Spring COLLEGES & UNIVERSITIES RELEASES
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Sep-Oct 2019
GOGRAND #alwaysentertaining SOCIALISE TALK MOVIES CL @GCLEBANON BOOK E/TICKET • E/KIOSK • GC MOBILE APP EXPERIENCE FIRSTWORD FEAT. DOLBY ATMOS ISSUE 125 When it’s time to GRAND MAGAZINE online edition kick back and relax now interactive! With school back in session, it’s easy to get caught up in preparations and never-ending homework — that’s why it’s important to unwind LOCATIONS and recharge with a dose of entertainment. And at Grand Cinemas, you can count on it. Stay tuned to our social media pages to find out LEBANON JORDAN about upcoming events, and take advantage of the G-POINTS Loyalty GRAND CINEMAS GRAND CINEMAS Card to access special offers and earn fantastic rewards. This issue in ABC VERDUN CITY MALL 01 795 697 962 65 813 461 GRAND MOMENTS, find out about the spectacular premiere attended MX4D featuring IMAX DOLBY ATMOS by French movie star Josephine Japy, among many other surprises. GRAND CLASS In our SPOTLIGHT feature, we talk to Johnny Depp about his CLUB SEATS KUWAIT GRAND AL HAMRA comedy drama Richard Says Goodbye, while 5 HOT FACTS rounds up GRAND CINEMAS LUXURY CENTER , ABC ACHRAFIEH 965 222 70 334 the most exciting tidbits about Domino starring Nikolaj Coster-Waldau. 01 209 109 MX4D ATMOS With FAMILY FIESTA you’re all set for the perfect outing: discover 70 415 200 GRAND GATE seven amazing stats about Shaun the Sheep: Farmageddon, get ready GRAND CINEMAS MALL ABC DBAYEH 965 220 56 464 to party with Big Sean and Snoop Dogg in Trouble, and check out 04 444 650 Angelina Jolie’s comeback in Maleficent: Mistress of Evil. -
Heather Mcintosh
HEATHER MCINTOSH COMPOSER FILM & VIDEO THE ART OF SELF-DEFENSE Andrew Kortschak, Walter Kortschak, Cody Ryder, End Cue Stephanie Whonsetler, prods. Riley Stearns, dir. WHAT IS DEMOCRACY Lea Marin, prod. National Film Board of Canada Astra Taylor, dir. HAL Jonathan Lynch, Brian Morrow, Christine Beebe, prods. Amy Scott, dir. 6 BALLOONS Channing Tatum, Samantha Housman, Peter Kiernan, Campfire Ross M. Dinerstein, Reid Carolin, prods. Marja Lewis Ryan, dir. WONDER VALLEY Rhianon Jones, prod. Wandering Vapor, LLC Heidi Hartwig, dir. LITTLE BITCHES Scott Aversano, Dan Carrillo Levy, Dom Genest, prods. Aversano Films Nick Kreiss, dir. TAKE ME Mark Duplass, Jay Duplass, Sev Ohanian, prods. Kidnap Solutions, LLC The Duplass Brothers, dir. AARDVARK Neal Dodson, Susan Leber, Zachary Quinto, prods. Great Point Media Brian Shoaf, dir. LIVING ROOM COFFIN Ian Michaels, Michael Sarrow, Sarah Smick, prods. Green Step Productions Michael Sarrow, dir. VALLEY OF THE MOON Harris Fishman, Patrick Mapel, prods. Patrick Mapel, dir. RADICAL GRACE Nicole Bernardi-Reis, Rebecca Parrish, prods. (documentary) Rebecca Parrish, dir. RAINBOW TIME Ian Michaels, Linas Phillips, prods. Duplass Brothers Productions Linas Phillips, dir. Z FOR ZACHARIAH Sophia Lin, Tobey Maguire, Skuli Fr. Malmquist, Lionsgate Matthew Plouffe, prods. Craig Zobel, dir. MANSON FAMILY VACATION Steve Bannatyne, Eric Blyler, J. Davis, J.M. Logan, prods. Lagolite Entertainment J. Davis, dir. The Gorfaine/Schwartz Agency, Inc. 818-260-8500 1 HEATHER MCINTOSH FAULTS Keith Calder, Mary Elizabeth Winstead, Snoot Entertainment Jessica Wu, prods. Riley Stearns, dir. GASP Adam Laupus, prod. Annika Kurnick, dir. THE WHITE CITY Moti Adiv, Gil Kofman, prods. Tanner King Barklow, Gil Kofman, dirs. HONEYMOON Patrick Baker, prod. -
Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers. -
May 2015 President's Message Personal Finance Series
May 2015 President's Message In This Issue The Power Women Have to Move the Glass Ceiling - May 13 Dear WIFV Sisters and Brothers, Roundtable Round-Up Dinner & Movie - He's Only Missing - May 22 May is upon us and not a moment too soon. I, for Media for Museums - June 3 one, am ready for DC in Supporter Spotlight - Creative Liquid the summer time - stand- up paddle boarding on 2015 National Film Registry Nominations - Vote Today! the Anacostia and the Spotlight on Screenwriters 2015 Potomac, cocktails on Mercy Street to Film in VA the Georgetown waterfront and the roof of Perry's and (finally) Grow a Film - Make a Donation hiking Old Rag. For more great ideas on how to PR Strategies from Dangerous Documentaries enjoy the DC sunshine check out the Washingtonian's Great Washington, DC Bucket Call for Articles / Awards Info - Members in the News List. As part of turning 40 this year, I made my New and Renewing Members own bucket list and it was fun to compare notes. I will say that they do not have trapeze school on Personal Finance Series there, which I highly recommend. Check. Why Aren't We There Yet? The Power Women Have to Move the Glass Ceiling One item that didn't make the Washingtonian's This workshop will be presented by Tacy Roby, list - but should have - is the AFI Docs film Regional Vice President, Mid-Atlantic Region, festival (formerly Silverdocs) which takes place Calvert Investments. next month from June 17-21. Advance passes are on sale now and the official slate will be Wednesday, May 13, 2015, 8:30 - 9:30 am announced May 20th. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
The Influence of Jexi and Cate Towards Phil's Personality Development in Jexi Movie Script
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE INFLUENCE OF JEXI AND CATE TOWARDS PHIL’S PERSONALITY DEVELOPMENT IN JEXI MOVIE SCRIPT AN UNDERGRADUATE THESIS Presented Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By JULIUS NOVAN DENI KURNIAWAN Student Number: 164214122 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE INFLUENCE OF JEXI AND CATE TOWARDS PHIL’S PERSONALITY DEVELOPMENT IN JEXI MOVIE SCRIPT AN UNDERGRADUATE THESIS Presented Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By JULIUS NOVAN DENI KURNIAWAN Student Number: 164214122 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI The universe is not outside of you. Look inside yourself; everything that you want, you already are. -Rumi vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGMENTS My deepest gratitude goes to Dr. Gabriel Fajar Sasmita Aji M.Hum. as my thesis advisor and Dr. Tatang Iskarna as my co-advisor for the patience, knowledge, insight, time, and guidance for my undergraduate thesis. I would also address my gratitude to all lecturers and staff of the English Letters Department of Sanata Dharma for your services and knowledge. I would also like to thank my good friends from Catholic Student Community (CSC) St. Aloysius Gonzaga Purwokerto, UKM KSR PMI Unit VI Universitas Sanata Dharma Yogyakarta, Anti Qecewa Qecewa Grup, and all that I am not able to mention. Thank you for your support. Julius Novan Deni Kurniawan viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE ............................................................................................... -
How Are the Major Streaming Services Reshaping the Film Industry
How Are the Major Streaming Services Reshaping the Film Industry Master Thesis MSc Strategy, Organization and Leadership Submission: May 9th, 2018 Normal pages: 106 (237.228 characters incl. spaces) Supervisor: Mehran Moghaddas (DVIP, INT) Students: Viktoria Vas & Gerda Binkyte Copenhagen Business School 2018 Abstract The paper examines the effects major streaming services, such as Netflix, Amazon, HBO have on the Danish film industry, and seeks to identify how individual producers and independent production companies in the country can exploit the rising opportunities. The research used a mix of deductive and inductive reasoning in the analysis, for which twelve semi-structured in-depth interviews were conducted with industry professionals from Denmark over the course of five weeks. This led to insightful findings that can be used for further researches for both academics and professionals. The analysis built on theories discussed in the literature review; Porter’s five forces (Porter, 1979), supply chain, emerging strategy (Mintzberg, 1987), marketing mix, four trajectories of change (McGahan, 2004). The findings include changes in certain links in the supply chain of film production, such as; affects on producers and film financing, changes in sales and distribution. While for producers SVOD services mainly bring additional financing opportunities, decreasing the power of DFI and the national broadcasters, sales agents and distribution is highly affected. Sales agents will need to adapt to the changing conditions, and transform themselves from traditional sales agents to agents who offer extra services for their clients. Distribution is affected in a way that its release windows system is disrupted and shortening some of these windows might not be avoided in the future. -
Larry D. Horricks Society of Motion Picture Stills Photographers
Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan -
Tales from the Crypt
Ah, HBO. Here in the year 2014, those three little initials are shorthand for quality, original programming; small screen event television almost certain to be immeasurably superior to the megabucks offerings of your local multiplex. The network also boasts a rich tradition of brining monsters into our living rooms, with the unsavoury actions of Livia Soprano, Gyp Rosetti, Cy Tolliver and Joffrey Baratheon horrifying viewers of all walks of life. Way back in the late 1980s, however, HBO introduced us to an altogether different kind of miscreant; a wisecracking living corpse, a teller of tall tales that focussed on vampires, zombies and the evil that men do. Jackanory it most certainly wasn’t – we’re referring, of course, to the legendary Tales from the Crypt. In the 80s, TV anthology horror was as much a fixture as leg warmers, John Hughes movies and the musical stylings of Duran Duran. Rod Serling’s Twilight Zone had enjoyed a redux, James Coburn invited us to his Darkroom, a certain pizza-faced dream demon hosted Freddy’s Nightmares, and genre enthusiasts were gripped by the Ray Bradbury Theater. Perhaps the most prosperous purveyor of small screen shivers was producer Richard Rubinstein, who enjoyed phenomenal success with Tales from the Darkside (the brainchild of none other than George Romero, director of the beloved portmanteau picture Creepshow) and Monsters. Bright and breezy 30-minute creature features with their tongue frequently placed firmly in their cheek, these shows were heavily influenced by the infamous EC horror comics of the 1950s, with a perverse sense of morality at the dark heart of the stories. -
Gabriel Mann Composer & Songwriter
GABRIEL MANN COMPOSER & SONGWRITER AWARDS GUILD OF MUSIC SUPERVISOR AWARDS A MILLION LITTLE THINGS NOMINATION (2020) Best Song / Recording Created for Television GUILD OF MUSIC SUPERVISOR AWARDS ROSEWOOD NOMINATION (2017) Best Song / Recording Created for Television ASCAP FILM AND TELEVISION MUSIC AWARD MODERN FAMILY WINNER (2013) Top Television Series CREDITS BETTER NATE THAN EVER Tim Federle, dir. Disney THE J TEAM MicHael Lembeck, dir. Awesomeness Films A MILLION LITTLE THINGS D.J. NasH, created by ABC MODERN FAMILY Steven Levitan, ABC ChristopHer Lloyd, created by HIGH SCHOOL MUSICAL: THE MUSICAL – THE SERIES Tim Federle, created by Disney THE UNICORN Grady Cooper, CBS Bill Martin, Mike ScHiff, created by iCARLY REVIVAL Ali ScHouten, prod. Paramount+ MADAGASCAR: A LITTLE WILD (Theme Music) Dana Starfield, created DreamWorks Animation by 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Mann Page 1 of 6 GABRIEL MANN COMPOSER & SONGWRITER CREDITS (continued) CLEOPATRA IN SPACE (Main Title Theme By) Judge Plummer, prod. Peacock SIDE HUSTLE (Theme Song) David Malkoff, created Nickelodeon by CAROL’S SECOND ACT Emily Halpern, SaraH CBS Haskins, created by DELILAH James Griffiths, dir. HBO Max MERRY HAPPY WHATEVER Tucker Cawley, created Netflix by PRINCE OF PEORIA Devin Bunje, Nick Netflix Stanton, created by FAM Corinne Kingsbury, CBS created by ARRESTED DEVELOPMENT (Songs By) MitcHell Hurwitz, Fox created by SCREECHERS WILD! Todd Resnick, dir. AlpHa Group LEGEND OF THREE CABALLEROS Matt Danner, Douglas Disney Television Animation Lovelace, Greg Franklin, dirs. HUMOR ME Sam Hoffman, dir. Shout! Factory NELLA THE PRINCESS KNIGHT (Theme Song, Songs By) Christine Ricci, created Nickelodeon by 3349 Cahuenga Blvd. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE