DOCSLIB.ORG

Performance Season

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Performance Season “ A triumphant realization of a challenging work…For sheer productions values, Michaels Reise is arresting as anything Performance you will see in an opera house.” —New York Times Season Live performance is at the heart of Lincoln Center, and the from renowned pianist Emanuel Ax to violinist and rising star 2012–13 season hummed with the excitement of superb Isabelle Faust. Continuing the Festival’s broad exploration programming on a resplendent, reimagined campus. of its namesake genius, this year spotlighted Mozart’s influence on the music of Beethoven, surveyed contemporary A highlight of the Great Performers season was the New composers with the International Contemporary Ensemble, York premiere of John Adams’s The Gospel According to the and presented such quintessential Mozart evenings as an Other Mary with the Los Angeles Philharmonic led by a fiery inventively staged concert version of Le nozze di Figaro with Gustavo Dudamel. Keyboard enthusiasts were treated to the Budapest Festival Orchestra under the baton and direction virtuoso recitals by Jean-Yves Thibaudet and András Schiff, of Iván Fischer. and baritone Simon Keenlyside thrilled audiences in the title role of Berg’s opera Wozzeck. Lincoln Center Festival’s extraordinary international lineup of multidisciplinary events unfolded in six venues both on and off Broadway stars Kristin Chenoweth and legendary singer/ campus, with 62 performances by artists and ensembles from songwriter Valerie Simpson headlined a glowing American 10 countries. In addition to director Chen Shi-Zheng’s fantastical Songbook season in The Allen Room. This year, the program production of a Chinese folktale, Monkey: Journey to the West, expanded to an adventurous new series of intimate concerts there were concerts by Sinead O’Connor, John Zorn and the in the Stanley H. Kaplan Penthouse. Mongolian band Hanggai; the North American premiere of The White Light Festival explored the human body as a vehicle Complicite’s theater work Shun-Kin; and the American premiere for transcendence with dance premieres from London’s Akram of Stockhausen’s seminal Michaels Reise um die Erde. Khan Company and Ireland’s Fabulous Beast Dance Theatre. In July and August, Lincoln Center Out of Doors filled our The roster of global artistry included choirs from Latvia and plazas with more than 100 free performances of music, dance, Georgia as well as repertoire from Mahler to Arvo Pärt. Post- theater, and commissioned works, including a world premiere concert White Light Lounges, where concertgoers mingle and from Mark Dendy Dance & Theater Projects, three New York greet the artists, returned as part of the White Light experience. debuts as part of Festival au Désert: Caravan for Peace, and a Summer at Lincoln Center began with the outdoor dance special week-long Kronos Quartet at 40 anniversary celebration. party Midsummer Night Swing marking its 25th anniversary An expanded Live From Lincoln Center television series on of live music under the stars. For three weeks, top bands from PBS welcomed the incomparable five-time Tony-winner Audra New York and around the world called thousands of joyful feet McDonald as its new host, reaching millions of viewers with to dance in Damrosch Park. Tango, salsa, and swing were all enhanced digital platforms. The New York Philharmonic part of the revelry, featuring Wynton Marsalis, Arturo O’Farrill, Rodgers and Hammerstein’s Carousel, earning Emmy® and the wildly popular Silent Discos, where music can only be nominations, a star-studded New Year’s Eve tribute to Marvin heard through the dancers’ headphones. Hamlisch, and legendary artists including Itzhak Perlman and Trumpeter Marco Blaauw (Michael) and basset horn player Nicola The Mostly Mozart Festival’s Renée and Robert Belfer Music Joshua Groban were among the outstanding offerings from our Jürgenson (Eve) in the North American premiere of Stockhausen’s Director Louis Langrée hosted a spectacular lineup of artists, stages broadcast on Live From Lincoln Center. spectacular Michaels Reise um die Erde at Lincoln Center Festival. “ A remarkable production…A highlight not just of the Mostly Mozart Festival, but also of the opera season in New York.” —New York Times Iván Fischer and the Budapest Festival Orchestra gave the Mostly Mozart premiere of Le nozze di Figaro in a jubilant staged concert performance. “ Monkey: Journey to the West—a dazzling collision of Chinese folklore, spiritual instruction and ethno-digital pop music.“ —Rolling Stone Green Lotus Maidens spun their plates in “Paradise” for the finale of Monkey: Journey to the West at Lincoln Center Festival. “ An extraordinary piece of dance theater that manages to be both seamless entertainment and a rich insight into Irish culture.” —Irish Times Traditional Irish music and passionate contemporary dance shared the stage in Fabulous Beast Dance Theatre’s lively production of Rian during the White Light Festival. “ The crowd reflects the city in age, ethnicity, size, skill level, personality and fashion sense. There are singles and couples, paired-up strangers and circles of friends. Different bands attract different crowds, so each night has its own character and energy, but there’s always a miscellany, a cross-section of New York mingling to music.” —New York Times The Jazz at Lincoln Center Orchestra with Wynton Marsalis made a joyful noise at the opening of Midsummer Night Swing. “ Langrée sustained compelling passion. His attentive players [the Mostly Mozart Festival Orchestra] responded with gutsy bravura.” —Financial Times Renée and Robert Belfer Music Director Louis Langrée led nine concerts with the Mostly Mozart Festival Orchestra on the Festival’s specially-constructed stage in Avery Fisher Hall. “ Alban Berg’s compact shocker of an opera is about cruelty and despair, but the Philharmonic's concert performance…was a celebratory event. Rare as it is to experience the score in the flesh, it’s rarer still to hear it done with such a volatile mixture of vitriol and love.” —New York Magazine Simon Keenlyside (right) starred in the title role of Wozzeck, with Joshua Ellicott (left) as Andres and Esa-Pekka Salonen conducting the Philharmonia Orchestra for Lincoln Center’s Great Performers. “ There’s a good reason that Panamanian singer, songwriter and bandleader Rubén Blades is one of salsa’s most durable icons: Simply put, few other performers can speak to your mind, touch your heart quite so reliably…as this brilliant performer does.” —Time Out New York Latin superstar and nine-time Grammy Award–winner Rubén Blades thrilled the crowds at a free Lincoln Center Out of Doors concert. “ More than half a century of American social history is embodied in the warm, earthy voice of the great R&B gospel singer Mavis Staples, who appeared at The Allen Room on Thursday evening as part of Lincoln Center’s American Songbook series.” —New York Times At Lincoln Center’s American Songbook, Mavis Staples—one of the 100 greatest singers of all time (Rolling Stone)—rocked the house at a sold-out concert in The Allen Room. Education, Community, and Free Programming Education and community engagement are vital elements of filmmakers like John Sayles and Mira Nair, was also launched Lincoln Center’s mission, and the 2012–13 season witnessed in partnership with the Ford Foundation and presented in a significant number of new programs in these areas. collaborationwith the Film Society of Lincoln Center. And weekly Target® Free Thursdays and monthly Meet the Artist Lincoln Center Institute (LCI), our educational cornerstone, Saturdays performances reached more than 22,000 people. welcomed Russell Granet as its new Executive Director in 2012. Following his arrival, Lincoln Center’s many educational activities More free programming took place with Young Music Makers were consolidated as the Lincoln Center Education (LCE) family in the spring, when school ensembles from across the nation of programs. LCE initiatives include such projects as the Arts in performed on our plazas, and continued with world-class the Middle pilot, which takes the arts to underserved City middle Lincoln Center Out of Doors performances in July and August schools; an LCE-CUNY Learning Lab for teacher candidates; for hundreds of thousands of people. The Atrium’s Zucker the establishment of a Lincoln Center Arts Teacher Award in Box Office continues to make the best of the performing arts conjunction with the New York City Department of Education; available at discounted prices. and a teaching artist certification program. An exciting Lincoln Center Digital initiative took a giant step Also under the LCE umbrella is Lincoln Center Local, which took on the path to making Lincoln Center a digital destination for 15 performances to seven Queens libraries reaching thousands performing arts content. In July 2013, a video portal viewable at of neighborhood residents in 2012–13, and live-streamed viewing LincolnCenter.org/watch was launched, offering access to video parties in 21 Queens and Brooklyn locations this past summer. interviews with and performances by renowned Lincoln Center The Meet the Artist School Series hosted more than 15,000 artists. The video portal also features on-demand excerpts students and introduced a student artist continued partnership from our flagship Live From Lincoln Center television series and with The Juilliard School. Lincoln Center Institute continues includes such live-stream events as the recent all-star Lincoln its valued work in the schools with teaching artists, and is Center Out of Doors Red Hot + FELA LIVE! concert. expanding its thought leadership in arts education. Lincoln Center’s Programs and Services for People with The David Rubenstein Atrium visitors center greeted its Disabilities (PSPD) remains dedicated to ensuring that the 1 millionth visitor this year, and added two more programs campus is accessible to guests with physical disability. In to its wide-ranging free performance series. The first Poet- 2013, PSPD reached more than 6,000 disabled children and Linc saw teenagers from all five boroughs compete in a lively adults with live performances through the combined efforts poetry slam.
Load more

Recommended publications
  • August 2012 Calendar of Events
    AUGUST 2012 CALENDAR OF EVENTS For complete up-to-date information on the campus-wide performance schedule, visit www.LincolnCenter.org. Calendar information LINCOLN CENTER THEATER LINCOLN CENTER LINCOLN CENTER is current as of War Horse OUT OF DOORS OUT OF DOORS Based on a novel by Brandt Brauer Frick Ensemble Phil Kline: dreamcitynine June 25, 2012 Michael Morpurgo (U.S. debut) performed by Talujon Adapted by Nick Stafford Damrosch Park 7:30 PM Sixty percussionists throughout August 1 Wednesday In association with Handspring the Plaza perform a live version of LINCOLN CENTER FILM SOCIETY OF Puppet Company Phil Kline’s GPS-based homage to Vivian Beaumont Theater 2 & 8 PM OUT OF DOORS John Cage’s Indeterminacy. LINCOLN CENTER Josie Robertson Plaza 6:30 PM To view the Film Society's On Sacred Ground: August schedule, visit LINCOLN CENTER PRESENTS Stravinsky’s Rite of Spring LINCOLN CENTER www.filmlinc.com MOSTLY MOZART FESTIVAL Arranged and Performed by OUT OF DOORS Mostly Mozart The Bad Plus LINCOLN CENTER FESTIVAL Damrosch Park 8:30 PM Chio-Tian Folk Drums and Festival Orchestra: Arts Group (U.S. debut) In Paris: Opening Night LINCOLN CENTER THEATER Hearst Plaza 7:30 PM Dmitry Krymov Laboratory Louis Langrée, conductor War Horse Dmitry Krymov, direction Nelson Freire, piano LINCOLN CENTER Based on a novel by and adaption Lawrence Brownlee, tenor OUT OF DOORS With Mikhail Baryshnikov, (Mostly Mozart debut) Michael Morpurgo Kimmo Pohjonen & Anna Sinyakina, Maxim All-Mozart program: Adapted by Nick Stafford Helsinki Nelson: Maminov, Maria Gulik, Overture to La clemenza di Tito In association with Handspring Accordion Wrestling Dmitry Volkov, Polina Butko, Piano Concerto No.
    [Show full text]
  • Current Professional Affiliations Are Listed Below Each Player's Name
    Peter McGuire Jessica Guideri Minnesota Orchestra Los Angeles Opera Orchestra, Gustavus Adolphus College, faculty Associate Concertmaster Eastern Music Festival, Associate Kurt Nikkanen Concertmaster New York City Ballet Orchestra, Concertmaster Jonathan Magness Minnesota Orchestra, Associate Leonid Sigal Principal Second Violin Hartford Symphony Orchestra, Bravo Music Festival, faculty Concertmaster University of Hartford, faculty Yevgenia Strenger Current professional affiliations are The Hartt School, faculty New York City Opera, Concertmaster listed below each player’s name. ( ) = previous affiliation. Eric Wyrick Na Sun New Jersey Symphony Orchestra, New York Philharmonic Concertmaster First Violins Orpheus Chamber Orchestra Alisa Wyrick Bard Music Festival New York City Opera Orchestra David Kim - Concertmaster The Philadelphia Orchestra, Elizabeth Zeltser Concertmaster New York Philharmonic Violas University of Texas at Austin, faculty Yulia Ziskel Rebecca Young - Principal Jeffrey Multer New York Philharmonic New York Philharmonic, Associate The Florida Orchestra, (New Jersey Symphony) Principal Concertmaster Host of the NY Philharmonic Very Eastern Music Festival, Young People's Concerts Concertmaster Second Violins Robert Rinehart Emanuelle Boisvert Marc Ginsberg - Principal New York Philharmonic Dallas Symphony Orchestra, New York Philharmonic, Principal Ridge String Quartet Associate Concertmaster Second Violin The Curtis Institute, faculty (Detroit Symphony Orchestra, Concertmaster) Kimberly Fisher – Co-Principal Danielle
    [Show full text]
  • T H E P Ro G
    Sunday, December 3, 2017, at 11:00 am m a Sunday Morning Coffee Concerts r g o r Conrad Tao, Piano P BACH Chromatic fantasia and fugue in D minor (c. 1720) e h JASON ECKARDT Echoes’ White Veil (1996) T RACHMANINOFF Étude-tableau in A minor (191 6–17) BEETHOVEN Sonata No. 31 in A-flat major (1821 –22) Moderato cantabile, molto espressivo Allegro molto Adagio, ma non troppo—Fuga: Allegro, ma non troppo This program is approximately one hour long and will be performed without intermission. Please join the artist for a cup of coffee following the performance. Please make certain all your electronic devices are switched off. Refreshments provided by Zabar’s and zabars.com This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Walter Reade Theater Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. American Airlines is the Official Airline of Lincoln Center Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, December 6 at 7:30 pm in Alice Tully Hall Bach Collegium Japan Masaaki Suzuki, conductor Sherezade Panthaki, soprano Jay Carter, countertenor Zachary Wilder, tenor Dominik Wörner, bass BACH: Four Cantatas from Weihnachts-Oratorium (“Christmas Oratorio”) Pre-concert lecture by Michael Marissen at 6:15 pm in the Stanley H.
    [Show full text]
  • Live from Lincoln Center President's Letter The
    The Moving Image Live From Lincoln Center: Upcoming Special Events Live From Lincoln Center Upcoming Telecasts Thursday, October 22, 2015 Lincoln Center 2015 Fall Gala Nothing is more kinetic season, indeed no December, would be complete without The Friday, October 16, 2015 Honoring Ann Tenenbaum and Thomas H. Lee the newsletter of lincoln center for the performing arts Autumn 2015 than dance. And no Nutcracker. The first season of Lincoln Center at the Movies Kern & Hammerstein’s Show Boat with the Distinguished Service Award medium is better wraps up December 5 and 10, with George Balanchine’s in Concert with the New York Philharmonic Alice Tully Hall suited to capture a iconic and beloved version of the holiday classic set to PBS Arts Fall Festival Lincoln Center’s Fall Gala celebrates the opening of the 2015- President’s Letter dancer’s every move Tchaikovsky’s masterful score. Conducted and directed for the stage by Ted Sperling, the 2016 performance seasons and raises crucial funding to than film. So it was New York Philharmonic production of the groundbreaking “Although New Yorkers may not know this, San Francisco is support a diverse range of Lincoln Center’s programs. This natural for Lincoln musical features an all-star cast led by Vanessa Williams and the oldest ballet company in the country, with many American year’s honorees are longstanding supporters of Lincoln Center Center to launch an Downton Abbey’s Julian Ovenden, with Norm Lewis, Jane firsts in its history, including the first Nutcracker and the first and the arts in New York City: Thomas H.
    [Show full text]
  • Program Notes
    Monday Evening, July 25, 2016, at 8:00 pm m Opening-Night Program a r The Illuminated Heart (World premiere) g Selections from Mozart’s Operas o r P Mostly Mozart Festival Orchestra Louis Langrée , Conductor e Netia Jones , Director, Designer, and Illuminations M|M h Kiera Duffy , Soprano M|M T Christine Goerke , Soprano Ana María Martínez , Soprano M|M Nadine Sierra , Soprano M|M Marianne Crebassa , Mezzo-soprano M|M Daniela Mack , Mezzo-soprano (New York debut) Matthew Polenzani , Tenor Christopher Maltman , Baritone M|M Peter Mattei , Baritone M|M Peter Carwell , Program Consultant Andrew Hill , Director of Lighting This program is approximately 90 minutes long and will be performed without intermission. The Illuminated Heart was commissioned by Lincoln Center for the Performing Arts. M|M Mostly Mozart debut (Program continued) Please make certain all your electronic devices are switched off. The Mostly Mozart Festival is made possible by Renée and Robert Belfer, Sarah Billinghurst Solomon and Howard Solomon, and Rita E. and Gustave M. Hauser. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Fortepiano by R.J. Regier, Freeport, Maine David Geffen Hall Mostly Mozart Festival Additional support is made possible by Chris and Bruce Crawford, Laurie M. Tisch Illumination Fund, Anne and Joel Ehrenkranz, The Howard Gilman Foundation, The Fan Fox and Leslie R. Samuels Foundation, Inc., Charles E. Culpeper Foundation, S.H. and Helen R. Scheuer Family Foundation, and Friends of Mostly Mozart. Public support
    [Show full text]
  • The Glimmerglass Festival
    A 2017 Guide FEATURE ARTICLE Training Opera’s Next Generation A Tale of Two Festivals April 2017 Festivals Editor’s Note In our largest and most varied Guide to Summer Festivals yet, we focus on a common thread: training the next generation of performers and the artistic personnel who support them. At many festivals, young artists receive private lessons, coaching sessions, master classes, or all of the above during the day. By night they are either performing, observing the seasoned pros who train them by day, or a combination of the two. But honing or developing the skills of tomorrow’s generation of musicians is only part of the equation. It’s summertime, after all, and while the living may not exactly be “easy,” it’s certainly a lot more relaxed than during the season or school year. Consider the difference between waiting in the green-room line post-concert A 2017 Guide to shake the maestro’s hand vs. running into him in the festival cafeteria line, or at the local pub after the concert, or on a morning jog. Such is the kind of cross-fertilization for which festivals are known, and one of the reasons they are such ideal settings for rising artists. Sometimes the trainees are fully integrated into the schedule, such as at the Santa Fe Opera, where young artists are featured, often in leading roles. Sometimes they work independently of the main event, such as at Tanglewood, where the Tanglewood Music Center Orchestra, for instance, is comprised entirely of TMC Fellows and plays its own concerts, alongside the center-stage Boston Symphony Orchestra (whose members form much of the faculty).
    [Show full text]
  • The 2018 Guide Festivals
    April 2018 The 2018 Guide Festivals FEATURE ARTICLE 10 Questions, Two (Very Different) Festivals Editor’s Note Our fifth annual Guide to Summer Festivals is our biggest yet, with some 85 annotated entries, plus our usual free access to the 1400 listings in the Musical America database. The details for the 85—dates, locations, artistic directors, programming, guest artists, etc.—have been provided by the festivals themselves, in response to a questionnaire sent to our list of Editor’s Picks. Those are determined by a number of factors: it’s hardly a surprise to see the big-budget events, such as Salzburg, Tanglewood, and Aspen, included. But budget is by no means the sole criterion. The 2018 Guide Programming, performers, range and type of events offered—all of these factor into the equation. For our feature article, we chose two highly regarded events and asked them one set of questions, just for the purposes of compare and contrast. Since George Loomis traveled to Ravenna last summer and knows Ojai well, we decided he was the perfect candidate to get the answers. Our hunch that the two couldn’t be more different turned out to be quite accurate: one takes place over a weekend, the over a two-month period; one is in the U.S., the other in Europe; one is rural, the other urban; one’s in a valley, the other by the sea; one focuses on contemporary fare, the other on traditional; one houses its artists in homes, the other in hotels; one is overseen by a man, the other by Festivals a woman; Ojai’s venues are primarily outdoor and strictly 20th century, Ravenna’s are mostly indoor and date as far back as the sixth century.
    [Show full text]
  • The Program RACHMANINOFF Daisies, Op
    Friday–Saturday, August 9–10, 2019 at 6:30 pm Pre-concert Recital Yi-Nuo Wang, Piano HAYDN Sonata in E minor, Hob. XVI:34 (c. 1780) Presto Adagio Finale: Molto vivace The Program RACHMANINOFF Daisies, Op. 38, No. 3 (1916) RACHMANINOFF Étude-tableau in D minor, Op. 39, No. 8 (1916–17) RACHMANINOFF Étude-tableau in D major, Op. 39, No. 9 Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano David Geffen Hall Mostly Mozart Festival I Notes on the Pre-concert Recital By Peter A. Hoyt The first two movements of Haydn’s Sonata in E minor, Hob. XVI:34 seem characteristically Haydnesque: the impetuous Presto is disrupted by unexpected pauses, and the slow middle movement presents a tender imitation of a vocal aria, complete with elaborate coloratura ornamentation. The closing Molto vivace is unusual, however, in its call for an innocent (“innocentemente”) approach. This instruction would seem superflu- ous if, as sometimes assumed, Haydn’s music was always innocuous. Dismissing this, some commentators have suggested that Haydn wanted a performance in a “coy” or “deadpan” fashion. If so, then the word inno- centemente was intended to mean the opposite of “innocently.” Rachmaninoff’s Daisies was first composed as a song for voice and piano contrasting the poetic text, which describes fields of glistening white dai- sies, with the piano’s embodiment of the oscillating flowers themselves. Rachmaninoff’s solo keyboard arrangement eliminates the words and thereby permits an unobstructed encounter with the piano’s enchantingly peaceful illustration of nature.
    [Show full text]
  • Mozart Dances Notes.Indd
    Cal Performances Presents Th ursday, September , , pm Friday, September , , pm Saturday, September , , pm Sunday, September , , pm Zellerbach Hall Mozart Dances (West Coast Premiere) Mark Morris, choreographer Berkeley Symphony Orchestra Jane Glover, conductor Garrick Ohlsson, piano Yoko Nozaki, piano Howard Hodgkin, scenic design Martin Pakledinaz, costume design James F. Ingalls, lighting design Mark Morris Dance Group Craig Biesecker Samuel Black Joe Bowie Charlton Boyd Elisa Clark Amber Darragh Rita Donahue Lauren Grant John Heginbotham David Leventhal Laurel Lynch Bradon McDonald Dallas McMurray Maile Okamura June Omura Noah Vinson Jenn Weddel Julie Worden Michelle Yard Artistic Director Mark Morris Executive Director Nancy Umanoff 4 CAL PERFORMANCES Program © Stephanie Berger Th ursday night’s presentation is the th performance of the Mark Morris Dance Group at Cal Performances. Mozart Dances was commissioned by the Lincoln Center for the Performing Arts (New York), Barbican Centre (London) and New Crowned Hope (Vienna), in association with Cal Performances (Berkeley). Altria Group, Inc. is the Mark Morris Dance Group’s Lead Sponsor. MetLife Foundation is the Mark Morris Dance Group’s Offi cial Tour Sponsor. Major support for the Mark Morris Dance Group is provided by Carnegie Corporation of New York, JPMorganChase Foundation, Th e Howard Gilman Foundation, Independence Community Foundation, Th e Fan Fox and Leslie R. Samuels Foundation, and Th e Shubert Foundation. Th e Mark Morris Dance Group New Works Fund is supported by Th e Andrew W. Mellon Foundation, Ellsworth Kelly Foundation, Th e Gladys Krieble Delmas Foundation, Shelby and Frederick Gans Fund, Meyer Sound Laboratories/Helen and John Meyer, and Poss Family Foundation.
    [Show full text]
  • AFMEPF0778 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name
    American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 63 73477001 HOUSTON BALLET FOUNDATION CBA AFMEPF0778 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 64 949683001 HOUSTON GRAND OPERA CBA AFMEPF0779 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 65 78626001 HOUSTON JAZZ ORCHESTRA CBA AFMEPF0780 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 66 951530001 HOUSTON SYMPHONY SOCIETY CBA AFMEPF0781 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 67 958379002 HOUSTON SYMPHONY SOCIETY CBA REHAB 2 AFMEPF0782 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 68 953139001 HUNTINGTON THEATRE COMPANY CBA AFMEPF0783 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 69 71422001 ILLINOIS PHILHARMONIC ORCHESTRA CBA AFMEPF0784 American Federation of Musicians and Employer's Pension Fund - Exhibit Section 7.07 Group # PDF # Item # Agr ID Agreement Name 1 2 70 713787001 INDIANAPOLIS CHAMBER ORCHESTRA CBA AFMEPF0785 American Federation of Musicians and Employer's Pension Fund - Exhibit Section
    [Show full text]
  • Amg William Capone Arts Management Group, Inc
    AMG WILLIAM CAPONE ARTS MANAGEMENT GROUP, INC. MANAGING DIRECTOR 130 West 57th Street, Suite 6A Tel: 212.337.0838 New York, NY 10019 Fax: 212.924.0382 JON MANASSE Clarinet Among the most distinguished classical artists of his generation, clarinetist Jon Manasse is internationally recognized for his inspiring artistry, uniquely glorious sound and charismatic performing style. Recent season highlights include return performances with the Seattle Symphony Orchestra and debuts with the Baltimore Symphony Orchestra, Erie Philharmonic, The Chappaqua Orchestra, Montana’s Missoula Symphony Orchestra and Oregon’s Rogue Valley Symphony. With pianist Jon Nakamatsu, he continues to tour throughout the United States as half of the acclaimed Manasse/Nakamatsu Duo. The Duo’s activities include the world premiere performances of Paquito D’Rivera’s The Cape Cod Concerto with Symphony Silicon Valley, conducted by Leslie B. Dunner. Jon Manasse’s solo appearances include New York City performances at Lincoln Center for the Performing Arts’ Avery Fisher Hall and Alice Tully Hall, Hunter College’s Sylvia & Danny Kaye Playhouse, Columbia University, Rockefeller University and The Town Hall, fourteen tours of Japan and Southeast Asia – all with the New York Symphonic Ensemble, debuts in Jerusalem, Tel Aviv, and Osaka and concerto performances with Gerard Schwarz and the Mostly Mozart Festival Orchestra, both at Lincoln Center’s Avery Fisher Hall and at the prestigious Tokyu Bunkamura Festival in Tokyo. With orchestra, he has been guest soloist with the Augsburg, Dayton, Evansville, Naples and National philharmonics, Canada’s Symphony Nova Scotia, the National Chamber Orchestra and the Alabama, Annapolis, Bozeman, Dubuque, Florida West Coast, Green Bay, Indianapolis, Jackson, Oakland East Bay, Pensacola, Princeton, Richmond, Seattle, Stamford and Wyoming symphonies, under the batons of Leslie B.
    [Show full text]
  • Idomeneo, Re Di Creta R Music by Wolfgang Amadeus Mozart P
    Thursday Evening, August 18, 2016, at 7:30 pm m a Pre-concert lecture by Peter A. Hoyt at 6:15 pm in the r Stanley H. Kaplan Penthouse g o Idomeneo, re di Creta r Music by Wolfgang Amadeus Mozart P Libretto by Giambattista Varesco e Freiburg Baroque Orchestra h René Jacobs, Conductor T Jeremy Ovenden, Idomeneo M|M Gaëlle Arquez, Idamante M|M Sophie Karthäuser, Ilia Alex Penda, Elettra M|M Julien Behr, Arbace M|M Nicolas Rivenq, High Priest of Neptune M|M Christoph Seidl, La Voce M|M Arnold Schoenberg Choir M|M Erwin Ortner, Choir Director M|M Andrew Hill, Lighting Designer This performance is approximately 3 hours and 15 minutes long, with one intermission between Acts II and III. M|M Mostly Mozart debut Please make certain all your electronic devices are switched off. The Mostly Mozart Festival is made possible by Renée and Robert Belfer, Sarah Billinghurst Solomon and Howard Solomon, and Rita E. and Gustave M. Hauser. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Fortepiano by R.J. Regier, Freeport, Maine Alice Tully Hall , Starr Theater Adrienne Arsht Stage Mostly Mozart Festival Additional support is provided by Chris and Bruce Crawford, Laurie M. Tisch Illumination Fund, Anne and Joel Ehrenkranz, The Howard Gilman Foundation, The Fan Fox and Leslie R. Samuels Foundation, Inc., Charles E. Culpeper Foundation, S.H. and Helen R. Scheuer Family Foundation, and Friends of Mostly Mozart. Public support is provided by the New York State Council on the Arts. American Airlines is the Official Airline
    [Show full text]