DTF Brochure 2015
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Satanic Ritual Calendar Difficult Dates Please Note That Not All Cults Observe All Holidays
Satanic Ritual Calendar Difficult Dates Please note that not all cults observe all holidays. Dates with significance to individual groups, like leaders&rsquo birthdays, may also be celebrated. Those groups that utilize numerology mark dates whose numbers add up to ‘‘power numbers’’ or dates with repeating numbers, such as October 10, 2010. More information on some of the major holidays is found at http://www.survivorship.org/resources/articles/holidays.html S = satanic N = nazi P = polytheistic (belief in and worship of more than one god) T = thelemic Ritual Calendar: 2012 January 1/1 S New Year's Day 1/5 P Shivaratri (night of Shiva creator/destroyer) 1/5 or 1/6 S Twelfth Night 1/6 P Dionysian Revels 1/6 P Kore gives birth/manifestation of divinity 1/6 S Epiphany 1/7 S St Winebalt's Day 1/9 S Full Moon 1/12 N Birth of both Rosenburg and Goering, Nazi leaders in WWII 1/13 S Satanic New Year 1/17 S Feast of Fools (Old Twelfth Night) /satanic and demon revels 1/18 S Old Epiphany 1/17 N Martin Luther King Day 1/18 - 1/22 P Dream Festival (Pleiades) 1/19 N (starts evening of 1/20) N Tu B'Shevat (Jewish celebration of spring) 1/20 S St. Agnes' Eve 1/23 S New Moon 1/26 S? Australia Day 1/30 N Hitler named Chancellor of Germany February 2/1 - 3 P Mysteries of Persephone 2/2 S Candlemas (Imbolc) 2/7 S Full Moon 2/12 S Lincoln's Birthday 2/14 S N Valentine's Day 2/14 S Fertility Rituals 2/15 P Lupercalia (she-wolf mother of Romulus and Remus: honoring of Pan) 2/21S? President's Day 2/ 21 - 2/22 P Feralia/Terminalia (Roman All Souls'/boundary day) 2/21 S New moon 2/21 or 2/22 S? Washington's Birthday 2/25 N Walpurgis Day March 3/1 S St. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Gender Breakdown, New Play Repertoire 2006 - 2015
Findings Report of the Irish Playography: Gender Breakdown, New Play Repertoire 2006 - 2015 Compiled by Irish Theatre Institute, June 2017 Contents p2 ............................................................................... Executive Summary p4 ............................................................................................ Playwrights p10 .............................................................................................. Directors p14 ............................................................................................. Designers p17 .................................................................................................... Casts p20 .......................................................................... Research Parameters p21 ............................................................................................. Appendix ©2017 Irish Theatre Institute While Irish Theatre Institute has taken every care in collating information for these statistics, it does not assume and hereby disclaims any liability to any party for loss or damage caused by errors or omissions in this document. 1 Executive Summary Irish Playography catalogues the repertoire of professionally produced new Irish plays written in English since the formation of the Abbey, Ireland's National Theatre, in 1904. The research in this Findings Report focusses on the gender breakdown of Playwrights, Directors, Designers and Casts of the 737 new plays produced between 2006 and 2015. For a full description of the research parameters -
Chapter Four Celtic Spirituality
CHAPTER FOUR CELTIC SPIRITUALITY 4.1 Introduction The rediscovery of Celtic spirituality, particularly Celtic prayers and liturgical forms, has led to a popular movement, inter alia, among Anglicans around the world, including those in South Africa. Celtic spirituality has an attraction for both Christian and non-Christian, and often the less formal services are easier for secularized people, who have not been raised in a Christian environment, to accept. A number of alternative Christian communities wit h an accent on recovering Celtic spirituality have been established in recent years in the United Kingdom and in other parts of the world. The Northumbria Community, formed in 1976 (Raine & Skinner 1994: 440) is described as follows: The Community is clearly Christian, but with members from all kinds of Christian tradition, and some with no recognisable church background at all. We are married and single: some are unemployed, most are in secular jobs, some in full-time service which is specifically Christian, others are at home looking after families….Some of the most loyal friends of the Community are not yet committed Christians, but they are encouraged to participate as fully as they feel they can in our life. The Northumbria Community is one of several newly established communities with clear links to Celtic Spirituality. The near-universal appeal and flexibility reflected in the quotation above, is a feature of Celtic spirituality. For many in secularized Europe, the institutional church has lost its meaning, and traditional Christian symbols have no significance. Some of these people are now re-discovering Christianity through the vehicle of Celtic spirituality. -
Cois Coiribe 2016
COIRIBE COIS Rio The Magazine for GOLD NUI Galway Galway 2020 MedTech in Galway A Changing Campus Alumni & Friends Autumn 2016 NUI Galway Affinity Card. You get, we give. You get a unique credit card and we give back to NUI Galway when you register and each year your Affinity card is active. Our introductory offer gives you a competitive rate of 2.9%¹ APR interest on balance transfers for first 12 months. bankofireland.com/alumni 1890 365 100 Lending criteria terms and conditions apply to all credit cards. Credit cards are liable to Government Stamp Duty of €30. Credit cannot be offered to anyone under 18 years of age. Bank of Ireland is regulated by the Central Bank of Ireland. ¹Available if you don’t currently hold a credit card with Bank of Ireland, whether you have an account with us or not. At the end of the introductory period the annual interest rates revert back to 2 COIS COIRIBEthe standard rate applicable to your card at that time. OMI008172 - NUIG Affinity A4_Portrait Ad_v13.indd 1 03/08/2016 12:35 NUI Galway CONTENTS 2 FOCAL ÓN UACHTARÁN NEWS Affinity Card. 4 The Year in Pictures 6 Research Round-up 10 University News You get, we give. 14 Campus News 26 Student Success FEATURES 16 A New Direction for Sport 22 1916 – Centenary Year 4 24 NASA Mission 28 A Changing Campus - Capital Development 32 Giving Stem Cells a heartbeat 34 MedTech in Galway 24 41 TG4 @ 20 42 Galway 2020 GRADUATES 36 Aoibheann McNamara 37 Paul O’Hara 38 Grads in Silicon Valley 44 Graduations GALWAY UNIVERSITY FOUNDATION 46 Empowering Excellence ALUMNI 6 18 50 Alumni Awards 38 52 Alumni Events 56 Class Notes 64 Obituaries CONTRIBUTORS Jo Lavelle, John Fallon, Ronan McGreevy, Joyce McCreevy, Joe Connolly, Dónall Ó Braonáin, Conor McNamara, Liz McConnell, Ruth Hynes, Sheila Gorham. -
25 Sept –12 Oct 2014 2-012 2- 01
25 Sept –12 Oct 2014 2-012 2- 01 Principal Funder buy tickets online www.dublintheatrefestival.com Grant Aided by phone +353 1 677 8899 in person Dublin Theatre Festival Box Office, 44 East Essex Street, Temple Bar, Dublin 2 Tickets are also available at Follow us on Twitter and most Dublin Theatre Festival Facebook for news, ticket venues (see page 73). competitions and special Presenting Partner Official Accommodation Provider Official Media Partner – offers throughout the festival. 21 July @DubTheatreFest Priority booking opens DublinTheatreFestival for Friends of the Festival. Official Broadcasting Partner Official Radio Partner Festival Champion 12 August Booking opens to the general public online, by phone and in person. – Official Vehicle Partner Opening hours Mon – Fri 10am – 6pm Sat 10am – 5pm (Sept 20 – Oct 11 only) Sun 12pm – 3pm (Sept 28 – Oct 12 only) www.dublintheatrefestival.com www.dublintheatrefestival.com welcome02 contents In order of opening 02-03 performance Hello. We have been working hard for give an indication of how vibrant its A flourishing city should offer those 04 Hamlet, Schaubühne Berlin 24 Ganesh Versus the Third Reich, 40 Jack Charles V The Crown, months to bring together the most contemporary theatre scene is. There who live, work and visit it meaningful Bord Gáis Energy Theatre Back to Back Theatre ILBIJERRI Theatre Company exciting, engaging and diverse is another Australian production in cultural experiences and I want our OReilly Theatre, Belvedere Samuel Beckett Theatre productions for this 55th festival our ever popular Family Season, festival to be a key ingredient in what 06 Vardo, ANU Productions Oonagh Young Gallery Adishatz / Adieu, 42 Book Burning, programme. -
Negotiating Ireland – Some Notes for Interns
Welcome to Ireland – General Notes for Interns (2015 – will be updated for 2016 in January 2016) Fergus Ryan These notes are designed to introduce you to Ireland and to address any questions you might have concerning practical aspects about your visit to Ireland. About Ireland Ireland is an island on the north- financial services. The official west coast of Europe, with a languages are English and Irish. population of approximately 6.3 While English is the main language million inhabitants. It is of communication, Irish is spoken on approximately 32,600 square miles, a daily basis in some parts of the 300 miles from the northern most west, while over half a million tip to the most southern, and inhabitants speak a language other approximately 175 miles across, than English or Irish at home. making it just a little under half the (Sources: CSO Census 2011, size of Oklahoma State. www.cso.ie) Politically, the island comprises two Northern Ireland comprises six legal entities. The Republic of counties in the northeast corner of Ireland, with 4.6 million the island. A jurisdiction within the inhabitants, makes up the bulk of the United Kingdom, it has just over 1.8 island. The State attained million people. It has its own power- independence from the UK in 1922, sharing parliament and government and became a Republic in 1949. The with significant devolved powers Republic of Ireland is a sovereign, and functions. Its capital and largest democratic republic, with its current city is Belfast. Northern Ireland is Constitution dating back to 1937. It politically divided along religious is a member of the European Union lines: 48% of those in Northern and the Council of Europe, but is Ireland are Protestant or were militarily non-aligned. -
Niamh Mccann | Represented by Susannah Norris
Niamh McCann | Represented by Susannah Norris Niamh has most recently been cast in CONVERSATIONS AFTER SEX by Mark O’Halloran, running as part of this year’s Dublin Theatre Festival, and as Liv opposite Brian Doherty in the short film SHADOW, directed by Janne Kemperman. Further recent credits include ANU’s THE PARTY TO END ALL PARTIES directed by Louise Lowe; THE FALL OF THE SECOND REPUBLIC directed by Annie Ryan for the Abbey Theatre; Dylan Tighe’s PASOLINI’S SALÒ REDUBBED at the Abbey, and A CHRISTMAS CAROL directed by Selina Cartmell for the Gate Theatre, Dublin. Niamh is a long term collaborator & performer with ANU and has performed in over nine productions, including award winning works LAUNDRY (2011), ANGEL MEADOW (2014) THESE ROOMS, and most recently THE ANVIL for the Manchester International Festival 2019. Screen credits include THE CLINIC (RTÉ) and HOLBY CITY (BBC) RIVER CITY (BBC),and LITTLE ROY (CBBC). Film credits include John Crowley’s BAFTA & Oscar Nominated BROOKLYN, & THE CURED Directed by David Freyne. Previous writing and creation of solo work includes WELCOME TO THE FORTY FOOT. Niamh is primarily Dublin based, but also has a London base. Niamh trained as an Actor at The Guildhall School of Music & Drama, London. She began her career at the prestigious Shakespeare’s Globe Theatre in London, returning for several seasons thereafter, and has worked consistently with some of the leading theatre companies in the UK and Ireland, including the National Theatre, Royal Shakespeare Company, The Lyceum Edinburgh, Gate Theatre Dublin, Rough Magic, Abbey Theatre and ANU Productions. -
Theatre Forum Annual Conference 12Th & 13Th June 2008
Is it worth it? Theatre Forum Annual Conference 12th & 13th June 2008 Theatre Curator Forum note The annual Theatre Forum conference is a great Theatre Forum is the representative association for opportunity to ask questions in a situation where the performing arts in Ireland. Membership includes there are lots of people gathered to offer answers. all the theatres and arts centres around the country; So why not ask a big question? We’ve all felt it professional theatre, dance and opera production at some time. Disillusionment, doubt, frustration, companies; and the main arts festivals. those low ebbs when the question ‘is it worth it?’ lurks in one’s mind. Theatre Forum acts as a voice for the performing arts community to government, state and semi- ‘Is it worth it?’ can carry many different meanings state agencies and elected representatives. of course, from the philosophical question ‘is art worth it?’, through the political question ‘is theatre The organisation also organises training and worth State support?’, to the practitioner’s personal professional development courses and seminars. questions ‘is it worth the grief, the sacrifice, and Its website www.theatreforumireland.com is an the emotional roller-coaster ride?’, and ‘is it worth invaluable resource containing factsheets and model slogging through the failures and the hum-drum to contracts, an opening night clash diary, an industry achieve the often elusive successes?’ employment page, a barter page, members' notice board and much more. This year’s conference offers a series of different ways to approach these questions, allowing members to engage with their own experience of enthusiasm and disillusionment, passion and despair, the see-saw of positive and negative For further information: feelings involved in working in the performing arts. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „Irish Folklore and Mythology in Irish Young Adult Fantasy Literature: Kate Thompson’s The New Policeman, and O.R. Melling’s The Hunter’s Moon.“ Verfasserin Monika Kraigher angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, im Januar 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz Wöhrer To my grandmother, for her love, guidance and support... I would like to express my gratitude to Prof. Wöhrer for his exceptional guidance and patience. Thank you to my mother who has supported and motivated me unconditionally during my studies and in my everyday life. Finally, I would like to thank my friends and colleagues, notably the “gang“ from the Australian literature room, who were a great mental support during the work on this diploma thesis. DECLARATION OF AUTHENTICITY I confirm to have conceived and written this Diploma Thesis in English all by myself: Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Table of contents 1. Introduction ................................................................................................................ 1 2. Irish Children’s and Young Adult Literature ........................................................ -
Paganism Is a Group of Religions That Includes, Wiccans, Druids, Heathens and Others.1 They Share a Common Reverence for the Earth
PaganPaganiiiissssmmmm Paganism is a group of religions that includes, Wiccans, Druids, Heathens and others.1 They share a common reverence for the Earth. Some see it as a living system to be taken care of; some see it as a living deity to be worshiped; some see it as Mother-Earth who provides and cares for her children; some see it as a combination of all three. Most strands of Paganism are rooted in European folklore, though some take their inspiration from North American, African, or other cultures. All claim to predate Christianity. It is estimated that there are over 250,000 Pagans in the British Isles today. God Pagans worship the divine in many different forms, both male and female. The most important and widely recognised are the God and Goddess (or Gods and Goddesses) whose annual cycle of giving birth and dying defines the Pagan year. Pagans can be pantheists, polytheists, duotheists, or monists. Most acknowledge the existence of Nature spirits — river spirits, dryads, elves, pixies, fairies, gnomes, goblins and trolls — and ancestral spirits and often engage with them in prayer. Some do not believe in deities at all but simply revere Nature. Creation The aim of Pagan ritual is to make contact with the divine in the world that surrounds us. Pagans are deeply aware of the natural world and see the power of the divine in the ongoing cycle of life and death. Pagans are, understandably, concerned about the environment — most try to live so as to minimise harm to it — and about the preservation of ancient sites of worship. -
LUGHNASADH 2021 Welcome to the Lughnasadh Issue of Serpentstar!
A newsletter of The Order of Bards Ovates and Druids in the Southern Hemisphere LUGHNASADH 2021 Welcome to the Lughnasadh issue of SerpentStar! Welcome to 2021! We bid farewell to an uncertain and difficult year, and enter into.....still uncertain times. The teaching continues to be that change is inevitable, and that the greater measure of life is how we respond rather than hoping nothing else will happen. Lughnasadh is a time of sacrifice and letting go, but also the beginning of the harvest. What seeds did you plant at this time last year that might be beginning to bear fruit now? In a time of response and change, and when in the Southern Hemisphere the time of transformation falls not long after the start of the calendar year, what seeds might you plant differently this year? In this issue of SerpentStar, we meet a pair of hens with a story of transformation, follow the paths of Lleu Llaw Gyffes and John Barleycorn, and bring the senses into online ritual. Happy reading, and blessings of the Season! In peace Mandy /|\ SerpentStar, Lughnasadh 2021 SerpentStar is a free, volunteer-produced online newsletter for members of the Order of Bards Ovates and Druids in the Southern Hemisphere. SerpentStar logo by Todd William Dearing. Cover image by Sandra Greenhalgh. Watermark images courtesy freepik.com and druidry.org. All other images provided by the authors on the corresponding page, unless otherwise credited. Submission guidelines and subscription info are available from serpentstar.druidryaustralia.org/about Follow us on Facebook - search "SerpentStar" Enquiries via email: [email protected] All opinions expressed herein are solely the contributors' own.