which winning of men, masters of the uni- and also becauseANDREW“Titanic,” COOPER/ of his DREAMWORKS and specific Mr. DiCaprio, PICTURES screen still his- boyishHustle.” in have all that much screen time, but she’sthatmore a often Grant than blur personified performances: the lines cinematicbetween They their elegance, deliver on- but androles Calvin that allowedCandie (theMr. plantationDiCaprio’sThey are owner winning rulers in of men, masters of the uni- feelingsand also because in part of“Titanic,” because his specific and his Mr. screen celebrity DiCaprio, his- still boyish(Christianhave in all that Bale) much who’s screen fallen time, for but Ms. she’s Ad- a Grant personified cinematic elegance, but they aresmile viewed. to curdle You will into also averse, sneer see kings J. of Edgar coldof the com-world. tory. It is easyhis enoughearly 20s, to proclaimed pinpoint thehimself mo- the kingIn thatdominating, film, Ms. palpably Lawrence physical plays Rosa- presence,screenidentifiable,he and also off-screen trained commodifiable as worlds an acrobat, and personalities the which hard helps Quentinsmile to Tarantino’s curdle into “Django a sneer Unchained”), of cold com- tory. It is easy enough to pinpoint the mo- dominating, palpably physical presence, Hoovermand. (in ClintAll of Eastwood’sthese characters,And “J. who Edgar”) repellent else could or play them with such makesMr.ment DiCapriohim bothhe made one is of able theofthe them world. totransition galvanize and His one character, from of these us, up-and- Jack Dawson,ams’slyn, the all character. thrusting neglected Ms. bosom, wife Lawrence ofscissoring a con doesn’t manhips, run-workthathe also often that trained blur goes theas into anlines acrobat, star between creation. which their helps Cary on- mand. All of these characters, repellent or was nothing of the kind, of course, but his CONTINUED ON PAGE 28 rolesand Calvin thatsympathetic, allowed Candie (theMr. humanized DiCaprio’splantationease, orsuch ownerwinning caricatured, charm, in such nonchalant refusal andfeelingsment also cominghe becausemade in part young the of was becausetransitionhis actor nothing specific to hisoffrom full-fledged screenthe celebrity kind,up-and- his- of globalcourse, buthave(Christian allhis thrusting all that Bale) much bosom, who’s screen scissoring fallen time, for but hips, Ms. she’s run- Ad- a GrantscreenCONTINUED personified and ONoff-screen PAGE cinematic 28 worlds elegance, and the hard but sympathetic, humanized orof the caricatured, easy artifice of villainy? Right in scrappy refusal to play by the rules of a smileQuentin present to Tarantino’s curdle various into “Django a sneer incarnationsof Unchained”), of the cold easy com- of artifice power. of villainy? Right in tory.makescoming Itmovie himis young easy both star. enough actor oneThescrappy of year to tothem full-fledged pinpoint refusalwas and 1997, toone the play the globalof mo- us,film by the was rules dominating, ofams’s a character. palpably Ms. physical Lawrence presence, doesn’t hework also that trained goes as intoan acrobat, star creation. which helps Cary frontfront of of our our eyes. eyes. Mr. Mr. DiCaprio DiCaprio has has been been rigidly hierarchical society was part of his mand.rolespresent that All various ofallowed these incarnationscharacters,Mr. DiCaprio’sfront repellent of of winning our power. eyes. or Mr. DiCaprio has been mentandmovie also he star. madebecause The the year of rigidlytransition his was specific hierarchical 1997, from the screen filmup-and- society washis- was part ofallhave his thrusting all that much bosom, screen scissoring time, but hips, she’s run- a CONTINUED ON PAGE 28 They are rulers of men,using masters his charisma, of the uni- his unmistakable mov- “Titanic,” andappeal, Mr. DiCaprio, both for Kate still Winslet’s boyish in Rose and Grant personified cinematic elegance, but sympathetic,smileThey are to curdlerulers humanized of into men, a sneermasters orusing of caricatured, coldofhis the charisma, com- uni- his unmistakable mov- comingtory.“Titanic,” It is young easy and Mr. actorenoughappeal, DiCaprio, to to full-fledged bothpinpoint still for Kateboyish the global Winslet’smo- in Rosedominating, and palpably physical presence, he also trained as an acrobat, which helps verse, kings of the world.ie-starness,ie-starness, to to explore explore the the iconography iconography his early 20s,forfor proclaimed thethe countlesscountless himself millionsmillions the aroundaround king thethe worldworld presentmand.verse, kingsAll various of ofthese the incarnations world.characters, repellent of power. or moviementhis early hestar. made 20s, The proclaimed theyearwho transition was turned 1997, himself “Titanic”from the film theup-and- into wasking a box office alljug- thrusting bosom, scissoring hips, run- And who else could andplay psychology them with of suchwhat we are lately in the of the world.who His turned character, “Titanic” Jack into Dawson, a box office jug- CONTINUED ON PAGE 28 TheyAnd are who rulers else of could men, play masters them of with the suchuni- “Titanic,”of the world. and HisMr. character,gernaut.DiCaprio, stillJack boyish Dawson, in sympathetic,ease, such humanized charm, such orhabit nonchalant caricatured, of calling therefusal 1 percent. This is less a comingwas young nothing actor gernaut.of the to full-fledgedkind, of course, global but his ease, such charm, such nonchalant refusal was nothing of the kind,Jack wasof course, a class but warrior, his locked in a verse,presentof kings the various of easy the world. incarnationsartifice ofmatter villainy? of of power.humanizing Right in the wealthy than of hismovie earlyscrappy star. 20s, The proclaimed refusal yearJack was to was play1997,himself a theby class the film warrior, king ruleswas of locked a in a struggle for Rose’s affection with an arro- TheyofAnd the are who easy rulers else artifice couldof men, ofplay masters villainy? themputting ofwith Rightathe face such uni- — in a handsome face — on the of“Titanic,”scrappy the world. refusal and His Mr. tocharacter,struggle struggleDiCaprio, play by forfor Jack thestillRose’sRose’s rulesboyishDawson, affectionaffection of in a withwith anan arro-arro- front of our eyes. Mr. DiCaprio has been rigidly hierarchicalgant top-drawer society jerkwas played part of by his Billy Zane, ease,verse,front such ofkings our charm, of eyes. the suchworld. Mr. DiCapriononchalant ambivalence has refusal been that capitalism continues to washisrigidly earlynothing hierarchical 20s, of proclaimed thegant kind, society top-drawer of himself course,was partjerk the but playedof king hishis by Billy Zane, using his charisma, his unmistakable mov- appeal, both but for he Kate was not Winslet’s exactly a Rose revolutionary. and He using his charisma, his unmistakableinspire.inspire. TheThe mov- veryvery richrich areare eithereither brimmingbrimming scrappyappeal, both refusal for to Katebut play he Winslet’s was by not the exactly rules Rose ofa and revolutionary. a He of And theie-starness, who easy else artifice could to of exploreplay villainy? them the with Right iconography such in of thefor world. the countless His character,was anmillions eager, Jack free-spiritedaround Dawson, the individualist,world a with self-confidence or swimming in self- was an eager, free-spirited individualist, a frontease,ie-starness, ofsuch our charm, eyes. to explore such Mr. DiCapriononchalant the iconography has refusal been rigidlywasfor the nothing hierarchicalcountless of the millionsself-made kind,society ofaround was mancourse, part still the but in ofworld the hishis making and, in and psychology of whatpity, we whileare lately the rest in the of us bounce around who turned “Titanic”self-madeself-made man maninto still stilla box in in officethe the making making jug- and, and, in in usingand psychology his charisma, of what his unmistakable we are lately inmov- the appeal,scrappywho turned both refusal “Titanic” for toKatethe play end,into Winslet’s by a thebox tragic rulesRose office victim andofjug- a of other men’s of thehabit easy of artificecalling the of villainy?1 percent.among Right intenseThis is in andless incompatible a feelings gernaut. thethe end, end, a a tragic tragic victim victim of of other other men’s men’s ie-starness,habit of calling to the explore 1 percent. the This iconography is less a forgernaut. the countless millionsgreed and around hubris the and world his own selfless no- front matter of our eyes.of humanizing Mr. DiCaprio ofthe envy, wealthy has hero been than worship of and resentment. rigidly hierarchicalJack was greed a society class and warrior, washubris part and locked of his his own in selfless a no- matter of humanizing the wealthy than of whoJack turned was “Titanic” a classbility. warrior,into It was a box lost locked officeon nobody jug- in aat the time that andusing psychology puttinghis charisma, a face of what —his a unmistakablewehandsome areWouldn’t lately face it in mov- be the — great on the to live the way they appeal,struggle both for for Kate bility.Rose’s Winslet’sIt wasaffection lost on Rose withnobody and an at arro- the time that do? 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The very rich shouldn’tare either they brimming all be in jail? but he was notCONTINUED exactly ON a PAGErevolutionary. 30 He Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” shouldn’tshouldn’t theythey allall bebe inin jail?jail? strugglebut he was for notRose’s exactlyCONTINUEDCONTINUED affection a revolutionary. ONON with PAGEPAGE an 30 30 arro- He Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” puttinghabitinspire. withof a callingThe face self-confidence very — the a richhandsome 1 percent. are either or faceThis swimming brimming — is onless the ina self- gernaut.was an eager, free-spirited individualist, a gantwas top-draweran eager, free-spirited jerk played individualist,by Billy Zane, a ambivalencematterwith self-confidencepity, of humanizing while that the capitalism orrest the swimming ofwealthy us continues bounce than in self- toof around Jackself-made was a class man stillwarrior, in the locked making in and, a in butself-made he was mannot exactly still in a the revolutionary. making and, He in inspire.puttingpity, whileamong aThe face thevery intense — resta rich handsome of andare us either incompatible bounce face brimming — around on the feelings strugglethe for end, Rose’s a tragic affection victim with of an other arro- men’s wasthe an end, eager, a tragic free-spirited victim ofindividualist, other men’s a withambivalenceamong self-confidenceof intense envy, that hero and capitalism orincompatible worship swimming continues and feelings in resentment. self- to gant top-drawergreed and hubrisjerk played and hisby Billyown selflessZane, no- self-madegreed and manhubris still and in thehis own making selfless and, no- in pity,inspire.of envy, whileWouldn’t The hero the very itrest worship rich be of great are us and either bounce to live resentment. brimming the around way they but hebility. was Itnot was exactly lost on a revolutionary.nobody at the timeHe that thebility. end, It was a tragiclost on victimnobody of at otherthe time men’s that amongwithWouldn’t self-confidencedo? intense it Don’t be greatand we incompatible or wish to swimming live we the had way feelings in their theyself- confi- was anthe eager, grandiosity free-spirited of “Titanic” individualist, mirrored a that ofdo? envy, Don’t hero we worship wish we and had resentment. their confi- greedthe grandiosity and hubris of and “Titanic” his own mirrored selfless thatno- pity, whiledence, the their rest influence, of us bounce their around suits? But self-madeof its mannamesake, still in and the makingthat this and, populist in fa- CHRIS PIZZELLO/ASSOCIATED PRESS dence, their influence, their suits? But bility.of its Itnamesake, was lost on and nobody that thisat the populist time that fa- CHRIS PIZZELLO/ASSOCIATED PRESS Wouldn’tamongshouldn’t intense it be greatthey and all incompatible to be live in jail? the way feelings they the end,CONTINUED a tragic ON victimPAGE 30 of other men’s Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” do?ofshouldn’t envy, Don’t herothey we all wish worship be in we jail? and had resentment.their confi- thegreedCONTINUED grandiosity and hubris ON PAGE of and“Titanic” 30 his own mirrored selfless that no- Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” dence,Wouldn’t their it be influence, great to live their the suits? way they But ofbility. its namesake,It was lost onand nobody that this at the populist time that fa- CHRIS PIZZELLO/ASSOCIATED PRESS shouldn’tdo? Don’t they we all wish be in we jail? had their confi- CONTINUEDthe grandiosity ON PAGE of “Titanic” 30 mirrored that Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” dence, their influence, their suits? But of its namesake, and that this populist fa- CHRIS PIZZELLO/ASSOCIATED PRESS shouldn’t they all be in jail? CONTINUED ON PAGE 30 Ms. Lawrence tripping last year on the way to collect her Oscar for her work in “Silver Linings.” C M Y K C M Y K Sxxx,2014-02-23,AR,028,Bs-4C,E1Sxxx,2014-02-23,AR,028,Bs-4C,E1 C M Y K C M Y K Sxxx,2014-02-23,AR,028,Bs-4C,E1Sxxx,2014-02-23,AR,028,Bs-4C,E1 C M Y K C M Y K Sxxx,2014-02-23,AR,028,Bs-4C,E1Sxxx,2014-02-23,AR,028,Bs-4C,E1 C M YCKM Y K Sxxx,2014-02-23,AR,028,Bs-4C,E1Sxxx,2014-02-23,AR,028,Bs-4C,E1 28 AR 28 AR THE NEW YORK TIMES, SUNDAY,THE FEBRUARYNEW YORK 23,TIMES, 2014 SUNDAY, FEBRUARY 23, 2014 28 AR 28 AR THE NEW YORK TIMES, SUNDAY,THE NEW FEBRUARY YORK TIMES, 23, 2014 SUNDAY, FEBRUARY 23, 2014 28 AR 28 AR THE NEW YORK TIMES, SUNDAY,THE NEW FEBRUARY YORK TIMES, 23, 2014 SUNDAY, FEBRUARY 23, 2014 28 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014 28 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014 Film Film Film Film Film Film Film C M Y K Sxxx,2014-02-23,AR,028,Bs-4C,E1 Film Being Human BeingBeingBeing HumanBeing Human HumanBeing Human Human 28 AR THE NEW YORK TIMES, SUNDAY, FEBRUARY 23, 2014 Being Human BeingSeems SeemsHuman EnoughSeems Enough Seems Enough Enough Seems EnoughSeemsCONTINUED FROM PAGE Enough 26 CONTINUED FROM PAGE 26 SeemsFilm Enoughexplain hisCONTINUED physical FROM grace PAGE even 26explain when CONTINUED he his physical FROM grace PAGE even 26 when he Seems EnoughCONTINUED FROM PAGE 26explain hisCONTINUED physical FROM gracetook PAGE a even tumble.explain 26 when his “Everybody he physical grace wants even to be when he took a tumble. “Everybody wants to be explain hisCONTINUEDCary physical Grant,” FROM gracetook he PAGE aonceeven tumble.explain 26 famously when “Everybody his he said. physicalCary “Even Grant,” wantstook grace he a to even tumble.once be whenfamously “Everybody he said. “Even wants to be CONTINUED FROM PAGE 26 took a tumble.explainI want “Everybody to his be Cary physical Cary Grant,” Grant.” wants took grace he a to once even tumble. be famously whenI want “Everybody hetoCary said.be Cary Grant,” “Even wantsGrant.” he once to be famously said. “Even explainCary Grant,” histook physical he a once tumble. grace famouslyI want “Everybody even to beCarysaid. when Cary Grant,”“Even Grant.” he wants he From toonce be I famously Ms.want Lawrence’s to be said. 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personality that off-screenhomehome inworlds. which inrector ofwhich a herdrug-and-drink-wasted Loriher mother mother PettyInoff-screen turnedplaying turned abouthome tricks.tricks. the growing worlds.in oldest prostitute,which of up of hera threedrug-and-drink-wasted in motherMs. a Indaughters playing turned tricks.the oldest prostitute, of three Ms. daughters blurs on-screenrector and Lori Petty about growing up in a basketball game. Although she looks as youngoff-screen off-screen worlds. worlds. Inoff-screen playingIn playinghomeannualLawrence the theinworlds. oldest which oldest box-officeslippedof ofa herof drug-and-drink-wastedthree three mother into daughters Ina chart part playingturned that tricks.Lawrence thefelt oldestlike prostitute,of a aslippedof drug-and-drink-wasted three Ms. into daughters a part that felt prostitute, like a Ms. blurs on-screen and home in which her mother turned tricks. as her 14-year-old character, Ms. Lawrence also off-screensince “The worlds. Exorcist”of a ofdrug-and-drink-wasted a drug-and-drink-wasted 40template Inyears playing earlier.forLawrence the her oldest prostitute,prostitute,roles “Catchingof slipped a ofin drug-and-drink-wasted three“Winter’s Ms. Ms. into daughters templatea part Bone” thatLawrence for felt her likeprostitute, roles slipped a in “Winter’sMs.into a part Bone” that felt like a off-screen worlds. In playingLawrence the slipped oldest into of a partthree that daughters felt like a Lawrenceof slippedand a drug-and-drink-wasted “The into template a Hunger part that Lawrencefor Games”: felt her likeprostitute, roles slipped a theand in “Winter’s fresh- Ms.into “Thetemplate a part Hunger Bone” that for felther Games”: like roles a in the “Winter’s fresh- Bone” projects the kind of native toughness in the face Fire” — and,of by a drug-and-drink-wastedextension,template for herthe roles film in series— “Winter’sprostitute, Bone”had, Ms. template forLawrencefaced, her roles life-hardened slippedand in “Winter’s “The intotemplate a survivalist Hungerpart Bone” that for Games”: feltfaced,her forced like roles life-hardened aand to thein “Winter’s “The fresh- Hunger survivalist Bone” Games”: forced the to fresh- Lawrenceand “Theslipped Hunger into a Games”:part that thefelt fresh-like a of large and small threats that makes the film’s by ending a four-decadeand “Thetemplate be Hunger runthe parentof for Games”:faced,male-driven her for roles life-hardenedher and the youngerin “Winter’s “The fresh-sto- siblings Hungersurvivalistbe Bone”the and parent faced, Games”: forced for life-hardened her to the younger fresh- survivalist siblings and forced to templatefaced, for life-hardened her roles in survivalist “Winter’s forced Bone” to agonies endurable. You have to wonder if this re- ries and romances,faced,be becomethe life-hardened andparenttheir “The fora zonked-out cultural her survivalistbe Hunger younger the touchstoneparent mother. siblingsfaced, Games”: forced for and life-hardened In her to “The the youngertheir fresh- Poker zonked-out besiblings survivalist the parent and mother. forced for her In to younger “The Poker siblings and and “The Hunger Games”: the fresh- be thetheir parent zonked-outfaced,House,” for life-hardened her she mother.their younger makes zonked-out In siblings “Thebeout survivalist the with Poker parent and mother.her forcedHouse,” mother’s for her In to their “Theshe younger makes zonked-out Poker siblings out with and mother. her mother’s In “The Poker siliency is what saw when she cast that makes aestheticfaced, life-hardened objections survivalist beside the forced point. to theirHouse,” zonked-outbe pimpshe the makes parent and mother. House,”outwaves for with In her arhershe “Thetheir youngeround mother’s makes Pokerzonked-out a gun,siblings outpimp iswith raped and mother. and herHouse,” wavesmother’s In she “The ar oundmakes Poker a out gun, with is rapedher mother’s Ms. Lawrence in “The Beaver.” The franchisebe won’t the parent force for the her necessary younger siblings changes and House,”pimp she andtheirand makeswaves almost zonked-out aroutpimpound immediately with a and mother. gun,herHouse,” waves mother’s is plays raped In she ar “The inound makesanda champi- Poker aalmost gun,outpimp with immediately is and raped her waves mother’s plays around in a achampi- gun, is raped their and zonked-out almost immediately mother. plays In “The in a champi- Poker By the time “The Beaver” was released, at the big studios,pimp but and House,” itswavesonship success arshe basketballoundand makes should almost a gun, outpimp game.make immediately iswith rapedand Althoughherit waves mother’sonship plays ar she oundand inbasketball a almostchampi- a gun, immediately game. is raped Although plays in she a champi- House,”onship she basketballmakes out game. with her Although mother’s she and almostpimplooks immediately and as youngwavesonship plays as ar basketball heroundinand a 14-year-oldchampi-almost a gun, game. immediately looks is charac- raped Althoughasonship young plays asbasketball she in her a champi- 14-year-old game. charac- Although she in May 2011, Ms. Lawrence had already been harder for industrypimp looks and suits aswaves young and ar as oundtheir her 14-year-old amedia gun, is apolo charac- raped- onshipter, Ms. basketballand ter,Lawrence almost Ms. Lawrence also game. immediatelylooks projects as Although also youngonship the projectsplays kind as she basketballof in her atheter, champi- 14-year-old kind Ms. game.looksofLawrence charac- as Although young also projects as she her 14-year-oldthe kind of charac- nominated for best actress for “Winter’s Bone” gists to dismissand movies almost immediately about women. plays in a champi- looksnative as young onship toughnessnative as toughnessbasketball her inter, the 14-year-old Ms. face in Lawrence game.oflooks the large charac- face as andAlthough youngalso of native large projects as she and her toughnesster, the 14-year-old Ms. kind Lawrence inof the charac- face also of projects large and the kind of onship basketball game. Although she (losing to ) and cast as Kat- Even so, ter,entertainment Ms.small Lawrence threatslookssmall asthat threats also youngmedia makesnative projects that asthe types toughness hermakesfilm’ster, the 14-year-old agoniesMs. kind conthe Lawrence infilm’s -of thesmall charac- agonies face alsothreats ofnative projects large that toughness and makes the kind the in of film’s the face agonies of large and looks as young as her 14-year-old charac- niss Everdeen in “The Hunger Games.” She tinue, with smilesnativeendurable. and toughnesster,endurable. rank Ms.You haveLawrence incondescension, thesmall Youto wonder face have threats also ofnative ifto largethisprojects wonder that resil- toughness andto makes the ifendurable. this kind the resil- in film’sof small the You faceagonies threats have of large to that wonder andmakes if thethis film’s resil- agonies ter, Ms.iency Lawrence is what Jodiealso Fosterprojects saw the when kind she of small threatsnativeiency that toughness is makes whatendurable. the Jodie in film’s small the Foster You agonies face threatshave saw of to largeiency when thatwonder and makes is sheendurable. whatif this the Jodieresil- film’s You Foster agonies have sawto wonder when sheif this resil- was 21 when it was released, which seemed too label Ms. Lawrencenativecast toughness Ms. “awkwardlyLawrence in the in “The face Beaver.” charming” of large and endurable.small castYou haveMs.threats Lawrence toiency wonder that is makes in whatendurable. if “The this the Jodie resil- Beaver.” film’s You Fostercast agonies have Ms. saw iencyto Lawrence wonder when is what she if in this “The Jodie resil- Beaver.” Foster saw when she old for a food-deprived 16-year-old described — a headlinesmall for athreatsBy recent the time that “ “The makesToday” Beaver” the show film’s was released,agoniesonline iency is whatendurable.By Jodie the time FosterYoucast have“The Ms. saw Lawrence toiencyBeaver” whenwonder is she whatwas in if “Thethis released, JodieBy resil- Beaver.” the Fostercast time Ms. “The saw Lawrence whenBeaver” she in was“The released, Beaver.” endurable.in May You 2011, have Ms. to Lawrence wonder if had this already resil- in the book as looking like 14. That Ms. Law- item said shecast made beenMs. Lawrencenominatedtheiencyin MayGolden is whatforin 2011, “Thebest ByGlobes Jodie Ms.actress Beaver.”the Lawrence Fostercasttime for“more Ms.“Win-“The saw Lawrence had Beaver” whenin already May she inwas “The 2011,By released, the Beaver.” Ms. time Lawrence “The Beaver” had already was released, iency is what Jodie Foster saw when she Byter’s the Bone”timecastbeen Ms. “The (losing nominated Lawrence Beaver”in to May Natalie for inwas 2011, “Thebest Portman) Byreleased, Ms.actress theBeaver.” time Lawrence beenfor “The “Win- nominated Beaver” hadin May already was 2011,for bestreleased, Ms. actress Lawrence for “Win- had already rence’s curves might be part of the marketing awesome, in casther Ms.great Lawrence goofy inway” “The — Beaver.” which sug- in Mayand cast 2011,ter’s asBy Katniss Ms. the Bone” Lawrencetime Everdeenbeen (losing“The nominated inBeaver” hadin “The to May already Natalie Hun- forwas 2011, best released,ter’s Portman) Ms. actress Bone” Lawrencebeen for (losingnominated “Win- had to already Nataliefor best Portman)actress for “Win- calculus to attract male viewers to a female- gests how anomalousBy the time she “The registers, Beaver” was how released, con- beenger nominated Games.”inand May cast Shefor 2011, as wasbestter’s Katniss Ms.21 actress when Bone” Lawrence Everdeenbeen itfor was (losing nominated“Win- re- had in to“The and already Natalie forcast Hun- bestter’s as Portman) Katniss actress Bone” Everdeen for (losing “Win- to in “The Natalie Hun- Portman) in Mayleased, 2011, which Ms. seemed Lawrence too old had for already a food- driven film — the studio was chasing what the fusing and unclassifiableter’s Bone”beenger (losing she Games.”nominated is toand amid Natalie She cast for wasthe bestaster’s Portman)Katniss 21blandactress Bone” when Everdeen for itger (losing was“Win- Games.” re- inand to “The Nataliecast She Hun- as was Katniss Portman) 21 when Everdeen it was in re-“The Hun- been deprivednominated 16-year-old for best described actress infor the “Win- book industry calls four quadrants, or male, female, and the blond.and Instructively, cast aster’s leased,Katniss Bone” her whichEverdeenger (losingfame Games.”seemed in isn’tand to “The Natalie toocast She am Hun- old as was- Katniss forPortman)leased, 21 a when food- Everdeen whichger it Games.” was seemed in re- “The She too Hun- was old 21 for when a food- it was re- ter’s as Bone” looking (losing like 14. to That Natalie Ms. Lawrence’s Portman) ger Games.”anddeprived Shecast wasas 16-year-old Katnissleased, 21 when Everdeen whichger described it wasGames.” seemed in re- “Thein deprived Shethe too Hun- book oldwasleased, for16-year-old 21 awhen food- which it described was seemed re- tooin the old book for a food- under and over 25 — didn’t cross my mind un- plified or obscuredand castcurves by as Katnissmightfashion be Everdeenpart magazines of the marketing in “The or Hun- the cal- leased,culus which togeras attract Games.” looking seemed maledeprived likeviewers tooShe old14. was to leased,16-year-old That for a 21 female- a when Ms. food- which Lawrence’s itdescribedas was seemed looking re-deprived in too the like old book 14.16-year-old for That a food- Ms. described Lawrence’s in the book til later. I still think that she was miscast, but red carpet, whereger Games.” so many She was actresses 21 when itkeep was up re- depriveddriven 16-year-old leased,filmcurves — the whichmight studio describedas seemedbelooking was part chasing deprivedin of toolikethe the what oldbook 14.marketing 16-year-old for Thatcurves a food- Ms. cal- might asdescribed Lawrence’s looking be part in like theof the 14.book marketing That Ms. Lawrence’scal- leased, which seemed too old for a food- after repeat viewings and a landmark sequel, the appearanceas lookingofthe stardom industrydeprived culus like calls 14. toeven 16-year-oldattractfour Thatcurves quadrants,as Ms. malethey’re might asdescribed Lawrence’s viewers or looking be male, de part- into like of culusthea thefemale- 14.book marketing to Thatcurves attract Ms. might male cal- Lawrence’s beviewers part of to the a female- marketing cal- deprived 16-year-old described in the book curvesfemale, mightas driven under lookingbe part and film overculusof like — the the 25 14. tomarketing — studio Thatattract didn’tcurves was Ms. cross malemight cal- chasing Lawrence’s viewersdriven be part what film culus toof a the— female- tothe marketing attract studio male was cal- chasingviewers what to a female- it’s impossible to imagine anyone else leading nied sizable,as serious lookingmy mind major like until 14. later. studio That I still Ms. roles. think Lawrence’s thatShe’s she culus to attractcurvesthe industry male might drivenviewers becalls part filmfour toculus of —a quadrants,the female- the to marketing studioattractthe or was maleindustry male,cal- chasingdriven viewers calls filmwhat tofour — a thefemale- quadrants, studio was or male,chasing what this revolution. done her timecurves posingwas might miscast, and be preening, butpart after of the repeat marketing playing viewings thecal-and driven filmculus female,— the to studio attract underthe was industry andmale chasing overdriven viewers calls 25 what film — fourto didn’t —afemale, quadrants, female-the crossstudio the under industrywas or andmale, chasing over calls what 25 four — didn’tquadrants, cross or male, culusa to landmark attract sequel,male viewers it’s impossible to a female-to imag- In January, “The Hunger Games: Catching girlie girl, thethe paper industryine anyone drivendollmy calls else mindand film leadingfour until—female,wide-eyed quadrants, the this later. studiorevolution. underthe I orstillwasindustryingé and male, thinkchasing - over mycalls that 25 what mind four — shefemale, didn’t quadrants, until cross later. under orI and still male, over think 25 that — didn’t she cross driven film — the studio was chasing what Fire” broke a couple of records, first by overtak- nue, but she’sfemale, alsoIn muscled underJanuary,thewas industry andmiscast, “The onto over Hungermy calls the but 25 mind —fourafterGames:big didn’tfemale, until quadrants, screenrepeat Catch- later. cross under viewings Iwas or still and male, miscast, thinkand overmy 25thatmind but — sheafter didn’t until repeat later. cross viewings I still think and that she the industry calls four quadrants, or male, my ing mind Fire” female, untila brokelandmark later. a under couple was I sequel, still and of miscast, records, think over it’smy impossiblethat 25 butfirst mind — afterby she didn’t until arepeat tolandmark later. crossimag- viewings was I still sequel,miscast, think and it’s butthat impossible after she repeat to imag-viewings and ing “Iron Man 3” to become the highest domestic alongside multimillion-dollarfemale, under and over men 25 —like didn’t Robert cross was overtakingmiscast,myine but mind “Ironanyone after untilMana elserepeat landmark 3” later. leading to viewings becomewas I stillsequel, this miscast, think therevolution.and it’s ine thatbutimpossible anyone after she a repeatlandmark else to imag- leading viewings sequel, this and it’srevolution. impossible to imag- my mindhighest until domestic later. I grosser still think of 2013. that That she grosser of 2013. That same month, the writer and Downey Jr. Tahe landmark oddswas still sequel,In miscast, January,are it’s notine butimpossible “Theanyone in after her Hungera repeat landmarkelse tofavor, imag-leading Games:viewings sequel, thisIn Catch- January,and revolution. it’sine impossible anyone “The elseHunger to leadingimag- Games: this revolution. Catch- was miscast,same month, but after the writerrepeat and viewings incisive and in- incisive industry observer Mark Harris noticed but I’m bettingine on anyone hera ing toelselandmark win.Fire” leading broke sequel, thisIn January,a revolution. couple it’sine impossible anyone of“The records, n Hunger else ingto firstleadingimag- Fire” Games: by brokeIn this January, Catch- revolution. a couple “The of records, Hunger firstGames: by Catch- a landmarkdustry observersequel, it’sMark impossible Harris noticed to imag- that In January,ineovertaking anyone “The Hunger elseing “Iron Fire”leading Games: Man broke Inthis 3” January,Catch- a revolution. tocouple becomeovertaking “The of records, Hunger theing Fire” “Iron first Games: brokeby Man Catch-a 3” couple to become of records, the first by ine anyone“Catching else Fire” leading had reachedthis revolution. an even more ing Fire”startling brokehighest benchmark:In January, a couple domesticovertaking It “The of was records, theHunger grossering first “Iron Fire” first mov- Games: of Manbybroke 2013.highest 3”Catch- a couple Thatto overtaking become domestic of records, the grosser “Iron first Man by of 2013. 3” to That become the In January, “The Hunger Games: Catch- overtakingie withing a same “Ironlone Fire” female month, Man brokehighest lead 3” a the tocouple to top writer domesticbecomeovertaking an of annual records, and thegrosser incisive “Ironsame first Man ofby month, in-highest 2013. 3” tothe That domestic become writer andthe grosser incisive of 2013. in- That ing Fire” broke a couple of records, first by highestbox-office domesticovertakingdustry chart observer sincegrosser same “Iron “The month,Mark Manof Exorcist” highest 2013. 3”Harris the to That 40 domestic becomewriter noticeddustry and thethat grosserobserver same incisive month, of Mark in- 2013. theHarris That writer noticed and that incisive in- overtaking “Iron Man 3” to become the sameyears month, earlier.highest“Catching the “Catching domestic writer dustryFire” Fire”and had observer grosser same incisivereached — and, month, ofMark by in-an 2013. even“Catching Harris the Thatmore writerdustry noticed Fire” and observer hadthat incisive reached Mark in- an Harris even more noticed that highestextension, domestic the film grosser series— of had, 2013. by ending That dustry observersamestartling month,Mark benchmark:“Catching Harris the writer noticeddustry Fire” It was and had observerthat the incisive reached startlingfirst Mark mov- in- an“Catching benchmark: evenHarris more noticed Fire” It hadwas that reached the first anmov- even more samea month, four-decade the run writer of male-driven and incisive stories in- “Catchingdustry Fire”ie with had observer a lonereachedstartling female Mark an benchmark:“Catching even leadHarris tomore top noticed Fire” Itanie waswith annualhad that the areachedstartling lone first female mov- an benchmark: even lead more to top It wasan annual the first mov- dustryand observer romances, Mark become Harris a cultural noticed touch- that startling benchmark:“Catchingbox-office Fire” ie chartIt withwas had sincea the reachedlonestartling first “The female mov- an benchmark: Exorcist” even leadbox-office moreto top 40ie It withan chartwas annual a the lone since first female “The mov- lead Exorcist” to top 40an annual “Catchingstone Fire” that makes had reached aesthetic an objections even more be- ie withside a the lonestartlingyears point. female earlier. 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