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Bibliography BIBLIOGRAPHY Afi nogenev, Alexander. Distant Point. London: Pushkin, 1941. Agate, James. Contemporary Theatre. London: Chapman and Hall, 1927. Andrews, Geoff, Nina Fishman, and Kevin Morgan. Opening the Books: Essays on the Social and Cultural History of British Communism. London: Pluto, 1995. Andrews, John and Ossia Trilling eds. International Theatre . London: Sampson Low, 1949. Andreyev, Leonid. The Dear Departing. London: Henderson’s, 1916. Anon. “Russia and Ourselves.” Daily Mail , Monday, February 22, 1943. Anon. The Daily Graphic , February 22, 1926. Cadbury Research Library, University of Birmingham, MS38/2427. Anon. “Russia’s Day.” The Times , November 19, 1915. Anon. “The Theatre of the Soul.” The Times , December 4, 1915. Anon. The Daily Mirror , November 4, 1926. Cadbury Research Library, University of Birmingham, MS38/5304. Anon. Sporting and Dramatic News , March 16, 1929. Cadbury Research Library, University of Birmingham, MS38/235. Anon. The Sketch , March 13, 1929. Cadbury Research Library, University of Birmingham, MS38/235. Anon. Sunday Graphic and Sunday Herald , March 3, 1929. Cadbury Research Library, University of Birmingham, MS38/235. Anon. “Savoy Theatre.” The Times , June 8, 1932. Anon. Tatler , November 10, 1937. Cadbury Research Library, University of Birmingham, MS38/594. Anon. The Stage , October 10, 1937. Cadbury Research Library, University of Birmingham, MS38/594. © The Editor(s) (if applicable) and The Author(s) 2016 201 C. Warden, Migrating Modernist Performance, DOI 10.1057/978-1-137-38570-3 202 BIBLIOGRAPHY Anon. A Communist Policy for Theatre. London: Farleigh Press, 1948. Anon. “Salute to the Red Army: Impressive Pageantry.” The Times , February 22, 1943. Anon. Sydney Morning Herald , October 26, 1932. Anon. “Editorial: Russian/Modernist Connections.” International Journal of Scottish Literature , 2, 2009, accessed July 1, 2015, http://www.ijsl.stir.ac.uk/ issue5/editorial.htm Antiff, Mark and Scott W. Klein eds. Vorticism: New Perspectives . Oxford: Oxford UP, 2013. Armstrong, Tim. Modernism, Technology and the Body . Cambridge: Cambridge UP, 1998. Asquith, Anthony dir. The Demi-Paradise . Two Cities Films, 1943. Auden, W.H. and Christopher Isherwood. Plays and Other Dramatic Writings 1928–1938 , ed. Edward Mendelson. London: Faber and Faber, 1989. Auslander, Philip. Liveness: Performance in a Mediatized Culture. Abingdon: Routledge, 2008. Autant-Mathien, Marie-Christine and Yana Meerson eds. The Routledge Companion to Michael Chekhov. Abingdon: Routledge, 2015. Bäckström, Per and Benedikt Hjartarson eds. Decentring the Avant-Garde . London: Rodopi, 2014. Banks, George. “Petrouchka – the Russian Ballet.” Rhythm 6 (July 1912). Barker, Clive and Maggie B. Gale eds. British Theatre Between the Wars, 1918–1939 . Cambridge: Cambridge UP, 2000. Baron, Alec. I Was There . Unpublished autobiography. Baron, Alec and Kate Plenty. Comrade Enemy (1942). BC Ms 20c Theatre, Baron, Brotherton Collection, University of Leeds. Barranger, Milly S. Margaret Webster: A Life in the Theater . Ann Arbor: Michigan UP, 2004. Baubock, Rainer and Thomas Faist eds. Diaspora and Transnationalism: Concepts, Theories and Methods. Amsterdam: Amsterdam UP, 2010. Bakshy, Alexander. The Path of the Modern Russian Stage and Other Essays. London: Cecil Palmer and Hayward, 1916. Balfour, Michael ed. Theatre and Performance, 1933–1945: Performance in Extremis . New York: Berghahn, 2001. Baring, Maurice. An Outline of Russian Literature. London: Williams and Norgate, 1914. —— What I Saw in Russia. London: William Heinemann, 1927. —— The Puppet Show of Memory. London: William Heinemann, 1922. —— The Grey Stocking and Other Plays . London: Constable and Company, 1911. Barrie, J.M. The Truth About Russian Dancers . New York: Dance Perspectives, 1962. Beachcomber. “Russian Pickwick.” Daily Express , December 17, 1928. BIBLIOGRAPHY 203 Beasley, Rebecca and Philip Ross Bullock eds. Russia in Britain 1880– 1940. Oxford: Oxford UP, 2013. Beasley, Rebecca and Philip Ross Bullock. “Introduction: The Illusion of Transparency.” Translation and Literature , 20 (2011). Bellow, Juliet. Modernism on Stage: The Ballets Russes and the Parisian Avant- Garde . Farnham: Ashgate, 2013. Benedetti, Jean ed. The Moscow Art Theatre Letters . New York: Routledge, 1991. Benedetti, Jean. Stanislavski and the Actor . New York: Routledge, 2013. Bigliazzi, Silvia, Peter Kofl er and Paola Ambrosi. Theatre Translation in Performance. Abingdon: Routledge, 2013. Blanton, Casey. Travel Writing: The Self and the World . New York: Routledge, 2002. Boleslawskaia, Madame. Letter to Basil Dean. October 15, 1926, DEA 1/1/327- 335, Basil Dean Archive. Booth, Michael and Joel Kaplan eds. The Edwardian Theatre: Essays in Performance and the Stage. Cambridge UP, 1996. Borovsky, V.E. A Triptych of Russian Theatre: The Komissarzhevskys. London: Hurst, 2001. Boyle, Sheila Tully and Andrew Bunie. Paul Robeson: The Years of Promise and Achievement. Boston: Massachusetts UP, 2001. Bracken, Brendan. Letter to Basil Dean. February 24, 1943, DEA 5/3/4, Basil Dean Archive. “Brain by Lionel Britton.” The Observer , May 4, 1930. Braun, Edward. Meyerhold: A Revolution in Theatre. London: Methuen, 1998. Britton, Lionel. Brain: A Play of the Whole Earth. London: G.P. Putnam’s, 1930. Brooker, Peter and Andrew Thacker eds. Geographies of Modernism. Abingdon: Routledge, 2005. Brooker, Peter, Sascha Bru, Andrew Thacker and Christian Weikop eds. The Oxford Critical and Cultural History of Modernist Magazines vol III 1880–1940 . Oxford: Oxford UP, 2013. Bryher. “Dope or Stimulus.” Close Up 3:3 (September 1928). Burden, Robert. Travel, Modernism and Modernity. Farnham: Ashgate, 2015. Burton, Stacy. Travel Narrative and the Ends of Modernity. Cambridge: Cambridge UP, 2014. Calderon, George. Two Plays by Tchekof: The Seagull and The Cherry Orchard. London: Grant Richards, 1912. —— The Little Stone House: A Play in One Act . London: Sidgwick and Jackson, 1913. Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: Michigan UP, 2003. Carter, Huntly. The New Spirit in the Russian Theatre, 1917–1928. London: Arno, 1929. —— The New Spirit in the European Theatre, 1914–1924 . London: Benn, 1925. —— “The New Russia.” The New Age , November 17, 1921. 204 BIBLIOGRAPHY Certeau, Michel de. The Practice of Everyday Life , trans. Steven F. Rendell. Berkeley: California UP, 1988. Chambers, Colin. The Story of Unity Theatre . London: Lawrence and Wishart, 1989. Chambers, Colin ed. The Continuum Companion to Twentieth-Century Theatre . London: Continuum, 2002. “Chauve-Souris at The Coliseum.” The Times , November 15, 1921. Chekhov, Anton. Plays . London: Penguin, 1951. Chekhov, Michael. To the Actor . London: Routledge, 2003. Chinitz, David. T.S. Eliot and the Cultural Divide. Chicago: Chicago UP, 2003. Christie, Ian and Richard Taylor eds. The Film Factory: Russian and Soviet Cinema in Documents . Abingdon: Routledge, 2002. Clayton, Martin and Bennett Zon eds. Music and Orientalism in the British Empire, 1780s-1940s: Portrayal of the East. Farnham: Ashgate, 2007. Clayton, Michelle. “Modernism’s Moving Bodies.” Modernist Cultures 9.1 (2014). Cohen, Brigid. Stefan Wolfe and the Avant-Garde Diaspora. Cambridge: Cambridge UP, 2012. Cornwall, Peter. Only by Failure: The Many Faces of the Impossible Life of Terence Gray . Cambridge: Salt, 2004. Cox, Emma. Theatre and Migration. London: Palgrave MacMillan, 2014. Craig, Edward Gordon. On the Art of the Theatre , ed. Franc Chamberlain. London: Routledge, 2009. —— Craig on Theatre , ed. J. Michael Walton. London: Methuen, 1999. —— Craig on Movement and Dance , ed. Arnold Rood. London: Dance Books, 1977. —— The Theatre – Advancing . Boston: Little Brown and Company, 1919. Croall, Jonathan. Gielgud: A Theatrical Life . London: Continuum, 2001. Cross, Anthony ed. A People Passing Rude: British Responses to Russian Culture. London: Open Book, 2012. Cummings, E.E. Eimi: A Journey Through Russia . New York: Liveright, 2007. Curtin, Adrian. Avant-Garde Theatre Sound: Staging Sonic Modernity. New York: Palgrave MacMillan, 2014. D’Monté, Rebecca. British Theatre and Performance, 1900–1950. London: Bloomsbury, 2015. Daily Worker . October 19, 1947. Unity Theatre Archive, V&A, THM 9/4/5/54. Dana, H.W.L. “Yellow Rust: The History of a Crime.” New Masses: A Magazine of Workers Art and Literature (April 1930). Davison, Clare. Translation as Collaboration: Virginia Woolf, Katherine Mansfi eld and S.S. Koteliansky. Edinburgh UP, 2014. de Valois, Ninette. Come Dance With Me: A Memoir 1898–1956. Dublin: Lilliput Press, 1992. Dean, Basil. “Address to Nottinghamshire Playgoers Club.” January 1926, DEA 12/1/28, Basil Dean Archive. —— Seven Ages: An Autobiography 1888–1927. London: Hutchinson, 1970. BIBLIOGRAPHY 205 —— Mind’s Eye: An Autobiography 1927–1932 . London: Hutchinson, 1973. —— The Theatre at War. London: Harrap, 1956. —— Letter to Mr [Dmitri] Bogomoloff, January 1926, DEA 1/2/210, Basil Dean Archive. —— “Roast Beef and Caviare [sic]: Refl ections upon the Theatre in England and Russia.” Soviet Union Monthly (May 1926): 90–1, DEA 12/1/31, Basil Dean Archive. —— “The Actor and His Workshop” (lecture presented at the Victoria and Albert Museum During the International Theatre Exhibition, July 1922), DEA 12/1/16, Basil Dean Archive. —— “The Machine Artists: Notes on a Recent Visit to the Russian Theatre.” The Sphere , August 28, 1926, DEA 12/1/35, Basil Dean Archive. —— “My Aims in the Theatre.” November 1928, DEA 12/1/45, Basil Dean Archive. —— “Interview
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