Volume 14, Issue #2 May 2011
The “Stronger Collection of L.C. Bates Museum Together” Issue Stimulates Artists’ Work in Maine The mission of Maine Archives and Mu- seums is to “foster a network” among Drawing Project Exhibition collecting institutions in Maine and the by Brady Hesslein people who support them. This issue of the MAM Newsletter demonstrates powerfully The L.C. Bates Museum at Good-Will Hinckley is a small, early 20th-century natural history and how member organizations recognize that cultural museum. For the summer of 2011, L.C. Bates will feature, as part of the Maine Drawing they inhabit a shared community, and how Project, an exhibition titled Drawing from the Collections. This exhibition will spotlight over 20 they work together within that community artists either from or familiar with Maine. The artists have all come in person to the museum to to fulfill their missions. Collaborations be- be inspired by its extensive collection of taxidermy, plant and historic artifacts, and then draw tween member organizations include proj- any of the objects. Barbara Sullivan, a participating artist, summed up the feeling of working ects at Orrington’s Telephone Museum and in such an intimate setting by saying, “Drawing at the L.C. Bates is like taking a visual walk Ellsworth’s Curran Homestead (page 11), —continued on page 12 as well as the Dyer Library / Saco Museum and the University of New England His- tory Department (back cover). Statewide initiatives (which include too many MAM LEFT: members to enumerate) are embodied in Nancy Morgan The Maine Drawing Project (this page) Barnes, A and Maine Memory Net, a project of the Siege of Cranes Maine Historical Society which is part- (detail), chalk nering with MAM to promote a statewide on paper, 2010, grant-making initiative (page 4). 24 x 16 inches. One of the most powerful ways in which cultural organizations can combine forces is to speak together as a group. This hap- pened on March 31, 2011, when the Maine Curators’ Forum (organizers of The Maine LEFT: Alice Rohman, Four Butterflies, Drawing Project) issued a statement (re- November 2010, pencil drawing, 5-1/2 x printed on page 13) in response to Gov- 5-1/2 inches. ernor Paul LePage’s removal of murals depicting Maine’s labor history from the offices of the Maine Department of Labor. WHERE TO DRAW THE LINE: The Maine Drawing Project is a statewide visual arts initiative, developed by the Maine Curators’ Forum, that represents a unique collaboration In so many ways, Maine’s collecting in- between Maine’s arts organizations. As part of the Maine Drawing Project, museums and gal- stitutions are finding that their voices are leries across Maine will offer exhibitions in the 2011 calendar year that focus on drawing as a stronger together. MAM is proud to be vehicle for creative, diverse forms of visual expression. Each 2011 issue of the Maine Archives part of the catalyst that helps to make and and Museums Newsletter will feature the offerings of a MAM member organization involved strengthen these connections, and to be in the statewide initiative. The Farnsworth Art Museum was featured in the February 2011 among the many voices to advocate for the newsletter, and this issue highlights the Maine Drawing Project offerings of the L.C. Bates power and importance of history, art, and Museum, Hinckley. For more information on The Maine Drawing Project, visit http://chitna. preservation. • asap.um.maine.edu/mainedrawing/. GRANT SOURCES
MAINE ARTS COMMISSION (MAC) INSTITUTE OF MUSEUM & (207) 287-2724, www.mainearts.com — LIBRARY SERVICES Call for deadlines. General Operating Support — Call for deadlines. MAINE HUMANITIES COUNCIL (MHC) (202) 606-8539, www.imls.gov Maine Archives and Museums Conservation Project Support — (207) 773-5051, www.mainehumanities.org 110 Pennsylvania Ave., NW, Washington, DC 20506 MAM Newsletter Discretionary Grants (up to $500), reviewed on a rolling (202) 606-8539 — Deadline March 5. Volume 14 • Number 2 • May 2011 basis. Outreach Grants (up to $1,000), reviewed quarterly. IMLS Conservation Project Support — Oct. 15. NEH Major Grants (up to $6,000), reviewed twice a year. Maine Archives and Museums Exemplary Education Projects — Oct. 15. P.O. Box 5024, Augusta, ME 04332-5024 NEW ENGLAND FOUNDATION FOR THE ARTS ODIORNE GRANT PROGRAM 207-441-1410 • Fax 207-621-8048 (617) 492-2914 — Call for deadlines. Supports projects combining archives and archaeology. AMERICAN ASSOCIATION OF MUSEUMS www.mainemuseums.org Maine State Archives, #84 State House Station, Augusta, (202) 289-9118, www.aam-us.org — Call for deadlines. ME 04333-0084 — deadline March 1. The Maine Archives and Museums Newslet- Museum Assessment Programs I: Operations ter is published on a quarterly basis as a ben- Museum Assessment Programs II: Collections NATIONAL HISTORIC PUBLICATIONS AND efit of membership in MAM, whose purpose Museum Assessment Programs III: Public Perception RECORDS ADMINISTRATION (NHPRC) is to develop and foster a network of citizens HERITAGE PRESERVATION Application guidelines and forms may be requested from NHPRC, National Archives & Records Administration, and institutions in Maine who identify, col- Conservation Assessment Program 700 Pennsylvania Ave., NW, Room 106, lect, interpret and/or provide access to mate- 1625 K St., NW, Suite 700, Washington, DC 20006 Washington, DC 20408-0001 Phone (202) 634-1422 • Fax (202) 634-1435 rials relating to history and culture. (202) 501-5610 www.heritagepreservation.org Contributions to the MAM Newsletter may fax (202) 501-5601 be submitted to MAM. Contact information NATIONAL ENDOWMENT FOR e-mail [email protected] THE HUMANITIES provided above. or web site at http:www.nara.gov/nhprc NEH Consultation Grants for Libraries, Museums, or Deadline is October 1. To purchase copies of the MAM Newsletter, Special Projects — Sept. 16. Information and advice available from State Archives please contact MAM at the above address or NEH Preservation & Access Research & Development — (207) 287-5793. phone number. Grants — Oct. 1. NEH Stabilization of Humanities Collections — Oct. 1. NATIONAL SCIENCE FOUNDATION (NSF) Third Class postage paid at Bangor, Maine. (202) 606-8400, www.neh.gov (202) 357-9498 www.nsf.gov NATIONAL ENDOWMENT FOR THE ARTS OFFICERS NEA Artistic Creativity & Preservation and Heritage & NATIONAL TRUST FOR President: Jay Adams Preservation — Aug. 18. HISTORIC PRESERVATION Vice President: George Squibb NEA Challenge America: Access to the Arts — Aug. 18 (617) 523-0885 Secretary: Patricia Burdick (202) 682-5400, www.arts.gov www.nationaltrust.org Treasurer: Patricia Henner
BOARD MEMBERS TABLE OF CONTENTS Jane Bianco Leigh Hallett Collection of L.C. Bates Museum Stimulates Artists’ Work in Candace Kanes Maine Drawing Project Exhibition by Brady Hesslein...... Cover Sheri Leahan MAM NEWS: Summary of Executive Committee Meeting, January 3, 2011...... 3 Niles Parker Summary of Executive Committee Meeting, March 7, 2011 ...... 3 Candy Russell Grants Available to Support Participation in Maine Memory Network Jessica Skwire Routhier by Larissa Vigue Picard...... 4 Joanna Torow New Book Focuses on Maine’s Museums by Janet Mendelsohn ...... 5 NEWSLETTER STAFF EXHIBITIONS & EVENTS...... 6 Editor: Jessica Skwire Routhier DISPATCHES...... 11 and Jane Bianco Maine Curators’ Forum Responds to Governor Paul LePage’s Removal of the Typesetting & Design: Deborah J. McGee Mural at the Maine Department of Labor...... 13 Printer: Bangor Letter Shop & SEEN & HEARD...... 13 Color Copy Center, Bangor OPPORTUNITIES...... 14 BUSINESS MANAGER Get Your Sea Shanties Ready for Voyages and the Great Age of Sail Edna Comstock by Camille Smalley...... 16 PO Box 5024 Augusta, ME 04332-0634 NEXT ISSUE: AUGUST 2011 207-441-1410 • [email protected] Only submissions received by the Editor by June 30, 2011, will be considered for publication. LEGAL SERVICES Jessica Skwire Routhier Contributed by James C. Pitney Saco Museum, 371 Main St., Saco, ME 04072 General Counsel 207-283-3861, ext. 114 Preti, Flaherty, Beleveau & Pachios www.sacomuseum.org
Maine Archives & Museums Newsletter Vol. 14, No. 2 MAM NEWS Summary of solicit items for next newsletter and received several responses. Executive Committee Meeting Web Site Improvements We are poised to add the database of service January 3, 2011 providers. Edna will develop a list of catego- Attending via TokBox: Jay Adams, Pat ries and work with George and Todd Langner Burdick, Edna Comstock, Patty Henner, (website manager) to solicit and upload pro- George Squibb. vider names. GET EXTRA Maine Historical Society Regional Rep Update National Leadership Grant K Hartsgrove has stepped down as Newport NEWSLETTERS MHS is asking MAM to support/promote rep. George may be able to find replacement in Single extra copy: digitization and other training opportunities that area. Still looking for rep for the downeast arising from this project. This item will be region. 13 reps total at present. $3.00 on agenda for 10 January board meeting, to be discussed with full board. MHS Assistant Long Range Plan-Related (members free) Director Steve Bromage to be invited to attend Initiatives meeting, to answer questions and give project There was general discussion about the sug- To order an extra copy specifics. gestion, in the February EC meeting, that or for price information Membership Program/Renewals MAM explore ways to gain professional/finan- cial support. In general, it was agreed that on bulk orders, call Issue of corporate membership raised—this general operational costs should continue to could dovetail with service provider page now Edna be funded through membership dues, but that being developed on the MAM site. However, Maine Archives & Museums outside funding could be sought for specific membership runs on the calendar year, and initiatives like workshops and the conference. 207-441-1410 some have already renewed, so it’s problemat- It was also observed that paid advertising ic to change categories at this time. Discussion might help underwrite the newsletter, which tabled until 10 January board meeting. costs about $1,400 per issue. Jessica will work 2011 Budget with Deb McGee (newsletter designer) on Presentation by Patty and Edna. George drafting a spec sheet. Save the Date! observed that MAM needs to start invest- Jay observed that we have a top-down aspect MAM’s annual meeting has been sched- ing in its infrastructure, identifying fundable here (eg getting funds for workshops) but also uled for Friday, October 28, 2011, at the initiatives and seeking funding. Discussion bottom-up aspect (determining training needs). Newport Cultural Center. A 21st-Century of budget line items tabled until 10 January Maybe we need to explore funding for regional board meeting. Skills Workshop co-hosted by Maine reps - that is where the real engagement with Historical Society and MAM will take Filling At-Large Seat on EC the field/our members occurs. Jay will research place at the same location the day before: Candace Kanes of Maine Historical Society and present at April meeting. Thursday, October 27. Details to come by will be approached to fill the seat. 2011 Annual Conference/Meeting mail, e-mail, website, and Facebook! October 28 was tentatively set as the date for Summary of the conferences, with a Maine Memory Net Executive Committee 21st-century Skills Workshop (co-hosted by Advertise in the Meeting MAM and Maine Historical Society) at the same location the day before. Location TBD. MAM Newsletter March 7, 2011 Program Committee (Joanna, Jay and Pat) MAM is pleased to introduce a new paid Attending via Free Conference Call: Jay should meet soon. advertising opportunity in the MAM Adams, Pat Burdick, Edna Comstock, Candace ______newsletter, beginning with the next issue Kanes, Niles Parker, Jessica Skwire Routhier, (August 2011). Quarter-page ads will be George Squibb. Please see August issue of MAM Newsletter made available to anyone who would Secretary’s Report for minutes from the January 10 and April like to reach Maine’s community of col- 11 meetings of the full board and subsequent lecting organizations, at the editor’s dis- Minutes for 4 January 2011 EC meeting Executive Committee meetings. approved as distributed. Note: No official cretion. MAM members will receive a business was conducted in February so there ______reduced rate. MAM’s board is working is no need to approve these minutes. on finalizing the advertising policy and Goodbye, Edna spec sheet; information will be distributed Treasurer’s Report With full hearts, the board of Maine Archives when the next call for submissions goes In Patty’s absence, Edna presented financial and Museums bids farewell to Edna Comstock, out for the newsletter. If you have any report. Fairly quiet period. To date, member- who has served as MAM’s office manager for questions, please contact Jessica Skwire ship income is $4800 (budget is $10K). We many years. Edna will continue to serve MAM Routhier, newsletter editor and Chair of paid for six months of Constant Contact, $300 through the July meeting of the Board of MAM’s Communications Committee, at Trustees. Please join us in thanking Edna for for Edna’s services. Quarterly bills (web site [email protected] or (207) 283- and newsletter) are outstanding. Note: Jessica her outstanding service on MAM’s behalf, and 3861, ext. 114. sent a pilot message via Constant Contact to wishing her well in all future endeavors. •
Vol. 14, No. 2 Maine Archives & Museums Newsletter Maine Archives & Museums 2011 Board of Directors President BOARD MEMBERS Jay Adams (2008) Jane Bianco (2010) Farnsworth Art Museum Director Emeritus • Old Fort Western 16 Museum Street, Rockland, ME 04841 207-441-7357 (cell) 207-596-6457 x104, [email protected] [email protected] Leigh Hallett (2011) Newport Cultural Center VICE PRESIDENT 24 Shaw Street, Newport, ME 04953 George Squibb (2007) 207-369-2193, [email protected] Belfast Historical Society and Museum Candace Kanes (2011) Maine Historical Society 42 Grove Street • Belfast, ME 04915 489 Congress Street, Portland, ME 04101 207-338-3340 • [email protected] 207-774-1822, [email protected] SECRETARY Sheri Leahan (2011) Independent Museum Professional Patricia Burdick (2007) 35 Cummings Hill Road, Temple, ME 04984 Colby College Special Collections 207-779-4445, [email protected] 5150 Mayflower Hill Niles Parker (2010) Maine Discovery Museum Waterville, ME 04901 74 Main Street, Bangor, ME 04401 207-859-5151 • Fax: 207-859-5105 207-762-7200 [email protected] [email protected] TREASURER Candy Russell (2008) Moosehead Historical Museum Patricia Henner (2009) PO Box 1116, Greenville, ME 04441 Page Farm and Home Museum 207-695-2909, [email protected] University of Maine Jessica Skwire Routhier (2009) Saco Museum Orono, ME 04469-5787 371 Main Street, Saco, ME 04072 207-581-4100 207-283-3861 x114, [email protected] [email protected] Joanna Torow (2007) Maine State Museum MAM BUSINESS MANAGER 83 State House Station, Augusta, ME 04333-0083 Edna Comstock 207-287-2301, [email protected] PO Box 5024 • Augusta, ME 04332-0634 (In parentheses after each name is the year the director began serving his/her term. A director can serve up to (207) 441-1410 • [email protected] three successive two-year terms.) Grants Available to Support Participation in Maine Memory Network MHS Also Rolling Out Professional Development Workshops for Historical Reps by Larissa Vigue Picard How accessible are your archives and capacity, and expand collaboration with local ties (up to $3000). (This last grant category is collections? How many people see them? To partners. The program is funded by a National also known as the Maine Community Heritage what extent has your organization ventured Leadership Grant from the Institute of Museum Project, which has been in place the last two into the world of digitization? Who outside and Library Services (IMLS). years. More on that later in the article.) Local the historical society knows about your com- partnership is strongly encouraged in all project “Maine Archives and Museums is pleased to munity’s local history? How much has your categories (and required in some). Developing participate in and to recommend the MHS’s organization partnered with other community local partnerships helps an organization or Maine Memory grant program,” says MAM groups? If the answers to these questions run project team find support and resources in the president Jay Adams. “The program symbol- along the lines of “not very,” “not many,” and community, and ensure that the digital material izes what the ‘new’ MAM is all about—help- “not much,” then have we got a deal for you! created has a wide and eager audience. ing to make high-quality, affordable resources Maine Historical Society (MHS), in partner- available to its members based on their spe- While the first grant deadline was this past ship with the Maine State Library (MSL), and cific needs, resources, and goals.” spring, there is an upcoming deadline of with the input and support of Maine Archives September 1. But that’s just the beginning. The grants and accompanying training empow- and Museums (MAM), recently introduced There will two grant cycles per year—spring er communities to digitize and share their local a new grant and training program designed and fall—through 2013. Approximately 25 history. Grants support digitization projects to help historical societies and museums—as communities will be served each year over the (up to $750), the creation of online exhibits well as libraries and schools—use partici- next three years, but new group trainings orga- (up to $1250), and the creation of websites pation in Maine Memory Network (www. nized as part of the grant program will be open dedicated to the history of local communi- mainememory.net) to develop skills, build –continued on page 5
Maine Archives & Museums Newsletter Vol. 14, No. 2 Maine Memory Network communities who feel prepared to go the year- Coordinator and grant manager Larissa Vigue continued from page 4 long, website-building route can still apply for Picard at MHS, 207–774–1822, ext. 215, the MCHP grant, though there will be only or [email protected]. You can also to any organization interested in learning how four slots available per year. check with the MAM regional representative to use Maine Memory Network tools. for your area or email [email protected] for All grant-supported projects, regardless of the more information. • These opportunities “ensure that any community option chosen, are shared through and become in Maine who wants to share historical collec- part of Maine Memory, which provides a robust tions and stories online through Maine Memory technical infrastructure, a platform for training New Book Focuses on can,” says Richard D’Abate, Executive Director and skills development, consistent standards, of Maine Historical Society. “Through the pro- and the broadest possible access for local Maine’s Museums cess, all participants—local historians, librar- history projects. More details about the grant by MAM member Janet Mendelsohn ians, teachers, and students in particular—will program, including guidelines and an appli- I’m a writer who loves museums and the stories develop technology skills, and learn to partner cation, are available at www.mainememory. they tell which is why researching my new book was and share resources with organizations in their net/grants. For more information about how such a pleasure. Maine’s Museums: Art, Oddities communities more effectively.” collecting organizations can use participation & Artifacts, which will be published in June by For those who don’t know, Maine Memory in Maine Memory generally to achieve their The Countryman Press, a division of W.W. Norton, Network is a nationally-recognized statewide goals, please visit http://www.mainememory. gave me an excuse to explore the state and speak digital museum created and maintained by net/share_history/share_orgs.shtml. with some of the most enthusiastic folks I’ve ever MHS. Launched in 2001, it features nearly 21st-Century Skills Workshops met. I spoke with curators, directors, volunteers, 20,000 primary sources—photographs, let- But wait – there’s more. What if your organi- staff members and collectors who, almost without ters, documents, artifacts, etc.—contributed zation isn’t quite ready to apply for a grant? exception, are passionate about their work. They by 200+ organizations from every corner Or you—a historical society or museum rep- are proud of their museums—their museums, often of Maine; hundreds of online exhibits that resentative—would just like to get your own quite possessively—and more than happy to answer explore stories from Maine history; Maine feet wet in Maine Memory, discover what my many questions. They wanted me and my read- History Online, a comprehensive introduction it has to offer to your organization and your ers to know about people whose lives or work or to Maine history; websites dedicated to the community, gain some skills, and learn about hobbies led to such interesting collections and history of Maine towns created by community community collaboration? We have got yet helped shape the state and the nation. And I wanted teams; lesson plans; and much more. another deal to satisfy that need. In addition to to listen. Whether it was fine or folk art, automobiles The new grant program packages many of the the grant program, MHS will soon be rolling or trolleys, logging equipment, historical homes or activities and tools that have been available out professional development opportunities for documents, taxidermy, musical instruments, light- through Maine Memory over the past sev- representatives from historical organizations house models . . . you name it . . . their knowledge is eral years in a new way, and with accompany- (as well as librarians and educators) via 21st- impressive. Their anecdotes and explanations make ing financial support. The first two program Century Skills Workshops. the past come alive. As museum professionals, you already know this. options—digitization and online exhibit proj- In recent years, “21st-Century Skills” has I mention it because among the things I encourage ects—are also a component of the third web- emerged as a useful framework for defining readers to do is be curious, ask lots of questions. I site-building option, the Maine Community the skills and aptitudes that Americans need don’t believe that people were generous with their Heritage Project, which has existed for the past in order to be academically, economically, time and stories only because I had a notebook, and two years, and was also put into place with the and culturally successful in an era increas- sometimes a tape recorder, in my hands. Even as a support of IMLS. ingly defined by information and technology. casual visitor I’ve always found that museums are That program initially provided funding for 16 These skills include information, communica- more memorable when you hear backstories from community teams to build comprehensive local tions and technology literacy, critical thinking, volunteers or staff members who might be artists history websites on Maine Memory starting in problem solving, creativity, civic literacy, and themselves or retired from an industry that is show- 2008. (Three additional communities piloted global awareness. cased or used similar equipment way back when. the model in 2006 and 2007.) However, it Offered in partnership with MAM—whose Many of you encourage this. I found people here to became clear that the intensity of the program board members have had input on both cur- be especially informative, more excited by what you model—requiring a year-long commitment, at riculum and venue—these workshops will do and it shows. least three partnering organizations, the con- introduce representatives of historical societies struction of five online exhibits, a 3,000-word I’ve tried to capture all this—the stories, exhibi- and other organizations with historical collec- narrative history of the community, and the tions, programs and character of Maine’s diverse, tions to the opportunities that Maine Memory hosting of two community events—was not wonderful museums—in the book. Unlike short Network provides to develop professional for everyone. So the new funding has allowed descriptions in traditional travel guides, Maine’s skills, increase the capacity of their organiza- MHS to break off the digitization and online Museums: Art, Oddities & Artifacts contains full- tions, reach out and engage their communities, exhibit components of the MCHP model into length features on dozens of museums. Regrettably, and deepen collaboration with local schools, stand-alone grant options, while retaining not every museum in the state is included in this libraries, and other community organizations. within them some of the specialized training, edition, but the articles, photographs, and spotlights More information about 21st-century skills project-planning, and team-building features on unusual aspects of some collections should spark and the workshops themselves, which are that have enriched the MCHP. interest among Mainers and tourists alike, prod- currently in the process of being scheduled ding them to seek out museums and historic homes The digitization and online exhibit options will around the state, can be found at http://www. that match their interests throughout the state. The accommodate approximately 20 organizations/ mainememory.net/share_history/training. book also features interviews with State Historian communities per year wanting shorter-term, shtml#skills. One workshop is scheduled to Earle G. Shettleworth, Jr.; Maine Arts Commission less-demanding (though not necessarily less take place on October 27, 2011, the day before Director Donna McNeil; and artist Barbara Ernst challenging!) ways to participate in Maine MAM’s annual conference at the Newport Prey, who serves on the National Council on the Memory with accompanying grant monies. Cultural Center. Arts. I hope the book brings many more visitors to (As always, an organization not requiring grant Of course, if you’d rather talk or email with a your doors. funds and that wants to work at its own pace specific person about any of these opportuni- can become a Contributing Partner virtually FMI: countrymanpress.com / www.janetmend ties, please contact Community Partnership on a moment’s notice, for free.) Then those elsohn.com. •
Vol. 14, No. 2 Maine Archives & Museums Newsletter EXHIBITIONS & EVENTS
Exhibitions and Events rian and museum collections specialist who Founded in 1873 as the second mountaineer- Ready, set, summer season! Read on for hap- is a long-time student of historic wall murals ing organization in North America (pre-dat- penings from May through July at MAM mem- in New England, and Linda Carter Lefko, ing the Appalachian Mountain Club by three ber organizations. a historic decorative painter who frequently years), the “White Mountain Club of Portland” lectures on mementos & memorials, theo- was instrumental in exploring and describing rem painting, School Girl Arts, false graining many hitherto unfamiliar sections of the White and New England wall murals, will present Mountain region of northern New Hampshire an illustrated talk about their research on and western Maine. Among the significant the “Rufus Porter Landscape Mural School.” accomplishments of this important but short- Following this presentation, they will auto- lived group was the first recorded explora- graph copies of their new book on the subject, tion of famed Mahoosuc Notch, northwest of Folk Art Murals of the Rufus Porter School: Bethel. The Bethel Historical Society is locat- New England Landscapes 1825-1845. Mason ed at 10-14 Broad Street, Bethel, ME 04217; House exhibit hall, 7:30 p.m. (Note: As a pre- 207-824-2908; www.bethelhistorical.org. view to this program, the Society’s 19th-cen- Photo of Alfred Shaker Museum, the former Alfred tury murals will be available for viewing from Shaker Carriage House, at 118 Shaker Hill Road, 6:30 to 7:15 p.m.) Bethel Historical Society, Alfred, Maine. 10-14 Broad Street, Bethel, ME 04217; 207- 19th-Century Alfred Shaker 824-2908; www.bethelhistorical.org. Agriculture Talk AND Book Signing Alfred Shaker Museum Breaking Ground Opens for season May 11 by BHS President William D. Andrews Alfred Shaker Museum opens officially for Bethel Historical Society, June 4 the season on May 11. Our featured exhibit Breaking Ground is the sequel to Stealing Mounts Moriah, Adams, and Madison from this season is 19th-Century Alfred Shaker History and, like Andrews’ first mystery novel, Hastings Island, Bethel. Unsigned oil painting, Agriculture and will feature a winnowing is set in Ryland, Maine, and features Julie circa 1890, private collection. machine recently found in the 1910 Shaker Williamson, director of the Ryland Historical Windows on the Past barn, ice cutting equipment, supplies used Society, who once again solves the murder of a Kennebunk’s History through Architecture in keeping bees, Shaker-made sap collecting person connected to the Society. Refreshments Brick Store Museum, Kennebunk (ongoing) buckets, information about the Shaker seed will be provided. Mason House exhibit hall, The Brick Store Museum’s newest permanent business, and more. Upcoming programs at 2:00 p.m. Bethel Historical Society, 10-14 exhibition, Windows on the Past: Kennebunk’s the Alfred Shaker Museum include another of Broad Street, Bethel, ME 04217; 207-824- History through Architecture, spotlights its popular public pancake breakfasts May 29 2908; www.bethelhistorical.org in the museum’s community room, 8 to 10:30 42 homes and businesses representing 300 a.m. On July 16, Alfred’s Festival Day celebra- Lecture years of architectural history in Kennebunk’s tion begins with another pancake breakfast in “From Bethel to Norway via the Congo: National Register Historic District. Vivid, con- the morning and runs through late afternoon. Margaret Tibbetts and U.S. Foreign temporary images are joined by vintage photo- Alfred Shaker Museum will have a table in Relations, 1949-1964” graphs, as well as artifacts from the museum’s Alfred Village Square during the Festival, by Andrew DeRoche collections, including furniture, woodworking selling Shaker books, spices, teas and other Bethel Historical Society, June 16 tools, diaries, sketches, and more. In addition Shaker-related articles. The museum is located A Bethel native, the late Margaret Joy Tibbetts to experiencing the visual presentation of these at 118 Shaker Hill Road just off Route 202 was one of the first career women diplomats forty-two homes and businesses, a cell-phone outside Alfred Village. Alfred Shaker Museum to achieve ambassadorial rank; in 1964, she based audio tour provides visitors with deeper is open Wednesdays and Saturdays 1-4 p.m. was appointed United States Ambassador to insight into some of the homes. Activities May through October. Norway by President Lyndon Johnson. Born within the exhibit appeal to all ages, including FMI: www.alfredshakermuseum.com. and raised in Maine, Andy DeRoche is a the construction of scale models of some of Lecturer in American History at the University the homes, an interactive glossary of archi- Hands-on Workshops of Colorado at Boulder. He earned a history tectural terms that invites visitors to test their Alfred Shaker Museum BA from Princeton University, a history MA knowledge, and a gallery-wide game using May 21, May 24, and June 25 from the University of Maine, and a history movement to study what surrounds us. This On May 21 Alfred Shaker Museum will offer Ph.D. from the University of Colorado. His exhibit is made possible by Old House Parts a beginning crocheting workshop with Kathy first book focused on U.S./Zimbabwe rela- Company. 117 Main Street, Kennebunk. FMI: Fink as instructor. Cost is $15. A Women’s tions, and his second was a biography of 207-985-4802 / www.brickstoremuseum.org. Drumming Circle will be offered May 24 at Andrew Young. He is currently writing about The Preservation Movement a cost of $10. On June 25 Martha Chessie is U.S./Zambia relations. Mason House exhibit Then and Now offering a workshop in making decorative hall, 7:30 p.m. Bethel Historical Society, 10-14 Brick Store Museum, Kennebunk baskets at a cost of $35. Each workshop is held Broad Street, Bethel, ME 04217. FMI: 207- April 19 through July 16, 2011 at the museum, 118 Shaker Hill Road, Alfred. 824-2908 / www.bethelhistorical.org. FMI: www.alfredshakermuseum.com. To complement the Brick Store Museum’s Windows on the Past exhibition and place it in Talk and Book Signing The White Mountain Club of Portland an even broader context, the Museum will host Folk Art Murals of the Rufus Porter School: The Preservation Movement Then and Now, a New England Landscapes 1825-1845 Exploration and Adventure in the ‘Crystal Hills’ 1873-1884 traveling exhibition on loan from Historic New by Linda Carter Lefko and Jane E. Radcliffe England, scheduled to open on April 19, 2011. Bethel Historical Society, May 19 Bethel Historical Society Co-authors Jane E. Radcliffe, an art histo- July 1 through May 2012 —continued on page 7
Maine Archives & Museums Newsletter Vol. 14, No. 2 EXHIBITIONS & EVENTS
—continued from page 6 Impressions of a The Castine Historical Society’s 2011 summer How did the preservation movement begin in World Traveler exhibit, History and Hearsay: Tales of Castine New England? What was the first building Across the Globe with Edith Barry Houses, promises to bring to light interesting, saved or lost? What preservation work is being Brick Store Museum, Kennebunk entertaining anecdotes about a wide variety of done today? The Preservation Movement Then Opening June 23 homes all over town. The theme provides a and Now answers those questions and more as Opening to the public June 23, 2011, this new means of directly engaging Castine residents it traces the history of the preservation move- exhibition explores early 20th-century travel and exploring the significance of legends and ment in New England. Exhibition organized through the eyes of the museum’s founder, stories in local history. While History is based by Historic New England. 117 Main Street, Edith C. Barry. As a trained artist, Barry trav- on facts found in primary sources, Hearsay is Kennebunk. FMI: 207-985-4802 / www.brick eled the world throughout her life and docu- based on legend or oral history. Most of the storemuseum.org. mented her journeys through photographs, stories collected for this exhibit originate in “We’ll Rally ‘Round the Flag” writings, and souvenirs. The exhibit will focus something more like tradition or legend—hear- Civil War Concert Series on four of her trips: North Africa, 1912; say from an earlier generation. Isn’t this just Brick Store Museum, Kennebunk Asia, 1920; “Around the World,” 1935; and the sort of thing historical societies do—get May 11 and May 26 another “Around the World” trip in 1959. The people together to tell each other stories? The exhibit will feature Barry’s photographs and show opens with an ice cream social on June In recognition of the sesquicentennial of the watercolor paintings of various regions of 26 and continues through Labor Day at the Civil War, the Brick Store Museum is hosting the world, as well as the unique opportunity Society’s historic Abbott School building at 17 musician and educator Monica Grabin for a to read Barry’s own words through her travel School Street on the Common in Castine. For trio of concerts entitled “We’ll Rally ‘Round journals. The exhibit will also focus on the more information, visit the website at www. the Flag.” Playing guitar, banjo, autoharp and three-dimensional objects that Barry brought castinehistoricalsociety.org. percussion, Grabin explores songs from many back with her from different parts of the world. different genres, and the stories behind each 117 Main Street, Kennebunk. FMI: 207-985- one. The first concert, entitled “Just Before 4802 / www.brickstoremuseum.org. the Battle,” was held on April 12, 2011. The second concert, entitled “Battle Cries,” will be Summer Programs held on May 11, and will focus on the early at the years of the war. The final concert on May 26, Brooklin Keeping Society “Many Thousands Gone,” will look at the later Season kicks off June 30 conflict and the beginnings of reconstruction. The Brooklin Keeping Society announces a The concerts are intended to be experienced series of programs for the summer 2011 sea- in a series, but attendees may come to one, son. On Thursday, June 30, Mike Sherman will two, or all three. The concerts are offered at present “Lobstering in Brooklin” in a repeat The piazza at Castle Tucker. Photo courtesy of no charge, with donations welcomed. Concert performance of last year’s standing-room-only Historic New England. series made possible by a grant from the program. On July 28, the topic will be steam- Virginia Hodgkins Somers Foundation. 117 boats, with a special emphasis on the regular Historic New England Main Street, Kennebunk. FMI: 207-985-4802 passenger service that stopped in Brooklin. Open House Day (Free Tours) / www.brickstoremuseum.org. Both events take place at 7 p.m. in Bowden Castle Tucker and Nickels-Sortwell House, Wiscasset, and Marrett House Civil War Educational Hall, next to the Baptist Church in downtown Standish, June 4 Outreach Program Brooklin. The Keeping Society collection and Brick Store Museum, Kennebunk exhibits are open every Tuesday 1-4 p.m. year Celebrate the opening of the season with free June 11 round at 25 Bay Road behind the town office. tours of Castle Tucker, the Nickels-Sortwell House and Marrett House on Saturday, June 4 In commemoration of the start of the Civil Call 359-8880 for more information. from 11:00 a.m. – 4:00 p.m. Built in 1807 and War in 1861, the Brick Store Museum will History and Hearsay lived in by one family from 1858 until the turn host Company A, Third Maine Regiment Tales of Castine Houses of the 21st century, Castle Tucker reveals the Volunteer Infantry for a living history program Castine Historical Society life of an upper-middle class Victorian family in on Saturday, June 11, 2011 from 10:00 AM to June 26 through Labor Day Wiscasset. Step back in time and hear the story 3:00 p.m. Visitors on June 11 can expect to see of the Tuckers in the setting of their home in a Living Civil War encampment, and will have this large, fully-furnished, Regency style man- the opportunity to learn about topics such as the sion. Nickels-Sortwell House is a magnificent life of a soldier, roles played by women, medi- high Federal style mansion that exemplifies cal care, music of the Civil War era, weapons Wiscasset’s heyday as a seaport. Purchased by used in the 1860s, and more. Admission is free the Sortwells in 1899, the house is decorated in of charge, with donations welcome. Company the Colonial Revival style. The 1789 Marrett A, 3rd Maine Regiment Volunteer Infantry is a House showcases the treasured possessions of nonprofit educational and living history orga- three generations of Marretts with a parlor pre- nization dedicated to preserving the memory served exactly as it was decorated for a family of Maine’s role in the American Civil War. wedding in 1847. Castle Tucker is located at 2 Program made possible by a grant from the Lee Street, Wiscasset. Nickels-Sortwell House Virginia Hodgkins Somers Foundation. 117 This boathouse, a charming object of curiosity is at 121 Main Street, Wiscasset. Marrett Main Street, Kennebunk. FMI: 207-985-4802 built in the 1890s on the Castine waterfront, House is located at 40 Ossippee Trail East / www.brickstoremuseum.org. is now a residence. The CHS exhibit will show photos of the historic wall murals inside this (Route 25), Standish. FMI, call 207-882-7169 building. or visit www.HistoricNewEngland.org. —continued on page 8
Vol. 14, No. 2 Maine Archives & Museums Newsletter EXHIBITIONS & EVENTS
—continued from page 7 Monday, July 11 complete with popular games and activities Maine’s Coastal Fisheries from the Civil of the time period. Stay and join us for fun Nooks & Crannies Tour War to the Otter Trawl. Lecture by Dr. Bill activities designed for families with young Castle Tucker, Wiscasset, July 29 Leavenworth, Gulf of Maine Cod Project, 7:30 children! Join Site Manager Peggy Konitzky on a tour p.m. ($5 donation or free to members.) that peeks into unexpected corners of this Sundays, June 5, 12, and 26 unique house on Friday, July 29 from 10:00 Saturday, July 16 Showing Off In Sunday School: – 11:30 a.m. Built in 1807, this Regency-style Evening Lantern Walk. Step into the past as you A Tom Sawyer Film Festival mansion is filled with original furnishings and tour a 17th-century village and meet an 18th- The Dyer Library will host three Sunday belongings of the family who lived here from century soldier on duty at Fort William Henry film showings of the Tom Sawyer films: The 1857-2003. The Tuckers were at the pinnacle at 8:30 p.m. Rain date is Sunday, July 17. Adventures of Tom Sawyer (1938); Tom Sawyer (1973); Tom and Huck (1995). of Wiscasset society for four generations, but Monday, July 18 the public never saw the private turmoil of S & W Howard’s Store: 18th-Century Fort Wednesday, June 8 these lively and colorful personalities. Enjoy Economy. Presentation by historic interpreter Sweetser Series Lecture: Meet Mark Twain a leisurely, in-depth experience of the house Roger Collins of Old Fort Western at 7:30 p.m. The Sweetser Series invites you to meet Samuel with stories and rooms not included on the ($5 donation or free to members.) Clemens (also known as Mark Twain), the man general tour. See where family, friends and who breathed life into Tom Sawyer and his Saturday, July 23 servants stayed during the busy summers of friend Huckleberry Finn. Tickets are $5 and may Weapons of the 17th and 18th Centuries. the boarding house period. Space is limited. be purchased in advance at the Dyer Library, Demonstrations of weapons including a 3- Advance reservations are required. Admission or at the door the evening of the performance. pound cannon and matchlock and flintlock is $10 for Historic New England members, Income benefits the Provident Association of muskets. 1:00 and 3:00 p.m. $15 for nonmembers. Call 207-882-7169 or Saco. Deering Room, Dyer Library, 7:00 p.m. visit www.HistoricNewEngland.org to pur- Monday, July 25 Saturday, June 11 chase your ticket today. Castle Tucker is locat- “Once We Were Here: Native Peoples of Our Seeking the Buried Treasure ed at 2 Lee Street, Wiscasset. Region,” lecture by Jonathan Yellowbear of Maybe you’ll find a sack of gold coins just Odamogan Living History Museum at 7:30 Summer 2011 at like Tom and Huck did! Come and join us for p.m. ($5 donation or free to members.) Colonial Pemaquid a community-wide scavenger hunt along Main Living History, Lectures and Archaeology Saturday/Sunday, July 30/31 Street. Colonial Pemaquid State Historic Site 17th-Century Encampment. Outdoor interpre- Monday, June 13 Season kicks off May 28 tive weekend showcasing civilian military Eloquence—and the Master’s Gilded Dome In 2011, the Colonial Pemaquid State Historic aspects of 17th-century life. 1:00 to 4:00 p.m. In this panel discussion with Paula Herrington site once again will host a series of living each day. history events, lectures and an archaeology of Colby College (Waterville, Maine) and workshop to showcase various aspects of life THE BIG READ Craig Hotchkiss of the Twain House museum in Midcoast Maine during the 17th and 18th The Adventures of Tom Sawyer (Hartford, Connecticut), we’ll explore life in centuries and, more specifically, Pemaquid’s Dyer Library and Saco Museum mid-19th-century America in the context both place in that colonial world. Sponsored by the Kicks off June 4 of Mark Twain’s life and that of the characters Friends of Colonial Pemaquid, events through June is BIG at the Dyer Library and Saco in his books. Museum with tons of great events all inspired July are listed below. For August events look Friday, June 17 by Mark Twain’s The Adventures of Tom for MAM’s August newsletter or contact 207- Tragedy in the Graveyard: Sawyer. These programs are all funded through 677-2423 / www.friendsofcolonialpemaquid. Tour of Laurel Hill Cemetery the National Endowment for the Arts program org. Tom and Huck had their graveyard adventure; “The Big Read,” which gives communities the now it’s your turn! Saco Bay Trails will lead a Saturday, May 28 opportunity to come together to read, discuss, tour of Laurel Hill Cemetery and maybe tell a Memorial Day Weekend Concert – Maine St. and celebrate a single great work of literature. ghost story or two. Andrew’s Pipes & Drums Traditional tunes of Please check our website and Facebook page the British Isles performed by a kilted band for times and locations for these Big Read Saturday, June 18 from Corinth, Maine at 2:00 p.m. events, and for information about book discus- The Pirate Crew Set Sail: Saturday, June 4 sion groups scheduled throughout the month. The Shipwrecks of Wood Island Evening Lantern Walk Step into the past as For more information about The Big Read, Did you ever want to be a pirate, just like Tom you tour a 17th-century village and meet an please contact Camille Smalley at (207) 283- and Huck? Here’s your chance: dress up in 18th-century soldier on duty at Fort William 3861, ext. 115 or [email protected]. your best pirate gear and come on a FREE boat ride to Wood Island light, where you’ll learn Henry. 8:30 p.m. Rain date is Sunday, June 5. Saturday, June 4 all about shipwrecks and tragedies at sea. All Splendid Days and Fearsome Nights: Saturday, June 25 ages welcome. Archaeology Discovery Workshop. Historical Tom Sawyer Extravaganza activities for youths and adults with Dr. Neill The Adventures of Tom Sawyer Big Read Wednesday, June 22 DePaoli, 1:00 to 5:00 p.m. Rain date is Sunday, month will kick off with a theatrical reception The Cat and the Pain Killer: June 26. at the Dyer Library, featuring young actors Nineteenth Century Folk Cures and actresses from Saco Middle School and Poor Aunt Polly’s cat—would the same thing Sunday, July 3 Thornton Academy. have happened to you if Tom gave you some 235th Anniversary of the Declaration of patent medicine? Find out in this program led Happy Camp of the Freebooters: Independence. Public reading and commentary by the University of New England’s College of Children’s Day by a living history interpreter at 2:00 p.m. Rain Osteopathic Medicine. date is Monday, July 4. Come see the Saco Museum’s new exhibit: a child’s playroom from the nineteenth century, —continued on page 9
Maine Archives & Museums Newsletter Vol. 14, No. 2 EXHIBITIONS & EVENTS
—continued from page 8 online at www.historicnewengland.org or by fectly preserved after a family wedding in Saturday, June 25 calling 207-384-2454. 1847, and many other rooms furnished with fine antiques. FMI: call 207-882-7169 or visit A Pirate Bold to Be: Cardboard Regatta The Hamilton House Sundays in www.HistoricNewEngland.org. Tom made a raft out of logs, and you can make the Garden Concert Series a schooner out of cardboard! Make your own Hamilton House, South Berwick Barn Story (Special Tour) boat at home and then join us in a race to the July 3, 10, 17, 24, and 31, 4:00 – 5:30 p.m. Marrett House, Standish, July 8 finish. The Regatta will take place oceanside at The graceful Hamilton House gardens, over- Big house, little house, back house, barn – the the Ferry Beach Ecology School. For all ages. looking the Salmon Falls River, provide the 1789 Marrett House is one of the best examples Civil War Band Concert by the perfect backdrop for this series of late-afternoon of this traditional New England rural architec- Excelsior Cornet Band concerts featuring local folk music performers. tural configuration. Enlarged over the years Fifth Maine Regiment Museum, Peaks Island Concert-goers are encouraged to bring a blan- and given Greek Revival trim in the 1850s, June 18 ket, chairs, and a picnic basket. This year’s per- the Marrett House barn is a classic well-pre- The Sesquicentennial Commemoration of formers are: Harvey Reid (July 3), Susie Burke served example of these wonderful structures. the Civil War has begun! The Fifth Maine and Kent Allyn (July 10), Martin England The barn has recently received a new roof and Regiment Museum and the Eighth Maine (July 17) , Cormac McCarthy (July 24), and other much-needed restoration. On Friday, Regiment Memorial Association will co-spon- Joyce Andersen (July 31). Free for Historic July 8 from 10:00 – 11:30 a.m., join Christi sor a Civil War Band Concert on Saturday, New England members, $8 nonmembers. 40 Mitchell from the Maine Historic Preservation June 18 at 4 p.m. by the Excelsior Cornet Vaughan’s Lane, S. Berwick. Reservations Commission, Marrett House guide Charles Band. Based in New York State, these award may be made online at www.historicneweng- Ruby and Historic New England property care winning musicians perform the most popular land.org or by calling 207-384-2454. staff to hear the story of this well-loved build- ing. Marrett House is located at 40 Ossippee melodies of the 1850-1870 period, as well The Hamilton House’s Trail East (Route 25), Standish. Admission as patriotic airs, operatic medleys, marches, “The Way They Were” Tour is $10 for Historic New England members, and dance music by the era’s most renowned Hamilton House, South Berwick $20 for nonmembers. Advance reservations composers and bandmasters. All of the band’s Saturday, July 9, 5:30 – 7 p.m. are required. Call 207-882-7169 or visit www. musical arrangements come from the band- Go behind-the-scenes to learn about the daily HistoricNewEngland.org to purchase tickets books of Civil War era bands, or are arranged routines of domestics, groundskeepers, and today. from the original Civil War era sheet music. others who worked for families like the Tysons And the instruments they play are authentic, of Hamilton House early in the twentieth cen- “High Federal: dating to the same time period. The con- tury. See the fourth floor attic space where ser- The Architecture of the cert is funded, in part, by the Peaks Island vants lived, and enjoy the stunning view of the Nickels-Sortwell House” Fund. Following the concert an old-fash- river from the rooftop skylight. $8 for Historic Lecture by Earle G. Shettleworth, Jr. ioned bean supper will be served at the Fifth New England members, $12 nonmembers. Nickels-Sortwell House, Wiscasset, June 10 Maine. FMI: www.fifthmainemuseum.org. Tour limited to twelve participants, registra- Earle G. Shettleworth, Jr., director of the Hamilton House Spring tion required. 40 Vaughan’s Lane, S. Berwick. Maine Historic Preservation Commission and Perennial Plant Sale Please register online at www.historicneweng- Maine State Historian, shares his insights into Hamilton House, South Berwick land.org or by calling 207-384-2454. the architecture and building of one Maine’s most elegant mansions. The lecture will be Saturday, May 21 and 28, 10:00 a.m. – noon Hamilton House held in the Nickels-Sortwell House Barn, 121 Bring a little of Hamilton House to your own Landscape and Garden Tour Main Street, (entrance on Federal Street) in garden and welcome spring with perennials Hamilton House, South Berwick Wiscasset from 10:00 – 11:30 a.m. Nickels- divided from plants in the celebrated gar- Saturday, July 30, 10:30 – 11:30 a.m. Sortwell House is the finest example of high dens at Hamilton House. The sale will take Learn about the landscape and gardens at Federal style architecture north of Portsmouth. place in the garden cottage overlooking the Hamilton House with Historic New England’s Captain William Nickels, a wealthy sea cap- Salmon Fall River, at Historic New England’s Piscataqua Region Landscape Manager Gary tain, built the house in 1807 as a statement Hamilton House, 40 Vaughan’s Lane, South Wetzel. Participants are invited to tour the of his success at the peak of Wiscasset’s Berwick. FMI: www.historicnewengland.org house at no additional charge. $8 for Historic prosperity. Run as an inn after his death for or call 207-384-2454. New England members, $12 nonmembers. many years under multiple owners, the house Registration required. 40 Vaughan’s Lane, “Jonathan Hamilton’s Berwick” was lovingly restored in the Colonial Revival S. Berwick. Please register online at www. Tour with Dr. Neill De Paoli style by the Sortwell family of Cambridge, historicnewengland.org or by calling 207-384- Hamilton House, South Berwick Massachusetts, after they purchased it in 1899. 2454. Saturday, May 28, 11:00 a.m. – 12:30 p.m. Admission is $10 for Historic New England Historic archaeologist Dr. Neill De Paoli will Strawberries and Standish Days members, $15 nonmembers. Advance registra- lead a lively tour of the grounds of Historic (Free tours) tion is recommended. FMI: 207-882-7169 / New England’s Hamilton House in South Marrett House, Standish, June 2 www.HistoricNewEngland.org. Berwick with a focus on the landscape as it Celebrate Standish’s heritage while watch- was in Hamilton’s day. Using research based ing the parade from the 1789 Marrett House “Early New England Furniture” on historic maps, archaeological evidence, and Garden on Saturday, June 25. Enjoy Lecture by Nancy Carlisle and similar sites in the region, De Paoli will delicious strawberry shortcake, baked goods Nickels-Sortwell House, June 26 describe an 18th-century working landscape and strawberries. Lived in by one colorful, Historic New England Senior Curator Nancy that is very different from the tranquil gardens prominent family for over 150 years, Marrett Carlisle presents an overview of 17th-century and woods we see today. Please note, the tour House is located at 40 Ossippee Trail East and William and Mary furniture on Sunday, involves prolonged standing and walking on (Route 25) in Standish and will be open for June 26 from 3:00 – 4:30 p.m. From the early uneven ground. $8 for Historic New England free tours after the parade from 11:00 a.m. settlers on, styles were imported from Europe members, $12 non-members. 40 Vaughan’s – 4:00 p.m. The house includes a parlor per- amazingly quickly and adapted into uniquely Lane, S. Berwick. Reservations may be made —continued on page 10
Vol. 14, No. 2 Maine Archives & Museums Newsletter EXHIBITIONS & EVENTS —continued from page 9 Readfield Historical Society Season Opens May 28 American forms. Nancy will discuss regional Readfield Historical Society and Museum variations in style, changing shop practices, The Readfield Historical Society and Museum and consumer purchase patterns. This lecture on Route 17 in Readfield Depot will open for series is sponsored by the Maine Humanities the season on Sat., May 28th (Memorial Day Council. Admission is $5 for Historic New Weekend) and be open every Thurs. and Sat., England members, $10 for nonmembers. The 10AM-2p.m., throughout the summer. FMI: lecture will be held in the Nickels-Sortwell call Florence Drake at 207-685-4662 or email House Barn, 121 Main Street, (entrance on at [email protected]. Federal Street) in Wiscasset. Advance reg- Fireside cooking in John Perkins House at istration is recommended but not required. “Herbs in Sarah Orne Jewett’s Wilson Museum The Country of the Pointed Firs” FMI, call 207-882-7169 or visit www. Food, Glorious Food at the Lecture by Nancy Wetzel HistoricNewEngland.org. Wilson Museum Sarah Orne Jewett House, South Berwick, Wilson Museum, Castine “Breach of Promise: The Saturday, July 23, 5:30 – 7:00 p.m. Summer season kicks off June 11 Pollard Breckinridge Affair” Sarah Orne Jewett House landscape gardener Food, glorious food, is this summer’s theme Lecture by Elizabeth DeWolfe Nancy Wetzel examines the historic impor- at the Wilson Museum in Castine. To whet Nickels-Sortwell House, Wiscasset, July 10 tance of herbs, community herbalists, and the appetite will be a Members’ Reception Maine historian and author Elizabeth DeWolfe herb gardens through the lens of Jewett’s 1896 with culinary historian, author, and nutrition- talks about her latest book, a work-in-progress book The Country of the Pointed Firs. After ist Joseph Carlin, who will speak on colonial about one of the biggest political and sex an entertaining lecture, Wetzel leads the group cocktails as well as preview an exhibit of choice scandals of the late nineteenth century, the into the gardens to see, touch, and smell some cookbooks from his personal collection. There Madeline Pollard vs. Congressman William of the herbs described by Jewett in her writ- will be a “Kitchen Traditions” series where C.P. Breckinridge breach of promise case. ing. Herbal refreshments will be served in the Director Patty Hutchins will explore such tra- The lecture will be held on Sunday, July 10 garden following the program. $8 for Historic ditional recipes as English plum pudding, tutti from 3:00 – 4:30 p.m. in the Nickels-Sortwell New England members, $15 nonmembers. frutti and hand-cranked ice cream. “Poems to House Barn, 121 Main Street (entrance on Intersection of Routes 4 and 236, S. Berwick. Tickle the Tummy” and a Strawberry “Jam” Federal Street), in Wiscasset. The 1894 trial Registration required. Please register online of acoustic music about food will add spice to and verdict involved the most controversial at www.historicnewengland.org or by calling the programming fare. Plus, kids can explore issues of the time: sexual mores, gender bias- 207-384-2454. es, women’s suffrage and the character of “Incredible Edible Minerals” with Education American politicians. A young Jennie Tucker Coordinator Darren French. Dates and times played a small and surprising role in this for these and other events, including a five- story, far from her home at Castle Tucker in part Beginning Genealogy Series are posted Wiscasset. This lecture series is sponsored by on the Wilson Museum’s website: www.wil- the Maine Humanities Council. Admission sonmuseum.org/calendar.html. is $5 for Historic New England members, Open House $10 for nonmembers. Advance registration is Windham Historical Society, June 4 recommended but not required. FMI, call 207- Open House at Windham Historical Society, 882-7169 or visit www.HistoricNewEngland. 243 Windham Center Road; 9 a.m. to 2 p.m. org. A.S. Rand with Katahdin and Granger, circa 1906. Plant and garden sale from 8 a.m. same loca- Twilight Tours tion. View new displays of old toys, Civil War Nickels-Sortwell House, Wiscasset, July 21 Stetson Historical Society memorabilia, letters and more. Sale on old Enjoy a special early evening tour of this beau- Spring and Summer exhibits garden tools, artifacts, seedlings. FMI: email tiful mansion on Thursday, July 21. Tours are Stetson Historical Society (ongoing) Kay Soldier at [email protected] or visit wind at 5:00 and 6:00 p.m. Built in 1807 for Captain The Stetson Historical Society is preparing for hamhistorical.org. William Nickels, the high Federal-style house active spring and summer seasons. Members Barn Tours of Windham is a testament to Wiscasset’s heyday as a will complete construction on a barn to house Windham Historical Society, June 11 seaport. Purchased by the Sortwell family in the Society’s collection of farm equipment Barn tour of area barns. “Barnologist” Don 1899, the house was lovingly restored and and tools used in 19th- and early 20th-century Perkins will provide history and information decorated in the Colonial Revival style. See homes and businesses. A collection of items about structures. $10 or $8 for members. Meet rooms not usually open to the public, offer- used by women in their day-to-day cleaning at 1 p.m. at Windham Historical Society, 243 ing a deeper picture of how the Sortwell and cooking chores will be organized into a Windham Center Road. Reservations required. family and their servants lived in the house Home Arts display. On continuous display FMI: call Linda at 650-7484 or visit windham in the summer. Nickels-Sortwell House is at is the story of Katahdin and Granger, “the historical.org. 121 Main Street, Wiscasset. Space is limited. world’s largest oxen,” raised in Stetson around Advance reservations are required. Admission 1900 by A. S. Rand and son. Monthly meet- Windham Summerfest is $10 for Historic New England members, ing are held at 6:30 p.m. on the first Thursday Town of Windham, June 18 $15 for nonmembers. Call 207-882-7169 or of the month, April through November, at Summerfest, town-wide annual celebration visit www.HistoricNewEngland.org to pur- the museum in Stetson. The museum is open in Windham. Opportunities for old-fashioned chase your ticket today. Saturdays from 10 a.m. to 2 p.m., Memorial photos at Windham Historical Society booth. Day weekend until Columbus Day weekend. Garb provided! All-day event on the high Open by appointment at other times. FMI: call school campus in Windham Center, Route 202 296-2601. in Windham. FMI: contact Linda at 650-7484 or visit windhamhistorical.org. •
10 Maine Archives & Museums Newsletter Vol. 14, No. 2 DISPATCHES Our member organizations report on news, awards, and achievements from throughout the state. cover a broad range of topics relating to Maine the summer season. The Curran Homestead, and are taking place as the Society celebrates located at 372 Fields Pond Road in Orrington, the 45th anniversary of its founding in 1966. is open year-round. FMI: http://ellsworthme. The Bethel Historical Society is grateful, once org/ringring/ www.curranhomestead.com. again, for the financial support of the Maine Humanities Council. DIXFIELD The Dixfield Historical Society has been invited to review a collection of more than 300 unidentified photographs of its early residents to aid in their identification. The collection BELFAST belongs to William W. Eustis of Rockland, In 1864 a group of Belfast ladies made a bed Maine, who had kept the photos intact since quilt and sent it to the Armory Square Hospital, acquiring them from his late father, William a Union Army hospital in Washington D.C.. Wallace Eustis, son of Elizabeth Stowell The purpose was to recognize and honor those Eustis, who assembled most of the collec- who had fought to preserve the Union during tion. Through William’s cousin, Dexter Eustis LIMERICK the Civil War. We know this from an account of Eustis, Florida, Dixfield historian Peter The Limerick Historical Society continues written by Augusta Quimby Frederick in 1917 Stowell was alerted to the existence of the to make progress toward opening the third who, as a much younger woman, had worked photos and made contact in August 2010. Limerick Academy to the public. The building on the quilt. The names of all the women who Since then, he has identified nearly 60 images, was built in 1881. It was the third Limerick participated are inscribed on the quilt, along including eight in three daguerreotypes pictur- Academy and the second to be built on the site with patriotic messages, poetry, the names ing John Mason Eustis, Esq., his wife Anna at the head of Main Street. In 2003, it was pur- of battles and more. On Friday March 11, Trask Eustis (pictured), and his six sons in two chased by the Limerick Historical Society for almost 150 years since it was stitched, the quilt separate photos.. “I hope to discover images one dollar from the Highland Lodge No, 48, returned to Belfast. In late February the Belfast of his four daughters as well,” Stowell said, IOOF. The society considered this acquisition Museum received a telephone call from Mary “but to have images of Dixfield notables born necessary, in spite of the poor condition of the Rickl of Lewistown, Montana. Ms. Rickl relat- in 1800 is such a treasure. Identification com- building. Since then, the foundation has been ed how her mother, more than 30 years ago, bines painstaking detective work, a detailed stabilized: replacing missing stones and rotten had saved the quilt from a burn barrel and kept knowledge of the town’s history and family sills, and providing proper drainage around the it safely stored. It is noted on the quilt that it relationships, and the availability of descen- building. Support for the lower floor has been was made in Belfast and Ms Rickl located the dents scattered all over the country.” reinforced. Portions of the roof have been re- Belfast Museum online. She offered to return shingled, while at the same time securing the the quilt to Belfast and the Museum gratefully bell tower. The bell was re-hung, allowing it accepted. The quilt is in fairly good condi- to be rung on occasion. On a recent class trip tion, considering its age, and the Museum is each child was given the chance to pull the Anna Trask taking steps to effect appropriate restoration. rope! The windows have been re-glazed using Of major interest, of course, is how the quilt Eustis the old glass and frames. Projects on the hori- found its way to Montana, and research is con- zon include exterior painting and upgrading tinuing. It is expected that the quilt will be the the electrical service. This is an exciting and centerpiece of the Belfast Museum’s Civil War very challenging project for a small society. Sesquicentennial Celebration exhibit. Please visit our web site to see the building and BETHEL to check on the progress. FMI: www.limerick A generous financial gift from Bethel Histori- historical.org. cal Society members Ned and Susan Robertson ONLINE of Solon, Ohio, has allowed the Bethel The Lost Trotting Parks Heritage Center is Historical Society to purchase more than $1,000 an online museum that celebrates the age of worth of computer software and hardware to “When the Horse was King.” Working with greatly enhance its ability to catalog collec- ELLSWORTH/ORRINGTON local historical societies, the Maine Historical tions and share them online. The Robertsons’ Society, agricultural museums, Maine horse- gift will enable the Society to expand its online Here’s a great example of two MAM member institutions working together. The Telephone men, agricultural fair organizers, the national exhibits and post individual collection records Harness Racing Museum, private collectors, on the Internet. Since the Bethel Historical Museum in Ellsworth will this year install an old wall telephone at the Curran Homestead and community groups, the Center has col- Society’s collections are broadly focused on lected images and stories from across the State western Maine and the White Mountain region Living History Farm and Museum in Orrington. The farm house at the Curran of Maine that have been posted to http://lost- of Maine and New Hampshire, the possibili- trottingparks.blogspot.com. Posts to the Center ties for research and study made possible by Homestead will display a telephone approxi- this upgrade will be wide-ranging. The Society mately the age of one that was there many has also received a $500 grant from the Maine years ago, and the joint effort will help to raise Humanities Council to offset project expens- awareness about the Telephone Museum’s col- es associated with the 2011 Lecture Series, lection of working telecommunications equip- “Maine Explorations: Encountering the Past ment. The Ellsworth museum, located at 166 in the Pine Tree State.” This year’s lectures Winkumpaugh Road, will open July 1 for —continued on page 12
Vol. 14, No. 2 Maine Archives & Museums Newsletter 11 Maine Drawing Project DISPATCHES continued from page 1 back in time, an eye walk.” Drawing from the —continued from page 11 of March. It is based upon extensive archival Collections will be on view May 15 through research done at the library and includes inter- October 15 of 2011. are organized by categories including the views with and commentary from Senators sixteen Maine counties and Nelson, Maine’s Olympia Snowe and Susan Collins, Secretary L.C. Bates Museum encouraged the artists to Champion Trotting Stallion. of Defense William Cohen, and Governor choose a subject from the many birds, wild Angus King. The documentary is now avail- beasts, fish and reptiles collections in the PORTLAND museum. Many artists represented in the show On March 24, the Maine Historical Society able to the public in DVD format. FMI: (207) 474-7133 / [email protected]. were drawn to the smaller objects, including invited over thirty museum directors and cura- bones, butterflies and bats. Other popular tors to help think through the possibility of cre- WISCASSET items were those specimens that were native ating a new museum in Portland—the second Historic New England has been awarded a to Maine, such as moose, birds and insects. phase of its 10-year master plan. How would $1,000 Maine Humanities Council Community Another participating artist, Jane Bianco, such a museum serve the state? Who would its Outreach Grant for our 2011 Wiscasset Summer spoke about the awe of a “cabinet of wonders,” audience be? What stories should it tell? What Lecture Series. This year’s series looks at what and the beauty of the arrangement of form in role would technology play? How might it we know (or think we know) of the past and the museum. Jen Casad, a local Maine artist, distinguish itself from, or complement existing how we know it, whether it be from objects, also spoke in her statement about her subjects institutions? A lively and informal discussion authors, style setters or other cultural influenc- being “usually concentrated around the coast touched on these and many other issues of ers. The lecture schedule is as follows. June and historic fishing scenes.” Her work is true wider relevance to the museum community: 26, Nancy Carlisle, Senior Curator at Historic to her statement, as our show features a clas- collaboration, advocacy, digital futures, the New England presents Early New England sically Casad piece, entitled Hinckley’s Birds, lasting relevance of objects, and the changing Furniture. On July 10, historian, author and depicting such aquatic scenes. nature of collecting institutions. It proved to educator Dr. Elizabeth DeWolfe talks about be a great gathering, and there are hopes for her research for a new book on a 19th century The museum allowed the artists to use any more. political sex scandal in Breach of Promise. drawing medium and size they wanted, and these artists were able to interpret the collec- ROCKLAND August 7th, Portland Museum of Art Chief Curator Thomas Denenberg talks about his tion any way they pleased. This open and inter- The Farnsworth Homestead at the Farnsworth pretive format shows itself through the assort- Art Museum will be closed to the public book Wallace Nutting and the Invention of Old America. On August 28, Historic New England’s ment of birds, skulls, foxes, moose, caribous, in 2011 to undertake the initial stages of a bats and butterflies by which the artists are fas- preservation program addressing a range of new Associate Curator Laura Johnson pres- ents Everything Old Is New Again: Revivals cinated. Along with the actual artifacts, many exterior and interior needs. Throughout the artists chose to depict an additional ‘scene,’ year-long closure, updates of progress made on and Reproductions of Historic Furnishing Textiles. On September 18, Matthew Thurlow, and added a background in order to enrich conservation projects will be posted, and the the scene and give context to the taxidermy Library Gallery in the main museum will dis- formerly with the Metropolitan Museum in NYC and now at Winterthur, presents From rendered. Veronica Cross captured this senti- play various furnishings from the home. FMI: ment best when she said that her work “has 207.596.6457 / www.farnsworthmueum.org. Artisan to Mechanic: Duncan Phyfe and the Early 19th-Century Furniture Trade. FMI: call been influenced by the physical landscape of SACO Peggy Konitzky at 882-7169 or visit www. Maine.” This allows each of our artist’s entries Funding from individuals and state agen- HistoricNewEngland.org. to stand out when they are displayed, as well as cies have enabled significant improvements echo and parallel the context and background at the Saco Museum. The museum recently 2011 is the final year of Historic New that L.C. Bates gives to its treasures. England’s three year $3 million Preservation became one of only a few museums in Maine The unique format of the exhibit also allows to switch to LED lighting for its galleries. The Maintenance Fund Grant, awarded the orga- nization by an anonymous funder. This year, each artist a wide range of freedom and a sense change was brought about by a gift from an of openness, which allows their individual- anonymous donor to support environmental- the organization must raise $1.2 million to match a $1.2 million gift. Maine grant projects ity and imagination to flow through into their ly-conscious improvements to the museum’s work. The artists seemed very responsive to facility, and the project was also supported by thus far have included repairs at the Nickels- Sortwell House in Wiscasset, roof work at the this format: they were able to experience the Efficiency Maine’s rebate program for energy- museum in a different way; to connect with efficient lighting improvements. Peter Morelli, Sarah Orne Jewett House in South Berwick, window work at Sayward-Wheeler House in the museum and its collection on a deeper a trustee of the Dyer Library/Saco Museum, level. Allowing the artists freedom of drawing engineered and oversaw the lighting replace- York, barn work and drainage system devel- opment at Marrett House in Standish and medium permitted them to explore with differ- ment project in the early months of 2011. ent combinations and ideas. Could one capture Additionally, the Saco Museum also recently architectural and engineering surveys for a Barn and Studio Stabilization project at Castle the sinister nature of a bat with a dark pencil, or received a Cultural Facilities grant award of would it look better represented by charcoal? $1,150 from the Maine Arts Commission, Tucker in Wiscasset. To meet grant require- supporting the installation of insulation in the ments for developing state-of-the-art, envi- The results submitted looked like a perfect museum’s 1969 addition, and a $495 grant ronmentally friendly preservation and main- color wheel, with (colored) pencil, India ink, from Maine Archives for the upgrade of its tenance solutions, Historic New England’s pastel, crayon, graphite and charcoal render- collections management software. Property Care team now offers whitepapers on ings of Maine’s natural habitats. Mainer Janice specific preservation issues available at www. Kasper perfectly echoed the direction of the SKOWHEGAN HistoricNewEngland\Preservation.org to assist museum when she said: “L. C. Bates Museum The Margaret Chase Smith Library is other historic preservation organizations and is a real treasure for not only artists but for all pleased to announce a new documentary about individuals. This year’s challenge is the most who love nature. One’s first reaction might be the Senator. Produced by Bar Harbor filmmak- difficult, especially in the current economy but one of revulsion, thinking that these wonderful er Jeff Dobbs (see photo on p. 13), “The Life we are all working hard to meet the goal. FMI: creatures had their lives ended so abruptly. But of Senator Margaret Chase Smith” debuted call Peggy Konitzky at 882-7169 or visit www. we can honor their life by looking closely and on Maine public television at the beginning HistoricNewEngland.org. • —continued on page 13
12 Maine Archives & Museums Newsletter Vol. 14, No. 2 Maine Curators’ Forum Responds to Governor Paul LePage’s Removal of the Mural at the Maine Department of Labor The Maine Curators’ Forum is a consortium our values as arts professionals, as business Michael K. Komanecky, Chief Curator, Farnsworth Art of curators and directors from museums, col- leaders, and as workers. We urge the State to Museum leges and universities, art centers, and galler- reverse these unilateral actions and to return Lauren Lessing, Mirken Curator of Education, Colby ies throughout the State of Maine. The Forum the mural to its designated location in the College Museum of Art opposes the recent actions of Governor Paul lobby of the Department of Labor. Sage Lewis, Assistant Curator, Portland Museum of Art LePage to remove the mural depicting Maine’s Signed: William Low, Curator, Bates College Museum of Art labor history from the offices of the Maine Sarah Maline, Chair, Department of Sound, Department of Labor. The mural by Maine Mark H. C. Bessire, Director, Portland Museum of Art Performance, and Visual Inquiry, University of Maine artist Judy Taylor was funded through the U.S. Sharon Corwin, Carolyn Muzzy, Director and Chief Farmington Department of Labor with the assistance of the Curator, Colby College Museum of Art Nat May, Executive Director, SPACE Gallery Maine Arts Commission in 2008. It is therefore Alan Crichton, Co-Founder, Waterfall Arts, Suzette McAvoy, Director, Center for Maine public art in every sense of the phrase, and it Belfast & Montville Centers for Art & Design Contemporary Art belongs to the people of the State of Maine. It Ron Crusan, Director, Ogunquit Museum of American Art is unacceptable that the actions and motiva- Dan Mills, Director, Bates College Museum of Art Susan Danly, Curator of Graphics, Photography, and Ben Potter, Associate Professor of Art, Unity College tions of a single elected official can undo the Contemporary Art, Portland Museum of Art efforts by so many to bring this work of art Jessica Skwire Routhier, Museum Director, Dyer Library Nancy R. Davison, President, Ogunquit Arts and Saco Museum into being and to present it to the people of Collaborative, Barn Gallery this state. We also oppose Governor LePage’s Kevin Salatino, Director, Bowdoin College Museum of John M. Day, Director of the Palmina F. and Stephen S. Art decision to remove labor leaders’ names—and Pace Galleries of Art at Fryeburg Academy especially that of Maine’s esteemed Frances Anne B. Zill, Director, University of New England Art Thomas Andrew Denenberg, Deputy Director and Chief Perkins—from their honorary assignment to Gallery • Curator, Portland Museum of Art rooms within the Department of Labor. Carolyn Eyler, University of Southern Maine Director of Maine’s arts professionals power the engine of Exhibitions and Programs the state’s museum industry, which employs Elizabeth Finch, Lunder Curator of American Art, Colby SEEN & HEARD hundreds of workers, drives tourism, and gen- College Museum of Art LEFT: Bar erates tens of millions in tax dollars every year. Daniel Fuller, Director, The Institute of Contemporary Indeed, according to Maine Arts Commission Harbor film- Art at Maine College of Art maker Jeff statistics from 2009, our institutions generated Laurie E. Hicks, Professor of Art and Curator, Lord Hall $7.5 million in new tax revenue and $71 mil- Dobbs and his Galleries, Department of Art, University of Maine assistant, Bing lion in direct spending by our visitors. We are Robyn Holman, Curator, Atrium Art Gallery, University not anti-business, we are business. Miller, conduct of Southern Maine, Lewiston-Auburn research in Governor LePage’s removal of the mural Sandra Huck, Reed Fine Art Gallery Director, University the Margaret and censoring of names is a direct affront to of Maine at Presque Isle Chase Smith Library archives. Their documentary about Smith recently debuted on Maine Public Maine Drawing Project, continued from page 12 Television. studying these mounts and conjuring the spirit that one time lived within.” The museum’s hope RIGHT: is that upon seeing these great works, visitors too will be as inspired as the artists. University In addition to the exhibit, the museum will also be hosting and sponsoring children’s programs of New spanning the summer months of the show’s life. Led by some of the participating artists and England museum staff, the children’s programming will focus on both education and interactive compo- History nents. Entitled “Capturing Wild Animals on Paper,” the workshops will begin on Wednesday, students July 6, and run every successive Wednesday through August 17. Through these educational Marissa and fun classes, participating students and children will grow and hone their drawing skills and Simoneau, learn directly from professionals the finer aspects of rendering nature and animals on paper. Bill Cromwell, Brittany Mayou, and Kate Additionally, each workshop will present, highlight, and feature a different medium, all of which Banks examine artifacts at the Saco Museum are being represented in the exhibit. Some of the mediums utilized will be chalk, ink, graphite, in preparation for the exhibition Voyages and and pencil. Additionally, there will be an open Artists’ Reception at L.C. Bates on Sunday, June the Age of Sail (opening May 7). 26th from 2-4pm. This will provide a great opportunity not only to see the artists’ work, but also to get to interact with the exhibition’s artists. Visitors may talk with the artists about their work LEFT: Addams and inspiration and learn more about the other amazing resources and work at L.C. Bates. Samuel, an intern Two students from Colby College, Brady Hesslein and Monique Goodin, curated this exhibition from College of and organized the educational programming for Drawing from the Collections. the Atlantic, works on cataloging and Please contact the L.C.Bates Museum at Good Will-Hinckley 207-238-4250, on Facebook, or exhibiting the L.C. [email protected] if you have any questions or would like more information about the exhibition, Bates Museum Drawing from the Collections, and the children’s drawing workshops. The L.C.Bates Museum sponge collections. is located on Rt 201 in Hinckley, Maine on the campus of Good Will-Hinckley. The Museum is open Wednesday, Thursday, Friday and Saturday from 10AM to 4:30 PM and Sunday from 1 to 4:30 PM. And other times by appointment. The admission is $3.00 for adults and $1.00 for children. •
Vol. 14, No. 2 Maine Archives & Museums Newsletter 13 OPPORTUNITIES NEH Preservation Grants Wednesday, May 11, 2011 1. There will be two grant cycles per year over the for LOVE: How to Build Your Resume through next three years. The program is designed to help Internships, Articles, Conferences, and Presentations local organizations—historical societies, libraries, and Smaller Institutions 6:00 pm - 8:00 pm schools in particular—use participation in the Maine The National Endowment for the Humanities’ Division Otis House, Historic New England, Boston, MA Memory Network to develop skills, build capacity, and of Preservation and Access has offered Preservation Co-sponsored by Historic New England expand collaboration with local partners. For details, Assistance Grants for Smaller Institutions for more Young and Emerging Museum Professionals PAG including grant program guidelines and applications, than a decade. These grants help small and mid- please visit www.mainememory.net/grants. For more sized cultural heritage institutions such as libraries, Tuesday, May 17, 2011 information, please contact Larissa Vigue Picard, MHS museums, historical societies, archival repositories, From Paintings to Pitchers: A Material Approach to Community Partnership Coordinator, at 774-1822 or town and county records offices, and colleges and Understanding and Preserving Historic Collections by email at [email protected]. universities improve their ability to preserve and care Moffatt-Ladd House, Portsmouth, NH for their humanities collections. Awards of up to $6,000 Registration deadline: May 10, 2011 Museums and Attractions of support preservation related collection assessments, consultations, training and workshops, and institutional Wednesday, May 18, 2011 New England and collaborative disaster and emergency planning. 20 Direct Response Strategies to Win Back Your Statistics Report Preservation Assistance Grants also support education Lapsed Donors and Members The Museums and Attractions of New England and training in best practices for sustaining digital 1:00 pm - 1:40 pm (MANE) report is compiled by statisticians at Boston’s collections, standards for digital preservation, and the Webinar Museum of Science to analyze attendance, revenue, care and handling of collections during digitization. Thursday, June 9, 2011 and other statistics at museums and tourist attractions See the application guidelines for details: http://www. Conservators PAG throughout New England. Subscribers benefit both neh.gov/grants/guidelines/pag.html. The deadline for Old Sturbridge Village, Sturbridge, MA from an enhanced ability to benchmark their own applications is May 3, 2011. Small and mid-sized progress and from the opportunity to identify and institutions that have never received a NEH grant and Tuesday, June 14, 2011 analyze trends throughout the region. Currently about those considering projects in digital preservation are Independent Museum Professional PAG 80 museums participate for a low annual fee. For more especially encouraged to apply. For more information, McAuliffe-Shepard Discovery Center, Concord, NH information and to register, contact Phil DeStefano, contact the staff of NEH’s Division of Preservation and Statistical Analyst at the Boston Museum of Science Thursday, June 16, 2011 [email protected] 617-589-0112 Access at 202-606-8570 and [email protected]. Registrars PAG Workshop NEDCC 2011 Peabody Essex Museum, Salem, MA Participate in Spring Preservation Tuesday, June 21, 2011 National Museum Day: Workshops Education PAG Workshop September 24, 2011 It’s time for the spring series of full-day workshops at the Museum of Fine Arts, Boston, MA Join over 1,300 museums and cultural institutions Northeast Document Conservation Center in Andover, across the country in a national celebration of culture Massachusetts. For complete details and to register, Saco Museum seeks and learning. Museum Day, sponsored by Smithsonian visit http://www.nedcc.org/eblasts/2011WkshpRem. Maine schoolgirl samplers Magazine, is a nationwide event where participating html or contact Donia Conn, [email protected], (978) for exhibition museums and cultural institutions across the country 470-1010 ext. 220 The Saco Museum is planning an exhibition of sam- offer free admission on September 24, 2011 to anyone plers made by Maine schoolgirls for the winter of presenting a Museum Day Ticket. Participation in the May 3 2013. Very few exhibits anywhere have concentrated event is FREE and will provide your museum with a Preparing and Mounting Materials for Exhibition on this topic, and this is our opportunity to show the tremendous amount of exposure through advertising May 4 remarkable work that was done by local girls about in and publicity. For details and registration, visit www. Intermediate Book Repair the late 18th and early 19th centuries. Since the largest smithsonian.com/museumday/register/2011. portion of samplers were made in schools, it is pos- May 5 sible to link related works and then find connections to National Museum Identification and Care of Prints school mistresses of the time. Currently, there seems Census May 11 to be just one primary style of sampler that is strongly The Institute of Museum and Library Services has con- Metadata Basics connected to Maine, but it seems very likely that there tracted with the White Oak Institute and the American are others that just have not yet been researched and Association of Museums to develop standard data May 12 documented. If you have a sampler in your family or definitions in collaboration with the museum field. Arrangement, Description, and Holdings your institution that you believe was made in Maine, This work is part of the agency’s museum data col- Maintenance for Archives and that you might be willing to share, please contact lection project, Museums Count: through 2011, IMLS Leslie Rounds, Executive Director, Dyer Library and will work extensively with the museum sector to create NEMA Spring Workshops Saco Museum, 371 Main Street, Saco, ME 04072 / comprehensive database of every museum in the nation Series (207) 283-3861, ext. 101 / [email protected]. before launching an online, searchable database, which Each year the New England Museum Association will be updated on an annual basis. “A definitive index offers a Spring Workshop Series. Workshops spon- Grants Available to Support of all museums will set the stage for clear evidence sored by a Professional Affinity Group (PAG) are open Digitization and Sharing of about museums’ role and contribution to public value,” to all NEMA members; there is no separate member- Maine History said John W. Jacobsen, Co-Principal Investigator of ship for these groups. Non-members are also welcome Maine Historical Society, in partnership with the Maine the White Oak Institute. “Standardizing definitions to attend. Workshops start at just $40 for members. State Library, is pleased to offer a new grant program for basic museum information is critical for museum Visit www.nemanet.org/workshops for details about to support participation in Maine Memory Network innovation and advancement, and must be done by and these upcoming workshops. (www.mainememory.net). Grants are now available to with the field.” Added AAM President Ford W. Bell, support digitization projects (up to $750), the creation “A museum census will help every museum make a Monday, May 9, 2011 better case for all museums.” To learn more about Archives 101 of online exhibits (up to $1,250), and for teams to create websites dedicated to the history of their communities Museums Count, please contact Carlos Manjarrez at USS Constitution Museum, Boston, MA [email protected]. • Registration Deadline: March 9, 2011 (up to $3,000). The next grant deadline is September
14 Maine Archives & Museums Newsletter Vol. 14, No. 2 MAINE ARCHIVES & MUSEUMS
PURPOSE Discounts on Museum and Archival Supplies Maine Archives and Museums is a membership organization whose purpose Offered to all MAM members by Brodart, Gaylord, and University Products. is to develop and foster a network of citizens and institutions in Maine who identify, collect, interpret and/or provide access to materials relating to his- JOIN/RENEW TODAY! tory and culture. Your support and participation enable MAM to provide ever-improved MEMBERSHIP services to Maine’s cultural community of historical societies, archives, museums and galleries. We have very important work to do. By working Students, trustees, volunteers, entry-level or experienced paid and unpaid together, we can realize our vital dreams and visions. professionals, museum and historical society members, the interested public and service providers — all are welcome as members of MAM. ★ JOIN MAINE’S CULTURAL ORGANIZATIONS E-MAIL LIST! BENEFITS This is a great opportunity to share with others what we are all doing and to Quarterly Newsletter get information about problems, resources, grant opportunities, and more. Provides information on funding opportunities; books and publications; Maine’s cultural community has an e-mail based discussion forum avail- statewide museum, historical society, archives news and activities; shared able through the Internet. Intended for archives, museum, historical society, resources; all-volunteer organizations; ideas that work in Maine; computers; preservation, arts, library, etc., organizations, their professional staff and conservation; technical questions; ethical matters. active volunteers, the Maine Cultural Organization List Serve is a way of Listings keeping in touch. If you’re not familiar with this type of thing, it’s a way of On the Department of Tourism’s Internet/World Wide Web sending an e-mail message to everyone who has joined “the list.” When you Home Page (free!). join, you also receive any message posted to the list by others. You can read, ignore, or respond as you please. You need to subscribe before you can send Annual Conference and receive list messages. Opportunities to gather with fellow professionals, volunteers and other col- leagues in the state to share ideas, network and review and acquire the skills To subscribe, point your web browser to http://lists.maine.edu/archives/ to manage our state’s cultural resources. mcultr-l.html. Click on “Join or leave the list,” and follow the directions. Then, whenever you send mail to the list at [email protected], Regional Workshops all subscribers will see your message and will be able to respond to the list Conference topics listed above are also available as local and regional in general or to your own address. If you have problems subscribing, e-mail workshops to make attendance easier and to tailor needs to local issues and [email protected]. groups of societies, museums and archives.
Vol. 14, No. 2 Maine Archives & Museums Newsletter 15 Get your sea shanties ready for Voyages and the Great Age of Sail at the Saco Museum this summer! by Camille Smalley MAM members the Saco Museum and the University of New England’s History Department have teamed up to create an exhibition on the great age of sail in Maine. Dr. Elizabeth A. De Wolfe, Professor of History at the University of New England, and Camille Smalley, Program and Education Manager for the Saco Museum, are team-teach- ing an exhibition class titled Voyages and the Great Age of Sail. The resulting exhibition of the same name, curated by 18 students in the class, will feature a treasure trove of artifacts related to the Saco sea Students from UNE’s History Department work on their artifact lists. captain Tristram Jordan —paintings, decorative arts, navigational tools, and more—in order to explore 19th-century maritime history. Biddeford history, United States history, and global trends in the 19th Voyages Students utilized the 1977 book by Alfred T. Hill, studying the century. letters written between Saco sea captain Tristram Jordan and his wife, Catherine. These letters offer students a window to examine the past: The culminating project of this course is a student-designed museum the life of Tristram Jordan with exhibit that shares the Jordans’ story with the public. As part of this one foot on the quarterdeck and hands-on history course, students made decisions about each facet one foot in a haystack as well of the exhibition, including which elements of the story to tell, what as Catherine’s struggle managing background historical information to provide, and which artifacts to a farm, five children, and deal- display. After tours of the Saco Museum collections and the Dyer ing with an absent husband. The Library archives, students drafted artifact lists and curated each section Jordans’ story is filled with the of Voyages and the Great Age of Sail. Students used information from excitement and the dangers of Portland exhibition designer Brewster Buttfield of Prospect Design to life at sea and the challenges for tackle design issues such as the layout of the exhibit, the wall colors and the family left behind at home. look of the exhibit, and accessibility to diverse audiences. Students in Captain Jordan’s life, and that this class have learned about an important period in American history as of his son Frederic, both come well as how historians make important choices in the stories they tell, to tragic ends at sea. Through both in writing and visually. Voyages, students have learned The exhibition will be on view at the Saco Museum May 7 through simultaneously about local Saco/ September 4, 2011. A free public opening reception will take place on Friday, May 6, at 5:30 p.m. Voyages and the Great Age of Sail is made LEFT: Students Dean Smalley possible, in part, by a major grant from the Maine Humanities Council and Bill Cromwell look over art- to the University of New England. The Saco Museum is located at 371 fact lists with the portrait of Tris- Main Street, Saco, Maine. FMI: (207) 283-3861 / www.sacomuseum. tram Jordan in the background. org.
Send news directly to MAM Newsletter Editor, PO Box 5024, Augusta, ME 04332-024 • [email protected] • 207-441-1410