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Nobility As Historical Reality and Theological
C HAPTER O NE N OBILITY AS H ISTORICAL R EALITY AND T HEOLOGICAL M OTIF ost students of western European history are familiar with a trifunc- Mtional model of medieval social organization. Commonly associated with modern scholar Georges Duby and found in medieval documents in various forms, this model compartmentalizes medieval society into those who pray (oratores), those who fight (bellatores), and those who work (lab- oratores).1 The appeal of this popular classification is, in part, its neatness, yet that is also its greatest fault. As Giles Constable explains in an ex- tended essay, such a classification relies too fully on occupational status and thus obscures more fruitful and at times overlapping ways of classifying individuals and groups.2 Constable explores other social classifications, such as those based on gender or marital status; founded on age or gen- eration, geographical location, or ethnic origin; rooted in earned merit, function, rank, or on level of responsibility; and based in inborn or inher- ited status. Some social systems express a necessary symbiosis of roles within society (such as clergy, warriors, and laborers), while others assert a hierarchy of power and prestige (such as royal, aristocratic, and common, or lord and serf). Certain divisions, such as those based on ancestry, can be considered immutable in individuals although their valuation in a given society can fluctuate. Others, such as status in the eyes of the church, might admit of change in individuals (through, for instance, repentance) 1 2 Nobility and Annihilation in Marguerite Porete’s Mirror of Simple Souls while the standards (such as church doctrine regarding sin and repentance) might remain essentially static over time. -
Press-Release-2020-2018.Pdf
3852 North Miami Avenue, Miami, FL 33127 305.576.8570| [email protected] | www.locustprojects.org FOR IMMEDIATE RELEASE: 20/20: Twenty artists/twenty hours Exhibition Dates: 20/20 As part of our 20th anniversary season, Locust Projects is celebrating its September 7-Sep. 29, 2018 experimental roots as Miami’s longest running alternative art space with a project titled 20/20: twenty artists/twenty hours. Beginning at 9pm on Friday, Experience: September 7-8,2018 September 7, twenty artists and collectives who have never before exhibited at Begins at 9pm and continues Locust Projects will each present newly commissioned works in one-hour for 20 consecutive hours temporary exhibitions. Held over twenty consecutive hours, the selected artists will work quickly during their designated time slot to install their projects which Reception: include a range of virtually every imaginable medium, all created for a specially- Saturday, September 8, 2018 5-7pm designed presentation space in the Project Room. Visitors will be able to experience this ambitious, high-energy happening first-hand at any point day or Hours: night from a tent-covered viewing area outside the Project Room’s open garage Tuesday to Saturday door. 11am-5pm Media Contacts: After each one-hour presentation, the artists will migrate elements of their Lorie Mertes projects and re-install them in the Main Gallery space, where they will be on Executive Director view through September 29, 2018. Following the completion of the twenty-hour [email protected] happening on the evening of September 8, there will be a celebratory reception 305.576.8570 that will be free and open to the public. -
Front Desk Concierge Book Table of Contents
FRONT DESK CONCIERGE BOOK TABLE OF CONTENTS I II III HISTORY MUSEUMS DESTINATION 1.1 Miami Beach 2.1 Bass Museum of Art ENTERTAINMENT 1.2 Founding Fathers 2.2 The Wolfsonian 3.1 Miami Metro Zoo 1.3 The Leslie Hotels 2.3 World Erotic Art Museum (WEAM) 3.2 Miami Children’s Museum 1.4 The Nassau Suite Hotel 2.4 Pérez Art Museum Miami (PAMM) 3.3 Jungle Island 1.5 The Shepley Hotel 2.5 Miami Science Museum 3.4 Rapids Water Park 2.6 Vizcaya Museum & Gardens 3.5 Miami Sea Aquarium 2.7 Frost Art Museum 3.6 Lion Country Safari 2.8 Museum of Contemporary Art (MOCA) 3.7 Seminole Tribe of Florida 2.9 Lowe Art Museum 3.8 Monkey Jungle 2.10 Flagler Museum 3.9 Venetian Pool 3.10 Everglades Alligator Farm TABLE OF CONTENTS IV V VI VII VIII IX SHOPPING MALLS MOVIE THEATERS PERFORMING CASINO & GAMING SPORTS ACTIVITIES SPORTING EVENTS 4.1 The Shops at Fifth & Alton 5.1 Regal South Beach VENUES 7.1 Magic City Casino 8.1 Tennis 4.2 Lincoln Road Mall 5.2 Miami Beach Cinematheque (Indep.) 7.2 Seminole Hard Rock Casino 8.2 Lap/Swimming Pool 6.1 New World Symphony 9.1 Sunlife Stadium 5.3 O Cinema Miami Beach (Indep.) 7.3 Gulfstream Park Casino 8.3 Basketball 4.3 Bal Harbour Shops 9.2 American Airlines Arena 6.2 The Fillmore Miami Beach 7.4 Hialeah Park Race Track 8.4 Golf 9.3 Marlins Park 6.3 Adrienne Arscht Center 8.5 Biking 9.4 Ice Hockey 6.4 American Airlines Arena 8.6 Rowing 9.5 Crandon Park Tennis Center 6.5 Gusman Center 8.7 Sailing 6.6 Broward Center 8.8 Kayaking 6.7 Hard Rock Live 8.9 Paddleboarding 6.8 BB&T Center 8.10 Snorkeling 8.11 Scuba Diving 8.12 -
Inside the Middle Class
Inside the Middle Class: Bad Times Hit the Good Life FOR RELEASE WEDNESDAY APRIL 9, 2008 12:00PM EDT Paul Taylor, Project Director Rich Morin, Senior Editor D'Vera Cohn, Senior Writer Richard Fry, Senior Researcher Rakesh Kochhar, Senior Researcher April Clark, Research Associate MEDIA INQUIRIES CONTACT: Pew Research Center 202 419 4372 http://pewresearch.org ii Table of Contents Foreword…………………………………………………………………………………………………………………………………………………………………...3 Executive Summary……………………………………………………………………………………………………………………………………………………5 Overview……………………………………… ……………………………………………………………………………………………………………………………7 Section One – A Self-Portrait 1. The Middle Class Defines Itself ………………………………………………………………………………………………….…………………..28 2. The Middle Class Squeeze………………………………………………………………………………………………………….……………..…….36 3. Middle Class Finances ……………………………………………………………………………………………….…………….……………………..47 4. Middle Class Priorities and Values………………………………………………………………………………………….……………………….53 5. Middle Class Jobs ………………………………………………………………………………………………………………….………………………….65 6. Middle Class Politics…………………………………………………………………………………………………………….……………………………71 About the Pew Social and Demographic Trends Project ……………………………………………………….…………………………….78 Questionnaire and topline …………………………………………………………………………………………………….………………………………..79 Section Two – A Statistical Portrait 7. Middle Income Demography, 1970-2006…………………………………………………………………………………………………………110 8. Trends in Income, Expenditures, Wealth and Debt………………………………………..…………………………………………….140 Section Two Appendix ……………………………………………………….…………………………………………………………………………………..163 -
The Integration Outcomes of U.S. Refugees
THE INTEGRATION OUTCOMES OF U.S. REFUGEES Successes and Challenges By Randy Capps and Kathleen Newland with Susan Fratzke, Susanna Groves, Gregory Auclair, Michael Fix, and Margie McHugh MPI NATIONAL CENTER ON IMMIGRANT INTEGRATION POLICY THE INTEGRATION OUTCOMES OF U.S. REFUGEES Successes and Challenges Randy Capps and Kathleen Newland with Susan Fratzke, Susanna Groves, Gregory Auclair, Michael Fix, and Margie McHugh June 2015 Acknowledgments This report was originally prepared to inform the Migration Policy Institute (MPI) roundtable “Mismatch: Meeting the Challenges of Refugee Resettlement,” held in Washington, DC in April 2014. The private meeting convened resettlement providers, federal and state-level government officials, and civil-society stakeholders for a candid conversation on the strengths and weaknesses of the U.S. refugee resettlement program, and future directions for policy development and program expansion. The roundtable and this report were supported by a grant from the J. M. Kaplan Fund. Additional support was provided by the John D. and Catherine T. MacArthur Foundation. © 2015 Migration Policy Institute. All Rights Reserved. Cover Design and Layout: Liz Heimann, MPI No part of this publication may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission from the Migration Policy Institute. A full-text PDF of this document is available for free download from www.migrationpolicy.org. Information for reproducing excerpts from this report can be found at www.migrationpolicy.org/about/copyright-policy. Inquiries can also be directed to: Permissions Department, Migration Policy Institute, 1400 16th Street, NW, Suite 300, Washington, DC 20036, or by contacting [email protected]. -
12 MIAMI ARTISTS HEADLINE MAJOR SHOW at the FROST ART MUSEUM FIU for 10Th ANNIVERSARY KICK OFF
Media Contacts News Travels Fast Jose Lima & Bill Spring [email protected] 12 MIAMI ARTISTS HEADLINE MAJOR SHOW AT THE FROST ART MUSEUM FIU FOR 10th ANNIVERSARY KICK OFF: Deconstruction: A Reordering of Life, Politics and Art NEW EXHBITION SHOWCASES THE MUSEUM’S PERMANENT COLLECTION: Connectivity: Selections from the Collection of the Frost Art Museum FIU Both on view through September 30 (MIAMI) ― The Patricia & Phillip Frost Art Museum FIU kicked off its 10th anniversary celebrations with the premiere of Deconstruction: A Reordering of Life, Politics and Art, featuring the work of twelve Miami artists: Eddie Arroyo, Zachary Balber, Frida Baranek, Christopher Carter, Leyden Rodriguez-Casanova, Yanira Collado, Gonzalo Fuenmayor, Pepe Mar, Glexis Novoa, Sandra Ramos, Jamilah Sabur and Frances Trombly. The museum also debuted a new exhibition showcasing its permanent collection and recent acquisitions gifted to the Frost for its 10th anniversary, titled Connectivity: Selections from the Collection of the Frost Art Museum FIU. Both shows were curated by Amy Galpin, the Chief Curator, and are on view through September 30. The museum is located at 10975 S.W. 17 Street, on the campus of Florida International University. "Some say Miami's vibrant art scene can be overshadowed by the art fairs that descend upon our destination every December, and the question looms large: what is the real visual arts landscape like in Miami during the other 51 weeks of the year? As this city experiences a major growth boom, working artists in Miami have a broadening range of opportunities and challenges," said Dr. Jordana Pomeroy, the Director of the Frost Art Museum FIU. -
Publication 517, Social Security
Userid: CPM Schema: tipx Leadpct: 100% Pt. size: 8 Draft Ok to Print AH XSL/XML Fileid: … tions/P517/2020/A/XML/Cycle03/source (Init. & Date) _______ Page 1 of 18 11:42 - 2-Mar-2021 The type and rule above prints on all proofs including departmental reproduction proofs. MUST be removed before printing. Publication 517 Cat. No. 15021X Contents Future Developments ............ 1 Department of the Social Security What's New .................. 1 Treasury Internal Reminders ................... 2 Revenue and Other Service Introduction .................. 2 Information for Social Security Coverage .......... 3 Members of the Ministerial Services ............. 4 Exemption From Self-Employment Clergy and (SE) Tax ................. 6 Self-Employment Tax: Figuring Net Religious Earnings ................. 7 Income Tax: Income and Expenses .... 9 Workers Filing Your Return ............. 11 Retirement Savings Arrangements ... 11 For use in preparing Earned Income Credit (EIC) ....... 12 Worksheets ................. 14 2020 Returns How To Get Tax Help ........... 15 Index ..................... 18 Future Developments For the latest information about developments related to Pub. 517, such as legislation enacted after this publication was published, go to IRS.gov/Pub517. What's New Tax relief legislation. Recent legislation pro- vided certain tax-related benefits, including the election to use your 2019 earned income to fig- ure your 2020 earned income credit. See Elec- tion to use prior-year earned income for more information. Credits for self-employed individuals. New refundable credits are available to certain self-employed individuals impacted by the coro- navirus. See the Instructions for Form 7202 for more information. Deferral of self-employment tax payments under the CARES Act. The CARES Act al- lows certain self-employed individuals who were affected by the coronavirus and file Schedule SE (Form 1040), to defer a portion of their 2020 self-employment tax payments until 2021 and 2022. -
Highlights of Available Works
Highlights of Available Works TJ Ahearn Good Times Bad Times (Rolling Stones), 2018 Hand cut collage on vintage LP jacket with original vinyl 21 x 21 inches Framed Courtesy of the artist and lemon sky: projects + editions TJ Ahearn’s collages are created through a meticulous application of hand-cut imagery from both vintage and contemporary periodicals, books and other printed matter, which is glued onto the back of LP jackets. Most of the albums used date back to the 60s and 70s, and the original vinyl is included with the collaged piece. Ahearn creates imaginary environments through the inventive layering and juxtaposition of both banal and pop culture visual elements. The collages on view are from the artist's ongoing JUKEBOX series. TJ Ahearn lives and works between NYC and Miami. Ahearn attended School of Visual Arts in New York as well as both the University of Miami BFA Program and Miami Dade South Campus Fine Arts Program and Psychopolis Academy in the Netherlands. The work of TJ Ahearn is in many prestigious collections in the U.S. and abroad and has been exhibited at museums, galleries and art fairs internationally. Ahol Sniffs Glue Malt Liquor is Thicker Than Water, 2016 40 oz bottle, hot glue, and spray paint Courtesy of the artist Ahol, whose raw yet instantly recognizable street murals evaporate the divide between high and low art, often jumbles disparate themes from mass media, popular culture and marginalized pockets of society. He often draws inspiration from the urban environment and systems of society which dehumanize its inhabitants. -
C O N N I E L L O V E R a S
Connie Lloveras Education: Florida International University, B.F.A. 1981 Miami-Dade Community College, A.A. 1979 Solo Exhibitions: 2017 “Connie Lloveras: Messenger Pigeons and Circles,” The Americas Collection Coral Gables, FL 2015 “Connie Lloveras: Messenger Pigeons and Forms,” Galeria Arteconsult, Panama City, Panama. 2014 “Connie Lloveras: Messenger Pigeons”, The Americas Collection, Coral Gables, FL 2012 “Connie Lloveras: Random Forms”, Galeria Arteconsult, Panama City, Panama 2111 “Connie Lloveras: Letters and Forms”, The Americas Collectiom, Coral Gables, FL 2009 “Connie Lloveras: Scattered Pieces”, Gruen Galleries, Chicago, IL 2008 “C. Lloveras: Construction, Canvas, & Paper Work”, The Americas Collection, Coral Gables, FL “Connie Lloveras: Wood and Clay Constructions”. Galeria Arteconsult, Panama City, Panama 2007 “Spiritual Landscapes”, Gruen Galleries, Chicago, IL 2006 “Ordinary Moments”, Art @ Work, Miami, FL 2005 “Ordinary Moments in Ordinary Time”, The Americas Collection, Coral Gables, FL “Connie Lloveras: Recent Work”, Galeria Arte Consult, Panama City, Panama 2004 “Solo: Connie Lloveras”, Gruen Gallery. Chicago, IL 2003 “Bread, Houses, and Intuition”, The Americas Collection, Coral Gables, FL 2002 “Connie Lloveras: Unspoken Words, a Retrospective 1990 to 2000”, Museo de Art Contemporaneo, Panama City, Panama 2001 “Connie Lloveras: Light Seeds,” Collins Fine Art, Chicago, IL “Connie Lloveras: Dream Sorting,” The Americas Collection, Coral Gables, FL 2000 "Connie Lloveras: Interior Gardens," David Rockefeller Center for -
Tim Rodgers Appointed As New Director of the Wolfsonian–FIU
Media Contact: Meg Floryan Head of Marketing + PR [email protected] | 305.535.2622 Tim Rodgers Appointed as New Director of The Wolfsonian–FIU MIAMI BEACH (May 11, 2015) — Tim Rodgers has been named director of The Wolfsonian– FIU. Rodgers comes to FIU from Scottsdale Museum of Contemporary Art (SMoCA). “We are looking forward to having Dr. Rodgers lead The Wolfsonian–FIU into the next phase of its development. The museum is an incredible resource to our community and the art world,” said FIU Provost and Executive Vice President Kenneth G. Furton. “His track record of creating synergies between art and education made him the ideal candidate.” Rodgers officially takes the reins on July 1. The Wolfsonian–FIU is a museum, library, and research center devoted to art and design, with a collection of about 120,000 objects from the period 1885–1945. The collection includes a variety of media, from furniture and art to rare books and propaganda posters. Museum founder Mitchell “Micky” Wolfson Jr. praised the selection of Rodgers as director. “Tim is fully poised for his new challenge. His appointment enthusiastically approved by The Wolfsonian and FIU will give us all new confidence and undoubtedly new directions in order to maintain the institution as a world leader in transmitting the importance of design from one generation to the next, which is the highest responsibility of an educational research institution,” Wolfson said. As director of The Wolfsonian–FIU, Rodgers hopes to expand the physical museum, as well as begin the process of making most of the museum’s permanent collection available online. -
The Wolfsonian–FIU Appoints Yucef Merhi As Inaugural Curator of Digital Collections, Role Funded by Knight Foundation
Media Contact: Meg Floryan Head of Marketing + PR [email protected] | 305.535.2622 The Wolfsonian–FIU Appoints Yucef Merhi as Inaugural Curator of Digital Collections, Role Funded by Knight Foundation Merhi, a new media pioneer and interactive designer, sets sights on enhancing digital engagement and digitizing the museum’s collection of 180,000 objects MIAMI BEACH (October 8, 2018) — Yucef Merhi has joined The Wolfsonian–Florida International University as the museum’s first-ever curator of digital collections, a new role made possible by a grant from the John S. and James L. Knight Foundation. Having started the position in late July 2018, Merhi rounds out The Wolfsonian’s curatorial team with his extensive experience integrating ambitious online and technology-based tools in the galleries and beyond— skills that are integral to the long-term Wolfsonian goal of forging new avenues for visitors to connect with special exhibitions and the permanent collection. The tech-focused position is one of eight across the country funded by Knight Foundation to help art institutions implement digital strategies that improve the visitor experience and expand audiences. “A large part of a museum’s success in the digital era depends on its ability to leverage technology to take risks and engage audiences. The Wolfsonian has always presented its permanent collection and special exhibitions in thought-provoking ways. For The Wolf, integrating digital technology into the design of future exhibitions is another example of its innovative approach.” said Victoria Rogers, Knight Foundation vice president for the arts. For the last six years, Knight Foundation has supported The Wolfsonian’s efforts to digitize its collection, primarily for purposes of academic research. -
FIU Museums Go Virtual
Media Contact: Erica Corsano 617-510-192 [email protected] frost.fiu.edu jmof.edu wolfsonian.org @frostartmuseum @jmof_fiu @wolfsonian Frost Art Museum, The Wolfsonian-FIU and Jewish Museum of Florida engage arts and culture lovers working and learning at home Frost Art Museum, The Wolfsonian-FIU and Jewish Museum of Florida engage homebound arts and culture lovers with free content. MIAMI (March 19, 2020) — As FIU’s three museums join museums around the world in temporarily closing their doors in response to the coronavirus pandemic, they continue to offer inspiring, compelling and educational content to the community via virtual tours, digital content and social media outreach. At Frost Art FIU, curatorial, educational and content teams are working together virtually to bring their members, supporters and art fans, entertainment, refuge and education. The museum has highlighted the following virtual tours: • Deconstruction: A Reordering of Life, Politics, and Art presents the work of twelve Miami-based artists who interrogate varying notions of deconstruction in their work. • Spheres of Meaning: An Exhibition of Artists' Books presents a range of artists' books from manipulated texts to new narrative forms and books presented as sculptures. • Cut: Abstraction in the United States, from the 1970s to the Present explores a multigenerational group of artists who challenged painting surfaces with cuts, carvings, and indentation. For some this gesture has been politically motivated; for others, it represents a bold and dynamic investigation into materiality. Alongside virtual tours, the museum will offer new weekly newsletters and social media content, which will include a behind-the-scenes look at museum staff, games and activities for families to do at home, and video montages of current exhibitions.