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PUBLIC SCULPTURE LOCATIONS Introduction to the PHOTOGRAPHY: 17 Daniel Portnoy PUBLIC Public Sculpture Collection Sid Hoeltzell SCULPTURE 18
1 2 3 4 5 6 7 VIRGINIO FERRARI RAFAEL CONSUEGRA UNKNOWN ARTIST DALE CHIHULY THERMAN STATOM WILLIAM DICKEY KING JEAN CLAUDE RIGAUD b. 1937, Verona, Italy b. 1941, Havana, Cuba Bust of José Martí, not dated b. 1941, Tacoma, Washington b. 1953, United States b. 1925, Jacksonville, Florida b. 1945, Haiti Lives and works in Chicago, Illinois Lives and works in Miami, Florida bronze Persian and Horn Chandelier, 2005 Creation Ladder, 1992 Lives and works in East Hampton, New York Lives and works in Miami, Florida Unity, not dated Quito, not dated Collection of the University of Miami glass glass on metal base Up There, ca. 1971 Composition in Circumference, ca. 1981 bronze steel and paint Location: Casa Bacardi Collection of the University of Miami Gift of Carol and Richard S. Fine aluminum steel and paint Collection of the University of Miami Collection of the University of Miami Gift of Mr. and Mrs. Alfred Camner Location: Gumenick Lobby, Newman Alumni Center Collection of the Lowe Art Museum, Collection of the Lowe Art Museum, Location: Casa Bacardi Location: Casa Bacardi Location: Gumenick Lobby, Newman Alumni Center University of Miami University of Miami Gift of Mr. and Mrs. Blake King, 2004.20 Gift of Dr. Maurice Rich, 2003.14 Location: Wellness Center Location: Pentland Tower 8 9 10 11 12 13 14 JANE WASHBURN LEONARDO NIERMAN RALPH HURST LEONARDO NIERMAN LEOPOLDO RICHTER LINDA HOWARD JOEL PERLMAN b. United States b. 1932, Mexico City, Mexico b. 1918, Decatur, Indiana b. 1932, Mexico City, Mexico b. 1896, Großauheim, Germany b. 1934, Evanston, Illinois b. -
Press-Release-2020-2018.Pdf
3852 North Miami Avenue, Miami, FL 33127 305.576.8570| [email protected] | www.locustprojects.org FOR IMMEDIATE RELEASE: 20/20: Twenty artists/twenty hours Exhibition Dates: 20/20 As part of our 20th anniversary season, Locust Projects is celebrating its September 7-Sep. 29, 2018 experimental roots as Miami’s longest running alternative art space with a project titled 20/20: twenty artists/twenty hours. Beginning at 9pm on Friday, Experience: September 7-8,2018 September 7, twenty artists and collectives who have never before exhibited at Begins at 9pm and continues Locust Projects will each present newly commissioned works in one-hour for 20 consecutive hours temporary exhibitions. Held over twenty consecutive hours, the selected artists will work quickly during their designated time slot to install their projects which Reception: include a range of virtually every imaginable medium, all created for a specially- Saturday, September 8, 2018 5-7pm designed presentation space in the Project Room. Visitors will be able to experience this ambitious, high-energy happening first-hand at any point day or Hours: night from a tent-covered viewing area outside the Project Room’s open garage Tuesday to Saturday door. 11am-5pm Media Contacts: After each one-hour presentation, the artists will migrate elements of their Lorie Mertes projects and re-install them in the Main Gallery space, where they will be on Executive Director view through September 29, 2018. Following the completion of the twenty-hour [email protected] happening on the evening of September 8, there will be a celebratory reception 305.576.8570 that will be free and open to the public. -
Florida Faculty Painting Exhibitions the Iv Sual Arts Gallery at Florida International University Frost Art Museum the Patricia and Phillip Frost Art Museum
Florida International University FIU Digital Commons Frost Art Museum Catalogs Frost Art Museum 1-11-1980 Florida Faculty Painting Exhibitions The iV sual Arts Gallery at Florida International University Frost Art Museum The Patricia and Phillip Frost Art Museum Follow this and additional works at: https://digitalcommons.fiu.edu/frostcatalogs Recommended Citation Frost Art Museum, The iV sual Arts Gallery at Florida International University, "Florida Faculty Painting Exhibitions" (1980). Frost Art Museum Catalogs. 57. https://digitalcommons.fiu.edu/frostcatalogs/57 This work is brought to you for free and open access by the Frost Art Museum at FIU Digital Commons. It has been accepted for inclusion in Frost Art Museum Catalogs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. January 11 - February 1, 1980 Visual Arts Gallery Florida InternationalUniversity,Tamiami Campus Foreward This is an opportune time for an exhibition of painting. Many have said that the past two decades represented a "bad season" for painters in that tradition gave way to technology, anti-art, anti-form, environment and concept; and that, indeed, painting was dead. This show refutes that premise. Although limited to work from the State of Florida, it reflects the diversity and variety of styles which characterizes the art world today. A rapid succession of movements emerged in reaction to Abstract Expressionism and to each other throughout the 60's and 70's. Pop, assemblage, monochrome painting, color abstraction and shaped geometry has been joined by an interest in figuration, pattern-painting, punk art, realism and super-realism. In this statement one cannot unravel the art-historical complexities inherent in the paintings, yet the vitality and shared committment of these Florida artists cannot fail to be recognized. -
Front Desk Concierge Book Table of Contents
FRONT DESK CONCIERGE BOOK TABLE OF CONTENTS I II III HISTORY MUSEUMS DESTINATION 1.1 Miami Beach 2.1 Bass Museum of Art ENTERTAINMENT 1.2 Founding Fathers 2.2 The Wolfsonian 3.1 Miami Metro Zoo 1.3 The Leslie Hotels 2.3 World Erotic Art Museum (WEAM) 3.2 Miami Children’s Museum 1.4 The Nassau Suite Hotel 2.4 Pérez Art Museum Miami (PAMM) 3.3 Jungle Island 1.5 The Shepley Hotel 2.5 Miami Science Museum 3.4 Rapids Water Park 2.6 Vizcaya Museum & Gardens 3.5 Miami Sea Aquarium 2.7 Frost Art Museum 3.6 Lion Country Safari 2.8 Museum of Contemporary Art (MOCA) 3.7 Seminole Tribe of Florida 2.9 Lowe Art Museum 3.8 Monkey Jungle 2.10 Flagler Museum 3.9 Venetian Pool 3.10 Everglades Alligator Farm TABLE OF CONTENTS IV V VI VII VIII IX SHOPPING MALLS MOVIE THEATERS PERFORMING CASINO & GAMING SPORTS ACTIVITIES SPORTING EVENTS 4.1 The Shops at Fifth & Alton 5.1 Regal South Beach VENUES 7.1 Magic City Casino 8.1 Tennis 4.2 Lincoln Road Mall 5.2 Miami Beach Cinematheque (Indep.) 7.2 Seminole Hard Rock Casino 8.2 Lap/Swimming Pool 6.1 New World Symphony 9.1 Sunlife Stadium 5.3 O Cinema Miami Beach (Indep.) 7.3 Gulfstream Park Casino 8.3 Basketball 4.3 Bal Harbour Shops 9.2 American Airlines Arena 6.2 The Fillmore Miami Beach 7.4 Hialeah Park Race Track 8.4 Golf 9.3 Marlins Park 6.3 Adrienne Arscht Center 8.5 Biking 9.4 Ice Hockey 6.4 American Airlines Arena 8.6 Rowing 9.5 Crandon Park Tennis Center 6.5 Gusman Center 8.7 Sailing 6.6 Broward Center 8.8 Kayaking 6.7 Hard Rock Live 8.9 Paddleboarding 6.8 BB&T Center 8.10 Snorkeling 8.11 Scuba Diving 8.12 -
12 MIAMI ARTISTS HEADLINE MAJOR SHOW at the FROST ART MUSEUM FIU for 10Th ANNIVERSARY KICK OFF
Media Contacts News Travels Fast Jose Lima & Bill Spring [email protected] 12 MIAMI ARTISTS HEADLINE MAJOR SHOW AT THE FROST ART MUSEUM FIU FOR 10th ANNIVERSARY KICK OFF: Deconstruction: A Reordering of Life, Politics and Art NEW EXHBITION SHOWCASES THE MUSEUM’S PERMANENT COLLECTION: Connectivity: Selections from the Collection of the Frost Art Museum FIU Both on view through September 30 (MIAMI) ― The Patricia & Phillip Frost Art Museum FIU kicked off its 10th anniversary celebrations with the premiere of Deconstruction: A Reordering of Life, Politics and Art, featuring the work of twelve Miami artists: Eddie Arroyo, Zachary Balber, Frida Baranek, Christopher Carter, Leyden Rodriguez-Casanova, Yanira Collado, Gonzalo Fuenmayor, Pepe Mar, Glexis Novoa, Sandra Ramos, Jamilah Sabur and Frances Trombly. The museum also debuted a new exhibition showcasing its permanent collection and recent acquisitions gifted to the Frost for its 10th anniversary, titled Connectivity: Selections from the Collection of the Frost Art Museum FIU. Both shows were curated by Amy Galpin, the Chief Curator, and are on view through September 30. The museum is located at 10975 S.W. 17 Street, on the campus of Florida International University. "Some say Miami's vibrant art scene can be overshadowed by the art fairs that descend upon our destination every December, and the question looms large: what is the real visual arts landscape like in Miami during the other 51 weeks of the year? As this city experiences a major growth boom, working artists in Miami have a broadening range of opportunities and challenges," said Dr. Jordana Pomeroy, the Director of the Frost Art Museum FIU. -
Highlights of Available Works
Highlights of Available Works TJ Ahearn Good Times Bad Times (Rolling Stones), 2018 Hand cut collage on vintage LP jacket with original vinyl 21 x 21 inches Framed Courtesy of the artist and lemon sky: projects + editions TJ Ahearn’s collages are created through a meticulous application of hand-cut imagery from both vintage and contemporary periodicals, books and other printed matter, which is glued onto the back of LP jackets. Most of the albums used date back to the 60s and 70s, and the original vinyl is included with the collaged piece. Ahearn creates imaginary environments through the inventive layering and juxtaposition of both banal and pop culture visual elements. The collages on view are from the artist's ongoing JUKEBOX series. TJ Ahearn lives and works between NYC and Miami. Ahearn attended School of Visual Arts in New York as well as both the University of Miami BFA Program and Miami Dade South Campus Fine Arts Program and Psychopolis Academy in the Netherlands. The work of TJ Ahearn is in many prestigious collections in the U.S. and abroad and has been exhibited at museums, galleries and art fairs internationally. Ahol Sniffs Glue Malt Liquor is Thicker Than Water, 2016 40 oz bottle, hot glue, and spray paint Courtesy of the artist Ahol, whose raw yet instantly recognizable street murals evaporate the divide between high and low art, often jumbles disparate themes from mass media, popular culture and marginalized pockets of society. He often draws inspiration from the urban environment and systems of society which dehumanize its inhabitants. -
Tim Rodgers Appointed As New Director of the Wolfsonian–FIU
Media Contact: Meg Floryan Head of Marketing + PR [email protected] | 305.535.2622 Tim Rodgers Appointed as New Director of The Wolfsonian–FIU MIAMI BEACH (May 11, 2015) — Tim Rodgers has been named director of The Wolfsonian– FIU. Rodgers comes to FIU from Scottsdale Museum of Contemporary Art (SMoCA). “We are looking forward to having Dr. Rodgers lead The Wolfsonian–FIU into the next phase of its development. The museum is an incredible resource to our community and the art world,” said FIU Provost and Executive Vice President Kenneth G. Furton. “His track record of creating synergies between art and education made him the ideal candidate.” Rodgers officially takes the reins on July 1. The Wolfsonian–FIU is a museum, library, and research center devoted to art and design, with a collection of about 120,000 objects from the period 1885–1945. The collection includes a variety of media, from furniture and art to rare books and propaganda posters. Museum founder Mitchell “Micky” Wolfson Jr. praised the selection of Rodgers as director. “Tim is fully poised for his new challenge. His appointment enthusiastically approved by The Wolfsonian and FIU will give us all new confidence and undoubtedly new directions in order to maintain the institution as a world leader in transmitting the importance of design from one generation to the next, which is the highest responsibility of an educational research institution,” Wolfson said. As director of The Wolfsonian–FIU, Rodgers hopes to expand the physical museum, as well as begin the process of making most of the museum’s permanent collection available online. -
The Wolfsonian–FIU Appoints Yucef Merhi As Inaugural Curator of Digital Collections, Role Funded by Knight Foundation
Media Contact: Meg Floryan Head of Marketing + PR [email protected] | 305.535.2622 The Wolfsonian–FIU Appoints Yucef Merhi as Inaugural Curator of Digital Collections, Role Funded by Knight Foundation Merhi, a new media pioneer and interactive designer, sets sights on enhancing digital engagement and digitizing the museum’s collection of 180,000 objects MIAMI BEACH (October 8, 2018) — Yucef Merhi has joined The Wolfsonian–Florida International University as the museum’s first-ever curator of digital collections, a new role made possible by a grant from the John S. and James L. Knight Foundation. Having started the position in late July 2018, Merhi rounds out The Wolfsonian’s curatorial team with his extensive experience integrating ambitious online and technology-based tools in the galleries and beyond— skills that are integral to the long-term Wolfsonian goal of forging new avenues for visitors to connect with special exhibitions and the permanent collection. The tech-focused position is one of eight across the country funded by Knight Foundation to help art institutions implement digital strategies that improve the visitor experience and expand audiences. “A large part of a museum’s success in the digital era depends on its ability to leverage technology to take risks and engage audiences. The Wolfsonian has always presented its permanent collection and special exhibitions in thought-provoking ways. For The Wolf, integrating digital technology into the design of future exhibitions is another example of its innovative approach.” said Victoria Rogers, Knight Foundation vice president for the arts. For the last six years, Knight Foundation has supported The Wolfsonian’s efforts to digitize its collection, primarily for purposes of academic research. -
FIU Museums Go Virtual
Media Contact: Erica Corsano 617-510-192 [email protected] frost.fiu.edu jmof.edu wolfsonian.org @frostartmuseum @jmof_fiu @wolfsonian Frost Art Museum, The Wolfsonian-FIU and Jewish Museum of Florida engage arts and culture lovers working and learning at home Frost Art Museum, The Wolfsonian-FIU and Jewish Museum of Florida engage homebound arts and culture lovers with free content. MIAMI (March 19, 2020) — As FIU’s three museums join museums around the world in temporarily closing their doors in response to the coronavirus pandemic, they continue to offer inspiring, compelling and educational content to the community via virtual tours, digital content and social media outreach. At Frost Art FIU, curatorial, educational and content teams are working together virtually to bring their members, supporters and art fans, entertainment, refuge and education. The museum has highlighted the following virtual tours: • Deconstruction: A Reordering of Life, Politics, and Art presents the work of twelve Miami-based artists who interrogate varying notions of deconstruction in their work. • Spheres of Meaning: An Exhibition of Artists' Books presents a range of artists' books from manipulated texts to new narrative forms and books presented as sculptures. • Cut: Abstraction in the United States, from the 1970s to the Present explores a multigenerational group of artists who challenged painting surfaces with cuts, carvings, and indentation. For some this gesture has been politically motivated; for others, it represents a bold and dynamic investigation into materiality. Alongside virtual tours, the museum will offer new weekly newsletters and social media content, which will include a behind-the-scenes look at museum staff, games and activities for families to do at home, and video montages of current exhibitions. -
Southeastern Reciprocal Membership Program
SOUTHEASTERN RECIPROCAL MEMBERSHIP PROGRAM Upon presentation of your membership card you will receive: Free admission at all times during museum hours. The same discount in the gift shop and café as those offered to members of that museum. The same discount on purchases made on the premises for concert and lecture tickets, as those offered to members of that museum. Reciprocal privileges do not include receiving mailings from any of the participating museums except for the museum with which the member is affiliated. Note: List subject to change without notice. Museums may temporarily suspend reciprocal program during special exhibitions. Some museums do not accept SERM from other local museums. Call before you go. ALABAMA Augusta Museum of History – Augusta Greensboro Birmingham Museum of Art -- Birmingham Bartow History Museum – Cartersville Greenville Museum of Art – Greenville Carnegie Visual Arts Center -- Decatur Columbus Museum – Columbus Hickory Museum of Art -- Hickory Huntsville Museum of Art – Huntsville Georgia Museum of Art – Athens Mint Museum, Randolph -- Charlotte Jule Collins Smith Museum of Fine Art at Auburn -- Marietta Museum of History – Marietta Mint Museum Uptown – Charlotte Auburn Morris Museum of Art – Augusta Waterworks Visual Art Center – Salisbury Mobile Museum of Art – Mobile Museum of Arts & Sciences – Macon Weatherspoon Art Museum – Greensboro Montgomery Museum of Fine Arts – Montgomery Museum of Design Atlanta – Atlanta Reynolda House Museum of American Art – Winston Wiregrass Museum of Art – Dothan -
1 Smita Ghosh from Camp Krome to the CCA: the Long-Term Effects Of
Smita Ghosh From Camp Krome to the CCA: The Long-Term Effects of the Haitian Program On February 10, 1977, a group of forty-three Haitian asylum seekers wrote a letter from the El Paso immigration detention center.1 The migrants had been detained while fleeing the oppressive regime of Jean Claude (“Baby Doc”) Duvalier. One, named Thelimaque, told his story as an example. He explained that his father once headed a political organization in Haiti that opposed then-president Francois (“Papa Doc”) Duvalier. The Tonton Macoute, a paramilitary force created during the first Duvalier regime, raided one of the organization’s meetings and shot many of its members, forcing Thelimaque and his father into hiding outside of Port-au-Prince. Eventually, when the Tonton Macoute killed his father and kept looking for him, Thelimaque escaped to the United States on his friend’s boat.2 Thelimaque and his compatriots were immediately sent to immigration detention. “When [our boat] got close to the land in Florida,” they wrote “we … stop the boat and call the police because we knew that we was illegal. The Immigration [Service] came and take us to the federal building in Florida, asked us some questions and put us in jail.”3 The letter writers were then transferred to a federal facility in El Paso. When they wrote the letter, they had been detained for fifteen months. In the early 1980s, the government was presented with a rapid and unexpected increase in immigration from Haiti.4 Between 1972 and 1980, 32,367 Haitians arrived in the United States, many in makeshift boats like Thelimaque’s.5 The great majority of these “boat people” arrived 1 Letter from “The Haitian Prisoners in El Paso Camp,” Feb. -
TRANSFORMATIVE VISIONS: Works by Haitian Artists from the Permanent Collection
TRANSFORMATIVE VISIONS: Works by Haitian Artists from the Permanent Collection TRANSFORMATIVE VISIONS: Works by Haitian Artists from the Permanent Collection Kate Ramsey and Louis Herns Marcelin Mario Benjamin b. 1964, Port-au-Prince, Haiti Untitled, ca. 1996 mixed media on masonite 60 x 48 1/4 x 3 7/8 in. (152.4 x 122.6 x 9.8 cm) Gift of Dr. and Mrs. Carl Eisdorfer, 2002.57.48 Published on the occasion of the exhibition Transformative Visions: Works by Haitian Artists from the Permanent Collection, November 8, 2014 – January 18, 2015. Organized by Louis Herns Marcelin, Ph.D. and Kate Ramsey, Ph.D. TRANSFORMATIVE VISIONS reproduced in any form, by any means, electronic or mechanical, including photocopying, or by any storage or retrieval system, without the written permission of the Lowe Art Museum, University of Miami, Coral Gables, Florida 33146. the materials presented herein. Any person or organization that may have been inadvertently overlooked vi FOREWORD or proved unreachable should contact the Lowe directly so that the necessary corrections can be made in Jill Deupi any future printings. viii ACKNOWLEDGMENTS Funding for the exhibition and catalogue was made possible through Beaux Art, and the membership of Kate Ramsey and Louis Herns Marcelin the Lowe Art Museum, with additional support from the Linnie E. Dalbeck Memorial Foundation Trust. xi NOTE ON THE SPELLING OF TERMS IN HAITIAN KREYÒL 1 TRANSFORMATIVE VISIONS: AN INTRODUCTION Additional programmatic support was provided through HSBC, the University of Miami’s Center for the Humanities, the College of Arts and Sciences’ Strategic Initiatives Fund, Caribbean Literary and Cultural Kate Ramsey Studies in the Department of English, the Department of Modern Languages and Literatures Joseph Carter Memorial Fund, the Department of Anthropology, the Department of Art and Art History, the 23 CONVERSATION WITH PASCALE MONNIN Department of History, the Program in Africana Studies, and the Program in American Studies.