DOCSLIB.ORG

FLORIDA STATE UNIVERSITY College of Music CALENDAR of EVENTS Updated 9/28/10 S E P T E M B E R 2 0 1 0 Thurs. 9 Doctoral Lectu

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
FLORIDA STATE UNIVERSITY College of Music CALENDAR of EVENTS Updated 9/28/10 S E P T E M B E R 2 0 1 0 Thurs. 9 Doctoral Lectu FLORIDA STATE UNIVERSITY College of Music CALENDAR OF EVENTS updated 9/28/10 S E P T E M B E R 2 0 1 0 Thurs. 9 Doctoral Lecture Recital – William Haugeberg, trombone 4:00 LON 9 Guest Artist Recital – Alexei Romanenko, cello, and Christine Yoshikawa, piano 8:00 DRH 9 Doctoral Solo Recital – Ludwig Treviranus, piano 8:00 LON Fri. 10 Guest Artist Masterclass – Carol Wincenc, flute 2:00 DRH 10 Doctoral Solo Recital – Michelle Huang, piano 8:00 LON Sat. 11 Guest Artist Recital – Carol Wincenc, flute 5:00 DRH Sun. 12 Guest Artist/Faculty Recital – Traverso Colore Concert 11:00 DRH Mon. 13 Guest Artist Concert – Jose Leon, Afro-Venezuelan Music 7:00 LON Tues. 14 Guest Artist Masterclass – Stentorian Consort Trombone Quartet 4:00 LON 14 Guest Artist Recital – Stentorian Consort Trombone Quartet 8:00 LON 14 Guest Artist Recital – Nathaniel Bartlett, marimba 8:00 OMH Thur. 16 World Music Guest Artist Concert – Jose Leon, Afro-Venezuelan Music 5:30 SJE Fri. 17 World Music Guest Artist Presentation – Jose Leon, percussion 1:30 LRH 17 Doctoral Solo Recital – Adam Foster, guitar 8:00 LON 17 University Symphony Orchestra 8:00 OMH 17 World Music Venezuelan Music & Dance Party – Jose Leon, percussion 9:00 BSJ Sun. 19 Faculty Recital – Gregory Sauer, cello 4:00 OMH Tues. 21 Doctoral Lecture Recital – Bethany Kiral, voice 4:00 LRH Fri. 24 Faculty Chamber Recital Series (feat. music of Dohnányi) Φ 8:00 OMH Sat. 25 Special Recital – Lauren Cox, clarinet 2:00 LRH 25 Special Recital – Terpsichore Winds 8:00 DRH Sun. 26 Doctoral Solo Recital – Nan-Yen Lin, clarinet 2:00 DRH 26 Chamber Winds Concert 8:00 OMH Mon. 27 Faculty Jazz Sextet Concert 8:00 OMH Wed. 29 Housewright Scholar – Todd Brabec, Executive Vice President of ASCAP 7:00 DRH Thurs. 30 Jazz Combo Concert 8:00 DRH 30 Housewright Scholar – Todd Brabec, Executive Vice President of ASCAP 7:00 LRH O C T O B E R 2 0 1 0 Fri. 1 Guest Artist Masterclass – Colin St. Martin, flute 2:00 DRH 1 Guest Artist Recital – Colin St. Marin, flute 8:00 DRH 1 Philharmonia Concert 8:00 OMH Sat. 2 Faculty Recital – Karey Fowler, piano 3:00 SPC 2 Senior Project Recital – Eric Hopkins, percussion 8:00 DRH 2 Seven Days of Opening Nights presents Ruby Diamond Gala feat. BB King * 8:00 RDA Sun. 3 Junior Recital – Andrew G. Focks, piano 4:00 LON Mon. 4 Concert Band Concert 8:00 OMH Tues. 5 Tallahassee Winds Concert ‡ 7:30 OMH Thurs. 7 Jazz Combo Concert 8:00 DRH Fri. 8 Ruby Diamond Re-opening Celebration Concert Φ 8:00 RDA Sat. 9 Doctoral Solo Recital – Doori Yoo, piano 4:00 LON Sun. 10 Doctoral Solo Recital – Youngjin Yun, cello 4:00 DRH 10 Percussion Ensemble Concert 8:00 OMH Mon. 11 New Music Ensemble Concert 8:00 DRH 11 Doctoral Solo Recital – Amanda Morrison, clarinet 8:00 LON Tues. 12 Jazz Combo Concert 8:00 DRH 12 Special Recital – Jiyeon Ryu, violin 8:00 LON 12 Symphonic Band Concert 8:00 RDA Fri. 15 Gospel Choir Concert 8:00 OMH 15 University Symphony Orchestra Φ 8:00 RDA Sat. 16 Doctoral Solo Recital – Chia-Ching Shen, piano 4:00 OMH 16 Senior Recital – Patrick Jankowski, horn 8:00 LON Sun. 17 Chamber Music Class Recital 2:00 DRH 17 The Artist Series presents – The Vienna Piano Trio* 4:00 OMH 17 Doctoral Chamber Recital – Melissa Loehnig, piano 8:00 DRH Tues. 19 Wind Orchestra Concert Φ 8:00 RDA Sat. 23 Master’s Solo Recital – Katherine Thomas, piano accompanying 4:00 DRH 23 Senior Project – Alex Pollard, baritone 4:00 LON 23 Tallahassee Symphony Orchestra Concert * 8:00 RDA 23 Senior Recital – Dylan Jones, tuba and Robin Kane, bass clarinet 8:00 DRH Sun. 24 Master’s Solo Recital – Dawn Hardy, oboe 2:00 DRH 24 Eine Kleine Saxmusik 2:00 OMH Mon. 25 Special Recital – Danny Keasler, viola 8:00 DRH 25 Jazz Ensemble I Concert Φ 8:00 OMH Tues. 26 Jazz Ensemble I Concert Φ 8:00 OMH Thurs. 28 Doctoral Solo Recital – Daniel Hasznos, clarinet 8:00 LRH 28 Faculty Chamber Recital 8:00 OMH Fri. 29 Faculty Chamber Recital Series (feat. music of Schumann) Φ 8:00 OMH Sat. 30 Senior Recital – George Shannon, euphonium and Lederian Townsend, tuba 2:00 LON 30 Senior Project – Daniel Evans, clarinet 4:00 LON 30 Special Recital – Mark Deramo, violin 8:00 LON 30 Faculty Chamber Recital 8:00 OMH Sun. 31 Tallahassee Youth Orchestra Fall Concert 3:00 OMH 31 Flute Choir Concert 4:00 DRH 31 Vocal Jazz Concert 8:00 OMH 31 Vocal Jazz Concert 8:00 OMH N O V E M B E R 2 0 1 0 Tues. 2 World Music Concert – Balinese Gamelan and African Music Ensemble 8:00 OMH Wed. 3 Jazz Combo Concert 8:00 DRH Thurs. 4 Doctoral Lecture Recital – Sarah Schouten, horn 4:00 LON 4 FSU Opera presents: Donizetti's L'elisir d'amore Φ (Pre-Opera lecture at 6:30 in LRH) 7:30 RDA 4 Master’s Jazz Recital – Matt Weihmuller, saxophone 8:00 DRH Fri. 5 Homecoming Band Concert 7:30 OMH 5 FSU Opera presents: Donizetti's L'elisir d'amore Φ (Pre-Opera lecture at 6:30 in LRH) 7:30 RDA 5 Guest Artist Recital – Kristin Stoner, flute 8:00 DRH Sat. 6 Guest Artist Masterclass – Kristin Stoner, flute 10:00 DRH 6 Masters Solo Recital – Jessica Sommer, oboe 4:00 DRH 6 FSU Opera presents: Donizetti's L'elisir d'amore Φ (Pre-Opera lecture at 6:30 in LRH) 7:30 RDA 6 Doctoral Solo Recital – Luis Rivera, percussion 8:00 DRH Sun. 7 Doctoral Solo Recital – Aaron Witek, trumpet 2:00 DRH 7 FSU Opera presents: Donizetti's L'elisir d'amore Φ (Pre-Opera lecture at 1:00 in LRH) 2:00 RDA 7 Senior Recital – Brittni Bailey, flute 2:00 LON 7 Doctoral Chamber Recital – Justin Alexander, percussion 8:00 OMH Mon. 8 Doctoral Solo Recital – Amanda Boyd, soprano 8:00 DRH Tues. 9 Baroque Ensemble Concert 8:00 DRH 9 Masters Solo Recital – Ann Dalton, voice 8:00 LRH 9 Jazz Ensemble II Concert 8:00 OMH 9 University Singers Concert 8:00 RDA Wed. 10 Guitar Ensemble Concert 8:00 LON 10 Campus Band Concert 8:00 OMH Thur. 11 Doctoral Lecture Recital – Lauren Cox, clarinet 4:00 LRH 11 Senior Project – William Nilson, baritone and Angela Saltsman, mezzo-soprano 8:00 LON 11 Seminole Swing Machine Concert 8:00 OMH Fri. 12 Doctoral Solo Recital – Leslie Heffner, mezzo-soprano 8:00 LON 12 Senior Project Recital – Claire Smith, flute and Steven Velez, saxophone 8:00 DRH 12 Senior Recital – Jacob Merrett, organ 8:00 OMH 12 Chamber Choir Concert Φ 8:00 RDA Sat. 13 Senior Project Recital – Suzette Keeman, soprano 4:00 DRH 13 Senior Project – James Rivera, horn 8:00 DRH 13 Doctoral Solo Recital – Matthew Gelband, saxophone 8:00 OMH Sun. 14 Senior Recital – Jason Lawrence, trombone 2:00 DRH 14 Senior Recital – Jenn Mammino, horn 4:00 DRH 14 Senior Recital – Mark Fugina, clarinet 4:00 LRH 14 Junior Recital – Peter Smith, trumpet 8:00 LRH 14 The Artist Series presents – Calmus Ensemble Leipzig* 4:00 OMH 14 Cantores Musicae Antiquae 8:00 SJE 14 Master’s Solo Recital – Morgan Stuart, guitar 8:00 LON Mon. 15 Visiting Faculty Recital – Joshua Pifer, piano 8:00 OMH 15 Wind Orchestra Concert 8:00 RDA 15 Jazz Combo Concert 8:00 LON Tues. 16 Early Music Ensembles Concert 8:00 DRH 16 Doctoral Solo Recital – Kenneth C. Trimmins, trumpet 8:00 LON 16 Senior Recital – Natalie Grata, clarinet 8:00 LRH 16 Men’s and Women’s Glee Concert 8:00 OMH Wed. 17 World Music – Irish Ensemble Concert 8:00 DRH 17 FSU Viols Concert 5:00 LRH 17 Doctoral Chamber Recital – Renate Falkner, viola 6:00 OMH 17 Symphonic Band Concert Φ 8:00 RDA 17 Doctoral Solo Recital – Erman Turkili, violin 8:00 LRH 17 Doctoral Chamber Recital – Heather Hyemin Kim, piano 8:00 LON Thurs. 18 Master’s Solo Recital – Amy Wei, violin 8:00 LON 18 Chamber Winds Concert 8:00 OMH Fri. 19 Guest Artist Recital – Jonathon Keeble, flute 8:00 DRH 19 Doctoral Solo Recital – Nicole Agostino, piano 8:00 LON 19 Doctoral Chamber Recital – Burcu Goker, violin 8:00 LRH 19 Jazz Ensemble III Concert 8:00 OMH Sat. 20 Guest Artist Masterclass – Jonathon Keeble, flute 10:00 DRH 20 Special Recital – Halie Goldman, horn and Janelle Sikora, clarinet 12:00 LRH 20 Doctoral Solo Recital – Rebecca Chambers, horn 2:00 DRH 20 Senior Project and Junior Recital – Allison Duncan and Stephanie Christiano, voice 2:00 LON 20 Senior Project – Katie Hileman, flute 2:00 LRH 20 Doctoral Solo Recital – Brian Baldauff, percussion 2:00 OMH 20 Doctoral Solo Recital – Galit Kaunitz, oboe 4:00 DRH 20 Masters Solo Recital – Nichole Nordschow, voice 4:00 LON 20 Senior Recital – Sean Landeta, tenor and Corey Sullivan, tenor 4:00 LRH 20 World Music Concert – Chinese Ensemble 8:00 DRH 20 Doctoral Chamber Recital – Jon Paul Yerby, guitar 8:00 LON 20 Senior Recital – Stephen Salts, voice 8:00 LRH 20 Philharmonia Concert 8:00 OMH Sun. 21 Chamber Music Class Recital 12:30 DRH 21 Doctoral Chamber Recital – Daniel Rowland, tuba 2:00 DRH 21 Chamber Music Class Recital 2:00 LRH 21 Chamber Music Class Recital 3:30 LRH 21 Doctoral Solo Recital – Katherine Geeseman, cello 4:00 DRH 21 Senior Recital – Amanda Talley, oboe 4:00 LON 21 Tallahassee Community Chorus * 4:00 RDA 21 FSU Horn Choir Concert 8:00 DRH 21 Senior Project – Steven Hooper, trombone and Alejandro Fuenmayor, tuba 8:00 LRH 21 World Music Concert – Aconcagua and Mas N’ Steel 8:00 OMH Mon.
Load more

Recommended publications
  • Rutgers University Mason Gross School of the Arts Department of Music Undergraduate Student Handbook 2019-2020
    Rutgers University Mason Gross School of the Arts Department of Music Undergraduate Student Handbook 2019-2020 2 Introduction The Mason Gross School of the Arts was established in 1976 as the arts conservatory of Rutgers, The State University of New Jersey, and in 1981, the Department of Music joined the school. The department offers a comprehensive music program within the context of a public research university, and serves a diverse student body of approximately 500 graduate and undergraduate students from a wide range of specializations and backgrounds. The Mason Gross School of the Arts varied music degree programs share a common aim: to develop well- educated music professionals who have a thorough historical and theoretical understanding of all aspects of music. The purpose of this handbook is to provide basic information about the undergraduate degree programs offered through the Department of Music at the Rutgers University Mason Gross School of the Arts. Information, policies, and procedures included in this handbook are subject to change. The handbook will be updated on a yearly basis. Important: The degree requirements for an individual student are those that are in effect when the student begins the Bachelor of Music program or the Bachelor of Arts Music Major. Questions about information in this handbook should be directed to the Department of Music Undergraduate Advisor. Students are responsible for: Knowing information, policies, and procedures included in this handbook; Providing the Department of Music with up-to-date contact information; Regularly checking his/her assigned mailbox in the Marryott Music Building; Regularly checking his/her Rutgers email; personal email accounts should be linked to the Rutgers email account, and Referring to the “music major information” Sakai site for current announcements, information, and resources.
    [Show full text]
  • Eastman Notes July 2006
    Attention has been paid! Playing inside Eastman Opera Theatre & outside takes aim at Assassins New books by two faculty members Eastman 90 Nine decades of Eastman milestones Winter 2012 FOr ALUMni, PArentS, AnD FrienDS OF tHe eAStMAn SCHOOL OF MUSiC FROM THE DEAN A splendid urgency Every now and then I have the good fortune of hearing a concert that is so riveting, I am reminded why I got into music in the first place. The Eastman Philharmonia’s recent performance of Stravinsky’s Rite of Spring, under the guest baton of Brad Lubman, was just such an occasion. Prepared and conducted su- perbly by Brad, and exuberantly performed by students clearly amped up by the music and the occasion, the raw beauty of one of Stravinsky’s greatest works came to stunning life. The power of this experience had nothing to do with outcomes, technologi- cal expertise, assessment, metrics of excellence, or gainful employment upon graduation. This was pure energy funneled into an art form. It was exotically NOTES irrational. It was about the rigorous pursuit of beauty, Volume 30, number 1 pure and simple. Winter 2012 As the national “music movement” grapples with the perception that it has lost precious ground in the fight Editor to keep music in our schools, I was reminded of our na- David raymond tional obsession with practical outcomes, and the chal- Contributing writers lenge of making a case for subjective artistic value in the John Beck Steven Daigle face of such an objectivity-based national agenda. Matthew evans Although we tend to focus on the virtues of music it- Douglas Lowry self, what we are really talking about is the act of learning robert Morris music.
    [Show full text]
  • Master's Recital: Isaac Schwartz
    University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 5-2020 Master's recital: Isaac Schwartz Isaac Schwartz University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2020 Isaac Schwartz Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Composition Commons, and the Music Performance Commons Recommended Citation Schwartz, Isaac, "Master's recital: Isaac Schwartz" (2020). Dissertations and Theses @ UNI. 1032. https://scholarworks.uni.edu/etd/1032 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by ISAAC SCHWARTZ 2020 All Rights Reserved MASTER’S RECITAL: ISAAC SCHWARTZ An Abstract Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Isaac Schwartz University of Northern Iowa May 2020 This Study by: Isaac Schwartz Entitled: Master’s Recital: Isaac Schwartz has been approved as meeting the thesis requirement for the Degree of Master of Music Date Chris Merz, Chair, Recital Committee Date Dr. Michael Conrad, Recital Committee Member Date Dr. Alexander Pershounin, Recital Committee Member Date Dr. Jennifer Waldron, Dean, Graduate College This Recital Performance by: Isaac Schwartz Entitled: Master’s Recital: Isaac Schwartz Date of Recital: April 8, 2020 has been approved as meeting the thesis requirement for the Degree of Master of Music Date Chris Merz, Chair, Recital Committee Date Dr. Michael Conrad, Recital Committee Member Date Dr.
    [Show full text]
  • Savoy and Regent Label Discography
    Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.
    [Show full text]
  • Annual Report of Research and Creative Productions by Faculty and Staff
    Annual Report Of Research and Creative Productions By Faculty and Staff January to December, 2015 Morehead State University Division of Academic Affairs Research and Creative Productions Committee Morehead, Kentucky PREFACE This Annual Report of Research and Creative Productions of Faculty and Staff represents a compilation of information electronically retrieved from individual Faculty 180 entries. The Research and Creative Productions (RCP) Committee does not attempt to assess the artistic or scholarly merit of the entries. The formatting of the entries follows discipline standards. Only publications, professional meeting presentations, published abstracts, art exhibits, performances, compositions, and research and creative production grants awarded between January 1, 2015, and December 31, 2015, were included in this Annual Report. References to entries forthcoming to be published, performed, or exhibited in 2016 were excluded. As a publication of the Research and Creative Productions Committee, this report highlights faculty/staff scholarship and recognizes individuals receiving RCP committee grants, summer fellowships, and Distinguished Awards. In addition to these internal awards, MSU faculty and staff received over $14.6 million in grants and contracts from Federal, State, and other agencies in the past year to help support instruction, research, and service missions of the University. These external grant awards are listed throughout this publication under individual entries. The Research and Creative Productions Committee is
    [Show full text]
  • 2016 Fall Concert Series Dr Lonnie Smith Dauphin County Jazz & Wine Fest Friends of Jazz Night September 9Th 6:30-10Pm Dr
    Connecting Jazz Lovers with Each Other & the Music! CPFJ Newsletter CENTRAL PA FRIENDS OF SEPT/OCT 2016 #42 2016 FALL CONCERT SERIES DR LONNIE SMITH DAUPHIN COUNTY JAZZ & WINE FEST FRIENDS OF JAZZ NIGHT SEPTEMBER 9TH 6:30-10PM DR. LONNIE SMITH TRIO & LEON FOSTER THOMAS LEON QUINTET FOSTER FT. HUNTER PARK THOMAS 5300 N FRONT STREET, HARRISBURG PA SUNDAY, OCTOBER 9TH 3-6PM HARRY ALLEN QUARTET featuring vocalist HILARY GARDNER JOIN US FOR A SWINGING AFTERNOON! HARRISBURG MIDTOWN ARTS CENTER 1110 NORTH 3RD STREET, HARRISBURG PA HILARY HARRY GARDNER ALLEN PAT MARTINO SUNDAY, NOVEMBER 27TH 3PM PAT MARTINO TRIO LEGENDARY GUITAR MASTER WYNDRIDGE FARM 885 SOUTH PLEASANT AVE., DALLASTOWN PA DISTILLERY, BREWERY, WINERY & RESTAUR ANT HILARY GARDNER PAT MARTINO . pg. 2 - Exec. Dir. Letter pg. 8 - CPFJ T-shirts pg. 3 - Grants & Donors pg. 9 - Youth Band - Scholarships - CPFJ Online Store pg. 4 & 5 2016 Fall Concert Series pg. 10 - Dauphin county Jazz & Wine Festival pg. 6 - Steady Gigs pg. 11 - Membership Application & Fall Series Ticket Order Form pg. 7 - One Time Only Events/Jam Sessions pg. 12 - mailing page The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania . Friends of Jazz We are currently hard at work in the CPFJ Office arranging all the details of production for the Fall . Concert Series that begins September 9th - please save the dates for this year’s Series and join us for 5721 Jonestown Road great programs of world class jazz! Harrisburg PA 17112 . CENTRAL PA JAZZ FESTIVAL REVIEW: TEL: 717-540-1010 .
    [Show full text]
  • Artie Shaw 1938-1939
    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
    [Show full text]
  • Derick Cordoba Dissertation
    © 2017 Derick Cordoba LITURGICAL JAZZ: THE LINEAGE OF THE SUBGENRE IN THE MUSIC OF EDGAR E. SUMMERLIN BY DERICK CORDOBA DISSERTATION Submitted in partial fuLfiLLment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate CoLLege of the University of IlLinois at Urbana-Champaign, 2017 Urbana, IlLinois Doctoral Committee: Associate Professor Lawrence Gray, Chair Professor GabrieL SoLis, Director of Research Associate Professor Tito CarriLLo Professor Erik Lund ABSTRACT This dissertation discusses the Lineage of Liturgical jazz with a particuLar focus on Edgar Eugene “Ed” SummerLin (1928-2006). This Lineage stretches back into the Late 1950s, but has LargeLy been unexplored beyond a seLect few high-profiLe artists. I trace the evoLution of Liturgical jazz from several composers’ earLiest attempts to the present day. ALthough the Liturgical jazz movement began in the Late 1950s, it was primariLy a product of the turbuLent 1960s in America. This was a period of great change and expLoration not onLy in jazz but in organized reLigion as weLL. A deep and frank discussion emerged as to what Liturgical music shouLd and wouLd be alLowed to sound Like. These decisions at the highest LeveLs of denominations had ramifications that are stiLL being feLt today in the churches of America; however, the primary focus of this dissertation is on the formative period of Liturgical jazz during the 1960s and earLy 1970s. These years give a basis for better understanding and appreciating the deveLopment and defining features of Liturgical jazz. SummerLin is a figure that is often cited as a pioneer in Liturgical jazz, but no one has offered a history of his Life, his music, or why his Liturgical music was so revoLutionary.
    [Show full text]
  • Senior Recital: Stacey Novik, Jazz Trumpet
    Kennesaw State University School of Music Senior Recital Stacey Novik, jazz trumpet Thursday, May 4, 2017 at 7 pm Music Building Recital Hall One-hundred Forty-fourth Concert of the 2016-17 Concert Season program Agador Spartacus: Latin Heat The Novik Octet Latin Jazz Recital IRVING BERLIN (1888-1989), arr. Stacey Novik Blue Skies Tango GEORGE GERSHWIN (1898-1937), arr. Stacey Novik The Man I Love Samba KSU Faculty Jazz Parliament Transcription JOE HENDERSON (1937-2001) Recorda Me Bossa RICHARD RODGERS (1902-1979), arr. Stacey Novik Oh What a Beautiful Mornin’ Afro-Cuban STACEY NOVIK (b. 1992) Cha Cha ao Luar Cha Cha STACEY NOVIK Fora do Mambo Mambo Stacey Novik, trumpet Sam Skelton, clarinet, tenor saxophone Michael Opitz, tenor saxophone, flute Patrick Arthur, electric guitar Brian Reid, piano Brandon Boone, bass Joe Donohue, auxiliary percussion Jonathan Pace, drums This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Performance. Ms. Novik studies jazz trumpet with Rob Opitz. program notes Blue Skies (1926) | Irving Berlin | arr. Stacey Novik Irving Berlin was an African-American jazz pianist and composer born on May 11, 1888. The composition "Blue Skies" (1926) was a last-second addition to Betsy, a Rodgers and Hart musical. The tune was an instant success, even though the show only ran for 39 performances. In 1927, the music was published and Ben Selvin’s recorded version became a #1 hit. Within the same year, it became one of the first songs to be featured in a "talkie" entitled The Jazz Singer. In discussing my ideas for this performance with Rob Opitz, this tune came up in conversation to play it as originally intended; swing style.
    [Show full text]
  • Jazz Studies Handbook 2021-2022
    BOB COLE CONSERVATORY OF MUSIC California State University, Long Beach JAZZ STUDIES HANDBOOK 2021-2022 1 TABLE OF CONTENTS Welcome to “Jazz at the Beach” 4 The Jazz Studies Faculty 5 Applied Lessons 8 Performance Ensembles 10 Scholarships & Financial Aid 13 Incoming Student Audition Requirements 14 Ensemble Placement Auditions 15 Ensemble Requirements and Protocol 18 B.M. in Jazz Studies Curriculum 21 M.M. in Jazz Studies Curriculum 21 Jazz Course Descriptors 22 Jury Requirements 25 Instrumental Jazz Juries 26 Instrumental Tune Lists 28 Vocal Jazz Juries 30 Recital Guidelines 32 Instrumental Jazz Recital Content 34 2 Vocal Jazz Recital Content 35 Recital Approval 36 Sample Recital Approval Worksheet 37 Planning Your Coursework 38 Building Your Professional Network 40 Performance Policies 41 Concert and Jazz Forum Attendance 43 Miscellaneous Performances 45 Tour Policies 46 Jazz Area Meetings 48 Contact Information 49 3 WELCOME TO “JAZZ AT THE BEACH” In 1975, California State University, Long Beach became the first university in California and one of fifteen in the nation to offer a degree in Jazz Studies. “Jazz at the Beach” has become one of the most respected collegiate jazz studies programs in the United States. College Factual magazine listed CSULB as the “#1 Best Value For The Money” in California and in the top 15% for nation. Our campus is situated less than three miles from the Pacific Ocean in one of the most desirable microclimates in Southern California. Long Beach is California’s 7th largest city, yet it has a small town feel. Our proximity to the world’s largest entertainment center allows our students to start building their professional networks while still in school.
    [Show full text]
  • Department of Music Records
    South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange University Archives Finding Aids 3-26-2018 Department of Music Records SDSU Archives and Special Collections, Hilton M. Briggs Library Follow this and additional works at: https://openprairie.sdstate.edu/finding_aids-university Recommended Citation SDSU Archives and Special Collections, Hilton M. Briggs Library, "Department of Music Records" (2018). University Archives. 27. https://openprairie.sdstate.edu/finding_aids-university/27 This Article is brought to you for free and open access by the Finding Aids at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in University Archives by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. Music Department Records COLLECTION SUMMARY IDENTIFIER UA 6.4 TITLE Music Department Records DATES 1900-2017 PHYSICAL DESCRIPTION 11.13 linear feet [9 record boxes, 1 document case, 2 document cases-half, 1 oversize box-flat] NAME OF CREATOR(S) South Dakota State University. Department of Music LANGUAGE English REPOSITORY South Dakota State University Archives and Special Collections Hilton M. Briggs Library (SBL) Room 241, Box 2115 1300 North Campus Drive, Brookings, SD 57007 Phone: 605-688-5094 Email: [email protected] ACCESS NOTE Open. This material does not circulate and may be used in-house only. PREFERRED CITATION Name of item, Collection identifier, box #, folder #, Collection Title, South Dakota State University Archives and Special Collections, Hilton M. Briggs Library, Brookings, South Dakota. ABSTRACT The mission of the Department of Music is to musically serve the university, state, and region through teaching/advising, research/creative activity, and outreach/general service.
    [Show full text]
  • Department of Music Programs 2019-2020
    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 2020 Department of Music Programs 2019-2020 Department of Music, Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, Olivet Nazarene University, "Department of Music Programs 2019-2020" (2020). School of Music: Performance Programs. 51. https://digitalcommons.olivet.edu/musi_prog/51 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. School of Music 2019 - 2020 Programs SENIOR RECITAL Andrew Rivera, guitar Prof. Freddie Franken, guitar, bass Hance Throckmorton, drums vvuvv 4:30 p.m. Tuesday, April 20, 2019 Larsen 140 Choir Room Larsen Fine Arts Center Olivet Nazarene University Program Invocation One Note Samba A. C. Jobim Lullaby of Birdland G. Shearing Desafinado A. C. Jobim Melodia Española L. Romero, arr. C. Duncan Venezuelan Waltz Traditional Venezuelan Folk Song Mr. Rivera vvuvv Mr. Rivera presents this recital in partial fulfillment of the requirements for the Bachelor of Arts degree in Music with emphasis in guitar. He is the student of Prof. Freddie Franken. Upcoming Events Aug 30 Returning Majors/Minors Meeting, Larsen 140, 10:00 am*
    [Show full text]