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Chief Billy White Wolf I Which One Is the Beast? . Australian M'en Neglect
"" I ) CHIEF BILLY WHITE WOLF WHICH ONE IS THE BEAST? . AUSTRALIAN M'EN NEGLECT THEIR WOMEN I M'ORE LETTERS DID YOU KNOW? ® The referee's lot is a sad one, and with one exception, no referee can be said to be popular. Certainly Ron Hanson, Hunter Shaw and Bob McMaster are top ring officiators, but none of the fans seem to like their decisions. The one exception we must mention is Melbourne's MICHAEL HUNT. He is a great referee and the fans love him. Michael has a gym at the City Baths in Melbourne which is extremely popular and all the wrestlers train there. * * e FRANK SHIELDS, former protege of Prof. La Belle is now one of hi s greatest detractors. Shields, a man of few words, says, "One day I'll get e THE ALASKAN has as much re him!!" spect for the rules in the wrestling ring as Pierre La Belle - better known as * * * "The Beast" - which is very little, ~ BILLY WIDTE WOLF is a student indeed. It is, in fact, doubtful who of of languages and is at present writing the two would break more rules- and a book on Indian Lore in the United more quickly - once they are intent States. on defeating an opponent. The fans • MARK LEWIN, after a recent long of The . A laskan can be happy about * * 'acatic n, is gettine back into action in one thing though, with which The e HAYSTACKS CALHOUN is clad the States and hasn't lost any of hi s Alaskan scores easily compared to in blue denims and doesn't wear any sk ill or vigour. -
Donald Trump Shoots the Match1 Sharon Mazer
Donald Trump Shoots the Match1 Sharon Mazer The day I realized it can be smart to be shallow was, for me, a deep experience. —Donald J. Trump (2004; in Remnick 2017:19) I don’t care if it’s real or not. Kill him! Kill him! 2 He’s currently President of the USA, but a scant 10 years ago, Donald Trump stepped into the squared circle, facing off against WWE owner and quintessential heel Mr. McMahon3 in the “Battle of the Billionaires” (WrestleMania XXIII). The stakes were high. The loser would have his head shaved by the winner. (Spoiler alert: Trump won.) Both Trump and McMahon kept their suits on—oversized, with exceptionally long ties—in a way that made their heads appear to hover, disproportionately small, over their bulky (Trump) and bulked up (McMahon) bodies. As avatars of capitalist, patriarchal power, they left the heavy lifting to the gleamingly exposed, hypermasculinist bodies of their pro-wrestler surrogates. McMahon performed an expert heel turn: a craven villain, egging the audience to taunt him as a clueless, elitist frontman as he did the job of casting Trump as an (unlikely) babyface, the crowd’s champion. For his part, Trump seemed more mark than smart. Where McMahon and the other wrestlers were working around him, like ham actors in an outsized play, Trump was shooting the match: that is, not so much acting naturally as neglecting to act at all. He soaked up the cheers, stalked the ring, took a fall, threw a sucker punch, and claimed victory as if he (and he alone) had fought the good fight (WWE 2013b). -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Alternative Formats If You Require This Document in an Alternative Format, Please Contact: [email protected]
Citation for published version: Moon, D 2020, 'The Role of Cultural Production in Celebrity Politics: comparing the campaigns of Jesse ‘The Body’ Ventura (1999) and Donald Trump (2016)', Politics, vol. 40, no. 2, pp. 139-153. https://doi.org/10.1177/0263395719862446 DOI: 10.1177/0263395719862446 Publication date: 2020 Document Version Peer reviewed version Link to publication Moon, David. / The Role of Cultural Production in Celebrity Politics: comparing the campaigns of Jesse ‘The Body’ Ventura (1999) and Donald Trump (2016). In: Politics. 2019. (c) The Authors, 2019. Reprinted by permission of SAGE Publications. University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 The Role of Cultural Production in Celebrity Politics: comparing the campaigns of Jesse ‘The Body’ Ventura (1999) and Donald Trump (2016) Abstract: This article draws out the significant similarities between the political insurgencies of Jesse Ventura in 1999 and Donald Trump in 2016, charting their own premillennial political collaborations as members of the Reform Party, before identifying wider lessons for studies of contemporary celebrity politicians through a comparison of their individual campaigns. -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents. -
Speechwriting for Governor Jesse Ventura Kristine Bruss University of Kansas, [email protected]
Communication and Theater Association of Minnesota Journal Volume 37 Article 4 January 2010 The Art of "Jesse-Talk": Speechwriting for Governor Jesse Ventura Kristine Bruss University of Kansas, [email protected] Follow this and additional works at: https://cornerstone.lib.mnsu.edu/ctamj Part of the Social Influence and Political Communication Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Bruss, K. (2010). The Art of "Jesse-Talk": Speechwriting for Governor Jesse Ventura. Communication and Theater Association of Minnesota Journal, 37, 47-63. This General Interest is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Communication and Theater Association of Minnesota Journal by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Bruss: The Art of "Jesse-Talk": Speechwriting for Governor Jesse Ventura CTAMJ Summer 2010 47 The Art of “Jesse-Talk”: Speechwriting for Governor Jesse Ventura Kristine Bruss Assistant Professor and Basic Course Director [email protected] Department of Communication Studies The University of Kansas Lawrence, KS ABSTRACT In 1998, former professional wrestler Jesse Ventura stunned the political world by winning the race for governor of Minnesota. As a candidate, Ventura created impressions of honesty with his straightforward, candid style; even his inaugural address was unscripted. As governor, however, Ventura came to rely on a team of speechwriters to help him meet his speaking demands. In this essay, I present an interview with one member of Ventura’s communications team, Steve LeBeau, who addresses the challenge of writing speeches for an unconventional client with a penchant for improvisation. -
Here Is a Printable
James Rosario is a film critic, punk rocker, librarian, and life-long wrestling mark. He grew up in Moorhead, Minnesota/Fargo, North Dakota going to as many punk shows as possible and trying to convince everyone he met to watch his Japanese Death Match and ECW tapes with him. He lives in Asheville, North Carolina with his wife and two kids where he writes his blog, The Daily Orca. His favorite wrestlers are “Nature Boy” Buddy Rogers, The Sheik, and Nick Bockwinkel. Art Fuentes lives in Orange County, Califonia and spends his days splashing ink behind the drawing board. One Punk’s Guide is a series of articles where Razorcake contributors share their love for a topic that is not traditionally considered punk. Previous Guides have explored everything from pinball, to African politics, to outlaw country music. Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. One Punk’s Guide to Professional Wrestling originally appeared in Razorcake #101, released in December 2017/January 2018. Illustrations by Art Fuentes. Original layout by Todd Taylor. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org ONE PUNK’S GUIDE TO PROFESSIONAL WRESTLING ’ve been watching and following professional wrestling for as long as I can remember. I grew up watching WWF (World Wrestling IFederation) Saturday mornings in my hometown of Moorhead, Minn. -
November 23, 2015 Wrestling Observer Newsletter
1RYHPEHU:UHVWOLQJ2EVHUYHU1HZVOHWWHU+ROPGHIHDWV5RXVH\1LFN%RFNZLQNHOSDVVHVDZD\PRUH_:UHVWOLQJ2EVHUYHU)LJXUH)RXU2« RADIO ARCHIVE NEWSLETTER ARCHIVE THE BOARD NEWS NOVEMBER 23, 2015 WRESTLING OBSERVER NEWSLETTER: HOLM DEFEATS ROUSEY, NICK BOCKWINKEL PASSES AWAY, MORE BY OBSERVER STAFF | [email protected] | @WONF4W TWITTER FACEBOOK GOOGLE+ Wrestling Observer Newsletter PO Box 1228, Campbell, CA 95009-1228 ISSN10839593 November 23, 2015 UFC 193 PPV POLL RESULTS Thumbs up 149 (78.0%) Thumbs down 7 (03.7%) In the middle 35 (18.3%) BEST MATCH POLL Holly Holm vs. Ronda Rousey 131 Robert Whittaker vs. Urijah Hall 26 Jake Matthews vs. Akbarh Arreola 11 WORST MATCH POLL Jared Rosholt vs. Stefan Struve 137 Based on phone calls and e-mail to the Observer as of Tuesday, 11/17. The myth of the unbeatable fighter is just that, a myth. In what will go down as the single most memorable UFC fight in history, Ronda Rousey was not only defeated, but systematically destroyed by a fighter and a coaching staff that had spent years preparing for that night. On 2/28, Holly Holm and Ronda Rousey were the two co-headliners on a show at the Staples Center in Los Angeles. The idea was that Holm, a former world boxing champion, would impressively knock out Raquel Pennington, a .500 level fighter who was known for exchanging blows and not taking her down. Rousey was there to face Cat Zingano, a fight that was supposed to be the hardest one of her career. Holm looked unimpressive, barely squeaking by in a split decision. Rousey beat Zingano with an armbar in 14 seconds. -
October 9, 1983 in Trotwood, OH Hara Arena Drawing ???
October 9, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Tiger Chung Lee beat Bob Boyer. 2. Pat Patterson beat Dr. X. 3. Tony Garea beat Jerry Valiant. 4. Susan Starr & Penny Mitchell beat The Fabulous Moolah & Judy Martin. 5. Tito Santana beat Mike Sharpe. 6. Rocky Johnson beat Wild Samoan Samula. 7. Andre the Giant & Ivan Putski beat WWF Tag Champs Wild Samoans Afa & Sika. Note: This was the first WWF card in the Trotwood area. It was promoted off of their Saturday at noon show on WKEF Channel 22 which had recently replaced the syndicated Georgia Championhip Wrestling show in the same time slot. November 14, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal beat Bob Colt. 2. Eddie Gilbert beat Jerry Valiant. 3. Tiger Chung Lee beat Bob Bradley. 4. Sgt. Slaughter beat Steve Pardee. 5. Jimmy Snuka beat Mr. Fuji. 6. Pat Patterson beat Don Muraco via DQ. 7. Bob Backlund beat Ivan Koloff. December 12, 1983 in Trotwood, OH Hara Arena drawing ??? 1. Steve Regal drew Jerry Valiant 2. SD Jones beat Bobby Colt. 3. Tony Atlas beat Mr. Fuji via countout. 4. The Iron Sheik beat Jay Strongbow 5. The Masked Superstar beat Tony Garea. 6. WWF I-C Champion Don Muraco beat Ivan Putski via countout. 7. Jimmy Snuka beat Ivan Koloff. Last Updated: May 24, 2021 Page 1 of 16 February 1, 1984 in Trotwood, OH August 17, 1984 in Trotwood, OH Hara Arena drawing ??? Hara Arena drawing ??? 1. Battle royal. Scheduled for the match were Andre the Giant, Tony Atlas, 1. -
Authorized Catalogs - United States
Authorized Catalogs - United States Miché-Whiting, Danielle Emma "C" Vic Music @Canvas Music +2DB 1 Of 4 Prod. 10 Free Trees Music 10 Free Trees Music (Admin. by Word Music Group, 1000 lbs of People Publishing 1000 Pushups, LLC Inc obo WB Music Corp) 10000 Fathers 10000 Fathers 10000 Fathers SESAC Designee 10000 MINUTES 1012 Rosedale Music 10KF Publishing 11! Music 12 Gate Recordings LLC 121 Music 121 Music 12Stone Worship 1600 Publishing 17th Avenue Music 19 Entertainment 19 Tunes 1978 Music 1978 Music 1DA Music 2 Acre Lot 2 Dada Music 2 Hour Songs 2 Letit Music 2 Right Feet 2035 Music 21 Cent Hymns 21 DAYS 21 Songs 216 Music 220 Digital Music 2218 Music 24 Fret 243 Music 247 Worship Music 24DLB Publishing 27:4 Worship Publishing 288 Music 29:11 Church Productions 29:Eleven Music 2GZ Publishing 2Klean Music 2nd Law Music 2nd Law Music 2PM Music 2Surrender 2Surrender 2Ten 3 Leaves 3 Little Bugs 360 Music Works 365 Worship Resources 3JCord Music 3RD WAVE MUSIC 4 Heartstrings Music 40 Psalms Music 442 Music 4468 Productions 45 Degrees Music 4552 Entertainment Street 48 Flex 4th Son Music 4th teepee on the right music 5 Acre Publishing 50 Miles 50 States Music 586Beats 59 Cadillac Music 603 Publishing 66 Ford Songs 68 Guns 68 Guns 6th Generation Music 716 Music Publishing 7189 Music Publishing 7Core Publishing 7FT Songs 814 Stops Today 814 Stops Today 814 Today Publishing 815 Stops Today 816 Stops Today 817 Stops Today 818 Stops Today 819 Stops Today 833 Songs 84Media 88 Key Flow Music 9t One Songs A & C Black (Publishers) Ltd A Beautiful Liturgy Music A Few Good Tunes A J Not Y Publishing A Little Good News Music A Little More Good News Music A Mighty Poythress A New Song For A New Day Music A New Test Catalog A Pirates Life For Me Music A Popular Muse A Sofa And A Chair Music A Thousand Hills Music, LLC A&A Production Studios A. -
Wrestling, Warships and Nationalism in Japanese-American Relations Martin J
Martin J. Meyer is a lecturer for school pedagogy and educational CONTRIBUTOR science at Vechta University, Germany. He is a founding member of the German Society of Sport Science’s Committee for Martial Arts Studies and the Journal of Martial Arts Research (JOMAR). In 2017, he received a scholarship from the Japan Society for the Promotion University, Japan. His main research interests are motives for martial time economy and prison rehabilitation programs, as well as basic research. Wrestling, Warships and Nationalism in Japanese-American Relations Martin J. Meyer DOI ABSTRACT The following article explains how the metaphors ‘wrestling 10.18573/mas.115 body’ and ‘warship’ are combined, mutually reinforced and nationalistically instrumentalised in the context of sporting events. The first case study examines contentious Japanese public discussions of the possible promotion of American KEYWORDs following case explores the staging of an American actor Sumo, Pro Wrestling, nationalism, racism, Kurobune, dramatization in North American pro wrestling. Both incidents Yokozuna, Takamiyama, have metaphorical and temporal parallels which reached their Konishiki, Lex Luger. respective symbolic climax in 1993. CITATION Meyer, Martin J. 2020. ‘Wrestling, Warships and Nationalism in Japanese-American Relations’. Martial Arts Studies 10, 73-88. doi: 10.18573/mas.115 MARTIAL Wrestling, Warships and Nationalism in ARTS STUDIES Japanese-American Relations Martin J. Meyer Introduction weapons were evolving at an unprecedented rate. Gunboats, which could also be used in shallow waters, were used for demonstrations The 20th century, especially 1914 to 1989, is considered to be the of power along foreign coasts. ‘Gunboat diplomacy’ was not only ‘century of ideologies’ [Müller 2013]. -
Wrestling Observer Newsletter February 24, 1992
Wrestling Observer Newsletter February 24, 1992 A few weeks ago I started hearing speculation about the significant lost revenue from those avenues. A potential sprint possible demise of Hulk Hogan and even the potential demise race by sponsors in the wrong direction and domino effect of of Titan Sports. While in a worst-case scenario of what could television stations which would cause a lessening of exposure happen, one couldn't completely rule that out as a possibility. would indirectly lead to a major effect on live attendance and all But it was maybe a 200-to-one longshot, at best. Most of this other revenue sources. At the same time, a promoter like Don talk was incredibly premature and so unlikely at the time that it King, who in comparison makes Vince McMahon seem like a didn't seem to be worth serious discussion. saint, has survived and prospered even though most Americans have an idea of what kind of a person he really is. People will It's still premature. It's still unlikely. But it's also worth serious pay money to see an entertainment/sport even if the owner has discussion. Make no mistake about it. Friday night, if it were not a shady rep forever because they are paying to see the for some incredible luck, the Titan empire may have been in a performers. But boxing isn't marketed as a kids show and aired race to avoid crumbling before Wrestlemania. Even with the in syndication primarily on Saturday mornings, so parts of that incredible luck, it may be too late for Titan to inevitably avoid analogy doesn't hold up.