JVF Annual Report 2012
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Tesi Di Laurea Floriana Frida Asperti
UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà di Studi Umanistici Corso di Laurea Magistrale in Musicologia SUONO E PAROLA: L’EQUILIBRIO PERFETTO L’ESPERIENZA DI SAHAJ PRESSO LA COMUNITÀ SIKH DI LISBONA Relatore: Chiar.mo Prof. Nicola Scaldaferri 2° Relatore: Chiar.mo Prof. Filippo Bonini Baraldi Correlatore: Chiar.mo Prof. Emilio Sala 2° Correlatore: Chiar.mo Prof. Giovanni Cospito Tesi di Laurea di: Floriana Frida Asperti Matr. n. 826824 Anno Accademico 2016/2017 1 A Viola, alle corde dell’oceano. 2 INDICE INDICE DELLE IMMAGINI 5 RINGRAZIAMENTI 8 NOTE PER LA TRASLITTERAZIONE E LE TRADUZIONI 9 INTRODUZIONE 10 CAPITOLO 1 La sottigliezza del linguaggio 21 1.1 Sikhismo o Sikhismo: l’importanza delle parole 21 1.2 !r" Gur# Granth S$hib: la parola scritta 25 1.3 Sahaj: l’equilibrio perfetto 32 CAPITOLO 2: !abad k"rtan, la performance musicale 43 2.1 Poesia e musica: i versi cantati nella tradizione sikh 43 2.2 !abad k"rtan /Gurb#n" k"rtan e Gurmat sang"t/Gurb#n" sang"t: ancora una questione di termini 45 2.3 Repertorio poetico: $abad, inni 46 2.4 Repertorio musicale: r#ga-t#la, strutture melodiche-cicli ritmici 49 2.5 Le performances di !abad K"rtan 58 2.6 Sunia-gavia, ascoltare-cantare 64 2.7 L’esperienza estetica di Amrit rasa 69 CAPITOLO 3: Seva, il servizio disinteressato 75 3.1 Il binomio io-l’altro 75 3.2 La vita al gurdw$r$: l’individuo e la comunità una simbiosi attiva 76 3.3 Azioni cantate 80 3.4 Analisi di wahegur% 81 3.4.1 Analisi testuale 82 3 3.4.2 Analisi musicale 83 3.4.3 Analisi acustica 85 3.4.4 Analisi gestuale 85 3.5 Il ruolo -
The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Small Parties Could Be Kingmakers in U.K
EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE DELHI THE HINDU 14 WORLD FRIDAY, DECEMBER 13, 2019 EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE Small parties could be kingmakers in U.K. Gotabaya promises media Lib Dems, DUP, SNP or Brexit Party could play a decisive role if leading parties fail to win majority freedom under his govt. Agence France-Presse 10 Scots voted to stay in the London EU — to breathe life into its Uphold country’s reputation, President tells media houses If British Prime Minister Bo campaign. ris Johnson fails to win an ab Led by energetic First Mi Meera Srinivasan fence establishment, Mr. Go solute majority in Parlia nister Nicola Sturgeon, 49, COLOMBO tabaya, a former Defence Se ment on Thursday, smaller the party has campaigned Sri Lankan President Gota cretary, squarely denied the parties may find themselves under the slogan “Stop Brex baya Rajapaksa on Thursday -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Hometowns of the Marwaris, Diasporic Traders in India
Hometowns of the Marwaris, Diasporic Traders in India Sumie Nakatani Introduction The Marwaris are renowned all over India for having emerged in the nineteenth century as the most prominent group of traders. Under colonial rule they played the role of intermediary traders for the British and facilitated Britain’s commercial expansions. In the early twentieth century they invested in modern industries and some of them became industrial giants. It is estimated that more than half the assets in the modern industrial sector of the Indian economy are controlled by a group of trading castes originating in the northern half of Rajasthan, popularly called the Marwaris [Timberg 1978:15]. As of 1986, the Birlas, the Singhanias, the Modis, and the Bangurs (all Marwari business houses) accounted for one third of the total assets of the top ten business houses in India [Dubashi 1996 cited in Hardgrove 2004:3]. Several studies on the Marwaris have been made. A well-known study by Thomas Timberg focused on the strength of the Marwaris in Indian industry and explored the reason for their disproportionate success. Studying the history of Marwari migrations and the types of economic activities in which they engaged, he discussed what advantages the Marwaris had over other commercial communities in modern industrialization. He suggested that the joint family system, a credit network across the country, and willingness to speculate were important characteristics. The possession of these advantages emerges from their traditional caste vocation in trade. The Marwaris are habituated to credit and risk, and develop institutions and attitudes for coping with them [Timberg 1978:40]. -
Shekhawati-A Hornless Dairy Bdreed of Goat from Indian Desert
SHEKHAWATI-A HORNLESS DAIRY BDREED OF GOAT FROM INDIAN DESERT J.P. Mittal Central Arid Zone Research Institute, Jodhpur -342 003, India. SUMMARY Recently Identified, Sekhawati breed of goat, is localized in a specified pocket of the Shekhawati region of north west India, It is called as Modi -Bakkri, which means goat without horns, in area of its inhabitation. This breed is solid coloured with predominent black colour. • The body is covered with small hair of fine texture. Both male and females are polled. Female goats have typical wedge shape of a dairy animal alongwith long neck. The average values for body weight, height at withers pin-shoulder length and heart girth, of adult males were 35.78+1.04 kg, 73.05+2.32, 76.82+1.92 and 74.37+2.03 cm and adult females were 23.78 + 1.24 kg, 68.92 + 2.24, 70.78+1.98 and 71.16+2.15 cm respectively. The milk yield was 138.15+8.25 in lactation period of 150.00+3.12 days. This goat may hopefully prove to be a good dairy breed if developed on scientific lines, through improved management, nutritrional betterment and selective breeding. INTRODUCTION Under prevailing cicumstances of Indian desert the goat is most economical animal among all species of livestock. Dual type Harwari was the only recognised breed of goat in this region so far. Scientists of this Institute have discovered and identified a new dairy breed of goat from this region during last 5 years (M it t a l 1986, and 1987 a ). -
Subject: EVOLUTION of SOCIAL STRUCTURE in INDIA: THROUGH the AGES Credits: 4 SYLLABUS
Subject: EVOLUTION OF SOCIAL STRUCTURE IN INDIA: THROUGH THE AGES Credits: 4 SYLLABUS Introductory & Cultures in Transition Harappan Civilisation and other Chalcolithic Cultures, Hunting-Gathering, Early Farming Society, Pastoralism, Reconstructing Ancient Society with Special Reference to Sources, Emergence of Buddhist Central And Peninsular India, Socio-Religious Ferment In North India: Buddhism And Jainism, Iron Age Cultures, Societies Represented In Vedic Literature Early Medieval Societies & Early Historic Societies: 6th Century - 4th Century A.D Religion in Society, Proliferation and consolidation of Castes and Jatis, The Problem of Urban Decline: Agrarian Expansion, Land Grants and Growth of Intermediaries, Transition To Early Medieval Societies, Marriage and Family Life,Notions of Untouchability, Changing Patterns in Varna and Jati, Early Tamil Society –Regions and Their Cultures and Cult of Hero Worship, Chaityas, Viharas and Their Interaction with Tribal Groups, Urban Classes: Traders and Artisans, Extension of Agricultural Settlements Medieval Society & Society on the Eve of Colonialism Rural Society: Peninsular India, Rural Society: North India, Village Community, The Eighteenth Century Society in Transition, Socio Religious Movements, Changing Social Structure in Peninsular India, Urban Social Groups in North India, Modern Society & Social Questions under Colonialism Social Structure in The Urban and Rural Areas, Pattern of Rural-Urban Mobility: Overseas Migration, Studying Castes in The New Historical Context, Perceptions of The Indian Social Structure by The Nationalists and Social Reformers, Clans and Confederacies in Western India, Studying Tribes Under Colonialism, Popular Protests and Social Structures, Social Discrimination, Gender/Women Under Colonialism, Colonial Forest Policies and Criminal Tribes Suggested Reading: 1. Nation, Nationalism and Social Structure in Ancient India : Shiva Acharya 2. -
Folk Instruments of Punjab
Folk Instruments of Punjab By Inderpreet Kaur Folk Instruments of Punjab Algoza Gharha Bugchu Kato Chimta Sapp Dilruba Gagar Dhadd Ektara Dhol Tumbi Khartal Sarangi Alghoza is a pair of woodwind instruments adopted by Punjabi, Sindhi, Kutchi, Rajasthani and Baloch folk musicians. It is also called Mattiyan ,Jōrhi, Pāwā Jōrhī, Do Nālī, Donāl, Girāw, Satārā or Nagōze. Bugchu (Punjabi: ਬੁਘਚੂ) is a traditional musical instrument native to the Punjab region. It is used in various cultural activities like folk music and folk dances such as bhangra, Malwai Giddha etc. It is a simple but unique instrument made of wood. Its shape is much similar to damru, an Indian musical instrument. Chimta (Punjabi: ਚਚਮਟਾ This instrument is often used in popular Punjabi folk songs, Bhangra music and the Sikh religious music known as Gurbani Kirtan. Dilruba (Punjabi: ਚਿਲਰੱਬਾ; It is a relatively young instrument, being only about 300 years old. The Dilruba (translated as robber of the heart) is found in North India, primarily Punjab, where it is used in Gurmat Sangeet and Hindustani classical music and in West Bengal. Dhadd (Punjabi: ਢੱਡ), also spelled as Dhad or Dhadh is an hourglass-shaped traditional musical instrument native to Punjab that is mainly used by the Dhadi singers. It is also used by other folk singers of the region Dhol (Hindi: ढोल, Punjabi: ਢੋਲ, can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in India, Bangladesh and Pakistan primarily includes northern areas such as the Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley Gagar (Punjabi: ਗਾਗਰ, pronounced: gāger), a metal pitcher used to store water in earlier days, is also used as a musical instrument in number of Punjabi folk songs and dances. -
Trade, Merchants and Thikanedars: Revisiting the Economy of Eighteenth Century Shekhawati
International Journal of Innovative Social Science & Humanities Research ISSN: 2349-1876 (Print) | ISSN : 2454-1826 (Online) TRADE, MERCHANTS AND THIKANEDARS: REVISITING THE ECONOMY OF EIGHTEENTH CENTURY SHEKHAWATI Md Riyajuddin, Ph.D. Scholar, Department Of History And Culture, Jamia Millia Islamia, New Delhi. ABSTRACT The purpose of this paper is to discuss the economic condition of eighteenth century Shekhawati particularly in the context of trade, merchants and Thikanedars. This paper formally attempts to throw light on the trade scenario, nexus between merchants and Thikanedars along with their role in the economy of respective region. In recent few years, regional studies have attained the several scholarly attentions particularly in the terms of economic history. There are several preliminary studies about the regional economy with the varied assumptions and approaches. In this case, Shekhawati region of Rajasthan is not exception to this, due to its duel geographical nature and other existing reasons during the respective century, there is almost a similar perception among the scholars that this region was not favourable for the trade and merchants activities. Mostly scholars have only underlined the economic negativity while positive sides of region have been missed out. In this regard, succeeding paper primarily concern to present the reasonable economic features of eighteenth century Shekhawati by analyzing the negative and positive aspects of region. The present study is based on my M.Phil Research, also endeavours to show the economic importance of Shekhawati in the history of India along with seeks to explore and examine the changes which took place in the sphere of regional economy. Key Words: Shekhawati Region, trade scenario, role of merchant class, nexus between merchants and Thikanedars, development and changes in economy. -
Hindu Castes and Sects an Exposition of the Origin of the Hindu Caste
HINDU CASTES AND SECTS. PREF A.CE. IN the last edition of my" Commentaries on Hindu Law" I devoted a chapter to the Hindn Caste System which attracted the attention of the Publishers, and they suggested that the subject might well be expanded so as to be brought out as a separate volume. They suggested also that, in order to make the book complete, I should give an account not only of the Castes, but also of the important Hindu Sects, some of which are practically so many ""new Castes. As I had heen already engaged in writing a book about the hisfury and philosophy of religions, the prp posal, so far as the sects were concerned, was welcome indeed. About the Castes I felt very considerable diffidence; but it seemed to me that, in a town like Calcutta, where there are men from every part of India, it might not be quite impossible to collect the necessary information. When, however, I actually commenced my enquiries, then I fully realised the difficulty of my task. The original information contained in this work has been derived from a very large number of Hindn gentlemen hailing from different parts of India. I here iv PRBFACK. gratefully acknowledge the kindness that they have shown in according to me their assistance. I feel very ;trongly inclined to insert in this book a list of their names. But the publication of snch a list is not de sirable for more reasons than one. To begin with, such a list would be necessarily too long to be conveniently included. -
Dual Edition
YEARS # 1 Indian American Weekly : Since 2006 VOL 15 ISSUE 13 ● NEW YORK / DALLAS ● MAR 26 - MAR 25 - APR 01, 2021 ● ENQUIRIES: 646-247-9458 ● [email protected] www.theindianpanorama.news THE INDIAN PANORAMA ADVT. FRIDAY MARCH 26, 2021 YEARS 02 We Wish Readers a Happy Holi YEARS # 1 Indian American Weekly : Since 2006 VOL 15 ISSUE 13 ● NEW YORK / DALLAS ● MAR 26 - MAR 25 - APR 01, 2021 ● ENQUIRIES: 646-247-9458 ● [email protected] www.theindianpanorama.news VAISAKHI SPECIAL EDITIONS Will Organize Summit of will bring out a special edition tomarkVAISAKHIon April 9. Democracies, says Biden Advertisementsmay please be booked by April 2, andarticles for publication may please besubmitted by March 30 to [email protected] "We've got to prove democracy works," he said. I.S. SALUJA First historic Mars WASHINGTON (TIP): President Joe Biden shared with media persons his helicopter flight on April 8: thoughts on a wide range of issues, and NASA also candidly answered their questions, March 25, at his first press conference The flight since assuming office on January model of NASA's 20.2021. Ingenuity During the press conference, Mr. Mars Biden remarked on and responded to Helicopter - questions regarding migrants at the Image: NASA / JPL U.S.-Mexico border, the COVID-19 contd on page 48 WASHINGTON (TIP): NASA will U.S. President Joe Biden holds his first formal attempt to fly Ingenuity mini << news conference as president in the East helicopter, currently attached to the Room of the White House in Washington, U.S., belly of Perseverance rover, on Mars March 25, 2021. -
The Shekhawati Project
Press Pack 2017 ! THE SHEKHAWATI! PROJECT ! how to save and give new life to an exceptional heritage ! ! ! ! Shekhawati has hundreds of beautiful abandoned havelis. By promoting this project we hope to spread the enthusiasm for safeguarding local heritage and at the same time boost the regional economy of Fatehpur and the Shekhawati Region. The Shekhawati Project today attracts many enthusiastic participants who are motivated to associate traditional methods with modern techniques of restoration in order to perpetuate the art and architecture of the havelis. ! HISTORY The Marwari merchants, who made their fortune thanks to the Caravan Trade, built the havelis in the 19th century to showcase their wealth and attract clients. However, most of the havelis had been deserted by the 1950s, their owners having moved on to bigger cities. Today it is urgent to save the remaining havelis and their unique frescoes. For example, fifty of them have already been destroyed, to mention but the city of Fatehpur. LE PRINCE HAVELI, AN EXAMPLE IN THE REGION Le Prince Haveli was purchased by the French painter Nadine Le Prince in 1999. Over an 18-year- period, she commenced the restoration and reconversion of this mansion. She created a Cultural Centre, a place where international artists could meet and create, with two art galeries. Thus the Haveli is open every day to visitors with tours conducted by volunteer students. Today, the Haveli is owned by Nadine’s son and his wife: they turned it into a homestay in November 2016. The Haveli is a « must-see » monument in Fatehpur, figuring in many guidebooks and well-known by the locals.