Department of Music Programs 2016-2017 Department of Music Olivet Nazarene University
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Rutgers University Mason Gross School of the Arts Department of Music Undergraduate Student Handbook 2019-2020
Rutgers University Mason Gross School of the Arts Department of Music Undergraduate Student Handbook 2019-2020 2 Introduction The Mason Gross School of the Arts was established in 1976 as the arts conservatory of Rutgers, The State University of New Jersey, and in 1981, the Department of Music joined the school. The department offers a comprehensive music program within the context of a public research university, and serves a diverse student body of approximately 500 graduate and undergraduate students from a wide range of specializations and backgrounds. The Mason Gross School of the Arts varied music degree programs share a common aim: to develop well- educated music professionals who have a thorough historical and theoretical understanding of all aspects of music. The purpose of this handbook is to provide basic information about the undergraduate degree programs offered through the Department of Music at the Rutgers University Mason Gross School of the Arts. Information, policies, and procedures included in this handbook are subject to change. The handbook will be updated on a yearly basis. Important: The degree requirements for an individual student are those that are in effect when the student begins the Bachelor of Music program or the Bachelor of Arts Music Major. Questions about information in this handbook should be directed to the Department of Music Undergraduate Advisor. Students are responsible for: Knowing information, policies, and procedures included in this handbook; Providing the Department of Music with up-to-date contact information; Regularly checking his/her assigned mailbox in the Marryott Music Building; Regularly checking his/her Rutgers email; personal email accounts should be linked to the Rutgers email account, and Referring to the “music major information” Sakai site for current announcements, information, and resources. -
Examensarbete Kandidatnivå Musikproduktionsanalys Av Avicii’S Inspelningar
Examensarbete kandidatnivå Musikproduktionsanalys av Avicii’s inspelningar Författare: Robin Granqvist Handledare: Sten Sundin Seminarieexaminator: Fil Dr David Thyrén Formell kursexaminator: Thomas Florén Ämne/huvudområde: Ljud- och musikproduktion Kurskod: LP2009 Poäng:15 hp Termin: HT2018 Examinationsdatum: 19-01-18 Vid Högskolan Dalarna finns möjlighet att publicera examensarbetet i fulltext i DiVA. Publiceringen sker open access, vilket innebär att arbetet blir fritt tillgängligt att läsa och ladda ned på nätet. Därmed ökar spridningen och synligheten av examensarbetet. Open access är på väg att bli norm för att sprida vetenskaplig information på nätet. Högskolan Dalarna rekommenderar såväl forskare som studenter att publicera sina arbeten open access. Jag/vi medger publicering i fulltext (fritt tillgänglig på nätet, open access): Ja Abstract Intresset för Avicii’s musik har under många år varit mycket stort över hela världen. Från att ha börjat som en ”bedroom producer” till att spela sin musik på scener världen över har han blivit en legend inom den elektroniska dansmusiken. Men vilka byggstenar och tekniker använder han sig av? Syftet med denna uppsats är att ta reda på hörbara kännetecken i Avicii’s musik och få en bättre förståelse för hur en framgångsrik producent skapar och bygger upp sin musik, både musikaliskt och produktionsmässigt. Avicii’s produktioner är speciellt intressanta eftersom de tenderar att innehålla både elektroniska och akustiska element. I undersökningen används musikanalys som metod där fyra av hans produktioner har analyserats med hjälp av bl.a. ljudhändelse- beskrivningar och detaljerade analyser av olika musikaliska och produktionstekniska egenskaper. Detta har gett ett resultat som visar på att det finns flera likheter mellan de olika produktionerna i bl.a. -
Eastman Notes July 2006
Attention has been paid! Playing inside Eastman Opera Theatre & outside takes aim at Assassins New books by two faculty members Eastman 90 Nine decades of Eastman milestones Winter 2012 FOr ALUMni, PArentS, AnD FrienDS OF tHe eAStMAn SCHOOL OF MUSiC FROM THE DEAN A splendid urgency Every now and then I have the good fortune of hearing a concert that is so riveting, I am reminded why I got into music in the first place. The Eastman Philharmonia’s recent performance of Stravinsky’s Rite of Spring, under the guest baton of Brad Lubman, was just such an occasion. Prepared and conducted su- perbly by Brad, and exuberantly performed by students clearly amped up by the music and the occasion, the raw beauty of one of Stravinsky’s greatest works came to stunning life. The power of this experience had nothing to do with outcomes, technologi- cal expertise, assessment, metrics of excellence, or gainful employment upon graduation. This was pure energy funneled into an art form. It was exotically NOTES irrational. It was about the rigorous pursuit of beauty, Volume 30, number 1 pure and simple. Winter 2012 As the national “music movement” grapples with the perception that it has lost precious ground in the fight Editor to keep music in our schools, I was reminded of our na- David raymond tional obsession with practical outcomes, and the chal- Contributing writers lenge of making a case for subjective artistic value in the John Beck Steven Daigle face of such an objectivity-based national agenda. Matthew evans Although we tend to focus on the virtues of music it- Douglas Lowry self, what we are really talking about is the act of learning robert Morris music. -
Master's Recital: Isaac Schwartz
University of Northern Iowa UNI ScholarWorks Dissertations and Theses @ UNI Student Work 5-2020 Master's recital: Isaac Schwartz Isaac Schwartz University of Northern Iowa Let us know how access to this document benefits ouy Copyright ©2020 Isaac Schwartz Follow this and additional works at: https://scholarworks.uni.edu/etd Part of the Composition Commons, and the Music Performance Commons Recommended Citation Schwartz, Isaac, "Master's recital: Isaac Schwartz" (2020). Dissertations and Theses @ UNI. 1032. https://scholarworks.uni.edu/etd/1032 This Open Access Thesis is brought to you for free and open access by the Student Work at UNI ScholarWorks. It has been accepted for inclusion in Dissertations and Theses @ UNI by an authorized administrator of UNI ScholarWorks. For more information, please contact [email protected]. Copyright by ISAAC SCHWARTZ 2020 All Rights Reserved MASTER’S RECITAL: ISAAC SCHWARTZ An Abstract Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Isaac Schwartz University of Northern Iowa May 2020 This Study by: Isaac Schwartz Entitled: Master’s Recital: Isaac Schwartz has been approved as meeting the thesis requirement for the Degree of Master of Music Date Chris Merz, Chair, Recital Committee Date Dr. Michael Conrad, Recital Committee Member Date Dr. Alexander Pershounin, Recital Committee Member Date Dr. Jennifer Waldron, Dean, Graduate College This Recital Performance by: Isaac Schwartz Entitled: Master’s Recital: Isaac Schwartz Date of Recital: April 8, 2020 has been approved as meeting the thesis requirement for the Degree of Master of Music Date Chris Merz, Chair, Recital Committee Date Dr. Michael Conrad, Recital Committee Member Date Dr. -
Savoy and Regent Label Discography
Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli. -
M a G a Z I N
JUNE VOLUME 17 2017 MAGAZINE ® ISSUE 3 Where everyone goes for scripts and writers™ If I Had Wings: Producer Cynde Harmon’s Passion Project Soars to Festival Success PAGE 8 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! If I Had Wings: Producer Cynde Harmon’s Passion Project Soars to Festival Success INKTIP OFFERS: 8 • Listings of Scripts and Writers Updated Daily • Mandates Catered to Your Needs Scripts Represented by Agents/Managers • Newsletters of the Latest Scripts and Writers • Personalized Customer Service 34 • Comprehensive Film Commissions Directory Teleplays 36 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers then InkTip – nobody. PASSIONATE and not the guys trying THEY OPENED DOORS that I would to make a buck.” have never been able to open.” – DWAIN WORRELL, OPERATOR – RICKIE BLACKWELL, MOBSTER KIDS PRODUCERS “We love InkTip. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Nr. Crt Nume Prenume Pseudonim Artistic Grup 1 Abaribi Diego Diego Abaribi 2 Abatangelo Giulio Klune 3 ABATANTUONO DIEGO 4 ABATE
LISTA MEMBRI UNART Nr. Crt Nume Prenume Pseudonim Artistic Grup 1 Abaribi Diego Diego Abaribi 2 Abatangelo Giulio Klune 3 ABATANTUONO DIEGO 4 ABATEGIOVANNI FRANCA 5 Abbado Claudio 6 Abbiati Giovanni 7 ABBONDATI MANOLO CRISTIAN 8 Abbott Vincent Vinnie Abbott 9 Abbott (Estate) Darrell Dimebag Darrell, Diamond Darrell 10 ABDALLA SAID CAROLA 11 Abeille Riccardo Ronnie Dancing Crap 12 Abela Laura L'Aura 13 Abels Zachary Zachary Abels 14 Abeni Maurizio 15 Abossolo Mbossoro Fabien Sisi / Logobit Gt 16 Abriani Emanuela Orchestra Teatro alla Scala, Filarmonica della Scala 17 Abur Ioana Ioana Abur 18 ACAMPA MARIO 19 Accademia Bizantina 20 Accardo Salvatore 21 Accolla Giuseppe Coro del Teatro La Fenice di Venezia 22 Achenza Paolo 23 Achermann Jerome Jerome Achermann 24 Achiaua Andrei-Marian 25 ACHILLI GIULIA 26 Achoun Sofia Samaha 27 Acierno Salvatore Orchestra Teatro San Carlo di Napoli 28 ACQUAROLI FRANCESCO 29 Acquaviva Battista Battista Acquaviva, 30 Acquaviva Jean-Claude Jean-Claude Acquaviva 31 Acquaviva John John Acquaviva 32 Adamo Cristian Christian Adamo 33 Adamo Ivano New Disorder 34 Addabbo Matteo 35 Addea Alessandro Addal 36 ADEZIO GIULIANA 37 Adiele Eric Sporting Life 38 Adisson Gaelle Gaelle Adisson 39 ADORNI LORENZO 40 ADRIANI LAURA 41 Afanasieff Walter Walter Afanasieff 42 Affilastro Giuseppe Orchestra Fondazione Arturo Toscanini 43 Agache Alexandrina Dida Agache 44 Agache Iulian 45 Agate Girolamo Antonio 46 Agebjorn Johan Johan Agebjorn 47 Agebjorn Hanna Sally Shapiro 48 Agliardi Niccolò 49 Agosti Riccardo Orchestra Teatro Carlo -
Annual Report of Research and Creative Productions by Faculty and Staff
Annual Report Of Research and Creative Productions By Faculty and Staff January to December, 2015 Morehead State University Division of Academic Affairs Research and Creative Productions Committee Morehead, Kentucky PREFACE This Annual Report of Research and Creative Productions of Faculty and Staff represents a compilation of information electronically retrieved from individual Faculty 180 entries. The Research and Creative Productions (RCP) Committee does not attempt to assess the artistic or scholarly merit of the entries. The formatting of the entries follows discipline standards. Only publications, professional meeting presentations, published abstracts, art exhibits, performances, compositions, and research and creative production grants awarded between January 1, 2015, and December 31, 2015, were included in this Annual Report. References to entries forthcoming to be published, performed, or exhibited in 2016 were excluded. As a publication of the Research and Creative Productions Committee, this report highlights faculty/staff scholarship and recognizes individuals receiving RCP committee grants, summer fellowships, and Distinguished Awards. In addition to these internal awards, MSU faculty and staff received over $14.6 million in grants and contracts from Federal, State, and other agencies in the past year to help support instruction, research, and service missions of the University. These external grant awards are listed throughout this publication under individual entries. The Research and Creative Productions Committee is -
NOW That's What I Call Party Anthems – Label Copy CD1 01. Justin Bieber
NOW That’s What I Call Party Anthems – Label Copy CD1 01. Justin Bieber - What Do You Mean? (Justin Bieber/Jason Boyd/Mason Levy) Published by Bieber Time Publishing/Universal Music (ASCAP)/Poo BZ Inc./BMG Publishing (ASCAP)//Mason Levy Productions/Artist Publishing Group West (ASCAP). Produced by MdL & Justin Bieber. 2015 Def Jam Recordings, a division of UMG Recordings, Inc. Licensed from Universal Music Licensing Division. 02. Mark Ronson feat. Bruno Mars - Uptown Funk (Mark Ronson/Jeff Bhasker/Bruno Mars/Philip Lawrence/Devon Gallaspy/Nicholaus Williams/Lonnie Simmons/Ronnie Wilson/Charles Wilson/Rudolph Taylor/Robert Wilson) Published by Imagem CV/Songs of Zelig (BMI)/Way Above Music/Sony ATV Songs LLC (BMI)/Mars Force Songs LLC (ASCAP)/ZZR Music LLC (ASCAP)/Sony/ATV Ballad/TIG7 Publishing (BMI)/TrinLanta Publishing (BMI)/ Sony ATV Songs LLC (BMI)/ Songs Of Zelig (BMI)/ Songs of Universal, Inc (BMI)/Tragic Magic (BMI)/ BMG Rights Management (ASCAP) adm. by Universal Music Publishing/BMG Rights Management (U.S.) LLC/Universal Music Corp/New Songs Administration Limited/Minder Music. Produced by Mark Ronson, Jeff Bhasker & Bruno Mars. 2014 Mark Ronson under exclusive licence to Sony Music Entertainment UK Limited. Licensed courtesy of Sony Music Entertainment UK Limited. 03. OMI - Cheerleader (Felix Jaehn Remix radio edit) (Omar Pasley/Clifton Dillon/Mark Bradford/Sly Dunbar/Ryan Robert Dillon) Published by Ultra International Music Publishing/Coco Plum Music Publishing. Produced by Clifton "Specialist" Dillon & Omar 'OMI" Pasley. 2014 Ultra Records, LLC under exclusive license to Columbia Records, a Division of Sony Music Entertainment. Licensed courtesy of Sony Music Entertainment UK Limited. -
Avicii Den Mest Populära Låtskrivaren 2015
Ny statistik: Avicii den mest populära låtskrivaren 2015 När branschorganisationen Musikförläggarna sammanfattar vilka låtskrivare som låg bakom de mest spelade och köpta låtarna i Sverige förra året är det låtskrivaren, producenten och artisten Tim ”Avicii” Bergling (Sony/ATV Music Publishing Scandinavia) som toppar listan. Av de 100 mest populära låtarna i Sverige 2015 låg Avicii bakom inte mindre än sex stycken. På andra plats hittar vi låtskrivarna Salem Al Fakir och Vincent Pontare (Universal Music Publishing) med fyra låtar. – Det är såklart det bästa som finns för en musiker att låtarna uppskattas så att de spelas mycket. Det ger både uppmuntran och bekräftelse till att fortsätta och att anstränga sig ännu mer, säger Tim ”Avicii” Bergling. Gemensamt för i stort sett alla låtskrivare på listan är att de skriver sin musik ihop med andra (så kallade ”co-writes”) – något som snarare är en regel än ett undantag i dagens musikskapande, i synnerhet när det gäller musiken på topplistorna. Enligt en undersökning som nyligen presenterades av Music Business Worldwide så var det förra året endast två av trettio av världens största låtar som var skrivna av enskilda personer. I Sverige ser vi ett liknande mönster, förra året skrevs till exempel 93 av de 100 mest populära låtarna i samarbete mellan olika låtskrivare. På frågan om det är viktigt att skriva tillsammans med andra idag svarar Avicii: – Ja. Det roligaste för mig är att jag får skriva med dels andra artister jag ser upp till, men även musiker och låtskrivare från andra genrer som inte alltid vore väntade samarbeten. Det blir extra spännande att se vad man får till. -
2016 Fall Concert Series Dr Lonnie Smith Dauphin County Jazz & Wine Fest Friends of Jazz Night September 9Th 6:30-10Pm Dr
Connecting Jazz Lovers with Each Other & the Music! CPFJ Newsletter CENTRAL PA FRIENDS OF SEPT/OCT 2016 #42 2016 FALL CONCERT SERIES DR LONNIE SMITH DAUPHIN COUNTY JAZZ & WINE FEST FRIENDS OF JAZZ NIGHT SEPTEMBER 9TH 6:30-10PM DR. LONNIE SMITH TRIO & LEON FOSTER THOMAS LEON QUINTET FOSTER FT. HUNTER PARK THOMAS 5300 N FRONT STREET, HARRISBURG PA SUNDAY, OCTOBER 9TH 3-6PM HARRY ALLEN QUARTET featuring vocalist HILARY GARDNER JOIN US FOR A SWINGING AFTERNOON! HARRISBURG MIDTOWN ARTS CENTER 1110 NORTH 3RD STREET, HARRISBURG PA HILARY HARRY GARDNER ALLEN PAT MARTINO SUNDAY, NOVEMBER 27TH 3PM PAT MARTINO TRIO LEGENDARY GUITAR MASTER WYNDRIDGE FARM 885 SOUTH PLEASANT AVE., DALLASTOWN PA DISTILLERY, BREWERY, WINERY & RESTAUR ANT HILARY GARDNER PAT MARTINO . pg. 2 - Exec. Dir. Letter pg. 8 - CPFJ T-shirts pg. 3 - Grants & Donors pg. 9 - Youth Band - Scholarships - CPFJ Online Store pg. 4 & 5 2016 Fall Concert Series pg. 10 - Dauphin county Jazz & Wine Festival pg. 6 - Steady Gigs pg. 11 - Membership Application & Fall Series Ticket Order Form pg. 7 - One Time Only Events/Jam Sessions pg. 12 - mailing page The Vibe is published monthly at the Central PA Friends of Jazz, 5721 Jonestown Road, Harrisburg PA 17112 EXECUTIVE DIRECTOR'S REPORT: Central Pennsylvania . Friends of Jazz We are currently hard at work in the CPFJ Office arranging all the details of production for the Fall . Concert Series that begins September 9th - please save the dates for this year’s Series and join us for 5721 Jonestown Road great programs of world class jazz! Harrisburg PA 17112 . CENTRAL PA JAZZ FESTIVAL REVIEW: TEL: 717-540-1010 .