MODERN and CONTEMPORARY ART Tuesday 6 June 2017

MODERN AND CONTEMPORARY ART Tuesday 6 June 2017

Bonhams (Hong Kong) Ltd. Trading Office Bonhams International Board Bonhams (Hong Kong) Limited Directors Suite 2001, One Pacific Place Robert Brooks Co-Chairman, Colin Sheaf, Chairman, Asia Malcolm Barber Co-Chairman, Edward Wilkinson, Executive Director, Asia 88 Queensway Colin Sheaf Deputy Chairman, Malcolm Barber, Matthew Girling Admiralty Matthew Girling CEO, Dessa Goddard, Asaph Hyman, Hong Kong Patrick Meade Group Vice Chairman, Graeme Thompson, Xibo Wang. Jon Baddeley, Rupert Banner, Geoffrey Davies, Lot 21 (detail) Jonathan Fairhurst, Asaph Hyman, James Knight, Caroline Oliphant, Edward Wilkinson, Leslie Wright.

Bonhams (Hong Kong) Limited Registered No. 1426522 Registered Office: Room 5501 / 55F, Central Plaza, 18 Harbour Road, Wanchai MODERN & CONTEMPORARY ART Tuesday 6 June 2017 at 3pm Bonhams Hong Kong Gallery Suite 2001, One Pacific Place, Admiralty, Hong Kong

BONHAMS (HONG KONG) LTD VIEWING ENQUIRIES PAYMENT Suite 2001 TAIPEI Ingrid Dudek For an overview of the payment One Pacific Place Saturday 29 April 10am to 7pm +1 917 206 1636 process, please refer to Clause 9 88 Queensway Sunday 30 April 10am to 7pm [email protected] of the NOTICE TO BIDDERS sec- Admiralty tion at the back of this catalogue. Hong Kong Fubon Intl Convention Center Ryo Wakabayashi Please see back of catalogue for www.bonhams.com/hongkong Basement 2/F +81 3 5532 8636 Notice to Bidders No.108, Sec. 1, Dunhua S. Rd [email protected] BIDS Taipei, Taiwan CUSTOMER SERVICES +852 2918 4321 Yao Yao Monday to Friday 9am to 6pm +852 2918 4320 fax 富邦國際會議中心 +86 10 6528 0922 +852 2918 4321 To bid via the internet, please visit 地下二樓 [email protected] www.bonhams.com 台北市敦化南路一段108號 PHYSICAL CONDITION OF +886 2 8758 2900 Jennifer Tang LOTS IN THIS AUCTION Please note that bids should be +852 2918 4321 PLEASE NOTE THAT THERE submitted no later than Monday HONG KONG [email protected] IS NO REFERENCE IN THIS 5 June. New bidders must also Friday 2 June, 11am to 7pm CATALOGUE TO THE PHYSICAL provide proof of identity and Saturday 3 June, 11am to 7pm Dorothy Lin CONDITION OF ANY LOT. address when submitting bids. Sunday 4 June, 11am to 7pm +852 2918 4321 INTENDING BIDDERS MUST Failure to do this may result in Monday 5 June, 11am to 7pm [email protected] SATISFY THEMSELVES AS TO your bids not being processed. Tuesday 6 June, 11am to 2pm THE CONDITION OF ANY LOTS Bidders of accepted bids will TAIWAN AS SPECIFIED IN CLAUSE 15 receive a Bid Confirmation. Bonhams Hong Kong Gallery Summer Fang OF THE NOTICE TO BIDDERS Suite 2001, One Pacific Place +886 2 8758 2900 CONTAINED AT THE END OF SALE NUMBER 88 Queensway, Admiralty [email protected] THIS CATALOGUE. 24014 Hong Kong 香港邦瀚斯藝術廊 BEIJING As a courtesy to intending bidders, ILLUSTRATIONS 金鐘太古廣場一期2001室 [email protected] Bonhams will provide a written Front cover: Lot 14 +852 2918 4321 indication of the physical condition Inside front cover: Lot 2 (detail) JAPAN of lots in this sale if a request is Inside back cover: Lot 25 (detail) +81 3 5532 8636 received up to 24 hours before Back cover: Lot 34 (detail) [email protected] the auction starts. Such report is Opposite: Lot 21 (detail) also available for download from SINGAPORE Bonhams website.This written Bernadette Rankine indication is issued subject to +65 6701 8038 Clause 1.6 of Appendix 2 to the [email protected] Notice to Bidders.

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Bonhams (Hong Kong) Ltd. Trading Office Bonhams International Board Bonhams (Hong Kong) Limited Directors Suite 2001, One Pacific Place Robert Brooks Co-Chairman, Colin Sheaf, Chairman, Asia Malcolm Barber Co-Chairman, Edward Wilkinson, Executive Director, Asia 88 Queensway Colin Sheaf Deputy Chairman, Malcolm Barber, Matthew Girling Admiralty Matthew Girling CEO, Dessa Goddard, Asaph Hyman, Hong Kong Patrick Meade Group Vice Chairman, Graeme Thompson, Xibo Wang. Jon Baddeley, Rupert Banner, Geoffrey Davies, Jonathan Fairhurst, Asaph Hyman, James Knight, Caroline Oliphant, Edward Wilkinson, Leslie Wright.

Bonhams (Hong Kong) Limited Registered No. 1426522 Registered Office: Room 5501 / 55F, Central Plaza, 18 Harbour Road, Wanchai Victoria Harbour

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Harcourt Road HK Tamar Site

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香港邦瀚斯藝術廊金鐘太古廣場一期2001室電話：+852 2918 4321 傳真：+852 2918 4320

從金鐘地鐵站步行可至

Lot 3 (detail) SALE INFORMATION

AFTER SALE COLLECTION Hong Kong dollar personal cheque drawn on a Our Client Account details are as follows: All sold lots will be available for Hong Kong branch of a bank: all cheques must 客戶賬戶詳情如下： collection after 10am on June 7 from: be cleared before you can collect your purchases; Sunway Express (H.K.) Limited Account Name 賬戶名稱 Unit 303, Kerry Cargo Centre, 55 Wing Kei Bankers draft: if you can provide suitable Bonhams (Hong Kong) Ltd - Client A/C Road, Kwai Chung, New Territories, Hong Kong proof of identity and we are satisfied as to the genuineness of the draft of cheque, and that Account Number 賬戶號碼 SHIPPING the funds have originated from your own 808-870174-001 For information and estimates on domestic and account, we will allow you to collect your international shipping as well as export licenses purchases immediately; Bank Name 銀行名稱 please contact [email protected] HSBC Tel: +852 2918 4321 Cash: you may pay for Lots purchased by you Fax: +852 2918 4320 at this Sale with notes, coins in the currency in Bank Address 銀行地址 which the Sale is conducted (but not any other Head Office STORAGE CHARGES currency) provided that the total amount payable 1 Queens Road Storage charges will commence one month by you in respect of all Lots purchased by you Central after the date of the auction at the following at the Sale does not exceed HK$80,000. If the Hong Kong rate: HK$800 per lot per month amount payable by you for Lots exceeds that sum, the balance must be paid otherwise than Swift Code 國際匯款代碼拍賣後提貨 in coins, notes or travellers cheques; HSBCHKHHHKH 所有售出的拍品將可於2017年6月7日日上午十時後提貨。提貨地址如下： Bank Transfer: you may electronically transfer If paying by bank transfer, the amount 翔輝運通有限公司 funds to our Client Account. If you do so, received after the deduction of any bank 香港葵涌永基路55號 please quote your paddle number and invoice fees and/or conversion of the currency of 嘉里貨運中心303室 number as the reference. payment to Hong Kong dollars must not be less than the Hong Kong dollars amount 運輸事宜付款 payable, as set out on the invoice. 有關運輸費用、出口證等事宜的查詢，請聯繫買家須將成功所購得之全部拍賣品的總額悉數付 [email protected]。清後（包括所有費用），才可提取拍賣品。為確 Debit cards issued by a Hong Kong Bank: Tel: +852 2918 4321 保拍賣會後七個工作天內所有款項可全部過賬， there is no additional charge for purchases Fax: +852 2918 4320 請於拍賣會後第二個工作天的下午四點半前付 made with these cards; 款，如買家希望把所購得之拍賣品運至香港以外存放費用的地方，以及需要或可能需要申請出口執照，這 Credit cards: 拍賣結束一個月後每件拍賣品每月將向賣家徵收條款依然適用。在競投之前，請準買家確保所需 American Express, Visa, Mastercard. 存放費用800港元。資金，並可利用下述任何一種方式付款。除事前雙方有協議外，登記買家以外的其他人仕之付款 Please note there is a 2% surcharge on the PAYMENT 將不會被接納。 total invoice value when payments are made Purchases can only be released when full 我們接受以下各種付款方法： using credit cards. It may be advisable to notify settlement (inclusive of all charges) of all your card provider of your intended purchase in invoices issued to the buyer is received in 所有香港銀行及其分行的港幣個人支票： advance to reduce delays caused by us having cleared funds. If you are a successful Bidder, 提取拍賣品前，所有支票必須已全部過帳。 to seek authority when you come to pay. payment will be due to be made to us by 支票的抬頭人請寫上 4:30pm on the second working day after the 「Bonhams (Hong Kong) Ltd - Client A/C」 China Union Pay (CUP) Debit Card: Sale so that all sums are cleared by the seventh No surcharge on the first HK$1,000,000 working day after the Sale. This applies even if 銀行匯票：在確認有效身份證明及匯票後，買家 2% surcharge on the balance over HK$1,000,000 the buyer wishes to export the lot and an export 可立刻提取所購之拍賣品 licence is (or may be) required. Before bidding If you have questions with regard to payment or you should ensure that you have the necessary 現金：如所購得的拍賣品總值不超過HK$80,000 settlements of vendor proceeds please contact funds available and be able to pay according to ，買家可以現金港幣（不接受其他貨幣）付 our Customer Service Department. one of the methods set out below. All cheques 款。如所購得的拍賣品總值超過HK$80,000 should be made payable to Bonhams (Hong ，HK$80,000以外的金額，必須以現金以外的如果閣下通過銀行轉賬付款，我們所收的款額 Kong) Ltd - Client A/C. Unless agreed by us 方式支付經扣除任何銀行費用，以及/或者款項經兌換成 in advance payments made by anyone other 港幣後，必須不少於如發票所列的應付款額。 than the registered buyer will not be accepted. 銀行轉賬：買家可利用電子轉賬至我們的銀行賬 We accept the following methods of payment: 戶，請注意把競標牌號碼及發票資料寫上，以作由香港銀行發出的扣賬卡：以此方法付款，將參考。不收取額外的費用

信用卡：美國運通卡，Visa ， Mastercard卡及海外扣帳卡均可使用。請注意，以信用卡付款的話，將收取發票總額2%的附加費。我們建議，閣下在拍賣前可預先通知發卡銀行，以免您於付款時，由於需要確認授權而造成延誤。

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INGRID DUDEK RYO WAKABAYASHI Director, Head of Department Senior Specialist Contemporary Art, Asia Contemporary Art, Asia - - [email protected] [email protected] +1 917 206 1636 +81 3 5532 8636

YAO YAO DOROTHY LIN JENNIFER TANG Specialist Specialist Junior Specialist - - - [email protected] [email protected] [email protected] +86 10 6528 0922 +852 3607 0034 +852 3607 0019 LONDON

RALPH TAYLOR GARETH WILLIAMS GIACOMO BALSAMO JACQUELINE AMY THOMPSON NOWIKOVSKY

PARIS GENEVA AMSTERDAM COLOGNE BRUSSELS

CATHERINE YAICHE LIVIE GALLONE MARGITTE AMELIE VON CHRISTINE DE MOELLER VERWOERDT SCHUBERT SCHAETZEN

MILAN ROME BARCELONA NEW YORK

LUCA CURRADI EMMA DALLA LIBERA TERESA YBARRA JEREMY MEGAN MURPHY GOLDSMITH

LOS ANGELES AUSTRALIA

ALEXIS DANE JENSEN MARK FRASER CHOMPAISAL KEY HIRAGA EARLY WORKS

Key Hiraga is one of the most beloved and singular artists of recent Japanese art. In the early 1960s, he won numerous competitions in Japan, eventually earning himself a scholarship to study in Paris, where he would remain for nearly a decade.

The selection of works offered here show the artist at essential periods in his career. In the rare grouping of five early works on paper from the late 1950s and early 1960s (lots 1-5), we see Hiraga discovering the key themes, images and styles that would define his career: the anxious male avatar who would become his alter-ego (sometimes knowns as Mr. K, elsewhere known as Mr. H), the interlocking forms and overlapping narratives, the compartmentalization of the composition, and the apparent influence of European abstraction. It has been generally understood that Key’s dominant style emerged while he was in Europe, but with these rare and early drawings, we see that he was already well on his way to his signature style from the very beginning.

The two canvases in the auction show the developments and shifts that would emerge over the decades. With Bubbles from 1976 (lot 7), Key is now back in Tokyo and his cartoonish alter-ego of the 1960s has been transformed into this adult, gentleman consumer of illicit pleasures. Here he appears bedecked in a gauche, dandyish suit, presumably enjoying an evening at a bathhouse and the attention of four nude female attendees. He squats fully clothed in the tub, childishly blowing bubbles, while touches of anxiety remain in the form of the nose peering from behind an apparent window form, as well as in the three-pairs of eyes of each figure, one set seductively green, another yellow and devious, and the third bloodshot and often crossed.

In a subsequent canvas from the 1980s (lot 6), we see the alter-ego has evolved further, becoming a gaunt, yakuza-style nightlife denizen, the composition now an ambiguous, dream-like interior peppered with floating liquor bottles and bisected by sharp plants of pink and red. The nude geisha wears a man’s shirt that blends into the rumpled suit of the seated male. These subtly repeated forms are typical of Key’s work, suggesting a broader narrative register in a multiplicity of moments in time. Through these works, we see an artist both alive to his influences and his times, adapting and refining his themes and forms just as his own environment shifted, creating throughout a distinct voice and body of work within the realm of contemporary art.

Lot 7 (detail) 平賀敬早期作品

平賀敬是近代日本藝術界中，其中一位深受愛戴及成就非凡的藝術家。於1960年代早期，他就於日本勝出多個比賽，並累積了足夠的獎學金前往巴黎留學，歷時達十載。

今次展出的作品，均為平賀敬藝術事業中最重要的傑作。當中珍奇地集合了他1950年代晚期及 1960年代初的五張紙本畫作（拍品編號1至5）。我們可以從中看出藝術家的創作主體、概念和風格，這些都是他經典的創作元素，如平賀敬的第二化身——那個看起來十分焦急的男性頭像（有時被稱為K先生，有時則被稱為H先生），還有他運用交錯組合、層疊和分隔畫中形體的創作風格，都能看出藝術家受歐洲抽象派藝術的影響。眾所周知，平賀敬的主要風格成於他留居歐洲之時，但從這些珍稀的早期畫作中可以看出，他當時就已把創作風格拿捏得恰到好處，其經典畫風亦於當時走上軌道。

本次拍賣會中展示的兩幅油畫，透露了平賀敬於過去數十年的藝術發展歷程和轉變。作品《泡沫》成於1976年（拍品編號7），平賀敬當時已經回到了東京，而他那1960年代開始出現的卡通化身，到了那時候已經「長大」為一位喜歡犯禁偷歡的成年男士。在畫中，他穿上了一套不大莊重的前衛西裝，大概是在浴室裏與四位裸女陶醉於夜色之中。他蹲伏在浴缸裏，稚氣地吹着泡泡，但當中卻暗藏着憂慮，背後的窗戶顯然有人在監視着。三者擁有不一樣的眼眸，其中一位的綠眼睛性感撩人，另一位則擁有狡詐的黃色眼睛，還有一位的眼睛滿佈血絲且失去焦點。

在其後的1980年代作品（拍品編號6），我們可以看到平賀敬的化身再一步進化，他看起來憔悴，並變成了日本「極道」中的夜生活一族，同時，畫作亦變得更為含糊、彷如夢境一般，有多個酒瓶在漂浮着，而且被粉紅、紅色的尖刺植物分成兩半。一位藝妓只披上了一件男裝的襯衫，而那坐着的男人則穿着皺亂的西裝，兩者的衣服融為一體。這些細微巧妙的重複方式，是平賀敬的典型作風，在不同的時間段中呈現出廣泛的敘事手法。透過這些作品，我們可以看出藝術家意識到自身的轉變和時代的遷移，從而不斷調節和提煉自己的創作主題和形式，這就正如平賀敬也曾經身處在不同的地方一樣。最後，藝術家在當代藝術領域中，創造出自己獨特的聲音和作品。 1 KEY HIRAGA 平賀敬 1936-2000

Four Love 1963 signed, titled and dated 63 ink and paint on paper

51.5 x 44cm (20 1/4 x 17 5/16in).

HK$15,000 - 25,000 US$1,900 - 3,200

Provenance Acquired directly from the artist by the present owner Private Collection, Japan

四慾水墨油彩紙本 1963年作

簽名：Four Love Key Hiraga ‘63

來源現藏家直接得自藝術家日本私人收藏

Artist in his studio, early 1960s 1960年代早期，藝術家位於工作室

10 | BONHAMS MODERN & CONTEMPORARY ART | 11 2 KEY HIRAGA 左／右平賀敬水墨油彩紙本 1936-2000 1961年作

LEFT/RIGHT 簽名：LEFT/RIGHT Key Hiraga ‘61 1961 來源 signed, titled, and dated 61 現藏家直接得自藝術家 with artist’s illustration on the reverse 日本私人收藏 ink and paint on paper

32.5 x 25.7cm (12 13/16 x 10 1/8in).

HK$12,000 - 28,000 US$1,500 - 3,600

Provenance Acquired directly from the artist by the present owner Private Collection, Japan

12 | BONHAMS 3 KEY HIRAGA 彩色玻璃城（色ガラスの街）平賀敬水墨油彩紙本 1936-2000 1961年作

Colour Glass Town 簽名：色ガラスの街 Key Hiraga ‘61 1961 來源 signed, titled, and dated ‘61 現藏家直接得自藝術家 ink and paint on paper 日本私人收藏

40.5 x 31.3cm (15 15/16 x 12 5/16in).

HK$12,000 - 18,000 US$1,500 - 2,300

Provenance Acquired directly from the artist by the present owner Private Collection, Japan

MODERN & CONTEMPORARY ART | 13 4 KEY HIRAGA 劇場平賀敬水墨油彩紙本 1936-2000 1961年作

Theater 簽名：劇場 Key Hiraga 61 1961 來源 signed, titled, and dated 61 現藏家直接得自藝術家 ink and paint on paper 日本私人收藏

39.5 x 35cm (15 9/16 x 13 3/4in).

HK$12,000 - 18,000 US$1,500 - 2,300

Provenance Acquired directly from the artist by the present owner Private Collection, Japan

14 | BONHAMS 5 KEY HIRAGA 鳥平賀敬粉彩綜合媒材紙本 1936-2000 1958年作

Bird 簽名：鳥 Key Hiraga 58 1958 來源 signed, titled, dated 58 現藏家直接得自藝術家 pastel and mixed media on paper 日本私人收藏

46.5 x 38.3cm (18 5/16 x 15 1/16in).

HK$20,000 - 30,000 US$2,600 - 3,900

Provenance Acquired directly from the artist by the present owner Private Collection, Japan

MODERN & CONTEMPORARY ART | 15 6 KEY HIRAGA K先生的下午平賀敬綜合媒彩紙本裱於畫布 1936-2000 1988年作

Mr. K’s Afternoon 簽名：Key Hiraga ‘88 1988 藝術家鈐印兩方 signed and dated ‘88 來源 with two artist’s seals 亞洲私人收藏 mixed media on paper mounted on canvas

36 x 46cm (14 3/16 x 18 1/8in).

HK$40,000 - 60,000 US$5,100 - 7,700

Provenance Private Collection, Asia

16 | BONHAMS 7 KEY HIRAGA 泡沫3 平賀敬壓克力畫布 1936-2000 1976年作

Soap Bubble III 簽名：Key Hiraga ‘76 1976 背面簽名：シャボン玉III 平賀敬 ‘76 signed and dated ‘76 來源 signed, titled and dated ‘76 on the reverse 日本私人收藏 acrylic on canvas

45.5 x 38cm (17 15/16 x 14 15/16in).

HK$60,000 - 90,000 US$7,700 - 12,000

Provenance Private Collection, Japan

MODERN & CONTEMPORARY ART | 17 MASTERS OF ITERATION

TAKEO YAMAGUCHI – LEE UFAN – MASAAKI YAMADA 極簡主義大師

山口長男 – 李禹锕 – 山田正亮 8 TAKEO YAMAGUCHI 黑山口長男油彩木板 1902-1983 1971年作

Kuro 背面標籤簽名：黑一九七一年四月山口長男 1971 來源 signed, titled and dated 1971 on a label affixed on the reverse 日本私人收藏 oil on board 展覽 121 x 91.4cm (47 5/8 x 36in). 「第10屆日本當代藝術展」，東京都美術館，東京，1971年

出版 HK$800,000 - 1,200,000 《山口長男作品集》，講談社，1981年， US$100,000 - 150,000 第89頁彩色圖板及編號337黑白圖版

Provenance 此作品附山口長男作品登錄會所發之註冊證書，編號1609034 Private Collection, Japan

Exhibited Tokyo Metropolitan Museum, 10th Japanese Contemporary Art Exhibition, Tokyo, 1971

Literature Takeo Yamaguchi, The Works of Takeo Yamaguchi, Kodansha, 1981, p.89 illustrated in colour, and no. 337 illustrated in black and white

This work is accompanied by a registration certificate issued by Takeo Yamaguchi Artwork Registration Association under the number 1609034.

Lucio Fontana (1899-1968), Spatial Concept, 1960. Water paint on canvas 81.5 x 100cm. Credit: Museum of Fine Arts, Houston, Texas, USA. Museum purchase/Bridgeman Images. 盧齊歐．封塔納，《空間概念》1960年作，水溶性蛋彩畫布，美國德州藝術博物館收藏 © 2017 Artists Rights Society (ARS), New York / SIAE, Rome

20 | BONHAMS MODERN & CONTEMPORARY ART | 21 “Arriving in Europe, I felt suspicious of what I had been doing up to that point. I started to consider throwing away the past and restarting from scratch.”

– Takeo Yamaguchi

Takeo Yamaguchi is one of the most influential painters of 20th Japanese avant-garde art. Born in Seoul in 1902 (under Japanese occupation), Yamaguchi studied art at the Tokyo School of Fine Arts, which was then beginning to introduce Western painting techniques into its curriculum. Yamaguchi was drawn to Cubism in particular, an interest he pursued first-hand studying as he continued his studies in Paris in the 1920s. Returning to Tokyo in 1931, Yamaguchi joined the Nika-kai artist society, which opposed Japan’s salon system which organized artists into three categories: Western-style, Japanese-style, and sculpture. Yamaguchi and his associates rejected such categories, preferring instead a general avant- garde philosophy that embraced experimentation and abstraction rather than distinctions between east and west, traditional versus modern.

After the end of World War II, Yamaguchi quickly emerged as one of the leading advocates for a minimalist abstraction in Asia. Moving past his original Cubist influences, his works demonstrated his dedication to purity achieved through form, texture, and a reduced palette of black, ochre, and occasionally a rusty red. His works appeared in international exhibitions, including the inaugural exhibition of the new Guggenheim Museum when it moved into its landmark Frank Lloyd Wright building in 1959, as well as at the Museum of Modern Art.

The present lot Black (lot 8) emerges from that period. Featuring a bold, thickly painted and richly textured black, the artist creates a subtly textured terrain in this broad swath of pigment. It is contrasted against a thick trapezoidal band of ochre along the uppermost edge, a form that creates a surprising shift in perspective, an endless meditation on perspective, surface and space, akin to that of Barnett Newman’s “zip” paintings or Lucio Fontana’s Concetto Spaziale series. The dominant threads of experimentation in 20th Century Asian art were new modes of abstraction – as with the Gutai artists – and towards distinctly reductive, minimalist practices. As a mentor and influence to such artists as Lee Ufan and Kim Whanki, Yamaguchi deserves a place in Asian art history as one of the earliest innovators who redefined that history as we know it today. 「到達歐洲後，我質疑我過去所做的一切。我開始考慮拋卻過去，由零重新開始。」

– 山口長男

山口長男為20世紀最具影響力的日本前衛藝術家之一。1902年，他在首爾（日本統治下）出生，並於東京藝術大學修讀藝術，及後該學系亦開始引入西方繪畫技巧的課程。山口長男尤被立體主義所吸引，到了1920年代，他更身赴立體派的發源地法國進修。山口長男於1931年返回東京，並加入Nika-kai 藝術家協會。Nika-kai反對日本的沙龍體系把藝術家劃分為西方畫派、日本風格及雕塑三個類別。山口長男與其他成員均反對這樣的分類，他們認為不應以東西方，或傳統及現代來作分類，而應以廣泛的前衛哲學理念來包容具有實驗性和抽象的藝術。

第二次世界大戰結束後，山口長男迅速冒起並成為亞洲極簡抽象派的倡導者之一。山口長男拋卻過往立體主義對其之影響，利用不同的手法，如透過形式、質感，來證明他對純潔無瑕的奉獻精神，亦同時減少畫布上的色彩，集中用上黑色和赭黃，偶爾亦會用上紅褐色，從而達到簡約的目標。他的作品曾參與多個國際展覽，包括1959年新古根漢美術館遷入著名地標法蘭克洛伊萊特大樓時的開館首展，以及紐約現代藝術博物館之展覽。

今次展出的拍品《黑》（拍品編號8）來自於那個歷史性的時代。作品的色彩粗獷、厚實，當中的黑色部分質感濃密，藝術家在這道寬展的顏色條紋中創造出隱約的肌理。黑色部分與畫作最上沿部分的赭黃色梯形形成對比，如此的色彩佈局，打造出驚喜的視覺差異，讓觀者從觀感、表層及空間上均有無盡的冥想，這正類似巴尼特˙紐曼的「拉鏈」風格畫作，又或是盧齊歐˙封塔納的「空間概念」（Concetto Spaziale）系列。20世紀亞洲藝術的實驗主線為新抽象風格，如傾向用極度拋去手法的極簡主義和具體派藝術家們的創作方式。山口長男是不少藝術家的模範，影響着如李禹煥、金煥基等藝術家。他編寫歷史，為它重新定義，是早期的革新者之一，無疑在亞洲藝術史上佔有一席之地。 9 TAKEO YAMAGUCHI 無題（裸女）及浮山口長男水墨紙本及彩墨日本紙本（兩件作品） 1902-1983 (i) 簽名：藝術家簽署 Untitled (Nude) & Uki (Float) (ii) 藝術家鈐印一方背面簽名：浮山口長男 (i) signed Chinese ink on paper 來源日本私人收藏 24 x 19cm (9 7/16 x 7 1/2in). 兩件作品均附山口長男作品登錄會所發之註冊卡， (ii) with artist’s seal 編號(i) S16091029及(ii) S16091026 signed and titled on the reverse watercolour on Japanese paper

21 x 18cm (8 1/4 x 7 1/16in). set of two works

HK$10,000 - 20,000 US$1,300 - 2,600

Provenance Private Collection, Japan

These works are each accompanied by a registration card issued by Takeo Yamaguchi Artwork Registration Association under the numbers (i) S16091029 and (ii) S16091026.

24 | BONHAMS 10 TAKEO YAMAGUCHI 無題山口長男 1981年作 1902-1983 水墨紙本

Untitled 藝術家鈐印一方 1981 背面簽名：1981 4/10 with artist’s seal 來源 dated 81 4/10 on the reverse 日本私人收藏 water colour on paper 此作品附山口長男作品登錄會所發之註冊卡，編號S16091028 55 x 46cm (21 5/8 x 18 1/8in).

HK$10,000 - 20,000 US$1,300 - 2,600

Provenance Private Collection, Japan

This work is accompanied by a registration card issued by Takeo Yamaguchi Artwork Registration Association under the number S16091028.

MODERN & CONTEMPORARY ART | 25 11 TAKEO YAMAGUCHI 大川島斜陽（佐潟遠望）山口長男油彩木板 1902-1983 1978年作

Ookawashima Setting 背面簽名：大川島斜陽（佐潟遠望）五三年五月二七日山口長男 1978 來源 signed, titled, and dated 53rd year May 27 on the reverse 日本私人收藏 oil on board 出版 15.9 x 22.7cm (6 1/4 x 8 15/16in). 《山口長男作品集》，講談社，1981年，編號500

HK$20,000 - 30,000 此作品附山口長男作品登錄會所發之註冊證書，編號1609033 US$2,600 - 3,900

Provenance Private Collection, Japan

Literature Takeo Yamaguchi, The Works of Takeo Yamaguchi, Kodansha, 1981, no. 500

This work is accompanied by a registration certificate issued by Takeo Yamaguchi Artwork Registration Association under the number 1609033.

26 | BONHAMS 12 TAKEO YAMAGUCHI 置山口長男油彩木板 1902-1983 1974年作

Chi 背面標籤簽名：山口長男一九七四年六月置 1974 來源 signed, dated 1974 June and titled on a label affixed to the reverse 日本私人收藏 oil on board 此作品附山口長男作品登錄會所發之註冊證書，編號1609032 41 x 33cm (16 1/8 x 13in). 不設底價 HK$200,000 - 300,000 US$26,000 - 39,000

Provenance Private Collection, Japan

This work is accompanied by a registration certificate issued by Takeo Yamaguchi Artwork Registration Association under the number 1609032.

NO RESERVE

MODERN & CONTEMPORARY ART | 27

13 “The highest level of expression is LEE UFAN 李禹煥 not to create something from nothing, B. 1936 but rather to nudge something that From Point 1984 already exists so that the world signed, titled and dated 1984 on the reverse shows up more vividly.” with Tokyo Gallery label affixed on the reverse pigment on canvas – Lee Ufan

32 x 42cm (12 5/8 x 16 9/16in).

HK$350,000 - 550,000 US$45,000 - 71,000

Provenance Tokyo Gallery, Tokyo Acquired directly from the above by the present owner in 1986

This work is accompanied by a note of confirmation issued by Tokyo Gallery.

從點顏料畫布「印象派的最高境界並不是在虛無中創 1984年作造東西，而是帶動現存的事物，從而讓世

背面簽名：Lee Ufan 1984 From Point 界更為生動耀目。」背面附東京畫廊標籤

來源李禹煥東京畫廊 – 現藏家於1986年直接購自上述畫廊

此作品附東京畫廊所發之保證書

28 | BONHAMS

MODERN & CONTEMPORARY ART | 29 14 MASAAKI YAMADA 作品 C. 107 山田正亮油彩畫布 1930-2010 1962年作

Work C. 107 背面簽名：山田正亮一九六二年 1962 背面附藝術家標籤 signed and dated 1962 on the reverse 來源 with artist label affixed on the reverse 日本私人收藏 oil on canvas 我們由衷感謝山田正亮遺產管理委員會提供此拍品的補充資料 145.7 x 97cm (57 3/8 x 38 3/16in).

HK$1,200,000 - 1,800,000 US$150,000 - 230,000

Provenance Private Collection, Japan

We would like to thank the Estate of Yamada Masaaki for providing additional cataloguing information for the present lot.

Masaaki Yamada is one of Japan’s most prolific, inventive, and 山田正亮為其中一位日本最多元、最具開創性及影響力的抽象畫家。他 influential abstract painters. Born in Tokyo in 1930, Yamada 於1930年生於東京，在成名前一直致力於實驗、體驗藝術，直到1970年 dedicated himself to decades of disciplined experimentation and 代晚期才引起日本藝術圈的關注。其後，他的作品持續獲得認可。2016 exploration, before being “discovered” by the Japanese art world 年，其回顧展「endless: The Paintings of Yamada Masaaki」在東京國 in the late 1970s. He received continuous recognition for his works 立近代美術館及京都國立近代美術館展出。 in the years that followed, culminating in the retrospective endless: The Paintings of Yamada Masaaki, held at both National Museums 戰後的日本藝術在第二次世界大戰後身心受創的陰霾之下發展，概括而 of Modern Art in Tokyo and Kyoto in 2016. 言，當時的氛圍激起了新的藝術浪花，當中的作品傾向於重塑、重新定義藝術本身，還有重新審視一眾藝術家的根本。山田正亮有感日本近代 Post-war Japanese art was born of the physical and emotional 歷史的沉重，但正如其他前衛先鋒藝術家一樣，他未有追從任何現代的 devastation of World War II and, broadly speaking, inspired a 藝術流派。取而代之，他專注於研究繪畫性的，而這種形式要求藝術家 wave of artistic production bent on reinventing and redefining the 及觀者須注意到作品描繪手法和用色的心思細節，粗闊的色彩一抹接一 fundamentals of art and its makers. Yamada felt the burden of 抹，與任何外在現實的事物沒有半點關聯。 Japan’s recent history, but like fellow avant-gardists, refused to yoke art-making to any modernization project. Instead, he gravitated towards a style of essential painting, one that demanded only the artist’s and the viewer’s attention to the passage of paint and color, one broad stroke of color succeeding the next, without any reference to any external reality.

Ellsworth Kelly (1923-2015), Blue Green Red, 1963. Oil on canvas, 231.1 x 208.3 cm. Arthur Hoppock Hearn Fund, 1963 (63.73). 埃爾斯沃斯．凱利，《藍、綠、紅》1963年作，油彩畫布， Arthur Hoppock Hearn基金收藏，1963年 Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY. © 2017 Ellsworth Kelly

30 | BONHAMS MODERN & CONTEMPORARY ART | 31 Minimalist painting styles appear retroactively as if part of a 看起來，極簡主義畫作像是藝術運動的一部分，但許多時候，畫家卻 movement, but it seems more often than not that painters, perhaps 是透過幾近獨立的創作過程去達成這種畫風，背後也許是受到他們自 as a result of their contemplative drive, arrive at these styles by 己深刻的沉思所驅使的。舉例說，埃爾斯沃茲．凱利一直以來都在巴黎 near independent invention. Ellsworth Kelly, for example, had been 定居、畫畫，當他發現另一位畫家艾德．萊茵哈特正在以跟他相近的 living and painting in Paris and only returned to the US in 1954 after 模式創作時，才於1954年回到了美國。同樣，山田正亮在整個1950年 seeing the works of Ad Reinhardt, realizing that another painter was 代裏埋頭苦幹，繪畫出愈來愈抽象的靜物畫，直到50年代末期，方以完 working in a mode similar to his own. Yamada, similarly, worked 全抽象還原的風格創作。（山田正亮亦於1966年在「Two Decades of diligently throughout the 1950s, painting increasingly abstracted American Painting」展覽中看到了凱利的作品。這無疑又是另有一個 still-life canvases, until arriving at a fully abstracted, reductive mode 例子：彼此不認識的藝術家，意外地發現自己和另一位畫家的藝術和哲 in the late 1950s. (Reinhardt in turn would also be introduced to 學觀點十分相似。） Yamada in 1966 during the exhibition of Two Decades of American Painting, another moment in which unexpected artistic and 自此，山田正亮找到了他未來四十年的藝術創作之路。在他的那個系列 philosophical kinship would be found among artists previously 之中，每一幅畫作都名為「Work」，上面有着具條理的數目字，標記着每 unknown to each other.) 幅作品的創作次序，這樣一來不會因為名字而規限了畫作的內容，也同時記載了山田正亮的創作。《 Work C. 107 》（拍品14號）就是出自 By that time, Yamada had arrived at the series that would 這段時間的作品。畫作成於1962年，是該系列中最早於拍賣會中亮相的 consume the next forty years of his career. In this series, each 作品，也是體積最大的一幅。《 Work C. 107 》的水平條紋圖案擁有 canvas is titled “Work”, followed by a systematic numbering 不同的顏色：蜜桃色、不同的綠色，還有皇室藍和天藍色，它們輕輕地交 describing their order of production, a polite refusal of any 替穿插畫布的空間。從實色的顏料、厚實的條紋，以及規律性的形式之 suggestion of content, a reminder of the labor of the artist. Work 中，看出了畫作中的變化。作品常以銀色或白色作基底，而畫作表面的顏 C. 107 (lot 14) comes from this historic period. Painted in 1962, the 色則帶有少許閃爍，並非絕對金屬的光澤。 painting is one of the largest and earliest to have even appeared at auction. In Work C. 107, a pattern of horizontal stripes – peach, 山田正亮曾說：「重複的舉動衍生出一個獨特的領域，並促進了必要的行 greens, royal and sky blues, cream and red – gently alternate 為。這專注的重複行為產生了相互碰撞的效果、多種顏色的相對性便形 across the space of the canvas. Variations appear in the opacity 成了主體。雖然沒有開始，也沒有結束，當下了一個新的筆觸時，作品便 of the paint, the thickness of the stripe, the regularity of its form. 呈現新的觀點。」在這幅廣闊的畫布中，山田正亮創造了一個無限的光 Often starting with a silver or white under painting, the surface 學探索領域，一個沒有開始或終點的空間。他致力客觀地創作，期望脫 colors take on a lightly shimmering, not quite metallic quality. 離敘事和歷史。他創造了一個無限且具意義的作品，這一切都讓山田正亮成為了戰後日本最具思想和影響力的畫家之一。 The artist has stated, “The act of repeating creates a unique field and encourages essential action. The outcomes of sensation brush against one another, the motion of colors of equivalent value become the object, and that which works continually without losing force is the sense of repetition. Although there is neither an end nor a beginning, the moment there is a new brushstroke, the work approaches these from another viewpoint.” In this expanse of canvas, Yamada has created an infinite field of optical exploration, one without beginning or end. In his efforts to work objectively and detach himself from narrative meaning and historical time, he has created a work infinitely more meaningful, securing his place as one of the most thoughtful and influential painters in post-war Japan.

Ad Reinhardt (1913-1967), Red Painting, 1952. Oil on canvas, 198.1 x 365.8 cm. Arthur Hoppock Hearn Fund, 1968 (68.85). 艾德．萊因哈特，《紅色繪畫》1952年作，油彩畫布， Arthur Hoppock Hearn基金收藏，1968年 Image copyright © The Metropolitan Museum of Art. Image source: Art Resource, NY© 2017 Artists Rights Society (ARS), New York

32 | BONHAMS

15 MANABU MABE 與星對話（星の對話）間部學油彩畫布 1924-1997 1991年作

Conversation of Stars 簽名：Mabe 91 1991 背面簽名：星の對話 Conversacao de Estrela Mabe 1991 signed and dated 91 來源 signed, dated 1991, titled and inscribed on the reverse 巴西私人收藏 oil on canvas 我們由衷感謝藝術家遺孀間步吉野女士提供此拍品的補充資料

102 x 152cm (40 3/16 x 59 13/16in).

HK$150,000 - 250,000 US$19,000 - 32,000

Provenance Private Collection, Brazil

We would like to thank the artist’s widow, Mrs. Yoshino Mabe, for providing additional cataloguing information for the present lot.

34 | BONHAMS 16 TOSHIMITSU IMAI 太陽今井俊滿綜合媒材紙本 1928-2002 1962年作

Le Soleil 簽名：IMAI 1962 PARIS 1962 背面簽名： "LE SOLEIL" 1962 PARIS 金井俊滿一九六二年パリ signed, inscribed and dated 1962 來源 signed, dated 1962 and titled on the reverse 日本私人收藏 mixed media on paper

50 x 65cm (19 11/16 x 25 9/16in).

HK$120,000 - 180,000 US$15,000 - 23,000

Provenance Private Collection, Japan

MODERN & CONTEMPORARY ART | 35 17 TOSHIMITSU IMAI 雅藍·朱佛瓦之畫與詩今井俊滿壓克力金粉畫布日本紙裱於畫布 1928-2002 1987年作

Poetry and Painting from Alain Jouffroy 簽名：IMAI 俊滿 87 1987 藝術家鈐印一方 signed, dated 87 with artist’s seal 來源 acrylic and golden powder on Japanese paper mounted on canvas 亞洲私人收藏

117 x 91cm (46 1/16 x 35 13/16in).

HK$30,000 - 50,000 US$3,900 - 6,400

Provenance Private Collection, Asia

36 | BONHAMS 18 TOSHIMITSU IMAI 黑與藍今井俊滿油彩畫布 1928-2002 1981年作

Black & Blue 簽名：IMAI 81 1981 來源 signed and dated 81 亞洲私人收藏 oil on canvas

61 x 73cm (24 x 28 3/4in).

HK$30,000 - 50,000 US$3,900 - 6,400

Provenance Private Collection, Asia

MODERN & CONTEMPORARY ART | 37 19 SHOZO SHIMAMOTO 嶋本昭三 1928-2013

Untitled (from “Performance with cups” at Shin Nishinomiya Yacht Harbor) 2011 signed acrylic on canvas

115 x 91cm (45 1/4 x 35 13/16in).

HK$300,000 - 500,000 US$39,000 - 64,000

Provenance Private Collection, Japan

This work is registered in the archive of the Shozo Shimamoto Association, Nishinomiya-Reggio Emilia-Naples, under no. 1224, and is accompanied by a photo-certificate of authenticity.

無題（新西宮遊艇港「杯子表演」）壓克力畫布 2011年作

簽名：S. Shimamoto

來源日本私人收藏

此作品附有嶋本昭三協會所發之保證書，編號1224

38 | BONHAMS MODERN & CONTEMPORARY ART | 39 20 KIM CHANIL 線條變化金燦一壓克力顏料畫布 B. 1961 2016年作

Line Variation 背面簽名：Kim Chanil Line Variation 2016 2016 來源 signed, titled, inscribed and dated 2016 on the reverse 現藏家直接得自藝術家 acrylic and pigment on canvas

120 x 170cm (47 1/4 x 66 15/16in).

HK$100,000 - 150,000 US$13,000 - 19,000

Provenance Acquired directly from the artist by the present owner

40 | BONHAMS 21 KIM TAE-HO 內在律2005-23 金泰浩壓克力畫布 B. 1948 2005年作

Internal Rhythm 2005 - 23 背面簽名：金泰浩內在律2005-23 KIM TAE-HO Internal Rhythm 2005 2005-23 2005 signed, titled, inscribed and dated 2005 on the reverse 來源 acrylic on canvas 現藏家直接得自藝術家

116 x 89cm (45 11/16 x 35 1/16in).

HK$120,000 - 180,000 US$15,000 - 23,000

Provenance Acquired directly from the artist by the present owner

MODERN & CONTEMPORARY ART | 41 “In the world of white, Lin is unrivaled” 「在白色的天地裏，無人能企及林壽宇。」

– Joan Miro – 胡安．米羅

22 RICHARD LIN (LIN SHOW-YU) 1961-64 林壽宇油彩鋁版膠畫布 1933-2011 1961-64年作

1961-64 背面附倫敦馬博羅畫廊標籤 with Marlborough Fine Art Ltd label affixed on the reverse 來源 oil, plastic, and aluminium on canvas 倫敦馬博羅畫廊前藏家直接購自上述畫廊 76.2 x 76.2cm (30 x 30in). 現由其子女繼承

HK$450,000 - 650,000 US$58,000 - 84,000

Provenance Marlborough Fine Art, London Acquired directly from the above by the previous owner Thence by descent to the present owner

Artist in his studio. 藝術家位於工作室

42 | BONHAMS MODERN & CONTEMPORARY ART | 43 Richard Lin is among a loose generation of Chinese painters who were 中國各代的畫家人才輩出，他們都有着深遠的影響力，而且被西方的藝 highly influential and well-recognized by their peers in the West, while 術家所高度認受，同時推進亞洲現代藝術的發展，畫家林壽宇就是這群 simultaneously advancing the cause of modern art in Asia. 有為藝術家的其中一員。

Based in London from the early 1950s onwards, Lin had his first solo 林壽宇從50年代早期開始便定居倫敦，他1959年於倫敦理工學院畢 exhibition soon after graduating from the London Polytechnic in 1959. 業，並很快地展出其首個個人展覽。他早期的作品透露他受到西方抽象 His earliest works display the influences of Western abstraction as well 派及表意性中國書法的影響，但在不久之後，林氏則開始創作一些高度 as expressive Chinese calligraphy, but it was not long before Lin started 還原性和真正極簡主義的作品，他亦很快憑藉他獨有的風格而獲得了外 working in a highly reductive, formal minimalism, and he quickly received 界的重視。 significant recognition for this unique style. 1964年，《文獻展》第三度展出，林壽宇則成為首位躋身該展覽的台灣 He was the first Taiwanese painter to appear in documenta, where he was 畫家，同時展出的藝術家包括胡安．米羅、山姆．法蘭西斯、尼古拉．德． included in the third iteration of the exhibition in 1963, alongside the likes 斯塔埃爾、維埃拉．席爾瓦等等。米羅更曾經這樣形容林壽宇的作品： Joan Miro, Sam Francis, Nicolas de Stael, Vieira da Silva, and others. 「在白色的天地裏，無人能企及林壽宇。」1966年，林氏亦於匹茲堡參 Miro is quoted as saying, “In the world of white, Lin is unrivaled”. In 1966, 與聞名遐邇的卡內基國際展，同場藝術家還包括朱德群、趙無極、莊喆 Lin also participated in the prestigious Carnegie International in Pittsburgh, 和丁雄泉。法蘭西斯．培根亦於同年展出了其《佛洛伊德肖像三習作》 alongside Chu Teh Chun, Zao Wou-ki, Chuang Che, Walasse Ting. This 及其他作品，並在一眾藝術家之中脫穎而出，獲得繪畫殊榮。 was the same year that Francis Bacon exhibited Three Portraits of Lucian Freud. and others, winning a painting prize among his peers. 不少人經常把林壽宇的作品與60、70年代的「極簡主義」藝術家相比，他們的靈感來源廣泛，如包豪斯的設計和建築、卡濟米爾．馬列維奇的 Lin is often compared with “minimalist” artists of the 1960s and 1970s, 至上主義派畫作，以及約翰．凱奇和拉蒙特．楊的先鋒派作品。無疑， artists whose inspirations were in turn as diverse as Bauhaus design 林壽宇的作品或多或少都受其於倫敦理工學院時所修讀的藝術及建築 and architecture, the Suprematist paintings of Kazimir Malevich, and the 所影響，可是，他卻遵從中國傳統美學，還有道家的哲學及精神思想。 avant-garde compositions of John Cage and LaMonte Young. For Lin, his works were no doubt in part influenced by his study of art and architecture 他曾說：「靜止不動對我來說是非常重要的。我至今仍然認為繪畫是我 at the London Polytechnic, but he spoke most often of Chinese traditional 的宗教表達方式。就我而言，繪畫必須是神聖的。它是我的祭壇聖物， aesthetics, as well as of Daoist philosophical and spiritual concerns. 是人類之手不許觸碰的。也因此，一切的動勢姿態都已消失。」

He has stated, “Stillness is very important to me. Painting is my religious 林壽宇花在作品身上的時間是他堅持追求簡單、平衡的最佳佐證。以這 expression. It’s my altarpiece, something untouched by human hands. 次的拍品《1961-64》（拍品編號22）為例，他花上了三年時間去完成。 Therefore all gestures disappeared.” 創作過程歷時多載，皆因林壽宇希望能夠把每一個色調、形狀和陰影之間的婉約、靈動配合得恰到好處，打造出一系列彼此稍稍對稱的形狀； Lin’s disciplined pursuit of simplicity and balance is made evident by the 營造出似冥想狀態時看見的色調連結，玩弄光影在平面畫布結構上呈 time he spent on many of his works. The present lot, 1961-64 (lot 22), 現的效果。 was worked on over a period of three years. This was time spent refining the subtle and dynamic relationship between each tone, shape, 能與林壽宇的當代藝術畫作類比的，大概是艾格尼絲．馬丁的作品，後 and shadow, creating a series of forms that hover lightly in symmetry to 者的極簡主義畫作帶着哲學層面的考慮。她曾說：「我們心底裏有些感 each other, tonalities and relations that are only revealed under extended 覺難以捉摸，而藝術則實實在在地表達出這些感覺。」這種說法同時可 meditation before the work itself, and with the play of light across the 以套用到林壽宇的作品之上。在這個林氏早期最重要的特殊作品例子 architecture planes of the canvas. 之中，我們可以看到，雖然畫作表面上簡單，當中的優雅、寧靜，卻是畫家的心血結晶，他嚴謹堅守信念，拿捏平衡點，兼且耐心沉著，經年累月 Of his contemporaries, Lin may have the most kinship with Agnes 去完成作品。 Martin, another artist whose apparent minimalism was driven primarily by philosophical concerns. She has stated, “art is the concrete representation of our most subtle feelings”. The same might be said of Lin’s works. In this exceptional example from his most important early period, we see how the apparently simplicity of his works, their elegance and serenity, are achievements brought by discipline, balance, patience, and time.

Agnes Martin (1912-2004), Untitled #6, 1995. Acrylic and graphite on canvas 152.4 x 152.4cm. Credit: Private Collection/Bridgeman Images. 艾格尼絲．馬丁，《無題6號》1995年作，壓克力石墨畫布 © 2017 Agnes Martin / Artists Rights Society (ARS), New York.

44 | BONHAMS

23 JU MING (ZHU MING) 單鞭下勢朱銘銅雕 B. 1938 1986年作

Single Whip Dip 簽名：朱銘16-20 1986 來源 signed and numbered 16-20 on the back 香港漢雅軒 bronze 前藏家直接購自上述畫廊亞洲私人收藏 38 x 63 x 30cm (14 15/16 x 24 13/16 x 11 13/16in). 此作品附香港漢雅軒所發之保證書 HK$300,000 - 500,000 US$39,000 - 64,000

Provenance Hanart TZ Gallery Hong Kong Acquired directly from the above by the previous owner Private collection in Asia

This work is accompanied by a photo-certificate of authenticity issued by Hanart TZ Gallery.

Ju Ming’s works exude a strong presence from within. Perhaps rooted 朱銘的作品透露出由內而外的存在感，也許是早期他曾雕刻過神像的 in his early experience as a sculptor in a temple, Ju’s artistry not only 經驗，朱式的雕刻手法展現了不僅是力與美、更顯現出作品角色的靈 expresses beauty and force, but also the spirituality of the figure. Born 性。朱式出生於台灣苗栗，15歲時拜李金川為師，之後跟隨楊英風學 in Miaoli, Taiwan, the artist sought mentorship from Li Jinchuan at 15, 習雕塑，在楊式的鼓勵和引薦之下，朱式在70年代已經受到許多鑑賞 then studied sculpting under Yang Yingfeng. Under Yang’s guidance and 家青睞。1976年台北歷史博物館展出了他首個個展，因此朱銘的名聲 encouragement, Ju was already garnering critical acclaim in the 1970s. 大噪，隔年在日本東京中央美術館，展出「太極」系列作品，更是受 In 1976, he held his first solo exhibition at the National Museum of History 到絕佳的評價。從70年代中期開始創作的「太極」系列奠定下朱式在 in Taipei. It was very well received, and was quickly followed by his first 當代雕塑史上獨一無二的地位。 international solo exhibition of his Tai Chi Series at the Tokyo Central Art Museum in 1977. Receiving excellent critiques from the show, the series 「太極」系列始於朱式對於太極的熱愛，在太極融為生活的一部分 became Ju’s signature, and cemented his irreplaceable position in the 時，其元素也滲入了他的藝術創作中。練習太極拳是需要用放鬆的狀 contemporary sculpture world. 態，達到用意不用力的狀態。而朱式在他的雕塑中，出神入化的將中國太極最深沉的意韻，用粗曠、快速、精準的的雕刻手法將民間的木 Tai Chi Series was created from Ju’s love of Tai Chi. When Tai Chi became 雕藝術昇華到具有文人氣息的當代雕塑。 an integral part of the artist’s life, its elements also permeated into his artistic creation. The practice of Tai Chi requires a relaxed and meditative state to achieve the goal of exerting the mind over the physical body and force. This pursuit is evident in Ju’s oeuvre. He characterizes the profound spirit in the art of Tai Chi with raw, swift, yet precise carves, elevating the craft of wooden folk sculptures to academic contemporary sculptures

46 | BONHAMS MODERN & CONTEMPORARY ART | 47 PROPERTY FROM THE ESTATE OF NORA SUN 孫穗芬遺產收藏

24 SHIY DE JINN (XI DEJIN) 席德進孫穗芬肖像 1923-1981 油彩畫布 1960年作 Portrait of Nora Sun 1960 簽名：席德進 1960 signed and dated 1960 來源 oil on canvas 前藏家直接得自藝術家現由其子女繼承 95 x 65cm (37 3/8 x 25 91/6in).

HK$800,000 - 1,200,000 US$100,000 - 150,000

Provenance Acquired directly from the artist by the previous owner Thence by descent to the current owner

Nora Sun, Taipei, 1960, wearing the dress featured in her portrait. 孫穗芬1960年於台北身穿自畫像中的旗袍

48 | BONHAMS MODERN & CONTEMPORARY ART | 49 “Good portraits can penetrate 「好的肖像畫能透徹你的心靈，抓住你的 the spirit, capture your personality, 性格，表現你的習性，畫你隱蔽着的不曾自 express your characteristics, and 覺的神情。一個有經驗的肖像畫家，像一 portray concealed expressions you 位看相專家，或算命者，他會用彩筆，道出 weren’t aware of. An experienced 你在人生中的經歷與遭遇。」 portrait artist is like a physiognomist or – 席德進 a fortune-teller. He can use his brush to express your life experiences.”

– Shiy De-Jinn

The works of Shiy De-Jinn have played an essential role in the development 席德進的作品在中國現代藝術和油畫發展的里程中扮演着舉足輕重的 of Chinese modern art and oil painting. Born in Sichuan in 1923, Shiy was a 角色。席德進1923年生於四川，師從林風眠，為趙無極、朱德群同期 contemporary of Zao Wou-ki and Chu Chu Teh-Chun and a student of Lin 的藝術家。正如趙、朱二人一樣，席德進為中國第一批受西方藝術影 Fengmian. Like them, Shiy was drawn to the first wave of Western influence 響的藝術家，他們三人亦同於中國美術學院就學。席德進提及恩師林 that was just then taking root in China’s art academies. Speaking of Lin, 風眠時曾說：「他教我用線去表現體，不要在畫上追求光影，因為光 Shiy stated, “He taught me how to use line to show body, and not to seek 與影都是外表，要攫住物的本體，堅強的本體。大膽去畫，追求自己 light and shadow on the canvas, because light and shadow are external. 的風格。」 Instead, one must gasp the existence of the object, and strengthen that existence. He taught me to paint boldly, and pursue my own style.” 席德進於國共內戰時期遷居至台灣，並為其現代派藝術的歷練之路找到了新的方向和靈感。那時，他來到了台灣的異鄉之境，踏上這片 Settling in Taiwan during China’s Civil War, Shiy found new direction and 物種豐裕的半亞熱帶之地，並被當地的自然風光和人民所吸引。林風 inspiration for his modernist training. Now in this foreign, lush, semi-tropical 眠把西方現代派藝術的技法帶進傳統的命題之中，但席德進卻有所不 land, Shiy was impressed by both the landscape and by the people. 同，他開始去繪畫當時身邊的事物，包括風景和人。席德進的畫作游 Unlike his mentor Lin, who brought modernist techniques to traditional 離於表徵和抽象兩者之間：他會憑直覺處理他要畫的對象，追尋事物 subjects, Shiy set out primarily to paint his contemporary surroundings: 本質的特性。這個手法，能往往透過抽象的顏色和形式來加以凸顯， the landscape, and the people. His paintings straddled representation and 特別是從物料、衣著和景觀方面着手。與席德進同期的美國肖像畫家 abstraction: He would approach his subjects intuitively, seeking to render 愛麗絲．尼爾，不但透徹人心，更以超然的同理心去揣摩所畫對象， their essential characteristics, an approach that was augmented by the 兩者筆下的肖像畫亦可互相比擬。至於席德進部分較為抽象的傑作， often abstracted use of color and form, especially in materials, clothing and 則帶有亨利．馬蒂斯的影子。 scenery. To that end, his works of portraiture might be compared to the American portraitist of that same era, Alice Neel, whose paintings melded 20世紀，中國現代化的浪潮跨越各界各業：當中自然不僅包括藝術 psychological penetration with a transcendent compassion, while some 家，還有醫生，詩人，知識分子等等。今次的拍品，在這段歷史上更 of his more abstract flourishes resemble those of Henri Matisse, such as 是獨一無二之作。畫中《孫穗芬肖像》（拍品編號24）的肖像為孫逸 shown in the 1907 painting Le Madras Rouge. 仙之孫女孫穗芬。孫逸仙為中國現代化的改革者，是20世紀早期的革命之士，更是中華民國的首任總統。其孫女孫穗芬為中美兩國友好關 The work of modernizing China in the 20th Century was one undertaken 係不遺餘力，曾擔任美國駐廣州總領事館的商務領事，並於80年代轉 across all fields and walks of life: certainly not just artists, but doctors, 職美國駐上海總領事館，其後又創辦了香港順亞顧問公司。 poets, intellectuals, and more. The present lot is unique in its historic subject. The sitter is Nora Sun, daughter of Dr. Sun Fo and 1930s 畫作成於60年代初，席德進捕捉了畫中人的年輕活力和現代感。孫 Shanghai business maven Lan Yi, Nora is the granddaughter Sun Yat-sen, 穗芬的打扮時尚，穿上了一襲剪裁俐落的旗袍，而畫中隱含着一個十 the modernizing reformer and revolutionary of the early 20th Century and 分細微的線索──孫氏的下小腿告訴我們，她穿的並不是一襲傳統的 the first president of the Republic of China. A reflection of her prominent 旗袍，而是長度稍短的摩登款式。席德進描畫這襲旗袍時，線條的處 heritage, Nora was a globe-trotting diplomat and social whirlwind, serving 理接近抽象，畫面的佈局則以深色、活力的藍色圖案對立孫氏的紅椅 as the Chief Commercial Consul for the U.S. in Guangzhou, Shanghai, 子。她的眼神清澈，但也許神情上卻帶了點保留，她其中一隻手默默 and finally Paris in the 1980s and 1990s. Nora was well loved and 地退縮在大腿之上，目光清晰但有感疏離，至於微笑則像蒙羅麗莎一 respected by friends, colleagues and family for her strong will, sharp wit, 樣，淡而迷離。抽象的背景令此畫成為永恆佳作，蒼白灰、藍和桃色 and keen diplomatic manner. 色調搖曳不定，而人物皮膚和衣服則有着較強烈的色彩，兩方互相呼應。畫中的孫穗芬看起來頓時富含生氣，令人肅然起敬，而且給人十 Painted in the early 1960s, Shiy captures his subject as young, vibrant, and 分獨立自主之感，歷史上傳奇人物後裔所應有的氣質神韻，她均一應 modern. She wears a fashionable, well-tailored cheongsam. The slightest 俱備，一脈相傳。 hint of her lower calf lets us know that it is of the modern, mini-skirt variety and not the traditional length. Shiy depicts the dress as a near-abstracted arrangement of lines and shifting planes, in a deep, vibrant blue pattern set against the primary red of her stool. She is clear-eyed but perhaps a bit reserved, one hand absent-mindedly retreating across her lap, her gaze clear but remote, her smile as slight and ambiguous as the Mona Lisa’s. The abstracted background gives the work its timeless quality, wavering through pale greys, blues, and peach tones, echoing the stronger tones of the figure’s skin and dress. She is at once vibrantly human, formidable, and utterly self-contained, all the necessary qualities of someone who was born with a significant legacy to maintain, and who fully intends to maintain it.

50 | BONHAMS Nora Sun, circa 1955. She was the youngest flight attendant to Henri Matisse (1869-1954), Red Madras Headdress work for Taiwan’s Civil Air Transport (Le Madras rouge), 1907. Oil on canvas 100 x 81cm. Image 孫穗芬當時約1955年時為台灣民航空運公司第一位最年輕的空服員亨利．馬蒂斯，《紅色馬德拉斯頭飾》，1907年作，油彩畫布 © 2017 The Barnes Foundation. © 2017 Succession H. Matisse / Artists Rights Society (ARS), New York

Family gathering in Arizona home in the late 1960s, Family gathering in Arizona home in the late 1960s, with Nora Sun seated in yellow dress. with the portrait featured. 1960年晚期在美國亞利桑那州的住家舉行家庭聚會時所攝 1960年晚期在美國亞利桑那州住家，賓客同肖像作品合影的照片，孫穗芬坐在左一，身穿黃色洋裝。

MODERN & CONTEMPORARY ART | 51 CHINA RE-IMAGINED

YANG SHAOBIN – YUE MINJUN – ZHOU CHUNYA – HAI BO – WANG GUANGYI – ZHANG ENLI 再解讀—中國

楊少斌 – 岳敏君 – 周春芽 – 海波 – 王廣義 – 張恩利 25 YANG SHAOBIN 警察系列3號楊少斌油彩畫布 B. 1963 1996年作

Police Series No. 3 背面簽名：楊少斌 1996 3 1996 背面附香港少勵畫廊標籤 signed, dated 1996 and numbered 3 on the reverse 來源 with Schoeni Art Gallery label affixed on the reverse 香港少勵畫廊 oil on canvas 香港私人收藏現藏家直接購自上述收藏 41 x 33cm (16 1/8 x 13in). 出版《：位當代藝術家精選作品》，香港少勵畫廊，香港，年 HK$120,000 - 180,000 8+8-1 15 1997 US$15,000 - 23,000

Provenance Schoeni Art Gallery, Hong Kong Private Collection, Hong Kong Acquired directly from the above by the present owner

Literature Schoeni Art Gallery Ltd., 8+8-1: Selected Paintings by 15 Contemporary Artists, Hong Kong, 1997

Yang Shaobin is a leading member of the “Cynical Realist” painters 90年代，楊少斌在北京嶄露頭角，為「玩世現實主義派」畫家的領軍 who emerged in Beijing in the 1990s. Less a movement than a 人物。與其說「玩世現實主義」是個藝術運動，倒不如說那是畫家的 worldview, these painters, including Yang, Liu Wei, Fang Lijun, and 世界觀。這些畫家包括楊少斌、劉煒、方力鈞和岳敏君，都以各種各 Yue Minjun, captured in various ways the alienation, unrest and 樣的方式，捕捉了天安門事件十年後的異化，動亂和憤怒。楊少斌把 ennui that had come to characterize post-Tiananmen decade. Yang 這些情緒轉化成畫作，並在他早期標誌性的警察系列中呈現（拍品編 distilled these sentiments into his iconic early police paintings (lot 25 號25及26）。畫作亦曾參展極具歷史意義的《8 + 8 – 1 ：15位當代 and 26). Exhibited and published as part of the historic “8 + 8 – 1: 藝術家繪畫巡回展》，當中展出了部分較前期，而又能代表該時段的 Selected Paintings by Fifteen Contemporary Artists”, the exhibition 著名畫作，包括岳敏君的《偶像》、曾梵志的《面具》，劉煒的《吸 included some of the most recognizable early works that defined this 煙》和楊少斌的《警察》系列。今次展出的作品例子，體現出藝術家 period, including Yue Minjun’s Idols, Zeng Fanzhi’s Masks, Liu Wei 早期的主題探索：人物的軀體肉感鮮活，皮膚被曬紅且帶有贅瘤。這 Smoking, and Yang Shaobin’s Police. The examples here show the 幫警察各自各地拉扯着自己的臉龐，竭力地吸引觀者的視線。曾有一 artist exploring his early themes: the flesh is raw, sunburnt, bulbous; 段時期，楊少斌當上過警察，後來，他有感日常生活中所隱藏的暴力 the policemen pull at their own features and mug aggressively for the 可以成為他創作的核心主體。他筆下的警察是頭猥褻、荒誕的野獸， viewer. Yang himself worked for a period of time as a police officer, and 它們似乎可以在不同的世界裏出現，既可是當代中國街頭的民居裏， came to feel that the underlying violence of everyday life would be his 又或是荷蘭畫家耶羅尼米斯．博斯筆下神秘怪異的世界之中。 core pursuit. His police are bawdy, grotesque animalistic forms who, it would seem, might equally be at home on the streets of contemporary China or in the unearthly world of Hieronymous Bosch.

54 | BONHAMS MODERN & CONTEMPORARY ART | 55 V

26 YANG SHAOBIN 警察系列37號楊少斌油彩畫布 B. 1963 1996年作

Police Series No. 37 背面簽名：37號楊少斌 Yang Shao Bin 1996 7-10月 1996 背面附香港少勵畫廊標籤 signed, dated 1996 July to October and numbered 37 on the reverse 來源 with Schoeni Art Gallery label affixed on the reverse 香港少勵畫廊 oil on canvas 香港私人收藏現藏家直接購自上述收藏 41 x 33cm (16 1/8 x 13in). 出版 HK$120,000 - 180,000 《8+8-1：15位當代藝術家精選作品》，香港少勵畫廊，香港，1997 年 US$15,000 - 23,000

Provenance Schoeni Art Gallery, Hong Kong Private Collection, Hong Kong Acquired directly from the above by the present owner

Literature Schoeni Art Gallery Ltd., 8+8-1: Selected Paintings by 15 Contemporary Artists, Hong Kong, 1997

Cover of 8+8-1: Selected Paintings by 15 Contemporary Artists exhibition catalogue, Schoeni Art Gallery, Hong Kong, 1997 《8+8-1：15位當代藝術家精選作品》，香港少勵畫廊，香港，1997年，封面

56 | BONHAMS V

MODERN & CONTEMPORARY ART | 57 27 YUE MINJUN 無題岳敏君油彩畫布 B. 1962 2002年作

Untitled 簽名：Yue Minjun 2002 2002 來源 signed and dated 2002 瑞士盧森麥勒畫廊 oil on canvas 現藏家直接購自上述畫廊

216 x 198cm (85 1/16 x 77 15/16in).

HK$1,500,000 - 2,000,000 US$190,000 - 260,000

Provenance Galerie Urs Meile, Lucerne, Switzerland Acquired directly from the above by the present owner

Yue Minjun is probably one of the most-recognizable painters of 岳敏君可謂是中國當代藝術中其中一位最有名的畫家之一。他與其他 Chinese contemporary art. Like his fellow Cynical Realist painters, Yue 同期的玩世現實主義畫家一樣，在天安門慘劇發生後的多年來，面對 responded with absurdist, irreverent humor and an often sublimated fury 着北京的文化氛圍，選擇以荒謬、不敬幽默作回應，並往往把憤怒 at the cultural climate of Beijing in the years following the Tian’anmen 昇華至另一種面貌。他以其招牌「偶像」入畫，這些概念化的自畫 Square tragedy. He did so with his signature “idols”, conceptualized 像雙目閉合、咧齒大笑，情景充滿着各種超現實主義和諷刺。岳敏君 self-portraits with eyes closed and a cheek-splitting grin, arranged in a 曾道：「偶像有生命力；它通常影響我們的生活，並把自身作為一 variety of surrealistic and satirical settings. He has stated, “an idol has 個典範來約束我們的行為。」他亦曾言，文化大革命的情景啟發他的 a life-force, it often influences our lives and regulates our conduct by 創作：「文化大革命時期中國有一些蘇聯風格的畫作和海報，展現人 setting itself as an example.” Yue has also spoken of the images from 們開心大笑。然後有意思的是你在海報中所見一切通常都與現實截然 the Cultural Revolution as one inspiration for his works: “There were 相反。」 also paintings during the Cultural Revolution period, those Soviet-style posters showing happy people laughing. But what’s interesting is that normally what you see in those posters is the opposite of reality.”

58 | BONHAMS MODERN & CONTEMPORARY ART | 59 A smile, for Yue, can mean much more than happiness, and the toothy 對於岳敏君來說，一個笑容可能不單單意味着快樂，而他的偶像露齒 grin of his idols – their evident hysteria – is often at odds with their 大笑，常常與他們身處的環境或實況相抵觸，故顯然是歇斯底里的表 environment or circumstances. The social satire in his works often 現。這種不一致的分裂，正正體現出岳氏畫作中對社會的諷刺。對他 emerged from this disjuncture. For Yue, sometimes hysteria was the 而言，歇斯底里有時候是對某些狀況唯一可行的回應。 only viable response to one’s circumstances. 岳敏君1999年被邀請參與第48屆威尼斯雙年展時，呈獻出作品《生 When asked to participate in the 48th Venice Biennale in 1999, Yue 命》（圖一），當中摒棄了那些壯麗的背景和他精心編造的場景，甚 chose to break with his scenes of spectacle and elaborate tableaus 至去掉了畫中人物的衣服。《生命》由15幅畫作組成，每幅作品均 and instead stripped his figures not only of their environment but most 特寫了他的「偶像」，他們被個別地隔離開來，以從上向下的角度繪 of their clothes as well, presenting Life (fig. 1). An installation of 15 畫，人物遭扭曲成稀奇、複雜的姿態，其中許多「偶像」的姿態均超 paintings, each featured Yue’s “idol” isolated and viewed from above, 出了大部分瑜伽專業人士之所能。 giddily contorted into strange and elaborate positions, many of them well beyond the scope of most yoga practitioners. 今次的拍品《無題》（拍品編號27）乃該次突破系列的延續，但卻更偏向是概念上的作品，所關懷的議題亦更廣泛。岳氏以黑色為背景， The present lot, Untitled (lot 27), is an extension of that break into 利用柔潤的灰色繪畫人像，當中被膨化的人像比真實的要大。這種繪 more conceptual and universal concerns. Here the figure is blown 畫手法讓觀者欣賞作品時，沒有那麼像監看囚犯的角度，而更傾向像 up to larger than life-size, rendered in supple greys against a black 以熱感科技去觀察那些動物的自然行徑。是故，岳氏的人像俯身向 background. The result feels less like a prisoner viewed remotely 前，猶如嘗試去細耳傾聽一樣，而雙手則輕輕地摸索着身下的地面。 through security footage and more like the heat-sensitive technology 就此，人們可以很容易聯想得到，他正在享受鋼琴的樂韻，就如一個 used to observe animals in their natural habitat, without disturbance. 小孩陶醉於感受柔軟的泥土和溫暖的草地一樣。 As such, Yue’s figure leans forward as if trying to listen close, his hands gently groping the ground beneath him. One could easily imagine him 從這個系列中可以看出，岳敏君似乎在考問，假如我們排除了環境對 enjoying the music of a piano as a child lost in the sensuous pleasure 我們的影響，那我們的本質會是怎樣的呢？會是好奇、快樂、喜悅， of soft earth and warm grass. 還是無可避免地傾向神經恐懼、墮落和癲狂？岳敏君為了繼續以自己作為創作的主體，因而在作品中保留了必不可少的人性，可知道畫家 With this series, Yue seems to be asking, if stripped of our 一方面亦須承受從眾的壓力，一方面卻可享受滿足的散逸。岳敏君讓 environmental influences, what is our essential nature? Is it one 外界以許多各異的方式去詮釋他的作品，但就這個作品而言，他似乎 of curiosity, happiness, joy, or are we ineluctably driven towards 暗示，即使身處一個着了魔的世界，當中也會有快樂的存在。 neuroses, submission, and madness? In keeping himself as the subject matter, Yue retains an essential humanity in this works, understanding that he, too, is subject to the pressures of conformity, the ease of complacency. Yue leaves his work open to wide ranges of interpretation, but here he seems to be suggesting that there may yet be some joy to be had, even in a world gone mad.

fig. 1 - Yue Minjun B. 1962, Life, 1999. Oil on canvas, 15 panels each 82.5 x 82 cm. （圖一）岳敏君《生命》1999年作，油彩畫布

60 | BONHAMS

28 ZHOU CHUNYA 周春芽 B. 1955

Untitled 2005 signed and dated 2005 signed and dated 2005 on the reverse oil on canvas

100 x 80cm (39 3/8 x 31 1/2in).

HK$500,000 - 800,000 US$64,000 - 100,000

Provenance Acquired directly from the artist by the present owner

無題油彩畫布 2005年作

簽名：2005周春芽 Zhou Chunya 背面簽名：2005周春芽 Zhou Chunya

來源現藏家直接得自藝術家

62 | BONHAMS MODERN & CONTEMPORARY ART | 63 “Green Dog is a symbol, an emblem… The color green is quiet, romantic, and lyric, and it contains in it the tranquility right before an explosion.”

– Zhou Chunya

Over the course of his four decade career, Zhou Chunya has established himself as one of China’s foremost contemporary painters, imbuing his highly subjective, expressionist works with a traditional literati spirit.

Where the earliest of China’s modernists took their cues from Paris in their drive towards abstraction and formal experimentation, the painters who emerged in the 1980s and 1990s often found instead deep historical affinities with the German Expressionists. This was especially the case for Zhou Chunya, who trained at the Sichuan Academy of Fine Art before pursuing his graduate degree at the Kassel Academy in Germany in 1988. His interest in the simple expressivity of color and form in many ways allowed him a return to Chinese ink painting and its expressive range, where even though his paintings are for the most part representational, his approach to each stroke imbues his paint with a spirit embodying the character of his subject, rather than merely representing it.

The best known of Zhou’s works is his Green Dog series, an extended reminiscence on his beloved German Shephard, Heigen, who had already passed when Zhou began the series. As such, the works speak to Zhou’s love for his pet, but he has also spoken of them as symbolic self-portraits. Here (lot 28) the canine form is flush with the canvas, seated casually, his eyes obedient and expectant, directed presumably to his owner. The dog is depicted in a swirl of paint, some it applied heavily and elsewhere in light washes, suggesting not the muscular form of the creature but instead the ravages of time, and perhaps a latent instability. Areas of red and magenta in the animal’s collar and body serve as fleshy, mortal contrasts against the more sublime green. With his Green Dog paintings, Zhou has struck on a subject matter that allows him to capture his own mood with the immediacy of a traditional ink painter, using this highly personal subject to express himself spontaneously and decisively, a figure at various times vigorous and vital, isolated and resigned, teeming with fleshy excess and untamed emotions. 「綠狗是一個符號，一種象徵…… 綠色是寧靜的、浪漫的、抒情的，包含了爆發前的寧靜意境。」

– 周春芽

周春芽從事藝術創作已有四十載，是中國內地最重要的當代藝術家之一。他的作品極具主題性，富含表現主義，當中更充斥着傳統文人雅士的精神。

中國最早期的現代派藝術家在踏上抽象派和實驗藝術的途上，均深受巴黎藝術界的影響；可是，80、90年代的畫家卻往往深深地陶醉於德國的表現主義派之中。周春芽無疑是一個好例子。周氏畢業於四川美術學院，1988年前往德國卡塞爾大學深造。他喜歡以不同的方法去簡單表達色彩和形式，而這一藝術特點則讓他回歸至中國水墨畫的創作。即使他的作品有很大的比重為具象創作，但他每筆每畫的處理方式，卻讓他的作品充滿神緒，體現出所畫對象的性情特徵，而非單單透過筆畫去代表該物象。

《綠狗》系列是周氏最著名的代表作，主題為回憶其深愛的德國牧羊犬「黑根」，而黑根在周氏開始創作此系列前就已逝世。同樣，畫作記敘了周氏對愛犬的情誼，但亦同時意味着那是具有象徵性的自畫像。在這幅作品中《無題》（拍品編號28），犬兒佔據大部分的畫布，牠隨便的坐着，眼神裏帶有服從性和期盼，這大概是他主人對他的命令。描畫犬兒的色彩呈旋轉擺動的狀態，有些地方着色較深，有的則較淺，畫家為的不是要表達狗兒身上的肌肉線條，而是想要表現出經時間洗劫的痕跡，也許當中還有一種潛在的不穩定性。犬兒項圈和身體上的鮮紅和洋紅色調，和帶有精神性的綠色形成濃烈、強大的對比。《綠狗》系列讓周春芽意外發現自己的創作主題，讓他可以直接了當地利用傳統的水墨創作去捕捉內心的情緒，並透過極為個人化的物象去自然、果斷地表現自己。這個物象，有時候活力富有生氣，有時候孤單無奈，滿載着濃烈飽滿和未經馴服的情感。 29 HAI BO 終身紀念海波照片 B. 1962 1999年作

Lifetime 背面簽名：海波 Hai Bo 1999 10/18 1999 來源 signed, dated 1999 and numbered 10/18 北京私人收藏 each photograph 柏林私人收藏 each 61 x 46cm (24 x 18 1/8in). set of two

HK$10,000 - 15,000 US$1,300 - 1,900

Provenance Private Collection, Beijing Private Collection, Berlin

66 | BONHAMS 30 WANG GUANGYI 大批判系列：路易．威登王廣義壓克力畫布 B. 1957 2005年作

Great Criticism Series: Louis Vuitton 簽名：2005 Wang Guang Yi 王廣義 2005 來源 signed and dated 2005 on the reverse 前藏家直接得自藝術家 acrylic on canvas 北京私人收藏紐約私人收藏 60.5 x 71cm (23 13/16 x 27 15/16in).

HK$150,000 - 200,000 US$19,000 - 26,000

Provenance Acquired directly from the artist Private Collection, Beijing Private Collection, New York

MODERN & CONTEMPORARY ART | 67 31 ‘I deal with reality in order to express ZHANG ENLI 張恩利 something that goes beyond reality’. B. 1965

Big Tree – Zhang Enli 2006 signed and dated signed, titled, dated 06 on the reverse oil on canvas

250 x 200cm (98 7/16 x 78 3/4in).

HK$1,200,000 - 1,800,000 US$150,000 - 230,000

Provenance ShanghART Gallery, Shanghai Acquired directly from the above by the present owner

大樹「我關心現實是為了表油彩畫布 2006年作達比現實更遠的東西。」

簽名：06恩利背面簽名：大樹 Big Tree 06年張恩利 – 張恩利

來源上海香格納畫廊現藏家直接購自上述畫廊

68 | BONHAMS MODERN & CONTEMPORARY ART | 69 Zhang Enli, born in 1965, is the same generation of China’s iconic 中國經典的玩世現實主義浪潮於90年代冒起，生於1965年的張恩利則 Cynical Realist painters who emerged in the 1990s, artists who were 為該時期的藝術家之一。毫無疑問，玩世現實主義藝術家的目標是為 plainly struggling to break with the Socialist Realism creative and visual 了掙脫當時既有的社會寫實主義創作，以及視覺支配的藩籬。 hegemony that pre-dated them. 張恩利的作品屬於引領別人沉思、冥想的一類，也許正是畫作的性 Zhang’s prominence as a painter has emerged more slowly than some 質，令張氏比同期的畫家較遲引起外界的關注。張恩利的藝術發展道 of his peers, in a manner akin to the thoughtful and meditative nature 路，與畫家曾梵志可謂有着共通點。曾梵志初到北京這座大都會時感 of his works. In terms of development, he bears some resemblance 到孤立疏離，而這成為了他創作《面具》畫作系列的關鍵靈感。同 to Zeng Fanzhi, whose feelings of alienation upon arriving in the 樣，張恩利亦來自外省異鄉，上海生活的急速步伐和緊湊的氛圍，讓 cosmopolitan capital city of Beijing was the fundamental inspiration for 他沮喪不安，這造就他不把創作焦點落在風格化的作風之上，這點與 his Mask paintings. Zhang, too, grew up in more provincial confines, 他同期的畫家如曾梵志有別。取而代之，張氏不以繁華都市中脆弱、 and his dismay over the pace and intensity of life in Shanghai drove 俗麗的日常事物為對象，而選擇在不同時期以水桶、膠管和浴室瓷磚 him not to focus on the stylized posturing of his contemporaries, 一類實用性高的物象入畫。不少出自張氏筆下的畫作，都將平淡無奇 like Zeng, but instead on the fragility and beauty in every day urban 的事物以新鮮的方式呈現，塑造成猶如前所未見的物象一樣，因此， objects, his eye drawn at various times to such utilitarian items as 他的作品往往能讓觀者在瞬間以另眼相看。 buckets, rubber hoses, and bathroom tiles. As such, many of his paintings capture the abrupt shift in attention and awareness when 這種體驗也是張氏《大樹》系列的中心情感。張恩利於2006年創作 some taken-for-granted object is seen anew, as if for the first time. 《大樹》（拍品編號31），他把焦點落在樹葉之上，遠遠高於觀者的正常視線。大樹本身是孤立的，而且被砍伐過。觀者只能看見樹後 This is the central feeling of Zhang’s Big Tree paintings. With Big Tree 的一片天空。那棵樹既不是宏大的橡樹或松樹，也不是傳統的竹樹， (lot 31) from 2006, Zhang’s focus is drawn to the foliage of a tree, 而是在一般中國社區公園中常見，讓人遮陰乘涼的灌木叢，又或是反 rising high above the viewer. The tree itself is isolated and cropped. 對城市增長蔓延的綠色運動中出現的那種樹。畫作的天空中有着零散 The viewer sees only the sky behind it. It is not a grand oak or pine, 不均的薄雲，這片天圍繞着那棵獨特、不完美的大樹，它的光影、身 or a traditional bamboo, but instead suggests the shrubby, shade- 軀被天空所重重包圍，而被砍掉的部分則暗示着觀者的視線被大樹吸 providing trees typical of China’s public parks and “green” campaigns 引，叫人勃然心動。 against urban sprawl and growth. Nonetheless, the cropped composition suggests that the viewer has been abruptly captivated by 張氏在創作油畫時，融匯了中國水墨畫抒情、精妙的章法，描繪出光 this unique, imperfect tree, its light, its scale, framed by a patchy, lightly 影之下的樹木，慢慢地逐筆逐層去繪畫，每道筆鋒均成就了畫作的 clouded sky. 形式結構。在粗野蓬亂的葉子下，我們可以看出樹幹及椏枝的暗黑間距。張氏把他自己的冥想體驗重現給觀者去感受，讓他們跟隨畫家一 Zhang handles the oil paint with the lyricism and precision of 道道隨和的筆觸，去感受畫中綠色、棕色和松節油之間所產生的相互 Chinese ink painting, rendering the tree in light, slowly accumulated 作用。正如傳統中國繪畫一樣，「留白」之處讓整個畫作更見生動， brushstrokes, each revealing its role in contributing to the structure 而大樹本身則讓觀者領悟到不完美形式的純粹性，還有色彩、形式對 of the form. The dark reach of the trunk and its branches can be 比的躍動，為看畫人創造了沉思的空間。張氏別出心裁的呈現方式， seen underneath the shaggy leaves. Zhang duplicates his meditative 讓一株本來被視為平平無奇的「大樹」不再平凡。 experience for the viewer, allowing us to follow the gentle layering of strokes, the interplay of greens, browns and turpentine washes. As with traditional Chinese painting, the empty spaces play a dynamic role in the composition, and the tree itself becomes a study in the purity of imperfect forms, the dance of contrasting colors and forms, creating spaces of contemplation beyond the simple representation of this otherwise banally identified “big tree”.

Artist in his studio. Xu Beihong (1895-1953), Grand Pine Tree, Zhang Enli B. 1965, Bucket 3, 2007. 藝術家位於工作室 ink and wash on paper Oil on canvas 100.3 x 100cm. 徐悲鴻《古松》彩墨紙本張恩利《桶3》2007年作，油彩畫布，倫敦泰特現代藝術館收藏 © Tate, London 2015. © Zhang Enli artist studio.

70 | BONHAMS

(i) (ii)

(iii)

32 ZHAI LIANG 頭骨（兩件）及他年輕時很成就翟倞水彩紙本 B. 1983 2012年作

Skulls & Somebody Has Got Much Achievements When He Is Young 來源 2012 新加坡Galerie Steph舊藏 each watercolour on paper

(i) & (ii) Skulls each 31 x 23cm (12 3/16 x 9 1/16in). set of two

(iii) Somebody Has Got Much Achievements When He Is Young 37 x 26cm (14 9/16 x 10 1/4in).

HK$4,000 - 6,000 US$510 - 770

Provenance Formerly in the collection of Galerie Steph, Singapore

72 | BONHAMS “The ‘monstrous’ aspect of my work is about exceeding the prescribed boundaries, touching upon our fear and fascination with the uncategorizable, the uncanny.”

– Lee Bul

「怪物在我的作品理念中是關於突破被事先規範的界限，也談到我們無法分明、詭異的恐懼和幻想。」

– 李昢

33 LEE BUL 無題（字謎繪畫）李昢印度墨半透明紙本 B. 1964 2007年作

Untitled (Anagram Drawing) 簽名：Lee Bul 2007 2007 背面附首爾朴敬美畫廊標籤 signed and dated 2007 來源 india ink on semi-lucent paper 韓國朴敬美畫廊現藏家直接購自上述畫廊 108 x 77.7cm (42 1/2 x 30 9/16in).

HK$70,000 - 100,000 US$9,000 - 13,000

Provenance PKM Gallery, Korea Acquired directly from the above by the present owner

MODERN & CONTEMPORARY ART | 73 “As collage technique replaced oil paint, the cathode ray tube will replace the canvas. Someday artists will work with capacitors, resistors, and semiconductors as they work today with brushes, violins and junk. There are 4,000,000 dots per second on one television screen, just think of the variety of images you can get. It’s so cool. It’s like going to the moon.”

– Nam June Paik

34 NAM JUNE PAIK 無題白南準壓克力畫布 1932-2006 1990年作

Untitled 簽名：PAIK 90 1990 來源 signed and dated 90 紐約Holly Solomon畫廊 acrylic on canvas 洛杉磯私人收藏

45.7 x 56cm (18 x 22 1/16in).

HK$150,000 - 200,000 US$19,000 - 26,000

Provenance Holly Solomon Gallery, New York Private Collection, Los Angeles

Nam June Paik is a classic figure of contemporary art – the trickster. Paik was an iconoclast and innovator, tireless in all media – from his 白南準是當代藝術的經典代表人物 – 魔術師。白南準破除舊習的同 performances and musical compositions to his robot sculptures and 時也是創新領銜者，在所有媒介中都勞不知疲的嘗試，包括從表演和 satellite communication experiments. With his Untitled (lot 34) painting 音樂作品組合再到機器雕塑和衛星通信實驗。隨著他從1990年起創 from 1990, Paik playfully upends the expectations of his own practice, 作的繪畫《無題》（拍品編號34），白南準嬉戲般地提升了自己的 working not with manipulated digital forms but instead employing 實踐的期望，他堅定地採用過時工具來描繪當代科技技術而非較易 decidedly decidedly old-fashioned tools to depict contemporary 控制的數位形式。他的電腦或電視屏幕畫面就像太空侵略者（Space technology. His painting of a computer or television screen resembles Invaders）那樣早期的二維視頻遊戲。然而，其中的化身被替換為白 that of early two-dimensional video games like Space Invaders. 南準自己作品的主要影像，其中亦是亦非援引自約瑟夫．博伊斯的小 The avatars however have been replaced by key images from Paik’s 伙子，小尊坐佛，隨性而情慾的嘴唇和女性身體，衛星，章魚，人 own personal repertoire, the be-hatted man who may or may not 眼，中國激進分子像是「老師」或「導師」的角色，「感情」，「 invoke Joseph Beuys, small seated buddhas, the off-handedly 愛」，「距離」，以及音樂符號，還有一些韓文和西藏文字。白從其 lascivious lipstick mouth and female body, satellites, octopuses, 職業生涯的最初幾年開始採用新媒體技術，操縱每個場景獨有的獨立 human eyes, the Chinese radicals for “teacher” or “mentor”, “feelings”, 視頻影像的素材和彩條訊號。於此，他樂於顛覆自己的實踐，通過連 “love”, “distance”, as well as musical notations and some Korean and 續的俏皮圖像創作出一種擬蒙太奇來頌揚他創作生涯中一個核心主題 possibly Tibetan script as well. Paik endorsed new media technologies 與靈感。 from the earliest years of his career, manipulating footage and color bars for freeform video montages unique to each project. Here he adroitly inverts his own practice, effectively creating an analog montage through a succession of playful images celebrating the core themes and inspirations of his career.

74 | BONHAMS 「隨著拼貼技術已經取代油彩，映像管將有一日取代畫布。未來將有一天，藝術家將使用電容器，電阻器和半導體進行創作，即便他們目前使用的是畫筆，小提琴和垃圾。想想看一個電視屏幕上每秒四百萬個點可以顯示的各種圖像。這簡直太酷了。就像去月亮一樣。」

– 白南準

MODERN & CONTEMPORARY ART | 75 35 SHINTARO MIYAKE 獨木舟三宅信太郎顏色鉛筆紙板裱於木版 B. 1970 2006年作

Canoe 背面簽名：三宅信太郎 2006 2006 來源 signed and dated 2006 on the reverse 亞洲私人收藏 coloured pencil and pencil on cardboard, mounted on wood

32.5 x 79cm (12 13/16 x 31 1/8in).

HK$10,000 - 15,000 US$1,300 - 1,900

Provenance Private Collection, Asia

76 | BONHAMS 36 KAWS 同伴：星球大戰風暴騎士，達斯維達，博巴·費特（三件作品） B. 1974 油彩乙烯基 2009、2007、2013年作 Set of Three Companions: Storm Trooper, Darth Vader, Boba Fett 2009, 2007, 2013 單件作品源自500個版數 cast vinyl sculpture painted in colours 來源亞洲私人收藏 each 26.7 x 12.7 x 8.9cm (10 1/2 x 5 x 3 1/2in). three works

These works are each from an edition of 500.

HK$20,000 - 30,000 US$2,600 - 3,900

Provenance Private Collection, Asia

MODERN & CONTEMPORARY ART | 77 37 NAM JUNE PAIK 機械人馬戲團白南准油彩畫布 1932-2006 2004年作

Robot Circus 簽名：白南准 PAIK 04 2004 來源 signed, titled and dated 04 韓國私人收藏 oil on canvas

81 x 100cm (31 7/8 x 39 3/8in).

HK$30,000 - 50,000 US$3,900 - 6,400

Provenance Private Collection, Korea

78 | BONHAMS 38 LEE KWAN WOO 縮合李寬雨綜合媒材韓國印章木版 B. 1969 2013年作

Condensation 背面簽名：李寬雨 Condensation 2013 2013 來源 signed, titled, dated 2013 and inscribed on the reverse 韓國私人收藏 mixed media and Korean stamps on board

54 x 46.5cm (21 1/4 x 18 5/16in).

HK$15,000 - 25,000 US$1,900 - 3,200

Provenance Private Collection, Korea

MODERN & CONTEMPORARY ART | 79 39 LUIS CHAN (CHEN FUSHAN) 無題陳福善油彩、壓克力、水粉紙本 1905-1995 1982年作

Untitled 簽名：Luis Chan 1982 1982 來源 signed and dated 1982 前藏家直接構自藝術家 oil, acrylic and gouache on paper 現由其家屬繼承

22 x 15cm (8 11/16 x 5 7/8in).

HK$12,000 - 15,000 US$1,500 - 1,900

Provenance Acquired directly from the artist by the previous owner Thence by descent to the present owner

80 | BONHAMS 40 LUIS CHAN (CHEN FUSHAN) 無題陳福善油彩、壓克力、水粉紙本 1905-1995 1982年作

Untitled 簽名：Luis Chan 1982 1982 來源 signed and dated 1982 前藏家直接構自藝術家 oil, acrylic and gouache on paper 現由其家屬繼承

23 x 47.5cm (9 1/16 x 18 11/16in).

HK$15,000 - 20,000 US$1,900 - 2,600

Provenance Acquired directly from the artist by the previous owner Thence by descent to the present owner

MODERN & CONTEMPORARY ART | 81 FIFTH MOON GROUP

FONG CHUNG RAY – CHUANG CHE – CHEN TING-SHIH 五月畫會

馮鍾睿 – 莊喆 – 陳庭詩 41 FONG CHUNG RAY (FENG ZHONGRUI) 畫作84-8 馮鍾睿壓克力畫布 B. 1933 1984年作

Painting 84-8 簽名：馮鐘睿八四年之八 1984 背面簽名：Painting 84-8 by Chung-Ray Fong signed, dated 84 and numbered 8 來源 titled and signed on the reverse 納帕谷私人收藏 acrylic on canvas

91.5 x 122cm (36 x 48 1/16in).

HK$100,000 - 150,000 US$13,000 - 19,000

Provenance Private Collection, Napa Valley

Born into a family of literati, Fong Chung Ray has been exposed to the 馮鍾睿出生於書香世家，從小耳目濡染接觸藝術。49年時投筆從戎， arts since a young age. In 1949, he moved to Taiwan with the army, 隨著軍隊移台，之後在政工幹校藝術系學習。他曾獲得東西中心獎學 and enrolled in the Art Department at the Political Warfare Cadres 金，前往美國夏威夷大學研度舞台設計。隨後他獲得洛克菲勒獎學 Academy, Taipei, where he created art for the Navy. Fong is a critically 金，在歐美參觀學習西方藝術大師之作品。他在1957年和友人成立了 acclaimed artist with international recognition. He has received a grant 四海畫會，61年在藝術家劉國松的邀請之下加入了五月畫會，成為主 from the East West Center to study theatre design at the University of 要成員之一。60年代前後時他受到西方抽象表現主義的影響，便開始 Hawaii, followed by a Rockefeller Fellowship to tour Europe and US. 創作抽象作品，思考如何用單純獨立的藝術來做非寫實、非形象的表 In 1957 Fong founded the Four Seas Painting Association, and in 1961 現。經過了六十年的藝術創作洗禮，他奠定了抽象畫在中國緣起的歷 he was invited by Liu Guosong to join the influential artist group, the 史，是中國當代抽象畫的先驅。 Fifth Moon Group. From the 60s onwards, inspiration from Western Abstraction can be seen in the artist’s works and this influence 馮式的風格淡化了傳統山水畫的技法，進而使墨的濃、淡、乾、 became the hallmark of the artist’s oeuvre. After retiring from the Navy 濕，提升為另一個語言。在嘗試了油畫與水墨混合畫後，60年代中期 in 1970, Fong. Through his prolific career, Fong established himself as 他轉換用傳統的中國水墨做畫，除了用毛筆以外，他自創了一種用棕 an important pioneer of abstraction in Chinese art. 梠樹纖維所製作的筆，勾勒出寬厚質感、飄逸通透的畫面。75年移居美國後，他的作品進入了第二個重要階段，他重拾畫布，改用水溶性 Fong’s distinguishing style departs from the traditional techniques of 的壓克力顏料，嘗試以不同的筆速、力道與精準度做畫。《84-8》 Chinese ink painting, and transforms the intrinsic qualities of ink. After （拍品編號41）可以看出馮式用水墨技法掌握住壓克力顏料的透明質 experimenting with combining oil paint and ink, the artist refocused on 感。在簡約的構圖下，展現生動有力的畫面。 painting with Chinese ink in the mid-60s. During this time, aside from the traditional brushes, Fong also used brushes of his own creation with palm tree fibers which allowed him to paint airy, broad strokes. Following his move to America in 1975, the artist revisited the canvas surface, and proceeded to explore the soluble characteristics of acrylic paint with varying degree of swiftness, intensity and precious of his brush strokes. Painting 84-8 (lot 41) demonstrates Fong’s masterful interpretation of acrylic as ink. The light washes of acrylic layered come together in an effortless composition, culminating in an expressive and vibrant image.

84 | BONHAMS MODERN & CONTEMPORARY ART | 85 PROPERTY SOLD TO BENEFIT THE HALSEY INSTITUTE OF CONTEMPORARY ART

42 CHUANG CHE (ZHUANG ZHE) 莊喆 B. 1934 Untitled 1973 signed and dated 1973 oil on canvas, in three parts in original artist’s frame panel 1: 60 x 149.5cm (23 5/8 x 58 7/8in). panel 2: 101 x 87cm (39 3/4 x 34 1/4in). panel 3: 43 x 43cm (16 15/16 x 16 15/16in).

HK$150,000 - 200,000 US$19,000 - 26,000

Provenance Forsythe Gallery, Ann Arbor, Michigan Acquired directly from the above by the present owner circa 1974

The Halsey Institute of Contemporary Art at the College of Charleston School of the Arts provides a multidisciplinary laboratory for the production, presentation, interpretation, and dissemination of ideas by innovative visual artists from around the world. As a non-collecting museum, the Halsey Institute creates meaningful interactions between adventurous artists and diverse communities within a context that emphasizes the historical, social, and cultural importance of the art of our time.

拍賣收益贈予哈爾斯當代藝術學院

無題油彩畫布 1973年作

簽名：莊喆1973

來源美國密歇根州安娜堡Forsythe畫廊現藏家於1974年直接購自上述畫廊

查爾斯頓藝術學校中的哈爾斯當代藝術學院為世界各地的創新視覺藝術家提供了一個結合了製作，演示，演繹和傳播想法的多學科實驗室。作為一個非收藏型的美術館，哈爾斯當代學院強調藝術在歷史，社會和文化重要性的文本背景下，為大膽的藝術家和不同族群之間創造出具有意義的互動。

86 | BONHAMS MODERN & CONTEMPORARY ART | 87 43 “No art can mature by itself; it has CHUANG CHE (ZHUANG ZHE) 莊喆 to absorb nutrition from the rest of B. 1934 Untitled the world’s art. I’ve always had this c. 1980s ideal; to see a fusion of Chinese and signed oil on canvas Western painting.”

106.5 x 130cm (41 15/16 x 51 3/16in). – Chuang Che HK$200,000 - 300,000 US$26,000 - 39,000

Provenance Georges Loranger XX Century Art, Toronto Acquired directly from the above by the present owner in 1981

無題「藝術無法成熟孕育本身，唯有吸取來油彩畫布 1980年代作自外部藝術世界中的養分來茁壯，我一

簽名：莊喆直有個想法，就是希望未來看到中西畫

來源的交融。」多倫多Georges Loranger二十世紀藝術現藏家於1981年直接購自上述畫廊 – 莊喆

88 | BONHAMS MODERN & CONTEMPORARY ART | 89 FROM THE COLLECTION OF JEANNE A. WATTEN (1926-1990) 自珍．華登夫人珍藏（1926-1990）

44 CHEN TING-SHIH (CHEN TINGSHI) 晝與夜之42 陳庭詩木刻版畫紙本 1916-2002 1979年印製

Day and Night #42 簽名：Day and Night #42 3/40 Chen Ting-Shih 1979 1979 來源 signed, titled, numbered 3/40 and dated 1979 原藏家 Jeanne A. Watten 直接得自於藝術家 woodblock print on paper 現由原藏家子女繼承

61 x 122cm (24 x 48in).

HK$40,000 - 60,000 US$5,100 - 7,700

Provenance Acquired directly from the artist by Jeanne A. Watten (1926-1991) Thence by descent to the current owner

90 | BONHAMS FROM THE COLLECTION OF JEANNE A. WATTEN (1926-1990) 自珍．華登夫人珍藏（1926-1990）

45 CHEN TING-SHIH (CHEN TINGSHI) 春醒之1 陳庭詩木刻版畫紙本 1916-2002 1974年印製

Awakening of Spring #1 簽名：Awakening of Spring#1 7/30 Chen Ting-Shih Feb 1974 1974 來源 signed, titled, numbered 7/30 and dated Feb 1974 原藏家 Jeanne A. Watten 直接得自於藝術家 woodblock print on paper 現由原藏家子女繼承

92 x 95cm (36 1/4 x 37 3/8in).

HK$40,000 - 60,000 US$5,100 - 7,700

Provenance Acquired directly from the artist by Jeanne A. Watten (1926-1991) Thence by descent to the current owner

MODERN & CONTEMPORARY ART | 91 FROM THE COLLECTION OF JEANNE A. WATTEN (1926-1990) 自珍•華登夫人珍藏（1926-1990）

46 CHEN TING-SHIH (CHEN TINGSHI) 晝與夜之25 陳庭詩木刻版畫紙本（三聯作） 1916-2002 1993年印製

Day and Night #25 簽名：Day and Night #25 14/25 Chen Ting-Shih July 1993 1993 來源 signed, titled, numbered 14/25 and dated Jul 1993 原藏家 Jeanne A. Watten 直接得自於藝術家 woodblock print on paper, triptych 現由原藏家子女繼承 stamped with a seal of the artist

127.5 x 183cm (50 3/16 x 72 1/16in).

HK$120,000 - 180,000 US$15,000 - 23,000

Provenance Acquired directly from the artist by Jeanne A. Watten (1926-1991) Thence by descent to the current owner

Jeanne Watten – noted gallerist, artist, art educator, as well as wife of a U. S. 珍．華登夫人（Jeanne A. Watten），台灣藝術家畫廊（The Art naval officer and mother of five – founded The Art Guild in Taipei, Taiwan in Guild）始創人。華登多才多藝，同為畫廊負責人﹑畫家及藝術教育 1968. A true champion of modern Chinese art, Watten organized numerous 家。她是美國海軍軍官雷蒙．華登醫生Dr. Raymond H. Watten（即 exhibitions at The Art Guild’s Studio Gallery in northern Taipei, promoting 台大醫院「美國海軍第二研究所」總部第二任所長）之妻，和五個孩 the works of young Taiwan artists of the avant-garde. Upon her return to 子的母親。1968至1974 年間，華登於藝術家畫廊籌辦無數展覽，致 the United States in 1974 and until her death in 1990, Watten continued 力推廣當代台灣前衛藝術家之作品。1974年返美後，華登繼續將藝術 to represent the artist-members of TAG, introducing their work to art lovers 家畫廊成員的作品介紹給美國西岸的觀眾。華登夫人於1990年辭世。 throughout northern California and beyond. 在華登夫人任，曾經於藝術家畫廊舉辦過畫展的畫家包括陳庭詩、劉 At The Art Guild, Watten exhibited many works by the contemporary Fifth 國松、馮鐘睿、莊喆等人，均為六十年代台灣前衛藝術派五月畫會中 Moon Group artists, who were at the forefront of the modern art movement 之表表者。華登醫生與夫人亦與各五月畫會的成員交好，獲贈或購入 in Taiwan in the 1960’s. Watten’s affinity to modern art was the foundation 不少他們的畫作。是次拍賣所精選的陳庭詩版畫作品，均來自華登夫 of a lasting relationship with the artists she represented in the group, 人之家人。 including Chen Ting-Shih, Liu Kuo Sung, Fong Chung Ray, and Chuang Che, from whom she acquired works for her collection. Selected works by Chen Ting-Shih are being offered by members of Jeanne Watten’s family.

Jeanne A. Watten, 1984 珍‧華登夫人，1984年

92 | BONHAMS MODERN & CONTEMPORARY ART | 93 47 雀籠 HON CHEW HEE (XU HANCHAO) 油彩畫布許漢超 1981年作 1906-1993 簽名：HON-CHEW HEE ‘81 The Bird Cage 1981 來源現藏家直接得自藝術家 signed and dated ‘81 美國私人收藏 oil on canvas 出版 95 x 65cm (37 7/16 x 25 9/16in). 《陰陽藝術》，許漢超工作室，歐胡島，1981年，第56頁

HK$120,000 - 180,000 此作品附具藝術家簽署之《陰陽藝術》 US$15,000 - 23,000

Provenance Acquired directly from the artist by the present owner Private Collection, USA

Literature Hon-Chew Hee Studio, Yin-Yang Art, Kaneohe, 1981, p. 56

This work is accompanied by Yin-Yang Art signed by the artist.

94 | BONHAMS ARTIST BIOGRAPHIES

CHAN, LUIS (CHEN FUSHAN) 陳福善 1905-1995 LOT 39, 40

Luis Chan (1905-1995) was an influential artist, and one of the pioneers of modern art in Hong Kong. He was born in Panama and moved to Hong Kong in 1910 where he became a self-taught painter. His interest brought him to study arts in Press Art School in London in 1930. Chan founded the Chinese Contemporary Artists Guild in 1960, and was the chairman of the Hong Kong Art Society. Although the style of Chan’s paintings in the early 1920s demonstrates skills in contemporary landscape paintings, his later works in the 1960s are more surrealist and he was praised for his use of colour and imaginative themes. His paintings were exhibited extensively in Hong Kong Museum of Art (1974 and 1984) as well as Shanghai Art Museum (2012).

陳福善（1905-1995）為極具影響力的香港現代藝術先驅之一。生於中美洲南部的巴拿馬，1910年遷居香港，並開始自學繪畫。1930年，他本着對藝術的興趣熱誠前往倫敦Press Art School攻讀藝術。1960年，陳氏創立華人現代藝術研究會，並兼任香港美術會主席。陳氏於20年代早期的作品以風景畫為主，時至60年代，則漸漸走向超現實主義畫風。陳福善的作品曾在1974年至1984年間，多次於香港藝術館大規模展出，2012年於上海美術館展出。

CHEN TING-SHIH (CHEN TINGSHI) 陳庭詩 1916-2002 LOT 44, 45, 46

Chen Ting-Shih was born in Fujian province, China in 1916. He studied Chinese painting with Zhang Lingpo from young age and left China for Taiwan in 1948. Being founder of the modern Graphic Art Association in 1958, he joined the Fifth Moon Group in 1965 and later co-founded the Modern Eyes Group in 1982. In 1970, he was awarded the International Grand Prize at the First International Biennial Exhibition of Prints in Seoul. He participated in exhibitions internationally, such as São Paulo Bienniale (1959, 1961, 1963, 1965, 1971). International Prints Exhibition, Milan (1972), and Chinese Cultural Center, New York (1973). His works are also collected by major institutions, including the Rockefeller Foundation, the Cincinnati Museum, and the National Taiwan Museum of Fine Arts. Chen passed away in 2002.

陳庭詩1916年生於中國福建省。他年少時隨張菱坡學習國畫，後來於1948年移居台灣。他不但於1958年創立現代版畫會，其後更於1965年加入五月畫會，並與其他藝術家於1982年創立了現代眼畫會。1970年，他於第一屆韓國國際版畫雙年展獲得東亞日報大獎。他的作品在世界各地展出，如聖保羅國際雙年展（1959， 1961， 1963， 1965， 1971）、義大利國際版畫展（1972）及紐約中華文化中心（1973）。他的作品也被多間機構珍藏，如：洛克菲勒基金會、辛辛那提美術館及國立台灣美術館等。陳庭詩於2002年去世。

CHUANG CHE (ZHUANG ZHE) 莊喆 B. 1934 LOT 42, 43

Chuang Che was born into a scholar’s family in 1934 in Beijing, China. His father, Chuang Shan Yen, was the vice director of the National Palace Museum in Beijing. Chuang was therefore introduced to calligraphy at a young age, which influenced his artistic style. Chuang’s family moved to Taiwan in 1948. He graduated from Taiwan National Normal University in 1958 with a degree in fine arts. He joined the Fifth Moon Group and was a part of the modern art movement for Chinese painting. In 1966, Chuang received a scholarship from the Rockefeller Foundation, left Taiwan and moved to Ann Arbor, Michigan to pursue further education in the arts. He then moved to New York in 1988. Chuang’s work mainly focuses on abstract landscape and applies eastern ink techniques to western style painting, which is a distinctive style of the Fifth Moon Group. Chuang’s work is housed in many local and foreign museums such as the Taiwan National History Museum, the University of Michigan Museum, Cornell University Museum, the China Central Academy of Fine Art Museum, the Shanghai Art Museum, and the Hong Kong Art Museum.

莊喆1934年出生於中國北京的一個書香世家。他的父親莊嚴是知名的書法家，也是前北京故宮博物院副院長。因此，莊喆從小受父親耳濡目染，對書法有濃厚的興趣。書法對他日後的藝術創作也有深厚的影響。莊喆一家於1948年遷至台灣。莊喆1958年畢業於國立台灣師範大學藝術系，1966年受美國洛克菲勒三世基金會資助赴美國密歇根州安娜堡學習繪畫。1988年，莊喆移民至紐約。作為五月畫會的一員，莊喆的作畫風格與其他會員相似，也是典型的水墨畫技巧與美國抽象主義的結合。莊喆的作品被台灣國立歷史博物館、美國密西根大學美術館、康乃爾大學美術館、中國中央美院美術館、上海美術館、和香港美術館收藏。 FONG CHUNG-RAY (FENG ZHONGRUI) 馮鍾睿 B. 1934 LOT 41

Fong Chung-Ray was born in Henan province, China in 1934. In 1949, he followed the army and moved to Taiwan. He graduated from the Art Department at the Political Warfare Cadres Academy, Taipei in 1954. In 1961, he joined the Fifth Moon Group, which held many prominent exhibitions in the 50s and 60s. He emigrated to the U.S. in 1975 and settled down in San Francisco. Fong has participated in numerous exhibitions around the world, such as São Paulo Art Biennial (1959), Paris Biennale (1963), National Taiwan Museum of Fine Arts (1965), San Diego Museum of Art (1972), Taipei Fine Arts Museum (2003), and Chinese Culture Center, San Francisco (2014). Recently in 2016, his works were shown in Galerie du Monde, Hong Kong along with works of other members in the Fifth Moon Group.

馮鍾睿1934年出生於中國河南省。1949年，他隨軍隊移居至台灣。1954年，畢業於台北政工幹部學校藝術系。1961年，加入五月畫會，並在50及60年代中舉辦了多個重要的展覽。後來，他於1975年移民至美國舊金山。馮鍾睿的作品在世界各地廣泛展出，如聖保羅國際雙年展（1959）、巴黎國際雙年展（1963）、國立台灣美術館（1965）、聖地牙哥美術館（1972）、臺北市立美術館（2003）及美國舊金山中華文化中心（2014）。最近於2016年，他和其他五月畫會成員的作品於香港世界畫廊展出。

HAI BO 海波 B. 1962 LOT 29

Hai Bo was born in Changchun, China in 1962. He graduated from the Printmaking Department of the Fine Art Institute of Jilin in 1984, and received his Masters degree in Printmaking from Central Academy of Fine Arts, Beijing in 1989. He had solo exhibitions internationally, including Max Protec Gallery, New York (2004, 2006), Beijing Commune (2008), Arthur M. Sackler Gallery, Smithsonian Institution, Washington D.C. (2010), Pace Gallery, Beijing (2012), Pace Gallery, New York (2013), and Pace Gallery, Hong Kong (2016). The artist also participated in the 49th Venice Biennale (2001) and traveling group exhibitions including CHINaRT (2003-2004), Between Past and Future: New Photography and Video from China (2004-2006), Mahjong: Contemporary Chinese Art from the Sigg Collection (2005-2009), as well as exhibitions in Gallery of Modern Art, Queensland Art Gallery (2009), The J. Paul Getty Museum, Los Angeles (2010), and many more.

海波於1962年生於吉林長春。1984年，他畢業於吉林藝術學院美術系版畫專業，並於1989年取得北京中央美術學院版畫系的碩士學位。海波在世界各地均有個人展覽，地點包括紐約Max Protec畫廊（2004及2006年）、北京公社（2008年）、華盛頓史密森博物館亞瑟M．賽克勒美術館（2010年）、北京佩斯畫廊（2012年）、紐約佩斯畫廊（2013年）及香港佩斯畫廊（2016年）。此外，海波亦曾參與第49屆《威尼斯雙年展》（2001年）及巡迴聯展《CHINaRT》（2003至2004年）、《過去和未來之間- 來自中國的新攝影及影片》（2004至2006年）、《麻將：烏利．希克中國當代藝術收藏展》（2005至2009年），以及於昆士蘭美術館現代藝術美術館（2009年）及洛杉磯蓋蒂美術館等地展出多個展覽。

HEE, HON CHEW (XU HANCHAO) 許漢超 1906-1993 LOT 47

Hon Chew Hee was born in Hawaii, USA in 1906. He grew up in China, where he was educated in traditional Chinese literature, music, and calligraphy. In 1929, he attended California School of Arts where he received numerous awards and scholarships. As a keen educator, he established the Chinese Art Association in 1935, and the Hawaii Watecolor Society in 1962. Hee furthered his education in 1948 when he joined the Art Students League of Columbia University, New York. The artist then studied under Fernand Leger in Paris followed by George Grosz in New York. He returned to Hawaii in 1959 where he continued as an artist and a teacher. The Hawaii State Foundation on Culture and the Arts commissioned six murals by the artist to be placed around the island, such as the Honolulu International Airport. His works are collected by many public collections, including the Hawaii State Art Museum, Honolulu Museum of Art, and the National Taiwan Museum. The artist passed away in 1993 in Hawaii.

許漢超1906年生於美國夏威夷，在中國內地生長並學習傳統的中國文學、音樂及書法。1929年，他考上了加州美術學院，且獲得了多個獎項和獎學金。許氏醉心教學，他於1935年成立了中國藝術協會，又於1962年創辦夏威夷水彩畫會。1948年，他於紐約哥倫比亞大學的學生藝術聯盟深造。後來，許氏到了巴黎，於費農．雷傑的門下學習，接着有轉往紐約，師從喬治．葛羅斯。1959年，他回歸夏威夷，繼續其藝術家及教育之路。夏威夷文化與藝術基金會委託許漢超創作六幅壁畫，並置於島上的不同地方，如檀香山國際機場。許漢超的作品被不少公眾機構所收藏，包括夏威夷州立美術館、檀香山藝術博物館，以及國立臺灣博物館。許漢超於1993年辭世。 HIRAGA, KEY (HIRAGA, KEI) 平賀敬 1936-2000 LOT 1, 2, 3, 4, 5, 6, 7

Key Hiraga was born in Tokyo, Japan in 1936. He graduated with a degree in economics from Rikkyo University in Tokyo. In 1957, he was selected to participate in the First Asian Young Artists Exhibition. In 1964, he won the Grand Prix at the 3rd National Young Artists Exhibition to study arts in Paris. He participated in numerous exhibitions around the world, such as Galerie Lambert, Paris (1967), 10th Sao Paolo Biennale (1969), the National Gallery of Modern Art, New Delhi (1985). His works are in the permanent collections of many major museums, including the Museum of Modern Art, New York, Victoria and Albert Museum, London, and the National Museum of Modern Art, Tokyo. Hiraga passed away in 2000 in Japan.

平賀敬1936年生於日本東京，畢業於東京立教大學經濟系。1957年，他被選中參加第一屆亞洲年輕藝術家展覽。1964年，他在日本第三屆全國年輕藝術家展覽中羸得獎學金赴巴黎留學。平賀敬參與世界各地無數展覽，如巴黎Galerie Lambert（1967）、第十屆聖保羅雙年展（1969）、新德里國家現代藝術畫廊（1985）、及昆士蘭藝術館（1989）。他的作品被大型藝術館典藏，如紐約現代藝術博物館、倫敦維多利亞與艾伯特博物館及京都國立近代美術館。平賀敬2000年在日本去世。

IMAI, TOSHIMITSU 今井俊滿 1928-2002 LOT 16, 17, 18

Toshimitsu Imai was born in Kyoto, Japan in 1928, and began studying in the Academy of Arts in Tokyo in 1948. In 1953, he moved to Paris and enrolled in the Académie de la Grande Chaumière, where he studied medical history and philosophy. Imai participated in numerous important international exhibitions, such as São Paulo Biennale (1953), Venice Biennale (1960) and Centre George Pompidou, Paris (1982). In 1962, he received a prize at the 5th exhibition of Japanese Contemporary Art in Tokyo, and several of his works entered the collection of Tokyo Museum of Modern Art. He also co-founded the Japanese Contemporary Artists’ Association in 1984. Toshimitsu Imai passed away in 2002.

今井俊滿1928年生於日本京都。1948年，他就讀於東京藝術學院，期後於1953年赴巴黎大茅舍藝術學院修讀中世紀歷史及哲學。他的作品在國際廣泛展出，如聖保羅雙年展（1953）、威尼斯雙年展（1960）及巴黎龐畢度中心（1982）。1962年，他在第五屆日本當代藝術展中獲獎，部份作品獲東京現代美術館典藏。他更是日本當代藝術家協會的創辦人之一。今井俊滿於2002年逝世。

JU MING (ZHU MING) 朱銘 B. 1938 LOT 23

Ju Ming was born in Miaoli, Japanese-era Taiwan in 1938. He is the youngest son of a family with 11 children. At 15, Ju received training as a woodcarver, which set his foundations in arts and sculpture. Ju started learning sculpture at age 30, under the famous Taiwanese sculptor Yang Yingfeng. Ju became a well-known sculptor in the 1970s in Taiwan and China. His first solo exhibition with his Nativist Series in 1976 at the National Museum of History, Taipei, earned him great critical acclaim and the name of a great sculptor. In 1983, Ju moved to New York and ventured out to the international art scene. In 1999, Ju Ming established the Ju Ming Museum in Jinshan District, New Taipei, Taiwan. Ju’s contributions to Taiwanese arts and culture was acknowledged by the local and international art industry. In 2003, Ju was awarded an honorary degree of Doctor of Art at Fu Jen Catholic University, Taipei. In 2004, the Taiwanese government gave Ju the Lifetime Executive Yuan Cultural Award. Ju Ming was also awarded the Fukuoka Asian Arts and Culture Prize in 2007. Ju Ming uses a range of mediums in his work, such as bronze, Styrofoam, ceramics and stainless steel. Ju’s most famous pieces are from the Tai Chi Series. This series is bold and simplistic, showing the forms and spirit of Tai Chi through the blunt, powerful cuts on the large sculptures.

朱銘本名朱川泰，1938年出生於日治的台灣苗栗郡，是家中十一個兒女中排行最小的。 15歲時，朱銘開始學習雕刻及繪圖，為日後的雕塑藝術生涯打下了基礎。30歲時，朱銘拜了台灣著名的雕塑家楊英風為師，從此正式由工藝雕刻轉為藝術創作。1976年，朱銘充滿鄉土形象的作品在國立歷史博物館展出，奠定了他在台灣雕塑界的地位。1983年，朱銘隻身一人赴美國紐約，踏出他進入國際藝壇的第一步。朱銘於1999 年在台灣新北市金山區建立了朱銘美術館，為台灣當地文化做出了重要貢獻。朱銘的藝術地位受到了各界的肯定：2003年，朱銘榮獲輔仁大學名譽藝術博士學位；台灣政府於2004 年授予朱銘行政院文化獎的肯定；2007年，朱銘獲得第18屆福岡亞洲文化藝術文化獎。朱銘善於運用各種材料創作大型的作品，其中包括銅，海綿，陶塑，和不銹鋼。其太極系列是最負盛名作品，這一系列雕塑省略細節但不失大氣，著重呈現雕刻的質感和太極拳蘊含的文化精髓。 KAWS B. 1974 LOT 36

KAWS was born Brian Donnelly in Jersey City in 1974, and began his career as a graffiti artist. After graduating with a BFA in illustration from the School of Visual Arts in New York in 1996, he began working as a freelance artist for Disney. Later, he collaborated with many Japanese companies for toys and clothing production and gained huge popularity. He has also exhibited around the world, including the Harris Museum in Preston, UK (2009), the Museum of Contemporary Art in Los Angeles (2011), and Centre for Contemporary Art in Malaga, Spain (2014). In 2016, the artist held his first museum exhibition in the UK in orkshireY Sculpture Park, Wakefield. In the same year, Galerie Perrotin held a solo exhibition for the artist to inaugurate their Seoul space. Currently, KAWS has a solo exhibition in Yuz Museum, Shanghai.

KAWS原名布萊ꓻ 唐納利，1974年出生於新澤西州澤西市，他的事業以街頭藝術家起步。1996年，他在紐約視覺藝術學院插畫系畢業，並開始為迪士尼工作。期後，他和日本多間公司合作設計玩具及服飾，他的相關產品大受歡迎。KAWS的藝術創作在世界各地展出，如英國普雷斯頓的哈里斯博物館（2009）、洛杉磯當代藝術美術館（2011）及西班牙馬拉加的當代藝術中心（2014）。在2016年，他在英國韋克菲爾德的約克郡雕塑公园舉行首個國內的藝術館展覽。同年，他在首爾貝浩登畫廊舉辦於南韓的首個個展。KAWS正於上海余德耀美術館舉辦另一場個人展覽。

KIM CHANIL 金燦一 B. 1961 LOT 20

Kim Chanil was born in 1961 in Korea. He studied at Hongik University, Seoul and received a BFA in painting in 1986, and continued to receive a MFA in 1990. He moved to United States to further his studies at State University of New York, receiving a Masters Degree in painting in 1994, then print making in 1995. The artist has had numerous solo exhibitions, including The Korean Culture & Arts Foundation Art Center, Seoul (1991), College Art Gallery, New York (1994), Kong Pyong Art Center, Seoul (1996), Gallery Bhak, Seoul (2002, 2005, 2007), Gallery Shin Hwa, Hong Kong (2013). His works are in the collections of National Museum of Contemporary Art, Korea, Seoul Museum of Art, Korea, Swiss Embassy at the Turkey Embassy, and many more. The artist currently lives and teaches in Seoul.

金燦一生於1961年。1986年畢業於首爾弘益大學，並獲得藝術學士學位，其後於1990年取得藝術碩士學位。金燦一後來前往美國進一步進修，就讀於紐約州立大學，並先後於1994年及1995年取得繪畫及版畫碩士學位。金燦一曾經在多個地方舉辦過個人展覽，包括首爾的韓國文化藝術基金藝術中心（1991年）、紐約College Art Gallery（1994年）、首爾的Kong Pyong藝術中心（1996年）、首爾朴容德畫廊（2002 年、2005年、2007年）及香港申畫畫廊（2013年）。其畫作收藏於多家博物館及機構，包括韓國國立現代美術館、韓國首爾美術館、瑞士及土耳其領事館等等。金燦一現居首爾，並於當地從事教育工作。

KIM TAE HO 金泰浩 B. 1948 LOT 21

Kim Kae Ho was born in Busan, South Korea in 1948. After obtaining a Bachelor degree from the College of Fine Arts at Hongik University in 1972, he obtained a Master’s degree from the College of Education in 1984. He has held over 30 solo exhibitions and participated in numerous group exhibitions, including Taipei Fine Arts Museum (2010), Art Hamptons, New York (2014) and Gana Art Gallery, Seoul (2015). His works are in the collection of major museums, such as British Museum, London, the National Museum of Contemporary Art, South Korea, and Shimonoseki City Art Museum, Japan. Along with other contemporary artists, he exhibited from June to September 2016 in Galerie Matignon, Paris and will exhibit from November 2016 in Sungkok Art Museum, Seoul.

金泰浩1948年生於韓國釜山。1972年，他畢業於韓國首爾弘益大學繪畫專科，並於1984年取得教育碩士學位。他已舉辦超過30個個展，並參與無數群展，如台北市立美術館（2010）、紐約漢普頓藝術展（2014）及首爾Gana Art 畫廊（2015）等。他的作品被各大博物館收藏，如大英博物館、韓國國立現代美術館和日本下関市立美術館。他與其他當代畫家於2016年6月至9月在巴黎Galerie Matignon及11月起在首爾省谷美術館舉行群展。 LEE BUL 李昢 B. 1964 LOT 33

Lee Bul was born in 1964 in Seoul, Korea. She received a BFA in sculpture from Hongik University, Seoul, in 1987. She has had numerous solo exhibitions internationally, including the Museum of Modern Art, New York (1997), New Museum, New York (2002), Museum of Contemporary Art Australia, Sydney (2004), Mori Art Museum, Tokyo (2012), Palais de Tokyo, Paris (2015). She also participated in important group exhibitions and biennials such as the Korean Pavilion at the 48th Venice Biennale (1999), Prospect 1: A Biennial for New Orleans, New Orleans (2008), Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York (2015), and the 20th Biennale of Sydney (2016). In 2014 she received the Noon Award at the 10th Gwangju Biennale. The artist currently lives and works in Seoul.

李昢於1964年生於韓國首爾，並於1987年獲得首爾弘益大學的雕塑藝術學士學位。她在世界各地均曾舉辦過多個個人展覽，地點包括紐約現代藝術博物館（1997年）、紐約新當代藝術博物館（2002年）、悉尼澳洲當代藝術博物館（2004年）、東京森美術館（2012年）及巴黎東京宮（2015年）。李昢亦曾先後多次參與各大重要聯展及雙年展，如第48屆《威尼斯雙年展》的韓國館（1999年）、新奧爾良的《Prospect 1: 新奧爾良雙年展》（2008年）、紐約古根漢美術館《Storylines: Contemporary Art at the Guggenheim》（2015年），以及第20屆《悉尼雙年展》（2016年）。李昢於2014年在光州雙年展中榮獲Noon大獎，現於首爾定居及工作。

LEE KWAN WOO 李寬雨 B. 1969 LOT 38

Lee Kwan Woo was born in 1969 in Gwacheon, Korea. He graduated from the Department of Painting in Kwandong University where he majored in Western Painting. His works have been exhibited in various solo and group shows in Korea, including Able Fine Art Gallery, New York (2011), and Wall, National Museum of Modern and Contemporary Art, Gwacheon (2014). The artist currently lives and works in Korea.

李寬雨於1969年生於韓國光州，並於韓國關東大學繪畫系畢業，主修西方繪畫。其作品曾於多個個展及群戰中展出，地點包括紐約Able Fine Art畫廊（2011年），光州國立現代美術館的展覽《牆》（2014年）。李寬雨現於韓國定居及工作。

LEE UFAN 李禹煥 B. 1936 LOT 13

Lee Ufan was born in Kyongsang-namdo, South Korea in 1936. In 1956, he studied painting at the College of Fine Arts at Seoul National University for two months before moving to Japan, where he graduated with a degree in philosophy in Nihon University, Tokyo in 1961. His works have been exhibited around the world, including the National Museum of Contemporary Art, Seoul (1994), Kunstmuseum Bonn, Germany (2001), Royal Museums of Fine Arts of Belgium, Brussels (2009), Guggenheim Museum, New York (2011), and Chateau de Versailles, France (2014). He is also represented in major museum collections, such as Centre Georges Pompidou, Paris, Tate Gallery, London, the National Museum of Modern Art, Tokyo, and the Museum of Modern Art, New York.

李禹煥1936年生於南韓慶尚南道。1956年，在首爾大學藝術系上學兩個月後，他移居日本繼續學習，並於1961年在日本大學取得哲學學士學位。他的作品在世界各地展出，如首爾國立現代美術館（1994）、德國波恩現代藝術美術館（2001）、比利時皇家美術博物館（2009）、紐約古根漢美術館（2011）及法國凡爾賽宮（2014）。他的作品也被著名藝術館典藏，如巴黎龐畢度中心、倫敦泰特美術館、東京國立近代美術館和紐約現代藝術博物館。 LIN, RICHARD (LIN SHOW-YU) 林壽宇 1933-2011 LOT 22

Richard Lin was born in Formosa, Taiwan in 1933. Born to a renowned family, Lin moved to Hong Kong in 1949; then in 1952, he continued his studies at Millfield School, London. He studied architecture at Regent St Polytechnic, which inspired his later Minimalist style. In 1959, he held his first exhibition at Gimpel Fils Gallery, London. In 1967, he exhibited at the 44th Carnegie International in Pittsburgh, alongside Chu Teh-Chun, Chuang Che, Hu Chi-Chung, Wallace Ting, and Zao Wou-Ki. He received the William Frew Memorial Purchase Award and his works were included in the Carnegie Institute collection. In 1983, his work became the first contemporary artwork to be collected by the National Palace Museum, Taiwan. In 2010, a major retrospective of his works was held in the Kaohsiung Museum of Fine Arts. Richard Lin passed away in 2011 in Taiwan.

林壽宇1933出生於台灣霧峰知名望族，他在1949年赴香港完成高中教育。於1952年赴英國倫敦的米爾菲爾德學校繼續學習。其後，他進入倫敦綜合工藝學院修讀建築及藝術，這段時期對他極簡主義的發展有重大影響。1959年，他在倫敦金貝爾．斐斯畫廊舉辦首次個展。1967年，他與朱德群、莊喆、胡奇中、丁雄泉及趙無極共同於美國匹茲堡第44屆卡內基國際美術展展出。林壽宇榮獲威廉佛瑞紀念收藏獎，參展作品更獲卡內基學會收藏。1983年，他的作品被台灣國立故宮博物館選入，成為該館第一件現代藝術藏品。2010年，高雄市立美術館為他舉辦了一次大型的作品回顧展。林壽宇2011年於台灣去世。

MABE, MANABU 馬部學 1924-1997 LOT 15

Manabu Mabe was born in 1924 in Kumamoto, Japan. He moved to Brazil with his family in 1934 to grow coffee. He became interested in the arts and sought guidance under painter and photographer Teisuke Kumasaka in 1945. After becoming more involved in the art circle, Mabe sold his coffee plantation in 1957 and moved to Sao Paulo to become a full-time painter. The artist received the Leirner Prize for Contemporary Art in 1958, and a tribute article published in the Time Magazine, New York in 1959. The same year, he received the Best Painter Prize at the 5th Sao Paulo Biennale and the 1st Paris Biennale. He participated in numerous subsequent Sao Paulo Biennales (7th to 14th) as well as the 30th Venice Biennale (1980) where he won the Fiat Prize. His works were shown in important museums and galleries such as Museum de Arte Moderna, Mexico (1966), National Museum of Art, Osaka (1981), ICAF, London (1985). The artist passed away in 1997, and there were numerous retrospectives around Japan in Kumamoto, Hiroshima, and more (1996-1997).

馬部學1924年生於日本熊本市。他於1934年跟隨家人移居巴西種植咖啡豆為生。及後，他對藝術萌生興趣，且於1945年師從畫家及攝影師 Teisuke Kumasaka。馬部學愈來愈活躍於藝術圈後，最終於1957年賣掉其咖啡豆種植園，並遷居聖保羅，成為全職畫家。1958年，馬部學獲得當代藝術Leirner獎，並於1959年獲《紐約時代雜誌》刊登致敬文。同年，他更獲得第五屆「聖保羅雙年展」及第一屆「巴黎雙年展」的最佳畫家獎。馬部學在往後的多年裏，均有參與「聖保羅雙年展」（第七至第十四屆）以及第30屆威尼斯雙年展並贏得飛雅特獎項（1960 年）。其作品見於多家重要博物館及畫廊，如墨西哥現代藝術博物館（1966年）、大阪國立國際美術館（1981年）、倫敦巴比肯藝術中心 ICAF（1985年）。馬部學於1997年離世，日本如熊本、廣島等地亦有舉辦回顧展（1996年至1997年）。

MIYAKE, SHINTARO 三宅信太郎 B. 1970 LOT 35

Shintaro Miyake was born in 1970 in Tokyo, Japan. In 1996, he completed his B.A. in Tama Art University, Tokyo. Miyake has held many solo exhibitions such as in Italy, Austria, Berlin, and Taiwan. Miyake makes free use of various means to create his unique artistic world, such as the picture-scroll-like drawings in which characters enact a variety of scenes, and his ‘live drawing’ performances wearing originally-designed character costumes which seem to have jumped straight out from his work. The freely soaring wit of his artistic world has attracted an international audience.

三宅信太郎出生於1970年，日本東京。三宅在東京多摩美術大學取得學士學位，並在義大利、奧地利、柏林、台灣做過個展。他的創作手法多元豐富，像是用圖像繪畫手卷來描繪主人翁在不同場景的互動，而他的行動繪畫則以身穿特別訂製畫中角色的裝扮來呈現主角倏忽一現於畫前的效果。他營造自由、具有生趣的藝術世界深受各地的觀者喜愛。 PAIK, NAM JUNE 白南准 1932-2006 LOT 34, 37

Nam June Paik, the father of video art, was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied music composition in Germany and met John Cage in 1958. Cage, and through him, Marcel Duchamp, had a significant influence on Paik as he became an important force in the avant-garde through performances. Major retrospectives of Paik’s work have been organized by Art Association of Cologne (1976), Musée d’Art Moderne de la Ville de Paris (1978), Whitney Museum of American Art in New York (1982), San Francisco Museum of Modern Art (1989), Kunsthalle Basel (1991), National Museum of Contemporary Art in Seoul (1992), and Solomon R. Guggenheim Museum in New York (2000). He also participated in important group exhibitions such as the São Paulo Biennale (1975), Whitney Biennial (1977, 1981, 1983, 1987, and 1989), Kassel Documenta 6 and 8 (1977 and 1987), and Venice Biennale (1984 and 1993). Paik died in Miami in 2006.

白南准，錄像藝術之父，生於1932年南韓首爾。1956年他獲得東京大學美學學士學位，同時他鑽研音樂和藝術史。畢業後他在德國學習作曲，並在1958年結識了約翰．凱奇。隨後凱奇介紹馬塞爾．杜尚給白式，兩者對白式的前衛行為藝術具有不可或缺的影響力。他曾在各大美館舉辦過重要回顧展，包括德國科隆藝術協會（1976）、巴黎現代藝術博物館（1978）、惠特尼美國藝術博物館（1982）、美國舊金山現代藝術博物館（1989）、巴塞爾美术館（1991）、韓國國立現代美術館（1992）、美國古根漢美術館（2000）。他的作品也曾參加過重要群展如巴西聖保羅雙年展（1975）、惠特尼雙年展（1977， 1981，1983，1987，1989）、第6屆和第8屆卡塞爾文獻展（1977，1987）、威尼斯雙年展（1984，1993）。白式在2006年逝世於邁阿密。

SHIMAMOTO, SHOZO 嶋本昭三 1928-2013 LOT 19

Shozo Shimamoto was born in Japan, in 1928; and died in Osaka in 2013 at the age of 85. He was an Emeritus Professor at Kyoto University of Education, and the Chairman at Takarazuka University of Art and Design. Shimamoto is most known for co-founding the avant-garde art group, Gutai, with Jiro Yoshihara in 1954. He is also known for his participation in the global mail art project in 1976 that involved over 60 countries. In 1996, Shimamoto was proposed as a candidate for the Nobel Peace Prize for his pacifist activities after meeting Bern Porter, the scientist who was involved in dropping the nuclear bomb on Hiroshima. Shimamoto is known for his innovative style of performance art that entails throwing glass bottles that contain paint onto a canvas. The splashes of colours along with pieces of broken glass on the canvas allow the audience to empathize with the artist’s actions and highlights the process of producing a piece of art. As an internationally renowned artist, Shimamoto participated in the Venice Biennale several times over his career. His works are also exhibited at the Tate Modern, the National Museum of Modern Art (Rome), and the Tokyo Contemporary Art Museum, amongst many others.

嶋本昭三⽣於1928年，2013年在⽇本⼤阪去世，享年85歲。生前，嶋本曾被任名為京都教育⼤學的榮譽教授，和寶塚設計與藝術大學的主席。在1954年，嶋本與吉原治良⼀起創辦了知名的前衛藝術家協會：具體。嶋本更在1976年向全球60多個國家傳遞郵件，利⽤信件這種新穎的⽅式創造影響全球的藝術。作為一個和平主義者，嶋本曾親⾃⾯⾒了參與投放廣島原⼦彈的科學家，伯爾尼·波特（Bern Porter），更因此在1996年被提名為諾⾙貝爾和平獎的候選⼈。嶋本的創作手法別具一格。他善於利⽤爆破的⼿法，讓裝滿顏料的玻璃瓶通過爆破瞬間的⼒量⾶濺到畫布上，讓顏料隨之留下痕跡。這種非傳統的⼿法能讓觀眾感覺到玻璃粉碎那一瞬間的動態，也能讓人們體會到藝術家創作的過程。作為⼀位世界聞名的藝術家，嶋本曾多次被邀請到威尼斯雙年展展出他的作品。嶋本的作品曾於泰特現代美術館、羅⾺國家現代藝術館和東京現代美術館等展出。

SHIY DE JINN (XE DEJIN) 席德進 1923-1981 LOT 24

Shiy De Jinn was born in 1923 in Sichuan, China, and was taught by artist Pang Xunqin growing up. In 1942 he attended the Chongqing National Art Institute under the tutelage of Lin Fengmian, and became close with his peers such as Zao Wou-ki, Chu Teh-Chun, and Li Zhongsheng. In 1948, he followed the army to Taiwan, and held his first solo exhibition in 1957 in Taipei, during which Goose Seller was selected to be shown in the 5th Sao Paulo Biennale. In 1962, he was invited to the United States by the US State Department, and moved to Paris in 1963. He returned to Taiwan in 1966 realizing his roots were Chinese art. Through watercolours and ink, he painted the rural scenery, traditional architecture, folk art, and advocated the preservation of antique monuments. Shiy passed away in 1981.

席德進，著名現代畫大師在1923年出生於中國四川，早期啟蒙於留法畫家龐薰琹，1942年就讀重慶國立藝專，受教於林風眠，並與趙無極、朱德群、李仲生等畫家來往甚密。他1948年隨軍來台後在嘉義中學任教，1957年在台北舉辦了首個個展，作品《賣鵝者》被選為參加第四屆巴西聖保羅國際雙年展。1962年應美國國務院之邀赴美考察，1963年移居巴黎。待了3年後他領悟到中國藝術才是他創作的源頭，於是他在 1966年返回台灣，透過水彩和水墨畫描繪農村風光、傳統建築、民間藝術、並倡導保存傳統古蹟。席式逝世於1981年。 WANG GUANGYI 王廣義 B. 1957 LOT 30

Wang Guangyi was born in 1957 in Harbin, Heilongjiang province. He studied oil painting at the China Academy of Fine Arts, Zhejiang and graduated in 1984. He took up a teaching post at the Harbin Polytechnic University Academy of Architecture, and founded the Northern Artists Group in 1985. His works were exhibited in the 45th Venice Biennale in 1993, earning him international fame. Since then, he has participated in numerous important exhibitions in the world, including Museum of Contemporary Art, Sydney (1993), Haus der Kulturen der Welt, Hamburg (1995), National Art Museum, Singapore (1997), Shanghai Art Museum (2001), Ullens Center for Contemporary Art, Beijing (2007), 53rd Venice Biennale (2009), and Asian Art Museum, San Francisco (2012). Wang’s works are in the permanent collection of M+ Museum, Hong Kong.

王廣義1957年生於黑龍江哈爾濱，1984年畢業於浙江美術學院油畫系，畢業後應聘哈爾濱理工大學建築系出任教職。1993年他的作品入選第 45屆威尼斯雙年展，因而蜚聲國際。自此他參加了許多重要的國際性展覽，包括1993年悉尼當代藝術館、1995年德國漢堡Haus der Kulturen der Welt、1997年新加坡國家藝術博物館、2001年上海美術館、2007年北京尤倫斯當代藝術中心、2009年第53屆威尼斯雙年展和2012年三藩市亞洲藝術博物館。

YAMADA MASAAKI 山田正亮 1930 -2010 LOT 14

Masaaki Yamada born in 1930 in Tokyo. Yamada’s prolific career was spent in isolation as he worked assiduously. The artist had many solo and group exhibitions in Japan in the 60s and 70s, with critical acclaim following a 20 year retrospective at the Koh Gallery, Tokyo (1978). His works were then showed in numerous galleries and important museums, including the National Museum of Modern Art, Kyoto (1981), The National Museum of Modern Art, Seoul (1986), the 19th Sao Paulo Biennial (1987), Benesse House, Naoshima Contemporary Art Museum, Kagawa (1994), Fuchu Art Museum, Tokyo (2005). The artist passed away in 2010. Most recently a traveling major retrospective was held in the National Museum of Modern Art, Tokyo (2016-2017) and The National Museum of Modern Art, Kyoto (2017).

山田正亮於1930年生於東京。他多元豐富的作品是多年努力不懈、閉關創作而得來。60、70年代，山田在日本舉辦過許多個展和群展，而1978年於東京Koh畫廊舉行的20年回顧展，更是廣受推崇。隨後，他名下之作更在多個畫廊及重要博物館中展示，包括京都國立近代美術館（1981年）、首爾國家現當代藝術博物館（1986年）、第19屆《聖保羅雙年展》（1987年）、日本香川縣地中美術館的Benesse House（1994年）及東京都府中市美術館（2005年）。山田正亮於2010年離世。其最近期的大型巡迴回顧展位於東京國立近代美術館（2016年及2017年），以及京都國立近代美術館（2017年）。

TAKEO YAMAGUCHI 山口長男 1902-1983 LOT 8, 9, 10, 11, 12

Takeo Yamaguchi was born in Seoul in 1902. He graduated from the Tokyo Art School in 1927 with a degree in Western painting. Following that, he moved to Paris to continue studying avant-garde European painting. The artist returned to Tokyo in 1931 and joined the artist group Nika-kai (Second-Section Society) that advocated experimentation and abstraction. He participated in the Sao Paulo Biennial (1955, 1963), the Japan Pavilion at the Venice Biennale (1956), Guggenheim International Award exhibition (1958), and The New Japanese Painting and Sculpture, Museum of Modern Art, New York (1964). He had solo shows at the Minami Gallery, Tokyo (1961, 1965, 1968, 1972, 1975), and at Nihonbashi Gallery, the first Japanese gallery established in New York (1963). Yamaguchi died in 1983 in Tokyo.

山口長男於1902年生於首爾。1927年於東京美術學校獲得西方繪畫學士學位。其後，他前往巴黎深造，學習歐洲前衛繪畫。山口長男1931年回到東京，並加入了倡導實驗藝術及抽象藝術的Nika-kai（二科會）。他曾參與《聖保羅雙年展》（1955及1963年）、《威尼斯雙年展》的日本館（1956年）、《古根漢國際大獎展覽》（Guggenheim International Award exhibition）（1958年）及紐約現代藝術博物館的《新日本繪畫及雕塑》（The New Japanese Painting and Sculpture）（1964年）。此外，他亦多次舉辦個人展覽，地點包括東京Minami畫廊（1961 年、1965年、1968年、1972年及1975年）和首家位於紐約的日本Nihonbashi畫廊（1963年）。山口長男於1983年在東京離世。 YANG SHAOBIN 楊少斌 B. 1963 LOT 25, 26

Yang Shaobin was born in 1963 in Tangshan, Hebei Province, China. In 1983, he graduated from the Polytechnical University, Hebei, and moved to the artist village at Yuanmingyuan, Beijing in 1991. Later in 1995, he settled at Tongxian, a suburb of Beijing. He was awarded the Chinese Contemporary Art Awards (2000), and established himself as an important artist in cynical realism movement along with Yue Minjun and Fang Lijun. He had numerous solo exhibitions at major museums including Arken Museum (2013), Ullens Center for Contemporary Art (2010), São Paulo Museum of Art (2009), and National Gallery of Indonesia (2007). His works were collected by Bifa+ Uli Sigg Collection, Switzerland, Cartier Foundation, France, Denver Art Museum, USA, Graz Museum, Austria, Museum und Kunstkammer Schloss Bartenstein, Germany, San Francisco Museum of Modern Art, USA, Spazio Contemporanea Arti e Culture, Milan, Italy and other public collections.

楊少斌1963 出生於河北省唐山市，1983年畢業於河北輕工業學校美術系。1991年他搬進北京圓明園畫家村，95年遷入北京通縣小堡村。他曾獲得當代中國藝術獎（2000），和岳敏君、方力鈞並列為玩世現實主義的先鋒當代藝術家。他曾在各大美術館舉辦個展，包括丹麥阿肯美術館（2013）、北京尤倫斯當代藝術中心（2010）、巴西聖保羅美術館（2009）、印尼國家美術館（2007）等。他的作品曾被瑞士烏利．希克收藏、法國卡地亞基金會、美國丹佛當代藝術博物館、奧地利Graz博物館、德國Kunstkammer Schloss Bartenstein博物館、美國舊金山現代藝術博物館、意大利米蘭當代藝術中心等公共機構收藏。

YUE MINJUN 岳敏君 B. 1962 LOT 27

Yue Minjun was born in Heilongjiang, China in 1962. He has been quoted as saying, “I always found laughter irresistible.” Best known for his oil paintings depicting himself with his trademark smile, Yue is a leading figure in the Chinese contemporary art scene. In 2007, Yue Minjun was selected Time magazine’s Person of the Year. He has exhibited widely and is recognized as one of the breakout stars of his generation. Yue has solo museum exhibition at Queens Museum of Art, New York, He Xiangning Art Museum, Shenzhen. He participated in the 48th Venice Biennale, and the Shanghai Biennale (2004, 2008). His works are collected by major museums and private collections, such as the San Francisco Museum of Modern Art, Denver Art Museum, USA, the Espace Culture Francois Mitterand, France, and Uli Sigg Collection, Switzerland.

岳敏君1962年生於中國黑龍江。作為中國當代藝術領域的一位領軍人物他被視為這一代藝術家中突破性的人物，受到廣泛及高度認可。其最著名的形象是他標志性的笑容，用他自己的話來說——「笑無所不在」。他在2007年被《時代雜誌》選為年度風雲人物，並曾在各大美術館舉辦個展，包括美國紐約皇后美術館、中國深圳何香凝美術館。岳式也曾參加第48屆威尼斯雙年展（1999）及上海雙年展（2008，2004）。他的作品已被各大美術館和私人收藏，包括美國舊金山現代藝術博物館、美國丹佛當代藝術博物館、法國法朗索瓦、密特朗文化中心、瑞士烏利．希克收藏。

ZHAI LIANG 翟倞 B. 1983 LOT 32

Zhai Liang was born in 1983, Houma, Shanxi Province, China. He received his BFA in Oil Painting at Sichuan Academy of Fine Arts, Chongqing in 2006 and his MFA at the Central Academy of Fine Arts, Beijing in 2009. Recent exhibitions include Zhai Liang: The Garden of Forking Paths at 1000 Plateaus Space, Chengdu (2011 and 2013), Zhai Liang: Catalogue – Babel Library, White Space, Beijing (2013), and The Diary of Travelers at Hive Center for Contemporary Art, Beijing (2014). His works are in the public collections of the Long Museum, Shanghai and He Xiangning Art Museum, Shenzhen.

翟倞1983 年出生於中國山西省侯馬，2006年於四川美術學院油畫系畢業，2009年於中央美術學院碩士畢業。近期展覽包括千高原空間「小徑分岔的花園」，成都（2011、2013）、空白空間「目錄－通天塔圖書館」，北京（2013）、蜂巢當代藝術中心「旅人日記」，北京（2014）。上海龍美術館及深圳何香凝美術館均有收藏他的作品。 ZHANG ENLI 張恩利 B. 1965 LOT 31

Zhang Enli was born in Jilin, China in 1965. He graduated from the Art & Design Institute of Wuxi Technical University in 1989. In addition to the numerous solo exhibitions at his represented galleries, ShanghART (2000, 2008, 2012, 2015) and Hauser & Wirth (2006, 2007, 2010, 2011, 2012, 2014, 2015, 2016), he also had solo exhibitions at Kunsthalle Bern (2009), Shanghai Art Museum (2011), MOCA, Taipei (2015), and many more. His works are in the collection of many important art collection, such as the Centre Pompidou, Paris, M+Collection, Hong Kong, Rubell Family Collection, Miami, Yuz Foundation, Jakarta, LVMH, France, Tate, London, Franks Suss Collection, UK, The UBS Art Collection, Zurich, DSL Collection.

張恩利1965年於吉林出身，1989年於無錫輕工業大學藝術學院畢業。他曾經先後在多家畫廊舉辦個展，包括上海香格納畫廊（2000年、2008 年、2012年及2015年）及Hauser & Wirth畫廊（2006年、2007年、2010年、2011年、2012年、2014年、2015年及2016年），還有 Kunsthalle Bern（2009年）、上海美術館（2011年）、台北當代藝術館（2015年）等等。張恩利的作品被納入多個重要藝術收藏之中，如巴黎龐畢度中心、香港M+博物館、邁阿密盧貝爾家族收藏、雅加達余德耀基金會、法國LVMH、倫敦泰特現代藝術館、英國Franks Suss收藏、蘇黎世瑞銀集團藝術藏品及DSL收藏。

ZHOU CHUNYA 周春芽 B. 1955 LOT 28

Zhou Chunya was born in 1955 in Chongqing, China. He graduated from Sichuan Academy of Fine Art in 1982, then he obtained a Master’s degree from the Kassel Academy of Fine Art, Kassel. His first solo exhibition Works by Zhou Chunya was held in 1987 in GDCF, Dusseldorf. This was followed by shows in the Museum of Modern Art Contemporary, Italy (2002), Shanghai Gallery of Art (2006), Beijing Today Art Museum (2007), My Humble House, Taipei (2008), and in 2010 the artist had a 40 year retrospective in the Shanghai Art Museum. The artist also participated in many group exhibitions, such as the 53rd Venice Biennale A Collateral Event (2009), the traveling exhibition of Martell Artists of the Year 2010, Expression of Chinese Contemporary Art, Beijing Today Art Museum (2011).

周春芽1955年生於中國重慶，1982年畢業於四川美術學院，及後在德國卡塞爾美術學院取得碩士學位。1987年，周氏的首個個展於杜塞爾多夫德中友好協會舉行。其後，他於多家博物館及畫廊設展，包括意大利現當代藝術博物館（2002年）、滬申畫廊（2006年）、北京今日美術館（2007年）、台北寒舍藝術中心（2008年），並於2010年在上海美術館舉行40週年回顧展。此外，周春芽同時參與多個群展、包括第53屆《威尼斯國際藝術雙年展》特別機構邀請展、馬爹利「非凡藝術人物」巡迴展（2010年）、北京今日美術館「Expression of Chinese Contemporary Art」（2011年）。 SHOZO SHIMAMOTO (1928-2013) ENQUIRIES POST-WAR & Silk Road 31, 2006-2007 +44 (0) 20 7468 5837 CONTEMPORARY ART acrylic and oil on canvas [email protected] Thursday 29 June 2017 80.7 x 117.5 cm. (31 3/4 x 46 1/4 in.) New Bond Street, London £40,000 - 60,000 HKD400,000 - 600,000

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A period of 8 will be rounded down to the nearest amount consistent with methods (all cheques should be made payable to Bonhams are set out in our Buyer’s Agreement save for those varied Report will form part of the Contractual Description of the Lot Auctioneer at the striking of the Auctioneer’s hammer. Any weeks may be required for the purposes of obtaining such the Auctioneer’s bidding increments. New Bidders must also (Hong Kong) Limited). Bonhams reserves the right to vary by announcement given out orally before and/or during the under which it is sold to any Buyer. dispute as to the highest acceptable bid will be settled by the export licence. Sale, which you will find atAppendix 2 at the back of the Auctioneer in his absolute discretion. provide proof of identity when submitting bids. Failure to do the terms of payment at any time. Unless agreed by us this may result in your bid not being placed. advance payments made by anyone other than the registered Catalogue. This will govern Bonhams’ relationship with the The Seller’s responsibility to you Please note that Lots marked in the catalogue with a Y buyer will not be accepted. Buyer. The Seller does not make or agree to make any All bids tendered will relate to the actual Lot number next to the lot number contain one or more of the aforesaid representation of fact or contractual promise, guarantee or announced by the Auctioneer. Bidding via the internet restricted materials. However, the omission of such letter Y Please visit our Website at http://www.bonhams.com for 2. LOTS warranty and undertakes no obligation or duty, whether in Hong Kong dollar personal cheque drawn on a Hong does not automatically mean that the Lot is not subject to details of how to bid via the internet. all cheques must be cleared Subject to the Contractual Description printed in bold letters contract or in tort (other than to the eventual Buyer as set An electronic currency converter may be used at the Sale. 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THE SELLERS AND/OR BONHAMS’ LIABILITY Please see paragraph 15. set out above, no statement or representation in any way Other than any liability of the Seller to the Buyer of a Lot and may require written confirmation from the principal own account, we will allow you to collect your purchases descriptive of a Lot or any Estimate is incorporated into any We hereby give you notice that we may use video cameras to under the Contract for Sale, neither we nor the Seller are confirming the agent’s authority to bid. 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It should be noted that all bids tendered will staff, or for indirect losses or consequential damages of any Equally, please let us know if you intend to nominate another including its authorship, attribution, condition, provenance, investigate or carry out any tests, either in sufficient depth or relate to the actual Lot number announced by the Auctioneer. kind, irrespective in any case of the nature, volume or source person to bid on your behalf at the Sale unless this is to be you may electronically transfer funds to history, background, authenticity, style, period, age, at all, on each Lot to establish the accuracy or otherwise of We do not accept any responsibility for any errors which may Bank transfer: of the loss or damage alleged to be suffered, and irrespective carried out by us pursuant to an Absentee and Telephone our Client Account. If you do so, please quote your paddle suitability, quality, roadworthiness (if relevant), origin, value any descriptions or opinions given by Bonhams, or by any occur in the use of the screen. of whether the said loss or damage is caused by or claimed Bidding Form that you have completed. If we do not approve number and invoice number as the reference. Our Client and estimated selling price (including the Hammer price). It person on Bonhams’ behalf, whether in the Catalogue or in respect of any negligence, other tort, breach of contract (if the agency arrangements in writing before the Sale, we are Account details are as follows: is your responsibility to examine any Lot in which you are elsewhere. 5. BIDDING any) or statutory duty, restitutionary claim or otherwise. interested. We do not accept bids from any person who has not entitled to assume that the person bidding at the Sale is Bank : HSBC bidding on his own behalf. Accordingly, the person bidding at Address : Head Office You should not suppose that such examinations, completed and delivered to us one of our Bidding Forms, In any circumstances where we and/or the Seller are liable the Sale will be the Buyer and will be liable to pay the Hammer 1 Queen’s Road Central, Hong Kong It should be remembered that the actual condition of a investigations or tests have occurred. either our Bidder Registration Form, Absentee and Telephone in relation to any Lot or any Description or Estimate made Price and Buyer’s Premium and associated charges. If we Account Name: Bonhams (Hong Kong) Limited. - Lot may not be as good as that indicated by its outward Bidding Form before the Sale. You may be asked for proof of of any Lot, or the conduct of any Sale in relation to any Lot, approve the identity of your client in advance, we will be in a Client A/C appearance. In particular, parts may have been replaced or Bonhams does not make or agree to make any identity, residence, financial details and references, which, if whether in damages, for an indemnity or contribution, or for position to address the invoice to your principal rather than Account Number: 808 870 174001 renewed and Lots may not be authentic or of satisfactory representation of fact, and undertakes no obligation or duty asked for, you must supply if your bids are to be accepted by a restitutionary remedy or otherwise, our and/or the Seller’s you. We will require proof of the agent’s client’s identity and SWIFT Code: HSBCHKHHHKH quality; the inside of a Lot may not be visible and may not (whether in contract or tort) in respect of the accuracy or us. Please bring your passport, Hong Kong Identity Card (or liability (combined, if both we and the Seller are liable) will be residence in advance of any bids made by the agent on his be original or may be damaged, as for example where it is completeness of any statement or representation made similar photo proof of identity) and a debit or credit card. We limited to payment of a sum which will not exceed by way behalf. Please refer to our Conditions of Business and contact If paying by bank transfer, the amount received after the covered by upholstery or material. Given the age of many by Bonhams or on Bonhams’ behalf which is in any way may request a deposit from you before allowing you to bid. of maximum the amount of the Purchase Price of the Lot our Customer Services Department for further details. deduction of any bank fees and/or conversion of the currency Lots they may have been damaged and/or repaired and you descriptive of any Lot or as to the anticipated or likely selling irrespective in any case of the nature, volume or source of of payment to Hong Kong dollars must not be less than should not assume that a Lot is in good condition. price of any Lot. We may refuse entry to a Sale to any person even if that any loss or damage alleged to be suffered or sum claimed as the Hong Kong dollars amount payable, as set out on the person has completed a Bidding Form. 6. CONTRACTS BETWEEN THE BUYER AND SELLER due, and irrespective of whether the liability arises from any invoice. Electronic or mechanical parts may not operate or may not No statement or representation by Bonhams or on its AND THE BUYER AND BONHAMS negligence, other tort, breach of contract (if any) or statutory On the Lot being knocked down to the Buyer, a Contract comply with current statutory requirements. You should behalf in any way descriptive of any Lot or any Estimate is Bidding in person duty or otherwise. not assume that electrical items designed to operate on incorporated into our Buyer’s Agreement. You should come to our Bidder registration desk at the for Sale of the Lot will be entered into between the Seller Debit cards issued by a Hong Kong bank (EPS): there is and the Buyer on the terms of the Contract for Sale set out no additional charge for purchases made with these cards; mains electricity will be suitable for connection to the mains Sale venue and fill out a Bidder Registration Form on (or, if Nothing set out above will be construed as excluding or in at the back of the Catalogue save for those electricity supply and you should obtain a report from a Alterations possible, before) the day of the Sale. The bidding number Appendix 1 restricting (whether directly or indirectly) our liability or varied by announcement given out orally before and/or during qualified electrician on their status before doing so. Such Descriptions and Estimates may be amended at Bonhams’ system is sometimes referred to as “paddle bidding”. You excluding or restricting any person’s rights or remedies in

HK/NTB/MAIN/V1/11.16 HK/NTB/MAIN/V1/11.16

PAGE 1 PAGE 2 will be issued with a large card (a “paddle”) with a printed the Sale. You will be liable to pay the Purchase Price, which Credit cards: American Express, Visa and Mastercard only. number on it. This will be attributed to you for the purposes is the Hammer Price plus any Tax. Please note there is a 2% surcharge on the total invoice of the Sale. Should you be a successful Bidder you will value when payments are made using credit cards. It may need to ensure that your number can be clearly seen by the At the same time, a separate contract is also entered into be advisable to notify your card provider of your intended Auctioneer and that it is your number which is identified as between us as auctioneers and the Buyer. This is our Buyer’s purchase in advance to reduce delays caused by us having the Buyer’s. You should not let anyone else use your paddle Agreement, the terms of which are set out in Appendix 2 to seek authority when you come to pay. If you have any as all Lots will be invoiced to the name and address given on at the end of the Catalogue. Please read the terms of the questions with regard to payment, please contact our your Bidder Registration Form. Once an invoice is issued it Contract for Sale and our Buyer’s Agreement contained in Customer Services Department. will not be changed. the Catalogue in case you are the successful Bidder. We may change the terms of either or both of these agreements in China UnionPay (CUP) debit cards: No surcharge for If there is any doubt as to the Hammer Price of, or whether advance of their being entered into, by setting out different terms using CUP debit cards will apply on the first HK$1,000,000 you are the successful Bidder of, a particular Lot, you must in the Catalogue and/or by placing an insert in the Catalogue and/ invoiced to a Buyer in any Sale; a 2% surcharge will be draw this to the attention of the Auctioneer before the next or by notices at the Sale venue and/or by oral announcements made on the balance over HK$1,000,000. Lot is offered for Sale. The decision of the Auctioneer is before and during the Sale. You should be alert to this possibility considered final and conclusive. of changes and ask if there have been any. 10. COLLECTION AND STORAGE The Buyer of a Lot will not be allowed to collect it until At the end of the Sale, or when you have finished bidding 7. BUYER’S PREMIUM AND OTHER CHARGES payment in full and in cleared funds has been made (unless please return your paddle to the Bidder registration desk. PAYABLE BY THE BUYER we have made a special arrangement with the Buyer). Details Under the Buyer’s Agreement, a premium (the Buyer’s relating to the collection of a Lot, the storage of a Lot and our Premium) is payable to us by the Buyer in accordance with the Bidding by telephone Storage Contractor after the Sale are set out in the Buyer’s If you wish to bid at the Sale by telephone, please complete terms of the Buyer’s Agreement and at rates set out below, Agreement as set out in Appendix 2 of the Catalogue. an Absentee and Telephone Bidding Form, which is available calculated by reference to the Hammer Price and payable in from our offices or in the Catalogue. Please then return it to addition to it. Storage charges and Expenses are also payable the office which is responsible for the Sale at least 24 hours by the Buyer as set out in the Buyer’s Agreement. 11. SHIPPING Please refer enquiries on this to our customer services in advance of the Sale. It is your responsibility to check with department dealing with the Sale. our Bids Office that your bid has been received. Telephone For this Sale the following rates of Buyer’s Premium will be calls may be recorded. The telephone bidding facility is a payable by Buyers on each lot purchased: discretionary service and may not be available in relation to all 25% up to HK$1,200,000 of the Hammer Price 12. EXPORT/TRADE RESTRICTIONS It is your sole responsibility to comply with all Hong Kong Lots. We will not be responsible for bidding on your behalf if 20% from HK$1,200,001 of the Hammer Price export and overseas import regulations relating to your you are unavailable at the time of the Sale or if the telephone 12% from HK$20,000,001 of the Hammer Price purchases and also to obtain any relevant export and/or connection is interrupted during bidding. Please contact us import licence(s). for further details. 8. TAX The Hammer Price and the Buyer’s Premium payable by The need for export and import licences varies from country the Buyer is exclusive of any goods or service tax or other Bidding by post or fax to country and you should acquaint yourself with all relevant Absentee and Telephone Bidding Forms can be found in the Tax (whether imposed by Hong Kong or otherwise). If any local requirements and provisions. back of this Catalogue and should be completed and sent such Tax was to be paid under Hong Kong laws or any other to the office responsible for the Sale. It is in your interests laws, the Buyer shall be solely responsible to pay such Tax The refusal of any import or export licence(s) or any delay in to return your form as soon as possible, as if two or more and at the rate and time as required by the relevant law, or obtaining such licence(s) shall not permit the rescission of any Bidders submit identical bids for a Lot, the first bid received if such Tax is to be paid by us, we may add such Tax to the Sale nor allow any delay in making full payment for the Lot. takes preference. In any event, all bids should be received Purchase Price payable by the Buyer. at least 24 hours before the start of the Sale. Please check your Absentee and Telephone Bidding Form carefully before 13. CITES REGULATIONS 9. PAYMENT Buyers are advised to check the regulations applicable to returning it to us, fully completed and signed by you. It is It is of critical importance that you ensure that you have Hong Kong exportation and overseas importation when your responsibility to check with our Bids Office that your bid readily available funds to pay the Purchase Price and the exporting any goods from Hong Kong to the place of has been received. This additional service is complimentary Buyer’s Premium (plus Tax and any other charges and importation. Buyers should also be aware that the export and is confidential. Such bids are made at your own risk Expenses to us) in full before making a bid for the Lot. If you from Hong Kong of any items made of or incorporating and we cannot accept liability for our failure to receive and/ are a successful Bidder, payment will be due to be made to ivory, whalebone, tortoiseshell, rhinoceros horn, coral and or place any such bids. All bids made on your behalf will be us by 4.30 pm on the second working day after the Sale so other restricted materials is prohibited unless a CITES made at the lowest level possible subject to Reserves and that all sums are cleared by the seventh working day after export licence is obtained from the Agriculture, Fisheries other bids made for the Lot. Where appropriate your bids the Sale. Payment will have to be by one of the following and Conservation Department of Hong Kong. A period of 8 will be rounded down to the nearest amount consistent with methods (all cheques should be made payable to Bonhams weeks may be required for the purposes of obtaining such the Auctioneer’s bidding increments. New Bidders must also (Hong Kong) Limited). Bonhams reserves the right to vary export licence. provide proof of identity when submitting bids. Failure to do the terms of payment at any time. Unless agreed by us this may result in your bid not being placed. advance payments made by anyone other than the registered Please note that Lots marked in the catalogue with a Y buyer will not be accepted. next to the lot number contain one or more of the aforesaid Bidding via the internet restricted materials. However, the omission of such letter Y Please visit our Website at http://www.bonhams.com for Hong Kong dollar personal cheque drawn on a Hong does not automatically mean that the Lot is not subject to details of how to bid via the internet. all cheques must be cleared Kong branch of a bank : CITES regulations. Buyers are advised to obtain information before you can collect your purchases; from the relevant regulatory authorities regarding export and Bidding through an agent import restrictions, requirements and costs prior to bidding. Bids will be accepted as placed on behalf of the person Bankers draft cheque: if you can provide suitable proof named as the principal on the Bidding Form although we may of identity and we are satisfied as to the genuineness of the refuse to accept bids from an agent on behalf of a principal draft or cheque, and that the funds have originated from your 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Other than any liability of the Seller to the Buyer of a Lot and may require written confirmation from the principal own account, we will allow you to collect your purchases under the Contract for Sale, neither we nor the Seller are confirming the agent’s authority to bid. Nevertheless, as the immediately; liable (whether in negligence or otherwise) for any error Bidding Form explains, any person placing a bid as agent or misdescription or omission in any Description of a Lot on behalf of another (whether or not he has disclosed that you may pay for Lots purchased by you at this Sale Cash: or any Estimate in respect of it, whether contained in the fact or the identity of his principal) will be jointly and severally with notes or coins in the currency in which the Sale is Catalogue or otherwise, whether given orally or in writing liable with the principal to the Seller and to Bonhams under conducted (but not any other currency) provided that the total and whether given before or during the Sale. Neither we any contract resulting from the acceptance of a bid. amount payable by you in respect of all Lots purchased by nor the Seller will be liable for any loss of Business, profits, you at the Sale does not exceed HK$80,000. If the amount revenue or income, or for loss of reputation, or for disruption Subject to the above, please let us know if you are acting on payable by you for Lots exceeds that sum, the balance must to Business or wasted time on the part of management or behalf of another person when bidding for Lots at the Sale. be paid otherwise than in coins or notes; staff, or for indirect losses or consequential damages of any Equally, please let us know if you intend to nominate another kind, irrespective in any case of the nature, volume or source person to bid on your behalf at the Sale unless this is to be you may electronically transfer funds to Bank transfer: of the loss or damage alleged to be suffered, and irrespective carried out by us pursuant to an Absentee and Telephone our Client Account. If you do so, please quote your paddle of whether the said loss or damage is caused by or claimed Bidding Form that you have completed. If we do not approve number and invoice number as the reference. Our Client in respect of any negligence, other tort, breach of contract (if the agency arrangements in writing before the Sale, we are Account details are as follows: any) or statutory duty, restitutionary claim or otherwise. entitled to assume that the person bidding at the Sale is Bank : HSBC bidding on his own behalf. Accordingly, the person bidding at Address : Head Office In any circumstances where we and/or the Seller are liable the Sale will be the Buyer and will be liable to pay the Hammer 1 Queen’s Road Central, Hong Kong in relation to any Lot or any Description or Estimate made Price and Buyer’s Premium and associated charges. If we Account Name: Bonhams (Hong Kong) Limited. - of any Lot, or the conduct of any Sale in relation to any Lot, approve the identity of your client in advance, we will be in a Client A/C whether in damages, for an indemnity or contribution, or for position to address the invoice to your principal rather than Account Number: 808 870 174001 a restitutionary remedy or otherwise, our and/or the Seller’s you. We will require proof of the agent’s client’s identity and SWIFT Code: HSBCHKHHHKH liability (combined, if both we and the Seller are liable) will be residence in advance of any bids made by the agent on his limited to payment of a sum which will not exceed by way behalf. Please refer to our Conditions of Business and contact If paying by bank transfer, the amount received after the of maximum the amount of the Purchase Price of the Lot our Customer Services Department for further details. deduction of any bank fees and/or conversion of the currency irrespective in any case of the nature, volume or source of of payment to Hong Kong dollars must not be less than any loss or damage alleged to be suffered or sum claimed as the Hong Kong dollars amount payable, as set out on the 6. CONTRACTS BETWEEN THE BUYER AND SELLER due, and irrespective of whether the liability arises from any invoice. AND THE BUYER AND BONHAMS negligence, other tort, breach of contract (if any) or statutory On the Lot being knocked down to the Buyer, a Contract duty or otherwise. for Sale of the Lot will be entered into between the Seller Debit cards issued by a Hong Kong bank (EPS): there is and the Buyer on the terms of the Contract for Sale set out no additional charge for purchases made with these cards; Nothing set out above will be construed as excluding or in at the back of the Catalogue save for those Appendix 1 restricting (whether directly or indirectly) our liability or varied by announcement given out orally before and/or during excluding or restricting any person’s rights or remedies in

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PAGE 2 respect of (i) fraud, or (ii) death or personal injury caused by Signatures fail as a result of transporting the wine. We will only accept our negligence (or by the negligence of any person under our 1. A diamond brooch, by Kutchinsky responsibility for Descriptions of condition at the time of control or for whom we are legally responsible), or (iii) acts or When the maker’s name appears in the title, in Bonhams’ publication of the Catalogue and cannot accept responsibility omissions for which we are liable under the Occupiers Liability opinion the piece is by that maker. for any loss resulting from failure of corks either before or Ordinance (Chapter 314 of the Laws of Hong Kong), or (iv) after this point. any other liability to the extent the same may not be excluded 2. A diamond brooch, signed Kutchinsky or restricted as a matter of law or (v) our undertakings under Has a signature that, in Bonhams’ opinion, is authentic but paragraph 9 of the Buyer’s Agreement. The same applies in may contain gemstones that are not original, or the piece Options to buy parcels respect of the Seller, as if references to us in this paragraph may have been altered. A parcel is a number of Lots of identical size of the same were substituted with references to the Seller. 3. A diamond brooch, mounted by Kutchinsky wine, bottle size and Description. The Buyer of any of these Has been created by the jeweller, in Bonhams’ opinion, but Lots has the option to accept some or all of the remaining 15. DAMAGE AND RESTORATION using stones or designs supplied by the client. Lots in the parcel at the same price, although such options Bidders should note that there is no reference to any defect, will be at the Auctioneer’s sole discretion. Absentee Bidders damage or restoration in this Catalogue. A detailed Condition 19. PICTURES are, therefore, advised to bid on the first Lot in a parcel. Report can be provided by Bonhams up to 24 hours before Explanation of Catalogue Terms the Sale. When providing Condition Reports, we do not The following terms used in the Catalogue have the following guarantee that there are no other defects present which have Bottling Details and Case Terms not been mentioned. Bidders should satisfy themselves by meanings but are subject to the general provisions relating to The following terms used in the Catalogue have the following inspection, as to the condition of each Lot. Please see the Descriptions contained in the Contract for Sale: meanings: Contract for Sale printed in this Catalogue. • “Jacopo Bassano”: in our opinion a work by the artist. CB – Château bottled When the artist’s forename(s) is not known, a series of DB – Domaine bottled 16. BOOKS asterisks, followed by the surname of the artist, whether EstB – Estate bottled As stated above, all Lots are sold on an “as is” basis, subject preceded by an initial or not, indicates that in our opinion BB – Bordeaux bottled to all faults, imperfections and errors of Description save as the work is by the artist named; BE – Belgian bottled set out below. However, you will be entitled to reject a Book • “Attributed to Jacopo Bassano”: in our opinion probably FB – French bottled in the circumstances set out in paragraph 11 of the Buyers a work by the artist but less certainty as to authorship is GB – German bottled Agreement. Please note that Lots comprising printed Books, expressed than in the preceding category; OB – Oporto bottled unframed maps and bound manuscripts are not liable to VAT • “Studio/Workshop of Jacopo Bassano”: in our opinion a UK – United Kingdom bottled on the Buyer’s Premium. work by an unknown hand in a studio of the artist which owc – original wooden case may or may not have been executed under the artist’s iwc – individual wooden case 17. CLOCKS AND WATCHES direction; oc – original carton All Lots are sold “as is”, and the absence of any reference • “Circle of Jacopo Bassano”: in our opinion a work by to the condition of a clock or watch does not imply that a hand closely associated with a named artist but not SYMBOLS the Lot is in good condition and without defects, repairs or necessarily his pupil; THE FOLLOWING SYMBOLS ARE USED TO DENOTE restorations. Most clocks and watches have been repaired in • “Follower of Jacopo Bassano”: in our opinion a work by Y Subject to CITES regulations when exporting these the course of their normal lifetime and may now incorporate a painter working in the artist’s style, contemporary or items outside the EU, see clause 13. parts not original to them. Furthermore, Bonhams makes nearly contemporary, but not necessarily his pupil; ○ The Seller has been guaranteed a minimum price for no representation or warranty that any clock or watch is in • “Manner of Jacopo Bassano”: in our opinion a work in the the Lot, either by Bonhams or a third party. This may working order. As clocks and watches often contain fine style of the artist and of a later date; take the form of an irrevocable bid by a third party, who and complex mechanisms, Bidders should be aware that • “After Jacopo Bassano”: in our opinion, a copy of a may make a financial gain on a successful Sale or a a general service, change of battery or further repair work, known work of the artist; financial loss if unsuccessful. for which the Buyer is solely responsible, may be necessary. • “Signed and/or dated and/or inscribed”: in our opinion the ▲ Bonhams owns the Lot either wholly or partially or may Bidders should be aware that the importation of watches signature and/or date and/or inscription are from the hand otherwise have an economic interest. such as Rolex, Frank Muller and Corum into the United of the artist; Ф This lot contains or is made of ivory. The United States States is highly restricted. These watches may not be • “Bears a signature and/or date and/or inscription”: in our Government has banned the import of ivory into shipped to the USA and can only be imported personally. opinion the signature and/or date and/or inscription have the USA. been added by another hand. 22. LANGUAGE 18. JEWELLERY The Notice to Bidders is published in both Chinese and Gemstones 20. PORCELAIN AND GLASS English. If there is any dispute in its interpretation, the English Historically many gemstones have been subjected to Damage and Restoration version will prevail. a variety of treatments to enhance their appearance. For your guidance, in our Catalogues we detail, as far as Sapphires and rubies are routinely heat treated to improve practicable, recorded all significant defects, cracks and DATA PROTECTION – USE OF YOUR INFORMATION their colour and clarity, similarly emeralds are frequently restoration. Such practicable Descriptions of damage cannot As a result of the services provided by us, we obtain personal treated with oils or resin for the same purpose. Other be definitive, and in providing Condition Reports, we cannot data about you (which expression for the purposes of this treatments such as staining, irradiation or coating may have Guarantee that there are no other defects present which paragraph only includes your employees and officers, if any). You agree to our use of it as follows. been used on other gemstones. These treatments may have not been mentioned. Bidders should satisfy themselves be permanent, whilst others may need special care or re- by inspection, as to the condition of each Lot. Please see We may use your data to notify you about changes to our the Contract for Sale printed in this Catalogue. Because of treatment over the years to retain their appearance. Bidders services and to provide you with information about products the difficulty in determining whether an item of glass has should be aware that Estimates assume that gemstones or services that you request from us or which we feel may may have been subjected to such treatments. A number been repolished, in our Catalogues reference is only made to be of interest to you. Data about you may be analysed to of laboratories issue certificates that give more detailed visible chips and cracks. No mention is made of repolishing, identify your potential preferences for these purposes. We Descriptions of gemstones. However there may not be severe or otherwise. may disclose your data to any member of our group (which consensus between different laboratories on the degrees, means our subsidiaries, our ultimate holding company and or types of treatment for any particular gemstone. In 21. WINE its subsidiaries as defined in section 1159 and schedule 6 of the Companies Act 2006, including any overseas the event that Bonhams has been given or has obtained Lots which are lying under Bond and those liable to VAT may subsidiary). Subject to this, we will not disclose your data to certificates for any Lot in the Sale these certificates will be not be available for immediate collection. any third party, but we may from time to time provide you disclosed in the Catalogue. Although, as a matter of policy, Examining the wines with information about goods and services provided by third It is occasionally possible to provide a pre-Sale tasting for Bonhams endeavours to provide certificates from recognised parties which we feel may be of interest to you. Any member laboratories for certain gemstones, it is not feasible to obtain larger parcels (as defined below). This is generally limited to of our group may use your data for similar purposes. certificates for each Lot. In the event that no certificate is more recent and everyday drinking wines. Please contact the published in the Catalogue, Bidders should assume that the department for details. gemstones may have been treated. Neither Bonhams nor It is not our policy to inspect every unopened case. In the the Seller accepts any liability for contradictions or differing case of wines older than 20 years the boxes will usually certificates obtained by Buyers on any Lots subsequent to have been opened and levels and appearance noted in the Sale. the Catalogue where necessary. You should make proper allowance for variations in ullage levels and conditions of Estimated Weights corks, capsules and labels. If a stone(s) weight appears within the body of the Corks and Ullages Description in capital letters, the stone(s) has been Ullage refers to the space between the base of the cork unmounted and weighed by Bonhams. If the weight of the and the wine. Ullage levels for Bordeaux shaped bottles are stone(s) is stated to be approximate and does not appear only normally noted when below the neck and for Burgundy, in capital letters, the stone(s) has been assessed by us Alsace, German and Cognac shaped bottles when greater within its/their settings, and the stated weight is a statement than 4 centimetres (cm). Acceptable ullage levels increase of our opinion only. This information is given as a guide with age; generally acceptable levels are as follows: and Bidders should satisfy themselves with regard to this Under 15 years old – into neck or less than 4cm information as to its accuracy. 15 to 30 years old – top shoulder (ts) or up to 5cm Over 30 years old – high shoulder (hs) or up to 6cm It should be noted that ullages may change between publication of the Catalogue and the Sale and that corks may

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PAGE 3 We will keep your data for a period of five years from the respect of (i) fraud, or (ii) death or personal injury caused by Signatures fail as a result of transporting the wine. We will only accept 3 DESCRIPTIONS OF THE LOT 7 COLLECTION OF THE LOT date of your last contact with us so as to simplify any future 3.1 Paragraph 2.1.5 sets out what is the 7.1 Unless otherwise agreed in writing with you by our negligence (or by the negligence of any person under our responsibility for Descriptions of condition at the time of 1. A diamond brooch, by Kutchinsky registration. The data may be transferred to and stored outside Contractual Description of the Lot. In particular, Bonhams, the Lot will be released to you or to control or for whom we are legally responsible), or (iii) acts or When the maker’s name appears in the title, in Bonhams’ publication of the Catalogue and cannot accept responsibility Hong Kong, and you agree to this transfer. You have the right the Lot is not sold as corresponding with that your order only when Bonhams has received omissions for which we are liable under the Occupiers Liability opinion the piece is by that maker. for any loss resulting from failure of corks either before or Ordinance (Chapter 314 of the Laws of Hong Kong), or (iv) to request us not to use your information for these purposes part of the Entry in the Catalogue which is not cleared funds to the amount of the full Purchase after this point. any other liability to the extent the same may not be excluded 2. A diamond brooch, signed Kutchinsky by contacting Bonhams (Hong Kong) Limited (which for the printed in bold letters, which merely sets out Price and all other sums owed by you to the or restricted as a matter of law or (v) our undertakings under Has a signature that, in Bonhams’ opinion, is authentic but purpose of the Personal Data (Privacy) Ordinance (Chapter (on the Seller’s behalf) Bonhams’ opinion about Seller and to Bonhams. paragraph 9 of the Buyer’s Agreement. The same applies in may contain gemstones that are not original, or the piece Options to buy parcels 486 of the Laws of Hong Kong) is the data user) at Montpelier the Lot and which is not part of the Contractual respect of the Seller, as if references to us in this paragraph may have been altered. A parcel is a number of Lots of identical size of the same Galleries, Montpelier Street, London, SW7 1HH, United Description upon which the Lot is sold. Any 7.2 The Seller is entitled to withhold possession were substituted with references to the Seller. 3. A diamond brooch, mounted by Kutchinsky wine, bottle size and Description. The Buyer of any of these Kingdom or by e-mail at [email protected]. statement or representation other than that from you of any other Lot he has sold to you Has been created by the jeweller, in Bonhams’ opinion, but Lots has the option to accept some or all of the remaining part of the Entry referred to in paragraph at the same or at any other Sale and whether 2.1.5 (together with any express alteration to currently in Bonhams’ possession or not until 15. DAMAGE AND RESTORATION using stones or designs supplied by the client. Lots in the parcel at the same price, although such options APPENDIX 1 it as referred to in paragraph 2.1.5), including payment in full and in cleared funds of the Bidders should note that there is no reference to any defect, will be at the Auctioneer’s sole discretion. Absentee Bidders damage or restoration in this Catalogue. A detailed Condition CONTRACT FOR SALE any Description or Estimate, whether made Purchase Price and all other sums due to the 19. PICTURES are, therefore, advised to bid on the first Lot in a parcel. Report can be provided by Bonhams up to 24 hours before IMPORTANT: These terms may be changed in advance of orally or in writing, including in the Catalogue Seller and/or Bonhams in respect of the Lot. Explanation of Catalogue Terms the Sale. When providing Condition Reports, we do not the Sale of the Lot to you, by the setting out of different terms or on Bonhams’ Website, or by conduct, or 7.3 You will collect and remove the Lot at your own The following terms used in the Catalogue have the following guarantee that there are no other defects present which have Bottling Details and Case Terms in the Catalogue for the Sale and/or by placing an insert in otherwise, and whether by or on behalf of the expense from Bonhams’ custody and/or control not been mentioned. Bidders should satisfy themselves by meanings but are subject to the general provisions relating to The following terms used in the Catalogue have the following the Catalogue and/or by notices at the Sale venue and/or by Seller or Bonhams and whether made prior to or from the Storage Contractor’s custody in inspection, as to the condition of each Lot. Please see the Descriptions contained in the Contract for Sale: meanings: oral announcements before and during the Sale at the Sale or during the Sale, is not part of the Contractual accordance with Bonhams’ instructions or Contract for Sale printed in this Catalogue. • “Jacopo Bassano”: in our opinion a work by the artist. CB – Château bottled venue. You should be alert to this possibility of changes and Description upon which the Lot is sold. requirements. When the artist’s forename(s) is not known, a series of DB – Domaine bottled ask in advance of bidding if there have been any. 3.2 Except as provided in paragraph 2.1.5, the 7.4 You will be wholly responsible for packing, 16. BOOKS asterisks, followed by the surname of the artist, whether EstB – Estate bottled UNDER THIS CONTRACT, THE SELLER’S LIABILITY IN Seller does not make or give and does not handling and transport of the Lot on collection As stated above, all Lots are sold on an “as is” basis, subject preceded by an initial or not, indicates that in our opinion BB – Bordeaux bottled RESPECT OF THE QUALITY OF THE LOT, ITS FITNESS agree to make or give any contractual promise, and for complying with all import or export to all faults, imperfections and errors of Description save as the work is by the artist named; BE – Belgian bottled FOR ANY PURPOSE AND ITS CONFORMITY WITH ANY undertaking, obligation, guarantee, warranty, or regulations in connection with the Lot. set out below. However, you will be entitled to reject a Book • “Attributed to Jacopo Bassano”: in our opinion probably FB – French bottled DESCRITION IS LIMITED. YOU ARE STRONGLY ADVISED representation of fact, or undertake any duty of in the circumstances set out in paragraph 11 of the Buyers a work by the artist but less certainty as to authorship is GB – German bottled TO EXAMINE THE LOT FOR YOURSELF AND/OR OBTAIN AN care, in relation to any Description of the Lot or 7.5 You will be wholly responsible for any removal, Agreement. Please note that Lots comprising printed Books, expressed than in the preceding category; OB – Oporto bottled INDEPENDENT EXAMINATION OF IT BEFORE YOU BUY IT. any Estimate in relation to it, nor of the accuracy storage or other charges or expenses incurred unframed maps and bound manuscripts are not liable to VAT • “Studio/Workshop of Jacopo Bassano”: in our opinion a UK – United Kingdom bottled or completeness of any Description or Estimate by the Seller if you do not remove the Lot in on the Buyer’s Premium. work by an unknown hand in a studio of the artist which owc – original wooden case 1 THE CONTRACT which may have been made by or on behalf accordance with this paragraph 7 and will may or may not have been executed under the artist’s iwc – individual wooden case 1.1 These terms govern the Contract for Sale of the of the Seller including by Bonhams. No such indemnify the Seller against all charges, costs, direction; oc – original carton Lot by the Seller to the Buyer. Description or Estimate is incorporated into this including any legal costs and fees, expenses 17. CLOCKS AND WATCHES Contract for Sale. and losses suffered by the Seller by reason of • “Circle of Jacopo Bassano”: in our opinion a work by All Lots are sold “as is”, and the absence of any reference 1.2 The Definitions and Glossary contained in your failure to remove the Lot including any a hand closely associated with a named artist but not to the condition of a clock or watch does not imply that SYMBOLS Appendix 3 in the Catalogue are incorporated 4 FITNESS FOR PURPOSE AND charges due under any Storage Contract. All necessarily his pupil; the Lot is in good condition and without defects, repairs or THE FOLLOWING SYMBOLS ARE USED TO DENOTE into this Contract for Sale and a separate copy SATISFACTORY QUALITY such sums due to the Seller will be payable on restorations. Most clocks and watches have been repaired in • “Follower of Jacopo Bassano”: in our opinion a work by Y Subject to CITES regulations when exporting these can also be provided by Bonhams on request. 4.1 The Seller does not make and does not demand. the course of their normal lifetime and may now incorporate a painter working in the artist’s style, contemporary or items outside the EU, see clause 13. Where words and phrases are used which are agree to make any contractual promise, parts not original to them. Furthermore, Bonhams makes nearly contemporary, but not necessarily his pupil; ○ The Seller has been guaranteed a minimum price for in the List of Definitions in it, they are printed in undertaking, obligation, guarantee, warranty, 8 FAILURE TO PAY FOR THE LOT no representation or warranty that any clock or watch is in • “Manner of Jacopo Bassano”: in our opinion a work in the the Lot, either by Bonhams or a third party. This may italics. or representation of fact in relation to the 8.1 If the Purchase Price for a Lot is not paid to satisfactory quality of the Lot or its fitness for Bonhams in full in accordance with the Contract working order. As clocks and watches often contain fine style of the artist and of a later date; take the form of an irrevocable bid by a third party, who 1.3 Seller sells the Lot as the principal to the any purpose. for Sale the Seller will be entitled, with the prior and complex mechanisms, Bidders should be aware that • “After Jacopo Bassano”: in our opinion, a copy of a may make a financial gain on a successful Sale or a Contract for Sale, such contract being made written agreement of Bonhams but without known work of the artist; financial loss if unsuccessful. a general service, change of battery or further repair work, between the Seller and you through Bonhams 4.2 The Seller will not be liable for any breach of further notice to you, to exercise one or more of • “Signed and/or dated and/or inscribed”: in our opinion the for which the Buyer is solely responsible, may be necessary. ▲ Bonhams owns the Lot either wholly or partially or may which acts in the sole capacity as the Seller’s any undertaking, whether implied by the Sale of the following rights (whether through Bonhams Bidders should be aware that the importation of watches signature and/or date and/or inscription are from the hand otherwise have an economic interest. agent and not as an additional principal. Goods Ordinance (Chapter 26 of the Laws of or otherwise): such as Rolex, Frank Muller and Corum into the United of the artist; Ф This lot contains or is made of ivory. The United States However, if the Catalogue states that Bonhams Hong Kong) or otherwise, as to the satisfactory States is highly restricted. These watches may not be • “Bears a signature and/or date and/or inscription”: in our Government has banned the import of ivory into sells the Lot as principal, or such a statement is quality of the Lot or its fitness for any purpose. 8.1.1 to terminate immediately the Contract for Sale shipped to the USA and can only be imported personally. opinion the signature and/or date and/or inscription have the USA. made by an announcement by the Auctioneer, of the Lot for your breach of contract; been added by another hand. or by a notice at the Sale, or an insert in the 5 RISK, PROPERTY AND TITLE 22. LANGUAGE Catalogue, then Bonhams is the Seller for the 5.1 Risk in the Lot passes to you when it is knocked 8.1.2 to re-sell the Lot by auction, private treaty or 18. JEWELLERY The Notice to Bidders is published in both Chinese and 20. PORCELAIN AND GLASS purposes of this agreement. down to you on the fall of the Auctioneer’s any other means on giving seven days’ written Gemstones English. If there is any dispute in its interpretation, the English hammer in respect of the Lot. The Seller will notice to you of the intention to resell; Historically many gemstones have been subjected to Damage and Restoration version will prevail. 1.4 The contract is made on the striking of the not be responsible thereafter for the Lot prior to For your guidance, in our Catalogues we detail, as far as a variety of treatments to enhance their appearance. Auctioneer’s hammer in respect of the Lot when you collecting it from Bonhams or the Storage 8.1.3 to retain possession of the Lot; practicable, recorded all significant defects, cracks and Sapphires and rubies are routinely heat treated to improve DATA PROTECTION – USE OF YOUR INFORMATION it is knocked down to you. Contractor, with whom you have separate their colour and clarity, similarly emeralds are frequently restoration. Such practicable Descriptions of damage cannot As a result of the services provided by us, we obtain personal contract(s) as Buyer. You will indemnify the 8.1.4 to remove and store the Lot at your expense; treated with oils or resin for the same purpose. Other be definitive, and in providing Condition Reports, we cannot data about you (which expression for the purposes of this 2 SELLER’S UNDERTAKINGS Seller and keep the Seller fully indemnified from treatments such as staining, irradiation or coating may have Guarantee that there are no other defects present which paragraph only includes your employees and officers, if any). 2.1 The Seller undertakes to you that: and against all claims, proceedings, costs, 8.1.5 to take legal proceedings against you for any You agree to our use of it as follows. been used on other gemstones. These treatments may have not been mentioned. Bidders should satisfy themselves expenses and losses arising in respect of any sum due under the Contract for Sale and/or be permanent, whilst others may need special care or re- by inspection, as to the condition of each Lot. Please see 2.1.1 The Seller is the owner of the Lot or is duly injury, loss and damage caused to the Lot after damages for breach of contract; We may use your data to notify you about changes to our authorised to sell the Lot by the owner; the fall of the Auctioneer’s hammer until you treatment over the years to retain their appearance. Bidders the Contract for Sale printed in this Catalogue. Because of services and to provide you with information about products obtain full title to it. 8.1.6 to be paid interest on any monies due (after should be aware that Estimates assume that gemstones the difficulty in determining whether an item of glass has or services that you request from us or which we feel may 2.1.2 save as disclosed in the Entry for the Lot in the as well as before judgement or order) at the been repolished, in our Catalogues reference is only made to may have been subjected to such treatments. A number be of interest to you. Data about you may be analysed to Catalogue, the Seller sells the Lot with full title 5.2 Title to the Lot remains in and is retained by annual rate of 5% per annum above the base visible chips and cracks. No mention is made of repolishing, of laboratories issue certificates that give more detailed identify your potential preferences for these purposes. We guarantee or, where the Seller is an executor, the Seller until the Purchase Price and all other rate of Standard Chartered Bank (Hong Kong) Descriptions of gemstones. However there may not be severe or otherwise. may disclose your data to any member of our group (which trustee, liquidator, receiver or administrator, with sums payable by you to Bonhams in relation to Limited from time to time to be calculated on consensus between different laboratories on the degrees, means our subsidiaries, our ultimate holding company and whatever right, title or interest he may have in the Lot have been paid in full to, and received in a daily basis from the date upon which such or types of treatment for any particular gemstone. In 21. WINE its subsidiaries as defined in section 1159 and schedule the Lot; cleared funds by, Bonhams. monies become payable until the date of actual 6 of the Companies Act 2006, including any overseas the event that Bonhams has been given or has obtained Lots which are lying under Bond and those liable to VAT may payment; subsidiary). Subject to this, we will not disclose your data to certificates for any Lot in the Sale these certificates will be not be available for immediate collection. 2.1.3 except where the Sale is by an executor, 6 PAYMENT any third party, but we may from time to time provide you trustee, liquidator, receiver or administrator 6.1 Your obligation to pay the Purchase Price arises 8.1.7 to repossess the Lot (or any part thereof) which disclosed in the Catalogue. Although, as a matter of policy, Examining the wines with information about goods and services provided by third the Seller is both legally entitled to sell the Lot, when the Lot is knocked down to you on the has not become your property, and for this Bonhams endeavours to provide certificates from recognised It is occasionally possible to provide a pre-Sale tasting for parties which we feel may be of interest to you. Any member and legally capable of conferring on you quiet fall of the Auctioneer’s hammer in respect of the purpose you hereby grant an irrevocable licence larger parcels (as defined below). This is generally limited to laboratories for certain gemstones, it is not feasible to obtain of our group may use your data for similar purposes. possession of the Lot Lot. to the Seller by himself and to his servants or more recent and everyday drinking wines. Please contact the certificates for each Lot. In the event that no certificate is agents to enter upon all or any of your premises published in the Catalogue, Bidders should assume that the department for details. 2.1.4 the Seller has complied with all requirements, 6.2 Time will be of the essence in relation to (with or without vehicles) during normal gemstones may have been treated. Neither Bonhams nor It is not our policy to inspect every unopened case. In the legal or otherwise, relating to any export or payment of the Purchase Price and all other Business hours to take possession of the Lot or the Seller accepts any liability for contradictions or differing case of wines older than 20 years the boxes will usually import of the Lot, and all duties and Taxes in sums payable by you to Bonhams. Unless part thereof; certificates obtained by Buyers on any Lots subsequent to have been opened and levels and appearance noted in respect of the export or import of the Lot have agreed in writing with you by Bonhams on the the Sale. the Catalogue where necessary. You should make proper (unless stated to the contrary in the Catalogue Seller’s behalf (in which case you must comply 8.1.8 to retain possession of any other property sold allowance for variations in ullage levels and conditions of or announced by the Auctioneer) been paid with the terms of that agreement), all such to you by the Seller at the Sale or any other corks, capsules and labels. and, so far as the Seller is aware, all third parties sums must be paid to Bonhams by you in the auction or by private treaty until all sums due Estimated Weights have complied with such requirements in the currency in which the Sale was conducted by under the Contract for Sale shall have been

If a stone(s) weight appears within the body of the Corks and Ullages past; not later than 4.30pm on the second working paid in full in cleared funds; Ullage refers to the space between the base of the cork Description in capital letters, the stone(s) has been day following the Sale and you must ensure that unmounted and weighed by Bonhams. If the weight of the and the wine. Ullage levels for Bordeaux shaped bottles are 2.1.5 subject to any alterations expressly identified as the funds are cleared by the seventh working 8.1.9 to retain possession of, and on three months’ stone(s) is stated to be approximate and does not appear only normally noted when below the neck and for Burgundy, such made by announcement or notice at the day after the Sale. Payment must be made written notice to sell, Without Reserve, any in capital letters, the stone(s) has been assessed by us Alsace, German and Cognac shaped bottles when greater Sale venue or by the Notice to Bidders or by to Bonhams by one of the methods stated in of your other property in the possession of within its/their settings, and the stated weight is a statement than 4 centimetres (cm). Acceptable ullage levels increase an insert in the Catalogue, the Lot corresponds the Notice to Bidders unless otherwise agreed the Seller and/or of Bonhams (as bailee for of our opinion only. This information is given as a guide with age; generally acceptable levels are as follows: with the Contractual Description of the Lot, with you in writing by Bonhams. If you do not the Seller) for any purpose (including, without being that part of the Entry about the Lot in the pay any sums due in accordance with this limitation, other goods sold to you) and to apply and Bidders should satisfy themselves with regard to this Under 15 years old – into neck or less than 4cm Catalogue which is in bold letters and (except paragraph, the Seller will have the rights set out any monies due to you as a result of such information as to its accuracy. 15 to 30 years old – top shoulder (ts) or up to 5cm for colour) with any photograph of the Lot in the in paragraph 8 below. sale in satisfaction or part satisfaction of any Over 30 years old – high shoulder (hs) or up to 6cm Catalogue and the contents of any Condition amounts owed to the Seller or to Bonhams; and It should be noted that ullages may change between Report which has been provided to the Buyer. publication of the Catalogue and the Sale and that corks may

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PAGE 3 PAGE 4 8.1.10 so long as such goods remain in the possession Seller’s negligence (or any person under the 11 GOVERNING LAW AND DISPUTE 2 PERFORMANCE OF THE CONTRACT FOR premises storage fees at our current daily rates from time to time to be calculated on a daily basis of the Seller or Bonhams as its bailee, to rescind Seller’s control or for whom the Seller is legally RESOLUTION SALE (currently a minimum of HK$50 plus Tax per from the date upon which such monies become the contract for the Sale of any other goods responsible), or (iii) acts or omissions for which 11.1 Law You undertake to us personally that you will Lot per day) will be payable from the expiry of payable until the date of actual payment; sold to you by the Seller at the Sale or at any the Seller is liable under the Occupiers Liability All transactions to which this agreement applies observe and comply with all your obligations the period referred to in paragraph 4.2. These other auction or by private treaty and apply any Ordinance (Chapter 314 of the Laws of Hong and all connected matters will be governed and undertakings to the Seller under the storage fees form part of our Expenses. 7.1.6 to repossess the Lot (or any part thereof) which monies received from you in respect of such Kong), or (iv) any other liability to the extent the by and construed in accordance with the Contract for Sale in respect of the Lot. has not become your property, and for this goods in part or full satisfaction of any amounts same may not be excluded or restricted as a laws of Hong Kong. Bonhams has a disputes 4.5 Until you have paid the Purchase Price and any purpose you hereby grant an irrevocable licence owed to the Seller or to Bonhams by you. matter of law. procedure in place 3 PAYMENT Expenses in full the Lot will either be held by us to us, by ourselves, our servants or agents, to 3.1 Unless agreed in writing between you and us or as agent on behalf of the Seller or held by the enter upon all or any of your premises (with or 8.2 You agree to indemnify the Seller against all 10 MISCELLANEOUS 11.2 Language as otherwise set out in the Notice to Bidders, Storage Contractor as agent on behalf of the without vehicles) during normal business hours legal and other costs of enforcement, all losses 10.1 You may not assign either the benefit or burden you must pay to us by not later than 4.30pm on Seller and ourselves on the terms contained in to take possession of any Lot or part thereof; and other expenses and costs (including any of the Contract for Sale. The Contract for Sale is published in both the second working day following the Sale: the Storage Contract. monies payable to Bonhams in order to obtain Chinese and English. If there is any dispute in its 7.1.7 to sell the Lot Without Reserve by auction, the release of the Lot) incurred by the Seller 10.2 The Seller’s failure or delay in enforcing or interpretation, the English version will prevail. 3.1.1 The Purchase Price for the Lot; 4.6 You undertake to comply with the terms of any private treaty or any other means on giving you (whether or not court proceedings will have exercising any power or right under the Storage Contract and in particular to pay the three months written notice of our intention to been issued) as a result of Bonhams taking Contract for Sale will not operate or be deemed APPENDIX 2 3.1.2 A Buyer’s Premium in accordance with the rates charges (and all costs of moving the Lot into do so; steps under this paragraph 8 on a full indemnity to operate as a waiver of his rights under it set out in the Notice to Bidders on each lot, and storage) due under any Storage Contract. You basis together with interest thereon (after as except to the extent of any express waiver given BUYER’S AGREEMENT acknowledge and agree that you will not be able 7.1.8 to retain possession of any of your other well as before judgement or order) at the rate to you in writing. Any such waiver will not affect IMPORTANT: These terms may be changed in advance of 3.1.3 If the Lot is marked [AR], an Additional Premium to collect the Lot from the Storage Contractor’s property in our possession for any purpose specified in paragraph 8.1.6 from the date upon the Seller’s ability subsequently to enforce any the sale of the Lot to you, by the setting out of different terms which is calculated and payable in accordance premises until you have paid the Purchase (including, without limitation, other goods sold which the Seller becomes liable to pay the same right arising under the Contract for Sale. in the Catalogue for the Sale and/or by placing an insert in with the Notice to Bidders together with VAT on Price, any Expenses and all charges due under to you or with us for sale) until all sums due to until payment by you. the Catalogue and/or by notices at the Sale venue and/or by that sum if applicable so that all sums due to us the Storage Contract. us have been paid in full; 10.3 If either party to the Contract for Sale is oral announcements before and during the Sale at the Sale are cleared funds by the seventh working day 8.3 On any re-sale of the Lot under paragraph 8.1.2, prevented from performing that party’s venue. You should be alert to this possibility of changes and after the Sale. 4.7 You will be wholly responsible for packing, 7.1.9 to apply any monies received from you for any the Seller will account to you in respect of any respective obligations under the Contract for ask in advance of bidding if there have been any. handling and transport of the Lot on collection purpose whether at the time of your default balance remaining from any monies received by Sale by circumstances beyond its reasonable 3.2 You must also pay us on demand any Expenses and for complying with all import or export or at any time there after in payment or part him or on his behalf in respect of the Lot, after control or if performance of its obligations would 1 THE CONTRACT payable pursuant to this agreement. regulations in connection with the Lot. payment of any sums due to us by you under the payment of all sums due to the Seller and by reason of such circumstances give rise to a 1.1 These terms govern the contract between this agreement; to Bonhams, within 28 days of receipt of such significantly increased financial cost to it, that Bonhams personally and the Buyer, being the 3.3 All payments to us must be made in the 4.8 You will be wholly responsible for any removal, monies by him or on his behalf. party will not, for so long as such circumstances person to whom a Lot has been knocked down currency in which the Sale was conducted, storage, or other charges for any Lot not 7.1.10 on three months’ written notice to sell, Without prevail, be required to perform such obligations. by the Auctioneer. using, unless otherwise agreed by us in removed in accordance with paragraph 4.2, Reserve, any of your other property in our 9 THE SELLER’S LIABILITY This paragraph does not apply to the obligations writing, one of the methods of payment set payable at our current rates, and any Expenses possession or under our control for any purpose 9.1 The Seller will not be liable for any injury, loss or imposed on you by paragraph 6. 1.2 The Definitions and Glossary contained in out in the Notice to Bidders. Our invoices will we incur (including any charges due under the (including other goods sold to you or with us for damage caused by the Lot after the fall of the Appendix 3 to the Catalogue for the Sale are only be addressed to the registered Bidder Storage Contract), all of which must be paid sale) and to apply any monies due to you as a Auctioneer’s hammer in respect of the Lot. 10.4 Any notice or other communication to be given incorporated into this agreement and a separate unless the Bidder is acting as an agent for a by you on demand and in any event before any result of such sale in payment or part payment under the Contract for Sale must be in writing copy can also be provided by us on request. named principal and we have approved that collection of the Lot by you or on your behalf. of any amounts owed to us; 9.2 Subject to paragraphs 9.3 to 9.5 below, except and may be delivered by hand or sent by first Where words and phrases which are defined in arrangement, in which case we will address the 7.1.11 refuse to allow you to register for a future Sale for breach of the express undertaking provided class post or air mail or fax transmission, if the List of Definitions are used in this agreement, invoice to the principal. 5 STORING THE LOT or to reject a bid from you at any future Sale or in paragraph 2.1.5, the Seller will not be liable to the Seller, addressed c/o Bonhams at its they are printed in italics. Reference is made We agree to store the Lot until the earlier of to require you to pay a deposit before any bid for any breach of any term that the Lot will address or fax number in the Catalogue (marked in this agreement to information printed in the 3.4 Unless otherwise stated in this agreement all your removal of the Lot or until the time and is accepted by us at any future Sale in which correspond with any Description applied to it for the attention of the Company Secretary), and Notice to Bidders, printed at the beginning of sums payable to us will be subject to the Tax date set out in the Notice to Bidders (or if no case we will be entitled to apply such deposit in by or on behalf of the Seller, whether implied by if to you to the address or fax number of the the Catalogue for the Sale, and where such at the appropriate rate and such Tax will be date is specified, by 4.30pm on the seventh payment or part payment, as the case may be, the Sale of Goods Ordinance (Chapter 26 of the Buyer given in the Bidding Form (unless notice information is referred to it is incorporated into payable by you on all such sums. day after the Sale) and, subject to paragraphs of the Purchase Price of any Lot of which you Laws of Hong Kong) or otherwise. of any change of address is given in writing). It this agreement. 6 and 10, to be responsible as bailee to you are the Buyer. is the responsibility of the sender of the notice 3.5 We may deduct and retain for our own benefit for damage to or the loss or destruction of the 9.3 The Seller will not be liable (whether in or communication to ensure that it is received in 1.3 Except as specified in paragraph 4 of the from the monies paid by you to us the Buyer’s Lot (notwithstanding that it is not your property 7.2 You agree to indemnify us against all legal and negligence, other tort, breach of contract or a legible form within any applicable time period. Notice to Bidders the Contract for Sale of the Premium, the Commission payable by the Seller before payment of the Purchase Price). If you other costs, all losses and all other expenses statutory duty or in restitution or under the Lot between you and the Seller is made on the in respect of the Lot, any Expenses and Tax do not collect the Lot before the time and date (whether or not court proceedings will have Misrepresentation Ordinance (Chapter 284 of 10.5 If any term or any part of any term of the fall of the Auctioneer’s hammer in respect of and any interest earned and/or incurred until set out in the Notice to Bidders (or if no date is been issued) incurred by us as a result of our the Laws of Hong Kong), or in any other way) for Contract for Sale is held to be unenforceable the Lot, when it is knocked down to you and at payment to the Seller. specified, by 4.30pm on the seventh day after taking steps under this paragraph 7 on a full any lack of conformity with, or inaccuracy, error, or invalid, such unenforceability or invalidity will that moment a separate contract is also made the Sale) we may remove the Lot to another indemnity basis together with interest thereon misdescription or omission in any Description of not affect the enforceability and validity of the between you and Bonhams on the terms in this 3.6 Time will be of the essence in relation to any location, the details of which will usually be set (after as well as before judgement or order) at the Lot or any Entry or Estimate in relation to the remaining terms or the remainder of the relevant Buyer’s Agreement. payment payable to us. If you do not pay the out in the Notice to Bidders. If you have not paid the rate specified in paragraph 7.1.5 from the Lot made by or on behalf of the Seller (whether term. Purchase Price, or any other sum due to us in for the Lot in accordance with paragraph 3, and date upon which we become liable to pay the made in writing, including in the Catalogue, 1.4 We act as agents for the Seller and are not accordance with this paragraph 3, we will have the Lot is moved to any third party’s premises, same until payment by you. or on the Website, or orally, or by conduct or 10.6 References in the Contract for Sale to Bonhams answerable or personally responsible to you the rights set out in paragraph 7 below. the Lot will be held by such third party strictly otherwise) and whether made before or after this will, where appropriate, include reference to for any breach of contract or other default by to Bonhams’ order and we will retain our lien 7.3 If you pay us only part of the sums due to us agreement or prior to or during the Sale. Bonhams’ officers, employees and agents. the Seller, unless Bonhams sells the Lot as 3.7 Where a number of Lots have been knocked over the Lot until we have been paid in full in such payment shall be applied firstly to the principal. down to you, any monies we receive from accordance with paragraph 3. Purchase Price of the Lot (or where you have 9.4 The Seller will not be liable for any loss of 10.7 The headings used in the Contract for Sale you will be applied firstly pro-rata to pay the purchased more than one Lot pro-rata towards Business, Business profits or revenue or income are for convenience only and will not affect its 1.5 Our personal obligations to you are governed Purchase Price of each Lot and secondly pro- 6 RESPONSIBILITY FOR THE LOT the Purchase Price of each Lot) and secondly or for loss of reputation or for disruption to interpretation. by this agreement and we agree, subject to the rata to pay all amounts due to Bonhams. 6.1 Only on the payment of the Purchase Price to the Buyer’s Premium (or where you have Business or wasted time on the part of the terms below, to the following obligations: to us will title in the Lot pass to you. However purchased more than one Lot pro-rata to the Buyer or of the Buyer’s management or staff 10.8 In the Contract for Sale “including” means 4 COLLECTION OF THE LOT under the Contract for Sale, the risk in the Lot Buyer’s Premium on each Lot) and thirdly to any or, for any indirect losses or consequential “including, without limitation”. 1.5.1 we will, until the date and time specified in the 4.1 Subject to any power of the Seller or us to passed to you when it was knocked down to other sums due to us. damages of any kind, irrespective in any case Notice to Bidders or otherwise notified to you, refuse to release the Lot to you, once you you. of the nature, volume or source of the loss or 10.9 References to the singular will include reference store the Lot in accordance with paragraph 5; have paid to us, in cleared funds, everything 7.4 We will account to you in respect of any balance damage alleged to be suffered, and irrespective to the plural (and vice versa) and reference to due to the Seller and to us, we will release the 6.2 You are advised to obtain insurance in respect we hold remaining from any monies received by of whether the said loss or damage is caused any one gender will include reference to the 1.5.2 subject to any power of the Seller or us to Lot to you or as you may direct us in writing. of the Lot as soon as possible after the Sale. us in respect of any sale of the Lot under our by or claimed in respect of any negligence, other genders. refuse to release the Lot to you, we will release The Lot will only be released on production of rights under this paragraph 7 after the payment other tort, breach of contract, statutory duty, the Lot to you in accordance with paragraph a stamped, paid invoice, obtained from our 7 FAILURE TO PAY OR TO REMOVE THE LOT of all sums due to us and/or the Seller within 28 restitutionary claim or otherwise; 10.10 Reference to a numbered paragraph is to a 4 once you have paid to us, in cleared funds, cashier’s office. AND PART PAYMENTS days of receipt by us of all such sums paid to us. paragraph of the Contract for Sale. everything due to us and the Seller; 7.1 If all sums payable to us are not so paid in full 9.5 In any circumstances where the Seller is liable to 4.2 You must collect and remove the Lot at your at the time they are due and/or the Lot is not 8 CLAIMS BY OTHER PERSONS IN RESPECT you in respect of the Lot, or any act, omission, 10.11 Save as expressly provided in paragraph 10.12 1.5.3 we will provide a guarantee in the terms set out own expense by the date and time specified in removed in accordance with this agreement, OF THE LOT statement, or representation in respect of it, or nothing in the Contract for Sale confers (or in paragraph 9. the Notice to Bidders, or if no date is specified we will without further notice to you be entitled 8.1 Whenever it becomes apparent to us that the this agreement or its performance, and whether purports to confer) on any person who is not by 4.30pm on the seventh day after the Sale. to exercise one or more of the following rights Lot is the subject of a claim by someone other in damages, for an indemnity or contribution a party to the Contract for Sale any benefit 1.6 We do not make or give and do not agree (without prejudice to any rights we may exercise than you and other than the Seller (or that such or for a restitutionary remedy or in any way conferred by, or the right to enforce any term of, to make or give any contractual promise, 4.3 For the period referred to in paragraph 4.2, the on behalf of the Seller): a claim can reasonably be expected to be whatsoever, the Seller’s liability will be limited to the Contract for Sale. undertaking, obligation, guarantee, warranty, Lot can be collected from the address referred made), we may, at our absolute discretion, deal payment of a sum which will not exceed by way representation of fact in relation to any to in the Notice to Bidders for collection on 7.1.1 to terminate this agreement immediately for with the Lot in any manner which appears to us of maximum the amount of the Purchase Price 10.12 Where the Contract for Sale confers an Description of the Lot or any Estimate in relation the days and times specified in the Notice to your breach of contract; to recognise the legitimate interests of ourselves of the Lot irrespective in any case of the nature, immunity from, and/or an exclusion or restriction to it, nor of the accuracy or completeness of any Bidders.Thereafter, the Lot may be removed and the other parties involved and lawfully to volume or source of any loss or damage alleged of, the responsibility and/or liability of the Seller, Description or Estimate which may have been elsewhere for storage and you must enquire 7.1.2 to retain possession of the Lot; protect our position and our legitimate interests. to be suffered or sum claimed as due, and it will also operate in favour and for the benefit made by us or on our behalf or by or on behalf from us as to when and where you can collect Without prejudice to the generality of the irrespective of whether the liability arises from of Bonhams, Bonhams’ holding company and of the Seller (whether made orally or in writing, it, although this information will usually be set 7.1.3 to remove, and/or store the Lot at your discretion and by way of example, we may: any negligence, other tort, breach of contract, the subsidiaries of such holding company and including in the Catalogue or on Bonhams’ out in the Notice to Bidders. expense; statutory duty, bailee’s duty, restitutionary claim the successors and assignees of Bonhams and Website, or by conduct, or otherwise), and 8.1.1 retain the Lot to investigate any question raised or otherwise. of such companies and of any officer, employee whether made before or after this agreement or 4.4 If you have not collected the Lot by the date 7.1.4 to take legal proceedings against you for or reasonably expected by us to be raised in and agent of Bonhams and such companies, prior to or during the Sale. No such Description specified in the Notice to Bidders, you authorise payment of any sums payable to us by you relation to the Lot; and/or 9.6 Nothing set out in paragraphs 9.1 to 9.5 above each of whom will be entitled to avail itself of the or Estimate is incorporated into this agreement us, acting as your agent and on your behalf, to (including the Purchase Price) and/or damages will be construed as excluding or restricting same relevant right at law. between you and us. Any such Description or enter into a contract (the “Storage Contract”) for breach of contract; 8.1.2 deliver the Lot to a person other than you; and/or (whether directly or indirectly)any person’s Estimate, if made by us or on our behalf, was with the Storage Contractor for the storage liability or excluding or restricting any person’s (unless Bonhams itself sells the Lot as principal) of the Lot on the then current standard terms 7.1.5 to be paid interest on any monies due to us (after 8.1.3 commence interpleader proceedings or seek rights or remedies in respect of (i) fraud, or made as agent on behalf of the Seller. and conditions agreed between Bonhams and as well as before judgement or order) at the annual any other order of any court, mediator, arbitrator (ii) death or personal injury caused by the the Storage Contractor (copies of which are rate of 5% per annum above the base lending rate or government body; and/or available on request). If the Lot is stored at our of Standard Chartered Bank (Hong Kong) Limited

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PAGE 5 PAGE 6 2 PERFORMANCE OF THE CONTRACT FOR premises storage fees at our current daily rates from time to time to be calculated on a daily basis SALE (currently a minimum of HK$50 plus Tax per from the date upon which such monies become You undertake to us personally that you will Lot per day) will be payable from the expiry of payable until the date of actual payment; observe and comply with all your obligations the period referred to in paragraph 4.2. These and undertakings to the Seller under the storage fees form part of our Expenses. 7.1.6 to repossess the Lot (or any part thereof) which Contract for Sale in respect of the Lot. has not become your property, and for this 4.5 Until you have paid the Purchase Price and any purpose you hereby grant an irrevocable licence 3 PAYMENT Expenses in full the Lot will either be held by us to us, by ourselves, our servants or agents, to 3.1 Unless agreed in writing between you and us or as agent on behalf of the Seller or held by the enter upon all or any of your premises (with or as otherwise set out in the Notice to Bidders, Storage Contractor as agent on behalf of the without vehicles) during normal business hours you must pay to us by not later than 4.30pm on Seller and ourselves on the terms contained in to take possession of any Lot or part thereof; the second working day following the Sale: the Storage Contract. 7.1.7 to sell the Lot Without Reserve by auction, 3.1.1 The Purchase Price for the Lot; 4.6 You undertake to comply with the terms of any private treaty or any other means on giving you Storage Contract and in particular to pay the three months written notice of our intention to 3.1.2 A Buyer’s Premium in accordance with the rates charges (and all costs of moving the Lot into do so; set out in the Notice to Bidders on each lot, and storage) due under any Storage Contract. You acknowledge and agree that you will not be able 7.1.8 to retain possession of any of your other 3.1.3 If the Lot is marked [AR], an Additional Premium to collect the Lot from the Storage Contractor’s property in our possession for any purpose which is calculated and payable in accordance premises until you have paid the Purchase (including, without limitation, other goods sold with the Notice to Bidders together with VAT on Price, any Expenses and all charges due under to you or with us for sale) until all sums due to that sum if applicable so that all sums due to us the Storage Contract. us have been paid in full; are cleared funds by the seventh working day after the Sale. 4.7 You will be wholly responsible for packing, 7.1.9 to apply any monies received from you for any handling and transport of the Lot on collection purpose whether at the time of your default 3.2 You must also pay us on demand any Expenses and for complying with all import or export or at any time there after in payment or part payable pursuant to this agreement. regulations in connection with the Lot. payment of any sums due to us by you under this agreement; 3.3 All payments to us must be made in the 4.8 You will be wholly responsible for any removal, currency in which the Sale was conducted, storage, or other charges for any Lot not 7.1.10 on three months’ written notice to sell, Without using, unless otherwise agreed by us in removed in accordance with paragraph 4.2, Reserve, any of your other property in our writing, one of the methods of payment set payable at our current rates, and any Expenses possession or under our control for any purpose out in the Notice to Bidders. Our invoices will we incur (including any charges due under the (including other goods sold to you or with us for only be addressed to the registered Bidder Storage Contract), all of which must be paid sale) and to apply any monies due to you as a unless the Bidder is acting as an agent for a by you on demand and in any event before any result of such sale in payment or part payment named principal and we have approved that collection of the Lot by you or on your behalf. of any amounts owed to us; arrangement, in which case we will address the 7.1.11 refuse to allow you to register for a future Sale invoice to the principal. 5 STORING THE LOT or to reject a bid from you at any future Sale or We agree to store the Lot until the earlier of to require you to pay a deposit before any bid 3.4 Unless otherwise stated in this agreement all your removal of the Lot or until the time and is accepted by us at any future Sale in which sums payable to us will be subject to the Tax date set out in the Notice to Bidders (or if no case we will be entitled to apply such deposit in at the appropriate rate and such Tax will be date is specified, by 4.30pm on the seventh payment or part payment, as the case may be, payable by you on all such sums. day after the Sale) and, subject to paragraphs of the Purchase Price of any Lot of which you 6 and 10, to be responsible as bailee to you are the Buyer. 3.5 We may deduct and retain for our own benefit for damage to or the loss or destruction of the from the monies paid by you to us the Buyer’s Lot (notwithstanding that it is not your property 7.2 You agree to indemnify us against all legal and Premium, the Commission payable by the Seller before payment of the Purchase Price). If you other costs, all losses and all other expenses in respect of the Lot, any Expenses and Tax do not collect the Lot before the time and date (whether or not court proceedings will have and any interest earned and/or incurred until set out in the Notice to Bidders (or if no date is been issued) incurred by us as a result of our payment to the Seller. specified, by 4.30pm on the seventh day after taking steps under this paragraph 7 on a full the Sale) we may remove the Lot to another indemnity basis together with interest thereon 3.6 Time will be of the essence in relation to any location, the details of which will usually be set (after as well as before judgement or order) at payment payable to us. If you do not pay the out in the Notice to Bidders. If you have not paid the rate specified in paragraph 7.1.5 from the Purchase Price, or any other sum due to us in for the Lot in accordance with paragraph 3, and date upon which we become liable to pay the accordance with this paragraph 3, we will have the Lot is moved to any third party’s premises, same until payment by you. the rights set out in paragraph 7 below. the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien 7.3 If you pay us only part of the sums due to us 3.7 Where a number of Lots have been knocked over the Lot until we have been paid in full in such payment shall be applied firstly to the down to you, any monies we receive from accordance with paragraph 3. Purchase Price of the Lot (or where you have you will be applied firstly pro-rata to pay the purchased more than one Lot pro-rata towards Purchase Price of each Lot and secondly pro- 6 RESPONSIBILITY FOR THE LOT the Purchase Price of each Lot) and secondly rata to pay all amounts due to Bonhams. 6.1 Only on the payment of the Purchase Price to the Buyer’s Premium (or where you have to us will title in the Lot pass to you. However purchased more than one Lot pro-rata to the 4 COLLECTION OF THE LOT under the Contract for Sale, the risk in the Lot Buyer’s Premium on each Lot) and thirdly to any 4.1 Subject to any power of the Seller or us to passed to you when it was knocked down to other sums due to us. refuse to release the Lot to you, once you you. have paid to us, in cleared funds, everything 7.4 We will account to you in respect of any balance due to the Seller and to us, we will release the 6.2 You are advised to obtain insurance in respect we hold remaining from any monies received by Lot to you or as you may direct us in writing. of the Lot as soon as possible after the Sale. us in respect of any sale of the Lot under our The Lot will only be released on production of rights under this paragraph 7 after the payment a stamped, paid invoice, obtained from our 7 FAILURE TO PAY OR TO REMOVE THE LOT of all sums due to us and/or the Seller within 28 cashier’s office. AND PART PAYMENTS days of receipt by us of all such sums paid to us. 7.1 If all sums payable to us are not so paid in full 4.2 You must collect and remove the Lot at your at the time they are due and/or the Lot is not 8 CLAIMS BY OTHER PERSONS IN RESPECT own expense by the date and time specified in removed in accordance with this agreement, OF THE LOT the Notice to Bidders, or if no date is specified we will without further notice to you be entitled 8.1 Whenever it becomes apparent to us that the by 4.30pm on the seventh day after the Sale. to exercise one or more of the following rights Lot is the subject of a claim by someone other (without prejudice to any rights we may exercise than you and other than the Seller (or that such 4.3 For the period referred to in paragraph 4.2, the on behalf of the Seller): a claim can reasonably be expected to be Lot can be collected from the address referred made), we may, at our absolute discretion, deal to in the Notice to Bidders for collection on 7.1.1 to terminate this agreement immediately for with the Lot in any manner which appears to us the days and times specified in the Notice to your breach of contract; to recognise the legitimate interests of ourselves Bidders.Thereafter, the Lot may be removed and the other parties involved and lawfully to elsewhere for storage and you must enquire 7.1.2 to retain possession of the Lot; protect our position and our legitimate interests. from us as to when and where you can collect Without prejudice to the generality of the it, although this information will usually be set 7.1.3 to remove, and/or store the Lot at your discretion and by way of example, we may: out in the Notice to Bidders. expense; 8.1.1 retain the Lot to investigate any question raised 4.4 If you have not collected the Lot by the date 7.1.4 to take legal proceedings against you for or reasonably expected by us to be raised in specified in the Notice to Bidders, you authorise payment of any sums payable to us by you relation to the Lot; and/or us, acting as your agent and on your behalf, to (including the Purchase Price) and/or damages enter into a contract (the “Storage Contract”) for breach of contract; 8.1.2 deliver the Lot to a person other than you; and/or with the Storage Contractor for the storage of the Lot on the then current standard terms 7.1.5 to be paid interest on any monies due to us (after 8.1.3 commence interpleader proceedings or seek and conditions agreed between Bonhams and as well as before judgement or order) at the annual any other order of any court, mediator, arbitrator the Storage Contractor (copies of which are rate of 5% per annum above the base lending rate or government body; and/or available on request). If the Lot is stored at our of Standard Chartered Bank (Hong Kong) Limited

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PAGE 6 8.1.4 require an indemnity and/or security from you in or omission in any Description of the Lot or 11.3 If either party to this agreement is prevented from Subject to this, we will not disclose your data to any third party Lot for sale, storage charges, removal charges or costs of levies or other assessments. return for pursuing a course of action agreed to any Entry or Estimate in respect of it, made by performing that party’s respective obligations but we may from time to time provide you with information collection from the Seller as the Seller’s agents or from a “Terrorism” means any act or threatened act of terrorism, by you. us or on our behalf or by or on behalf of the under this agreement by circumstances about goods and services provided by third parties which we defaulting Buyer, plus Tax. whether any person is acting alone or on behalf of or in Seller (whether made in writing, including in the beyond its reasonable control or if performance feel may be of interest to you. Any member of our group may “Forgery” an imitation intended by the maker or any other connection with any organisation(s) and/or government(s), 8.2 The discretion referred to in paragraph 8.1: Catalogue, or on the Bonhams’ Website, or of its obligations would by reason of such use your data for similar purposes. person to deceive as to authorship, attribution, origin, committed for political, religious or ideological or similar orally, or by conduct or otherwise) and whether circumstances give rise to a significantly authenticity, style, date, age, period, provenance, culture, purposes including, but not limited to, the intention to 8.2.1 may be exercised at any time during which we made before or after this agreement or prior to increased financial cost to it, that party will We will keep your data for a period of five years from the source or composition, which at the date of the Sale had influence any government and/or put the public or any have actual or constructive possession of the Lot, or during the Sale. not, for so long as such circumstances prevail, date of your last contact with us so as to simplify any future a value materially less than it would have had if the Lot section of the public into fear. or at any time after such possession, where the be required to perform such obligations. This registration. The data may be transferred to and stored outside had not been such an imitation, and which is not stated to “Trust Account” the bank account of Bonhams into which all cessation of such possession has occurred by 10.2 Our duty to you while the Lot is at your risk paragraph does not apply to the obligations Hong Kong and you agree to this transfer. be such an imitation in any description of the Lot. A Lot relevant sums received in respect of the Purchase Price of any reason of any decision, order or ruling of any court, and/or your property and in our custody and/or imposed on you by paragraph 3. will not be a Forgery by reason of any damage to, and/or Lot will be paid, such account to be a distinct and separate mediator, arbitrator or government body; and control is to exercise reasonable care in relation You have the right to request us not to use your information for restoration and/or modification work (including repainting or account to Bonhams’ normal business bank account. to it, but we will not be responsible for damage 11.4 Any notice or other communication to be given these purposes by contacting Bonhams (Hong Kong) Limited over painting) having been carried out on the Lot, where that “Website” Bonhams website at www.bonhams.com. 8.2.2 will not be exercised unless we believe that to the Lot or to other persons or things caused under this agreement must be in writing and may at Montpelier Galleries, Montpelier Street, London, SW7 1HH, damage, restoration or modification work (as the case may “Withdrawal Notice” the Seller’s written notice to Bonhams there exists a serious prospect of a good by: be delivered by hand or sent by registered post United Kingdom (which for the purpose of the Personal Data be) does not substantially affect the identity of the Lot as one revoking Bonhams’ instructions to sell a Lot. arguable case in favour of the claim. or air mail or fax transmission (if to Bonhams (Privacy) Ordinance (Chapter 486 of the Laws of Hong Kong) is conforming to the description of the Lot. “Without Reserve” where there is no minimum price at which 10.2.1 handling the Lot if it was affected at the time marked for the attention of the Company the data user) or by e-mail at client.services@ bonhams.com. “Guarantee” the obligation undertaken personally by a Lot may be sold (whether at auction or by private treaty). 9 FORGERIES of sale to you by woodworm and any damage Secretary), to the address or fax number of Bonhams to the Buyer in respect of any Forgery and, in the 9.1 We undertake a personal responsibility for any is caused as a result of it being affected by the relevant party given in the Contract Form APPENDIX 3 case of specialist Stamp Sales and/or specialist Book Sales, GLOSSARY Forgery in accordance with the terms of this woodworm; or (unless notice of any change of address is given a Lot made up of a Stamp or Stamps or a Book or Books as The following expressions have specific legal meanings with paragraph 9. in writing). It is the responsibility of the sender of DEFINITIONS and GLOSSARY set out in the Buyer’s Agreement. which you may not be familiar. The following glossary is 9.2 Paragraph 9 applies only if: 10.2.2 changes in atmospheric pressure; nor will we the notice or communication to ensure that it is Where these Definitions and Glossary are incorporated, the “Hammer Price” the price in the currency in which the intended to give you an understanding of those expressions be liable for: received in a legible form within any applicable following words and phrases used have (unless the context Sale is conducted at which a Lot is knocked down by the but is not intended to limit their legal meanings:- 9.2.1 your name appears as the named person to 10.2.3 damage to tension stringed musical time period. otherwise requires) the meanings given to them below. The Auctioneer. whom the original invoice was made out by us instruments; or Glossary is to assist you to understand words and phrases “Hong Kong” the Hong Kong Special Administrative Region “artist’s resale right”: the right of the creator of a work of in respect of the Lot and that invoice has been 11.5 If any term or any part of any term of this which have a specific legal meaning with which you may not of the People’s Republic of China. art to receive a payment on sales of that work subsequent to paid; and 10.2.4 damage to gilded picture frames, plaster picture agreement is held to be unenforceable or invalid, be familiar. “Loss and Damage Warranty” means the warranty the original sale of that work by the creator of it as set out in frames or picture frame glass; and if the Lot is such unenforceability or invalidity will not affect LIST OF DEFINITIONS described in paragraph 8.2.1 of the Conditions of Business. the Artists Resale Right Regulations 2006. 9.2.2 you notify us in writing as soon as reasonably or becomes dangerous, we may dispose of it the enforceability and validity of the remaining “Additional Premium” a premium, calculated in accordance “Loss and Damage Warranty Fee” means the fee “bailee”: a person to whom goods are entrusted. practicable after you have become aware that without notice to you in advance in any manner terms or the remainder of the relevant term. with the Notice to Bidders, to cover Bonhams’ expenses described in paragraph 8.2.3 of the Conditions of Business. “indemnity”: an obligation to put the person who has the Lot is or may be a Forgery, and in any event we think fit and we will be under no liability to relating to the payment of royalties under the Artists Resale “Lot” any item consigned to Bonhams with a view to its sale the benefit of the indemnity in the same position in which within one year after the Sale, that the Lot is a you for doing so. 11.6 References in this agreement to Bonhams Right Regulations 2006 which is payable by the Buyer to at auction or by private treaty (and reference to any Lot will he would have been, had the circumstances giving rise to Forgery; and will, where appropriate, include reference to Bonhams on any Lot marked [AR] which sells for a Hammer include, unless the context otherwise requires, reference to the indemnity not arisen and the expression “indemnify” is 10.3 We will not be liable to you for any loss of Bonhams’ officers, employees and agents. Price which together with the Buyer’s Premium (but excluding individual items comprised in a group of two or more items construed accordingly. 9.2.3 within one month after such notification has Business, Business profits, revenue or income any VAT) equals or exceeds 1000 euros (converted into offered for sale as one lot). “interpleader proceedings”: proceedings in the Courts to been given, you return the Lot to us in the same or for loss of Business reputation or for disruption 11.7 The headings used in this agreement are the currency of the Sale using the European Central Bank “Motoring Catalogue Fee” a fee payable by the Seller to determine ownership or rights over a Lot. condition as it was at the time of the Sale, to Business or wasted time on the part of the for convenience only and will not affect its Reference rate prevailing on the date of the Sale). Bonhams in consideration of the additional work undertaken “knocked down”: when a Lot is sold to a Bidder, indicated accompanied by written evidence that the Lot Buyer’s management or staff or, if you are buying interpretation. “Auctioneer” the representative of Bonhams conducting the by Bonhams in respect of the cataloguing of motor vehicles by the fall of the hammer at the Sale. is a Forgery and details of the Sale and Lot the Lot in the course of a Business, for any 11.8 In this agreement “including” means “including, Sale. and in respect of the promotion of sales of motor vehicles. “lien”: a right for the person who has possession of the Lot number sufficient to identify the Lot. indirect losses or consequential damages of without limitation”. “Bidder” a person who has completed a Bidding Form. “New Bond Street” means Bonhams’ saleroom at 101 New to retain possession of it. any kind, irrespective in any case of the nature, “Bidding Form” our Bidder Registration Form, our Absentee Bond Street, London W1S 1SR. “risk”: the possibility that a Lot may be lost, damaged, 9.3 Paragraph 9 will not apply in respect of a volume or source of the loss or damage alleged 11.9 References to the singular will include reference and Telephone Bidding Form. “Notional Charges” the amount of Commission and Tax destroyed, stolen, or deteriorate in condition or value. Forgery if: to be suffered, and irrespective of whether the to the plural (and vice versa) and reference to any “Bonhams” Bonhams (Hong Kong) Limited or its successors which would have been payable if the Lot had been sold at “title”: the legal and equitable right to the ownership of a Lot. said loss or damage is caused by or claimed one gender will include reference to the other or assigns. Bonhams is also referred to in the Buyer’s the Notional Price. “tort”: a legal wrong done to someone to whom the wrong 9.3.1 the Entry in relation to the Lot contained in in respect of any negligence, other tort, breach genders. Agreement, the Conditions of Business and the Notice to “Notional Fee” the sum on which the Consignment Fee doer has a duty of care. the Catalogue reflected the then accepted of contract, statutory duty, bailee’s duty, a Bidders by the words “we”, “us” and “our”. payable to Bonhams by the Seller is based and which is general opinion of scholars and experts or restitutionary claim or otherwise. 11.10 Reference to a numbered paragraph is to a “Book” a printed book offered for sale at a specialist book calculated according to the formula set out in the Conditions fairly indicated that there was a conflict of such paragraph of this agreement. sale. of Business. SALE OF GOODS ORDINANCE (Chapter 26 of the Laws opinion or reflected the then current opinion of 10.4 In any circumstances where we are liable to “Business” includes any trade, business and profession. “Notional Price” the latest in time of the average of the of Hong Kong) an expert acknowledged to be a leading expert you in respect of a Lot, or any act, omission, 11.11 Save as expressly provided in paragraph 11.12 “Buyer” the person to whom a Lot is knocked down by the high and low estimates given by us to you or stated in the The following is an extract from the Sale of Goods Ordinance in the relevant field; or statement, representation in respect of it, or nothing in this agreement confers (or purports to Auctioneer. The Buyer is also referred to in the Contract of Catalogue or, if no such estimates have been given or stated, (Chapter 26 of the Laws of Hong Kong): this agreement or its performance, and whether confer) on any person who is not a party to this Sale and the Buyer’s Agreement by the words “you” and the Reserve applicable to the Lot. 9.3.2 it can be established that the Lot is a Forgery damages, for an indemnity or contribution or for agreement any benefit conferred by, or the right “your”. “Notice to Bidders” the notice printed at the front of our “Section 14 Implied undertaking as to title etc. only by means of a process not generally a restitutionary remedy or in any way whatsoever, to enforce any term of, this agreement. “Buyer’s Agreement” the contract entered into by Catalogues. accepted for use until after the date on which our liability will be limited to payment of a sum Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Purchase Price” the aggregate of the Hammer Price and (1) In every contract of sale, other than one to the Catalogue was published or by means of which will not exceed by way of maximum the 11.12 Where this agreement confers an immunity “Buyer’s Premium” the sum calculated on the Hammer Tax which subsection (2) applies, there is- a process which it was unreasonable in all the amount of the Purchase Price of the Lot plus from, and/or an exclusion or restriction of, the Price at the rates stated in the Notice to Bidders. on the Hammer Price. (where applicable) the Buyer’s circumstances for us to have employed. Buyer’s Premium (less any sum you maybe responsibility and/or liability of Bonhams, it will also “Catalogue” the catalogue relating to the relevant Sale, Premium (a) an implied condition on the part of the seller entitled to recover from the Seller) irrespective operate in favour and for the benefit of Bonhams’ including any representation of the catalogue published on and VAT on the Buyer’s Premium and any Expenses. that in the case of the sale, he has a right to sell 9.4 You authorise us to carry out such processes in any case of the nature, volume or source of holding company and the subsidiaries of such our Website. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to and tests on the Lot as we in our absolute any loss or damage alleged to be suffered or holding company and the successors and assigns “Commission” the commission payable by the Seller to (whether at auction or by private treaty). sell, he will have a right to sell the goods at the discretion consider necessary to satisfy sum claimed as due, and irrespective of whether of Bonhams and of such companies and of any Bonhams calculated at the rates stated in the Contract Form. “Sale” the auction sale at which a Lot is to be offered for time when the property is to pass; and ourselves that the Lot is or is not a Forgery. the liability arises from negligence, other tort, officer, employee and agent of Bonhams and such “Condition Report” a report on the physical condition of a sale by Bonhams. breach of contract, statutory duty, bailee’s duty, a companies, each of whom will be entitled to avail Lot provided to a Bidder or potential Bidder by Bonhams on “Sale Proceeds” the net amount due to the Seller from the (b) an implied warranty that the goods are 9.5 If we are satisfied that a Lot is a Forgery we will restitutionary claim or otherwise. itself of the same relevant right at law. behalf of the Seller. sale of a Lot, being the Hammer Price less the Commission, free, and will remain free until the time when (as principal) purchase the Lot from you and “Consignment Fee” a fee payable to Bonhams by the Seller any Tax chargeable thereon, Expenses and any other amount the property is to pass, from any charge or you will transfer the title to the Lot in question You may wish to protect yourself against loss by 12 GOVERNING LAW calculated at rates set out in the Conditions of Business. due to us in whatever capacity and howsoever arising. encumbrance not disclosed or known to the to us, with full title guarantee, free from any obtaining insurance. 12.1 Law “Contract Form” the contract form, or vehicle entry form, “Seller” the person who offers the Lot for sale named on buyer before the contract is made and that the liens, charges, encumbrances and adverse as applicable, signed by or on behalf of the Seller listing the the Contract Form. Where the person so named identifies on buyer will enjoy quiet possession of the goods claims, in accordance with the provisions of 10.5 Nothing set out above will be construed as All transactions to which this agreement applies Lots to be offered for sale by Bonhams. the form another person as acting as his agent, or where the except so far as it may be disturbed by the owner Sections 14(1) (a) and 14(1)(b) of the Sale of excluding or restricting (whether directly or and all connected matters will be governed by “Contract for Sale” the sale contract entered into by the person named on the Contract Form acts as an agent for a or other person entitled to the benefit of any Goods Ordinance (Chapter 26 of the Laws of indirectly) any person’s liability or excluding and construed in accordance with the laws of Seller with the Buyer (see Appendix 1 in the Catalogue). principal (whether such agency is disclosed to Bonhams or charge or encumbrance so disclosed or known. Hong Kong) and we will pay to you an amount restricting any person’s rights or remedies in Hong Kong. Bonhams has a disputes procedure “Contractual Description” the only description of the Lot not), “Seller” includes both the agent and the principal who equal to the sum of the Purchase Price, Buyer’s respect of (i) fraud, or (ii) death or personal in place. (being that part of the Entry about the Lot in the Catalogue shall be jointly and severally liable as such. The Seller is also (2) In a contract of sale, in the case of which there Premium, Tax and Expenses paid by you in injury caused by our negligence (or any person which is in bold letters, any photograph (except for the colour) referred to in the Conditions of Business by the words “you” appears from the contract or is to be inferred respect of the Lot. under our control or for whom we are legally 12.2 Language and the contents of any Condition Report) to which the Seller and “your”. from the circumstances of the contract an responsible), or (iii) acts or omissions for which undertakes in the Contract of Sale the Lot corresponds. “Specialist Examination” a visual examination of a Lot by a intention that the seller should transfer only such 9.6 The benefit of paragraph 9 is personal to, and we are liable under the Occupiers Liability The Buyer’s Agreement is published in both “Description” any statement or representation in any specialist on the Lot. title as he or a third person may have, there is- incapable of assignment by, you. Ordinance (Chapter 314 of the Laws of Hong Chinese and English. If there is any dispute in its way descriptive of the Lot, including any statement or “Stamp” means a postage stamp offered for sale at a Kong) , or (iv) any other liability to the extent the interpretation, the English version will prevail. representation relating to its authorship, attribution, condition, Specialist Stamp sale. (a) an implied warranty that all charges or 9.7 If you sell or otherwise dispose of your interest same may not be excluded or restricted as a provenance, authenticity, style, period, age, suitability, quality, “Standard Examination” a visual examination of a Lot by a encumbrances known to the seller and not in the Lot, all rights and benefits under this matter of law, or (v) under our undertaking in DATA PROTECTION - USE OF YOUR INFORMATION origin, value, estimated selling price (including the Hammer non-specialist member of Bonhams’ staff. known to the buyer have been disclosed to the paragraph will cease. paragraph 9 of these conditions. As a result of the services provided by us, we obtain personal Price). “Storage Contract” means the contract described in buyer before the contract is made; and data about you (which expression for the purposes of this “Entry” a written statement in the Catalogue identifying the paragraph 8.3.3 of the Conditions of Business or paragraph 9.8 Paragraph 9 does not apply to a Lot made up 11 MISCELLANEOUS paragraph only includes your employees and officers, if Lot and its lot number which may contain a description and 4.4 of the Buyer’s Agreement (as appropriate). (b) an implied warranty that neither- of or including a Chinese painting or Chinese 11.1 You may not assign either the benefit or burden relevant). You agree to our use of it as follows. illustration(s) relating to the Lot. “Storage Contractor” means the company identified as (i) the seller; nor paintings, a motor vehicle or motor vehicles, a of this agreement. “Estimate” a statement of our opinion of the range within such in the Catalogue. (ii) in a case where the parties to the contract Stamp or Stamps or a Book or Books. We may use your data to notify you about changes to our which the hammer is likely to fall. “Tax” means all taxes, charges, duties, imposts, fees, levies intend that the seller should transfer only 11.2 Our failure or delay in enforcing or exercising services and to provide you with information about products “Expenses” charges and expenses paid or payable by or other assessments, and all estimated payments thereof, such title as a third person may have, that 10 OUR LIABILITY any power or right under this agreement will not or services that you request from us or which we feel may Bonhams in respect of the Lot including legal expenses, including without limitation income, business profits, branch person; nor 10.1 We will not be liable whether in negligence, operate or be deemed to operate as a waiver be of interest to you. Data about you may be analysed to banking charges and expenses incurred as a result of profits, excise, property, sales, use, value added (VAT), (iii) anyone claiming through or under the other tort, breach of contract or statutory duty of our rights under it except to the extent of any identify your potential preferences for these purposes. We an electronic transfer of money, charges and expenses environmental, franchise, customs, import, payroll, transfer, seller or that third person otherwise than or in restitution or under the Misrepresentation express waiver given to you in writing. Any such may disclose your data to any member of our group (which for insurance, catalogue and other reproductions and gross receipts, withholding, social security, unemployment under a charge or encumbrance disclosed Ordinance (Chapter 284 of the Laws of Hong waiver will not affect our ability subsequently to means our subsidiaries, our ultimate holding company and illustrations, any customs duties, advertising, packing or taxes, as well as stamp duties and other costs, imposed by or known to the buyer before the contract Kong) or in any other way for lack of conformity enforce any right arising under this agreement. its subsidiaries as defined in section 1159 and schedule 6 of shipping costs, reproductions rights’ fees, Taxes, levies, the Hong Kong government applicable from time to time and is made, will disturb the buyer’s quiet with or any inaccuracy, error, misdescription the Companies Act 2006, including any overseas subsidiary). costs of testing, searches or enquiries, preparation of the any interest and penalty relating to such taxes, charges, fees, possession of the goods.

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PAGE 7 PAGE 8 Subject to this, we will not disclose your data to any third party Lot for sale, storage charges, removal charges or costs of levies or other assessments. but we may from time to time provide you with information collection from the Seller as the Seller’s agents or from a “Terrorism” means any act or threatened act of terrorism, about goods and services provided by third parties which we defaulting Buyer, plus Tax. whether any person is acting alone or on behalf of or in feel may be of interest to you. Any member of our group may “Forgery” an imitation intended by the maker or any other connection with any organisation(s) and/or government(s), use your data for similar purposes. person to deceive as to authorship, attribution, origin, committed for political, religious or ideological or similar authenticity, style, date, age, period, provenance, culture, purposes including, but not limited to, the intention to We will keep your data for a period of five years from the source or composition, which at the date of the Sale had influence any government and/or put the public or any date of your last contact with us so as to simplify any future a value materially less than it would have had if the Lot section of the public into fear. registration. The data may be transferred to and stored outside had not been such an imitation, and which is not stated to “Trust Account” the bank account of Bonhams into which all Hong Kong and you agree to this transfer. be such an imitation in any description of the Lot. A Lot relevant sums received in respect of the Purchase Price of any will not be a Forgery by reason of any damage to, and/or Lot will be paid, such account to be a distinct and separate You have the right to request us not to use your information for restoration and/or modification work (including repainting or account to Bonhams’ normal business bank account. these purposes by contacting Bonhams (Hong Kong) Limited over painting) having been carried out on the Lot, where that “Website” Bonhams website at www.bonhams.com. at Montpelier Galleries, Montpelier Street, London, SW7 1HH, damage, restoration or modification work (as the case may “Withdrawal Notice” the Seller’s written notice to Bonhams United Kingdom (which for the purpose of the Personal Data be) does not substantially affect the identity of the Lot as one revoking Bonhams’ instructions to sell a Lot. (Privacy) Ordinance (Chapter 486 of the Laws of Hong Kong) is conforming to the description of the Lot. “Without Reserve” where there is no minimum price at which the data user) or by e-mail at client.services@ bonhams.com. “Guarantee” the obligation undertaken personally by a Lot may be sold (whether at auction or by private treaty). Bonhams to the Buyer in respect of any Forgery and, in the APPENDIX 3 case of specialist Stamp Sales and/or specialist Book Sales, GLOSSARY a Lot made up of a Stamp or Stamps or a Book or Books as The following expressions have specific legal meanings with DEFINITIONS and GLOSSARY set out in the Buyer’s Agreement. which you may not be familiar. The following glossary is Where these Definitions and Glossary are incorporated, the “Hammer Price” the price in the currency in which the intended to give you an understanding of those expressions following words and phrases used have (unless the context Sale is conducted at which a Lot is knocked down by the but is not intended to limit their legal meanings:- otherwise requires) the meanings given to them below. The Auctioneer. Glossary is to assist you to understand words and phrases “Hong Kong” the Hong Kong Special Administrative Region “artist’s resale right”: the right of the creator of a work of which have a specific legal meaning with which you may not of the People’s Republic of China. art to receive a payment on sales of that work subsequent to be familiar. “Loss and Damage Warranty” means the warranty the original sale of that work by the creator of it as set out in LIST OF DEFINITIONS described in paragraph 8.2.1 of the Conditions of Business. the Artists Resale Right Regulations 2006. “Additional Premium” a premium, calculated in accordance “Loss and Damage Warranty Fee” means the fee “bailee”: a person to whom goods are entrusted. with the Notice to Bidders, to cover Bonhams’ expenses described in paragraph 8.2.3 of the Conditions of Business. “indemnity”: an obligation to put the person who has relating to the payment of royalties under the Artists Resale “Lot” any item consigned to Bonhams with a view to its sale the benefit of the indemnity in the same position in which Right Regulations 2006 which is payable by the Buyer to at auction or by private treaty (and reference to any Lot will he would have been, had the circumstances giving rise to Bonhams on any Lot marked [AR] which sells for a Hammer include, unless the context otherwise requires, reference to the indemnity not arisen and the expression “indemnify” is Price which together with the Buyer’s Premium (but excluding individual items comprised in a group of two or more items construed accordingly. any VAT) equals or exceeds 1000 euros (converted into offered for sale as one lot). “interpleader proceedings”: proceedings in the Courts to the currency of the Sale using the European Central Bank “Motoring Catalogue Fee” a fee payable by the Seller to determine ownership or rights over a Lot. Reference rate prevailing on the date of the Sale). Bonhams in consideration of the additional work undertaken “knocked down”: when a Lot is sold to a Bidder, indicated “Auctioneer” the representative of Bonhams conducting the by Bonhams in respect of the cataloguing of motor vehicles by the fall of the hammer at the Sale. Sale. and in respect of the promotion of sales of motor vehicles. “lien”: a right for the person who has possession of the Lot “Bidder” a person who has completed a Bidding Form. “New Bond Street” means Bonhams’ saleroom at 101 New to retain possession of it. “Bidding Form” our Bidder Registration Form, our Absentee Bond Street, London W1S 1SR. “risk”: the possibility that a Lot may be lost, damaged, and Telephone Bidding Form. “Notional Charges” the amount of Commission and Tax destroyed, stolen, or deteriorate in condition or value. “Bonhams” Bonhams (Hong Kong) Limited or its successors which would have been payable if the Lot had been sold at “title”: the legal and equitable right to the ownership of a Lot. or assigns. Bonhams is also referred to in the Buyer’s the Notional Price. “tort”: a legal wrong done to someone to whom the wrong Agreement, the Conditions of Business and the Notice to “Notional Fee” the sum on which the Consignment Fee doer has a duty of care. Bidders by the words “we”, “us” and “our”. payable to Bonhams by the Seller is based and which is “Book” a printed book offered for sale at a specialist book calculated according to the formula set out in the Conditions sale. of Business. SALE OF GOODS ORDINANCE (Chapter 26 of the Laws “Business” includes any trade, business and profession. “Notional Price” the latest in time of the average of the of Hong Kong) “Buyer” the person to whom a Lot is knocked down by the high and low estimates given by us to you or stated in the The following is an extract from the Sale of Goods Ordinance Auctioneer. The Buyer is also referred to in the Contract of Catalogue or, if no such estimates have been given or stated, (Chapter 26 of the Laws of Hong Kong): Sale and the Buyer’s Agreement by the words “you” and the Reserve applicable to the Lot. “your”. “Notice to Bidders” the notice printed at the front of our “Section 14 Implied undertaking as to title etc. “Buyer’s Agreement” the contract entered into by Catalogues. Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Purchase Price” the aggregate of the Hammer Price and (1) In every contract of sale, other than one to “Buyer’s Premium” the sum calculated on the Hammer Tax which subsection (2) applies, there is- Price at the rates stated in the Notice to Bidders. on the Hammer Price. (where applicable) the Buyer’s “Catalogue” the catalogue relating to the relevant Sale, Premium (a) an implied condition on the part of the seller including any representation of the catalogue published on and VAT on the Buyer’s Premium and any Expenses. that in the case of the sale, he has a right to sell our Website. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to “Commission” the commission payable by the Seller to (whether at auction or by private treaty). sell, he will have a right to sell the goods at the Bonhams calculated at the rates stated in the Contract Form. “Sale” the auction sale at which a Lot is to be offered for time when the property is to pass; and “Condition Report” a report on the physical condition of a sale by Bonhams. Lot provided to a Bidder or potential Bidder by Bonhams on “Sale Proceeds” the net amount due to the Seller from the (b) an implied warranty that the goods are behalf of the Seller. sale of a Lot, being the Hammer Price less the Commission, free, and will remain free until the time when “Consignment Fee” a fee payable to Bonhams by the Seller any Tax chargeable thereon, Expenses and any other amount the property is to pass, from any charge or calculated at rates set out in the Conditions of Business. due to us in whatever capacity and howsoever arising. encumbrance not disclosed or known to the “Contract Form” the contract form, or vehicle entry form, “Seller” the person who offers the Lot for sale named on buyer before the contract is made and that the as applicable, signed by or on behalf of the Seller listing the the Contract Form. Where the person so named identifies on buyer will enjoy quiet possession of the goods Lots to be offered for sale by Bonhams. the form another person as acting as his agent, or where the except so far as it may be disturbed by the owner “Contract for Sale” the sale contract entered into by the person named on the Contract Form acts as an agent for a or other person entitled to the benefit of any Seller with the Buyer (see Appendix 1 in the Catalogue). principal (whether such agency is disclosed to Bonhams or charge or encumbrance so disclosed or known. “Contractual Description” the only description of the Lot not), “Seller” includes both the agent and the principal who (being that part of the Entry about the Lot in the Catalogue shall be jointly and severally liable as such. The Seller is also (2) In a contract of sale, in the case of which there which is in bold letters, any photograph (except for the colour) referred to in the Conditions of Business by the words “you” appears from the contract or is to be inferred and the contents of any Condition Report) to which the Seller and “your”. from the circumstances of the contract an undertakes in the Contract of Sale the Lot corresponds. “Specialist Examination” a visual examination of a Lot by a intention that the seller should transfer only such “Description” any statement or representation in any specialist on the Lot. title as he or a third person may have, there is- way descriptive of the Lot, including any statement or “Stamp” means a postage stamp offered for sale at a representation relating to its authorship, attribution, condition, Specialist Stamp sale. (a) an implied warranty that all charges or provenance, authenticity, style, period, age, suitability, quality, “Standard Examination” a visual examination of a Lot by a encumbrances known to the seller and not origin, value, estimated selling price (including the Hammer non-specialist member of Bonhams’ staff. known to the buyer have been disclosed to the Price). “Storage Contract” means the contract described in buyer before the contract is made; and “Entry” a written statement in the Catalogue identifying the paragraph 8.3.3 of the Conditions of Business or paragraph Lot and its lot number which may contain a description and 4.4 of the Buyer’s Agreement (as appropriate). (b) an implied warranty that neither- illustration(s) relating to the Lot. “Storage Contractor” means the company identified as (i) the seller; nor “Estimate” a statement of our opinion of the range within such in the Catalogue. (ii) in a case where the parties to the contract which the hammer is likely to fall. “Tax” means all taxes, charges, duties, imposts, fees, levies intend that the seller should transfer only “Expenses” charges and expenses paid or payable by or other assessments, and all estimated payments thereof, such title as a third person may have, that Bonhams in respect of the Lot including legal expenses, including without limitation income, business profits, branch person; nor banking charges and expenses incurred as a result of profits, excise, property, sales, use, value added (VAT), (iii) anyone claiming through or under the an electronic transfer of money, charges and expenses environmental, franchise, customs, import, payroll, transfer, seller or that third person otherwise than for insurance, catalogue and other reproductions and gross receipts, withholding, social security, unemployment under a charge or encumbrance disclosed illustrations, any customs duties, advertising, packing or taxes, as well as stamp duties and other costs, imposed by or known to the buyer before the contract shipping costs, reproductions rights’ fees, Taxes, levies, the Hong Kong government applicable from time to time and is made, will disturb the buyer’s quiet costs of testing, searches or enquiries, preparation of the any interest and penalty relating to such taxes, charges, fees, possession of the goods.

HK/NTB/MAIN/V1/11.16

PAGE 8 競投人通告任何人士損毀拍賣品須承擔所導致的損失。本公司亦保留權利，可全權酌情拒絕任何人士進入本公司物業或任何拍賣會，而無須提出理由。本公本通告乃由邦瀚斯致任何可能對拍賣品有興趣的人 3. 拍賣品的說明及成交價估計司可全權決定銷售所得款項、任何拍賣品是否包括士，包括競投人或潛在競投人（包括拍賣品的任何於拍賣會、拍賣會進行的方式，以及本公司可以按最終買家）。為便於提述，本文稱該等人士為「競拍賣品的合約說明我們選擇的任何次序進行拍賣，而不論圖錄內所投人」或「閣下」。載的拍賣品編號。因此，閣下應查核拍賣會的日期圖錄內載有每項拍賣品的資料。賣家僅按資料內以及開始時間，是否有拍賣品撤銷或有新加入的拍賣本競投人通告附有釋義及詞彙。該等釋義及詞彙載粗體刊載的部份以及（除顏色外，該等顏色可能未品。請注意有拍賣品撤銷或新加入均可能影響閣下於圖錄後的附錄三內，釋義內所收錄的詞語及用詞有準確重現拍賣品的顏色）圖錄內所載的任何照對其有興趣的拍賣品的拍賣時間。在本文內以斜體刊載。片，向買家相應出售每項拍賣品。資料內其餘並非以粗體刊載的部份，僅為邦瀚斯代表賣家就拍賣品本公司可全權決定拒絕任何出價，採用我們認為適重要事項﹕有關拍賣會的額外資料可載於拍賣會的提供的意見，並不構成合約說明一部份，而賣家乃合的出價增幅，將任何拍賣品分開拍賣，將兩項或圖錄、圖錄的插頁及／或於拍賣會場地展示的通根據合約說明出售拍賣品。以上拍賣品合併拍賣，撤銷於某個拍賣會上拍賣告，閣下亦須參閱該等資料。本公司亦可於拍賣會的任何拍賣品，以及於有爭議時將任何拍賣品重前或於拍賣會上以口頭形式發出會影響拍賣會的公成交價估計新拍賣。佈，而毋須事先給予書面通知。閣下須注意此等可能變動的情況，並於競投前查詢是否有任何變動。在大部份情況下，成交價估計會刊載於資料旁邊。拍賣速度可超過每小時100項拍賣品，而出價增幅成交價估計僅為邦瀚斯代表賣家表達的意見，而邦一般約為10%。然而，這些都可因不同的拍賣會及 1. 本公司的角色瀚斯認為拍賣品相當可能會以該價成交；成交價估拍賣人而有所不同，請向主辦拍賣會的部門查詢這計並非對價值的估計。成交價估計並無計及任何應方面的意見。作為拍賣品的拍賣人，邦瀚斯純粹代賣家及為賣家付稅項或買家費用。拍賣品實際成交價可能低於或的權益行事。邦瀚斯的職責為於拍賣會以可從競投高於成交價估計。閣下不應依賴任何成交價估計為倘若拍賣品有底價，拍賣人可按其絕對酌情權代表人取得的最高價格出售拍賣品。邦瀚斯並非以這角拍賣品實際售價或價值的指標。賣家出價（直至金額不等於或超過該底價為止）。色為買家或競投人行事，亦不向買家或競投人提供本公司不會就任何拍賣品設有底價或不設底價而向意見。邦瀚斯或其職員就拍賣品作出陳述或若邦瀚成交價估計採用拍賣會所用的貨幣單位。閣下負責。斯提供有關拍賣品的狀況報告時，邦瀚斯或其職員乃代表賣家行事。本公司強烈建議本身並非有關拍狀況報告倘若設有底價，並假設底價所用的貨幣單位對成交賣品之專家的買家或競投人須於競投前尋求並取得價估計所用貨幣單位的匯率並無出現不利變動，底有關拍賣品及其價值的獨立意見。就大部份拍賣品而言，閣下可要求邦瀚斯提供拍賣價通常不會高於圖錄所載的任何最低成交價估計。品的狀況報告。若閣下提出該要求，則邦瀚斯會免賣家已授權邦瀚斯作為其代理及其代表出售拍賣費代賣家提供該報告。邦瀚斯並無就該狀況報告與任何拍賣品的買家為出價最高者（在符合任何適用品，除非本公司明確表示並非如此，邦瀚斯僅作為閣下訂立合約，因此，邦瀚斯並不就該報告向閣下的底價的情況下）並為拍賣人以敲打拍賣人槌子形賣家的代理行事。除非邦瀚斯作為主事人出售拍賣承擔責任。對此份供閣下本身或閣下所指示專家查式接納其出價的競投人。任何有關最高可接受出價品，本公司就拍賣品所作的任何陳述或申述均為代閱的免費報告，賣家向閣下作為競投人亦不承擔或的爭議由拍賣人以絕對酌情權決定。表賣家作出而非代表本公司作出，而任何銷售合約並無同意承擔任何義務或責任。然而，狀況報告內乃買家與賣家訂立而非與本公司訂立。倘若邦瀚斯有關拍賣品的書面說明構成拍賣品的合約說明一部所有競投出價須就拍賣人宣佈的實際拍賣品編號作為主事人出售拍賣品，本公司會就此情況於圖錄份，賣家乃根據合約說明向買家出售拍賣品。作出。內說明或由拍賣人作出公佈，或於拍賣會的通告或圖錄的插頁說明。賣家對閣下的責任拍賣會上可能會使用電子貨幣換算機。該設備乃為採用若干貨幣的出價而提供與其相等幣值的一般指邦瀚斯毋須對閣下承擔亦概無向閣下承諾或同意就賣家或其代表所作出以任何形式說明拍賣品或有引，本公司不會就使用該等貨幣換算機的任何錯誤任何合約或侵權法下的義務或責任（不論直接、間關拍賣品預測售價或可能售價的任何陳述或申述的而負責。接、明示、暗示或以其他方式）。在閣下成功投得準確性或完備性，賣家並無或並無同意作出任何事並購買拍賣品時，邦瀚斯會在其時與買家訂立協實陳述或合約承諾、擔保或保證，亦不就其承擔不本公司謹此知會閣下，本公司可能為保安理由以及議，該合約的條款載於買家協議，除非該等條款已論合約或侵權法上的任何義務或責任（除對上述對協助解決拍賣會上可能在出價方面產生的任何爭於拍賣會前及／或於拍賣會上以口頭公佈形式被修最終買家的責任除外）。除以上所述外，以任何形議，而以攝錄機錄影拍賣會作為記錄及可能將電話訂，閣下可於圖錄後的附錄二查閱該協議。邦瀚斯式說明拍賣品或任何成交價估計的陳述或申述概不內容錄音。與買家的關係受該協議所規管。納入賣家與買家訂立的任何銷售合約內。在某些例如拍賣珠寶的拍賣會，我們或會在銀幕上 2. 拍賣品邦瀚斯對閣下的責任投射拍賣品的影像，此服務乃為便於在拍賣會上觀看。銀幕上的影像只應視為顯示當時正進行拍賣的在圖錄內有關拍賣品的資料內以粗體刊載的合約說如閣下擬查看拍賣品，閣下會獲得有關安排。有關拍賣品，閣下須注意，所有競投出價均與拍賣人實明所規限下（見下文第3段），拍賣品乃以其「現拍賣品的銷售合約乃與賣家訂立而非邦瀚斯；邦瀚際宣佈的拍賣品編號有關，本公司不會就使用該等況」售予買家，附有各種瑕疵及缺點。在圖錄內並斯僅作為賣家的代理行事（邦瀚斯作為主事人出售銀幕的任何錯誤而負責。無就拍賣品的任何瑕疵、損壞或修復提供指引。請拍賣品除外）。參考第15段。 5. 競投邦瀚斯概不向閣下承擔任何對於每件拍賣品進行查圖錄內或其他地方有關任何拍賣品的插圖及照片驗、調查或任何測試（足夠深入或完全不進行），參加競投的任何人士，必須於拍賣會前填妥並交回（屬合約說明一部份的照片除外）僅供識別之用，以確定邦瀚斯或代表邦瀚斯的任何人士在圖錄內或本公司的競投表格，競投人登記表格或缺席者及電可能並不反映拍賣品的真實狀況，照片或插圖亦可其他地方作出的任何說明或意見的準確性或其他話競投表格），否則本公司不會接受其出價。本公能未有準確重現拍賣品的顏色。的責任。司可要求閣下提供有關身份、住址、財務資料及介紹人的證明，閣下必須應本公司要求提供該等證拍賣品於拍賣會前可供查看，閣下須自行了解拍賣閣下不應假定已經進行該等查驗、調查或測試。明，否則本公司不會接受閣下出價。請攜帶護照、品的每個和各個方面，包括作者、屬性、狀況、出香港身份證（或附有照片的類似身份證明文件）及處、歷史、背景、真實性、風格、時期、年代、適就邦瀚斯或其代表所作出以任何形式說明拍賣品或扣賬卡或信用卡出席拍賣會。本公司可要求閣下交合性、品質、駕駛性能（如適用）、來源地、價值有關拍賣品預測售價或可能售價的任何陳述或申述付保證金，方接受競投。及估計售價（包括成交價）。對閣下有興趣的任何的準確性或完備性，邦瀚斯並無或並無同意作出任拍賣品進行審查乃閣下的責任。何事實陳述，亦不就其承擔任何（不論合約或侵權即使已填妥競投表格，本公司仍有權拒絕任何人士法上的）義務或責任。進入拍賣會。敬須注意拍賣品的實際狀況可能不及其外觀所顯示的狀況。尤其是可能有部件已置換或更新，拍賣品邦瀚斯或其代表以任何形式說明拍賣品或任何成交親自出席競投亦可能並非真品或具有滿意品質；拍賣品的內部可價估計的陳述或申述概不納入買家協議內。能無法查看，而其可能並非原物或有損壞，例如為閣下須於拍賣會舉行當日（或，如可以，之前）前襯裡或物料所覆蓋。鑑於很多拍賣品出品年代久修改邦瀚斯可於拍賣會前或於拍賣會上以口頭或書往拍賣會的競投人登記櫃檯填寫競投人登記表格。遠，故可能有損毀及／或經過修理，閣下不應假設面形式給予通知下，不時按邦瀚斯的酌情權決定修所採用的競投編號制度可稱為「舉牌競投」。閣下拍賣品狀況良好。改說明及成交價估計。會獲發一個註有號碼的大型牌子（「號牌」），以便閣下於拍賣會競投。要成功投得拍賣品，閣下須電子或機械部件或會不能操作或並不符合現時的法拍賣品可供查看，而閣下必須自行對拍賣品作出判確保拍賣人可看到閣下號牌的號碼，該號碼會用作定要求。閣下不應假設其設計為使用主電源的電器斷。本公司強烈建議閣下於拍賣會前親自或委託他識別閣下為買家。由於所有拍賣品均會按照競投人物品乃適合接上主電源，閣下應在得到合格電工報人代閣下查看拍賣品。登記表格所載的姓名及地址發出發票，故閣下不應告其適合使用主電源後，方可將其接上主電源。不將號牌轉交任何其他人士使用。發票一經發出後將適合接上電源的物品乃僅作為擺設物品出售。 4. 拍賣會的規則不予更改。

若閣下對拍賣品並無專業知識，則應諮詢有該等知本公司舉行的拍賣會為公開拍賣，各界人士均可參若對於成交價或閣下是否成功投得某項拍賣品有識人士的意見。本公司可協助閣下安排進行（或已加，閣下亦應把握其機會。任何疑問，閣下必須於下一項拍賣品競投前向拍進行）更詳細的查驗。詳情請向本公司職員查詢。賣人提出。拍賣人的決定得視為最終及不可推翻的決定。

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PAGE 9 拍賣會結束後，或閣下完成競投後，請把號牌交回 7. 買家費用及買家須支付的其他收費 10. 領取及儲存競投人登記櫃檯。根據買家協議，買家須按照買家協議條款及下文所拍賣品的買家須待全數以已結清款項付款後，方可電話競投列的費率向本公司支付費用（買家費用），該費用領取拍賣品（本公司與買家另有安排除外）。有關按成交價計算，並為成交價以外的收費。買家亦須領取拍賣品、儲存拍賣品以及本公司的儲存承辦商若閣下擬用電話於拍賣會競投，請填妥缺席者及電按照買家協議的規定支付儲存收費的開支。詳情載於圖錄後的附錄二之買家協議。話競投表格，該表格可於本公司辦事處索取或附於圖錄內。請於拍賣會舉行前最少24小時把該表格交買家須就本次拍賣會所購買的每件拍賣品按以下費 11. 運輸回負責有關拍賣會的辦事處。閣下須負責查核本公率支付買家費用：司的競投辦事處是否已收到閣下的出價。電話內容成交價首1,200,000港元的25% 有關這方面的問題，請向本公司負責拍賣會的客戶可能被錄音。電話競投辦法為一項視情況酌情提供成交價1,200,001港元或以上部分的20% 服務部門查詢。的服務，並非所有拍賣品均可採用。若於拍賣會舉成交價20,000,001港元或以上部分的12% 行時無法聯絡閣下，或競投時電話接駁受到干擾， 12. 出口／貿易限制本公司不會負責代表閣下競投。有關進一步詳情請 8. 稅項與我們聯絡。閣下須單獨承擔符合與閣下購買拍賣品有關的香港買家支付的成交價及買家費用並不包括任何商品或所有出口及從海外進口的規例以及取得有關出口以郵遞或傳真方式競投服務稅或其他稅項（不論香港或其他地方是否徵收及／或進口許可證的責任。該等稅項）。若根據香港法例或任何其他法例而須缺席者及電話競投表格載於本圖錄後，閣下須填妥繳納該等稅項，買家須單獨負責按有關法例規定的各國對發出進出口許可證有不同的規定，閣下應了該表格並送交負責有關拍賣會的辦事處。由於在有稅率及時間繳付該等稅項，或如該等稅項須由本公解所有有關的當地規定及條文。兩個或以上競投人就拍賣品遞交相同出價時，會優司繳付，則本公司可把該等稅項加於買家須支付先接受最先收到的出價，因此，為閣下的利益起的買價。倘若閣下未能或延誤取得該等許可證，閣下不可撤見，應盡早交回表格。無論如何，所有出價最遲須銷任何銷售，亦不容許閣下延遲全數支付拍賣品。於拍賣會開始前24小時收到。請於交回閣下的缺 9. 付款席者及電話競投表格前，仔細檢查該表格是否已填 13. 瀕危野生動植物種國際貿易公約（「CITES」）妥並已由閣下簽署。閣下須負責查核本公司的競投於出價競投拍賣品前，閣下必須確保擁有可動用資辦事處是否已收到閣下的出價。此項額外服務屬免金，以向本公司全數支付買價及買家費用（加稅項建議買家在需要從香港出口任何貨物到進口地時，費及保密性質。閣下須承擔作出該等出價的風險，及任何其他收費及開支）。若閣下為成功競投人，了解適用的香港出口及海外進口規例。買家亦須注本公司不會就未能收到及／或代為出價而承擔任何閣下須於拍賣會後第二個工作日下午四時三十分前意，除非取得香港漁農自然護理署發出的CITES出責任。所有代閣下作出的出價會以盡可能最低的價向本公司付款，以便所有款項於拍賣會後第七個工口證，香港禁止出口任何以象牙、鯨魚骨、龜甲、格作出，惟須受拍賣品的底價及其他出價的規限。作日前已結清。閣下須以下列其中一種方法付款犀牛角、珊瑚及其他受限制物品所做成的物品或包在適當時，閣下的出價會下調至最接近之金額，以（所有支票須以Bonhams (Hong Kong) Limited)。含該等原素的物品。辦理該等出口證可能需時八符合拍賣人指定的出價增幅。新競投人在遞交出邦瀚斯保留於任何時間更改付款條款的權利。除非個星期。價時須提供身份證明，否則可導致閣下的出價不本公司事先同意，由登記買家以外的任何人士付款予受理。概不接受。請注意在圖錄內拍賣品編號旁附有Y的拍賣品包含一個或多個上述的限制物品。但沒有附有Y字母網上競投由一家銀行的香港分行付款的私人港元支票：須待的，並不自動地表示拍賣品不受CITES規例所限。支票結清後，閣下方可領取拍賣品。本公司建議買家在出價前從有關監管機構取得關於有關如何在網上競投的詳情，請瀏覽本公司網站進出口管制的資料、規定及費用。 http://www.bonhams.com。銀行匯票／本票：如閣下可提供適當身份證明，而這些資金源自您自己的帳戶，且本公司信納該匯票 14. 賣家及／或邦瀚斯的責任透過代理人競投屬真實，本公司可容許閣下即時領取拍賣品。除根據銷售合約賣家須對買家承擔的責任外，本公本公司會接受代表競投表格所示主事人作出的出司或賣家（不論是疏忽或其他）概不對拍賣品說明價，惟本公司有權拒絕代表主事人的代理作出的出現金：如所購得的拍賣品總值不超過HK$80,000，或拍賣品的成交價估計的任何錯誤或錯誤說明或遺價，並可能要求主事人以書面形式確認代理獲授權閣下可以鈔票、錢幣為這次拍賣會上所購得的拍賣漏負責，而不論其是載於圖錄內或其他，亦不論是出價。儘管如此，正如競投表格所述，任何作為他品付款。如所購得的拍賣品總值超過HK$80,000 於拍賣會上或之前以口頭或書面形式作出。本公人代理的人士（不論他是否已披露其為代理或其主，HK$80,000以外的金額，敬請閣下使用鈔票、錢司或賣家亦不就任何業務、利潤、收益或收入上的事人的身份），須就其獲接納的出價而根據因此幣以外的方式付款。損失，或聲譽受損，或業務受干擾或管理層或職工而產生的合約與主事人共同及個別向賣家及邦瀚浪費時間，或任何種類的間接損失或相應產生的損斯負責。害而承擔任何責任，而在任何情況下均不論指稱所銀行匯款：閣下可把款項電匯至本公司的信託帳蒙受損失或損害賠償的性質、數量或來源，亦不論在上文規限下，倘若閣下是代表他人於拍賣會競投戶。請註明閣下的號牌編號及發票號碼作為參考。該等損失或損害賠償是否由於任何疏忽、其他侵權拍賣品，請知會本公司。同樣，倘若閣下擬委託他本公司信託帳戶的詳情如下：法、違反合約（如有）或法定責任、復還申索或其人代表閣下於拍賣會競投，亦請知會本公司，但根銀行： HSBC 他而產生或就此而申索。據閣下所填缺席者及電話競投表格而由本公司代為地址： Head Office 競投除外。假若本公司並無於拍賣會前以書面形式 1 Queen’s Road Central, Hong Kong 在任何情況下，倘若本公司及／或賣家就任何拍賣認可有關代理安排，則本公司有權假定該名於拍賣帳戶名稱：Bonhams (Hong Kong) Limited-Client A/C 品或對任何拍賣品的說明或成交價估計，或任何拍會上競投的人士是代表本身進行競投。因此，該名帳號： 808 870 174001 賣品有關拍賣會的進行而須承擔責任，不論其是損於拍賣會上競投的人士將為買家，並須負責支付成 Swift code: HSBCHKHHHKH 害賠償、彌償或責任分擔，或復還補救責任或其交價及買家費用以及有關收費。若本公司事先已認他，本公司及／或賣家的責任（倘若本公司及賣家許閣下所代表的當事人，則我們會向閣下的主事人若以銀行匯款支付，在扣除任何銀行費用及或將付均須負責，雙方聯同負責）將限於支付金額最高不發出發票而非閣下。就代理代表其當事人作出的出款貨幣兌換為港元後的金額，本公司所收到的金額超過拍賣品買價的款項，而不論指稱所蒙受損失或價，本公司須事先獲得該當事人的身份證明及地不得少於發票所示的應付港元金額。損害賠償或所申索應付款項的性質、數量或來源，址。有關詳情，請參與本公司的業務規則及聯絡本亦不論該等責任是由於任何疏忽、其他侵權法、違公司客戶服務部。由香港銀行發出的扣賬卡 (易辦事)：以此等卡支付反合約（如有）或法定責任或其他而產生。拍賣品不會額外收費。 6. 買家與賣家及買家與邦瀚斯的合約上文所述不得解釋為排除或限制（不論直接或間信用卡：美國運通卡，Visa, Mastercard卡及海外接）本公司就(i)欺詐，或(ii)因本公司疏忽（或因本於買家投得拍賣品後，賣家與買家須按圖錄後附錄扣帳卡均可使用。請注意，以信用卡付款的話，將公司所控制的任何人士或本公司在法律上須代其負一所載銷售合約的條款，訂立拍賣品的銷售合約，收取發票總額2%的附加費。我們建議，閣下在拍責任的任何人士的疏忽）引致人身傷亡，或(iii)根據除非該等條款已於拍賣會前及／或於拍賣會上以口賣前可預先通知發卡銀行，以免您於付款時，由於香港法例第314章佔用人法律責任條例，本公司須頭公佈形式被修訂。閣下須負責支付買價，即成交需要確認授權而造成延誤。負責的作為或不作為，或(iv)任何法律上不可排除或價加任何稅項。限制的其他責任或(v)本公司根據買家協議第9段的承諾，而須承擔的責任，或排除或限制任何人士就同時，本公司作為拍賣人亦會與買家訂立另一份合中國銀聯（CUP）借記卡：如閣下使用中國銀聯上述而享有的權利或補救方法。此段同樣適用於賣約，即買家協議，其條款載於圖錄後部的附錄二借記卡1,000,000港元之内将不收取附加費，超過家，猶如本段凡提述本公司均以賣家取代。內。若閣下為成功競投人，請細閱本圖錄內銷售合 1,000,000港元之後的餘額将收取2％的附加費。約及買家協議的條款。本公司可於訂立該等協議前 15. 損壞及修復修訂其中一份或同時兩份協議的條款，修訂方式可以是在圖錄載列不同的條款，及／或於圖錄加入插競投人須注意本圖錄並無就任何瑕疵、損壞或修復頁，及／或於拍賣會場地以通告，及／或於拍賣會提供指引。邦瀚斯可在拍賣會前24小時提供一份詳之前或之上以口頭形式公佈。閣下須注意此等可能細的狀況報告。本公司在提供狀況報告時，不能保修訂的情況，並於競投前查詢是否有任何修訂。證並無任何沒有提及的其他瑕疵。競投人應自行審視拍賣品，以了解其狀況。請參閱刊載在本圖錄的銷售合約。

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PAGE 10 16. 書籍 BB – 波爾多瓶裝 1 合約 5 風險、產權及所有權 8.1.6 就任何應付款項（於頒布判決或命令之前及「巴薩諾圈子」：我們認為這是由與該藝術家關係 BE – 比利時瓶裝之後）收取由應支付款項日期起至實際付款如上文所述，拍賣品乃以其「現況」售予買家，附密切的人士所創作，但不一定是其弟子； FB – 法國瓶裝 1.1 此等條款乃規管賣家向買家出售拍賣品的銷 5.1 由拍賣人落槌表示閣下投得拍賣品起，拍賣日期止的利息，按渣打銀行有以下拍賣品說明所列出的各種瑕疪、缺點及錯誤。 GB – 德國瓶裝售合約。品的風險即轉由閣下承擔。不管閣下是否已（香港）有限公司不時的基本利率加5厘的然而，在買家協議第 11 段所列出之情況下，閣下「巴薩諾追隨者」：我們認為這是以該藝術家風格 OB – 奧波爾圖瓶裝向邦瀚斯或儲存承辦商閣下作為買家與儲存年利率每日計息；有權拒絕領取書籍。請注意：購買包含印刷書籍、創作的畫家的作品，屬當代或接近當代的，但不一 UK – 英國瓶裝 1.2 圖錄內附錄三所載的釋義及詞彙已納入本承辦商另有合約領取拍賣品，賣家隨即無須無框地圖及裝訂手稿的拍賣品，將無須繳付買家費定是其弟子； owc – 原裝木箱銷售合約，邦瀚斯亦可應要求提供獨立的版負責。由拍賣人落槌起至閣下取得拍賣品期 8.1.7 取回並未成為閣下財產的拍賣品（或其任何用的增值稅。 iwc – 獨立木箱本。釋義內所收錄的詞語及用詞在本合約內間，閣下須就拍賣品的任何損傷、遺失及損部份）的管有權，就此而言（除非買家作為「巴薩諾風格」：我們認為這是該藝術家風格的、 oc – 原裝紙板箱以斜體刊載。壞而產生的所有索償、程序、費用、開支及消費者向賣家購買拍賣品而賣家於業務過程 17. 鐘錶並且屬較後期的作品；損失，向賣家作出彌償並使賣家獲得仕數彌中出售該拍賣品），閣下謹此授予賣家不可符號 1.3 賣家作為銷售合約的主事人出售拍賣品，該償。撤銷特許，准許賣家或其受僱人或代理於正所有拍賣品均以拍賣時的「現況」出售；對於鐘錶「仿巴薩諾」：我們認為這是該藝術家某知名畫作以下符號表明下列情況：合約為賣家及閣下透過邦瀚斯而訂立，而邦常營業時間進入閣下所有或任何物業（不論狀況並沒有提供任何指引，並不代表該拍賣品狀況的複製作品；瀚斯僅作為賣家的代理行事，而並非額外的 5.2 直至買價及閣下就拍賣品應付予邦瀚斯的所是否連同汽車），以取得拍賣品或其任何部良好、毫無缺陷，或未曾維修、修復。大部份鐘錶 Y 當出口這些物件至歐盟以外地方，將受瀕危野主事人。然而，倘若圖錄說明邦瀚斯以主有其他款項已全數支付並由邦瀚斯全數收到份的管有權；在其正常使用期內都曾維修，並或裝進非原裝的配「由……署名及／或註上日期及／或題詞」：我們生動植物種國際貿易公約規限，請參閱第13 條。事人身份出售拍賣品，或拍賣人作出公佈如為止，拍賣品的所有權仍然由賣家保留。件。此外，邦瀚斯並不表述或保證鐘錶都在正常運認為署名及／或日期及／或題詞出自該藝術家的手 ○ 賣家獲邦瀚斯或第三方保證能取得拍賣品的最此說明，或於拍賣會的通告或圖錄的插頁說 8.1.8 保留賣家於該拍賣會或任何其他拍賣或以私轉的狀態中。由於鐘錶通常包含精細而複雜的機械筆；低價格。第三方或會因此提供一個不可撤銷的明，則就本協議而言，邦瀚斯為賣家。 6 付款人協約向閣下出售的任何其他財產的管有裝置，競投人應當知悉鐘錶或需接受保養、更換電出價；如銷售成功，該第三方將可獲利，否則權，直至根據銷售合約應付的所有款項已以池或進行維修，以上全是買家的責任。競投人應當「載有……的署名及／或日期及／或題詞」：我們將有損失。 6.1 在拍賣人落槌表示閣下投得拍賣品後，閣下結清款項全數支付為止；知悉勞力士、法穆蘭及崑崙等品牌的腕錶進口至美認為簽署及／或日期及／或題詞是由他人加上的。 ▲ 邦瀚斯全部或部份擁有該拍賣品，或以其他形 1.4 拍賣人就閣下的出價落槌即表示成交時，本即有責任支付買價。國是有嚴格限制的，或不能經船運而只能由個人帶式與其經濟利益相關。合約即告成立。 8.1.9 保留由賣家及／或邦瀚斯（作為賣家的受託進。 20. 瓷器及玻璃 Ф 此拍賣品包含象牙或是象牙製品。美國政府已 6.2 就支付買價及閣下應付予邦瀚斯的所有其他保管人）因任何目的（包括但不限於其他已禁止象牙製品入境。 2 賣家的承諾款項而言，時限規定為要素。除非閣下與邦售予閣下的貨品）而管有的閣下任何其他財 18. 珠寶損毁及修復瀚斯（代表賣家）以書面另有協定（在此情產的管有權，並在給予三個月書面通知下， 22. 語言 2.1 賣家向閣下承諾：況下，閣下須遵守該協議的條款），閣下必不設底價出售該財產，以及把因該等出售所寶石在本圖錄裡，作為閣下的指引，在切實可行的範圍須最遲於拍賣會後第二個工作日下午四時三得而應付閣下的任何款項，用於清償或部份內，我們會詳細記述所有明顯的瑕疪、裂痕及修復本競投人通告以中英文刊載。如就詮譯本競投人通 2.1.1 賣家為拍賣品的擁有人或由擁有人正式授權十分，以拍賣會採用的貨幣向邦瀚斯支付所清償閣下欠負賣家或邦瀚斯的任何款項；及根據以往經驗，很多寶石都經過一系列的處理去提狀況。此等實際的損毁說明不可能作為確定依據，告有任何爭議，以英文條款為本。出售拍賣品；有該等款項，閣下並須確保款項在拍賣會後升外觀。藍寶石及紅寶石慣常會作加熱處理以改良而且提供狀況報告後，我們不保證該物件不存在其第七個工作日前已結清。閣下須採用在競投 8.1.10 只要該等貨品仍然由賣家或邦瀚斯作為賣家色澤及清晰度；為了類似原因，綠寶石會經過油或他沒有提及的瑕疪。競投人應當透過親自檢查而自保障資料 ﹣閣下資料的用途 2.1.2 除在圖錄內所載有關拍賣品的資料有披露以人通告所述的其中一種方法向邦瀚斯付款，的受託保管人管有，撤銷賣家於該拍賣會或樹脂的處理。其他寶石則會經過如染色、輻照或鍍行判別每件拍賣品的狀況。請參閱刊載於本圖錄裡外，賣家出售的拍賣品將附有全面所有權的閣下與邦瀚斯以書面另有協定除外。倘若閣任何其他拍賣或以私人協約向閣下出售任何膜等的處理。此等處理有些是永久的，有些則隨著的銷售合約。由於難以鑑別玻璃物件是否經過磨光，本公司以提供服務為目的，本公司取得有關閣下的保證，或如果賣家為遺囑執行人、受託人、下未有根據本段支付任何應付款項，則賣家其他貨品的銷售合約，並把已收到閣下就該年月需要不斷維護以保持其外觀。競投人應當知悉本圖錄內的參考資料只列出清晰可看的缺口與裂個人資料（就本段而言，此詞僅包括閣下的僱員及清盤人、接管人或管理人，則他擁有因該身將享有下文第8段所述的權利。等貨品支付的任何款項，部份或全部用於清估計拍賣品的成交價時，已假設寶石或接受過該等痕。不論程度嚴重與否，磨光狀況均不會提及。高級職員，如有）。閣下同意本公司以該等資料作份而附於拍賣品的任何權利，業權或權益。償閣下欠負賣家或邦瀚斯的任何款項。處理。有數家鑑定所可發出說明更詳盡的證書；但下述用途。 7 領取拍賣品就某件寶石所接受的處理與程度，不同鑑定所的結 21. 葡萄酒 2.1.3 除非賣家為遺囑執行人、受託人、清盤人、 8.2 就因邦瀚斯根據本第8段採取行動而招致賣論並不一定一致。倘若邦瀚斯已取得有關任何拍賣本公司可利用閣下的資料向閣下發出有關本公司服接管人或管理人，賣家在法律上有權出售拍 7.1 除非閣下與邦瀚斯以書面另有協定，只可待家負上的所有法律及其他強制執行費用、所品的相關證書，此等內容將於本圖錄裡披露。雖然凡在本公司總部拍賣場的以及需繳納增值稅的拍賣務變動的通知，以及向閣下提供有關產品或服務的賣品，及能授予閣下安寧地享有對拍賣品的邦瀚斯收到金額等於全數買價及閣下應付予有損失及其他開支及費用（包括為獲發還拍根據內部政策，邦瀚斯將盡力為某些寶石提供認可品，或不能立刻領取。資料，而該等資料乃閣下要求本公司提供或本公司管有。賣家及邦瀚斯的所有其他款項的已結清款項賣品而應付邦瀚斯的任何款項）（不論是否鑑定所發出的證書，但要為每件拍賣品都獲取相關認為閣下可能對該等產品及服務感興趣。有關閣下後，閣下或閣下指定的人士方可獲發放拍賣已採取法律行動），閣下同意按全數彌償基證書，實際上並不可行。倘若本圖錄裡並沒有刊出檢驗葡萄酒的資料可能用作分析，以了解閣下在這方面的潛 2.1.4 賣家已遵從任何與拍賣品進出口有關的所有品。準並連同其利息證書，競投人應當假設該等寶石已經過處理。邦瀚在喜好。本公司可能向本集團任何成員公司（指本規定（不論是法律上或其他），拍賣品的所（於頒布判決或命令之前及之後）向賣家斯或賣家任何一方在任何拍賣品出售以後，即使買對於較大批量（定義見下文）的拍賣品，偶爾可進公司的附屬公司、本公司最終控股公司及其附屬公有關進出口的稅及稅項均已繳付（除非圖錄 7.2 賣家有權保持管有閣下同一或任何另外的拍作出彌償，利息按第8.1.6段的利率由賣家家取得不同意見的證書，也概不負責。行拍賣前試酒。通常，這只限於較新的及日常飲用司，定義見二零零六年英國公司法第1159條及附表內說明其未付或拍賣人公佈其未付）。就賣賣會向閣下出售的任何其他拍賣品，不論其應支付款項日期起計至閣下支付該款項的的葡萄酒。 6，包括任何海外附屬公司）披露閣下的資料。除此家所悉，所有第三方亦已在過往遵從該等規目前是否由邦瀚斯管有，直至以已結清款項日期止。估計重量之外，本公司不會向任何第三方披露閣下的資料，定；全數支付該拍賣品的買價及閣下應付予賣家我們一般不會開箱檢驗未開箱的葡萄酒。酒齡超過惟本公司可能不時向閣下提供我們相信閣下可能感及／或邦瀚斯的所有其他款項為止。 8.3 於根據第8.1.2段重新出售拍賣品後，賣家如該寶石重量在本圖錄內文裡以大寫字母顯示，表 20 年的酒通常已經開箱，缺量水平及外觀如有需要興趣的第三方貨品及服務的有關資料。本集團任何 2.1.5 除任何於拍賣會場地以公佈或通告，或以競須把任何在支付欠負賣家或邦瀚斯的所有款明該寶石未經鑲嵌，並且是由邦瀚斯稱重量的。如會在本圖錄內說明，成員公司亦可以閣下的資料作類似用途。投人通告，或以圖錄插頁形式指明的任何修改 7.3 閣下須自費按照邦瀚斯的指示或規定領取由項後所餘下的款項，於其收到該等款項的二果該寶石的重量以「大約」表示，以及並非以大寫外，拍賣品與拍賣品的合約說明相應，即在圖邦瀚斯保管及／或控制或由儲存承辦商保管十八日內交還閣下。字母顯示，表明該寶石由我們依據其鑲嵌形式評估，酒塞與缺量本公司將保留閣下的資料為期五年，由閣下最後與錄內有關拍賣品的資料內以粗體刊載的部份（的拍賣品，並將其移走。所列重量只是我們陳述的意見而已。此資料只作為我們聯繫的日期起計，以便簡化任何日後再辦理登顏色除外），連同圖錄內拍賣品的照片，以及 9 賣家的責任指引使用，競投人應當自行判別該資料的準確度。缺量指瓶塞底與液面之間的空間。波爾多酒瓶的缺記時的手續。該等資料可轉移及儲存於香港以外地已向買家提供的任何狀況報告的內容。 7.4 閣下須全面負責領取拍賣品時的包裝、處理量水平一般在瓶頸下才會注意得到；而對於勃艮第、方，而閣下同意此轉移。閣下有權要求不以閣下的及運輸，以及全面負責遵從與拍賣品有關的 9.1 在拍賣人落槌表示拍賣品成交後，賣家無須署名阿爾薩斯、德國及干邑的酒瓶，則要大於4 厘米（公資料作此等用途，有關要求請聯絡Bonhams (Hong 3 拍賣品的說明所有進出口規定。再就拍賣品所引致的任何損傷、損失或損害分）。可接受的缺量水平會隨著酒齡增加，一般的 Kong) Ltd（就香港法例第486章個人資料（私隱）負責。 1. 鑽石胸針，由辜青斯基製造可接受水平如下：條例而言，為資料的使用者）（地址：Montpelier 3.1 第2.1.5段載述何謂拍賣品的合約說明，尤 7.5 倘閣下未有按照本第7段提走拍賣品，閣下當製造者的名字出現在名稱裡，邦瀚斯認為該物件 Galleries, Montpelier Street, London, SW7 1HH, 其是拍賣品並非按圖錄內資料當串沒有以粗須全面負責賣家涉及的搬運、儲存或其他收 9.2 在下文第9.3至9.5段的規限下，除違反第由該製造者製作。 15 年以下－瓶頸內或少於 4 厘米 United Kingdom）或以電郵聯絡client.services@ 體刊載的內容出售，該等內容僅載述（代表費或開支。閣下並須就賣家因閣下未能提走 2.1.5段所規定的明確承諾外，不論是根據 bonhams.com。賣方）邦瀚斯對拍賣品的意見，而並不構成拍賣品而招致的所有收費、費用，包括任何香港法例第26章貨品售賣條例而默示的條款 2. 鑽石胸針，由辜青斯基署名 15-30 年－瓶肩頂部 (ts) 或最多 5 厘米拍賣品售出時所按的合約說明的一部份。任法律訟費及費用，開支及損失，包括根據任或其他，賣家無須就違反拍賣品須與拍賣品邦瀚斯認為有署名的該是真品，但可能包含非原裝附錄一何並非第2.1.5段所述該部份資料的任何陳何儲存合約的任何收費，向賣家作出彌償。的任何說明相應的條款而負責。的寶石，或該物件經過改動。 30 年或以上－瓶肩高處 (hs) 或最多 6 厘米述或申述，包括任何說明或成交價做計，不所有此等應付予賣家的款項均須於被要求時銷售合約論是以口頭或書面，包括載於圖錄內或於邦支付。 9.3 就賣家或其代表於本協議之前或之後或於拍 3. 鑽石胸針，由辜青斯基裝嵌請注意：缺量水平在本圖錄發行至拍賣會舉行期間瀚斯的網站上或以行為作出或其他，不論由賣會之前或進行期間，所作出（不論是以書邦瀚斯認為物件由該珠寶商或寶石匠創作，但所用或有所改變，而且瓶塞或會在運輸過程中出現問題。重要事項：此等條款可能會於向閣下出售拍賣品前或代表賣家或邦瀚斯及是否於拍賣會之前或 8 未有支付拍賣品的款項面，包括在圖錄或網站，或口頭形式或以行寶石或設計是由客戶提供的。本圖錄發行時，我們只對狀況說明出現差異承擔責予以條訂，修訂的方式可以是在圖錄載列不同的條之上作出，一概不構成拍賣品售出時所按的為或其他）的任何拍賣品說明或資料或拍賣任，而對瓶塞問題所招致的損失，不論是在圖錄發款，及／或於圖錄加入插頁，及／或於拍賣會場地合約說明的一部份。 8.1 倘若閣下未有按照銷售合約向邦瀚斯支付拍品的成交價估計，出現不符合或不準確、錯 19. 圖畫行之前或之後，我們概不負責。上以通告，及／或於拍賣會之前或之上以口頭形式賣品的全數買價，則賣家有權在事先得到邦誤、錯誤說明或遺漏，賣家均無須承擔任何公佈。閣下須注意此等可能修訂的情況，並於競投 3.2 除第2.1.5段的規定外，對於可能由賣家或瀚斯的書面同意下，但無須另行通知閣下，相關的責任（不論為疏忽、其他侵權法、違拍賣品圖錄詞彙解釋批量購買的選擇前查詢是否有任何修訂。代表賣家（包括由邦瀚斯）作出有關拍賣品行使以下一項或多項權利（不論是透過邦瀚反合約或法定責任或復還或根據香港法例第的任可說明或其任何成交價估計，賣家並無斯或其他）﹕ 284章失實陳述條例的責任，或任何其他責以下詞彙在本圖錄裡有下列意義，但以銷售合約內批量拍賣品乃指一定數目批次的、包含同款葡萄酒、根據本合約，賣家對拍賣品的質量、任何用途的適作出或發出亦無同意作出或發出任何合約允任）。跟拍賣品說明相關的一般條文為準：相同瓶數、相同瓶款及相同說明的拍賣品。批量拍用性及其與說明是否一致而須承擔有限的責任。本諾、承諾、責任、擔保、保證或事實陳述或 8.1.1 因閣下違反合約而即時終止銷售合約；賣品內任何某批次的買家，可選擇以同樣價錢購買公司強烈建議閣下於購買拍賣品前親自查看拍賣承諾任何謹慎責任。該等說明或戊交價估計 9.4 就買家或買家管理層或職工之任何業務、「巴薩諾」：我們認為這是該藝術家的作品。倘若該批量拍賣品其餘部份或全部的拍賣品，雖然該選品，及／或尋求對拍賣品進行獨立的查驗。一概不納入本銷售合約。 8.1.2 在給予閣下七日書面通知，知會閣下擬重新業務利潤或收益或收入上的損失，或聲譽受該藝術家的名字不詳，其姓氏後附有一串星號，不擇權最終由拍賣官全權酌情決定。因此，競投批量出售拍賣品後，以拍賣、私人協約或任何其損，或業務受干擾或浪費時間，或任何種類論前面有沒有列出名字的首字母，表示依我們的意拍賣品時，缺席的競投人最好能從第一批開始競投。 4 對用途的合適程度及令人滿意的品質他方式重新出售拍賣品；的間接損失或相應產生的損害，賣家均無須見這乃是該藝術家的作品； 4.1 賣家並無亦無同意對拍賣品的令人滿意品質承擔任何相關的責任，不論該指稱所蒙受損酒瓶細節及酒箱詞彙或其就任何用途的合適程度作出任何合約允 8.1.3 保留拍賣品的管有權；失或損害的性質、數量或來源，亦不論該等「出自巴薩諾」：我們認為這很可能是該藝術家的諾、承諾、責任、擔保、保證或事實陳述。損失或損害賠償是否由於任何疏忽、其他侵作品，但其確定程度不如上一個類別那麼肯定；本圖錄內下列詞彙有以下的意義： 8.1.4 遷移及儲存拍賣品，費用由閣下承擔；權法、違反合約、法定責任、復還申索或其 4.2 對於拍賣品的令人滿意品質或其就任何用途他而產生或就此而申索；「巴薩諾畫室／工作室」：我們認為這是該藝術家 CB – 酒莊瓶裝的合適程度，不論是香港法例第26章貨品售 8.1.5 就閣下於銷售合約所欠的任何款項及/或違畫室裡不知名人士的作品，是否由該藝術家指導下 DB – 葡萄園瓶裝賣條例所隱含的承諾或其他，賣家毋就違反約的損害賠償，向閣下採取法律程序；創作則不能確定； EstB – 莊園瓶裝任何承諾而承擔任何責任。

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PAGE 11 PAGE 12 16. 書籍 BB – 波爾多瓶裝 1 合約 5 風險、產權及所有權 8.1.6 就任何應付款項（於頒布判決或命令之前及「巴薩諾圈子」：我們認為這是由與該藝術家關係 BE – 比利時瓶裝之後）收取由應支付款項日期起至實際付款如上文所述，拍賣品乃以其「現況」售予買家，附密切的人士所創作，但不一定是其弟子； FB – 法國瓶裝 1.1 此等條款乃規管賣家向買家出售拍賣品的銷 5.1 由拍賣人落槌表示閣下投得拍賣品起，拍賣日期止的利息，按渣打銀行有以下拍賣品說明所列出的各種瑕疪、缺點及錯誤。 GB – 德國瓶裝售合約。品的風險即轉由閣下承擔。不管閣下是否已（香港）有限公司不時的基本利率加5厘的然而，在買家協議第 11 段所列出之情況下，閣下「巴薩諾追隨者」：我們認為這是以該藝術家風格 OB – 奧波爾圖瓶裝向邦瀚斯或儲存承辦商閣下作為買家與儲存年利率每日計息；有權拒絕領取書籍。請注意：購買包含印刷書籍、創作的畫家的作品，屬當代或接近當代的，但不一 UK – 英國瓶裝 1.2 圖錄內附錄三所載的釋義及詞彙已納入本承辦商另有合約領取拍賣品，賣家隨即無須無框地圖及裝訂手稿的拍賣品，將無須繳付買家費定是其弟子； owc – 原裝木箱銷售合約，邦瀚斯亦可應要求提供獨立的版負責。由拍賣人落槌起至閣下取得拍賣品期 8.1.7 取回並未成為閣下財產的拍賣品（或其任何用的增值稅。 iwc – 獨立木箱本。釋義內所收錄的詞語及用詞在本合約內間，閣下須就拍賣品的任何損傷、遺失及損部份）的管有權，就此而言（除非買家作為「巴薩諾風格」：我們認為這是該藝術家風格的、 oc – 原裝紙板箱以斜體刊載。壞而產生的所有索償、程序、費用、開支及消費者向賣家購買拍賣品而賣家於業務過程 17. 鐘錶並且屬較後期的作品；損失，向賣家作出彌償並使賣家獲得仕數彌中出售該拍賣品），閣下謹此授予賣家不可符號 1.3 賣家作為銷售合約的主事人出售拍賣品，該償。撤銷特許，准許賣家或其受僱人或代理於正所有拍賣品均以拍賣時的「現況」出售；對於鐘錶「仿巴薩諾」：我們認為這是該藝術家某知名畫作以下符號表明下列情況：合約為賣家及閣下透過邦瀚斯而訂立，而邦常營業時間進入閣下所有或任何物業（不論狀況並沒有提供任何指引，並不代表該拍賣品狀況的複製作品；瀚斯僅作為賣家的代理行事，而並非額外的 5.2 直至買價及閣下就拍賣品應付予邦瀚斯的所是否連同汽車），以取得拍賣品或其任何部良好、毫無缺陷，或未曾維修、修復。大部份鐘錶 Y 當出口這些物件至歐盟以外地方，將受瀕危野主事人。然而，倘若圖錄說明邦瀚斯以主有其他款項已全數支付並由邦瀚斯全數收到份的管有權；在其正常使用期內都曾維修，並或裝進非原裝的配「由……署名及／或註上日期及／或題詞」：我們生動植物種國際貿易公約規限，請參閱第13 條。事人身份出售拍賣品，或拍賣人作出公佈如為止，拍賣品的所有權仍然由賣家保留。件。此外，邦瀚斯並不表述或保證鐘錶都在正常運認為署名及／或日期及／或題詞出自該藝術家的手 ○ 賣家獲邦瀚斯或第三方保證能取得拍賣品的最此說明，或於拍賣會的通告或圖錄的插頁說 8.1.8 保留賣家於該拍賣會或任何其他拍賣或以私轉的狀態中。由於鐘錶通常包含精細而複雜的機械筆；低價格。第三方或會因此提供一個不可撤銷的明，則就本協議而言，邦瀚斯為賣家。 6 付款人協約向閣下出售的任何其他財產的管有裝置，競投人應當知悉鐘錶或需接受保養、更換電出價；如銷售成功，該第三方將可獲利，否則權，直至根據銷售合約應付的所有款項已以池或進行維修，以上全是買家的責任。競投人應當「載有……的署名及／或日期及／或題詞」：我們將有損失。 6.1 在拍賣人落槌表示閣下投得拍賣品後，閣下結清款項全數支付為止；知悉勞力士、法穆蘭及崑崙等品牌的腕錶進口至美認為簽署及／或日期及／或題詞是由他人加上的。 ▲ 邦瀚斯全部或部份擁有該拍賣品，或以其他形 1.4 拍賣人就閣下的出價落槌即表示成交時，本即有責任支付買價。國是有嚴格限制的，或不能經船運而只能由個人帶式與其經濟利益相關。合約即告成立。 8.1.9 保留由賣家及／或邦瀚斯（作為賣家的受託進。 20. 瓷器及玻璃 Ф 此拍賣品包含象牙或是象牙製品。美國政府已 6.2 就支付買價及閣下應付予邦瀚斯的所有其他保管人）因任何目的（包括但不限於其他已禁止象牙製品入境。 2 賣家的承諾款項而言，時限規定為要素。除非閣下與邦售予閣下的貨品）而管有的閣下任何其他財 18. 珠寶損毁及修復瀚斯（代表賣家）以書面另有協定（在此情產的管有權，並在給予三個月書面通知下， 22. 語言 2.1 賣家向閣下承諾：況下，閣下須遵守該協議的條款），閣下必不設底價出售該財產，以及把因該等出售所寶石在本圖錄裡，作為閣下的指引，在切實可行的範圍須最遲於拍賣會後第二個工作日下午四時三得而應付閣下的任何款項，用於清償或部份內，我們會詳細記述所有明顯的瑕疪、裂痕及修復本競投人通告以中英文刊載。如就詮譯本競投人通 2.1.1 賣家為拍賣品的擁有人或由擁有人正式授權十分，以拍賣會採用的貨幣向邦瀚斯支付所清償閣下欠負賣家或邦瀚斯的任何款項；及根據以往經驗，很多寶石都經過一系列的處理去提狀況。此等實際的損毁說明不可能作為確定依據，告有任何爭議，以英文條款為本。出售拍賣品；有該等款項，閣下並須確保款項在拍賣會後升外觀。藍寶石及紅寶石慣常會作加熱處理以改良而且提供狀況報告後，我們不保證該物件不存在其第七個工作日前已結清。閣下須採用在競投 8.1.10 只要該等貨品仍然由賣家或邦瀚斯作為賣家色澤及清晰度；為了類似原因，綠寶石會經過油或他沒有提及的瑕疪。競投人應當透過親自檢查而自保障資料 ﹣閣下資料的用途 2.1.2 除在圖錄內所載有關拍賣品的資料有披露以人通告所述的其中一種方法向邦瀚斯付款，的受託保管人管有，撤銷賣家於該拍賣會或樹脂的處理。其他寶石則會經過如染色、輻照或鍍行判別每件拍賣品的狀況。請參閱刊載於本圖錄裡外，賣家出售的拍賣品將附有全面所有權的閣下與邦瀚斯以書面另有協定除外。倘若閣任何其他拍賣或以私人協約向閣下出售任何膜等的處理。此等處理有些是永久的，有些則隨著的銷售合約。由於難以鑑別玻璃物件是否經過磨光，本公司以提供服務為目的，本公司取得有關閣下的保證，或如果賣家為遺囑執行人、受託人、下未有根據本段支付任何應付款項，則賣家其他貨品的銷售合約，並把已收到閣下就該年月需要不斷維護以保持其外觀。競投人應當知悉本圖錄內的參考資料只列出清晰可看的缺口與裂個人資料（就本段而言，此詞僅包括閣下的僱員及清盤人、接管人或管理人，則他擁有因該身將享有下文第8段所述的權利。等貨品支付的任何款項，部份或全部用於清估計拍賣品的成交價時，已假設寶石或接受過該等痕。不論程度嚴重與否，磨光狀況均不會提及。高級職員，如有）。閣下同意本公司以該等資料作份而附於拍賣品的任何權利，業權或權益。償閣下欠負賣家或邦瀚斯的任何款項。處理。有數家鑑定所可發出說明更詳盡的證書；但下述用途。 7 領取拍賣品就某件寶石所接受的處理與程度，不同鑑定所的結 21. 葡萄酒 2.1.3 除非賣家為遺囑執行人、受託人、清盤人、 8.2 就因邦瀚斯根據本第8段採取行動而招致賣論並不一定一致。倘若邦瀚斯已取得有關任何拍賣本公司可利用閣下的資料向閣下發出有關本公司服接管人或管理人，賣家在法律上有權出售拍 7.1 除非閣下與邦瀚斯以書面另有協定，只可待家負上的所有法律及其他強制執行費用、所品的相關證書，此等內容將於本圖錄裡披露。雖然凡在本公司總部拍賣場的以及需繳納增值稅的拍賣務變動的通知，以及向閣下提供有關產品或服務的賣品，及能授予閣下安寧地享有對拍賣品的邦瀚斯收到金額等於全數買價及閣下應付予有損失及其他開支及費用（包括為獲發還拍根據內部政策，邦瀚斯將盡力為某些寶石提供認可品，或不能立刻領取。資料，而該等資料乃閣下要求本公司提供或本公司管有。賣家及邦瀚斯的所有其他款項的已結清款項賣品而應付邦瀚斯的任何款項）（不論是否鑑定所發出的證書，但要為每件拍賣品都獲取相關認為閣下可能對該等產品及服務感興趣。有關閣下後，閣下或閣下指定的人士方可獲發放拍賣已採取法律行動），閣下同意按全數彌償基證書，實際上並不可行。倘若本圖錄裡並沒有刊出檢驗葡萄酒的資料可能用作分析，以了解閣下在這方面的潛 2.1.4 賣家已遵從任何與拍賣品進出口有關的所有品。準並連同其利息證書，競投人應當假設該等寶石已經過處理。邦瀚在喜好。本公司可能向本集團任何成員公司（指本規定（不論是法律上或其他），拍賣品的所（於頒布判決或命令之前及之後）向賣家斯或賣家任何一方在任何拍賣品出售以後，即使買對於較大批量（定義見下文）的拍賣品，偶爾可進公司的附屬公司、本公司最終控股公司及其附屬公有關進出口的稅及稅項均已繳付（除非圖錄 7.2 賣家有權保持管有閣下同一或任何另外的拍作出彌償，利息按第8.1.6段的利率由賣家家取得不同意見的證書，也概不負責。行拍賣前試酒。通常，這只限於較新的及日常飲用司，定義見二零零六年英國公司法第1159條及附表內說明其未付或拍賣人公佈其未付）。就賣賣會向閣下出售的任何其他拍賣品，不論其應支付款項日期起計至閣下支付該款項的的葡萄酒。 6，包括任何海外附屬公司）披露閣下的資料。除此家所悉，所有第三方亦已在過往遵從該等規目前是否由邦瀚斯管有，直至以已結清款項日期止。估計重量之外，本公司不會向任何第三方披露閣下的資料，定；全數支付該拍賣品的買價及閣下應付予賣家我們一般不會開箱檢驗未開箱的葡萄酒。酒齡超過惟本公司可能不時向閣下提供我們相信閣下可能感及／或邦瀚斯的所有其他款項為止。 8.3 於根據第8.1.2段重新出售拍賣品後，賣家如該寶石重量在本圖錄內文裡以大寫字母顯示，表 20 年的酒通常已經開箱，缺量水平及外觀如有需要興趣的第三方貨品及服務的有關資料。本集團任何 2.1.5 除任何於拍賣會場地以公佈或通告，或以競須把任何在支付欠負賣家或邦瀚斯的所有款明該寶石未經鑲嵌，並且是由邦瀚斯稱重量的。如會在本圖錄內說明，成員公司亦可以閣下的資料作類似用途。投人通告，或以圖錄插頁形式指明的任何修改 7.3 閣下須自費按照邦瀚斯的指示或規定領取由項後所餘下的款項，於其收到該等款項的二果該寶石的重量以「大約」表示，以及並非以大寫外，拍賣品與拍賣品的合約說明相應，即在圖邦瀚斯保管及／或控制或由儲存承辦商保管十八日內交還閣下。字母顯示，表明該寶石由我們依據其鑲嵌形式評估，酒塞與缺量本公司將保留閣下的資料為期五年，由閣下最後與錄內有關拍賣品的資料內以粗體刊載的部份（的拍賣品，並將其移走。所列重量只是我們陳述的意見而已。此資料只作為我們聯繫的日期起計，以便簡化任何日後再辦理登顏色除外），連同圖錄內拍賣品的照片，以及 9 賣家的責任指引使用，競投人應當自行判別該資料的準確度。缺量指瓶塞底與液面之間的空間。波爾多酒瓶的缺記時的手續。該等資料可轉移及儲存於香港以外地已向買家提供的任何狀況報告的內容。 7.4 閣下須全面負責領取拍賣品時的包裝、處理量水平一般在瓶頸下才會注意得到；而對於勃艮第、方，而閣下同意此轉移。閣下有權要求不以閣下的及運輸，以及全面負責遵從與拍賣品有關的 9.1 在拍賣人落槌表示拍賣品成交後，賣家無須署名阿爾薩斯、德國及干邑的酒瓶，則要大於4 厘米（公資料作此等用途，有關要求請聯絡Bonhams (Hong 3 拍賣品的說明所有進出口規定。再就拍賣品所引致的任何損傷、損失或損害分）。可接受的缺量水平會隨著酒齡增加，一般的 Kong) Ltd（就香港法例第486章個人資料（私隱）負責。 1. 鑽石胸針，由辜青斯基製造可接受水平如下：條例而言，為資料的使用者）（地址：Montpelier 3.1 第2.1.5段載述何謂拍賣品的合約說明，尤 7.5 倘閣下未有按照本第7段提走拍賣品，閣下當製造者的名字出現在名稱裡，邦瀚斯認為該物件 Galleries, Montpelier Street, London, SW7 1HH, 其是拍賣品並非按圖錄內資料當串沒有以粗須全面負責賣家涉及的搬運、儲存或其他收 9.2 在下文第9.3至9.5段的規限下，除違反第由該製造者製作。 15 年以下－瓶頸內或少於 4 厘米 United Kingdom）或以電郵聯絡client.services@ 體刊載的內容出售，該等內容僅載述（代表費或開支。閣下並須就賣家因閣下未能提走 2.1.5段所規定的明確承諾外，不論是根據 bonhams.com。賣方）邦瀚斯對拍賣品的意見，而並不構成拍賣品而招致的所有收費、費用，包括任何香港法例第26章貨品售賣條例而默示的條款 2. 鑽石胸針，由辜青斯基署名 15-30 年－瓶肩頂部 (ts) 或最多 5 厘米拍賣品售出時所按的合約說明的一部份。任法律訟費及費用，開支及損失，包括根據任或其他，賣家無須就違反拍賣品須與拍賣品邦瀚斯認為有署名的該是真品，但可能包含非原裝附錄一何並非第2.1.5段所述該部份資料的任何陳何儲存合約的任何收費，向賣家作出彌償。的任何說明相應的條款而負責。的寶石，或該物件經過改動。 30 年或以上－瓶肩高處 (hs) 或最多 6 厘米述或申述，包括任何說明或成交價做計，不所有此等應付予賣家的款項均須於被要求時銷售合約論是以口頭或書面，包括載於圖錄內或於邦支付。 9.3 就賣家或其代表於本協議之前或之後或於拍 3. 鑽石胸針，由辜青斯基裝嵌請注意：缺量水平在本圖錄發行至拍賣會舉行期間瀚斯的網站上或以行為作出或其他，不論由賣會之前或進行期間，所作出（不論是以書邦瀚斯認為物件由該珠寶商或寶石匠創作，但所用或有所改變，而且瓶塞或會在運輸過程中出現問題。重要事項：此等條款可能會於向閣下出售拍賣品前或代表賣家或邦瀚斯及是否於拍賣會之前或 8 未有支付拍賣品的款項面，包括在圖錄或網站，或口頭形式或以行寶石或設計是由客戶提供的。本圖錄發行時，我們只對狀況說明出現差異承擔責予以條訂，修訂的方式可以是在圖錄載列不同的條之上作出，一概不構成拍賣品售出時所按的為或其他）的任何拍賣品說明或資料或拍賣任，而對瓶塞問題所招致的損失，不論是在圖錄發款，及／或於圖錄加入插頁，及／或於拍賣會場地合約說明的一部份。 8.1 倘若閣下未有按照銷售合約向邦瀚斯支付拍品的成交價估計，出現不符合或不準確、錯 19. 圖畫行之前或之後，我們概不負責。上以通告，及／或於拍賣會之前或之上以口頭形式賣品的全數買價，則賣家有權在事先得到邦誤、錯誤說明或遺漏，賣家均無須承擔任何公佈。閣下須注意此等可能修訂的情況，並於競投 3.2 除第2.1.5段的規定外，對於可能由賣家或瀚斯的書面同意下，但無須另行通知閣下，相關的責任（不論為疏忽、其他侵權法、違拍賣品圖錄詞彙解釋批量購買的選擇前查詢是否有任何修訂。代表賣家（包括由邦瀚斯）作出有關拍賣品行使以下一項或多項權利（不論是透過邦瀚反合約或法定責任或復還或根據香港法例第的任可說明或其任何成交價估計，賣家並無斯或其他）﹕ 284章失實陳述條例的責任，或任何其他責以下詞彙在本圖錄裡有下列意義，但以銷售合約內批量拍賣品乃指一定數目批次的、包含同款葡萄酒、根據本合約，賣家對拍賣品的質量、任何用途的適作出或發出亦無同意作出或發出任何合約允任）。跟拍賣品說明相關的一般條文為準：相同瓶數、相同瓶款及相同說明的拍賣品。批量拍用性及其與說明是否一致而須承擔有限的責任。本諾、承諾、責任、擔保、保證或事實陳述或 8.1.1 因閣下違反合約而即時終止銷售合約；賣品內任何某批次的買家，可選擇以同樣價錢購買公司強烈建議閣下於購買拍賣品前親自查看拍賣承諾任何謹慎責任。該等說明或戊交價估計 9.4 就買家或買家管理層或職工之任何業務、「巴薩諾」：我們認為這是該藝術家的作品。倘若該批量拍賣品其餘部份或全部的拍賣品，雖然該選品，及／或尋求對拍賣品進行獨立的查驗。一概不納入本銷售合約。 8.1.2 在給予閣下七日書面通知，知會閣下擬重新業務利潤或收益或收入上的損失，或聲譽受該藝術家的名字不詳，其姓氏後附有一串星號，不擇權最終由拍賣官全權酌情決定。因此，競投批量出售拍賣品後，以拍賣、私人協約或任何其損，或業務受干擾或浪費時間，或任何種類論前面有沒有列出名字的首字母，表示依我們的意拍賣品時，缺席的競投人最好能從第一批開始競投。 4 對用途的合適程度及令人滿意的品質他方式重新出售拍賣品；的間接損失或相應產生的損害，賣家均無須見這乃是該藝術家的作品； 4.1 賣家並無亦無同意對拍賣品的令人滿意品質承擔任何相關的責任，不論該指稱所蒙受損酒瓶細節及酒箱詞彙或其就任何用途的合適程度作出任何合約允 8.1.3 保留拍賣品的管有權；失或損害的性質、數量或來源，亦不論該等「出自巴薩諾」：我們認為這很可能是該藝術家的諾、承諾、責任、擔保、保證或事實陳述。損失或損害賠償是否由於任何疏忽、其他侵作品，但其確定程度不如上一個類別那麼肯定；本圖錄內下列詞彙有以下的意義： 8.1.4 遷移及儲存拍賣品，費用由閣下承擔；權法、違反合約、法定責任、復還申索或其 4.2 對於拍賣品的令人滿意品質或其就任何用途他而產生或就此而申索；「巴薩諾畫室／工作室」：我們認為這是該藝術家 CB – 酒莊瓶裝的合適程度，不論是香港法例第26章貨品售 8.1.5 就閣下於銷售合約所欠的任何款項及/或違畫室裡不知名人士的作品，是否由該藝術家指導下 DB – 葡萄園瓶裝賣條例所隱含的承諾或其他，賣家毋就違反約的損害賠償，向閣下採取法律程序；創作則不能確定； EstB – 莊園瓶裝任何承諾而承擔任何責任。

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PAGE 11 PAGE 12 9.5 在任何情況下，倘若賣家就拍賣品，或任何 11 規管法律個工作日下午四時三十分向本公司支付﹕ 4.7 閣下須全面負責領取拍賣品時的包裝、處理售的貨品）而管有的閣下任何其他財產不設以識別該拍賣品。其就拍賣品所作的作為、不作為、陳述、或及運輸，以及全面負責遵從與拍賣品有關的底價出售，並把因該等出售所得而應付予閣申述，或就本協議或其履行而須對閣下負 11.1 法律 3.1.1 拍賣品的買價；所有進出口規定。下的任何款項，用於支付或部份支付閣下欠 9.3 於下述情況下，第9段不適用於膺品﹕ 責，則不論其為損害賠償、彌償或責任分負本公司的任何款項；擔，或復還補救，或以其他任何形式，賣家本協議下的所有交易以及所有有關事宜，均 3.1.2 每件所購買之拍品按照競投人通告規定費率 4.8 倘閣下未有按照第4.2段提走拍賣品，閣下 9.3.1 圖錄所載有關該拍賣品的資料已反映當時學的責任將限於支付金額最高不超過拍賣品買受香港法例規管並據其解釋。的買家費用；及須全面負責本公司涉及的任何搬運、儲存 7.1.11 於日後拍賣會拒絕為閣下登記，或於日後任者及專家的公認意見，或已公平地指出該等價的款項，不論該損失或損害賠償或所申索或其他收費（按照本公司的目前收費率）及何拍賣會拒絕閣下出價，或於日後任何拍賣意見有衝突，或已反映公認為有關範疇主要應付款項的性質、數量或來源，亦不論該等 11.2. 語言 3.1.3 若拍賣品註明[AR]，一項按照競投人通告規任何開支（包括根據儲存合約的任何收費）會在接受任何出價前要求閣下先支付按金，專家在當時的意見；或責任是否由於任何疏忽、其他侵權法、違反定計算及支付的額外費用，連同該款項的增。所有此等款項須於本公司要求時由閣下支在該情況下，本公司有權以該按金支付或部合約、法定責任、受託保管人責任、復還申本銷售合約以中英文刋載。如就詮譯本銷售值稅（如適用），所有應付本公司款項須於付，並無論如何，於閣下或閣下的代表領取份支付（視情況而定）閣下為買家的任何拍 9.3.2 僅可採用於刊印圖錄日期前一般不會採用的索或其他而產生。合約有任何爭議，以英文條款為本。拍賣會後七個工作日或之前以已結清款項收拍賣品前必須支付。賣品的買價。方法才能確定拍賣品為膺品，或採用的確定悉。方法在所有情況下本公司若採用則屬不合 9.6 上文9.1至9.5段所述不得解釋為排除或限制附錄二 5 拍賣品儲存 7.2 就因本公司根據本第7段採取行動而招致的理。（不論直接或間接）任何人士就(i)欺詐，或 3.2 根據本協議，閣下亦須應要求向本公司支付所有法律及其他費用、所有損失及其他開支 (ii)因賣家疏忽（或因賣家所控制的任何人士買家協議任何開支。本公司同意把拍賣品儲存，直至閣下提取拍（不論是否已採取法律行動），閣下同意按 9.4 閣下授權本公司在絕對酌情權下決定採取本或賣家在法律上須代其負責任的任何人士的賣品或直至競投人通告指定的時間及日期（全數彌償基準並連同其利息（於頒布判決或公司認為要讓本公司信納拍賣品並非膺品而疏忽）引致人身傷亡，或(iii)根據香港法例重要事項：此等條款可能會於向閣下出售拍 3.3 除非本公司以書面方式另行同意，所有款項或若無指定日期，則為拍賣會後第七日下午命令之前及之後）向本公司作出彌償，利息必需進行的程序及測試。第314章佔用人法律責任條例，本公司須負賣品前予以修訂，修訂的方式可以是在圖錄必須以拍賣會所用貨幣，按競投人通告所列四時三十分之前）為止，以較早日期為準，按第7.1.5段訂明的利率由本公司應支付款責的作為或不作為，或(iv)任何法律上不可載列不同的條款，及／或於圖錄加入插頁，其中一種方法支付。本公司發票只發給登記並在第6及第10段規限下，作為受託保管人項日期起計至閣下支付該款項的日期止。 9.5 倘本公司信納拍賣品為膺品，本公司會（作排除或限制的其他責任，而須承擔的責任，及／或於拍賣會場地上以通告，及／或於拍競投人，除非競投人乃作為指明主事人的代而就拍賣品的損壞或損失或毀壞向閣下負責為主事人）向閣下購買該拍賣品，而閣下須或排除或限制任何人士就上述而享有的權利賣會之前或之上以口頭形式公佈。閣下須注理，且本公司已認可該安排，在該情況下，（儘管在支付買價前，拍賣品仍未為閣下的 7.3 倘閣下僅支付部份應付予本公司的款項，則按照香港法例第26章貨品售賣條例第14(1) 或補救方法。意此等可能修訂的情況，並於競投前查詢是本公司會將發票發給主事人。財物）。若閣下於競投人通告所規定的時間該等付款將首先用於支付該拍賣品的買價（ (a)及14(1)(b)條規定，向本公司轉讓有關拍否有任何修訂。及日期（或若無指定日期，則為拍賣會後第或若閣下購買多於一項拍賣品，則按比例支賣品的所有權，並附有全面所有權的保證， 10 一般事項 3.4 除非本協議另有規定，所有應付本公司款項七日下午四時三十分之前）前仍未領取拍賣付每項拍賣品的買價），然後支付買家費用不得有任何留置權、質押、產權負擔及敵對 1 合約須按適當稅率繳付稅項，閣下須就所有該等品，本公司可將拍賣品遷往另一地點，有關（或若閣下購買多於一項拍賣品，則按比例申索，而本公司將向閣下支付相等於閣下就 10.1 閣下不得轉讓銷售合約的利益或須承擔的責款項支付稅款。詳情通常會載於競投人通告內。倘若閣下未支付每項拍賣品的買家費用），再然後用以拍賣品已支付的買價、買家費用、稅項及開任。 1.1 此等條款規管乃邦瀚斯個人與買家的合約，有按第3段就拍賣品付款，而拍賣品被移送支付應付予本公司的任何其他款項。支總數的款項。買家即拍賣人落槌表示其投得拍賣品的人 3.5 本公司可從閣下付給本公司的任何款項中，至任何第三者物業，則該第三者會嚴格地以 10.2 倘若賣家未能或延遲強制執行或行使任何銷士。扣除並保留有關拍賣品的買家費用、賣家應邦瀚斯為貨主而持有拍賣品，而本公司將保 7.4 本公司根據本第7段的權利出售任何拍賣品 9.6 第9段的利益為僅屬於閣下個人的利益，閣售合約下的權力或權利，這不得作為或視付的佣金、任何開支及稅項以及任何賺得留拍賣品留置權，直至已按照第3段向本公所收到的款項，於支付應付予本公司及／或下不能將其轉讓。其作為賣家放棄其根據銷售合約所賦予的權 1.2 拍賣會圖錄內附錄三所載的釋義及詞彙已及／或產生的利息，利益歸本公司，直至將司支付所有款項為止。賣家的所有款項後仍由本公司持有的餘款，利，任何以書面形式給予閣下的明確放棄除納入本協議，本公司可應要求提供獨立的版款項付予賣家時止。將於本公司收到該等款項的二十八日內交還 9.7 倘若閣下出售或以其他方式出售閣下於拍賣外。任何該等放棄並不影響賣家其後強制執本。釋義內所收錄的詞語及用詞在本協議內 6 對拍賣品的責任閣下。品的權益，則根據本段的所有權利及利益即行根據銷售合同所產生任何權利的能力。以斜體刊載。本協議提述刊印於拍賣會圖錄 3.6 就向本公司支付應付的任何款項而言，時限告終止。開始部份的競投人通告的資料，而該等被提規定為要素。倘若閣下未能按照本第3段向 6.1 待閣下向本公司支付買價後，拍賣品的所有 8 其他人士就拍賣品的申索 10.3 倘銷售合約任何一方，因在合理控制範圍以述的資料已納入本協議。本公司支付買價或任何其他應付本公司款權方會移交閣下。然而，根據銷售合約，拍 9.8 第9段不適用於由或包括一幅或多幅中國外的情況下而無法履行該訂約方根據銷售合項，本公司將擁有下文第7段所載的權利。賣品的風險則由閣下投得拍賣品之時起由閣 8.1 倘本公司知悉除閣下及賣家外有人就拍賣品畫、一輛或多輛汽車、一個或多個郵票或一約的責任，或倘在該等情況下履行其責任會 1.3 於拍賣人落槌表示閣下投得拍賣品時，閣下下承擔。提出申索（或可合理地預期會提出申索），本或多本書籍構成的拍賣品。導致其增加重大財務成本，則該訂約方只要與賣家就拍賣品的銷售合約即告訂立，而在 3.7 若閣下投得多項拍賣品，本公司收到閣下的本公司有絕對酌情權決定以任何方式處理拍在該情況仍然持續時，不會被要求履行該等那時刻，閣下與邦瀚斯亦已按本買家協議條款項將首先用於按比例支付每項拍賣品的買 6.2 閣下應於拍賣會後盡快為拍賣品投買保險。賣品，以確立本公司及其他涉及人士的合法 10 本公司的責任責任。本段並不適用於第6段對閣下施加的款訂立另一份獨立的合約。價，然後按比例支付應付邦瀚斯的所有款權益及在法律上保障本公司的地位及合法權責任。項。 7 未能付款或提取拍賣品及部份付款益。在不損害該酌情權的一般性原則下，並 10.1 就本公司或代表本公司或賣家或代表賣家於 1.4 本公司乃作為賣家的代理行事，無須就賣家作為舉例，本公司可﹕ 本協議之前或之後或於拍賣會之前或之上， 10.4 銷售合約下的任何通知或其他通訊，必須以之任何違約或其他失責而對閣下負責或承擔 4 領取拍賣品 7.1 倘若應付予本公司的所有款項未有於其到期所作出（不論是以書面，包括在圖錄或邦瀚書面形式作出，並可由專人送交或以第一類個人責任，邦瀚斯作為主事人出售拍賣品除支付時全數支付，及／或未有按照本協議提 8.1.1 保留拍賣品以調查就拍賣品提出或本公司合斯的網站上或口頭形式或以行為或其他）任郵件或空郵或以傳真方式發送，並就賣家而外。 4.1 在賣家或本公司可拒絕向閣下發放拍賣品的取拍賣品，則本公司可行使以下一項或多項理地預期會提出的任何問題；及／或何拍賣品說明或資料或拍賣品的成交價估言，發送至圖錄所載邦瀚斯的地址或傳真號任何權力規限下，閣下一旦以已結清款項向權利（在不損害本公司可以代賣家行使的任計，出現不符合或不準確、錯誤、錯誤說明碼（註明交公司秘書收），由其轉交賣家； 1.5 本公司對閣下的個人責任受本協議規管，在賣家及本公司支付應付的款項後，本公司可何權利下），而無須另行通知閣下﹕ 8.1.2 向閣下以外的其他人士交付拍賣品；及／或或遺漏，本公司無須就此而承擔任何責任，而就閣下而言，則發送至競投表格所示的買下文條款所規限下，本公司同意下列責任﹕ 即向閣下或按閣下的書面指示發放拍賣品。不論是否為疏忽、其他侵權法、違反合約或家地址或傳真號碼（除非已以書面形式通知領取拍賣品時，必須出示從本公司的出納員 7.1.1 因閣下違反合約而即時終止本協議； 8.1.3 展開互爭權利訴訟或尋求任何法院、調解法定責任或復還或根據香港法例第284章失更改地址）。通知或通訊發出人須有責任確 1.5.1 本公司會按照第5段儲存拍賣品，直至競投的辦公室取得已加蓋印章的發票，方獲發人、仲裁人或政府機關的任何其他命令；實陳述條例的責任。保其清晰可讀並於任何適用期間內收到。人通告所指定的日期及時間或另行通知閣下行。 7.1.2 保留拍賣品的管有權；及／或為止； 10.2 當拍賣品由閣下承擔風險時及／或當拍賣品 10.5 倘若銷售合約的任何條款或任何條款的任何 4.2 閣下須按競投人通告指定的日期及時間，自 7.1.3 遷移及／或儲存拍賣品，費用由閣下承擔； 8.1.4 就採取閣下同意的行動，要求閣下提供彌償已成為閣下的財產並由本公司保管及／或控部份被裁定為不可強制執行或無效，則該等 1.5.2 在賣家或本公司拒絕向閣下發放拍賣品的任費領取拍賣品，倘未有指定任何日期，則為保證及／或抵押品。制時，本公司對閣下之責任限於對閣下行使不可強制執行或無效並不影響該合同其餘條何權力所規限下，本公司會於閣下以已結清拍賣會後第七日下午四時三十分或之前。 7.1.4 就閣下所欠的任何款項（包括買價）及／或合理程度的謹慎，惟本公司無須就因下述原款或有關條款其餘部份的強制執行能力或有款項向本公司及賣家所須支付之所有款項違約的損害賠償，向閣下採取法律程序； 8.2 第8.1段所述的酌情權﹕ 因對拍賣品或其他人士或物件造成的損害負效性。後，即按照第4段向閣下發放拍賣品； 4.3 於第4.2段所述的期間內，可按競投人通告責﹕ 指定的日期及時間到競投人通告所述地址領 7.1.5 就任何應付款項（於頒布判決或命令之前及 8.2.1 可於本公司對拍賣品擁有實際或推定管有權 10.6 銷售合約內凡提述邦瀚斯均指，倘適用，包 1.5.3 本公司會按照第9段所載條款提供擔保。取拍賣品。其後拍賣品可能遷移至其他地點之後）收取由應支付款項日期起至實際付款時隨時行使，或倘若該管有權因法院、調解 10.2.1 處理拍賣品，倘若於向閣下出售時拍賣品已括邦瀚斯的高級職員、僱員及代理。儲存，屆時閣下必須向本公司查詢可在何時日期止的利息，按渣打銀行人、仲裁人或政府機關的任何裁決、命令或受到蟲蛀，而任何損壞乃由於拍賣品受蟲蛀 1.6 不論於此協議之前或之後或於拍賣會之前或何地領取拍賣品，儘管此資料通常會列於競（香港）有限公司不時的基本借貸利率加5 判決而終止，於該管有權終止後隨時行使；所導致；或 10.7 銷售合約內所用標題僅為方便參考而設，概之上，對由本公司或代表本公司或由賣家或投人通告內。厘的年利率每日計息；及不影響合約的詮釋。代表賣家所作出的任何拍賣品的說明或其成 10.2.2 大氣壓力改變；交價估計（不論其是以口頭或書面，包括載 4.4 若閣下未有於競投人通告指定的日期領取拍 7.1.6 取回並未成為閣下財產的拍賣品（或其任何 8.2.2 除非本公司相信該申索真正有希望成為有良 10.8 銷售合約內「包括」一詞指「包括，但不限於圖錄內或於邦瀚斯的網站上，或以行為作賣品，則閣下授權本公司作為閣下代理，代部份）管有權，就此而言，閣下謹此授予本好爭辯理據的個案，否則不會行使。本公司亦不就以下負責﹕ 於」。出或其他），或對該等拍賣品的說明或其成表閣下與儲存承辦商訂立合約（「儲存合公司不可撤銷特許，准許本公司或其受僱人交價估計的準確性或完備性，本公司一概不約」），條款及條件按邦瀚斯當時與儲存承或代理於正常營業時間進入閣下所有或任何 9 膺品 10.2.3 弦樂器的損壞；或 10.9 單數詞語包括眾數詞語（反之亦然），任何作出或發出亦無同意作出或發出任何合約允辦商協定（可應要求提供副本）的標準條款物業（不論是否連同汽車），以取得拍賣品一個性別的詞語包括其他性別。諾、承諾、責任、擔保、保證或事實陳述。及條件儲存拍賣品。倘拍賣品儲存於本公司（或其任何部份）的管有權； 9.1 本公司根據本第9段的條款就任何膺品承擔 10.2.4 金箔畫架、石膏畫架或畫架玻璃的的損壞；該等說明或成交價估計一概不納入閣下與本物業，則須由第4.2段所述期間屆滿起，按個人責任。而倘若拍賣品構成或變為有危險，本公司可 10.10 凡提述第某段，即指銷售合約內該編號的段公司訂立的本協議。任何由本公司或代表本本公司目前的每日收費（目前最低為每項拍 7.1.7 在給予閣下三個月書面通知，知會閣下本公以其認為適合的方法予以棄置而無須事先通落。公司作出該等說明或成交價估計，均是代賣賣品每日50港元另加稅項）支付儲存費，該司擬出售拍賣品後，以拍賣、私人協約或任 9.2 第9段僅於以下情況適用﹕ 知閣下，而本公司無須就此對閣下負責。家而作出（邦瀚斯作為主事人出售拍賣品除等儲存費為本公司開支的一部份。何其他方式按不設底價形式出售拍賣品； 10.11 除第10.12段有明確規定外，銷售合約概無外）。 9.2.1 閣下為本公司就拍賣品發出原有發票的抬頭 10.3 就買家管理層或職工之任何業務、業務利賦予（或表示賦予）非銷售合約訂約方的任 4.5 於直至閣下已全數支付買價及任何開支為 7.1.8 保留由本公司因任何目的（包括，但不限人，而該發票已被支付；及潤或收益或收入上的損失，或業務聲譽受何人士，任何銷售合約條款所賦予的利益或 2 履行銷售合約止，拍賣品將由本公司作為賣家的代理持於，其他已售予閣下或交予本公司出售的貨損，或業務受干擾或浪費時間，或倘若閣下強制執行該等條款的權利。有，或由儲存承辦商作為賣家及本公司的代品）而管有的閣下任何其他財產的管有權， 9.2.2 閣下於知悉拍賣品為或可能為膺品後，在合於業務過程中購買拍賣品，就任何種類的間閣下個人向本公司承諾，閣下將遵守及遵從理按照儲存合約的條款持有。直至所有應付本公司款項已全數支付為止；理地切實可行範圍內盡快，並無論如何須於接損失或相應產生的損害，本公司均無須向 10.12 銷售合約凡賦予賣家豁免、及／或排除或限閣下根據拍賣品銷售合約對賣家的所有責任拍賣會後一年內，以書面通知本公司拍賣品閣下承擔任何相關的責任，不論指稱所蒙受制其責任時，邦瀚斯、邦瀚斯的控股公司及及承諾。 4.6 閣下承諾遵守任何儲存合約的條款，尤其是 7.1.9 以本公司因任何目的而收到的閣下款項，無為膺品；及損失或損害的性質、數量或來源，亦不論該該控股公司的附屬公司，邦瀚斯及該等公司支付根據任何儲存合約應付的收費（及所有論該等款項於閣下失責時或其後任何時間收等損失或損害賠償是由於任何疏忽、其他侵的後續公司及承讓公司，以及邦瀚斯及該等 3 付款搬運拍賣品入倉的費用）。閣下確認並同到，用作支付或部份支付閣下於本協議下應 9.2.3 於發出該通知後一個月內，閣下把拍賣品退權法、違反合約、法定責任、受託保管人責公司的任何高級職員、僱員及代理的承繼人意，於直至閣下已支付買價、任何開支及所付予本公司的任何款項；回本公司，而拍賣品的狀況須與拍賣會時的任、復還申索或其他而產生或就此而申索。及受讓人亦可享有同樣的法律上的有關利 3.1 除非閣下與本公司另有書面協定或競投人通有儲存合約下的收費為止，閣下不得從儲存狀況一樣，並連同證明拍賣品為膺品的書面益。告另有規定外，閣下最遲須於拍賣會後第二承辦商的物業領取拍賣品。 7.1.10 在給予三個月書面通知下，把本公司因任何證明，以及有關拍賣會及拍賣品編號的資料 10.4 在任何情況下，倘若本公司就拍賣品，或任目的（包括其他已售予閣下或交予本公司出

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PAGE 13 PAGE 14 4.7 閣下須全面負責領取拍賣品時的包裝、處理售的貨品）而管有的閣下任何其他財產不設以識別該拍賣品。及運輸，以及全面負責遵從與拍賣品有關的底價出售，並把因該等出售所得而應付予閣所有進出口規定。下的任何款項，用於支付或部份支付閣下欠 9.3 於下述情況下，第9段不適用於膺品﹕ 負本公司的任何款項； 4.8 倘閣下未有按照第4.2段提走拍賣品，閣下 9.3.1 圖錄所載有關該拍賣品的資料已反映當時學須全面負責本公司涉及的任何搬運、儲存 7.1.11 於日後拍賣會拒絕為閣下登記，或於日後任者及專家的公認意見，或已公平地指出該等或其他收費（按照本公司的目前收費率）及何拍賣會拒絕閣下出價，或於日後任何拍賣意見有衝突，或已反映公認為有關範疇主要任何開支（包括根據儲存合約的任何收費）會在接受任何出價前要求閣下先支付按金，專家在當時的意見；或。所有此等款項須於本公司要求時由閣下支在該情況下，本公司有權以該按金支付或部付，並無論如何，於閣下或閣下的代表領取份支付（視情況而定）閣下為買家的任何拍 9.3.2 僅可採用於刊印圖錄日期前一般不會採用的拍賣品前必須支付。賣品的買價。方法才能確定拍賣品為膺品，或採用的確定方法在所有情況下本公司若採用則屬不合 5 拍賣品儲存 7.2 就因本公司根據本第7段採取行動而招致的理。所有法律及其他費用、所有損失及其他開支本公司同意把拍賣品儲存，直至閣下提取拍（不論是否已採取法律行動），閣下同意按 9.4 閣下授權本公司在絕對酌情權下決定採取本賣品或直至競投人通告指定的時間及日期（全數彌償基準並連同其利息（於頒布判決或公司認為要讓本公司信納拍賣品並非膺品而或若無指定日期，則為拍賣會後第七日下午命令之前及之後）向本公司作出彌償，利息必需進行的程序及測試。四時三十分之前）為止，以較早日期為準，按第7.1.5段訂明的利率由本公司應支付款並在第6及第10段規限下，作為受託保管人項日期起計至閣下支付該款項的日期止。 9.5 倘本公司信納拍賣品為膺品，本公司會（作而就拍賣品的損壞或損失或毀壞向閣下負責為主事人）向閣下購買該拍賣品，而閣下須（儘管在支付買價前，拍賣品仍未為閣下的 7.3 倘閣下僅支付部份應付予本公司的款項，則按照香港法例第26章貨品售賣條例第14(1) 財物）。若閣下於競投人通告所規定的時間該等付款將首先用於支付該拍賣品的買價（ (a)及14(1)(b)條規定，向本公司轉讓有關拍及日期（或若無指定日期，則為拍賣會後第或若閣下購買多於一項拍賣品，則按比例支賣品的所有權，並附有全面所有權的保證，七日下午四時三十分之前）前仍未領取拍賣付每項拍賣品的買價），然後支付買家費用不得有任何留置權、質押、產權負擔及敵對品，本公司可將拍賣品遷往另一地點，有關（或若閣下購買多於一項拍賣品，則按比例申索，而本公司將向閣下支付相等於閣下就詳情通常會載於競投人通告內。倘若閣下未支付每項拍賣品的買家費用），再然後用以拍賣品已支付的買價、買家費用、稅項及開有按第3段就拍賣品付款，而拍賣品被移送支付應付予本公司的任何其他款項。支總數的款項。至任何第三者物業，則該第三者會嚴格地以邦瀚斯為貨主而持有拍賣品，而本公司將保 7.4 本公司根據本第7段的權利出售任何拍賣品 9.6 第9段的利益為僅屬於閣下個人的利益，閣留拍賣品留置權，直至已按照第3段向本公所收到的款項，於支付應付予本公司及／或下不能將其轉讓。司支付所有款項為止。賣家的所有款項後仍由本公司持有的餘款，將於本公司收到該等款項的二十八日內交還 9.7 倘若閣下出售或以其他方式出售閣下於拍賣 6 對拍賣品的責任閣下。品的權益，則根據本段的所有權利及利益即告終止。 6.1 待閣下向本公司支付買價後，拍賣品的所有 8 其他人士就拍賣品的申索權方會移交閣下。然而，根據銷售合約，拍 9.8 第9段不適用於由或包括一幅或多幅中國賣品的風險則由閣下投得拍賣品之時起由閣 8.1 倘本公司知悉除閣下及賣家外有人就拍賣品畫、一輛或多輛汽車、一個或多個郵票或一下承擔。提出申索（或可合理地預期會提出申索），本或多本書籍構成的拍賣品。本公司有絕對酌情權決定以任何方式處理拍 6.2 閣下應於拍賣會後盡快為拍賣品投買保險。賣品，以確立本公司及其他涉及人士的合法 10 本公司的責任權益及在法律上保障本公司的地位及合法權 7 未能付款或提取拍賣品及部份付款益。在不損害該酌情權的一般性原則下，並 10.1 就本公司或代表本公司或賣家或代表賣家於作為舉例，本公司可﹕ 本協議之前或之後或於拍賣會之前或之上， 7.1 倘若應付予本公司的所有款項未有於其到期所作出（不論是以書面，包括在圖錄或邦瀚支付時全數支付，及／或未有按照本協議提 8.1.1 保留拍賣品以調查就拍賣品提出或本公司合斯的網站上或口頭形式或以行為或其他）任取拍賣品，則本公司可行使以下一項或多項理地預期會提出的任何問題；及／或何拍賣品說明或資料或拍賣品的成交價估權利（在不損害本公司可以代賣家行使的任計，出現不符合或不準確、錯誤、錯誤說明何權利下），而無須另行通知閣下﹕ 8.1.2 向閣下以外的其他人士交付拍賣品；及／或或遺漏，本公司無須就此而承擔任何責任，不論是否為疏忽、其他侵權法、違反合約或 7.1.1 因閣下違反合約而即時終止本協議； 8.1.3 展開互爭權利訴訟或尋求任何法院、調解法定責任或復還或根據香港法例第284章失人、仲裁人或政府機關的任何其他命令；實陳述條例的責任。 7.1.2 保留拍賣品的管有權；及／或 10.2 當拍賣品由閣下承擔風險時及／或當拍賣品 7.1.3 遷移及／或儲存拍賣品，費用由閣下承擔； 8.1.4 就採取閣下同意的行動，要求閣下提供彌償已成為閣下的財產並由本公司保管及／或控保證及／或抵押品。制時，本公司對閣下之責任限於對閣下行使 7.1.4 就閣下所欠的任何款項（包括買價）及／或合理程度的謹慎，惟本公司無須就因下述原違約的損害賠償，向閣下採取法律程序； 8.2 第8.1段所述的酌情權﹕ 因對拍賣品或其他人士或物件造成的損害負責﹕ 7.1.5 就任何應付款項（於頒布判決或命令之前及 8.2.1 可於本公司對拍賣品擁有實際或推定管有權之後）收取由應支付款項日期起至實際付款時隨時行使，或倘若該管有權因法院、調解 10.2.1 處理拍賣品，倘若於向閣下出售時拍賣品已日期止的利息，按渣打銀行人、仲裁人或政府機關的任何裁決、命令或受到蟲蛀，而任何損壞乃由於拍賣品受蟲蛀（香港）有限公司不時的基本借貸利率加5 判決而終止，於該管有權終止後隨時行使；所導致；或厘的年利率每日計息；及 10.2.2 大氣壓力改變； 7.1.6 取回並未成為閣下財產的拍賣品（或其任何 8.2.2 除非本公司相信該申索真正有希望成為有良部份）管有權，就此而言，閣下謹此授予本好爭辯理據的個案，否則不會行使。本公司亦不就以下負責﹕ 公司不可撤銷特許，准許本公司或其受僱人或代理於正常營業時間進入閣下所有或任何 9 膺品 10.2.3 弦樂器的損壞；或物業（不論是否連同汽車），以取得拍賣品（或其任何部份）的管有權； 9.1 本公司根據本第9段的條款就任何膺品承擔 10.2.4 金箔畫架、石膏畫架或畫架玻璃的的損壞；個人責任。而倘若拍賣品構成或變為有危險，本公司可 7.1.7 在給予閣下三個月書面通知，知會閣下本公以其認為適合的方法予以棄置而無須事先通司擬出售拍賣品後，以拍賣、私人協約或任 9.2 第9段僅於以下情況適用﹕ 知閣下，而本公司無須就此對閣下負責。何其他方式按不設底價形式出售拍賣品； 9.2.1 閣下為本公司就拍賣品發出原有發票的抬頭 10.3 就買家管理層或職工之任何業務、業務利 7.1.8 保留由本公司因任何目的（包括，但不限人，而該發票已被支付；及潤或收益或收入上的損失，或業務聲譽受於，其他已售予閣下或交予本公司出售的貨損，或業務受干擾或浪費時間，或倘若閣下品）而管有的閣下任何其他財產的管有權， 9.2.2 閣下於知悉拍賣品為或可能為膺品後，在合於業務過程中購買拍賣品，就任何種類的間直至所有應付本公司款項已全數支付為止；理地切實可行範圍內盡快，並無論如何須於接損失或相應產生的損害，本公司均無須向拍賣會後一年內，以書面通知本公司拍賣品閣下承擔任何相關的責任，不論指稱所蒙受 7.1.9 以本公司因任何目的而收到的閣下款項，無為膺品；及損失或損害的性質、數量或來源，亦不論該論該等款項於閣下失責時或其後任何時間收等損失或損害賠償是由於任何疏忽、其他侵到，用作支付或部份支付閣下於本協議下應 9.2.3 於發出該通知後一個月內，閣下把拍賣品退權法、違反合約、法定責任、受託保管人責付予本公司的任何款項；回本公司，而拍賣品的狀況須與拍賣會時的任、復還申索或其他而產生或就此而申索。狀況一樣，並連同證明拍賣品為膺品的書面 7.1.10 在給予三個月書面通知下，把本公司因任何證明，以及有關拍賣會及拍賣品編號的資料 10.4 在任何情況下，倘若本公司就拍賣品，或任目的（包括其他已售予閣下或交予本公司出

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PAGE 14 何就拍賣品的作為、不作為、陳述，或本協 12 規管法律投人提供有關拍賣品狀況的報告。票。 (b) 一項隱含的保證條款︰下列人士不會干擾議或其履行而須對閣下負責，則不論其為損「寄售費」賣家應付予邦瀚斯的費用，按照業務規「標準查驗」由並非專家的邦瀚斯職員對拍賣品進買方安寧地管有貨品─ 害賠償、彌償或責任分擔，或復還補救，或 12.1 法律則訂明的費率計算。行目視查驗。 (i) 賣方；及不論任何形式，本公司的責任將限於支付金「儲存合約」指業務規則第8.3.3段或買家協議第 (ii) 如合約雙方的意向是賣方只轉讓第三者的所額最高不超過拍賣品買價加買家費用（減除本協議下的所有交易以及所有有關事宜，均「合約表格」由賣家或代表賣家簽署的合約表格或 4.4段（按適用）所述的合約。有權，則該第三者；及閣下可能有權向賣家收回的款項）的款項，受香港法例規管並根據其解釋。汽車資料表（按適用），載有供邦瀚斯提供以作銷「儲存承辦商」於圖錄指明的公司。 (iii) 任何透過或藉着賣方或第三者提出申索的不論指稱所蒙受損失或損害賠償或所申索應售的拍賣品清單。「稅項」指香港政府所實施不時適用的所有稅項、人，而該項申索並非根據在合約訂立前已向買付款項的性質、數量或來源，亦不論該等責 12.2 語言「銷售合約」賣家與買家訂立的銷售合約（見圖錄收費、關稅、費用、徵費或其他評稅，以及所有其方披露或已為買方所知的押記或產權負擔而提任是否由於任何疏忽、其他侵權法、違反合內附錄一）。估計付款，包括，但不限於，收入、業務利潤、分出的。約、法定責任、受託保管人責任、復還申索本買家協議以中英文刋載。如就詮譯本買家「合約說明」唯一的拍賣品說明（即圖錄內有關拍行利潤、貨物稅、財產、銷售、使用、增值（增值或其他而產生。協議有任何爭議，以英文條款為本。賣品的資料內以粗體刊載的部份、任何照片（顏色稅）、環保、特許、海關、進口、薪金、轉讓、總除外）以及狀況報告的內容），賣家於銷售合約承收入、預扣、社會保障、失業稅項及印花稅及其他閣下宜購買保險以保障閣下的損失。保障資料 – 閣下資料的用途諾拍賣品與該說明相符。收費，以及就該等稅項、收費、費用、徵費或其他「說明」以任何形式對拍賣品所作的陳述或申述，評稅的任何利息及罰款。 10.5 上文所述不得解釋為排除或限制（不論直接由於本公司提供的服務，本公司取得有關閣下的個包括有關其作者、屬性、狀況、出處、真實性、風「恐怖主義」指任何恐怖主義行為或該等行為的威或間接）任何人士就(i)欺詐，或(ii)因本公司人資料（就本段而言，此詞僅包括閣下的僱員及職格、時期、年代、適合性、品質、來源地、價值及脅，無論任何人單獨行動或代表或與任何組織及／疏忽（或因本公司所控制的任何人士或本公員（如有））。閣下同意本公司以該等資料作下估計售價（包括成交價）。或政府有關而行動，為政治、宗教或思想或類似目司在法律上須代其負責任的任何人士的疏述用途。「資料」圖錄內識別拍賣品及其編號的書面陳述，的，包括，但不限於，企圖影響任何政府或使公眾忽）引致人身傷亡，或(iii)根據香港法例第可能包括有關拍賣品的說明及圖示。或任何部份公眾陷入恐慌。 314章佔用人法律責任條例，本公司須負責本公司可利用閣下的資料向閣下發出有關本公司服「成交價估計」本公司對成交價可能範圍的意見「信託帳戶」邦瀚斯的銀行帳戶，就任何拍賣品所的作為或不作為，或(iv)任何法律上不可排務變動的通知，以及向閣下提供有關產品或服務的的陳述。收買價的所有有關項款均收入該帳戶，該帳戶為與除或限制的其他責任，或(v)本公司根據此資料，而該等資料乃閣下要求本公司提供或本公司「開支」邦瀚斯就拍賣品已付或應付的收費及開邦瀚斯正常銀行帳戶有所區別及獨立的帳戶。等條件第9段的承諾，而須承擔的責任，或認為閣下可能對該等產品及服務感興趣。有關閣下支，包括法律開支、因電匯而產生的銀行收費及開「網站」網址為www.bonhams.com的邦瀚斯網排除或限制任何人士就上述而享有的權利或的資料可能用作分析，以了解閣下在這方面的潛支、保險收費及開支、圖錄及其他製作及說明、任站。補救方法。在喜好。本公司可能向本集團任何成員公司（指本何關稅、宣傳、包裝或運輸費用、轉載權費、稅「撤銷通知」賣家向邦瀚斯發出的書面通知，以撤公司的附屬公司、本公司最終控股公司及其附屬公項、徵費、測試、調查或查詢費用、出售拍賣品的銷由邦瀚斯出售拍賣品的指示。 11 一般事項司，定義見二零零六年英國公司法第1159條及附表預備工作、儲存收費、來自賣家作為賣家代理或來「不設底價」指並無規定拍賣品可予出售的最低價 6，包括海外附屬公司）披露閣下的資料。除此以自失責買家的遷移收費或領取費用，加稅項。格（不論以拍賣或私人協約形式） 11.1 閣下不得轉讓本協議的利益或須承擔的責外，本公司不會向任何第三方披露閣下的資料，惟「膺品」其製作者或其他人士意圖在其作者、屬任。本公司可能不時向閣下提供我們相信閣下可能感興性、來源地、真實性、風格、日期、年代、時期、詞彙趣的第三方貨品及服務的有關資料。本集團任何成出處、文化、來源或成份方面進行欺騙的偽造品，以下詞句有特定法律涵義，而閣下可能對該等涵義 11.2 倘若本公司未能或延遲強制執行或行使任何員公司亦可以閣下的資料作類似用途。而該膺品於拍賣會日期的價值大幅低於其若非偽造並不熟悉。下列詞彙乃為協助閣下了解該等詞句，本協議下的權力或權利，這不得作為或視其的價值。且任何拍賣品說明一概無指明其為偽造。惟無意就此而限制其法律上的涵義：作為本公司放棄根據本協議所賦予的權利，本公司將保留閣下的資料為期五年，由閣下最後與拍賣品不會因其損壞、及／或對其進行修復及／或任何以書面形式給予閣下的明確放棄除外。我們聯繫的日期起計，以便簡化任何日後再辦理登修改（包括重畫或覆畫）而成為膺品，惟該損壞或「藝術家轉售權」﹕按二零零六年藝術家轉售權規任何該等放棄並不影響本公司其後強制執行記時的手續。該等資料可轉移及儲存於香港以外地修復或修改（視情況而定）並無實質影響拍賣品與例的規定，藝術品作者於原出售該作品後，就出售根據本協議所產生任何權利的能力。方，而閣下同意此轉移。拍賣品說明符合的特性。該作品而收取款項的權利。「受託保管人」﹕貨品所交託的人士。 11.3 倘本協議任何一方，因在其合理控制範圍以閣下有權要求不以閣下的資料作此等用途，「保証」在任何膺品上邦瀚斯對買家全力承擔的責「彌償保證」﹕為保證使該彌償保證受益人回復其外的情況下而無法履行該訂約方根據本協議有關要求請聯絡Bonhams 1793 Limited（地任，以及在專門郵票拍賣會及／或專門書藉拍賣會猶如導致須予彌償的情況並無發生時所處狀況的責的責任，或倘在該等情況下履行其責任會導址﹕Montpelier Galleries, Montpelier Street, 當中，根據買家協議內定立，由郵票或書藉組成的任，「彌償」一詞亦按此解釋。致其增加重大財務成本，則該訂約方只要在 London, SW7 1HH, United Kingdom）（就香港拍賣品。「互爭權利訴訟」﹕由法院裁定拍賣品擁有權誰屬該情況仍然持續時，不會被要求履行該等責法例第486章個人資料(私隱)條例而言，為資料的的訴訟。任。本段並不適用於第3段對閣下施加的責使用者）或以電郵聯絡client.services@bonhams. 「成交價」拍賣人落槌表示拍賣品成交的價格，其「投得」﹕拍賣品售予一名競投人之時，於拍賣會任。 com。貨幣為拍賣會所採用的貨幣。上以落槌表示。「香港」中華人民共和國香港特別行政區。「留置權」﹕管有拍賣品的人士保留其管有權的 11.4 本協議下的任何通知或其他通訊，必須以書附錄三「遺失或損壞保證」指業務規則第8.2.1段所述的權利。面形式作出，並可由專人送交或以掛號郵件保證。「風險」﹕拍賣品遺失、損壞、損毀、被竊，或狀或空郵或以傳真方式（如發給邦瀚斯，註明釋義及詞彙「遺失或損壞保證費用」指業務規則第8.2.3段所況或價值惡化的可能性。交公司秘書收），發送至合約表格所示有關述的費用。「所有權」﹕拍賣品擁有權的法律及衡平法上的訂約方的地址或傳真號碼（除非已以書面形倘納入此等釋義及詞彙，下列詞語及用詞具有（除「拍賣品」任何託付予邦瀚斯，供以拍賣或私人協權利。式通知更改地址）。通知或通訊發出人須確文義另有所指外）以下所賦予的涵義。詞彙乃為協約形式出售的任何物品（而凡提述任何拍賣品，均「侵權法」﹕對他人犯下法律上的過失，而犯過者保其清晰可讀並於任何適用期間內收到。助閣下了解有特定法律涵義的詞語及用詞而設，閣包括（除非文義另有所指）作為由兩項或以上物品對該人士負有謹慎責任。下可能對該等涵義並不熟悉。組成的一項拍賣品內的個別項目）。 11.5 倘若本協議的任何條款或任何條款的任何部「汽車圖錄費」作為邦瀚斯製作汽車的圖錄及就出香港法例第26章貨品售賣條例份被裁定為不可強制執行或無效，則該等不釋義售汽車進行推廣而須承擔額外工作的代價，而應由可強制執行或無效並不影響本協議其餘條款「額外費用」按照競投人通告計算的費用，以彌補賣家付予邦瀚斯的費用。以下為香港法例第26章貨品售賣條例的摘錄：或有關條款其餘部份的強制執行能力或有效邦瀚斯須根據二零零六年藝術家轉售權規例支付「New Bond Street」指邦瀚斯位於 101 New Bond 性。版權費的開支，買家須就任何註有[AR]且其成交價 Street, London W1S 1SR的拍賣場。「第14條有關所有權等的隱含責任承擔連同買家費用（但不包括任何增值稅）等於或超過「名義收費」倘拍賣品已按名義價格出售，則為應 11.6 本協議內凡提述邦瀚斯均指，倘適用，包括 1,000歐元（按拍賣會當日的歐洲中央銀行參考匯率付的佣金及稅項。 (1) 除第(2)款適用的售賣合約外，每份售賣合約均邦瀚斯的高級職員、僱員及代理。換算為拍賣會所用貨幣）的拍賣品。「名義費用」賣家應付予邦瀚斯的寄售費所依據的有─ 「拍賣人」主持拍賣會的邦瀚斯代表。金額，該費用按照業務規則訂明的公式計算。 11.7 本協議內所用標題僅為方便參考而設，概不「競投人」已填妥競投表格的人士。「名義價格」本公司向閣下提供或載於圖錄的最近 (a) 一項賣方須符合的隱含條件︰如該合約是一影響本協議的詮釋。「競投表格」本公司的競投人登記表格、缺席者及期高、低估價的平均數，或若並無提供或載列該等宗售賣，他有權售賣有關貨品，如該合約是一電話競投表格。估價，則為拍賣品適用的底價。項售賣協議，則他在貨品產權轉移時，將有權 11.8 本協議內「包括」一詞指「包括，但不限「邦瀚斯」邦瀚斯拍賣有限公司（Bonhams (Hong 「競投人通告」刊印於本公司圖錄前部的通告。售賣該等貨品；及於」。 Kong) Limited）或其後繼公司或承讓公司。於買「買價」成交價與成交價的稅項相加的總數。家協議、業務規則及競投人通告內，邦瀚斯亦稱「底價」拍賣品可予出售的最低價格（不論以拍賣 (b) 一項隱含的保證條款︰該等貨品並無任何 11.9 單數詞語包括眾數詞語（反之亦然），任何為我們。或私人協約形式）。在訂立合約前未向買方披露或未為買方所知的一個性別的詞語包括其他性別。「書籍」於專門書籍拍賣會提供以作銷售的印刷押記或產權負擔，而在產權轉移前亦不會有這書籍。「拍賣會」由邦瀚斯提供以作銷售拍賣品的拍賣樣的押記或產權負擔；此外，買方將安寧地享 11.10 凡提述第某段，即指本協議內該編號的段會。有對該等貨品的管有，但如對該項管有的干擾落。「業務」包括任何行業、業務及專業。「出售所得款項」拍賣品售出後賣家所得的款項淨是由有權享有已向買方披露或已為買方所知的「買家」拍賣人落槌表示由其投得拍賣品的人士。額，即成交價扣除佣金、其任何應繳稅項、開支及任何押記或產權負擔的利益的擁有人或其他有 11.11 除第11.12段有明確規定外，本協議概無賦於銷售合約及買家協議內，買家亦稱為「閣下」。任何其他應付予本公司的款項不論以何身份及如權享有該等利益的人作出的，則不在此限。予（或表示賦予）非本協議訂約方的任何人「買家協議」邦瀚斯與買家訂立的合約（見圖錄內何產生。士，任何本協議條款所賦予的利益或強制執附錄二）。「賣家」合約表格所列明提供拍賣品以作銷售的人 (2) 如售賣合約所顯示或從合約的情況所推定的意行該等條款的權利。「買家費用」以成交價按競投人通告訂明的費率計士。若該列名人士在表格上指明另一人士作為其代向，是賣方只轉讓其本身的所有權或第三者的算的款項。理，或若合約表格所列明人士作為主事人的代理行所有權，則合約中有─ 11.12 本協議凡賦予賣家豁免、及／或排除或限制「圖錄」有關拍賣會的圖錄，包括任何於本公司網事（不論該代理關係是否已向邦瀚斯披露），則 (a) 一項隱含的保證條款︰賣方所知但不為買方邦瀚斯責任時，邦瀚斯的控股公司及該控股站刊載的圖錄陳述。「賣家」包括該代理及主事人，而彼等須就此共同所知的所有押記或產權負擔，在合約訂立前已公司的附屬公司，邦瀚斯及該等公司的後續「佣金」賣家應付予邦瀚斯的佣金，按照合約表格及個別負責。業務規則內亦稱賣家為「閣下」。向買方披露；及公司及承讓公司，以及邦瀚斯及該等公司的訂明的費率計算。「專家查驗」由專家對拍賣品進行目視查驗。任何高級職員、僱員及代理的承繼人及受讓「狀況報告」由邦瀚斯代表賣家向競投人或潛在競「郵票」指於專門郵票拍賣會提供以作銷售的郵人亦可享有同樣的法律上利益。

HK/NTB/MAIN/V1/11.16 HK/NTB/MAIN/V1/11.16

PAGE 15 PAGE 16 票。 (b) 一項隱含的保證條款︰下列人士不會干擾「標準查驗」由並非專家的邦瀚斯職員對拍賣品進買方安寧地管有貨品─ 行目視查驗。 (i) 賣方；及「儲存合約」指業務規則第8.3.3段或買家協議第 (ii) 如合約雙方的意向是賣方只轉讓第三者的所 4.4段（按適用）所述的合約。有權，則該第三者；及「儲存承辦商」於圖錄指明的公司。 (iii) 任何透過或藉着賣方或第三者提出申索的「稅項」指香港政府所實施不時適用的所有稅項、人，而該項申索並非根據在合約訂立前已向買收費、關稅、費用、徵費或其他評稅，以及所有其方披露或已為買方所知的押記或產權負擔而提估計付款，包括，但不限於，收入、業務利潤、分出的。行利潤、貨物稅、財產、銷售、使用、增值（增值稅）、環保、特許、海關、進口、薪金、轉讓、總收入、預扣、社會保障、失業稅項及印花稅及其他收費，以及就該等稅項、收費、費用、徵費或其他評稅的任何利息及罰款。「恐怖主義」指任何恐怖主義行為或該等行為的威脅，無論任何人單獨行動或代表或與任何組織及／或政府有關而行動，為政治、宗教或思想或類似目的，包括，但不限於，企圖影響任何政府或使公眾或任何部份公眾陷入恐慌。「信託帳戶」邦瀚斯的銀行帳戶，就任何拍賣品所收買價的所有有關項款均收入該帳戶，該帳戶為與邦瀚斯正常銀行帳戶有所區別及獨立的帳戶。「網站」網址為www.bonhams.com的邦瀚斯網站。「撤銷通知」賣家向邦瀚斯發出的書面通知，以撤銷由邦瀚斯出售拍賣品的指示。「不設底價」指並無規定拍賣品可予出售的最低價格（不論以拍賣或私人協約形式）

詞彙以下詞句有特定法律涵義，而閣下可能對該等涵義並不熟悉。下列詞彙乃為協助閣下了解該等詞句，惟無意就此而限制其法律上的涵義：

「藝術家轉售權」﹕按二零零六年藝術家轉售權規例的規定，藝術品作者於原出售該作品後，就出售該作品而收取款項的權利。「受託保管人」﹕貨品所交託的人士。「彌償保證」﹕為保證使該彌償保證受益人回復其猶如導致須予彌償的情況並無發生時所處狀況的責任，「彌償」一詞亦按此解釋。「互爭權利訴訟」﹕由法院裁定拍賣品擁有權誰屬的訴訟。「投得」﹕拍賣品售予一名競投人之時，於拍賣會上以落槌表示。「留置權」﹕管有拍賣品的人士保留其管有權的權利。「風險」﹕拍賣品遺失、損壞、損毀、被竊，或狀況或價值惡化的可能性。「所有權」﹕拍賣品擁有權的法律及衡平法上的權利。「侵權法」﹕對他人犯下法律上的過失，而犯過者對該人士負有謹慎責任。

香港法例第26章貨品售賣條例

以下為香港法例第26章貨品售賣條例的摘錄：

「第14條有關所有權等的隱含責任承擔

(1) 除第(2)款適用的售賣合約外，每份售賣合約均有─

(a) 一項賣方須符合的隱含條件︰如該合約是一宗售賣，他有權售賣有關貨品，如該合約是一項售賣協議，則他在貨品產權轉移時，將有權售賣該等貨品；及

(b) 一項隱含的保證條款︰該等貨品並無任何在訂立合約前未向買方披露或未為買方所知的押記或產權負擔，而在產權轉移前亦不會有這樣的押記或產權負擔；此外，買方將安寧地享有對該等貨品的管有，但如對該項管有的干擾是由有權享有已向買方披露或已為買方所知的任何押記或產權負擔的利益的擁有人或其他有權享有該等利益的人作出的，則不在此限。

(2) 如售賣合約所顯示或從合約的情況所推定的意向，是賣方只轉讓其本身的所有權或第三者的所有權，則合約中有─ (a) 一項隱含的保證條款︰賣方所知但不為買方所知的所有押記或產權負擔，在合約訂立前已向買方披露；及

HK/NTB/MAIN/V1/11.16

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G-NET12/4/17 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Modern & Contemporary Art Sale date: 6 June 2017

Sale no. 24014 Sale venue: Hong Kong Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue This sale will be conducted in accordance with for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Bonhams’ Conditions of Sale and bidding and buying endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with General Bid Increments HK$: the Sale Information relating to this Sale which sets $10,000 - 20,000...... by 1,000s $200,000 - 500,000...... by 20,000 / 50,000 / 80,000s out the charges payable by you on the purchases $20,000 - 50,000...... by 2,000 / 5,000 / 8,000s $500,000 - 1,000,000...... by 50,000s you make and other terms relating to bidding and $50,000 - 100,000...... by 5,000s $1,000,000 - 2,000,000...... by 100,000s buying at the Sale. You should ask any questions you $100,000 - 200,000...... by 10,000s above $2,000,000...... at the auctioneer’s discretion have about the Conditions before signing this form. These Conditions also contain certain undertakings The auctioneer has discretion to split any bid at any time. by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, Suite 2001, One Pacific Place, 88 Queensway, Hong Kong or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by Post / Zip code Country a Hong Kong bank. All other debit cards, CUP cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime Telephone evening Fax Notice to Bidders. Clients are requested to provide photographic proof of Preferred number(s) in order for Telephone Bidding (inc. country code) ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, E-mail (in capitals) together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful Please note that all telephone calls are recorded. Please tick if you have registered with us before I will collect the purchases myself Important Please contact me with a shipping quote When registering, the Bidder accepts personal liability for his/her purchase payment, unless it has been previously agreed in writing (if applicable) with Bonhams, that a Bidder is acting as an agent for a third party. Any person placing a bid as agent on behalf of another (whether or not he has disclosed this fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and * Any person, bidders and purchasers must be at least 18 to Bonhams under any contract resulting from the acceptance of a bid. By signing this form you agree to be bound by the Notice to years of age to participate in the Sale of Lots comprising Bidders printed in this Catalogue. You also authorise Bonhams to pursue a financial reference from your bank. Finally, Bonhams may wine, spirits and liquors. request that you provide proof of identity and permanent address for verification and client administration purposes.

Telephone or MAX bid in HK$ Lot no. Brief description Covering bid* Absentee (T / A) (excluding premium)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, TAX AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, Suite 2001, One Pacific Place, 88 Queensway, Hong Kong. Tel: +852 2918 4321 Fax: +852 2918 4320, [email protected] Bonhams (Hong Kong) Limited. Suite 2001, One Pacific Place, 88 Queensway, Hong Kong. Company Number 1426522. HK/06/14 登記及競投表格邦瀚斯 (出席者／書面競投／網上／電話競投) 請選擇競投方法

拍賣會標題: Modern & Contemporary Art 拍賣會日期: 6 June 2017

拍賣會編號: 24014 拍賣會場地: 香港 Hong Kong 號牌 (僅供本公司填寫) 如閣下未能親身出席拍賣會，請最遲於拍賣會前24小提供閣下欲競投的拍賣品詳情。競投將被下調至最本拍賣會將根據邦瀚斯的「業務規定」進行，在接近的競投增幅。請參閱圖錄中「競投者須知」內有關指示邦瀚斯代表閣下執行電話、網上或書面競投拍賣會的競投及購買將由「業務規定」規管。閣的進一步資料。邦瀚斯將代表閣下盡力執行該等競投，但本公司並不對任何錯誤或未能執行競投承擔責下閱讀「業務規定」時應一併閱讀有關本拍賣會任。的「拍賣會資料」，該「拍賣會資料」載有閣下一般競投價遞增幅度（港元）: 於作出購買時須支付的費用，以及有關在拍賣會 $10,000 - 20,000...... 按 1,000s $200,000 - 500,000...... 按 20,000 / 50,000 / 80,000s 競投及購買的其他條款。閣下若對「業務規定」 $20,000 - 50,000...... 按 2,000 / 5,000 / 8,000s $500,000 - 1,000,000...... 按 50,000s 有任何疑問，應在簽署本表格前提出。「業務規 $50,000 - 100,000...... 按 5,000s $1,000,000 - 2,000,000...... 按 100,000s 定」亦包含由競投人及買家作出的若干承諾及限 $100,000 - 200,000...... 按 10,000s $2,000,000以上………....由拍賣官酌情決定制邦瀚斯對競投人及買家的責任。拍賣官可隨時酌情決定把任何競投價拆細。資料保護－閣下資料的使用在本公司獲得任何有關閣下的個人資料時，本公客戶編號稱銜司只會根據本公司的「私隱政策」條款使用閣下的資料（以閣下披露資料時給予本公司的任何名姓額外特定同意為準）。閣下可透過本公司網站公司名稱(如適用的話將作為發票收票人) (www.bonhams.com)、郵寄香港金鐘道88號太古廣場一期2001室客戶服務部或電郵至hongkong@ 地址 bonhams.com索取「私隱政策」的副本。

信用卡及扣賬卡付款城市縣／郡如閣下透過香港銀行簽發的扣賬卡付款，本公司將不會徵收附加費。如閣下以其他扣賬卡、銀聯郵編國家卡及所有信用卡付款，本公司將徵收總發票金額的2%作為附加費。流動電話日間電話夜間電話傳真競投者須知客戶需提供身份證明文件如護照、駕駛執照、身競投電話號碼（包括電話國家區號）份證的副本證明，以及住址證明如水電費賬單、銀行或信用卡結算單等。公司客戶亦需提供公司章程／公司註冊文件的副本，以及授權個別人士電郵（大楷）代表進行競投的函件。如閣下未能提供上述文閣下倘若提供以上電郵地址，代表授權邦瀚斯可把跟拍賣會﹑市場資料與消息相關的信息發送至此電郵地址。邦瀚件，可能導致本公司未能處理閣下的競投。如閣下競投高價的拍賣品，本公司可能要求閣下提供斯不會售賣或與第三方交換此電郵地址資料。銀行信用證明。本人登記為私人客戶本人登記為交易客戶請注意所有電話對話將被錄音以往曾於本公司登記如成功競投拍賣品本人將自行提取貨品重要提示除非事前另行與邦瀚斯以書面協定競投人以第三方代理人的身份行事，否則一經登記，競投人須對其購買款請向本人提供運輸報價（如適用）項承擔個人責任。任何作為他人代理的人士（不論他是否已披露其為代理或其主事人的身份）須就其獲接納的出價而產生的合約與主事人共同及個別地向賣家及邦瀚斯承擔責任。透過簽署此表格，閣下同意接受本圖 * 任何人士、競投人及買家必須年滿18歲方可於拍賣會錄內的「競投者須知」的約束。閣下亦授權邦瀚斯向閣下的銀行查詢閣下的財務狀況。邦瀚斯可要求閣下提上參與競投葡萄酒、烈酒及酒精飲料等拍賣品。供身份證明及永久地址供查核及客戶管理用途。

最高港元競投價電話或書面拍賣品編號拍賣品說明 (不包括買家費用) 應急競投價競投 *

閣下簽署此表格，則代表閣下已閱讀圖錄，亦已細閱並理解我們的「業務規定」，並願意受其約束，及同意繳付「競投人通告」內提及「買家費用」﹑增值稅及其他收費。這影響閣下的法律權利。

簽字: 日期:

* 應急競投價：表示如在競投期間我們未能透過電話與閣下聯絡或電話連線中斷，則只有邦瀚斯可獲閣下授權以應急競投價為最高競投價（不包括買家費用）代閣下進行競投。進行付款的戶口持有人名稱必須與發票及「拍賣登記表格」上所列的名稱相同。請將填妥的「拍賣登記表格」及所需資料電郵或傳真至: 香港金鐘道88號太古廣場一期2001室客戶服務部電話：+852 2918 4321 傳真：+852 2918 4320，[email protected] 香港金鐘道88號太古廣場一期2001室Bonhams (Hong Kong) Limited.公司編號1426522 HK/05/16 Lot 19 (detail)

126 | BONHAMS MODERN & CONTEMPORARY ART | 127 ARTIST INDEX

C CHAN, LUIS 陳福善 39, 40 CHEN TING-SHIH 陳庭詩 44, 45, 46 CHUANG CHE 莊喆 42, 43

F FONG CHUNG RAY 馮鍾睿 41

H HAI BO 海波 29 HEE, HON CHEW 許漢超 47 HIRAGA, KEY 平賀敬 1,2,3,4,5,6,7

I IMAI, TOSHIMITSU 今井俊滿 16, 17, 18

J JU MING 朱銘 23

K KAWS 36 KIM CHANIL 金燦一 20 KIM TAE-HO 金泰浩 21

L LEE BUL 李昢 33 LEE KWAN WOO 李寬雨 38 LEE UFAN 李禹煥 13 LIN, RICHARD 林壽宇 22

M MABE, MANABU 間部學 15 MIYAKE, SHINTARO 三宅信太郎 35

P PAIK, NAME JUNE 白南准 34, 37

S SHIMAMOTO, SHOZO 嶋本昭三 19 SHIY DE JINN 席德進 24

W WANG GUANGYI 王廣義 30

Y YAMADA, MASAAKI 山田正亮 14 YAMAGUCHI, TAKEO 山口長男 8, 9, 10, 11, 12 YANG SHAOBIN 楊少斌 25, 26 YUE MINJUN 岳敏君 27

Z ZHAI LIANG 翟倞 32 ZHANG ENLI 張恩利 31 ZHOU CHUNYA 翟倞 28 Lot 25 (detail) Bonhams Suite 2001 One Pacific Place 88 Queensway, Admiralty Hong Kong

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